TLP Interview with Ralph Steadman, Artist & Illustrator

The Lonely Palette

[2:18]: Love of Picasso and Duchamp.
[3:11]: Where do you start with caricature, the body or the soul?
[5:40]: Drawing with a pen – “no such thing as a mistake.”
[7:09]: The difference between illustration and “fine art”.
[9:55]: Use of the geometric in Steadman’s work, ink spatter, a conversation with the paper.
[13:10]: Coming to the U.S. in 1970, David Hockney “Paranoids”.
[14:30]: Use of photographs and text in drawing.
[15:15]: I, Leonardo, the terror of the blank canvas, and “prorogation”.
[17:53]: Style, “exposing depravity” and being purified by drawing it.
[22:33]: Early career before collaborating with Hunter S. Thompson, alchemy, gonzo.
[29:08]: Favorite faces to draw.
[30:48]: 2020, the pandemic, and finding the birdsong in doom.

Interview Webpage:
bit.ly/38erSJX

Music Used:
The Blue Dot Sessions, "Crumbtown"

Support the Show:
www.patreon.com/lonelypalette


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2020-12-19 36 min 13 chapters
Audio File Episode Page Apple

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Chapters

1. Love of Picasso and Duchamp 2. Where do you start with caricature, the body or the soul? 3. Drawing with a pen – “no such thing as a mistake.” 4. The difference between illustration and “fine art” 5. Use of the geometric in Steadman’s work, ink spatter, a conversation with the paper 6. Coming to the U.S. in 1970, David Hockney “Paranoids” 7. Use of photographs and text in drawing 8. I, Leonardo, the terror of the blank canvas, and “prorogation” 9. Style, “exposing depravity” and being purified by drawing it 10. Early career before collaborating with Hunter S. Thompson, alchemy, gonzo 11. Favorite faces to draw 12. 2020, the pandemic, and finding the birdsong in doom. 13. 2020, the pandemic, and finding the birdsong in doom
Love of Picasso and Duchamp 138.0s
Where do you start with caricature, the body or the soul? 191.0s
Drawing with a pen – “no such thing as a mistake.” 340.0s
The difference between illustration and “fine art” 429.0s
Use of the geometric in Steadman’s work, ink spatter, a conversation with the paper 595.0s
Coming to the U.S. in 1970, David Hockney “Paranoids” 790.0s
Use of photographs and text in drawing 870.0s
I, Leonardo, the terror of the blank canvas, and “prorogation” 915.0s
Style, “exposing depravity” and being purified by drawing it 1073.0s
Early career before collaborating with Hunter S. Thompson, alchemy, gonzo 1353.0s
Favorite faces to draw 1748.0s
2020, the pandemic, and finding the birdsong in doom. 1848.0s
2020, the pandemic, and finding the birdsong in doom 1848.0s