Sherlock Holmes - The Adventure of the Tolling Bell

<v Speaker 1>Kremmel Hair Tonic and Cramel Shampoo present The New Adventures
<v Speaker 1>of Sherlock Holmes, starring Nigel Bruce as Doctor Watson and.
<v Speaker 2>Tom Conway as Sherlock Holmes. I once again it's time
<v Speaker 2>to keep that weekly appointment with our good friend and host,
<v Speaker 2>doctor White. Good evening, Doctor Good evening, if the.
<v Speaker 3>Bella's usually your punchild in the minute, draft.
<v Speaker 2>Your churn and make yourself comfortable. Thank you person.
<v Speaker 1>I see that you have the old black tin dispatch
<v Speaker 1>box out again, Doctor Watson.
<v Speaker 2>I had use that you were going over your notes
<v Speaker 2>on tonight Cake.
<v Speaker 3>Among the records I came across some notes of cases
<v Speaker 3>that are almost forgotten, the shocking.
<v Speaker 2>Death of Crosber a factor the Dulton treasured.
<v Speaker 3>Some data on the unusual contents of the ancient British barrow.
<v Speaker 2>Those stories sound pretty intriguing.
<v Speaker 3>Takawatin was so confused from other evening, mister Bell, tonight
<v Speaker 3>time going to recount an adventure took place in the
<v Speaker 3>heart of the beautiful English countryside.
<v Speaker 2>I call it the adventure of the tolling Bell.
<v Speaker 3>Well Let's story again in the small country village of
<v Speaker 3>Carnforth Homes, a recently brought to a successful conclusion affair
<v Speaker 3>of the barrow in furnace wheel chair murders, and we
<v Speaker 3>decided that a few days rest in nearby Carnforth would
<v Speaker 3>do us both good before returning to our arduous life
<v Speaker 3>in Baker Street. We were staying at a small but
<v Speaker 3>comfortable inn. Early in the morning of the third day.
<v Speaker 3>I remember Holmes and I were.
<v Speaker 2>In our bedroom waiting for those two oftensials.
<v Speaker 3>Without which an English country gentleman could not start his day,
<v Speaker 3>the early morning cup of tea and a jug of
<v Speaker 3>hot water for shaving.
<v Speaker 2>As we sat.
<v Speaker 3>There at the open window, a nearby church bell or
<v Speaker 3>was tolling a funeral knell.
<v Speaker 2>There must be a funeral in the village home, an
<v Speaker 2>astonishing deduction watch. No need to make fun of her cursing,
<v Speaker 2>so I spoke. Has it ever, Curtie Watson that the
<v Speaker 2>history of bells is full of romantic interest? I can't
<v Speaker 2>thought much about it. Almost every historical event has been
<v Speaker 2>accompanied by the sound of bells. They summoned soldiers to
<v Speaker 2>arms as well as Christians to church. They sound to
<v Speaker 2>be alarmed and fired tu mountain invasion, and many a
<v Speaker 2>bloody chapter in history has been rung in and out
<v Speaker 2>by the door. You seem to be a mine of
<v Speaker 2>information on the subject. Yes, Watson, it's fascinating subject. Come then,
<v Speaker 2>come in. Good morning, my dear. I brought you into
<v Speaker 2>the shade and watch mister said to say your breakfast
<v Speaker 2>to be in a now splendid marrin. Oh Mary, the
<v Speaker 2>church bell is tolling a funeral mel Do you know
<v Speaker 2>who is being buried?
<v Speaker 4>The I do so.
<v Speaker 5>I wish it was me, A.
<v Speaker 2>Little thing I wants to matter with her. I have
<v Speaker 2>no idea the father or mother just dies. Or a
<v Speaker 2>young man. Yes, I bet that said he's a pretty girl.
<v Speaker 2>She'd obviously been crying when she came in. That's that's
<v Speaker 2>that fuel said. They're urying now. And Wansen, you have
<v Speaker 2>the sentimental imagination of the true storytellers. But we've come
<v Speaker 2>here for a holiday. You must give your imagination a
<v Speaker 2>rest too, So drink your tea, remove your whiskers, and
<v Speaker 2>we'll go downstairs and investigate those skippers. Do you like, gentlemen? Excellent,
<v Speaker 2>Missus Nichol, accellent, they're even better. Yes, indeed, And by
<v Speaker 2>the way, Missus Nicholl, we heard the funeral bell tolding
<v Speaker 2>earlier on. Do you know who was being buried? Two
<v Speaker 2>souls are being buried, and the man of them was
<v Speaker 2>the murderer, Good Lord, in this peaceful villa. What happened?
<v Speaker 2>Missus mclall old spread gold?
<v Speaker 3>The corn merchant fan and his wife have been gallivanting
<v Speaker 3>around with a young fellow from Bolton.
<v Speaker 2>Cut her throat he did, and among himself Marty.
<v Speaker 3>Got The peaceful country side is not as peaceful as
<v Speaker 3>it's made up to the home, a fact that I've
<v Speaker 3>frequently had occasion to point out to you.
<v Speaker 2>Watson, has the morning post arrived? Essus McAll. Here comes
<v Speaker 2>old Gilly up the past. Now I'll see if his
<v Speaker 2>gout anything for you? Murder? Would you make him homes?
<v Speaker 2>What is there to make of it? Watson? A jealous
<v Speaker 2>husband murders a faithless wife and then commits suicide. A
<v Speaker 2>tragic story, but a simple one. Stop of the morning
<v Speaker 2>to your gentlemen, the morning, Gillier. Any letters for me
<v Speaker 2>today are miss Holmes.
<v Speaker 4>Two letters.
<v Speaker 2>One of them's got some newspaper clippings in it, I think.
<v Speaker 2>And you've got a post call from a mister less Flood.
<v Speaker 2>He wants you back in London bed. Mister Holmes upon.
<v Speaker 3>Myself, Gilly, you've been reading misses private correspondent.
<v Speaker 2>Just bless your aunt, Dr Watson. If I didn't read
<v Speaker 2>other people's correspondents though, and I know what's going on
<v Speaker 2>in the village. You were right, Gillian. It is newspaper clippings.
<v Speaker 2>And by the way, you said about the murder of
<v Speaker 2>missus Tredgold, as both heard about it. I told the
<v Speaker 2>bell this morning at the funeral you to say that
<v Speaker 2>you're the bell ringer as well as a postman.
<v Speaker 6>Bless your half years doctor, president of the Court Society too,
<v Speaker 6>as well as.
<v Speaker 2>Big on the parish council. You're a busy man, Gillian,
<v Speaker 2>that I am, sir. Take this afternoon now I'm to
<v Speaker 2>ring Those pills are gay? Not another funerals, no, sir.
<v Speaker 2>A wedding this time young same pierin is marrying the
<v Speaker 2>Slater girl.
<v Speaker 6>And you might say I'm responsible for bringing them together.
<v Speaker 2>Got some of their.
<v Speaker 6>Letters mixed up, parties look each other up to exchange them,
<v Speaker 6>and I've prayed over.
<v Speaker 2>Before you know what's happening.
<v Speaker 6>They're getting married regular cupid, you might say, I am.
<v Speaker 2>They are other people about their lepards, mister Olmes, doesn't
<v Speaker 2>want his skippers with your idle chatter.
<v Speaker 4>All right, missus crave apples and vinegar.
<v Speaker 2>One of these fine days you'll smile and the world
<v Speaker 2>will come till then, Good day, talker devil.
<v Speaker 5>Anybody is oh, mister Olmes, Missus Lacklin's in the old
<v Speaker 5>The poor old lady is most.
<v Speaker 2>Anxious to talk to you, Missus Lacklan. She has the
<v Speaker 2>sense to shop in the eye street her only son,
<v Speaker 2>and not away from home. A few months back. I
<v Speaker 2>think that's what she wants to speak to you. We
<v Speaker 2>would go my friends here for the rest. I told
<v Speaker 2>her that, but she won't go away without seeing mister Role.
<v Speaker 2>Oh very well, ask us to come in thick, missus michall, yes.
<v Speaker 4>Oh, why do you bother to see her home?
<v Speaker 2>Sounds like a trivial matter. The disappearance of an only
<v Speaker 2>son can never be a trivial matter. I'm approval for you,
<v Speaker 2>not for her. This is mister Omes and Doster Watson. Dear,
<v Speaker 2>thanks Jery, Good morning, sir, Good morning morning. Please sit down,
<v Speaker 2>missus Evan. That's it now, what's the trouble. It's Tom, sir,
<v Speaker 2>the only son. He left me four months ago and
<v Speaker 2>I've not seen it in a ride of him. Saints.
<v Speaker 2>You've had no message from him left, not one word.
<v Speaker 2>I'm fair out of my mind, sir. You the idea
<v Speaker 2>of his reason for leaving the village, Missus ach nunswer.
<v Speaker 4>He was a good boy, and he worked hard, and
<v Speaker 4>he didn't fool around.
<v Speaker 2>With those flippity jipp girls in the village. I think
<v Speaker 2>he's met with foul reply, gentlemen, and I want you
<v Speaker 2>to find out about him forming Mister Holmes, I'll.
<v Speaker 5>Sie in the village that you're the greatest detective in England.
<v Speaker 2>Missus Lacklam, I'd be glad to help you, but you'll
<v Speaker 2>give me no clues to work with. I'm afraid that
<v Speaker 2>money you want.
<v Speaker 5>I got twenty pounds in the coaster stave in the
<v Speaker 5>soil garls.
<v Speaker 2>If you can bring my Tommy home.
<v Speaker 4>To me, or at least tell me his safe.
<v Speaker 2>Missus Lackland, I wouldn't dream of accepting a feed. However,
<v Speaker 2>I shall give your problem some thought. If I arrive
<v Speaker 2>at any conclusions, I'll get in touch with you at once.
<v Speaker 2>God's bless hip, mister Olmes, good morning for yourself, Good day,
<v Speaker 2>oh thing. I don't see how you can help her, Homes,
<v Speaker 2>Nor do I at the moment. But a young man
<v Speaker 2>who has grown up in a small village like this
<v Speaker 2>may have led a life that his mother is totally
<v Speaker 2>unaware of. Who said that you had to work on
<v Speaker 2>one of your stories today?
<v Speaker 3>Where's I had a letter from the editor a Strand magazine, yester,
<v Speaker 3>requesting a many.
<v Speaker 2>People as soon as possible. Splendid, Then you will stay
<v Speaker 2>at the inn and work on your latest masterpiece, and
<v Speaker 2>I scar the village to see what may be found
<v Speaker 2>out about the missing young men. Oh, there you are, Homes.
<v Speaker 4>I was beginning to think you got lost.
<v Speaker 2>Hello. I trust you had a profitable session with pen
<v Speaker 2>and paper, and I've done about half a chapter. I
<v Speaker 2>would have done more if it hadn't been for those
<v Speaker 2>in purple bells and the wedding ceremony that where the
<v Speaker 2>gilleas told us about this morning. I'm tired. Oh, well,
<v Speaker 2>what did you find out about missus Lachlin's son, Among
<v Speaker 2>other things, that he had a secret love unknown his mother,
<v Speaker 2>and the object of his affections was none other than
<v Speaker 2>the who brought us our tea this morning? Mary, you
<v Speaker 2>talk to her. No, it's a half day off and
<v Speaker 2>I was unable to find her. Hi have an actual
<v Speaker 2>question when she brings our tea tomorrow morning? Come in Mary,
<v Speaker 2>Oh missus Nicoll, Good morning, gentlemen. Here's your tea in
<v Speaker 2>shaving water. Where's Mary this morning? She didn't come to work?
<v Speaker 2>What's the yell again?
<v Speaker 4>Unliable girl.
<v Speaker 2>I'm no better than she ought to be, if you
<v Speaker 2>ask me. It's no job for me to be carrying
<v Speaker 2>tea and not water upsteps. I hear the village bell
<v Speaker 2>hoping for another funeral therese, can'd forth have a burial
<v Speaker 2>every morning? I really don't see how the population can
<v Speaker 2>run to it.
<v Speaker 5>It's another suicide, sir, another suicide.
<v Speaker 2>Good lord?
<v Speaker 1>Oh John Lurby, the baker, he was exciting some money
<v Speaker 1>from in Australia.
<v Speaker 5>It's never came, and they saw close down his shop,
<v Speaker 5>Lee young himself. Will you be wanting a couple of
<v Speaker 5>mile ext year breakfast, gentlemen?
<v Speaker 2>No, I'm much of.
<v Speaker 4>Left, thank you.
<v Speaker 2>Yes, that woman seems absolutely heartless. She are the smacks
<v Speaker 2>of lips when she tells us about these tragedies. Yes, Watson,
<v Speaker 2>I noticed it. This peaceful village is beginning to seem
<v Speaker 2>strangely sinister to me. And since you have no appetite
<v Speaker 2>for breakfast, perhaps you're jing in a little excursion as
<v Speaker 2>your dress. Of course, where are we going to see
<v Speaker 2>the maid Mary? I'm anxious to talk to her before
<v Speaker 2>another funeral belt begins to toll.
<v Speaker 4>This must be the college home, he said.
<v Speaker 2>It was a one with hatsuckle over again. Yes, and
<v Speaker 2>there's Mary sitting on the flot. He got up. He's
<v Speaker 2>coming up the path to meet us. Good morning, Marian.
<v Speaker 2>I'm sorry you're not feeling well.
<v Speaker 5>While you'll come here, I'll ask about maya should servant
<v Speaker 5>girl matters to gentlemen, not you, Oh.
<v Speaker 2>You misjudges, my dear, I assure you though, Watson. Let's
<v Speaker 2>be admit we didn't come here because of our concern
<v Speaker 2>for Mary's health.
<v Speaker 3>And what did you come here?
<v Speaker 2>Sir? Missus Lackland asked me to try and find her son,
<v Speaker 2>Tom Yes, Tompson, I thought you might be able to
<v Speaker 2>help me. Marian could help you, mister Holmes. I'll be open,
<v Speaker 2>so here, come, Ginny, Ginny, is there.
<v Speaker 4>A letter to me? No, Les, there's nothing for you again.
<v Speaker 2>The must be there, no us. If the letter would come,
<v Speaker 2>I'd bring it to you as fast as Mileggs would
<v Speaker 2>carry me.
<v Speaker 4>All that morning, mister Lolmes.
<v Speaker 2>Dr Watson left some letters at the inn for you, doctor.
<v Speaker 2>He had a letter from a lady read for the
<v Speaker 2>smell of violets. It did, and it was written in
<v Speaker 2>greeting congreve papers.
<v Speaker 4>Amazing deduction.
<v Speaker 2>That sounds like your young friend from Daylis. How did
<v Speaker 2>you know that? Well? I mean I don't have a
<v Speaker 2>young friend from Dayli's what's quite gilly? You told him
<v Speaker 2>other funeral delta Dayton to him.
<v Speaker 4>Ay sir.
<v Speaker 6>And the tragic thing it was, feature might call it
<v Speaker 6>oh lerabi ang hisself because he didn't get money from
<v Speaker 6>his in Australia.
<v Speaker 2>I found him mighty.
<v Speaker 6>I was the one to cut him down and write
<v Speaker 6>in the post beg the letter he was waiting for,
<v Speaker 6>the letter that.
<v Speaker 2>Have saved his God. What a gossip bit of iron
<v Speaker 2>that it was.
<v Speaker 4>That it was, well, gentlemen, I'll be on the way.
<v Speaker 2>Good day, good day. Perhaps that literal ride tomorrow? Oh
<v Speaker 2>never is tom never. He's a shine. That's why he
<v Speaker 2>deserted me. Deserted. You speak almost as if you were
<v Speaker 2>his wife.
<v Speaker 5>I am his what what you were secretly unrotched their
<v Speaker 5>five months ago come.
<v Speaker 2>Tuesday, and he never told his mother.
<v Speaker 5>She thought I wished to meet him. Tom said, he
<v Speaker 5>go and get a good job and then return here.
<v Speaker 5>Fetch me back with him.
<v Speaker 2>We went awhile right, but he never came back that
<v Speaker 2>you were when he left? Did he give no clues
<v Speaker 2>to his destination? No hint of any kind? Marry.
<v Speaker 5>We did want to say, nay, I'm going to clear
<v Speaker 5>that to this partner, make my fortune, even if I
<v Speaker 5>have to bury very misfortune. That's a jokiness. Do I
<v Speaker 5>know what he may for?
<v Speaker 2>I think I do, Mary Watson, We're taking a short
<v Speaker 2>train journey as soon as possible. Oh where are we going?
<v Speaker 2>As we're going to the town of Bury in search
<v Speaker 2>of this young lady's happened.
<v Speaker 5>What makes you think Tom might being verry, mister n.
<v Speaker 2>Because the famous fortune cottonals and dere it would seem
<v Speaker 2>possible that when your husband joked of being his fortune,
<v Speaker 2>he was talking of going to the mills there.
<v Speaker 5>Wherever it is gone, they won't be coming back from me.
<v Speaker 2>Oh no, no, no, now, don't talk like that. But dear,
<v Speaker 2>remember you have friends, missus Lachlin.
<v Speaker 4>Oh how much long as home is going to be.
<v Speaker 2>Leaves me standing outside the factory gates. If I were
<v Speaker 2>a blasted coach, Ma there is home hellow Watson, permit
<v Speaker 2>me to introduce it, mister Tom Lapham, Tom missus doctor Watson.
<v Speaker 2>How do you know? Doctor Watson? How do you do?
<v Speaker 4>Don't mind how I do?
<v Speaker 2>Young fellow the lad how do you do? Your behavior
<v Speaker 2>has been absolutely shocking?
<v Speaker 4>Shocking? Now what are you talking?
<v Speaker 3>Leaving your dear old mother and deserting your pretigical bride
<v Speaker 3>because you're a shade of you're a scoundresser.
<v Speaker 2>You just have a good howswad thing, and I have
<v Speaker 2>a good mind to give it you. I don't know
<v Speaker 2>what you're talking about, doctor Watson, but I don't like
<v Speaker 2>the words you use. And if it's violence you want,
<v Speaker 2>I don't mind thing. I'm amateur, cha heavyweight champion of
<v Speaker 2>the county. You are oh, no need to come up
<v Speaker 2>to the No, let's waste time on being at Criminius Watson.
<v Speaker 2>Let's get back to the station as fast as we can.
<v Speaker 2>The return of the particle is long overdue. We must
<v Speaker 2>give them the opportunity to kill the fetid car. Hi,
<v Speaker 2>there's Mary's house. I'm dying to see you. And after
<v Speaker 2>this reunion time. I suggest that you both go over and
<v Speaker 2>see your mother. I'm sure she'll forgive you. Yes, mister Es, I'll.
<v Speaker 3>Do the run there or some girls may be something
<v Speaker 3>of a shock.
<v Speaker 2>I think it's a shock that Mary can handle. She
<v Speaker 2>must be up doors locked knock again. If you no man,
<v Speaker 2>see great heavens happens to revolve a shot. Come on, Watson,
<v Speaker 2>help me break in the door. Not a what that
<v Speaker 2>was a fine place to break off your story. You
<v Speaker 2>left me right on the edge of a cliff. Had
<v Speaker 2>the young girls shut herself, she'd shot at how talk
<v Speaker 2>mister Bell, But fortunately last night had lack of courage.
<v Speaker 2>It made her shock go world. Holmes and I and.
<v Speaker 3>The young bridegroom vers into the house and wrested the
<v Speaker 3>smoking revolver from her.
<v Speaker 2>I must confess that reunion between.
<v Speaker 4>The two young lovers is a touching sight.
<v Speaker 2>In factor, I felt considerably older than I was as
<v Speaker 2>Holmes and I stood theres in to her to Tom
<v Speaker 2>reassured her, Mary, Darling, it's all right, I'm here you are.
<v Speaker 5>I did come back me.
<v Speaker 2>I thought you never would. Too. Nice and.
<v Speaker 7>Mary, everything's going to be all right now absolute time.
<v Speaker 2>And now Tom, I think the time has come to
<v Speaker 2>reassure Mary that you did write to her.
<v Speaker 7>Of course I did, Mary Darling, and I sent your
<v Speaker 7>money and told you that I'd be back here to
<v Speaker 7>take you to Ferry as soon as I'd saved up
<v Speaker 7>in the You wrote to me too twice a week
<v Speaker 7>when I wrote to mother too.
<v Speaker 2>Then what I did not get the letters? The answer
<v Speaker 2>to that should be obvious, My dear Gilly. The postman
<v Speaker 2>deliberately withheld them from you. Quite help why. I have
<v Speaker 2>my suspicions, strong suspicions, but I have to get proof
<v Speaker 2>kill me Mary. The day before yesterday, mister Tredgold murdered
<v Speaker 2>his wife. Do you know how he learned of her infidelity?
<v Speaker 5>I'm not sure, But what dear missus Nickers said it
<v Speaker 5>It was through some letters that got next up, the
<v Speaker 5>letters addressed to her. What deliberty is office?
<v Speaker 2>Instead of the ass Gilly again, precisely, Surely the whole
<v Speaker 2>terrible cap'n begins to take shape. Tom Yes, mister Rowan,
<v Speaker 2>I'm good to layer of trap to spring it, I
<v Speaker 2>shall need your assistance, of course, mister Roonees will do
<v Speaker 2>welling wait with Mayor until darkness balls. Then muffle yourselves
<v Speaker 2>up and go to your mother's house. Wait then, waiting,
<v Speaker 2>and let no outsiders see you until you hear from me.
<v Speaker 2>Since you two.
<v Speaker 3>Love birds have been separated for four months, I don't
<v Speaker 3>imagine that will be too unpleasant.
<v Speaker 2>Quiet Watson, you understand tom Yes? Good? Then come on, Watson,
<v Speaker 2>watch your plan. Homes. I'll tell you as we go.
<v Speaker 2>One thing I can promise you, before the sun is
<v Speaker 2>very high tomorrow I shall free this village from one
<v Speaker 2>of the most subtly evil powers I've ever come in
<v Speaker 2>contact with. Good morning the thrones, Good morning, good morning.
<v Speaker 5>I always said that Mary was an obol, and now
<v Speaker 5>she's killed herself.
<v Speaker 2>But of course I had to comfortable.
<v Speaker 3>It's been a chargeable missus mcla must say in any case,
<v Speaker 3>The vicar says that the poor girl was of unsugn mine.
<v Speaker 2>Yes, madam, you can't blame her. Well, I'll be getting
<v Speaker 2>into the church homes this fastest, beginning to get on
<v Speaker 2>my nerve.
<v Speaker 3>What are we accomplishing by burying an empty coffin your
<v Speaker 3>soon see your cap?
<v Speaker 2>Come on, let's look into the bestries this way. Where
<v Speaker 2>are we going? Homes up beneath the belfry. Hell he asked.
<v Speaker 3>Supposing Gilly turns last when he finds out we know
<v Speaker 3>his secret.
<v Speaker 2>Then we must handle him for the best power ability
<v Speaker 2>Once no, I must say I do not rent the
<v Speaker 2>thought him a tustle high in the belfray of the church.
<v Speaker 2>The must be insane. That's why his power must be destroyed.
<v Speaker 2>The store apparently leads to the belbrid keep your wits
<v Speaker 2>about you? Wasn't good morning, Gilly?
<v Speaker 4>Mister oh dot know us? Do you want to see me?
<v Speaker 2>That's nice of you. Not often I get up here.
<v Speaker 2>We haven't come up here to see you at West Gilly.
<v Speaker 2>We do your time up to work only too well. Yes, Gilly,
<v Speaker 2>we know your secret or secrets that you're mad with power. Gilly,
<v Speaker 2>you'll try to cross the destiny of the village in
<v Speaker 2>your opposition. That's postmany will have the power to give
<v Speaker 2>life and death and time, the great power that makes
<v Speaker 2>some help me good, almost like a god.
<v Speaker 3>You might say that use Candre, you were responsible for
<v Speaker 3>the murder of missus tecle.
<v Speaker 2>Liza, that I was, and for the old man and Islam.
<v Speaker 2>You weren't uncle, but lear bisess I went to that
<v Speaker 2>I was learning my tumble me off the minutes consent.
<v Speaker 2>I swore I'm making kes. Thank God your reign is over.
<v Speaker 2>You'll never told a fell again. The only one you
<v Speaker 2>will hear will be a person. You can't touch me,
<v Speaker 2>mister Ermes.
<v Speaker 4>You've got no room. There's nothing you can do.
<v Speaker 2>Don't be too short. I'm in good to take your
<v Speaker 2>job away.
<v Speaker 8>You take me away from me, Bills, I live for
<v Speaker 8>this best. You wouldn't take me away from them.
<v Speaker 2>You couldn't live with the car they give you could Gilly,
<v Speaker 2>there you are destroyed. Gilly, you've already failed. Mary is alive, alive?
<v Speaker 2>What's the cuff in the ferry con is.
<v Speaker 4>Full of stones?
<v Speaker 2>You'll be of a laughing stock of the village, Gilly.
<v Speaker 4>Bull alaugh again?
<v Speaker 2>You don't text me? Yes, he's crying up the ladder
<v Speaker 2>leading to the bell car.
<v Speaker 4>Come' tack, Gilly, come back.
<v Speaker 2>He's mad as a hat, right, what's he gonna do?
<v Speaker 3>After Mike set part of the people can be get
<v Speaker 3>him madness, I'm gonna fetch.
<v Speaker 2>Him Ums No, Watson, he's doing night as he played,
<v Speaker 2>and without wreck of his case and the narrow opening
<v Speaker 2>leading into the bell chamber. He would never stand a chat.
<v Speaker 2>He gets you on the first last, how are.
<v Speaker 4>We gonna get him down?
<v Speaker 2>There's only one way. He's in a tiny lost containing
<v Speaker 2>his beloved bell. We'll see how much he loves them
<v Speaker 2>at close quarters. I doubt if even he can stand
<v Speaker 2>the noise in that confined space.
<v Speaker 4>Where's that bell?
<v Speaker 2>Rope? Come down, Gilly? Down from there?
<v Speaker 8>Not ding down?
<v Speaker 2>I'm not Can you come down, Gill?
<v Speaker 4>Ray up, my god, ride my bag? You are mad?
<v Speaker 2>Gilly mad with paw? Come down here?
<v Speaker 4>I say, why coming?
<v Speaker 2>Gray?
<v Speaker 4>Ken't he hold him? Come un?
<v Speaker 8>Belfrey Holmes, he has the chat of viving that fall.
<v Speaker 2>I have no intention of causing down happy man to
<v Speaker 2>jump to his death. Watson, though, I cannot help the
<v Speaker 2>people that his poor demented mind may find a happy
<v Speaker 2>oblivion this way rather in the confines, but then asylum.
<v Speaker 4>Yes, you're probably right home.
<v Speaker 2>It's been a shocking tase Watson. Shocking, and once again
<v Speaker 2>it proves the old saying that violence does, in truth
<v Speaker 2>recoil upon the violent, and the schemer falls into the
<v Speaker 2>pit which he digs for another. Now, doctor Watton, what
<v Speaker 2>about next week? No, let me see what's lucky. Next week?
<v Speaker 4>I think to tell you a rather gruesome.
<v Speaker 3>Story about how shallock Holm saved the life and the
<v Speaker 3>senator of a certain Count Romagne. I call it the
<v Speaker 3>Adventure of the Carpathian Horror.
<v Speaker 2>The Night's new.
<v Speaker 1>Slockholm's adventure was suggested by an incident and Saratha Konan
<v Speaker 1>both story The Golden Pants Nay Nigel Bruce appeared through
<v Speaker 1>the courtesy of California Pictures Tom Conway by permission of
<v Speaker 1>Eagle Iron Pictures. The Shelllock HOOLMS series is produced by
<v Speaker 1>Tom McKnight, with original music composed and conducted by Alex Stein.
<v Speaker 1>This is Joseph Bell speaking for Kremmel a Tonic and
<v Speaker 1>Cramel shampoo and inviting you to be with us next
<v Speaker 1>week at the same.
<v Speaker 2>Time when doctor Watson will tell us the adventures of
<v Speaker 2>the Carpathian Horror.