BEST OF Fat Joe & Jadakiss 2025: Clipse, Cardi B, 85 South, Nelly & Ashanti, Aries Spears & MORE

Joe and Jada

YO YO YOOO! It's been a legendary first year of the Joe and Jada podcast, and this Christmas we're looking back at some of 2025's classic moments from Fat Joe and Jadakiss, along with their always legendary, always iconic guests including Clipse's Pusha T and Malice, Cardi B, 85 South, Aries Spears, Allen Iverson, Common, Ne-Yo, and many more!

2:30 - "I miss my Uncle Georgia"

6:00 - Ne-Yo explains his 4-girlfriend situation

12:30 - Cardi B reacts to Ne-Yo's 4-girlfriend situation

17:00 - Clipse on the making of 'Let God Sort Em Out'

32:00 - 85 South can't believe Jada is bald by choice

37:00 - Joe & Jada tell wild Big Pun & DMX stories

43:00 - Allen Iverson's mother joins the couch

48:00 - Nelly & Ashanti's 50 Cent story

1:01:00 - Common confirms Fat Joe saved his life

1:08:00 - Fat Joe's legendary jail stories

1:25:00 - Joe & Jada on being in the studio with Biggie & Jay-Z

1:37:00 - Lil Wayne bodied EVERYONE on "We Takin' Over"

1:42:00 - Aries Spears reacts to Joe's crazy OJ Simpson story

1:51:00 - Jada tells Yayo & Murda about Biggie's '97 L.A. trip

2:00:00 - Joe & Jada's top 5 hip hop songs

2:15:00 - N.O.R.E. on his tense conversation with Pusha T

2:22:00 - Jermaine Dupri on writing "Confessions" for Usher

2:28:00 - Fat Joe isn't capping about the smallest man in the world

[Timestamps may vary due to advertisements.]

All lines provided by Hard Rock Bet

See omnystudio.com/listener for privacy information.

2025-12-25 142 min Transcript

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Transcript

00:00:00
Speaker 1: Yo, listen.

00:00:00
Speaker 2: The ain't no different than this show Hall gol s mon Goalie and he's walking through.

00:00:05
Speaker 1: What's up boss? They looking like we made a bus steak. We recruit this letter. He was like, shit, do they let him go? And you let them go?

00:00:29
Speaker 3: But Biggie Small's to this day, his flows his cadence.

00:00:33
Speaker 1: You know.

00:00:34
Speaker 2: I help get the song together with him and Bone Thugs in Harmony. That's another album. Look up the first Bone Thugs in Harmony. First album sold thirty million records. He's nineteen ninety nine.

00:00:51
Speaker 1: For the love of money.

00:00:52
Speaker 2: Gotta get that money, baby, money, baby, gotta get that money.

00:00:57
Speaker 1: Baby.

00:00:58
Speaker 3: Let me tell you some boys. It's my uncle Georgia.

00:01:04
Speaker 4: Call him George ms my uncle Georgia, Uncle Charles, George.

00:01:19
Speaker 5: Ms Buncle George at yo, Uncle George.

00:01:27
Speaker 1: You know yo, listen now you know George. You know how you go to the Hey meeting and be like, Hi, I'm Joe, I'm an alcoholic.

00:01:36
Speaker 2: It's like, Hi, I'm fat, Joe, I'm a fuck up, I'm a bug out. I change all the words. That's why we're gonna have a problem.

00:01:44
Speaker 1: Rich. We put it back Rich toward back to me.

00:01:48
Speaker 2: You can't even memorize my own robs, So imagine memorizing your rhymes just somebody else when I fuck everybody ship up. But I got that bone and Biggie done. Biggie hit me up, said Joe, I want to rock with your man's. I know that your man's be on the same label. I'm hanging out with them every day. Then he had a relationship with Bob. I had to really really convince them, and I know to this day they're happy. I convinced them and Steve Lobell brought them to the studio.

00:02:18
Speaker 3: The rest is history. With that bone in Biggie Biggie.

00:02:21
Speaker 2: Bone it and nobody in New York was thinking about am in dangerous, ain't too Minny, can't bang with us?

00:02:27
Speaker 1: Sing up?

00:02:28
Speaker 2: We know ain'tel us and Torios, so go be with you know who this Nobody was thinking about that flow at that time.

00:02:38
Speaker 3: Well he did it. It was like, you know, big with somebody that is like you.

00:02:44
Speaker 2: I mean, damn man, we got a big this thing right over there. Yeah, something saluted man. Biggie was like you in the very way of you never.

00:02:53
Speaker 1: Said a whack verse.

00:02:54
Speaker 2: So every time Biggie klar ryme on one twelve. He could rhyme on fucking a girl's TLC shit whatever, it ain't not anything that we would listen to him. We would listen to the new verse and be like, Damn, Biggie did it again. He was super nice. He did this and this and that. It was crazy. You know what I'm saying, b I g that ready to die. That ship to this day is one of my favorite uh you know what I mean? For the Slaves since for the same and the two Yo Biggie. I have my homies total bust of shit. Every record. It wasn't just total. I don't know if it was a fan, but as a rapper, every verse similar to you, every verse Biggie ever spit, we would analyze it immediately be like, Yo, he did this song with total you know everything. You be like, damn body that ship again. It's not easy to body every single verse. You know Jadi Kish you know he's really good at that. You know what I'm saying here, We be listening for every verse like, oh shit, Jenna's gonna spit that ship right now, Jo Neo, I gotta keep it real with you, right because lately being there we're podcasters now It's crazy because all the artists, not you, but all the artists seemed to come in here and don't want to talk about what everybody want to hear them talk about out there. You got four wives, what kind of pressure.

00:04:36
Speaker 1: Do you buy? Is it like Muslim?

00:04:38
Speaker 2: Do you gotta buy the same bag for the same Like you know what mine is mine?

00:04:43
Speaker 1: You definitely gotta have a bag that have four wives you have?

00:04:47
Speaker 6: I mean what okay, it's there's a mindset that the woman has to have in order to be able to share. Man, you know what I'm saying, Like, it's literally gotta she literally gotta think that different way.

00:05:00
Speaker 1: If you got four women that want breaking bags, you got the wrong for it.

00:05:06
Speaker 6: So they got a different mentality. It's it's community is family. It's just like everybody doing something. It's like it's like a village where everybody do something. Everybody got a job, you know what I mean. If you're the only person taking care of everything you do, that's not how supposed to go. Everybody's supposed to kind of pitch in together. Like I have seven kids on my own, one of them got a daughter, of them got two kids, and it's like okay, so I don't have seven kids. I got nine kids, and that's fine because we all come together, like this one's washing dishes, this one changing diapers.

00:05:37
Speaker 1: If it need be, this one doing that, everybody does you.

00:05:39
Speaker 7: Think it's a traditional way? Yeah, I gotta did you have to do how did you? How did you did you have to do an interview? How the hell did you know? How did you do this? Just with you on tour? Just like all right, she could be part of the family. She could be like, how did you do it? How did you do it?

00:06:00
Speaker 1: Full time? So okay.

00:06:03
Speaker 6: So after my after my divorce, my very public, very ugly divorce, I I realized that just through being dishonest, I heard a lot of people. I heard I heard a lot of people, and I decided at that moment, I don't never want to be a reason nobody show like.

00:06:19
Speaker 1: So from that moment, I was like, I'm gonna just keep it a.

00:06:21
Speaker 6: Buck with everybody about everything being good, bad, ugly, whatever, I'm gonna keep it a buck. I don't ask me if the dress make you look fat, if you don't really want to hear the answer, because I'm gonna tell you straight up right. So one of the ones that I've been around a little longer than the other ones. So I basically just set it down, like, listen, if you know I rock with you, we've been rocking for for forever. Do this through that we've been rocking. I love you, I do, but it ain't just you. I'm also rocking with this one and this one.

00:06:49
Speaker 2: So nan could love more than one more than absolutely absolutely, I wanted to say, I'm throwing you out. This motherfucker'll tell you let them out, said the fucking question.

00:07:00
Speaker 1: You ain't got full? What you ain't got full? Man?

00:07:03
Speaker 5: Co see somebody interrupt and then tell you to be quiet.

00:07:08
Speaker 1: You're like, you can love more than you can love more than one woman. This is the ship. Men won't say married. Man won't not say that. This is this ship.

00:07:17
Speaker 2: Men won't say they can't because because you got more. So that's how it goes. And what do we call that in America? Like it's it's it's polygamy.

00:07:26
Speaker 6: It's polyamory is they're not married, it's polygamy if you're married, And polygamy is illegal in a lot of America.

00:07:31
Speaker 1: So it's poll. Yeah, it's.

00:07:35
Speaker 2: A lot of a lot of pig horsepower and they listen. First of all me, I'm abused. I'm abused, like I'm lyrically abused. Some of my friends come to the house. They fucking they gonna light candles for me, Like I'm sitting there like our Bundy God, and I'm like, watch the TV. It's very hard to get me upset. But for them doing that ship at the same time. But he don't happen like that.

00:08:04
Speaker 6: It don't happen like that because I'm I'm very, very very adamant about drawing the line and the saying. It's like, listen, I'm gonna hear you out. I'm gonna let you say what it is you need to say. But once we started going here, you lost me anyway, so you might as well.

00:08:16
Speaker 2: When I when I was thinking about asking you this question, I'm thinking, so what you got.

00:08:19
Speaker 1: Like a giant bed, like a big fucking giant.

00:08:23
Speaker 8: Last last King, I need Sugar King is like rid fuck me in the Alaskan King to double together like.

00:08:35
Speaker 1: Double King. I only think I heard of California and something else I heard it. I never heard of it.

00:08:44
Speaker 2: Last Joe, Fat Joe deserving the Alaskan King. Oh, fat Joe deserves in the Alaskan king.

00:08:55
Speaker 6: I guess because you can't buy an Alaska king. You gotta get made. You gotta you gotta get somebody to make it. They gonna come in and build yourself.

00:09:03
Speaker 2: They're gonna they're gonna build its like a giant bed. Yes, what it's about comes to mind. You're an inspiration, Neil, I like it. We're gonna vicarious sneak through you that and hope it works out. Everything is good, man, everything is good again. We we have problems, just like just like monogous relationships.

00:09:28
Speaker 1: All that ship is real. You're gonna argue over stuff.

00:09:30
Speaker 6: But again, at the end of the day, as long as you are ahead of household and everybody understands that, then arguments don't last on. Like you know, I'm gonna again, let you get it out and let you say what you gotta say. I'm here you, But once it's done, it's done.

00:09:42
Speaker 9: We're not good.

00:09:43
Speaker 6: You think a broke man can have four women in the alasking uh, if you do it the right way, because again it's not. It's also listen, all women ain't gonna it's not gonna worry not rocking with that certain behind a woman she gotta she gotta have a certain mindset if she's gonna do it, because if she if she's the kind of woman again that she needs birthday and all this.

00:10:05
Speaker 1: What's the question? I got two questions? How fall apart? Because you know how you said you had one that was with you for a while. What was the difference? No? No, no, How quick did it take to get the other three on board?

00:10:21
Speaker 6: It wasn't It didn't take a long time. I kind of set up at dinner. I told I told her one that I want you to meet I want you to meet the other ones. Initially it was just three, so I told her one that I wanted her to meet the other two.

00:10:33
Speaker 1: I set up the door where the last one come from.

00:10:36
Speaker 10: Ue.

00:10:36
Speaker 1: She's one of my one of my dancers. She's the newest. Yeah, yeah, she's one of my dancers.

00:10:45
Speaker 2: I got a dankham because whenever I did this podcast without them yesterday and I went crazy and I was like, damn, where is my man when I need him to say chill relaxed, because he's the calm.

00:10:57
Speaker 11: Beat we'll get jass So honey.

00:11:00
Speaker 2: Yes, he's like he's like chilled with lunch yesterday. I'm up in the years. So what he was like, Yo, nig you know they came with five. You know this, I'm like, I walked out of it in my home. The crazy guy the face he thoughts, we call him that mess me. They won't with me, like, yo, change this referee.

00:11:18
Speaker 11: What you was doing?

00:11:20
Speaker 1: We did. We did show yesterday, yesterday. It was great.

00:11:25
Speaker 11: He's living his life. Honey, got three holes.

00:11:30
Speaker 1: Four. Guess what this is?

00:11:32
Speaker 3: Such thing I asked him, there's an Alaskan king bag, right, what's.

00:11:36
Speaker 1: The ship called Lasting King Man?

00:11:38
Speaker 2: It's alast King he got he's sleep with four.

00:11:44
Speaker 1: Let that man gotta fit five.

00:11:46
Speaker 2: People him, four chicks in the in the in the fucking bag. That's a different kind of bag.

00:11:52
Speaker 11: But what makes you go to be married? What makes you go from being married to having like four girlfriends?

00:11:58
Speaker 1: But I'm gonna tell you the answer is yeah, guys, no, no, no, no, no, we not guys. We don't got you know. I'm gonna tell you. I can't it.

00:12:07
Speaker 2: I'm gonna tell you what the man told me. Okay, that's a good and it was a good answer.

00:12:11
Speaker 1: He said. I was tired of hurt women.

00:12:15
Speaker 2: I was tired of he said on them and stuff like that to where I was like, fuck it, I'm gonna let you all know it.

00:12:23
Speaker 1: He four.

00:12:25
Speaker 5: Telling them the party said I'm just gonna keep everything hone and if the dress looks horrible, everything.

00:12:32
Speaker 2: He said, he's not lying no more, and he needs four. You know, you know it got put in a lot of work.

00:12:39
Speaker 12: Boy, is that easy? I don't care what you say. They ain't that easy?

00:12:47
Speaker 1: Yeah? How good it? Bro?

00:12:48
Speaker 2: I got a door and a wife and I'm dizzy bros.

00:12:53
Speaker 1: Away for woman.

00:12:54
Speaker 11: You make it sound like it's easy. That is not easy.

00:12:57
Speaker 2: She'd be like, Fritch play a single my brother Fritz played, be like, yo, I pray for you se.

00:13:04
Speaker 1: He said, you're you're going.

00:13:05
Speaker 2: To have it?

00:13:06
Speaker 11: How many tsking you you busting a day for them?

00:13:09
Speaker 1: How many?

00:13:11
Speaker 11: Imagine if I don't want to get fucked that day?

00:13:15
Speaker 1: He gotta put it? Could you could? You are we going back?

00:13:18
Speaker 8: So Dennis that technically putting that on about the album, I'm a.

00:13:26
Speaker 1: Four. Also, you're gonna feel away woman on set with child because.

00:13:35
Speaker 12: It's making it sound easy and I know it's not easy. I know it's not easy. And you got four bitches right, you could buzz like twice a day, polyg.

00:13:45
Speaker 11: If it's four and that's that fun hard. I want to get fucked.

00:13:49
Speaker 12: But you fucked this bitch and now you can noth for me now now, now one of the bitches's tight.

00:13:55
Speaker 11: So you ain't telling me it's not easy. You're not telling me that ship is not easy for real? That asked.

00:14:03
Speaker 12: Listen, just the type of way you fuck this bitch in the morning. You can up for me in the afternoon and I need the now. But but you can't fuck me because this are you? That shit makes you want to argue.

00:14:17
Speaker 2: That will give me tight and you as a female saying, don't go for that. It's gotta be turbulent. Stick to what man that she's saying, some real ship. We want to know what the women think, the woman to know what we think.

00:14:36
Speaker 1: Want with Neil would have been a good one. She got you got this guy crushed like, oh, but that's real ship. I didn't get into that right like that.

00:14:56
Speaker 11: I know they be arguing I want to know, no want to know.

00:15:04
Speaker 5: But right before you I was about to release the album something happened with Dev Jim and y'all got about it. Yeah, how serious it is to be able to do what you want to do, and ownership and the bullshit and the politics and the business that have to being in something so long you still have to go.

00:15:25
Speaker 6: Through the politics. The politics and the business never stops. I think that's the rule. I think that's the biggest takeaway from us. You know what I'm saying. We ain't been out in fifteen years and it's still the same thing.

00:15:39
Speaker 1: Yeah.

00:15:39
Speaker 5: Still most anybody with some type of business mind you you can love you can love rap like we love it, be passionate about it, but it's something with the business side that always discouraged.

00:15:53
Speaker 1: Right, that's discourage. You just want to do other things sometimes.

00:15:56
Speaker 6: Basically, we had the album, had the album, put the album together, so on and so forth, and you know, they got we turned it in and we turned it in with the Kendrick verse, and they didn't want to put it out. They didn't want to put it out basically, they didn't what I feel like, they didn't like the optics while they were going through their lawsuit of you know, the clips Kendrick together on the song you know coming out under UMG. With the lawsuit they got going on so on and so forth. So ended up having.

00:16:31
Speaker 5: A basically y'all got caught in the two eleven triple cross that.

00:16:36
Speaker 6: Basically, yeah, because you know, it wasn't even on that type of time, So it was you know, just you know, so so, and we ended up having a buy al way out of the situation. It gets a little tricky because we had one album deal the Clips did and then you know, I was signed there as well, so you can just you know, couldn't just leave without me, you know what I'm saying, And so we had to figure it out, and here we are, Frognation.

00:17:08
Speaker 2: I was in the position to buy yourself shut out the whole man.

00:17:12
Speaker 6: Yeah, definitely shout out the whole man.

00:17:15
Speaker 1: Rock Nation, Procknation for sure. Yeah. Man, you know, just it's whatever, man. You know, we roll with the punches, bro, like that's what it is we do. Yeah.

00:17:26
Speaker 6: I always got the faith in the music, man. The faith is always in the music. Like we always know that ship gonna be right. So that's you know what I'm saying, that's what we believe in, right.

00:17:38
Speaker 1: Definitely. Uh, you got a tour coming up. I think I've seen.

00:17:42
Speaker 6: All the third tenth twenty five dates of just Back to Back.

00:17:49
Speaker 1: Man, they sent me a tool bust.

00:17:51
Speaker 6: The other day, I'm like, whoa, Like what last time you seen shod life?

00:17:58
Speaker 1: We don't need that.

00:18:00
Speaker 3: I was like, man, yo, yo, we used to live on the bus. Now it's like a bus.

00:18:04
Speaker 6: But they send me the But to us, you gotta sweet, you gotta sweet and rod with all these people, I'm.

00:18:12
Speaker 3: Like, tell you, you know, I want to be around all these people.

00:18:15
Speaker 2: Yeah, I turned down towards man, my knees ain't the sent I like what two months? Keep like like, you know, I don't think I could do it. Like I'm real with you, you know, I do. I work on the week right now. I'm gone, Like I go every weekend. But to do the tour thing every day, bringing the noise every day every city, I haven't done that in a long time. Be I don't know if I want that opportunity.

00:18:43
Speaker 1: I'm keeping it real.

00:18:45
Speaker 6: And for us, you know, I guess with us just being away for so long, it's like it's it's the highlight to get back in front of the in front of the fans, you know what I'm saying.

00:18:55
Speaker 1: So we'll sacrifice that waiting for you to you know, now, I love it, Yeah, supposed the ways I love it. I love it. So listen, I go see kids every time he pull up with one finger. Bro, you're not built like a man in this time.

00:19:17
Speaker 5: And there is a lot of young dudes that look older than everybody on his couch from this.

00:19:26
Speaker 2: Whether we all don't want to take the role model stance, but we are so you know, God's prior to us.

00:19:35
Speaker 1: You know, they they they fucked up with drugs and all types of ship like that, and it was really hard.

00:19:41
Speaker 2: We we We've always loved them for the integrity of the music and what they played for the game.

00:19:46
Speaker 1: But these young kids, they looking at us.

00:19:48
Speaker 2: There's a young kid right now, popping twenty five or something who's probably looking at the ship like, yo, my OG's look good.

00:19:56
Speaker 1: Bro.

00:19:56
Speaker 2: That means I could look right. I could be right in the future your I could do right. And that's that's a moral obligation that we don't accept.

00:20:08
Speaker 1: But we really do.

00:20:09
Speaker 2: Except yeah, you know, and and I could see that you're doing. We're pushing forward the right way. So the young brothers and sisters see us and and uh and know they could get to the promised land. I got a five year old, two man, so I gotta be.

00:20:28
Speaker 5: Get loose from you in the park. Yeah, you can't reade he can get out of there. Yeah, man, how you feeling about that album? What's the what's the I see you? At the event had the player for the DJs playing a couple.

00:20:42
Speaker 6: Of sessions with the reception, like Chrisha said, Man, the faith is in the music.

00:20:49
Speaker 1: You know. What I'm saying is what we believe.

00:20:52
Speaker 6: And once we deliver exactly what it is we want to do, when it sounds the way exactly the way we want it to sound, you know, we don't think.

00:21:00
Speaker 1: About nothing else.

00:21:01
Speaker 6: We delivered our part and release it and just you know, see the acceptance however it comes, it's gonna.

00:21:08
Speaker 2: Be the big the biggest part of a fan, Like with me, the biggest part of a fan's like, Yo, what the clips are thinking in twenty twenty five? Like what they talking about twenty twenty five? You know something, well, I don't know if you know. Something you get criticized for is talking that heavy weight? Yeah twenty twenty five? Right, Yeah, I got guys to be like your man be talking. I'd be like, yo, let me let me, let me, let me chime in on that.

00:21:41
Speaker 5: The beautiful thing of coming from where we come from and talking to talk we talk.

00:21:46
Speaker 1: Is the challenge is how can he say what do you want to say now?

00:21:52
Speaker 5: After having success, having money, be you know, getting married, at being a family man, still active, still.

00:21:59
Speaker 1: Doing this thing and when you're nice. That's the only challenge.

00:22:03
Speaker 5: Everybody that keeps saying he's saying the same thing, even fucking listening, and he just needs something to say because they gotta keyboard to be honest.

00:22:11
Speaker 1: Not only that, what is everybody else saying? What is everybody else saying?

00:22:16
Speaker 3: I agree with you one million percent?

00:22:18
Speaker 2: I just came off of vacation saying your pay I told I was writing on the plane and it.

00:22:24
Speaker 1: Just immediately speaks violence. I just don't know.

00:22:27
Speaker 3: I'm in the nicest place. Cope, shit is beautiful.

00:22:31
Speaker 2: I got and I'm like when I'm blow the head off, I just it's like, I don't know if people understand.

00:22:41
Speaker 1: Maybe it's my therapy. Maybe that's what I do. You know what iking it too? I liking it to.

00:22:49
Speaker 6: You know, just having having a You know, first of all, rap has always come from a very real place, you know what I'm saying, So it's like.

00:22:59
Speaker 1: For real, for real people. Yeah, it comes from a very real place.

00:23:05
Speaker 6: So you know, with that being said, and you know, being in it, you know, twenty three years, I feel like at this point I liking it too. Uh you know, only like you know somebody who loves mob movies or a person you know what I'm saying, person that that's what they choose to like, you know, I don't. I don't watch I don't watch horror. I watch A and E. You know it's it's it's it's scarier, I believe it, you know what I'm saying. So it's like iking I liking.

00:23:36
Speaker 1: My music to that as well. I don't know.

00:23:41
Speaker 6: Man, you listen, you can't please everybody, but but listen, twenty three years in this, I'm not trying to please.

00:23:46
Speaker 1: Nobody m but myself. Like that's what I that's what I care about. Like you know, I know that.

00:23:56
Speaker 6: My taste, my ear and what it is that I want to here that resonates with a certain type of person.

00:24:03
Speaker 1: That's the type of person I want to talk to. That's the person I like. Person.

00:24:08
Speaker 6: You know what I'm saying that I know the person who says that, who said who says like, oh you know he talked that heavy?

00:24:15
Speaker 1: This and that like, man, I'm sure I don't even jail with you anyway. I know that I don't like, I'm flazi, I don't like we don't like you. But you're not even my type of dude. You not man.

00:24:29
Speaker 6: So I just you know, you know, I take it with a grain of salt. But you know, more importantly, I know I know who my fan is.

00:24:42
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00:25:36
Speaker 3: Let's get to it.

00:25:37
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00:26:23
Speaker 2: So I'm more modern, but Jayakin he liked to show off because you know, I don't you know, I ain't got no new size my ship.

00:26:29
Speaker 9: He got to be against jadakus though he said a lot of flash ship. So when he's got up flat.

00:26:34
Speaker 1: Got guns that the government ain't got. They did sounding.

00:26:38
Speaker 13: Walls doing three sixties ship you got your Oh my god, now this is what I was going though.

00:26:45
Speaker 1: Shit, Jadakins, you was bad for the longest.

00:26:48
Speaker 13: You mean to tell me that you had a completely healthy headline and you could have just grew your ship back at any moment.

00:26:55
Speaker 14: Yeah, it was a plastic That's crazy, bro, That shit crazy. We are here ball with no options and you just said it. I'm just gonna grow my ship back washing ship.

00:27:07
Speaker 2: Nah?

00:27:07
Speaker 15: You know you don't you disrespectful? We thought I thought you was bald. You had a paper towel wrapped around your.

00:27:14
Speaker 1: Forehead for years. Came out boeheads was in. You know what I'm saying, the armor, because no, you don't know about we had. We had turk, we had over there. Man, everybody you know like you still want to wear hair. I do still wear hair. I don't look like turkey. I'm wearing it. I'm not gonna say that.

00:27:39
Speaker 16: You go.

00:27:42
Speaker 1: What you need? A little bit?

00:27:44
Speaker 17: You to me, I already a little bit. Nah, Noah to re Tiger, A lot of people did you don't need need?

00:27:55
Speaker 1: I'm not going you don't.

00:27:56
Speaker 2: Need whatever they got yet there he's got Sherman helms ll Ship pushed back, saying there's a solution.

00:28:09
Speaker 15: There's not a solution, not for me, because I seen what it looked like in the days leading up. I can't go through that process when the front of your head looked like.

00:28:19
Speaker 2: You got mean hats, so you gotta get Yeah, you know you need to do it. I ain't lying to you because you love your head. You gotta fix that ship up and say I love it. I just love the fact that I could do it like he did. I been I've been ball for half.

00:28:34
Speaker 1: I can't gro happened to me.

00:28:37
Speaker 2: I used to have here, I used to have here, like the fucking Brady Bunch. Yeah, we're saying it so when I was young, all he's telling.

00:28:49
Speaker 1: Man with the people at all, Man, you keep let me tell you.

00:28:55
Speaker 2: I had had like the Brady Bunch, but I shaved it all because all the tough guys had the ball these hood. My father chased me around the projects four times trying to beat me up because he knew what that man catch.

00:29:06
Speaker 1: You couldn't catch me, but I was raised.

00:29:08
Speaker 13: You know.

00:29:09
Speaker 2: The point is one day I made a bet with Big pun and I was like, he was like, yo, man, you can't grow. No, I say crazy my ship like the Brady Bunch. If I want right now, I grow braids whatever.

00:29:19
Speaker 1: So I try to grow this ship.

00:29:21
Speaker 2: And it was like rest in peace to the headline everything that ship was coming up like that man Pun had some jokes about that ship.

00:29:29
Speaker 1: I lost it. So I say, my ship.

00:29:31
Speaker 3: But now I got guys that they do the fake They got like a tattoo ship.

00:29:35
Speaker 9: I can't do that.

00:29:37
Speaker 1: I can't do it ether. Yeah, but you could do the turkey. I can't do caues. Your real here come back. Too much money nah nah nah nah. I'm not sure that's your signature your ship. We came in.

00:29:53
Speaker 5: Luch had to yo, Luch had the hard top faith sp had to blowout, chemical blowout back then.

00:30:01
Speaker 1: So like the Jackson five.

00:30:03
Speaker 5: When it was when the dope boys had it, when it came back in like Matthew Man and Okay got you so boom, when we got the deal, they still had it. I went ball first. Then I made a thing. When y'all should fall out, I'm gonna come back. And yeah, I just kept my word and came back.

00:30:24
Speaker 2: God bless you, brother, because if I had here my ship. They're calling me all my ship, my ship to be redutiful.

00:30:34
Speaker 1: You gotta go that time. Guy, Do not want it? Yes, you do, because I see how you look on the front of listenip be with del fault.

00:30:51
Speaker 2: Now that's the look you make when you own that ship, saying I was like, right, my ship. I had my ship to be like this, the curl with the fucking juice and all that shit on my shit.

00:31:03
Speaker 1: So let this.

00:31:04
Speaker 2: Respect shout out to Julie and Jesse, Jesse Torrero. He got the ship with the curl like they would think. I ain't fat Joe. I'll be fat Joe's twining.

00:31:13
Speaker 1: Some shit for some I would really be on.

00:31:16
Speaker 2: Support if I had.

00:31:20
Speaker 1: This week it hit by the history, y'all.

00:31:23
Speaker 5: May nineteenth Man DMX dropped in nineteen ninety eight The Dog.

00:31:31
Speaker 1: Always Love for the Dog.

00:31:33
Speaker 5: Nineteen ninety eight, he dropped his debut album, It's Dark and Hell's Eye.

00:31:39
Speaker 1: The importance of that album to me is that you know, he put us on.

00:31:44
Speaker 5: He came and got us, put us, bought us with rough riders, told him this is we're starting it off, like you know, this is who I want to represent with me, and the rest was history to see where we came from, to see where he came from. He was already then there like Bruce Springsteen, and Yo, we already looked at him as like a rock star. Then fast forward him being the only one of the only rappers that ever do Woodstock. That shit is crazy, you know what I mean? That video lot Well forever mean the world to me because you know what I mean, he gave me a chance to change my family's financial situation.

00:32:28
Speaker 9: You know.

00:32:28
Speaker 2: DMX stuck a guy up right in front of me. Yeah, Max stuck a lot of niggas m Max. No, but he was already a star.

00:32:35
Speaker 1: He was X.

00:32:37
Speaker 2: Yes, just met him and pun in the gas station in Brooklyn after a show, thousands of people. After the show, we in the gas station. Dude comes with some change. The DMX was like, y'all, hold up, y'all. He went and took his chains, came back and started talking to us in the gas station. Yo, DMX, he can't even die. He did so No, no, no, he done, he did not. I'm just telling you a true story, like I got so many have.

00:33:05
Speaker 1: We gotta filter some of these stories. I'm telling you you might have incredible I'm not.

00:33:12
Speaker 5: Telling you none of them. Cut the crazy since we go, I gotta give a story. Look when we shot the John Blade video, DN Max should up no listen, this is how long ago it was, and this how crazy this was. Stash boxes first got invented. He wanted to test his ship.

00:33:32
Speaker 1: Was more before that. Forget it was in the eighties we had stash It.

00:33:36
Speaker 5: Wasn't It wasn't doing what the ships was doing as the as a technology. He wanted to test his own ship out. He drove somebody was driving. He was in the passenger, let off a four I don't know what it was and wanted to get pulled. Ain't got pulled over, and I said, this nigga's nuts though.

00:34:05
Speaker 1: He is nuts. He put it in the sash.

00:34:09
Speaker 5: Yeah, let he in front of the cops. Let it off, pull a block of dude, pull over.

00:34:16
Speaker 1: Know what you talk about this? And they ain't have the ship to make it pop out yet, so he was. I said, this, nigga pun is crazy. I just had to bend the way to explain it.

00:34:26
Speaker 2: The way to explain it to you, babe, is you know how somebody could be a genius in something and then in just common sense he just don't know what he's like. I would go to his house right and he would have about thirty forty guns in his house. If you sat and the pillow was a gun, you put your hand on the chicken, it was a gun, you hit it, it was just And I would sit there because I really came from the streets.

00:34:56
Speaker 3: I know what Rico and Dightsman thought. Indictments are.

00:34:59
Speaker 1: I know what on this says.

00:35:00
Speaker 2: I don't came from him. I mean, like, they're gonna make a jail jest for you, buddy.

00:35:06
Speaker 1: Nah, they don't lock.

00:35:07
Speaker 2: Rappers up like that.

00:35:08
Speaker 3: They got swimming pools for rappers and all that tennis courts.

00:35:12
Speaker 2: I'm like, yo, he's.

00:35:13
Speaker 1: Thinking about the futuristic feds.

00:35:15
Speaker 2: What And I would tell him, like, yo, Pun, your crazy bro. Then I go around his hood and the cops pulled me over like this. Prom one of the only rappers who never moved out the hood. Even ntil he died, he refused to move out the hood. I was already in Jersey, Like, yo, come in Jersey. Birds are chirping.

00:35:35
Speaker 15: You know.

00:35:35
Speaker 2: He now I'm in the hood. I'm the realistic pun at the crib in the hood. Tien Benz's exotic twenty thousand dollars, dogs and all types of shit like he was big fun, double platinum in the He didn't care, and so I would go to his hood and as a respected elder brother, the police pulled me over. So I'm like, your officer, while you putting your old man, you know that you gotta stop throwing aggs at the old ladies in front of the supermarket. You know, we know he's the only guy with the bends with the water gun shooting the old ladies.

00:36:10
Speaker 1: I'm like, Yo, I go in this.

00:36:13
Speaker 2: House, I start arguing with everybody in the house, like your punt. They're gonna put you in jail. You shooting the water guns at the old ladies. They know, the only guy with a five hundred bends in the fucking sound view.

00:36:29
Speaker 1: It's your punt. You're going now. He just didn't he he uh.

00:36:34
Speaker 2: He would go real from genius to common sense, no sense. Like I had a real struggle with him and Nori because Nory's also my little brother.

00:36:47
Speaker 8: Oh.

00:36:47
Speaker 1: They used to see me and be like, yo, Joe's the fun killer. He's the fun killer.

00:36:52
Speaker 2: No, I don't want you to go to jail and not get to the bad ack like, I know what's going on out here. You guys are too crazy. They gave us a sign. I don't know who's controlling your time, but hold up. So he only got five minutes. Mama, come over here. I want you to sit on the couch. Make this ship legend.

00:37:14
Speaker 1: Debby.

00:37:14
Speaker 3: You know what I'm saying, said.

00:37:20
Speaker 1: Sit damn Mama. You know we love you.

00:37:23
Speaker 2: How proud are you to be brother Chuck's moms and his journey in life, you know, with Bubba Chuck and all the success and how you see him come around as a man. It's important because you're the first mother athletes mother that we all fell in love with.

00:37:39
Speaker 1: We love you braiding his hand in the middle of the court, and you gotta stop you with that. That's not me.

00:37:46
Speaker 16: I braided his hair. That's why the first he's supposed to, oh, I braided. I braided his head for all the when he first wanted his hair braided. Now, I did breik his hair, but his head was coming loose in the back, and he was worried about his you know, he liked to be fly. He was worried about his hair coming to loose. So you know, my sister called me and she was like, and he keep on telling me and looking at me, and I don't know how to breathe here. And I was like, but all you gotta do is just braatest hair. You're braiding just the back of it. And so when I got there, I saw my.

00:38:20
Speaker 1: Son that cap running off, is rubbing off on it?

00:38:23
Speaker 5: If it is cap is rubbing off, Mommy got yeah, because mommy got about over there.

00:38:27
Speaker 1: Mommy got his flat, Mommy got the story off. It is what it is. I got to be authentic. You taught me to be that way. But you know what I mean. It didn't go down.

00:38:39
Speaker 2: It didn't go down.

00:38:40
Speaker 1: And then he over there called him, now, I'm bubba chuck. Why are you talking to mommy?

00:38:44
Speaker 10: Now?

00:38:44
Speaker 5: Now I go to my first I was Ai now turning the bubble chuck when he talking to mommy.

00:38:49
Speaker 1: But it didn't.

00:38:50
Speaker 18: It ain't.

00:38:50
Speaker 1: It ain't happened like that.

00:38:52
Speaker 3: Well but you you you I got my version, you got your version.

00:38:55
Speaker 1: Yeah, okay, So all of a sudden, you know, you know.

00:38:59
Speaker 2: Your son, hey, you know my moms ain't here, man, So we want to hear it. You know, you know, how proud are you of your son?

00:39:06
Speaker 8: Man?

00:39:07
Speaker 2: In all his accomplishments and how he inspired generations and people.

00:39:11
Speaker 16: First of all, I was proud of him from the first day I saw him, you know, because back then, yeah, back then, back then, when you have a baby, and I was so young, like he said, so you know, I had to have him Cincerian birth, and I was sleep so when I came when I woke up in recovery, and they brought me to it, brought him to me, and I was like, he's so light, and you know what I'm saying. But when he opened his eyes and he looked at me, and I saw my eyes looking back at me, I said, oh, yeah, that's my baby, you know. And I checked everything on him. I checked everything on him. But what really blew my mind is, first of all, I got kicked off the basketball team because I got pregnant with him. But what blew my mind was his hands and his arms. His arm was past his kneecap when I laid him out like that, they were wave past his kneecap. And I was like, I got a baller, and I was happy. I was happy, and so I told my family, I told my whole family. I was like, you know, I got a baller, So everybody was like looking at me like I was simple whatever. But the thing is, from that point on he came in my life and he was the perfect child. He was not hard headed. He would listen to everything I said, and he loved the daylights out of me. And at that point I needed love because of the fact that my mom had died at twenty nine years old. Malpractice. But anyways, the Iris since said center to Virginia and they that's the best thing they could have done for me.

00:40:45
Speaker 1: And when I had him, when I was.

00:40:48
Speaker 16: Carrying him, I was pregnant, playing ball in a heart for Connecticut, and I went from there to Bethel High School playing ball, and he had a favorite cheer and his cheery, yeah, it was a favorite cheer. And it used to be no, no, It used to be everybody be on the court and we were we're halftime, and then they had everybody else saying go brew his goal and everybody will shut up and he'll say, shake that thing, sho. So that's that's my story. But Fire is proud. I want to tell you something that he said to me this year. I said, Baba, I said, you know, I am so proud of you. I said, you just make me so proud. I'm proud of you. I just wanted to express that to him so he'll know it from my all right, Yeah, and he said I'm not finished. He said, I'm not finished making.

00:41:48
Speaker 1: You pro and that's what he's been doing. But that being said, this ain't that. Ain't there?

00:41:58
Speaker 5: It's cracking. Kiss ga't some noise? I guess Ai and Fama love.

00:42:13
Speaker 2: How does it feel to be on again this book and be one of the biggest female superstars with the most longevity and relevancy in the game.

00:42:24
Speaker 19: I mean, honestly, it's a blessing. I'm super super humbled And it's funny when you talk about that. Remember, I didn't know what none of that meant. You know what I'm saying, I'm a.

00:42:32
Speaker 1: New amazing for you. Yes, everybody's happy, and I'm looking at like, well, is that good? Five hundred thousand? Is that a good number? You know what I'm saying. I've genuinely had no idea it was a good number.

00:42:49
Speaker 19: So I was just like super appreciative and to be able to be here today and still as we both were in an arena in London to a sold out twenty thousand seas to holding a mic out. Allowing people to sing on records is a blessing, you know what I'm saying.

00:43:05
Speaker 1: So I'm just so happy. I'm grateful. You know, man, you know we're very competitive in our house.

00:43:12
Speaker 2: Oh because you know we didn't. He's the baby got all last the day ago that she throws like my debut did that?

00:43:19
Speaker 9: No?

00:43:19
Speaker 1: No, don't you did a No, you did a half the something else you say.

00:43:37
Speaker 2: To the I don't know if you're not the video Yeah, okay, thirty three, Oh Jada, that was twenty six thirty.

00:43:47
Speaker 1: That wasn't hold up Jada, that video come out. That was not we That was not freaking the numbers of turmailiare solely. That wasn't the you don't sting you week, not talking about the week.

00:44:04
Speaker 5: Let me run down the hardware that they got.

00:44:08
Speaker 1: There's a lot of hardware. Just listen, ladies and gentlemen.

00:44:15
Speaker 5: Nelly three Grammys, four American Music Awards, two b T Awards, nine Billboard Awards. Nelly has sold over twenty one million albums in the United States. One of the best selling rap artists in American history. Country graandmar Diamond ten million. Nellyville Diamond Plus won eleven million a shot the one Grammy, two American Music Awards, six Ashcap Awards, eight Billboard Awards. First Debut Album, five hundred Plot, five hundred thousand of First Week, Triple Platinum, Chapter two Platinum, Concrete Rolls Platinum.

00:45:04
Speaker 2: Thirty six Christmas Movies Lifetime Favorite.

00:45:11
Speaker 1: I have a Christmas I've been calling your money forever. It's competitive. In in a Star, in a Star start, I can't get the I can't forget the star. Yeah, it gets real. And that we love that though, Yeah, we love that's beautiful. I made it to put that under. We take something. I met a shanty. It's a blessing. Could we can I talk about that? Talk about it? But I love a shanty.

00:45:50
Speaker 3: Sh shanty was like the studio. We would just a studio body.

00:45:56
Speaker 19: You could call it a studio rat.

00:45:57
Speaker 1: That's what they used to say. That's what I'm saying that. But I'm just saying that man, studio body. She up in there.

00:46:05
Speaker 2: And the first day I met her, she was so upset because they broke into her car and stole her radio. This woman was ready to foul charges to the moon and back whatever it just stole my radio.

00:46:22
Speaker 1: Crockjead broke them. I mean it was like somebody might a somebody that ship. I'm like, the stole the radio with the Fenzy bot you take the ba.

00:46:34
Speaker 9: It was like.

00:46:35
Speaker 2: They stole her ship. And she was like radio and you know, I would see her in the studio. And then one day I asked him, I said, Yo, what does the girl do right? Because they was like gangster rappers right something. She sings R and B right, and then she did the big punt. I said, I said, you want to write a hook for the big punt thing?

00:46:55
Speaker 1: And she killed it. Smoke that joint. She smoke that joint and then we did the and then after that it was the Princess of and she Yo, no talk every time I see this, he was advocating when we weren't together, Nelly, what are you doing? Every time I see him?

00:47:21
Speaker 3: Kiss Nelly, my god, how you been?

00:47:23
Speaker 1: Yeah? That's greats What are you do? You know? How you telling me? At first he thought I was bugging out.

00:47:35
Speaker 2: Now I used to be like Joe, it's crazy, right because I also think of one situation. Not to bring up anything negative because we just but I remember the time I got into it with fifty cent, who your fifth was up. We performed in Germany in two days. But I remember the time when I got into it with him at.

00:47:55
Speaker 1: The MTV Awards.

00:47:57
Speaker 2: You know, it's business is really crazy, right because you think everybody your man, everybody this.

00:48:01
Speaker 1: And this and that.

00:48:03
Speaker 3: When you was the only person and all the rappers that I knew that I seen get.

00:48:09
Speaker 2: Up and you you were telling me y'all got you like I'm holding you down in that set when I was like, yoll, fifty said this and then he came back and dis me, but you had my back. Well I knew five five. Me and five always had a great relationship, and that kind of just started.

00:48:27
Speaker 19: Well, no, because and just to tell, where was we at m That's why I thought he was going.

00:48:35
Speaker 2: We were at the MTV Awards and they were sitting like a table right behind us.

00:48:40
Speaker 1: Now, I didn't have too much to drink. I'm a hype. This is right before Kid rock slept.

00:48:50
Speaker 2: He set the ship out of Tommy Lee. So there was something before Chris Rocken was sitting table right right. Know that Kid rockets sitting with us and Tommy Lee is like a table over.

00:49:02
Speaker 1: And my cat kid Rock, that's my cat too. He hot, he hot his fish grease. He's sitting right there. He's like cool and I'm gassing. He's not going to go. Well, I'm not not gassing, you know what I'm saying.

00:49:18
Speaker 2: I'm like, you know what I'm saying.

00:49:22
Speaker 1: So he does what he does, So what he's smack because m TV Awards out and man, we were saying right next to him, we're sitting at the table. But but five was here, right, so I'm hype. I didn't got hype. I didn't got big. I said, babe, fish.

00:49:45
Speaker 9: I'll make that.

00:49:47
Speaker 1: You want me to go over there? Don't look you want She was not no way in my heart. And I'm thinking she's gonna tell me to go over there.

00:49:56
Speaker 19: She's like, yeah, babe, yep yep, said.

00:50:05
Speaker 1: So just I'm like I'm going.

00:50:09
Speaker 2: So when I turned around, she can't see my face. I'm walking towards five, like let me you know, table full of g units.

00:50:18
Speaker 1: You know what I'm saying. I'm like, oh god, this right, this is not gonna go well, you know what I'm saying. And I started laughing, covering. He cracked.

00:50:28
Speaker 2: He cracked a smile, and I was like, fine, man, man, do me a favor, Do me a favor, will you, old lady man, do me a favor?

00:50:36
Speaker 1: Man, apologize for it?

00:50:38
Speaker 2: Man shot to you, I'm sorry, he said.

00:50:45
Speaker 1: Whole crowd, And I was like, I turned her talking about by the way I had personally that twenty meetings with him over her.

00:51:01
Speaker 2: Oh my god, yes, even knowing I didn't have sat down with him twenty different times. It's like, yo, bro, she got nothing, like you know, that's my sister, you bugging out this, this, this twenty Yeah you told me to I know she got nothing to do with the more, but what you want me to do is war man.

00:51:21
Speaker 19: It's like I was hot, Yeah, you was hot over that, right, Yeah, I ain't have nothing to do with it.

00:51:28
Speaker 1: And then what do you after you said? He signs like yai. Yeah.

00:51:33
Speaker 13: I was like, okay, it's two moments in my life in my career that I can cite you for and just want to say thank you.

00:51:45
Speaker 9: Brothers, Like you don't know what it meant to me. One was you putting me in the video and your video and.

00:51:52
Speaker 3: Is the key n hell?

00:51:55
Speaker 5: Yes?

00:51:56
Speaker 1: Man, Like you know, pictures come out like once a year. It's a picture. It's like it's gonna be here forever.

00:52:01
Speaker 9: I love that man.

00:52:02
Speaker 3: We was kids in the arm but you pulled up to the Bronx and.

00:52:06
Speaker 13: I missed some note that meant something because let him get in coming from Chicago.

00:52:11
Speaker 1: Man.

00:52:12
Speaker 13: One of the things we wanted was just to be heard by New York and for you to be like yo, even though he was on the same label. If you if you thought I was on some weak ship, you've been like, uh.

00:52:29
Speaker 1: Beloved and all for love it. I'm gonna tell you the second one.

00:52:36
Speaker 9: Well, the second one we didn't talked about a lot.

00:52:39
Speaker 1: Man.

00:52:40
Speaker 13: You practically saved my life. Get there on the flag, yo, Yo, that man really saved my life. Like I was on the West Coast with my guy, one of my guys I knew through one of my close homies, but he was my guy and he just wasn't happy with the whole situation, the whole ice q mac tan beef that we had told him we had squashed it, were doing it. We were sitting there doing a commercial. This was the most money I was getting paid ever for something at that point in time, right, So we at peace were like, yo, things is good. Everybody was like, God, just be from Chicago. We just couldn't hold it. He couldn't hold it, so he started ruffling shit, and man, it just got a little heated.

00:53:28
Speaker 2: And I want to say dead. It's not because Fat Joe's tougher than anybody. I literally begged for your life. I literally got in the middle, was like please, he's my friend, he's my brother, you know he you know, some people take things personal. And they finally saw him and he was on there saw you, and they was talking crazy and I was like, no way, this guy. I said, this is literally my brother. And I was begging them because it was the serious one. I was like, please, this is my brother, Joe. You know we've been we've been waiting to catch this guy. I said, listen, I can't. I just couldn't do I just see And basically I stood in the middle like please, guys like I cannot do it.

00:54:18
Speaker 1: But they they set up. It was over after that day.

00:54:21
Speaker 13: Right after that day, but you settled that like like I'm like, man, we are on we in California. Don't start nothing, my homie already, because they already, like you said, they already wanted to piece on me no matter what.

00:54:33
Speaker 9: Because so my guy out there, he just he's just going off. Anyway. I knew Joe. I ain't even hit it, but I ain't know everything he did.

00:54:42
Speaker 1: But oh no he did.

00:54:43
Speaker 9: I knew it was him. They said, Yo, this can't happen. And because he had a you know relation.

00:54:49
Speaker 3: Super relations still my brother and yeah, shout out to.

00:54:54
Speaker 1: My family, brother Leo. Family was good.

00:54:57
Speaker 13: That's when Fat Joe the gangster, I was like this this thing is because he's straight up, was like he can't do that till my man, it was like like one of the movies was talking about good family.

00:55:10
Speaker 2: He once again, I begged him. I was in there, mercy and I was just like, please, this is my brother, this is my family. I did that one time for Rich playing my best friend. One time they was about to do it and not saying rich and I mean real deal. Well he was getting into it with a seven headed monthster guy who who just kills he's in jail for too many bodies. And I had to jump in the middle and be like, yo, yo, yo, I can't. It's like yo, fat boy, get out the way. I was like, oh no, I can't.

00:55:41
Speaker 1: This is my family. I can't. I knew what it meant, the real deal. And this other guy's you know, Jeffrey Donald, and I'm and I'm a monster, and I'm.

00:55:53
Speaker 2: Sitting there like, yo, listen, please let me get in. I said, no, knock him, knock him that y'all had he yet up there?

00:56:03
Speaker 1: But they go, But they go. The man go because the first argument I ever had with him.

00:56:08
Speaker 2: Right, he goes the next day to rich and they had blocked on Cyphus and says, if Joe got in the middle, that means you're good guys, let's become friends. And they wound up being best friends. My man is still in jail thirty seven years. But he went the next day. He took it on himself, as said, if fat Joe threw himself in the middle, trying to squash it, these guys gotta be good guys. And it was all over, you know, staring at each other in the club and a couple of girls. And you know, these guys they kill each other over girls. These gangsters. Man, a lot of gangsters in jail killing over girls. I'm telling you, I had a guy. This guy was a meaning. He's still in jail too, forty years. Right, he was mean looking scared straight.

00:56:55
Speaker 3: No, no, because no, A lot of wars have come over for women, most of them.

00:57:01
Speaker 2: Yo, But listen this guy. All I'm gonna say to you is this was a mass murder. He's still in jail forty years. He would come to the club and he go, he's Puerto Rican. He'd be like I, and I'd be like, yo, said I. The nanna he's talking about. His wife was badd as ship to her, she was fucking dudes like she was loose. So he come on then, Nah, you know Jimbo from the barber shop.

00:57:31
Speaker 1: Oh yeah, he was with the net with everybody. If it's ten God, not Jimbo. He didn't yes with the net. Net.

00:57:40
Speaker 2: Jimbo won't be awaund the two more days like he would come all of one time. I argue with the niggas like I said, No, I don't want to hear that ship. You're a fucking liar. She's the most decent girl in the world. She didn't do it, Yes, and everybody knew what that was. Somebody he was disappearing over then then No, No, I know maniacts like that man, But you know, common man.

00:58:07
Speaker 1: You're the beloved of ball beloved. Let's keep it peace, man. I got I said, you know what I said? I didn't you see what mostly what's that like spoken sage and something? It was boosted protect us for that story.

00:58:23
Speaker 13: It's similar to say it's Polo Santo, it's Palosanto.

00:58:26
Speaker 9: You know it come from the trees down in Chili, bringing the good energy, bringing the good energy, move negative energy.

00:58:36
Speaker 2: I never really brag about jail because I only did four months. I got friends that did twenty thirty, forty years. But last night I get four. Uh, I only did four eight and that's a lot out the window at the bus stop. What I know you was at County so you had black coffee blooney saying WI ship like that. I have grand guess fell up with kool aid. Tell you something I did two inviteedments. I gotta explain this to you. I did time in the fads, don't and there's two You know, I'm thinking b shoes.

00:59:13
Speaker 9: Let me tell you.

00:59:14
Speaker 1: I'm just thinking. Right.

00:59:15
Speaker 2: I grew up in the projects, right, and this this grass in the middle of all the project buildings. We got big project buildings. Every building's fourteen floor on hundred and forty five apartments, counted all the doors, right, everybody will a forty five apartments. You're counted, all the doors counted, all the doors now and everybody got nine kids. So this ship is like, you fuck up one guy, you gotta fight the other brother. You gotta fight Jamie Jonathan.

00:59:46
Speaker 1: Crayford till you get fucked up to one of them found you out.

00:59:50
Speaker 3: You gotta go up the line. Turn the cock diesel, brother, come out.

00:59:55
Speaker 1: Good luck. At least you stood tall. You for them.

00:59:58
Speaker 2: You got what you got your That's where I come from. Projects is like Gladiator. The point I'm trying to make this is a big grass in my projects. Everybody has shootouts there, they have fights. You know, one day I go up to the roof of my building and I look at the grass, and I say to myself, was.

01:00:17
Speaker 1: This like an experiment?

01:00:19
Speaker 2: Because like, if you go up on my roof and you see the gun battles, in the fights and everything that happened in the middle of the grass, you sit up there, it's almost like the coliseum. And so what I'm getting to is when you go to the fesway I went, you got two thousand dudes. Jamaican Zeria Nations Spanish dudes, Black dudes, this cock, these white American dudes. And there's only four tables. I'm just trying to there's four tables with four chairs. That's sixteen seats, and there's two thousand guys and it's right in front of the three TVs. You got the Spanish TV. The blackest god throw't know English. She looking at the Mommy's in the Spanish teeth like.

01:01:04
Speaker 1: That's like moon though.

01:01:07
Speaker 2: No, no, that shit is like you might as well call that shit soft porn. Motherfucker looking at that. They don't gotta know what they talking about. They up in there like this every day. Right, So you got four tables, of course I got a table, right, No, not walking there in ten minutes?

01:01:24
Speaker 1: Ten minutes, I say, yo, who sits in them tables?

01:01:27
Speaker 2: Homeboy looked at me shucked because a lot of guys on pussy, they're not really real. Just because you in jail, you act tough, and you get in jail. I watch people get smacked, punched in the face and said, my bag.

01:01:38
Speaker 1: And keep walking.

01:01:39
Speaker 2: These guys cock, these who playing basketball for nephew. You don't got to go in there for me to tell you. The guys you think is tough on your block. I watch guys get punched in their face and say, my bag, I'm sorry and walk away.

01:01:52
Speaker 3: I never seen no shit like you got the fucking murder me, Like you just can't do it right?

01:01:58
Speaker 1: Something up in there. He does that.

01:02:00
Speaker 3: I go down to the table. God sitting there.

01:02:02
Speaker 2: I'm like, yo, my man, get the fuck up. He don't want to get up. I say, you're my man, you got to get the fuck up.

01:02:10
Speaker 1: He got up and he left. So I took the table. Ten minutes in there, right, sit down, have to jail.

01:02:17
Speaker 2: Hated me. A thousand niggas hated me because they was like, oh, he's not gonna kick freestyles his niggas they here on his bullshit r. I'm sure everybody rhyme in jail, changing like everybody want to ride for you.

01:02:30
Speaker 3: I ain't let one dude ride for me. So I'm sitting down in the chair.

01:02:34
Speaker 1: They looking.

01:02:35
Speaker 3: Some of them hate me, some of them don't.

01:02:36
Speaker 2: Whatever.

01:02:36
Speaker 1: Who gives a fuck?

01:02:37
Speaker 2: Right on, nigga got four months anyway, so I'm willing to be in the box for the four months. The point is soon as I figured it out, like I just needed like a week in there right, because the first the Feds don't give you comments seven. I don't give a fuck. I you Donald Trump, it takes you two weeks and I walked in there. Listen, you got him getting no, I got him get Let me tell you, I walked in with five thousand dollars cash in my pocket to put a commissary.

01:03:11
Speaker 1: Still took two two weeks.

01:03:13
Speaker 2: The point is the first meal I had to wait online and they were very generous. Everybody.

01:03:19
Speaker 3: They kept doing the like the plate they kept going.

01:03:22
Speaker 1: They threw like six.

01:03:23
Speaker 3: I hated them on my table right.

01:03:25
Speaker 2: When I tell you, this shit tastes like when listen, even the guys that mind their business. There's some guys in jail, mind their business, don't bother nobody. They over there, they don't talk to nobody. You know, they're good people. When I tell you, all of them looked over and wanted to see my first reaction his fucking food. This was dog shit, this food.

01:03:46
Speaker 1: My dog was eating better than this.

01:03:48
Speaker 2: They all look and they was like, okay, you know what it is in here now right, So I go like you, but very quick, I got me Italian chef. They had a chef down in the in the thing Chef Jr. He wasn't put he said, I don't think he was just a tech.

01:04:01
Speaker 1: But he was my chef.

01:04:02
Speaker 2: He make me homemade ice cream mozzarella. Uh, they were still the clams and they would make me the Guinian clams. So it's all type of shit we were thumbing out right.

01:04:11
Speaker 1: You know. I got the guy.

01:04:12
Speaker 2: I got pick up a guy. I told you about Hong Kong's Mongolian. So in jail, in jail, Hong Kong's Mongolian, because he was the guy nobody wanted. And so in jail, if you white, you with the white guys, you black you with the black guy, you with the Spanish. He was a white guy that the white guys ain't won. But I saw him and he was man. He had that boot strength so like he played basketball. Nobody want to deal them because they'll hit you with an alboy ship mother, and he was strong. So I said, my man, come with us, man, you eat with us with us, And I gave him a name, Hong Kong's Mongolian. And one day he comes up to me because the guys ya Washington slow, I mean, but he's just no, no, he's not slow. He's just slow.

01:05:03
Speaker 1: He's a little bit. He ain't go past second grade.

01:05:07
Speaker 2: But this guy was.

01:05:09
Speaker 1: You know he was in second grade.

01:05:11
Speaker 18: Nama at least him at least sixth gade. No, this guy take out ten give six. This guy would take out ten twenty guys like he was all out war. He's gonna take out ten twenty. He's Hong Kong's mon Cody go. Look he's to standing there like this.

01:05:30
Speaker 2: The white guys was looking like, oh shit, they gotta be something to this fact. Joe s snatched up this guy, and I'm calling him in the.

01:05:40
Speaker 1: Whole job, Yo, listen, ain't no different than this show. Honk Gools long goalie and he's walking through. What's up? Boys? They looking like we made the busteak.

01:05:50
Speaker 2: We recruit this letter. He was like shit, do they let him go? And he ain't let him go. He went past all the draft. Ain't I seen this sparkling him? I said, Yo, this is Hong Kong. He come up to me one day, he said.

01:06:07
Speaker 1: Boss, Boss. I said, what's up?

01:06:09
Speaker 2: He said, I just realized Hong Kong and Mongoli is two different places.

01:06:14
Speaker 3: I said, my man, shit, the fuck up?

01:06:15
Speaker 1: Me happy?

01:06:16
Speaker 3: I gave you a dad, get the fuck out of here. Okay, boss, I hope they bought.

01:06:19
Speaker 1: He goes on. But I got this story right. I thought about it last man.

01:06:23
Speaker 2: No, I don't really brag about jail because there's guys did ten thousand years in jail, but in the FEDS less now than ever. But they always said, you go to the Fed and God's got money in there. So next to me in the table, don't ask me how they got.

01:06:39
Speaker 1: The table was four.

01:06:43
Speaker 2: Latinos with they They could be I'm in Miami, so they could be like Cuban, but I don't think they Cuban.

01:06:49
Speaker 3: But you could tell they got money.

01:06:51
Speaker 2: Like in the streets if I pulled up in the coloring in, they pulling up in the colleague, they're pulling up there.

01:06:55
Speaker 1: These guys got money.

01:06:56
Speaker 3: They're not bothering nobody.

01:06:58
Speaker 1: They got money.

01:06:58
Speaker 2: I don't really talk to them because they really ain't my type of guys. I'm sorry if y'all watching there wasn't my style of guide, you know what I'm saying. And so one day we're sitting there, were watching TV and the guy goes at orders a pizza pie. Now, at least jail, I was in a pizza pie is like caviard, right, everybody ain't have a pizza pie.

01:07:23
Speaker 1: Any normal person ain't have.

01:07:25
Speaker 2: That real pizza pie. Some pizza is still a big deal in jail. I watched niggas throwing bananas down. They shit of ipple like niggas do the most derelict shit.

01:07:35
Speaker 1: For anything in there. Like I mean, grown men, yo, watching your back while you're still in a banana.

01:07:41
Speaker 2: That's how bad it is in jail, bro, This shit is really a third world country in America.

01:07:46
Speaker 1: It's bad in there.

01:07:47
Speaker 2: But anyway, pizza they up to like twenty pizzas for no reason. They couldn't even eat it, y'all another pizza. Every time a pizza came, they kept looking at me.

01:07:57
Speaker 1: My table was right next to them.

01:07:58
Speaker 2: It was like, I go on myself, okay in the fans at least the jail, I'm at. The eggs they give you in the morning is powdered eggs. They had never seen the real egg in the jail. A fucking the egg. Think about where you go to the store, boy does it.

01:08:18
Speaker 1: They had never seen a real egg in the jail. I was.

01:08:25
Speaker 2: Going mysell, I come out, Mike waves right there. The whole fucking shake to see.

01:08:31
Speaker 1: Crack an egg. Bam one. That was it, yo. They had never seen an egg bam one, bam, two bam. I'm up the.

01:08:44
Speaker 2: Forty fifty eggs just bam bam bam like I'm the whole jails.

01:08:51
Speaker 3: Watching the HORRISTI yo, yo, no, I'm trying it.

01:09:03
Speaker 1: That's how about I keep going to like.

01:09:11
Speaker 3: Six to seven sixty seven, eight, six to seven.

01:09:16
Speaker 1: Six seven like this. The motherfucking look at me, dizzy.

01:09:21
Speaker 3: They learned the pizza dudes, Bro, They've never seen an egg. I busted open so many eggs.

01:09:31
Speaker 2: The scramble eggs was so big, and I just kept going like this, like letting them know, like, yo, bro, I got shit. You ain't even see in this fucking jail. Y'all trying to play with me with some pizzas. Y'all got me fucked up. I get up to the sixth seventh, I give it him a chef junior, let him go. You know what's crazy is we had and this this this no offense with this slight racist what I'm about to say right now, we had no no, no, I'm telling you we had one Asian guy in the whole jail one Asian, and I would bother him every day, like, yo, you make.

01:10:08
Speaker 1: Chinese rice, you know how to cook? You know how to cook?

01:10:12
Speaker 2: You may I'm a fat dude, like I prefer like, listen to me, man, I want the Chinese rice. The man telling me, Yo, I don't cook. I keep bothering him, Yo, I don't cook.

01:10:24
Speaker 1: I don't cook.

01:10:25
Speaker 2: I'm like, yo, you got Chinese you know huh, they know how to make it? He would I gotta give him it. He wouldn't let me punk him into making Chinese rice. I kept bothering him, like.

01:10:36
Speaker 3: Yo, you make Chinese, you got Chinese food, you got Chinese?

01:10:38
Speaker 1: You know how? He was like no, I want don't know?

01:10:41
Speaker 2: All right? So one day is my man's birthday and I give the dude the white time would like and miss the child, and I have him.

01:10:50
Speaker 3: I have him serve my man for his birthday.

01:10:52
Speaker 2: Like this man, I said, Yo, mister child, baby, mister child with the white with the whites, I say it.

01:11:00
Speaker 1: I'm like, yo, miss the child.

01:11:01
Speaker 3: Man in the Feds.

01:11:02
Speaker 1: Man, you got mister child. Yo. We was clowns. Man.

01:11:07
Speaker 2: No, y'all listen clowns, I said, So I go on the visit and somebody slips me some Jordans. Now in the FEDS.

01:11:26
Speaker 3: You're even wearing a gray sweatsuit or a beige I don't give a fuck who you are.

01:11:33
Speaker 1: They are not. No one.

01:11:37
Speaker 3: Has Jordan's.

01:11:38
Speaker 2: I got it by the fault. I'm telling me, yo, slip your shit off. I slipped it off in the visit. Then I put them on his Jordan's biggest mistaken my life. I go up at the elevator, the whole elevator's life, you know, because you in this building.

01:11:52
Speaker 1: They got these elevators. You could put attractor trailer in there.

01:11:55
Speaker 2: So they got three hundred guys on the video and the whole visit is looking at my feet like I walk in the fucking tier. Puerto Rican dude, barber, I would love to see him. He was a barber with a little tail from Puerto Rico, Puerto Rican.

01:12:10
Speaker 1: He was a real one. So he runs up and ghost like I tell you he's real ratio in there. He runs up and ghost may back may bah.

01:12:19
Speaker 3: He starts screaming, is if I wanted to be on the low. It's no law.

01:12:23
Speaker 2: He's screaming made back, made box. Basically he's saying yo to Puerto Rican the Latino guy, the may bot.

01:12:31
Speaker 3: Like the coloring on his feet. You ain't never see this shit.

01:12:34
Speaker 2: He telling everybody yo them Jordan's is a may bock in here, man, it's a fucking may box. And he's screaming at everybody. Started looking at from all corner. So I get the spaghetti feet. Damn there, you know my shit looking like Jerry Lewis, I Walker two. I want to think that I'm not for sure I'm in trouble right for yourge. I'm not scared of somebody's stealing this nigga. I'm in trouble right. So I felt like, homeboy, what's the thing? Huggy bed with the fish tank pumps man when he came out to jail.

01:13:05
Speaker 3: You got the fish in the shoes.

01:13:07
Speaker 2: Years later and they was playing public anademy and shit, I'm gonna get you.

01:13:11
Speaker 1: Sucker, bro.

01:13:13
Speaker 2: I felt like Huggy Bed walking out there with in them shits. Sure enough, the next day they rushed my cell. They got these people like Internal Affairs or whatever they call SIS. They rushed the cell boom. I'm working out. They pull out the Jordans. I go into thing assistant watering is there?

01:13:32
Speaker 20: Now?

01:13:32
Speaker 2: This woman shout out to the woman. She's like tough, real tough. So I said, hey, I was always nice to this lady. I don't know why I was always nice to anytime I passed that. Anytime I did, someone was like, hey, water and I had that report. So she says, now of these people are your friends, Joe. We got like forty phone calls from the hotline to about you got the Jordans.

01:14:02
Speaker 1: So I'm like, you know, I'm knowing not my friends. She said, do you know what we got here? I said no.

01:14:10
Speaker 2: She said, such is such the leader of the Shawa pas, such is us, the leader of the gorilla fark on me in Columbia.

01:14:19
Speaker 3: Such and such, the king Benavol. Because it's Miami's the hug.

01:14:22
Speaker 2: So if you're doing work out there Jamaica, Santo Domingo, Puerto Rico, the killers are all killers.

01:14:29
Speaker 1: They throw them over.

01:14:30
Speaker 2: It's Miami's the hog, right, And she said, and do you know every floor I go to, whose fucking name I hear the most?

01:14:40
Speaker 1: She said, fat motherfucking Joe. What you want to do?

01:14:45
Speaker 2: Like I've been humble, I don't get into arguments with nobody ever. Just she's like Jody, not your friend. They called up and she gave me a chance, thank god. But that was that was you know, they all called on me, all you guys, you know who you are. They all called on me about the Jordan's, but you know, Jerr was different. I don't advise nobody to go there. To me, it's like communism. It's a third world country. If your family don't send you no money, then you have no resort but to do crazy things.

01:15:13
Speaker 1: Man.

01:15:14
Speaker 2: But I was just thinking about that today because I don't try to think about that, you know what I'm saying.

01:15:18
Speaker 1: But sometimes it can't escape your mind.

01:15:21
Speaker 3: Yeah, last night, I don't know. It's the simple things, man.

01:15:23
Speaker 2: I was just thinking about it because you know, my whole life, I've been chasing the stunt my whole life. I've been flexing my whole life. Since I'm a chid, I've been trying to make a movie. And I just got I started laughing.

01:15:37
Speaker 3: When I thought about the eggs and the fucking that that.

01:15:41
Speaker 1: The pizza pie, like I really stunted on them with the eggs.

01:15:48
Speaker 2: I always think about the late great DJ Clark can't super produced.

01:15:53
Speaker 1: That's the piece of good favorite man, God's favorite. You know, this was the best in the world.

01:16:02
Speaker 2: He passed away, but I always think about what he said because you know, he did it all like he was cool with Biggie jay Z, like he put them on.

01:16:11
Speaker 1: And started with cool Hurk. He's seen his ship. He wasn't that old man. He wasn't.

01:16:17
Speaker 5: He's one of the cool Herk's original DJ Superman Clarking was down with Coolhrk.

01:16:22
Speaker 1: That's how fall ego about it.

01:16:24
Speaker 2: I met DJ Callen and DJ Nasty at a cool at a clock him battle. He had a battle when we came up. That's how I meant call it online around flow Joe time and so he said that Biggie and jay Z both his mans. And Biggie would be like, yo, why you say jay Z. But he used to tell Biggie that jay Z is better than right, and Biggie would be like, how you think he nicer than me? He'd be like, yo, because you're a rapper. He's in them c He's like a poet. He could you know this early jay Z before all the hits.

01:16:59
Speaker 1: He's a poet. But the case may be, and so.

01:17:03
Speaker 2: To me, the difference of an m C and the rapper is an m c is and you have huge hits two but you more. You got your hand on the third rail. Tayli Kwali, Jada Kiss Common, These these are m krs MC's rappers. What he's referring to is the guys on billboard that crossed over and we think they commerci you. What do you think about that argument right there that he was having between Big and jay Z where Big was like, yo, I'm nicer than the son, but he was like, nah, j nicer than you.

01:17:39
Speaker 1: He's an MC. Of course this is before success. What do you think the difference between MC and a rapper is? I think a MC is just what it means. You know what I mean. You're controlling the maestro. You can do anything. You have diversity, you have a you know you you you can do different. Uh.

01:18:02
Speaker 5: You can do a big commercial, you can do an R and B feature, you can do it all. A rappers just playing with words, uh, you know, the ability to put words together. MC can control the crowd, he can, he can he can have the crowd in his hands. He can engage with the crowd.

01:18:21
Speaker 2: But Nelly not just the crowd, was just Hey, it's all about the fun.

01:18:26
Speaker 1: Now you're going into being an entertainer, you know what I mean? Is it entertainer? Is a rapper? Is it MC? Right now? You got you know, you got people that wrote the song that you might even see here mama.

01:18:40
Speaker 5: Yeah, Pack was everything, raped all the tuls of everything.

01:18:46
Speaker 1: He was everything you can do drama so you can make.

01:18:49
Speaker 2: Music because I'm trying to find out who's the perfect one. Like so you say pop that's why Castle. Yeah, it's like it's the best song right in the game. You got guys like whole with I Love the Dog was talking about you know, we capt the hottest v's then there we played monopoly with real cash and that big come on as ship?

01:19:11
Speaker 1: Right?

01:19:12
Speaker 2: Was you ever there for any of them? Like Big Song? I was there for Hypnotized. I was there when he woke Hypnotize.

01:19:17
Speaker 1: Was you there for I loved it? Anything like that? I was there for I loved it though.

01:19:22
Speaker 5: No, he was actually in the We was in the MIDI room, you know what I mean, they both was there. Yeah, it was none of it was no fucking emails and none of that.

01:19:33
Speaker 1: You had to be there so you see them both going at it right there.

01:19:38
Speaker 5: It wasn't battling and none of that. They was trying to make a hit song, which they did. Did you see they We was mad?

01:19:45
Speaker 1: You see the paper and ROMs? No, it was at the top.

01:19:50
Speaker 5: No, listen like I didn't see listen you story or not? Everything I tell is real. You don't got a hood for a reason.

01:19:59
Speaker 1: Listen. We was in the MIDI room.

01:20:01
Speaker 5: We was the young locks and Hope kept coming in our room like giving us an update of what's going on, like I'm about to go first this.

01:20:11
Speaker 1: Time, and he's like, no, you go in there and kill that ship, you know what I mean?

01:20:16
Speaker 5: And that's what he was probably going to the bathroom, didn't He's stopping the MIDI kicking with us, you know what I mean.

01:20:23
Speaker 1: And we actually seen Angela Winbush.

01:20:26
Speaker 5: That's not a sample. That's hers singing I love the Dough. We've seen we've seen her laying. We've seen Damn Max laying Pray and pray for my damn Fall. That ain't a sample either. We've seen him record that lot. We wanted a fortunate artist to be featured on Life after Death. It's only a couple of features on there. So he loved Big forever you know what I mean. We thankful to being around for the process of life after death and slightly before that.

01:20:56
Speaker 1: It was a beautiful thing. But hey, we was in the studio to day they made. Was in the show for loved it though. I think I was in the store even I was.

01:21:06
Speaker 5: Dead for a lot of them, or when we would come for our session and we would hear what he just did, go on, kiss good night a lot of them.

01:21:14
Speaker 1: Of course we was there for Last Days because we featured on Yeah.

01:21:17
Speaker 2: But you know, when I think about when we talking about the perfect MC, the perfect rapper, perfect performer, entertainer came up a lot today. I think DMX shows which one of them.

01:21:32
Speaker 3: You was there every song record? Shut him down, open up shot.

01:21:38
Speaker 1: I don't think he wanted to do that when Swiss first brought it to him, he didn't. He didn't want to do it.

01:21:44
Speaker 5: He didn't want to do that, I don't think at first. I don't think he was happy to do it into it when it was done.

01:21:51
Speaker 2: When I tell you, at this time, I was still halfway in the BRONX. So I'm at the car wash, and when I tell you, every single car I don't care if it was a Spanish dude that would be playing SUSA. They was playing that ship like that song had me the dizziest. You know how you go for them? Bro Where you going y'all?

01:22:14
Speaker 1: Because when you want to see if your record was popping, like Benjamin, you see who's playing my.

01:22:28
Speaker 2: Man, I have never witness in the history of the Bronx start shut him down your I was dizzy, It was everywhere like that was the craziest.

01:22:41
Speaker 1: To me of standing outside trying to hear your song. That was that ship right there.

01:22:47
Speaker 2: He ain't even want to record that.

01:22:50
Speaker 5: I think Swiss had a little problem making him get into the lad to once you find him with the final mixing mastered version came out and they.

01:23:00
Speaker 1: Knowing was it? They knew what it was.

01:23:03
Speaker 2: You know when I went at the video is out it, I think, so what would you listen to in the in the in the in the big game, like you're going to playoffs?

01:23:19
Speaker 1: That when is it?

01:23:20
Speaker 2: Man?

01:23:21
Speaker 1: I'm gonna called it three dedication too. I'm that called it three changed mine.

01:23:25
Speaker 10: That's all I thy like middle school high school for me, so you're in college, that's all I was listening to that, like you don't ever change this ship.

01:23:31
Speaker 1: Hell, I had a black ultim on teams. That's all I was bumping. I think if I think, if I was a ball player, I'm about to play a big game. I'm listening to Dmax or something. Yeah, I used to listen. I went in all ship you right here.

01:23:46
Speaker 2: We ain't going anywhere, probably like I'm trying to listen to some ship like that.

01:23:55
Speaker 1: I listened to Like I mean, I mean you feel me, like.

01:23:58
Speaker 2: Get me in my zone, like I'm here now, I'm with the Carter three. I'm where everything Lil Wayne ever did. In fact, Lil Wayne, that's the Louke Wayne. That's salute the game, right because when you listen to your traditional West Coast music, although game could touch it, his sound has always been universal. It could be East Coast down whatever game got a sound that could go everywhere, right, And with Lil Wayne, he was the first guy to come like really straight out the South. Of course you got Goodie Marvey got on Andre tix thousand, but that sounded like South music. This guy was rapping to like harcore beats. What was throwing these flows on the shit. It never been seen. I tell you one little Wayne story. We do the yard taking over with cal it. I thought I had everybody that. When you see crack better duck like the back got to east pets here, what say, I don't give a fuck, I run it. I thought I had everybody on it. I heard that everybody's verse. No, I don't think that all the time.

01:25:04
Speaker 1: I'm not not for sure. I'm not.

01:25:07
Speaker 2: No, I don't always think that. No, No, that sometimes I know that's the time. I don't think I'm the best. I make anthems.

01:25:16
Speaker 1: It is what it is.

01:25:18
Speaker 2: But that one record, I thought I had him kiss and then we go and I go with Charlie. He says, YO, come on me, let's convince Wayne to get on this. I said, no problem, we're playing for Wayne. Wayne is in the studio. He's not even in the big studio. He's upstairs in the hit fact me. But upstairs he got a room with just the whole ship of speakers. He's up in there and he plays the ship. He's staring at the speaker's louses. He gets in the studio and the booth they crank it up. He goes, I am the beast. Feed me hip hop or feed me beats. I ain't gonna less on the Easy Street. I say, motherfucker, why did I bring Chalent over here?

01:26:05
Speaker 1: Beg this motherfucker to get on this record?

01:26:07
Speaker 2: Like I begged him. I begged you to get on New York. I don't know if you recall Fat Joe begged you to get on New York and send you that beat Little Wayne. I begged them to get on taking over. I'm telling you the truth. Okay, I got you. I don't No, I'm just telling you that's what happened. I'm telling you what happened. Same thing with Lil Wayne.

01:26:32
Speaker 1: I go over to Yo.

01:26:32
Speaker 2: We really need you weezy days. I am a beast phoebe hip hop or pheedb beasts. I ain't gonna wrapped on DJ Street? Why relaxed on the street.

01:26:43
Speaker 1: I was like, it's crazy.

01:26:47
Speaker 2: I walked out of that fucking studio dizzey. No, it was hello, You're thinking, oh yeah, Joe, you know you gotta feel like you're the best.

01:26:57
Speaker 8: No.

01:26:58
Speaker 1: I walked out of them stairs knowing I got destroyed on that ship. I'm walking down the stairs like gulls like, Yo, we got it. You heard what he said.

01:27:08
Speaker 3: I'm like, fuck had in bro the motherfucker.

01:27:11
Speaker 1: That destroyed my son like a motherfucker on this bitch. I thought I finally had these guys.

01:27:17
Speaker 2: He can't nah nah, Lil Wayne different, He's taking no mantealis. He was just step ahead of everybody. I'm telling you, guys. You look at him and he's at the basket beautifully. Right, Little Wayne, he was a step aheaven and he was a little bit faster.

01:27:42
Speaker 1: He was a little he was a little.

01:27:43
Speaker 2: It was something to him where he dumb out. He said, you like that too, But he dumb out like he'd just be like there and he ain't gonna let go. He's like a pit bull once he got you and you like, oh shit, he he just won't stop. He'll just keep doubling, trippling. Why drupling down on that ship? Come on, man, man was taking beats. He was taking what jay z what's the ship he did over the with the jay Z be Ren When Little Wayne did that, we didn't even know you could rhyme to that ship with jay Z be all. No, he did one of them. I don't know what it was. He did one of them. Ship's over so legendary. That little way ain't on there I didn't know you could wrap like that on that beat like we did.

01:28:26
Speaker 1: He heard that. I thought, at this crazy story, right, it's gonna lead to a question for me.

01:28:37
Speaker 2: This is crazy, that's insane. It's insane one right, but it's truth. It's uncapable.

01:28:43
Speaker 1: Right.

01:28:44
Speaker 2: I got a friend right he passed away. We used to call him Joe Bentley because he owned so many bends.

01:28:52
Speaker 1: When we go to Miami, we.

01:28:55
Speaker 3: Used to have all these drop top Bentley.

01:28:57
Speaker 2: This guy had too many bentmans like the Italian and do too much, right, he said he died, right, But I'm just telling you this story because I thought about it on the way here.

01:29:06
Speaker 1: I was like, who would be?

01:29:09
Speaker 2: But anyway, so this guy must have been the original kapper because you know everything I say is true. These people just ain't having an incredible life like you, so they can't they can't comprehend the shit I be saying.

01:29:25
Speaker 1: Right, So this man was the bigger capper than me. So every time he was so rich, but every.

01:29:31
Speaker 2: Time he would tell me stories, I'd be like, full of shit. Told me he used to fuck sit share. One day, he picks me up in my house in Miami, pulls up to star aland share opens the door and the boost da and this day the ass walks it.

01:29:45
Speaker 1: Shit, you can't believe right. So the man tells me that.

01:29:49
Speaker 2: When OJ Simpson was in the Bronco, he was in the airport with the private that O. J. Simpson is his man, right, he was the one waiting for him, for him in the A C. Green to come on a private breakout. This guy he's telling me our counts. But the point is the man telling me all this shit the whole time. I know your friendly, I know he's I know he's my man, filthy rich, but the ship he was telling me, I could not believe right. So one days his wife's birthday and he says, yo, we're throwing his wife is named the Cole Joe Bentley.

01:30:30
Speaker 1: His wife is named the co.

01:30:32
Speaker 2: So he says, yo, we're throwing her birthday party in my other house up and night where Trump lives Palm.

01:30:38
Speaker 1: Beach, and some shit we pull up.

01:30:40
Speaker 2: This shit got white horses or it's just the guy had too much money, right, I go with the terror squad to me, remmy pistol P.

01:30:50
Speaker 1: This's why I got witnesses with this one. We going there. O J.

01:30:56
Speaker 2: Simpson is in the house, so Remy and Pistol starts smoking blunts with him. They having the best time with Ojson. She was smoking smoking joint blunts with Remmy and Pistol. Right. Remmy says she even got a picture of that. Right, So I go like, he's murdered two people smoking blunts. It is easy, You're right. The moral to the story is when it came down to cut the cake, happy birthday to call Joe, Bentley puts the machete in oj OJ's hand. He said, you did it, nigga, you did it, and oj start chasing him around the house with the fucking knife. Somebody got y'all got to get an animator and turn these stories tell it. I shout out to mister Comodore, mister Comodore, just a ready start.

01:31:44
Speaker 1: You seen the ship he did?

01:31:45
Speaker 2: He did like when I robbed the Jimmy played it over his white face with blonde hair, fat belly out.

01:31:52
Speaker 1: He's doing this, Charlie Murphy. But listen what I'm saying. O J starts chasing him around the house with the knife. He said, you did it, man, you did it. The fucking who would be the O? J.

01:32:06
Speaker 2: Simpson of twenty twenty five if somebody killed they wife or something like.

01:32:13
Speaker 3: That, Who are you the fuck? Who was he who was stopped TV?

01:32:17
Speaker 1: Talking about?

01:32:18
Speaker 2: Who would stop TV? If they was in the white bronco chasing them they might have allegedly killed their wife in twenty twenty five? Who's the celebrity, any celebrity and he at no, you know that's that's murder and fame.

01:32:34
Speaker 1: So you think any celebrity would would have the TV going crazy? Yeah?

01:32:40
Speaker 2: So you ain't got one pick? Oh hit wasn't even a big celebrity when that shit happened. He just was OJ, my pick is Tiger Woods because you got a white girl. It gotta be a white girl right to make this shit go crazy and white.

01:32:57
Speaker 1: People it is comfortable. He had a question for you, I do Here's the question.

01:33:03
Speaker 2: The question is I was setting him up? Who's the old jail twenty five? But celebrity did some allegedly did some ship like that? Who with every channel turned on to hey everybody that killed two? But when you said, when you say that element, now you're talking about the white girl, is it? Does it have to be that element?

01:33:23
Speaker 13: No?

01:33:23
Speaker 2: I'm just thinking about how crazy Will Smith from slap to murder.

01:33:32
Speaker 1: Will Smith running this crazy?

01:33:34
Speaker 9: Are you?

01:33:35
Speaker 1: Oh no, you're fighting. Jazz is driving Jasey and he got the.

01:33:44
Speaker 2: J he's DJing while he's driving. And as he's driving us in West Philadelphia born and raided. Oh, because I'm thinking Tiger boys got the white wife. He's golf The white people watch golfing because the white people love oh j That's what made this so crazy, right, Yeah, it's twenty twenty five. Black men murdering white women. Don't have the same cachet.

01:34:07
Speaker 3: Yeah, yo, yo, yo, the the views of this saint, Yo, this is out of control.

01:34:13
Speaker 1: Let's tell you. Let me tell you one of the funniest story ever heard.

01:34:16
Speaker 2: Niggas Fred Legg the Mike Tyson Eve at the awards and he was like, Yo, you gotta take the base off the boys.

01:34:24
Speaker 1: Chell, Mike dad Ship. I told him, what's that story? I don't know that story.

01:34:31
Speaker 5: One day Mike was talking crazy to Eve, like what crazy out of this world? Great, like preture I'll eat your kids and.

01:34:43
Speaker 12: Like that.

01:34:44
Speaker 1: It was not like that, but no, he was saying. Mike's saying that crazy ship too.

01:34:50
Speaker 5: You must have lifted like a steak instead of you know when you see he was gonna fuck you up.

01:34:55
Speaker 1: Listen, listen to the story.

01:34:57
Speaker 5: Know when it's you see something and you say something in your mind. He was doing that, but it wasn't in his mind. He was just whatever he was thinking. He was saving it and me styles and loopes like, somebody got it. Somebody got to be the crash dummy. Then we got a hawk. Somebody got to get the hot hit him, bro, and then we're gonna halt matter.

01:35:22
Speaker 1: That DN Dawn.

01:35:23
Speaker 5: We did twenty first fingers about twenty million times. Nobody wanted to take the first hit. But Mike was telling her that crazy shit. I want to tell you, I want to He was saying that crazy shit to it. And we did that the remy we was in his house after she shot the girl before.

01:35:41
Speaker 2: That's that's after she elect that's before she elected shot the girl.

01:35:46
Speaker 1: I turned out.

01:35:47
Speaker 2: Saucy opened the door, asked man, Jerry, she can't do you opened the door, asked naked, And I was like hearing that.

01:35:53
Speaker 1: No, No, See your micall right is knowing that, Yo, you gotta have heart to tell Mike Tyson like.

01:36:00
Speaker 2: Yo, my man, throw the toe on man like and I'm with some allegedly got out though yeah I was.

01:36:09
Speaker 1: He was like, Yo, Joe, you know this is the boxes were.

01:36:12
Speaker 2: Yo, my man, you gotta stop then we're gonna side, and the type of things he was telling Remby Mo, I felt pussy if I didn't like like address it, like I have to be like your mic.

01:36:25
Speaker 1: Or that might have to be around the same.

01:36:29
Speaker 3: Shoes losing his fucking mind.

01:36:31
Speaker 1: Fu, Yo, Mike is crazy.

01:36:35
Speaker 2: He was like, yo, Joe, you know, he showed me a brand new Bens. It was like a five money some brand new ship never drove and he was like, yo, you just leave her head. You got the Bends, you know.

01:36:48
Speaker 1: The ship was crazy. Like I was like, yo, my maid, just like he was looking at me.

01:36:57
Speaker 2: Remmy's eyes looked at me high eyes opens so big. She was like, nigga, you better not leave me in this fucking place. I think my brother was with us too. Everybody was looking like yo, like we're gonna have to, like pound Mike Tyson out. We have no pause, no choice, We're gonna have to like it's nothing we can do. Like he was like, Yo, showed us the brand new Bend. Shit was like one hundred and fifty two hundred. Nobody even had that ship like then they sit still have to stick to it was like, ah, we she gotta go with us, my man.

01:37:34
Speaker 1: Now that ship was crazy. I was in the studio with big though.

01:37:40
Speaker 21: I just always wanted to ask you itll this nigga yeah ball he wanted you never needed his studio, he wrote, sometimes I got it. I have a half of I have like a quarter of oh smoking line optimost that verse I got yell your papers and I bo hell hell no, I can't lie to you.

01:37:59
Speaker 1: I gotta set that. I just show kids. I never never, I never said that at that yo. I never said that you got some fun hear some punk? He said it first.

01:38:10
Speaker 3: God, I was with Biggie when he did hypnotize.

01:38:13
Speaker 1: Look he was whating on paper. I was.

01:38:15
Speaker 2: He was in the studio Bigger right in the studio with Biggie Sports when.

01:38:19
Speaker 1: He did hipnotize.

01:38:20
Speaker 5: Body got a whole three vertues of him written because he even the ship I got is only a little bars and then the rest guys, I never by the way, stage let.

01:38:29
Speaker 1: Me call it, let me take, let me take that was my ship right there too.

01:38:35
Speaker 5: Yeah, this store eighteen hundreds of special looking guy here last day, yayo. We're still in the hood. So we in the We in the hood selling crack. He called us, yo, I gotta come to Daddy's house to get on big album. We still got joints on this we go to. We used to me and Daddy's house with packs on.

01:38:57
Speaker 1: You can but seizing them.

01:38:58
Speaker 5: Got Phinney sweaters and all Chris style. We got army suits with backs on. Oh ship like we gonna be like them niggas.

01:39:05
Speaker 21: But anyway, we there this day week we on the block that we bring like three four of our niggas was to get the big old Mafie is dead.

01:39:15
Speaker 1: They got Branson, then he got the liquid has sometimes.

01:39:18
Speaker 5: Ranch Branton to break shout out to Barrets coming back up with man names jaws of Branton, and he used to sometime was a red caje nigga. Get this lickid hash that you got to put it on your fingers, smearing on the blunt.

01:39:31
Speaker 1: First he is late. Now he's writing the ball.

01:39:37
Speaker 5: He's doing the verses. We find out that beat us from Havoc. Niggas is hype. We're writing the ship. Everybody lay their verse and niggas is high. Niggas is knocked. Everybody in the old studio is fucking cloud seventy seven half bag.

01:39:51
Speaker 1: Soon as Niggas is in a deep slumber.

01:39:54
Speaker 20: Be out yelling me goway and do my vert Nigga win And he was on the stool, but he flag was still dropped that ship and woke everybody up like they gave him smelling salt.

01:40:09
Speaker 1: Scrapped superhero ship right there.

01:40:11
Speaker 16: Bro.

01:40:12
Speaker 1: If you know this on Life After Death, it's not that much features, so yeah, it wasn't. It was young Locks they be featured on there. That was a that was a nice accomstance.

01:40:20
Speaker 16: Man.

01:40:21
Speaker 1: Then he should have that nigga bulletproof. Man.

01:40:23
Speaker 21: I still say that Biggie my favorite rapper Old I'll be fighting over big That nigga shouldn't have been in Cali.

01:40:29
Speaker 3: So niggas always look at it like that, no disrespect to know what?

01:40:35
Speaker 1: No, no, no, but even for your show, what save it for what? Twelve?

01:40:40
Speaker 13: No?

01:40:41
Speaker 1: No, it's a good thing to talk about. What's the fut That was our first time ever in l A. I was with him, he was with it, you smiling, he was happy to beat it. It's not one of them. I'm seeing all these ships on the ground saying ships puff made him go there. He wanted to beat it. He was happy. He was happier than I was seeing them at Daddy's house. Over there. Little she told us the same thing. Party. Listen, I know you get to keep it right. Let me save my pe.

01:41:14
Speaker 5: Hell to the party that you see the last picture with the cane, the thing m Stevie j puff.

01:41:20
Speaker 1: We in there. We was mad. I don't know what son happened with buff. We was over there ice brill. We went over to him with that picture you see with the shaves the king him. Shake that ship off, he told us, was my single release. Whatever's going on with Diddy? We handled it.

01:41:36
Speaker 22: When we get back home. He goes so Chris style or Don Pinge, whatever was the thing. It was like two ounces, say go over there, shake, smile, make it, shake that ship off.

01:41:47
Speaker 1: We got my single. And that was the last ship he ever said to everybody left went to the party. Then that's when that should happened. Next time, say that.

01:41:56
Speaker 21: You park past already, Why would you have him in la That's all I was that already. You know the beefers less you think about it's a hard thing. To say, because I've seen him.

01:42:07
Speaker 1: He was happy like Christ.

01:42:09
Speaker 9: He was.

01:42:10
Speaker 1: He wasn't the still they killed Q. That nigga was like he was chilling, chilling.

01:42:15
Speaker 21: I understand, But I just in my mind when I look at him, what we got because we get to look at it now.

01:42:21
Speaker 23: We get to look at you a little older now just now we're older. But when we look at it, he shouldn't have been over there. But what they're trying to say for him, and Little C said on ear was he wanted to be there.

01:42:38
Speaker 1: It ain't like we thinking. But forced the nigga to go, They said to be there. I was neglige you. I be each his own bottle of eighteen hundred.

01:42:48
Speaker 2: If I did.

01:42:49
Speaker 5: Speak tool, I've seen him.

01:42:53
Speaker 1: He told us what the I mean? He told me I see it. If I didn't even yeah, I be to day because I love that nigg It crushed me my first time in l A B. I shot. I still had a beeper. My mind's a beeping me. This ship is that's crazy. I don't even know you was this. It's all the way down full nave. But it's my mind because he know you with big of course, of course that.

01:43:14
Speaker 5: Ship drug when I go down that block, when I go to that light to this day, I fucking shake.

01:43:20
Speaker 1: But I seen I spoke.

01:43:22
Speaker 3: I was next to him.

01:43:23
Speaker 1: He would fucking was He wasn't. He didn't seem like he was forced to beat it. He was one of the happiest I actually ever seen them in life. Over there.

01:43:31
Speaker 21: The reason why I'm so passionate about it because I look at it like took one of our fucking head rappers in our superheroes. No more now street niggas are or shoots. All skims are rappers, not superheroes. So when we came up, niggas was superhero big Eli Bonis that Joe Jealous whims in view, y'all dropping and no disrespected Diddy, but no more shiny suits you niggas with from that era to that era that it was crazy summer jam chay with nas.

01:43:57
Speaker 1: You know what I'm saying. Ether we love to beef.

01:44:00
Speaker 21: So when you look at tupacin Big that was like one of the most biggest beefs we knew. Like being by the radio and waiting for I think flex played at first when Big Player who shot you and me and motherfuckers be like, yo, that's not a disrecord.

01:44:13
Speaker 1: What in my mind when I wasn't nobody.

01:44:16
Speaker 21: I'm coming from Jamaica Avenue down God Brewer and I'm like, I'm waiting knit the radio to here.

01:44:21
Speaker 1: Who shot you? And I'm like, oh, this is who shot you.

01:44:24
Speaker 21: I remember when that ship dropped records was exclusive one djil habit, y'all niggas are dropped, maybe one djail two DJ's a abage, you know what I'm saying. So let's not act like in the rap game, we don't like beef because just just now.

01:44:39
Speaker 1: It been for since the beginning of the time. We love it. Just hair rests wanted sh biggas start that always been. That's when the difference is.

01:44:50
Speaker 2: Let me tell you the difference is, so you said, hip hop police Like so hip hop police, Yeah, they want to put fifty in jail, but the bulletin don't got fifty. He got you, your best friends, got the niggas that be with y'all and this, this, that, and they waiting for them to make the mistake to run that reco of course, right, so you gotta understand that it's the unchoarage. You understand the feel like they're impressing you y'all gonna go pop this. You know how many times I had to talk people off the cliff, like guys crying for me, like please, he's at the club right now, Cherry Lounge, Oh, let me let him go.

01:45:33
Speaker 1: I'm like, yo, bro, the world knows we have beef with this guy. They're playing it earth. If you lay them out, then that's for life. We would have been here twenty years later, like you know, he did it like.

01:45:52
Speaker 2: The top five greatest hip hop songs ever. I'm gonna let you. Yeah, I'm gonna let you set it off and your artists producers stop getting fucking mad.

01:46:06
Speaker 1: We love all of y'all. We don't fucking whatever.

01:46:11
Speaker 2: It's more than up Papa ship like yo, stop, I love all of y'all. Y'all all are supposed to be the greatest of all forcing me to do he's gonna pick five. I'm gonna pick five. Don't rob base, do not call me and curse me out tomorrow when this.

01:46:28
Speaker 5: Ship drive the right to because it takes two and I try to get good big you know what I'm saying.

01:46:34
Speaker 1: It's millions of them. I don't want to fixing minding me, making.

01:46:39
Speaker 2: Me do this right, that's right.

01:46:42
Speaker 1: Top five biggest hip hop songs of all time?

01:46:47
Speaker 5: You see why this is a bad thing because it goes off your age. I can say five, and then somebody that a new never heard it. Yeah, but it's okay, it's not fit, it's okay.

01:46:59
Speaker 2: I demographic is people our age, real hip hop. And then we got some young kids who really want to know the real.

01:47:07
Speaker 5: So the top five hip hop songs of all time? How the fuck am I supposed to do?

01:47:14
Speaker 2: I don't know?

01:47:14
Speaker 1: But what what what you think? When you heard it? You are?

01:47:18
Speaker 2: You hear it and you just like, yo, this.

01:47:20
Speaker 3: Is the biggest ship ever.

01:47:23
Speaker 5: See, I'm trying to think of when since I ever't first heard hip hop? And now, oh now that's hard, nothing but clustered.

01:47:30
Speaker 2: No, that's hard.

01:47:31
Speaker 1: I'm drawing white noise. Why don't you go first? Damn? You said? Why what this is? All?

01:47:39
Speaker 17: You?

01:47:40
Speaker 16: Right? Here?

01:47:40
Speaker 1: You go first?

01:47:42
Speaker 3: I'll say hip hop paray, naughty by nature.

01:47:47
Speaker 1: I'll say still dre I swear it gets tricky. I'll say.

01:47:56
Speaker 2: I'm just saying, biggest hip hop ship. You get caught hold up, hold on, caught up thinking, I'll say, uh, New York.

01:48:05
Speaker 1: Alicia Keys and jay Z you right around years. You made it easier for me. I like this because I could have easily. That's three three What three? I said? What three?

01:48:19
Speaker 2: I said? Said New York hip Hop Array in New York Alicia Keys, and I think we got the best New York hip hop record.

01:48:28
Speaker 1: Now I'm just saying, not even the five already crack hip Hop Array won the.

01:48:34
Speaker 2: Hip hop Array won the first Grammy, the first rap for the first grade for the Rap album, for for a rap album, and that hip hop fucking hooray, Okay, I got hip Hop Array, I got what was the second one?

01:48:49
Speaker 1: I said, still dre right, you know you hit them pianos uh uh. And then we got new two of the greatest songs of all time. He on two of the greatest songs of all time. You're only on three though, you got two more.

01:49:12
Speaker 3: Biggie Hypnotize.

01:49:16
Speaker 2: Biggie hypnotized, right, and fuck it, I'll go cliche, I'll go tupac dear Mama, Wow, I need.

01:49:29
Speaker 1: A I'm you did all this was his all fucking top ten songs. I can't be mad at we have said spoken about all time. Right, Yeah, you think I just hit a certain there's no way to be right or room. I think those songs. That's exactly the point. There's no way to be right or wrong.

01:49:50
Speaker 2: So so my people don't call me and curse me out every time I do a producer, every time I do this, every time I do it that they want to fuck kill me, like y'all. I love everybody, man, but I'm just telling you hip hop paray. Oh hey, oh, I'm talking about hypnotize.

01:50:14
Speaker 1: No y'all niggas fucking talk about the biggest shit. He fucked me up.

01:50:20
Speaker 5: I don't know, man, let me say, nobody take nothing because I don't like doing these.

01:50:27
Speaker 1: So I'm on y'all.

01:50:29
Speaker 5: Side where y'all call him and flip on him and everybody call crack.

01:50:33
Speaker 1: Because this is his idea. But if I got to give you five, I can't let me try. One of them. Gotta be something from Snoop what Gin and.

01:50:44
Speaker 5: Juice or or the g thing or one of them. Shit is definitely one of Snoop and Dre together got one of them. I don't know which one. Take your pick. That's one for count that.

01:50:57
Speaker 1: That's one right now, Rue d m C. Can the rock. I gotta be one because that's one of the first alls I've heard in my life. Now, that's what set it off. I'm up at three now.

01:51:15
Speaker 5: The other one was you gotta make your own one I gave you, Dre and Snoop is one one of these ships is one is I'm cheating, but I got he's cheating, no choice.

01:51:27
Speaker 18: He ain't go specific with it, I said, Jenny, juice or g thing those is take your band.

01:51:37
Speaker 1: One fault that dog of all times clocked.

01:51:47
Speaker 2: Because this is y'a Jada man, this ship you got, I mean what else? I mean, uh, you got a whole bunch.

01:51:58
Speaker 1: That Scott one too, I don't know is one of is.

01:52:01
Speaker 2: Look, that's the stop drop shut him off on the moth out.

01:52:07
Speaker 1: What you call him is bigger than that.

01:52:09
Speaker 5: What it'll make me lose my mind, y'all Make that ship rips out there up.

01:52:16
Speaker 1: Here, that his cruising, y'all gonna make me go all out. So the hook is so top forty. The verses is dishrich. The verses is saying that.

01:52:30
Speaker 2: Day when when the one thing gun thing like, you know, he's going crazy, fret you know we had a thing. Let me let me shout out cool and Dre we had a thing we would make we we would uh kill him on the verse and make them dance on the hook.

01:52:47
Speaker 1: We will always do that.

01:52:48
Speaker 5: I gotta stop giving the formulas out. Don't get don't tell these people that what I'm up to three or four?

01:52:56
Speaker 1: Man, up to three. Now I'm up to four. Gonna make me lose my mind.

01:53:03
Speaker 5: I'm leaving ship out. I think one of see don't hold me. Don't quote me, boy, because I ain't said ship. N w A got one too picky. Fuck the police, if you're every one you want, that's one.

01:53:19
Speaker 1: N w A.

01:53:20
Speaker 3: They got one biggest of all time, great, biggest one.

01:53:24
Speaker 1: You don't question my n w comports bigger than fuck the police. That's why I just give you. N w A. They got one of them, one of them ships they got caught bigger than I gotta switched demographic. I shit alone in my full corner. I got I got millions of more, but I just had to wanted that first. I got the old production there taking that listen.

01:53:58
Speaker 2: Man, I was hustling, and I was in the street hustling, and my brother told Mantane to pull up in the red truck, the Wrangler truck, and he looked at me. I swear to god, this.

01:54:09
Speaker 1: Is like a movie.

01:54:12
Speaker 2: He pulled over. I'm on the block watching the shit. I don't want to say what block, but I'm on the block watching and he ran up to me and his face it looked like a movie. This is my best friend, rest Apece and he running like he had to tell me something crazy.

01:54:29
Speaker 1: So I'm like, yo, toning something. He said, Yo, come here, come here, please come here, and the man press play because he had the system. Boom buck out, damn boom boom boom boom boom boomom. I sit alone in my fall on the broomstad or not.

01:54:46
Speaker 2: We started dancing around this truck when they played my mind's playing tricks on me, dancing around it like, Yo, this shit is great.

01:54:56
Speaker 1: And every drug dealer felt like paranoid.

01:54:59
Speaker 2: You felt like I took the ferds everywhere I go and swam paranoid like everybody living that life.

01:55:06
Speaker 1: You know that was one of them ones.

01:55:08
Speaker 2: Nah, So let me get Jada's all. What what did you write down Jada's five? No, it ain't his Other songs bigger than mine than his, were just saying he says, go is one of the biggest songs go, what's from ghos shut in the club?

01:55:27
Speaker 1: Fifty is your birthday is in the will? That don't know that sort You could go niggas, I can't talk. No, I'm just saying I agree with you with that.

01:55:37
Speaker 3: You know what I'm saying with the with with the fifty.

01:55:40
Speaker 1: Damn, that was a good one. That should have made some ship. No, No, it's your birthday. That's the icon. Be able to talk and you can sing that. That's the that's the cheat code. But what did we do? What? What? What did I pick? What Jada picked on the top five? Jada just ran down.

01:56:00
Speaker 24: It was either you had's King Rock or on d M c uh pick a Snooper dre g thing or I think would be the one Min's playing tricks on me, d M X up in.

01:56:13
Speaker 1: Here n w A fuck the Police or Compton? What did I pick? Yo? Yo, you gotta stot Layton.

01:56:27
Speaker 5: That's one of my favorite song Late, that's one of my favorite songs.

01:56:32
Speaker 2: Kidding yo, your man violating my ship by here Taylor be on that bullshit. He throw the hoodie over, He like my stand alone in the fall, the room with us, those missiles, those hip hop Ray, Biggie Hip, Mattie Snoop Dogg. So I said, still dre I went still Drake, and then I went on it was Tupac damn Obama.

01:57:02
Speaker 1: That was great. Those is great. Whole give it to me is one of them ships too. They know that ship everywhere and anywhere you could go on with human beings.

01:57:11
Speaker 2: And then we're gonna both agree honorary should be in. There is there in the club. It is mad p fifty sec in the club is definitely when the club is like the biggest disrespect ever created. You know, we start disrespecting we go, but don't us with the daily satility.

01:57:34
Speaker 1: That what the dealer you when supposed to be on. Baby, If you give it to me, I give it to you. You know what that one?

01:57:43
Speaker 9: You know?

01:57:44
Speaker 1: I got it? What's up with that conversation you had with pushing beautiful see beautiful? I want to know what's going on? You know. I I come from a universe who man speaking language?

01:58:03
Speaker 12: Right?

01:58:04
Speaker 10: But if I say to you kiss yo, giant, don't call me back the minute you're supposed to see giants supposed to say a giant, why don't you call him back? But if I say the kiss yo, between me and you or off the record, Giant. Don't call me back the minute you see Giant, you gotta you gotta close your mouth. But I brung up that conversation. This is from from four o'clock in the morning to two o'clock in the afternoon. I'm the sharpest you can ever speak to. I'm the sharpest. Like I'm up in the morning, I'm doing push ups, I'm running, I'm trying to get my life together, like I'm shocked.

01:58:40
Speaker 1: He calls me to the clock of the morning.

01:58:42
Speaker 10: So I remember this conversation to the tea, to the tea and he called me, and he his first time I ever seen Pusher all these years, like kind of have emotions like he was like, Yo, how our boy did that? So in case you don't know what I'm talking about, well picked he said, both on the drink quick time with slim Drake or push your tea.

01:59:02
Speaker 1: He said both.

01:59:03
Speaker 10: Pusher called me and was like, Yo, this was the first time I ever heard Pusher like raises his voice.

01:59:08
Speaker 1: He was like, yo, you think forty from Ovio with a pick for the said the same.

01:59:13
Speaker 10: And I'm just sitting there. So when I'm bringing up this conversation with Pusher. I'm bringing this up in honor. I'm like, yo, that was honorable that he shared that with me. I wasn't trying to so so what I'm trying to say is when that conversation happened later on, in that conversation, there was things that I brought up and I said, it's off the record. This is this is off the record, or this is between me and you, because let's just let's talk about what.

01:59:36
Speaker 1: We're talking about. Pusher, who is famous, called Nori, who is famous.

01:59:42
Speaker 10: About a producer for real, who is arguably more famous than both of us, right about a conversation with one of the most famous people on the planet, Drake.

01:59:52
Speaker 1: And this all happened on drink Chaps.

01:59:56
Speaker 10: So I assumed that this part of the conversation us off the record because we later on addressed that and said, like I said, I'm shot from three to two PM, I'm the sharpest and I remember this ship for a batil.

02:00:11
Speaker 1: He never said that. So if I blew that up as a man, my bad. If I blew that up. But I didn't. I didn't think I did.

02:00:19
Speaker 10: Like, at the end of the day, no matter what your media now I got to tell you that, Joe, hold On off the record.

02:00:27
Speaker 1: Like I just told you about the smoke Champ ship. You used that on me. That was the first. It was something weird, that was hard, That was hard. He did. He did his job. He did his That's exactly what he's supposed to do. That's how to get this guy to a hundred millions.

02:00:47
Speaker 3: I never seen that guy trying to get you know, you used to find me.

02:00:52
Speaker 1: He's doing your job. Get doing your job.

02:00:56
Speaker 10: I'm seeing smoke drink cha. I'm trying to do a whole So hold on, let me finish. So let me finish so with push you like push your ballast. You know I knew him since they called him Terror, Terry, Terrence. You know what I'm saying, like terror, this is my family. So you know they laughed it off. You know what I'm saying. So I sent them a text like you know, you know I'm coming back. You know what I'm saying, like that type of ship. But let me let me, let me make this clear.

02:01:24
Speaker 1: That's my family. They got the best album right now. Uh, I still still working out to it.

02:01:29
Speaker 10: I was offended that he said cloud chased when he said everyone, and he said, you know it's it's album time. You know, everyone wants to click bait. I just want to address that part, that part. I don't need clickbait.

02:01:39
Speaker 1: They come every month. My work is good. It speaks for itself. It speaks for itself. I don't have to clickbait to that part I want to address.

02:01:48
Speaker 10: But other than that, if I, in any way shaped form of fashion blew up something that I wasn't supposed.

02:01:55
Speaker 1: To blow up as a man, I apologize, Wow, but I don't think I did.

02:02:01
Speaker 2: Now I can say to the two people that still believe I'm not Cat May who thinks I'm real, I've had too cap a lot.

02:02:12
Speaker 1: Now.

02:02:13
Speaker 25: You used to be counting cats like they fucking me up. You know, don't catch I shot you everything and you will. They said, the fuck you caps every time you do like.

02:02:25
Speaker 2: This, They're like, yeah, Jada got our back, he know, Joe.

02:02:29
Speaker 1: Casting stigger line again this.

02:02:32
Speaker 2: But for the two people, the one percent of America, i'ven't had so many deep conversations with Nori that you can't even believe he has never repeated.

02:02:41
Speaker 1: I've never repeated that. I have to say no, thank you. What I can say is if he knew, I couldn't say that, you wouldn't do that.

02:02:52
Speaker 2: You know.

02:02:52
Speaker 1: That's by the way. Too many conversations don't be conversations. I want to tell I want to say what else? Like this was say what you gotta know?

02:03:03
Speaker 9: Yo?

02:03:03
Speaker 1: You know we now, Yo, listen, now's the time. Yeah, really get this over with one.

02:03:22
Speaker 10: What your Yeah, we've had twenty years and twenty years this was this is all deep the conversation.

02:03:29
Speaker 1: Like sometimes you don't realize the relationship you have with a person.

02:03:32
Speaker 10: How long you know what a person like I was in grinding, I was on grinded, I was on the remix, and I'm in the video.

02:03:38
Speaker 1: Like you said, lean back.

02:03:41
Speaker 10: So it's like, if it's a misunderstanding, I get it, and I get why he didn't call me first because what I did was publicly, so he had to respond publicly. So that's why I'm responding publicly at you know, but it's all it's all love. But at the end of the day, that's not who I'm not. Not a person who chases cloud. I'm a person who has technicy IM a person who has integrity, I have morals and I'm very very creative I'm too creative to bite anybody else's stay.

02:04:07
Speaker 1: I've always been my own style always. I always stayed in my own land because it's never been trafficked there. But act are you professions? Do I even get to my riot? How? What was you?

02:04:23
Speaker 5: And the staff shout out to be cock, shout out to everybody? What was what kind of zoom? What did y'all set out to do? Because if y'all just say we're about to cook up some ship and go diamond and take over the whole, every beast of the world accomplished that to the t. I don't think that's what y'all did.

02:04:44
Speaker 26: Well, I mean you got so we had eighty seven o one first before Professionals, right, definitely, Yeah, So so eighty seven o one we wrote, we wrote you got It Bad real, so you got it bad.

02:04:57
Speaker 1: The success that You Got It Bad was just like was the beginning of it.

02:05:01
Speaker 26: Like it was like, okay, listen, we make after After you got a bad success, we went back in the studio for Confessions. The mentality was that we had to finish off what we thought You Got It Bad did, right, So USh was talking about the song like he felt like his relationship was going through the situation. He wanted it to burn out, like just let it burn out, and we have to go through the pain. And he was telling me this, and I couldn't really grasp what he was saying because I went I had gone through that type of situation, but I was trying to and I was trying to figure it out, and he told me this, and then he left and I sat there for a minute. I except thinking about him, like let it burn, let it burn, And I kept saying like, oh, okay, when the feeling everybody, you know. I started trying to figure out what the runs want and then I got it and I called him back.

02:05:53
Speaker 1: I said, I got it, I got it. I got the hook.

02:05:56
Speaker 26: So he came back to the studio and we did let it burn first. We didn't let it burn first. And then he started saying he was going through this thing where he couldn't really.

02:06:05
Speaker 1: Work in Atlanta.

02:06:06
Speaker 26: Let's go to LA And I'm like, nah, here we go. This is the bullshit. I thought we was just go through a phase. You think he gonna block his own blessings, right.

02:06:16
Speaker 1: I'm like, here we go.

02:06:17
Speaker 26: I'm thinking about me because I'm I'm I'm like I want to be where I can grab all the records that I need, any ideas, It's all in my studio right for me as far as being creative, I don't want to go nowhere because I know I'm gonna forget something. I'm gonna leave someone I can't find something that yeah, right. So he like, let's go to LA, and I'm like, shit, cool, I'm going we go. We go to Brandon's Way and we get out there and.

02:06:44
Speaker 1: My man that was with me.

02:06:47
Speaker 26: He was talking to me about girls inside girls and relationships and this, that and the third, and I just kept saying, that's you just that's.

02:06:54
Speaker 1: All bad, Like everything you're talking about is all bad.

02:06:57
Speaker 26: And Usher came to the studio and we started talking about some things, but then he left and all I ken't remember. He was like, Yo, let's let's let's come back tomorrow. And I was like, man, nah, I can't let LA beat me. I get like a writer's block. I feel like I got a writer's block basically, And you know, it's really really bothered me because I already felt like it was gonna happen when I got to LA, So I need to cut you off.

02:07:22
Speaker 1: That happens to me in La. I need it. I can't just go there and go straight to the studio. I gotta I gotta cry, I gotta be, I gotta some ship Gota happen.

02:07:34
Speaker 2: I can't.

02:07:34
Speaker 5: I don't got the same fluidity in the studio in La that I got anywhere else.

02:07:40
Speaker 1: And I don't know what he I don't know what it is. It takes a while for me to get I can't just go there and be kissed off the brit So, yeah, I never really successfully wrote in La.

02:07:51
Speaker 2: Never me myself never hit one out the park in Lla, Like you know, I wrote ship there, but it wasn't.

02:07:59
Speaker 1: Blackout is recorded in l A on X album.

02:08:02
Speaker 2: This is it.

02:08:03
Speaker 5: That's probably he was recording out there. I'm talking about for me one of on X album is then That's how I was able.

02:08:13
Speaker 26: So yeah, so I'm I'm I'm going through this thing and I'm struggling. So I'm like, I told the engineer give me a copy of the beat because I made we made a beat man, because he made the beat.

02:08:24
Speaker 1: And I think I know I know the beat, right, I just don't. I ain't got the words. I can't figure it out.

02:08:29
Speaker 26: And I and I'm thinking about saying stuff that I don't think USh is gonna want to say.

02:08:34
Speaker 1: Right.

02:08:34
Speaker 26: So I'm thinking like that he ain't gonna want to do this because this ain't what his life is, right, he ain't going through this. So I'm like, but that's what I want to say. But I'm thinking like this ain't gonna work. So I take the beat and I get in the car. And I'm getting in the car, I'm riding down Melrose and I'm thinking, like where I knew?

02:08:54
Speaker 1: Damn, I'm thinking. I'm thinking like, shit, I ain't got the words.

02:08:58
Speaker 2: I can't.

02:08:59
Speaker 26: So I start thinking about usual suspect. Right, Kas was in the jail. He ain't had the words for the story. He just started looking for the words on the board and try to create the story. So I'm like, I'm gonna try this, and that's what I've started doing. I'm looking at signs on mail Rose. It's all kind of shit going, right. So I get to the light I think on third, and the Beverly Center's in front of me, and that's when I say, every time I was in La I was with my ex girlfriend. Every time she called me and told him Gravey, I'm working. No, I was not doing my work. I was handed handing the Beverly Center like man, not giving the damn who sees me? And I'm thinking like, oh, and I'm just grabbing this everything I see. I would have never said the Beverly Center that song if the Beverly Center wasn't in front of me.

02:09:43
Speaker 1: I'm trying to do the Kaisi shit right. So as I get through that verse, I'm like, I'm like, I got it. So everything is everything. Everything I've been doing is all bad.

02:09:54
Speaker 26: I got a chick on the side of the crib and the ride up and telling you some miningize ain't lotting good.

02:09:57
Speaker 1: It's all bad.

02:09:59
Speaker 26: I just want to confess. And that's where confessions came from, with me saying I just want to confess all of this ship that I've been doing is bad. We ain't have confessions that if I want to say that, I want to confess to you everything that I've been doing is bad.

02:10:12
Speaker 1: It's like my time.

02:10:13
Speaker 26: I'm saying, this is gonna be the first R and B record with a nigga actually tell a girl he fuck it, Yeah, you ain't got even asked.

02:10:21
Speaker 1: Yeah, I'm fucking her. This what I'm doing.

02:10:24
Speaker 26: I got a crib on the side. Chick on the side with a crib on the ride up and telling you so many lines. Ain't nothing good, it's all bad. I ain't know where he's going.

02:10:32
Speaker 2: I just felt like day that song feels so good to this day.

02:10:37
Speaker 1: So that was the beginning, right, that was the beginning.

02:10:41
Speaker 26: I had to drive all the way to Malibu because everybody had left the studio and I couldn't record. I had to remember, I had to memorize all of this. Yeah, I had to keep going, right. So the next day it's like, we got hurry and get to the studio. So I put it down, write it down. I'm right, I'm driving and writing in my head.

02:10:55
Speaker 9: I forget.

02:10:56
Speaker 1: So so we get back, we do we do all bad?

02:11:01
Speaker 26: And then Mark pitch like, well, what happened after, you know, after this situation, what happened with the chick on the side. Then it hit me it's like, oh damn, she got pregnant. This is like my real life, right, the chick on the side get pregnant. I know this story, like I really know this story. I ain't even gonna write this right. So that's when we're like, okay, I'm like shit, it's gonna be part two, and part two became these on my Confession, and you.

02:11:30
Speaker 1: If we wouldn't ever got to that if we went and did we? So we did a part two of a song that never even came out. Wow, that was part two. That was the response. Yeah, and you ain't even do the first one.

02:11:44
Speaker 26: Well we did it, but it didn't come out. La didn't put all bad on the first He didn't put it on the album. He put it on the you know me on the repackage.

02:11:51
Speaker 1: You know, you name it some big.

02:11:52
Speaker 3: Names, right, So you're saying l A Read, You're saying Mark Pitts.

02:11:55
Speaker 1: Who the sides? What comes on the album?

02:11:58
Speaker 26: LA read on the face? I mean you know at that time, Ariston, you know, that was his that he'd be like, I want this, I want that shot. That's his job, that's what he's thinking.

02:12:08
Speaker 1: And that was his space. Like La, you know, putting the albums in space.

02:12:12
Speaker 2: Saw like a like an old interview with all Kelly and he said he would do like a hundred songs and listen to all of them and pick out the twelve on the album. Like you know how hard that ship had to be to like here's probably some gems left on the floor, right.

02:12:31
Speaker 26: But that's what I'm saying, Like, I never I never even understood why La didn't even put both versions.

02:12:36
Speaker 1: He didn't want he ain't put all bad.

02:12:37
Speaker 26: And I'm like, you know, what's crazy is that people gonna listen to this and they're hearing the second story. They don't even know where it came from. But I couldn't figure I couldn't figure out how it was genius.

02:12:49
Speaker 1: Yeah, it was. It was like crazy genius. So so that was the beginning of confessionals. I think, big punt, I've to think about it, do JD.

02:12:57
Speaker 2: That's our movies.

02:12:59
Speaker 1: Sometimes they make you watch the movie back there that.

02:13:02
Speaker 2: Says, you know, they got a little man like you. Have you ever seen a little man like this? Come on, we had one in Jimmy. Come on, yo, I'm telling you the truth. Has anybody here, has everybody help me? He said, it's a man this listen our fans in moroc French Montana knows them. French Montana is from Morocco. I told him, he knows him. It's a man that's little.

02:13:32
Speaker 1: I need you to man, what size organs do?

02:13:38
Speaker 2: He?

02:13:38
Speaker 1: Yo? Give me this ship.

02:13:40
Speaker 3: I promise you this ship the rewinded box.

02:13:44
Speaker 1: Hold on, no, ye, come on.

02:13:47
Speaker 2: To kiss cafe. Let me get the kiss cafe. Let me get the kiss fact cafe. Listen, let me tell you something.

02:13:55
Speaker 1: You see them human being. This man will be ducking.

02:13:58
Speaker 2: Behind this ship in real human life. It's not even jos He's a grown man with a suit. A suit, no yo, yo demand, Oh I'm capping, yo, look him up.

02:14:15
Speaker 1: He just I promise you. He said he got a suit on. Yo. We had a Dominican.

02:14:22
Speaker 2: We had a Dominican named Nelson that passed away, Rest in peace.

02:14:26
Speaker 1: He used to come to Jimmy's Bronze cafe. The man was this big.

02:14:30
Speaker 2: Come on, yo, I'm telling you, yo, listens. He's definitely not bigger than a kiss caf. No, no, no, it's nobody was this big.

02:14:41
Speaker 1: Yo.

02:14:41
Speaker 2: There's a little man in Morocco. He's still alive in macadsh okay. We want you to send us pictures to the Joe and Jada Instagram cause y'all be thinking I'm capping. He won't be hiding behind this ship. This is at least three fourths of his body.

02:15:00
Speaker 1: Come on, there's no way. What's that sneaking. No no, no, no, no no, I'm not a myth. I am not a myth. Alahamd, I am not a myth.

02:15:16
Speaker 2: I gotta.

02:15:19
Speaker 1: This guy's killing. Let's see a French picture, yo, I bet you they said it to us. French. Ain't pick up. Let me tell you something. I tell you we had a Dominican one named Nelson. He passed away. He used to be a He jumped from the table to the chair to the disc. You never seen it. I'm not violating in no way. Can anybody get us a picture of Nelson. He's gonna Nelson will be found.

02:15:48
Speaker 2: You guys are gonna make sure I'm not capping the guy who does the clips.

02:15:53
Speaker 1: You're gonna find pictures in Nelson. You're gonna find pictures of the man in the mock he ash because they say I'll be capping. There's a little man.

02:16:02
Speaker 2: I can't tell you well, I never seen a little woman like that, right, I've seen a little man like that.

02:16:08
Speaker 1: I never seen a woman like that. How big is he?

02:16:14
Speaker 2: He's hot and beyond this ship it would yo, yo, yo, list, I need you. He's hiding his face might just go like peek over this ship like it's a little man with a suit. Yeah, yo, dog rewinded tearing CBS, Sally Beauty, go get it. Man with a soup, Kiss cafe, Go get your stuff, kiss cafe.

02:16:42
Speaker 1: All right, you think I'm lying, all right, I'm just trying to tell you. Let me tell you something.

02:16:47
Speaker 2: Other people say ship for clickbait content, ship like that. I say facts we all the time. And when we do the clip, you're gonna see the little man.

02:16:58
Speaker 1: Two of them. I know what, Dominican one else he passed away. That's in Peace's But the other man gotta get this when.

02:17:07
Speaker 2: We from Morocco is alive and French knows him, French Montana knows you.

02:17:13
Speaker 1: He got kids, I don't know.

02:17:16
Speaker 2: I'm not gonna go there with you. I'm sure he got a girl. They think he's cute and all that. The man's a little bit strung.

02:17:23
Speaker 1: Yo.

02:17:23
Speaker 2: What's the toy they selling over the out now for the girls. Everybody's getting them toys. The girl woman can have her own.

02:17:31
Speaker 1: Little the man, this god the man, Yo. Let me tell you the picture surfaces of this. No, no, what's happening. I'm not lying to you. Nelson, you found Nelson? Who you found from Morocco. Let me see, we gotta go. We got him, bro, No, I tell you I don't cap man. I'm not flying capping, yo. Don't care to let you look at him. Look at my man, Oh ship, Oh fuck this ship.

02:18:03
Speaker 2: Look at my man, yo, Look look at him sitting on a watermelon.

02:18:10
Speaker 1: Look at this ship. Oh, I told you this is my guy. I'm not lying to you.

02:18:18
Speaker 2: This my guy.

02:18:19
Speaker 1: He's on a watermelon. He ain't bigger than the watermelon. Look at this ship.

02:18:24
Speaker 2: I told you just I told you. No, No, he's puty put the kiss cafe. That ship half his body. Bro, he's on a watermelon like that's a building. He's dude, y'all, come on, kiss you trying.

02:18:39
Speaker 1: To I know him from as. He's a big he's big.

02:18:45
Speaker 2: He'll hop like he'll hop from the table to the chair, hop down your house.

02:18:51
Speaker 1: Yeah, better than never, say my brothers. The no Cat war. You seen this ship, The No Cat of Ward goes to crack this man, Yo, Look at him sitting on the watermeltain man.

02:19:07
Speaker 3: He's a man, a grown man, be wearing suits and ship go a way, you do.

02:19:12
Speaker 1: Got a little button up, he got a little polo button up. We look at the little sneakers. Man. I've been around the world trying to tell you, ladies and gentlemen. I don't want to hear nothing. He found the little guy, Yo, to look at the pineapple. I need Nelson. That's his body.

02:19:33
Speaker 2: If you get Nelson, Nelson is domdicant, Nelson, Look up, Nelson, Nelson is out there.

02:19:38
Speaker 1: Nelson used to hang with us in the Bronx. I'm telling you, yo, Dorg Yo, the pineapple you met in the Morocco. Yeah, French.

02:19:48
Speaker 2: No, French knows him by name and everything. When I tell French, yo, you know the little guy, he'll say his name real quick.

02:19:54
Speaker 1: That's what I called him. I was like, you know, he's a groom man. No, he's a grown man. He ain't a small He ain't ladies and gentlemen. He ain't this size though, What size is he? The pillow?

02:20:08
Speaker 3: Look at this guy, the fucking pineapples to his neck.

02:20:13
Speaker 1: That's crazy. How little is her body? To tell you that boy be hot behinds got fake? He'd be like this. I told you, yo, that's hard man. He made it his real talk. We gotta put him on the screen.

02:20:30
Speaker 9: Yo.

02:20:30
Speaker 1: That's crazy though, that's yo. Is that crazy? Not with a suit? What kind of suit? What kind of shuit? Suit? Oh? Look at the lady on him. No, no, look he got the suit. Look it's no he got the suit. What yo? Look at the lady on him. He got his soup dead ass, Yo, Look.

02:20:53
Speaker 3: He got the suit. He be rocket suits the bowtte all this ship.

02:20:58
Speaker 1: I can't tell you. I'm not lying. Yeah, we gotta have an e vest on the side. You got Nelson? He fron Nelson. Y'ah, come on, man, let me give up already. Y'all who's bigger? Boost? Y'all give yourself a boost?

02:21:17
Speaker 2: Looking at Nelson?

02:21:18
Speaker 1: Did you look at my other man that was sitting on the Watermelton?

02:21:21
Speaker 2: Who's alive? My cardessh is alive. Nelson has passed away, right, you see Nelson? How big is Nelson? Same type ship?

02:21:29
Speaker 1: Right? Wow? Let me see it.

02:21:33
Speaker 2: Oh you can't really see it? Said, look this is.

02:21:36
Speaker 1: Nelson ship, yo. And Nelson is a little taller than my cardash guy. Yeah, he's a little taller. He used to rock the TS chain and broke Jimmy's Bronx cat slay the beach.

02:21:50
Speaker 2: I swear to God.

02:21:52
Speaker 1: Two foot two inches? Who mcarss and Nelson? My Carnesss is too two foot two inches.

02:22:02
Speaker 2: That's my guy.

02:22:03
Speaker 1: He'd be in the suits. I'm telling you what's this Joe. He was on some ship. He's the littlest guy. What he passed away off. Now I'm saying I have girlfriends and everything.

02:22:16
Speaker 2: I used to see him in the Dominican clubs.

02:22:19
Speaker 1: Yeah, I'm telling you. I said it used to be in the Dominican club

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