RHOA Recap: Marlo is the Moment

Kingdom Reign Entertainment

The King of Reality TV recaps this week’s episode of The Real Housewives of Atlanta. Join Carlos as he breaks down the odd beef between Sanya and Drew, the emergence of Momma Sanya, slut-shaming, Kenya's wig, and what he thinks is missing from this season.

Thoughts? Opinions? Reads? Email me at RealitywithTheKing@Stitcher.com or leave me a voicemail at 310-593-8188. Follow me! Twitter & Instagram: @TheCarlosKing_

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2022-06-22 29 min Transcript

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Transcript

00:00:00
Speaker 1: What's interesting this season for some reason that I'm watching on the show.

00:00:05
Speaker 2: Is Kenya Moore being slutshained.

00:00:08
Speaker 1: And when I say that, I'm not calling Kenya more slut, so let's be very clear. But there's this constant conversation about her sexual history that I think is very interesting because I don't think it's bad that Kenya is just saying to Candy, I felt uncomfortable having vibrating panties on that other people, including men, can control.

00:00:38
Speaker 2: Stay tuned.

00:00:39
Speaker 1: We'll get into my recap of the Real Housewives of Atlanta recent episode right after this quick break. Hey, rain drops, So we have a very special episode today. I am recapping the most recent episode of the Real Housewives of Atlanta. Yes, as you all know, I was taping my late night show on own call The Nightcap with Carlos King. First of all, thank you all so much for watching it. The show is doing really well in the ratings. Everyone loves it. Thank you so much for supporting it. So now that I'm back, you know, I want to recap these episodes weekly. So I haven't recapped an episode of the Real Housewives of Atlanta since episode one, the premiere, which I gave it a B plus. Remember, and I said that, you know what what I'm seeing right now is Marlow is carrying the show and that you.

00:01:44
Speaker 2: May want to rename the show the Real Marlowe of Atlanta.

00:01:50
Speaker 1: Yes, and then obviously we have Marlo Hampton on as well, which, by the way, that particular episode broke Twitter and it also, you know, increase some viewership for the show.

00:02:02
Speaker 2: Yeah.

00:02:06
Speaker 1: So the fourth we call Brolockhampton is working overtime. And after watching this most recent episode, I have to say I was right. This is the marlow Show, ladies and gentlemen, and she is making sure that these ladies are working. So, look, this recap is going to be very different. I'm not going to go play by play talking about every single scene and dissect everything because who got tient for that child?

00:02:36
Speaker 2: I certainly don't.

00:02:38
Speaker 1: Instead, we're going to talk about big picture moments.

00:02:41
Speaker 2: I know you guys care.

00:02:42
Speaker 1: More about like, tell us what you think about it, give it to a straight no chaser, and then let's go on Twitter and throw you shade in case we disagree with you. So let's get started. I have to say this week's episode was It's fine, it wasn't great. I really did enjoy their prior week's episode when it was the aftermath of Charae being left stranded honey in Philadelphia with her Mary J. Blige, no drama fur and her outfit and sunglasses. Honey, Yes, with Chara Charay was giving all of us Mary J.

00:03:24
Speaker 2: Blige with the fashions, and I was here for it.

00:03:27
Speaker 1: So the aftermath of that was the episode where Marlowe came over told her like, we need to get you out of the house, and Marlow's for her car and had like this fendy shopping spree and it was this beautiful sisterhood moment. And when I say to you, guys, I loved that scene so much.

00:03:49
Speaker 2: I loved it. I loved it. I loved it.

00:03:51
Speaker 1: Because to me, what makes the Real Housewives of Atalanta so special. Yes, they're funny, they throw shade, they know how to read. They're the best comedians out of the franchise period right, which is why they've always been number one. But one thing about that franchise as well as the personal story, so to see Charae be vulnerable and Marlowe be vulnerable, I was here for it. So I loved that episode. I loved it so much. I sent a text to the showrunner saying, now this episode you're on point with.

00:04:31
Speaker 2: Yeah, HODEI in my phavor voice.

00:04:33
Speaker 1: I'm teasing you know, I'm silly, but no, I really did love that episode. So this particular episode the continuation of Sanya's event with her mom, and we had the legendary Mama Joys there and then it starts with Drew Sodora entering the scene where should I begin? Remember, guys, I really did like episode one. I gave it a B plus, which is a great grade for a season premiere episode. Episode two of the Real Hotspots of Atlanta was a D. I hated that episode. It was a D plus and the D stood for Drew because I wasn't too fond of the acting scene that end of the episode between her and Ralph. I don't know. I'm not buying what they selling, honey. It gave me very much Lifetime Movie of the Week executive produced by Bishop T. D Jakes and directed by Robin Gibbons. I was not here for it. I thought that was some of Drew's best acting work that I have seen since the Game, and since she played t Boss in the TLC.

00:05:44
Speaker 2: Biopic, honey.

00:05:45
Speaker 1: I mean, look, in the words of t Boss, Drew, don't go chasing water falls.

00:05:50
Speaker 2: Just stick to the rivers and the lakes that we're used to.

00:05:54
Speaker 1: I just think her and Ralph studied Love and Marriage Huntsville and said, you and I are going to be the Melody and Martell Holt of the Real Housewives of Atlanta, and we're going to give this world some scenes. I don't buy it. I don't, so I've been very hard on Drew since then. However, Comma this episode, I'm starting to like Drew. And the reason why I'm starting to like Drew is because Sonya is so insufferable.

00:06:30
Speaker 2: She really is looking for a moment.

00:06:32
Speaker 1: And the reason why I'm siding with Drew is because when Drew is faced with something that she and her four assistance and rap did not plan or did not script out, She's really a good housewife. Because Sonya checked Drew and it was unexpected for Drew. Drew gave great moments because it wasn't anything that was pre planned or pre produced or pre written or predirected or pre scored, do you know what I mean? Like, it was a real moment. And when Drew is faced with the real moments. She actually is a great housewife, and I want to see more of that. So let's be real here. Sonya is looking for a moment, and let me tell you what that means. So every once in a while, when you're watching, especially the Real Housewives of Atlanta, those women have this thing called a moment. You're looking for a moment. I'm not giving you a moment. You're looking for a moment. And if you listen to my episode with Marlow Hampton, remember how Marlow said during season nine, Yes, honey, that epic season when the girls went camping and her and Kenya Moore were getting into it, and Marlow said that Kenya told her, you're looking for a moment. I'm not giving you a moment, and that I Carlos King said, honey, you will give her a moment.

00:07:56
Speaker 2: You will give her whatever she needs. Okay.

00:07:59
Speaker 1: So when my wife says that they feel like a particular housewife or friend to the show is looking for a moment to make herself relevant on the show.

00:08:09
Speaker 2: And sometimes that is true.

00:08:11
Speaker 1: And what I can tell you, guys, is the fact that that's what.

00:08:15
Speaker 2: Sonya is doing.

00:08:17
Speaker 1: Because it doesn't make any sense that all of a sudden, you're creating this fake beef out of nowhere.

00:08:24
Speaker 2: It is my fundamental belief.

00:08:26
Speaker 1: That a producer must have told Sonya you are not good and you don't have anything that is happening that makes you interesting as it relates to your friendships with these ladies. And I believe, as the former producer of that show, that Sonya was looking to get a moment off of Drew.

00:08:49
Speaker 2: And let me tell you, guys, why I know that to be true.

00:08:52
Speaker 1: Drew looked at Sonya like, what are you doing and why didn't you tell me that when we were getting our hair and makeup done? And what Drew was saying to Sonya that moment is game recognizes game, Actress recognizes actress. I'm an actress and clearly you're acting in this moment to Sonya. And I'm telling you, I know you're looking for a moment because none of this is making sense. And that's why a lot of people are confused as to why Sonya all of a sudden, has this issue with Drew because it came out of thin air. And the reason why it came out of thin air is because Sonya needed to do.

00:09:32
Speaker 2: Something to remain relevant on the show.

00:09:34
Speaker 1: She's a new housewife, and when you are a new housewife, you do have all this pressure put on you to be relevant.

00:09:40
Speaker 2: So she's using Drew to be relevant.

00:09:42
Speaker 1: And because she's doing that, I am signing more with Drew. And I think Drew is so interesting now because she definitely is warming up to the audience by being her authentic self. Sonya, listen, y'all know me. I'm not mean suspit here. It did, but I'm gonna keep it funky. Sonya is a cloud chaser to me. Yes, you have fold Olympic gold medals. That's fine. You even brought it to the table with screened I'm looking for a moment, honey, obbos with Drew. When Drew said, Kenya Moore, it's miss Usa. Is she bringing her crown to a scene? I'm with you, sed this that was That was the epitome of doing the most. Sonya is not coming across natural because she is looking for moments to happen.

00:10:35
Speaker 2: And I don't know.

00:10:36
Speaker 1: I find Sonya to be very unlikable. I find her to be unlikable so far, but remember I found Drew to be unlikable too, until Drew decided to remove the script from her purse and decided to be more invested and more present in the scene. And that's why is becoming way more interesting to me than she was last season and at the top of the season.

00:11:06
Speaker 2: So that's why Mama Joyce.

00:11:09
Speaker 1: Which, by the way, I was so happy to see Mama Joyce back on our screens, Honey, in the small section that they aired of her, gave me everything I needed and I wanted more. Anytime Mama Joyce tells y'all this argument is significant. It's because the legendary Mama Joyce also knows a fake moment when.

00:11:30
Speaker 2: She sees one.

00:11:32
Speaker 1: Mama Joyce is a legend. I believe that Mama joy sat there and was like, what is this. You guys invited me to go to this all girls event.

00:11:40
Speaker 2: I've been to girls event.

00:11:42
Speaker 1: I was the one who got the party started at Candy's Food Tasting season nine when she told a remember.

00:11:50
Speaker 2: Mama Joyce Todra.

00:11:53
Speaker 1: Yeah, you know I saw him on the news that you know that guy had a bomb because he said he got tired of you playing with him and he was gonna blow you to fuck up.

00:12:01
Speaker 2: Yeah.

00:12:02
Speaker 1: No, he said he was gonna blow you to fuck up. No, he said he got tired of you playing with him.

00:12:07
Speaker 2: He was going to blow you the fuck up.

00:12:10
Speaker 1: And Kenya legend Moore said, I got that part, Mama Joyce. He wanted to blow her the fuck up. Yes, Mama Joyce even knows what a good scene is in a good moment. And when she said to those women, how this is so significant?

00:12:29
Speaker 2: That goes to show you, guys that what I'm saying is right.

00:12:32
Speaker 1: And my advice to Sonya, and I don't mean to bush your name, because I'm not that guy. If I'm saying you're wrong, I apologize in my Nita Baker voice. My advice to you, shall you be back next season, which I think you will be. Just be yourself and don't look for moments, but create moments, honey, because as of now, I'm not interested in anything that you're selling, none of it, Honey. I'm over it and I'm not into it, okay, But what I am into is.

00:13:00
Speaker 2: Your mama, honey.

00:13:01
Speaker 1: Yes, Mama Sonya to me is going to be great television and I really do want to see more from her. What's interesting about Mama Sonya, which listen, I feel so bad I forgot her name, so We're gonna call her Mama Sonya.

00:13:19
Speaker 2: Honey.

00:13:20
Speaker 1: What I like about Mama Sonya is she reminds me of Mama Joyce in the sense of she is overprotective of her daughter and she is going to raise hell based on what her daughter tells her. And what makes her a great reality start that I'm seeing so far that her daughter should take note of is the fact that she is present and seene and she has an opinion, and you can tell she is reacting to what's happening in the moment because when Kenya Moore talks about rehearsed reads, Sonya gave a rehearse read that whole Honey, I'm a for Olympic gold medalist, Honey, like girl, you have been waiting to say that since you held the peach. You have been waiting to say that, since they called you and said you were a housewife.

00:14:15
Speaker 2: You have been sitting on that.

00:14:17
Speaker 1: When people say sitting on ready, you were sitting on the read.

00:14:20
Speaker 2: That was a rehearse read.

00:14:22
Speaker 1: I'm not mad at it, but again my advice is make it sound less rehearsed. So moving forward, when you have these things you want to say, just don't rehearse it in the mirror like your Easter ray on Insecure talking to the Insecure version of herself. Okay, that's my advice to you. But your mother is great, she's present, So I do think you will have a good shelf life on the show, especially because your mom is great and your husband is fine.

00:15:02
Speaker 2: Stay tuned as I get.

00:15:03
Speaker 1: Into more of my Real Housewives of Atlanta episode recap. This is just getting good, y'all. We'll be right back after this quick break. This is reality with the King, and I'm Carlos King. Let's get back into my Real Housewives of Atlanta episode recap. There's this big issue happening about slutshaming and being sexually free.

00:15:34
Speaker 2: You know, one thing about the Real.

00:15:35
Speaker 1: Housewives of Atlanta that I've always enjoyed is the fact that these women are free spirits. You know, no one ever slut shamed Portia when she called herself the Princess of thought Landia.

00:15:49
Speaker 2: You know, it was always fun and funny.

00:15:51
Speaker 1: What's interesting this season, for some reason that I'm watching on the show.

00:15:56
Speaker 2: Is Kenya Moore being slut shamed.

00:16:00
Speaker 1: And when I say that, I'm not calling Kenya more slut. So let's be very clear but there's this constant conversation about her sexual history that I think is very interesting because I don't think it's bad that Kenya is just saying to Candy, I felt uncomfortable having vibrating panties on, that other people, including men, can control, that they can control my orgasms, that they can control my stimulation, that they can control my vibration, that they can control my vagina. Like I don't think anyone should control someone else's vagina unless it's a mutual understanding that I want you to do it.

00:16:50
Speaker 2: So I don't think that's a problem.

00:16:52
Speaker 1: Listen, we all know that Candy is sexually free, and I give her all the profits in the world for being open about that because she didn't have to tell anybody that she's been with women before. You know, she has a very highly successful vibrating line and sex toy line.

00:17:09
Speaker 2: Like, Candy is a boss.

00:17:11
Speaker 1: She's rich, and she has made millions off of this business. I love that about her. You know, Candy doesn't skip a check, and I think that's beautiful. And listen in Candy's defense because.

00:17:25
Speaker 2: I know Candy, y'all, don't.

00:17:30
Speaker 1: Y'all be going in and don't know the woman I actually know Candy, and Candy's defense the vibrating panties was her being a marketing executive. She wanted to promote the latest venture from the Bid Room Candy line. So in Candy's defense, what she was trying to do was use the show to promote her business. But wearing the vibrating panties is one thing I do think where things got messed stuff, in my opinion is when she revealed that other people could control the vibration. That's the part I think she messed up, because then it's sort of like, this isn't consensual. If I want your husband or these men to control my underwear, then let me tell them to control it. But the fact that I'm walking around Broadway in Times Square and I'm walking on the pavement in my lubatons and I'm almost falling through the pavement cracks because my kouchi is vibrating, and I'm trying to watch this play and I can't watch it because I'm too busy in lust. Because somebody in our five at the theater, Honey, is controlling my vagina. That's where things got messed up. Because of that. I do understand why Kenya was upset with it because her and Cherat and Marlow were the single women going on this trip. So the fact that Kenya brought it up to me I also understood, and I think in Kenya's defense, it is uncomfortable.

00:19:04
Speaker 2: Listen. It's one thing to be sexually free.

00:19:06
Speaker 1: And listen, I know a lot of women who are, but I also think you also have to respect people who aren't, and it can be a situation where I'm dissing you because you're not as sexually open as I am.

00:19:19
Speaker 2: I don't know.

00:19:20
Speaker 1: I was surprised that in Candy's Confessionals she said, Kenya has all kinds of crazy sex stories, but now you are clutching your pearls. We know that your history has been talked about before sexually, So I don't know, like, was that a dis Because social media was mad that Marlow made these comments about Candy's sexual history and Kenya's as.

00:19:43
Speaker 2: Well, y'all went in on Marlow.

00:19:45
Speaker 1: Y'all went in on Marlow my podcast for saying things about Candy's sexual history. Y'all try to go in on me for asking the question. I'm like, I ask questions about everybody on the show. It's not my fault that social media takes a sound bite and runs with with it that someone else said. So, if you guys are mad at Marlowe for making these comments, and listen.

00:20:07
Speaker 2: I agree with you, guys.

00:20:08
Speaker 1: I'm all about being fair because we don't do it to men and I don't think we should do it to women. But if that's the case, then are you guys also mad about what Candy intimated? She didn't call her a hoe, but do you guys think she intimated anything that could have added to Marlowe's statement about Kenya being a hoe. Let me hear from you, guys, because I'm curious if you guys felt that way, because when I saw it, I clutched my own damn pearls honey when she said it, because I was like, ooh, I don't.

00:20:42
Speaker 2: I didn't think.

00:20:42
Speaker 1: Kinga deserved that, honey, just like I don't think Kenya nor Candy deserved what Marlowe said.

00:20:48
Speaker 2: So what's good for the goose? Is it good for the gander? Let's talk about it. My thoughts on Kenya this season.

00:20:57
Speaker 1: Y'all know I am a Kenya Moore stand and I have no shame about admitting that I call her Kenya legend more. She was number four on my list of the Greatest Housewives of all time.

00:21:13
Speaker 2: I love Kenya.

00:21:14
Speaker 1: I think it's safe to say that Kenya definitely is taking a break this season. And guess what, as much as I want to see the old Kenya back, I understand it. Kenya has been carrying this show since she's been on season five. And I can say that because I know what happens behind the scenes since season six, seven, eight, and nine. All those seasons, nothing would happen without Kenya because Kenya was the force multiplier who made.

00:21:48
Speaker 2: Sure that things happen.

00:21:49
Speaker 1: And I think because Kenya has been a part of this show for nine years, she's exhausted. But I do miss the old Kenya. And one thing Marlow is doing. Marlow is working over time to pull out the old Kenya. And when I say to you, the best part about that dinner scene is when Kenya, who was very frustrated, was checking Marlow. When Kenya said, your comprehension is very off, and.

00:22:22
Speaker 2: Marlow goes, no, bitch, your wig is very off.

00:22:28
Speaker 1: And what was funnier is Kenya gag because she was not expecting that. And the funniest part about all of that is the fact that Kenya, the fact that Kenya even acknowledged that her wig was bad and she's sick because I love Kenya.

00:22:49
Speaker 2: The fact that Kenya said.

00:22:53
Speaker 1: Yeah, it is bad because I have to rush to get here. Kenya, I love you more and more at r more baby.

00:23:08
Speaker 2: That was hilarious to me.

00:23:10
Speaker 1: If that's why Kenya is alleged, Kenya did not backpedal, She did not try to like deny her wig was bad.

00:23:18
Speaker 2: Kenya owned it.

00:23:19
Speaker 1: Kenya actually gagged and said, you know what, bitch, you got me, You got me. This wig is awful. That to me, was the highlight of that dynasty and what I'm seeing so far, guys, Marlow, Charay, and Drew are carrying this season. Listen, Drew is working overtime. Marlow is definitely working overtime because Marlow feels like I got a peach. I'll be damned if y'all say this season is boring after I got my first peach, Like not on my watch, Okay, this ain't happening. Booth and Charay is giving us a personal story, and that's the one thing that I am missing this season.

00:23:56
Speaker 2: I think this season is fine.

00:23:57
Speaker 1: I don't think it's bad, but I am missing the personal story seeing Charie deal with Tom Rone and that whole situation, and how Marlowe said to her, would you allow your daughter to be treated this way if it was her going through this? Like those are the reasons why Atlanta was always number one because of personal story, and I'm not seeing a lot of that this season. I really want to see what Kenya Moore is going through as relates to her divorce from Mark.

00:24:26
Speaker 2: We were so excited that.

00:24:27
Speaker 1: Kenya found love and that she finally got what she always wanted, which was a baby. I want to see what Kenya is going through in the divorce proceedings. I want to see how Kenya is navigating being a single mom.

00:24:41
Speaker 2: I want to see Aunt Laurie back. I think a Laurie.

00:24:44
Speaker 1: Would come back on the show if she knew they would only talk about what she's going through being a single mom. I want to see Kenya with brand and her best friend. I want to see Kenya with her cousin Shay. I miss seeing personal story, and my biggest critis about this season is I don't feel like we're getting a lot of it from the girls. I want to see something deeper and richer in story, and I think Charay is checking out all the boxes and Marlow is giving us amazing personal story. The scene that ended this episode of Marlow talking to her sister who's in jail and being around her nephews as she's on the phone say what you want to buy Marlow? Marlow when she's vulnerable, it melts my heart and I'm so happy that Marlowe is showing that side of her because to me, Marlow is such a force. That is nice to see the balance in her storyline, and I want to see more of that real moment, not only from Marlow but from the rest of the girls. Like I said, when Charay and Marlowe, that to me is the best scene of the season because it was so naturally real Marlow and Saray hugging and crying and talking in the sisterhood of it all.

00:26:04
Speaker 2: That was beautiful and I want to see more of that.

00:26:08
Speaker 1: We'll see how next week's episode is, because I think that's another.

00:26:14
Speaker 2: Argument that's going to happen.

00:26:15
Speaker 1: But I'm hoping to see again just some more rich, deep personal story that you could sink your teeth into, because I don't want this to be like New York City Housewives. Well, all they do is have dinner, throwchhete drinks and party like that ain't the show, so I want to see more of that. So look, all in all, I would give this episode a C plus. It wasn't amazing, but it wasn't bad either. It was definitely the beginning of some great moments that's to come.

00:26:46
Speaker 2: Child Kenya and Marlowe sign me up baby.

00:26:51
Speaker 1: Two Aquarius women going toe to toe, babe bae.

00:26:55
Speaker 2: I'm looking forward to seeing that.

00:26:57
Speaker 1: We see that Sonya is having a conversation with her finance husband about wanting a baby, and then we get to see Monieta. Yeah, so Monyatta looks like she's making an appearance in next week's episode, so definitely looking forward to that. So yeah, I'm looking forward to seeing that episode. And again, what I would like to see more is personal story. I want to see more of those moments between Charay and Marlowe where they were crying.

00:27:27
Speaker 2: Again. I'm really really, really really really really.

00:27:29
Speaker 1: Hoping guys that we get to see what Kenya is going through, because she is going through something deeply personal and I want to see that, and I'm really praying that we do, because it will shed light on why she's more focused on what's happening around her versus being in the midst of what's happening in the moment like she usually is. So I'm hoping we can get to see that. But again, I'm very hopeful that it will all culminate to being a great season because I do talk to some of the ladies often and they all told me that they feel like this is a great season. So I'm looking forward to watching more and commenting more as well. Thoughts opinions reads about my recap on the most recent episode of The Real Housepalks of Atlanta. Email me at Reality with the King at stitra dot com or leave me a voicemail at three one oh five ninety three eight one eight eight.

00:28:38
Speaker 2: Thank you for listening to Reality with the King.

00:28:41
Speaker 1: New episodes drop every Wednesday and Friday, Share, comment, follow, and subscribe to Reality with the King wherever you get your podcast, visit realitywith King dot com and be sure to follow me at the Carlos King Underscore on Instagram and Twitter. Reality with the King is a production of More Sauce by Stitcher. It is executive produced by me, Carlos King, and Jasmine Henley Brown. We are also produced by Sierra Spradley, Rix engineering and music by Marcus ham More.

00:29:22
Speaker 2: Sauce

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