Sherlock Holmes - Demon Barber

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<v Speaker 2>To doctor Watson tell us another exciting adventure he shared
<v Speaker 2>with his old friend at Master, Detective Sherlock Holmes. And
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<v Speaker 2>friend doctor Watson's waiting for us. Let's go and job
<v Speaker 2>there you are, mister good evening doctor, all alone tonight?
<v Speaker 3>Huh, yes, my boy, you can call a man alone
<v Speaker 3>when he petishes, pipe his books and the good port
<v Speaker 3>his elbow.
<v Speaker 1>Take off and join the Thanks doctor, help us up
<v Speaker 1>to the pot.
<v Speaker 3>There's some rather special tobacco the jar over there? Fine?
<v Speaker 1>And now doctor, are you ready to tell us tonight's
<v Speaker 1>new share?
<v Speaker 3>Like cos I am, mister b and if you find
<v Speaker 3>it the most unusual story. It began on a winter's
<v Speaker 3>night in eighteen hundred and ninety six. Holmes and I
<v Speaker 3>had gone to a fetter in the East end of
<v Speaker 3>London to see a performance of a famous old English
<v Speaker 3>melodrama called Sweeheit Tard The Demon Barber of Piet Street.
<v Speaker 1>It's a good, blood thirsty title.
<v Speaker 2>Back Demon Barber Sstands is a only specialized in close shades.
<v Speaker 3>Gracious me, mister Bertill that almost unforgivable. He was a
<v Speaker 3>murderer of voracious appetite who faced his victims in a
<v Speaker 3>specially constructed barber's chair, cut their throats, and then pressed
<v Speaker 3>the lever that would swing the chair over and cant
<v Speaker 3>the unfortunate victim into a horrible cellar beneath his shop.
<v Speaker 1>This is only a stage play, you're talking about, doctor.
<v Speaker 3>As my story begins, we were seated in a private
<v Speaker 3>box watching one of the closing scenes. Holmes was leaning
<v Speaker 3>forward in his chair, following the action on the stage
<v Speaker 3>with an obvious delight, while I set beside him equally
<v Speaker 3>in growth. An act by the name of Mark Comphors
<v Speaker 3>was playing the part of Sweeney Todd, and the one
<v Speaker 3>could deny that he was playing Where are you going, Tobiah?
<v Speaker 3>Who is the nearest magistrate Sweeney Todd to be now
<v Speaker 3>to repeed me through old blood and murder? You have
<v Speaker 3>pronounced chuckle into the chair with your and over and
<v Speaker 3>down into the capt all ha haka.
<v Speaker 4>There whence comes this apparitions the ghost of another customer
<v Speaker 4>of mine. The yawning grave whields up his fastly inmates
<v Speaker 4>to prove me guilty.
<v Speaker 3>Dud will have done. See he is there. He comes
<v Speaker 3>to accuse me of his murder.
<v Speaker 5>Oh send me to that I that slew you believe
<v Speaker 5>my uncle kill me?
<v Speaker 1>Let me believe ha.
<v Speaker 3>Ha upon my saw homes act full of Mark Hamphers
<v Speaker 3>is the most slid actor that I've ever seen.
<v Speaker 1>Honest say, I find him chanting Watson.
<v Speaker 6>It seems to me he's really caught the flavor of
<v Speaker 6>this murderous monsterpiece. After all, a restrained performance for barbersween
<v Speaker 6>it's hard with the unthinkable first.
<v Speaker 3>Word, I must say. His makeup seems rather overdone. No barber,
<v Speaker 3>but with such enormous beard. The most impractical probably getting
<v Speaker 3>the customers faces. By the way I look from the
<v Speaker 3>program that Mark Hampers, as well as being the principal actor,
<v Speaker 3>is also the owner of the company.
<v Speaker 6>It's the current friend towards the actor manager as.
<v Speaker 1>The help the sign on thing current.
<v Speaker 3>Excuse me, that is one of you, gentlemen, mister s A.
<v Speaker 1>I was asked to give you this note.
<v Speaker 7>Thank you.
<v Speaker 3>Who else knows that you're the home find out?
<v Speaker 6>Ah, there's no is from my comforts our actor manager
<v Speaker 6>janders to Holmes, I recognize you in your box, please
<v Speaker 6>some of my dressing room mark the performat. My sanity
<v Speaker 6>and even the safety of London perhaps depends on your compliance.
<v Speaker 3>Of the safety of London. I wonder what on earth you.
<v Speaker 7>Mean, my dear fellow.
<v Speaker 6>We can only discover by going backstage to medium as
<v Speaker 6>it is the curtains going up from the last scene
<v Speaker 6>I see for a little longer. We must possess our
<v Speaker 6>souls and patience, mister Sherlock Holmes, Yes, sir, my name
<v Speaker 6>is Lindsay, Jerrick Lindsay.
<v Speaker 1>I'm the business manager. Mister hump has.
<v Speaker 3>Asked me to beat through the stage door because you're busy.
<v Speaker 7>Thank you very much.
<v Speaker 1>Now this is my colleague, doctor Watson. Are you doctor?
<v Speaker 3>Will you? Will you follow the sea?
<v Speaker 6>Excuse me asking mister Lindsay, but surely you must be
<v Speaker 6>related to that distinguished actor of some years back, Lytton Lindsay.
<v Speaker 3>He was my father.
<v Speaker 7>Mister resemblance is a strawberry.
<v Speaker 3>It's such a heritage to Lindsay.
<v Speaker 4>You must love the He'll probably sound like heresy, but
<v Speaker 4>I hate it.
<v Speaker 1>However, it's the only thing I was trained for. And
<v Speaker 1>there's good money to.
<v Speaker 4>Be making it sometimes, and money is the thing I
<v Speaker 4>both like and want from mister Holmes.
<v Speaker 3>I do hope you were able to help Mark Humphreys.
<v Speaker 7>He certainly needs it.
<v Speaker 3>You know what seems to be his trouble. But he'll
<v Speaker 3>have to tell you that Prince so.
<v Speaker 1>But his wife and I think there's Missus Humphreys now
<v Speaker 1>marry ya. This is missus Shelock Holmes and Dr Watson.
<v Speaker 1>Missus Mark Humprey Holmes.
<v Speaker 8>I'm so grateful that you're going to see Mark.
<v Speaker 1>He's in such a dreadful story.
<v Speaker 8>There have been times lately when when mister Lindsey and
<v Speaker 8>I have been afraid he's going out of his mind,
<v Speaker 8>haven't we there?
<v Speaker 3>Indeed we have.
<v Speaker 6>We're both dreadfully and in case, I hope I can
<v Speaker 6>be of service in which is his dressing.
<v Speaker 8>Home, number one next door to mine? Jeric, I think
<v Speaker 8>it'll be better if mister Holmes and doctor Watson go
<v Speaker 8>in alone. I'm sure Michael stetmore freely.
<v Speaker 7>We're not in the room.
<v Speaker 1>I think perhaps that is a good idea.
<v Speaker 7>This is hump Is.
<v Speaker 1>We'll see you later on.
<v Speaker 9>Come on, well, thank Heaven, you're here.
<v Speaker 6>First the door now, mister Humphers, and this is doctor
<v Speaker 6>Watson Whatsney.
<v Speaker 1>Yes, I know of you too. Sit down, won't you?
<v Speaker 4>Gentlemen you're wondering why I asked you to come back.
<v Speaker 3>And see me?
<v Speaker 4>Of course naturally, then well I won't beat about the
<v Speaker 4>bush and waste your time.
<v Speaker 3>That comes straight to the point I'm going mad.
<v Speaker 6>I know, I know it isn't fantastic, but it's true.
<v Speaker 1>I've often heard of access beginning to live ups off
<v Speaker 1>the stage they play on it. Well, it's happened to me.
<v Speaker 4>I'm turning into another Sweeny Todd, the character I'm portaying on.
<v Speaker 1>The stage suggesting, sir that you're a potential murderer.
<v Speaker 3>Yes, I am.
<v Speaker 1>What reason do you have for holding that beleef reason?
<v Speaker 3>Listen to this?
<v Speaker 4>Three times in the past week, I've wakened in the
<v Speaker 4>morning to find my boots covered with mud and my
<v Speaker 4>razor stained with blood.
<v Speaker 6>God, I had no recollection of any untoward events during
<v Speaker 6>the night.
<v Speaker 3>None have you ever predicted to the unfortunate habit of sleepwalking,
<v Speaker 3>Not of my knowledge, doctor, And if I had been stolen,
<v Speaker 3>my wife would.
<v Speaker 1>Have told me about her wife. Where do you live,
<v Speaker 1>miss Humbrey? We have a flat hair about the theater.
<v Speaker 6>And mister Humprys, you save it on pree separate occasions.
<v Speaker 6>On morning, in the morning you were found a blood
<v Speaker 6>stained razor and mudcovered boots.
<v Speaker 1>Can you show us this proof? No, no, I can't.
<v Speaker 1>I was also frightened that my wife.
<v Speaker 3>Would see that I cleaned.
<v Speaker 1>Them before she had the opportunity of finding them.
<v Speaker 3>It would have been very valuable clues in the case, like.
<v Speaker 4>I couldn't risk my wife's seeing evidence like that doctor,
<v Speaker 4>she'd know the truth.
<v Speaker 5>But at night times, while she's asleep, some devilish, unconscious
<v Speaker 5>urg has overcome me, an urge that causes me to
<v Speaker 5>all the streets of London, raising in hand looking for
<v Speaker 5>a vict of mister Holmes.
<v Speaker 1>He's got to help me.
<v Speaker 4>I'm certain that it had been committing murder.
<v Speaker 3>And if you don't help me, I'll come on and.
<v Speaker 1>On, mister humps beat and I'm to pick the case.
<v Speaker 1>It says very unique assignment.
<v Speaker 6>In effect, I'm being engaged by a possible murderer to
<v Speaker 6>prove him guilty.
<v Speaker 4>Well, mister elmsdding through all the records we have here
<v Speaker 4>at Scotland, you're in Gregson.
<v Speaker 10>The last two months we haven't had one case of
<v Speaker 10>an unsolved killing with a race.
<v Speaker 3>Any mysterious disappearances and sect.
<v Speaker 1>Compressure our doctor.
<v Speaker 3>There's never a day that passes with that one until them.
<v Speaker 3>Here's a list of mister Elms.
<v Speaker 6>If it's in the use to you, thanks, come onto morning.
<v Speaker 6>We can go back to the theater and set our
<v Speaker 6>friend's mind with it's time. Much obliged to grets to
<v Speaker 6>be a service.
<v Speaker 7>Examined the homicide.
<v Speaker 6>Records at scotton Yard after leaving you last night with countries.
<v Speaker 6>There have been no unsolved razor murders in London in
<v Speaker 6>the past fortnight, and therefore I.
<v Speaker 3>Think you may rest easy on that scholar, But it
<v Speaker 3>proves nothing.
<v Speaker 1>Remember that in the place we need todds victims, I
<v Speaker 1>never found.
<v Speaker 6>Highest thanks to this singularly horrible ingenuity, I supposing of them.
<v Speaker 1>But this is real life, mister Hunter. Then how do
<v Speaker 1>you account for the bloody racers and the muddy booths?
<v Speaker 3>Well, now are you sure they are in your imaginations?
<v Speaker 3>You admit that your wife would never seen them. The
<v Speaker 3>whole thing could be or till we say an overdose
<v Speaker 3>of the talk. I admit that.
<v Speaker 1>I'm suffering from a surfait of that.
<v Speaker 7>And when I dropped the play from your repertoire.
<v Speaker 4>And manager Derek Kinsey won't let me be's moneymaker. He's
<v Speaker 4>always got a keen height of business. Mister Holmes, I
<v Speaker 4>can see that you still don't believe my story, So
<v Speaker 4>I have saved some evidence for your evidence that I've
<v Speaker 4>found this morning. Look at these now, what did you say?
<v Speaker 4>I still think it's my imaginationy.
<v Speaker 3>Gotter do ten razor and boots covered with mud.
<v Speaker 7>Splendid.
<v Speaker 6>At last, some real clues to work out can be
<v Speaker 6>so calm, homes It happened again last night?
<v Speaker 9>Do you realize that I'm a murderer.
<v Speaker 3>I'm a menace for society.
<v Speaker 4>For Heaven's sake, locked me up before I do some more,
<v Speaker 4>mister humpers, I.
<v Speaker 6>Should like to take these objects of back to the
<v Speaker 6>speaker where I can perform some chemical tests.
<v Speaker 7>You have no objections, I hope objections? Heaven excellent.
<v Speaker 1>You've told no one of this fresh discovery of.
<v Speaker 3>Yours, no one, not even get at Clinton. Clinton. That's
<v Speaker 3>your manager, isn't it.
<v Speaker 9>Yes, the best friend I ever had kept his father
<v Speaker 9>before him.
<v Speaker 1>It's the Eric who helped me back on my feet.
<v Speaker 3>So too.
<v Speaker 1>Yes, two years ago when.
<v Speaker 4>I put on that disasters production of My Beth, and
<v Speaker 4>i'd be today that for him.
<v Speaker 6>It lost a great deal of money on that production, sir,
<v Speaker 6>nearly every penny I had. Indeed, by the way, where
<v Speaker 6>is your wife?
<v Speaker 3>This?
<v Speaker 1>Hump Here's an addressing in next door with the mess day.
<v Speaker 1>I'd like a word with her.
<v Speaker 7>Wat's my chapter? I wait here for me? You know
<v Speaker 7>I want you a moment, start Holmes.
<v Speaker 1>You want to talk to me, mister Holmes for a moment.
<v Speaker 7>May I come in?
<v Speaker 1>Missus Humpreys.
<v Speaker 8>Couldn't we talk on the stage?
<v Speaker 7>You tempt me.
<v Speaker 6>I prefer to come into your dressing room if you
<v Speaker 6>don't mind, But I have to say it's confidential.
<v Speaker 8>Very well, don't come in, Holmes Man introduced Senor Vanilli
<v Speaker 8>on musical Director, will.
<v Speaker 3>Be the great art to meet the so great senior homes.
<v Speaker 3>I have so lived you, Oh often I have enpergy
<v Speaker 3>many times I speak to myself it's nipty.
<v Speaker 6>I'll kind of anne if you don't mind, I wish
<v Speaker 6>to speak to missus Humphreys alone.
<v Speaker 1>Oh I quite understand. Excuse me, senor?
<v Speaker 3>Are you mister Holmes?
<v Speaker 8>I'm really awfully there of this opportunity to talk to
<v Speaker 8>you show me truthfully, please.
<v Speaker 6>What you're opinion of My husband hasn't formed the definite
<v Speaker 6>opinion yet, except that it's possible that he's the victim
<v Speaker 6>of abroad. I just wanted to ask you a couple
<v Speaker 6>of questions, if you don't mind. Has your husband ever
<v Speaker 6>shown evidence of being a sleepwalker?
<v Speaker 7>Oh?
<v Speaker 1>No, never, I see. Are you a light sleeper?
<v Speaker 3>Yes? I am exceptionally sir.
<v Speaker 1>Hi, I'm just curious.
<v Speaker 8>You're being very mysterious, mister.
<v Speaker 3>Can't you tell even me what's going on?
<v Speaker 6>I find your husband the answer to that question before
<v Speaker 6>tonight's performance.
<v Speaker 7>I'm afraid I can't pay anymore until then.
<v Speaker 1>And now, may I ask the question?
<v Speaker 7>Certainly? No, I won't promise to answer it.
<v Speaker 8>You said just now that my husband might be the
<v Speaker 8>victim of a fraud.
<v Speaker 6>What did you mean again, offense? You must wait for
<v Speaker 6>the specific answer to that question. However, there's another fraud
<v Speaker 6>being practiced on in that I can speak.
<v Speaker 1>Of now, the gorod that you are indulging in, missus hunters,
<v Speaker 1>what do you mean? Of course, this particular thoud is
<v Speaker 1>none of my business.
<v Speaker 6>But when I almost boss my way in your addressing
<v Speaker 6>room and find your musical director a country of rice's
<v Speaker 6>powder around one children suggestions of rules on his cheek.
<v Speaker 6>It doesn't take a great deal of intelligence to deduce
<v Speaker 6>that your husband is being deceived.
<v Speaker 7>Get on exctly what I propose doing?
<v Speaker 1>Goodat you, madam, no doubt I shall see you later on.
<v Speaker 3>Well, I almost What does the microscope tell you about
<v Speaker 3>the mud on the boots and the blood stains on
<v Speaker 3>the razor on.
<v Speaker 6>A bank on the meadow, Jack, it's been the common
<v Speaker 6>type that's found in most parts of London.
<v Speaker 1>And blood I'm examining that now there's.
<v Speaker 3>Page of cases of what I remember home. Here you
<v Speaker 3>are trying to prove a man in a c when
<v Speaker 3>he insists with guilty Watson, here's the answer.
<v Speaker 6>This is definitely not human blood. It's probably the king
<v Speaker 6>now a swing tood mad. This would hardly drive its
<v Speaker 6>victim to kill gods. Therefore, it's obvious that my companies
<v Speaker 6>is the victim of a devilish plot.
<v Speaker 3>And he's not a murderer.
<v Speaker 1>No, come on, old hello, and still to care for
<v Speaker 1>at once and give him the good views.
<v Speaker 7>Of the answer, because a ten his blessing them. I'm
<v Speaker 7>buck again. Come on, what and let's go in.
<v Speaker 3>Oh look, look, he's something of his lessing table.
<v Speaker 1>I hope I'm not too late.
<v Speaker 7>Yeah, give me a hand with him?
<v Speaker 3>Are too late? His folk's been cut.
<v Speaker 6>I promised him a solution to his troubles before the
<v Speaker 6>night was over. Little did I think that the solution
<v Speaker 6>would be death.
<v Speaker 3>We'll hear the.
<v Speaker 1>Rest of doctor Watson's story in just a second. So
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<v Speaker 1>Buy both Petrie Burgundy and Petrie So Turned. They're both
<v Speaker 1>swelled because they're both Petrick. Well, doctor Watson, what happened next?
<v Speaker 3>Don't pick up the story executor where I left of
<v Speaker 3>Tombs and I were standing mock Humport's looking with horror.
<v Speaker 3>The Flash throats to the active managers stop accusing.
<v Speaker 6>No, yes, I'm missing the solution to his doubles before
<v Speaker 6>Tonight looks over a little that I think that solution would.
<v Speaker 3>Be just worry over his supposed madness.
<v Speaker 1>Is rabbits, it's murder.
<v Speaker 3>Look at the razor cuffs in his hand.
<v Speaker 1>The place said by the murder or a model had
<v Speaker 1>a chance to set in any case.
<v Speaker 7>Scrutinized the wound.
<v Speaker 1>That look as if it had been done by the
<v Speaker 1>hand of a suicide.
<v Speaker 3>I don't see why not.
<v Speaker 6>The depth of the wound is even that as a
<v Speaker 6>suicide cut all the waivers towards the end. Oh, this
<v Speaker 6>is murder, Buttoner, and I think I know who did it.
<v Speaker 6>I have lit clever and stands their track. What kind
<v Speaker 6>of I'm time to tell you? Now every moment comes
<v Speaker 6>off as the Scotland Guard and get Inspector Gregson bringing
<v Speaker 6>back as fast as you can and Watson. Yeah, they'll
<v Speaker 6>absolutely no one except Gregson of my company's death and
<v Speaker 6>say that he's still alive well and.
<v Speaker 1>That his problems are solve it's the performance of the player.
<v Speaker 1>Any worry about that old job. I'll forgive the stuck
<v Speaker 1>and Jack.
<v Speaker 3>I'm sorry it took so long to find me, Doctor Watson.
<v Speaker 3>I was having anothercasion. Inspect their per promance if there
<v Speaker 3>is one that's been nearly over there? Now is the
<v Speaker 3>stage doors? Yeah, here we are. You can't go around
<v Speaker 3>this day?
<v Speaker 11>Who says I can't? I'm inspected, Gregsmith, Scotland yard wonder
<v Speaker 11>who the devil's plays when it turns? Come on, come on,
<v Speaker 11>let's just stand here in the winds.
<v Speaker 3>Possible. There's my comforts on the stage.
<v Speaker 1>That sim in the smoke cun I don't believe in
<v Speaker 1>ghost doctor.
<v Speaker 12>Great heavens it it's homes.
<v Speaker 3>You remind you why you put him down there? And
<v Speaker 3>heavy of it? Do you reve him comes amazing disguise.
<v Speaker 1>I never recognized him both here.
<v Speaker 3>What are you up to?
<v Speaker 6>Surely that's a talent. I disguise myself as a dead
<v Speaker 6>man helping across the murderer's hands. You'll running a terrible
<v Speaker 6>riskmast out of my profession wreage.
<v Speaker 7>Yeah, come sing van musical director.
<v Speaker 6>I had to leave the awkward to come and congratulate
<v Speaker 6>you never have you given.
<v Speaker 3>A final performance, provis or provis But he's true. You
<v Speaker 3>findly seem the same person your performance. He is incomparable.
<v Speaker 3>Keep it up, man, keep it up. I think he's
<v Speaker 3>spotted you home.
<v Speaker 4>Yes, sir, I didn't like his look because he says that, well,
<v Speaker 4>whoever it is, they've got to put their hands soon
<v Speaker 4>gets going up.
<v Speaker 7>In the last scene, you calize open and suspect everyone.
<v Speaker 3>Look, my lord, find your signe let your love the state?
<v Speaker 3>What do I not bouded? But he's not muching here,
<v Speaker 3>lord gosh no, but to see you steal the figure?
<v Speaker 1>Sit fair, I get it, cometer this excuse this for
<v Speaker 1>then my guilt.
<v Speaker 3>But then it did rise from their tentlements to prove
<v Speaker 3>Sweeney Toddler by George Running act reader made doctor for
<v Speaker 3>the actor is I know how he remembers the lines though,
<v Speaker 3>even if he has to play half a dozen times
<v Speaker 3>till he comes down, I'll home slender.
<v Speaker 1>But he didn't work. But it didn't work, unbounded murderous
<v Speaker 1>still hasn't tipped his hand.
<v Speaker 7>Have I underestimated him?
<v Speaker 10>Looks as if you are, sir, And if you don't
<v Speaker 10>mind my taylf, I think wou'd have been a lot
<v Speaker 10>wiser to let me handle the case as soon as
<v Speaker 10>you found his.
<v Speaker 1>Body instead of going in for all this dressing up
<v Speaker 1>stuff over.
<v Speaker 6>Of course, now I see it only one person who
<v Speaker 6>could have killed my country's full home.
<v Speaker 7>Who was I saying? I'll show you and then Humphy's
<v Speaker 7>dressing room now.
<v Speaker 6>Alone, give me a few moments, start and then follow me.
<v Speaker 6>I'll fight that the tear shot doctor Watson.
<v Speaker 10>Why does mister Elms always have to be so bloomy mysterious?
<v Speaker 10>Why can't he just say who the murderer is and
<v Speaker 10>take us.
<v Speaker 3>To her people home? On a great many cases, Gregson?
<v Speaker 3>Then yet I can't answer that question. Come on, you've
<v Speaker 3>got to be enough to start. Now, let's follow him.
<v Speaker 10>I'm gonna follow mister Arms and have doctor. And yet
<v Speaker 10>there are times when I get so angry with him
<v Speaker 10>of Risky's life.
<v Speaker 3>Right that you know, mister Holmes, he will never change.
<v Speaker 10>If he don't, one of these days, he's going to
<v Speaker 10>wake up and find himself ditched.
<v Speaker 3>Cut it taken into the business man, your calm, Gregson,
<v Speaker 3>know you succeeded in killing press, but you won't tell
<v Speaker 3>me Mag's look out for that brace.
<v Speaker 1>I hear you.
<v Speaker 7>Very neat, Gregson.
<v Speaker 6>You are right home perfectly. Thanks so chapter. I'm a
<v Speaker 6>little tired, Gregson, my dear fellow, will you take over
<v Speaker 6>from here? I think I've had enough melo drama for
<v Speaker 6>one day. Ah, how person Watson is the deck of
<v Speaker 6>take us weep again? Aracting farm, my dressing gown and
<v Speaker 6>your company combined to make a soothing ending were somewhat
<v Speaker 6>violent day usual gay films.
<v Speaker 3>I still didn't entirely understand it. The original part, of course,
<v Speaker 3>was to try and drive my company is mad and
<v Speaker 3>making him think of your murderer. That accounts for the
<v Speaker 3>boots and the bloodstained.
<v Speaker 6>Razor precisely, my dear fellow, and the killer, having conditioned
<v Speaker 6>his victim by this trickery, then murdered him, trying to
<v Speaker 6>make it appear the suicide.
<v Speaker 1>Now who had a votive?
<v Speaker 3>Three people Humphreys, a lover, signor Vanella, and Derek Lindsay.
<v Speaker 7>I must say wife, and so did I for a while,
<v Speaker 7>And yet it was illogical. She knew, and we may
<v Speaker 7>therefore presume that her love.
<v Speaker 3>And knew, and that I was suspicious of her, And
<v Speaker 3>she must have known that you promised her husband a
<v Speaker 3>solution to his trouble before that I was out. It
<v Speaker 3>seems highly improbable that she or Senior Vanilla would have
<v Speaker 3>faked this suicide at that point, right.
<v Speaker 7>Right, my Dearveellant.
<v Speaker 6>So I investigated Derek Lindsay's affairs, and I found that
<v Speaker 6>what Compris had referred to as the kindly act of
<v Speaker 6>friend in helping him back under his feet was in
<v Speaker 6>reality the mortgaging of his entire the optical effects then
<v Speaker 6>he stood to inherit the theare on Humphrey's death.
<v Speaker 1>Therefore, I was convinced that he was the killer.
<v Speaker 3>After he had murdered him, he saw that he thought
<v Speaker 3>to be my comforts on the stage.
<v Speaker 1>Ah, that's why I was slow and stupid, old Chad.
<v Speaker 1>I couldn't imagine what motive gave the cold clear nerve to.
<v Speaker 6>Suppress all reactions when he saw his supposed victim revived
<v Speaker 6>on the stage.
<v Speaker 7>Only at that moment did.
<v Speaker 1>I realize what was the motive that made him hold
<v Speaker 1>his hand.
<v Speaker 6>The characteristic that ruled his life. Watson Avarice a morbid
<v Speaker 6>love of money. You see, I could detect me during
<v Speaker 6>the performance. You'd have had to refund the money to
<v Speaker 6>the audience. He has read conquered all other patterns that
<v Speaker 6>made him waiting for the performance was finish before he
<v Speaker 6>attempted my life.
<v Speaker 3>You know how the case is solved. I'll tell you
<v Speaker 3>something in confidence. At the end of the play tonight,
<v Speaker 3>I was afraid that you made a mistake that up
<v Speaker 3>on the case. Uh, Gregson too.
<v Speaker 7>And I Watson will tell you something in confident.
<v Speaker 1>There were three of us that felt the same way.
<v Speaker 6>Being modest, I assure you one, my dear Jeff, in fact,
<v Speaker 6>in the future, if it should strike you that I
<v Speaker 6>am more well, getting a little over confident of my powers,
<v Speaker 6>or perhaps a getting less pains to a face than
<v Speaker 6>it deserves, kindly whisper sweet, will you, I shall be
<v Speaker 6>infinitely obliged to you.
<v Speaker 1>After that was a swell story and a pretty narrow
<v Speaker 1>escape for home.
<v Speaker 3>He said, almost solve the case too late, unfortunate ended well.
<v Speaker 2>The thing that sticks in my mind is the fact
<v Speaker 2>that this is one of the very replications when Holmes
<v Speaker 2>almost made a serious mistake.
<v Speaker 3>We all make take the time, don't we A till
<v Speaker 3>I said, we we all make mistakes the time. I suppose,
<v Speaker 3>so you mean to turn down and tell me that
<v Speaker 3>you never make me think.
<v Speaker 2>Well, not when it comes choosing a wine, I don't
<v Speaker 2>because I always choose Petrick. Again, it could be, but honestly, doctor,
<v Speaker 2>when you choose a Petrie wine, you know it's a
<v Speaker 2>good wine because good wine is the only kind of
<v Speaker 2>wine the Petrie family makes. And it's easy to understand
<v Speaker 2>why when you realize that ever since they started the
<v Speaker 2>Petrie business way back in the eighteen hundreds, the Petrie
<v Speaker 2>family has handed on down from father to son, from
<v Speaker 2>father to son to highly developed fine art of wine.
<v Speaker 1>Man.
<v Speaker 2>Yes, the Petrie family has been making wine for generation.
<v Speaker 2>That's why, no matter what type can you prefer for
<v Speaker 2>any a case, you can't go wrong with a Petree
<v Speaker 2>wine because Petrie took time to bring you good wine.
<v Speaker 1>Well, doctor Watson, do you care to give us a
<v Speaker 1>clue about next week?
<v Speaker 7>Your lock on?
<v Speaker 3>See you next week? It's about next week now, Yes,
<v Speaker 3>I'm going to tell you a colorful story that took
<v Speaker 3>place in the Parisian circus in eighteen hundred and ninety concerns.
<v Speaker 3>This person needs the lady bareback Rider and the same death.
<v Speaker 1>Fuck fus warming boy, I can't miss that one.
<v Speaker 3>Done good? Well, Now, before you go, I want to
<v Speaker 3>say something to all our friends.
<v Speaker 13>I want you just to think for a minute, think
<v Speaker 13>of how terrible tears to see, help us little children
<v Speaker 13>spitten infantile paralysis, and then realize that infantile paralysis can
<v Speaker 13>be beaten.
<v Speaker 3>It can be beaten very many cases. And your money,
<v Speaker 3>your dimes, can do it. Join the March of Dimes.
<v Speaker 3>Send your dimes to your local Marsive Times headquarters. Let's
<v Speaker 3>help little children walk, help them live.
<v Speaker 6>The night Show.
<v Speaker 2>Arcolm's Adventure was written by Tennis Green and Anthony Boucher
<v Speaker 2>and was suggested by an incident and this hitha Commond
<v Speaker 2>oil story. The yellow Face music is by Dean Foster.
<v Speaker 2>Mister rat Thorn appears through the crissy of Metro Golden
<v Speaker 2>mayor mister Bruce through the courtesy of Universal Pictures, where
<v Speaker 2>they are now starring in the Sherlock Holmes series.
<v Speaker 1>The Petrie Wine Company of San Francisco.
<v Speaker 2>California invites you to tune in again next week, same time,
<v Speaker 2>same station. Skirlock Holmes comes to you from our Hollywood studio.
<v Speaker 2>This is Harry Martel laying good night for the Petrie family.
<v Speaker 2>For a solid hour of exciting Mister dramas listen every
<v Speaker 2>Monday on most of these same stations at eight o'clock
<v Speaker 2>to Michael Shane, followed immediately by Sherlock Holm.
<v Speaker 1>This is the mutual broadcasting system