337 | Art of the Session: Narrative Commentary in CCPT
Play Therapy Podcast: A Master-Class in Child-Centered Play Therapy
In this episode of the Art of the Session series, I introduce a skill I call Narrative Commentary—a powerful tool for those quiet, reflective moments in session when neither content nor emotion is being expressed verbally. When a child isn't talking or showing strong emotion, tracking behavior becomes our go-to—but it can quickly become monotonous. Narrative commentary bridges that gap, allowing us to provide authentic, observational dialogue that honors what the child is doing in a more fluid and relational way.
I explain how narrative commentary can prevent sessions from feeling robotic, offer practical examples, and show how this tool helps sessions feel more natural and emotionally attuned. This episode is about making our responses more genuine while staying true to the CCPT model. I hope it gives you permission to bring your personality into the playroom while staying aligned with the child's experience.
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Common References: Cochran, N., Nordling, W., & Cochran, J. (2010). Child-Centered Play Therapy (1st ed.). Wiley. VanFleet, R., Sywulak, A. E., & Sniscak, C. C. (2010). Child-centered play therapy. Guilford Press. Landreth, G.L. (2023). Play Therapy: The Art of the Relationship (4th ed.). Routledge. Landreth, G.L., & Bratton, S.C. (2019). Child-Parent Relationship Therapy (CPRT): An Evidence-Based 10-Session Filial Therapy Model (2nd ed.). Routledge. https://doi.org/10.4324/9781315537948 Benedict, Helen. Themes in Play Therapy. Used with permission to Heartland Play Therapy Institute.
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0 00:00:00,469 --> 00:00:04,309 You're listening to the Play Therapy Podcast with Dr. Brenna Hicks, 1 00:00:04,469 --> 00:00:08,220 your source for centered and focused play therapy coaching. 2 00:00:08,550 --> 00:00:08,710 Hi, 3 00:00:08,789 --> 00:00:09,770 I'm Dr. Brenna Hicks, 4 00:00:09,779 --> 00:00:10,470 The Kid Counselor. 5 00:00:10,619 --> 00:00:12,550 This is the Play Therapy Podcast where you get 6 00:00:12,550 --> 00:00:14,960 a master class in child-centered play therapy 7 00:00:14,960 --> 00:00:17,129 and practical support and application for your 8 00:00:17,129 --> 00:00:18,739 work with children and their families. 9 00:00:19,030 --> 00:00:19,549 All right y'all, 10 00:00:19,790 --> 00:00:23,940 we are officially less than one month away from the conference in Houston. 11 00:00:24,799 --> 00:00:27,049 And if you are going to be there, 12 00:00:27,350 --> 00:00:30,120 if you have not decided whether or not you're going to be there, 13 00:00:30,370 --> 00:00:32,360 but now I'm convincing you to come, 14 00:00:32,689 --> 00:00:33,319 or 15 00:00:33,770 --> 00:00:37,520 all the CCPTs that live in Texas that can drive to Houston. 16 00:00:37,880 --> 00:00:40,580 I now have details about the meet up and I wanted to share them with you. 17 00:00:40,709 --> 00:00:44,849 So in the show notes there will be a podcast RSVP 18 00:00:45,229 --> 00:00:45,979 meet up link. 19 00:00:46,189 --> 00:00:48,270 So you're going to need to go through Eventbrite. 20 00:00:48,349 --> 00:00:49,779 Let me know that you're coming. 21 00:00:50,029 --> 00:00:51,060 It's free. 22 00:00:51,130 --> 00:00:54,380 I just need to know so I can prepare for numbers. 23 00:00:54,869 --> 00:00:56,549 We are going to meet on Saturday night, 24 00:00:56,669 --> 00:00:58,939 October 11th at 7 p.m. 25 00:00:59,229 --> 00:00:59,990 Houston time. 26 00:01:00,580 --> 00:01:04,940 And the location is literally a few blocks away from the conference hotel. 27 00:01:05,050 --> 00:01:06,860 So even if you do not have a vehicle, 28 00:01:07,089 --> 00:01:08,870 you can walk to the meetup. 29 00:01:09,129 --> 00:01:10,089 If you live locally, 30 00:01:10,169 --> 00:01:11,250 you could certainly meet us there. 31 00:01:11,330 --> 00:01:12,639 There's a parking garage 32 00:01:12,889 --> 00:01:14,480 tied to where we're going to be. 33 00:01:15,010 --> 00:01:19,010 And so 7 p.m. Houston time on October 11th, 34 00:01:19,129 --> 00:01:20,169 that Saturday night. 35 00:01:20,660 --> 00:01:21,879 We're going to hang out, 36 00:01:22,110 --> 00:01:22,940 have fun, 37 00:01:23,190 --> 00:01:24,019 get to know each other, 38 00:01:24,199 --> 00:01:25,180 spend time together. 39 00:01:25,430 --> 00:01:26,790 I've got some things planned. 40 00:01:27,029 --> 00:01:28,269 It's gonna be so much fun. 41 00:01:28,389 --> 00:01:30,339 So please let me know that you're coming. 42 00:01:30,629 --> 00:01:31,860 Please RSVP 43 00:01:32,150 --> 00:01:36,190 in the show note link below for the Eventbrite meet up. 44 00:01:36,529 --> 00:01:40,230 And then there will be details to follow as we get closer to the event. 45 00:01:40,279 --> 00:01:44,069 I'll give you all the details that you need so that you know what you need to do. 46 00:01:44,480 --> 00:01:44,720 All right, 47 00:01:44,839 --> 00:01:46,269 so very much looking forward to that. 48 00:01:46,319 --> 00:01:47,870 I cannot wait to see all of you there. 49 00:01:48,099 --> 00:01:48,849 In today's episode, 50 00:01:48,919 --> 00:01:51,080 we are continuing with our Art of the Session 51 00:01:51,080 --> 00:01:54,589 series and we are diving into narrative commentary. 52 00:01:55,199 --> 00:01:59,790 So one of our skills that we are using in CCPT sessions. 53 00:02:00,839 --> 00:02:05,120 And narrative commentary is a phrase that I created 54 00:02:05,459 --> 00:02:06,730 to describe 55 00:02:06,900 --> 00:02:07,989 what happens 56 00:02:08,300 --> 00:02:10,410 as we converse with kids 57 00:02:11,059 --> 00:02:14,940 when it doesn't really fit into one of the reflective responses, 58 00:02:15,419 --> 00:02:18,929 but it is aligned with the tracking of behavior. 59 00:02:19,220 --> 00:02:20,940 So I know that probably doesn't make a whole lot of sense. 60 00:02:20,990 --> 00:02:22,619 I promise it will as I dive into this, 61 00:02:22,630 --> 00:02:23,020 but 62 00:02:23,339 --> 00:02:25,740 I kept trying to figure out a way to. 63 00:02:26,860 --> 00:02:28,449 Label what it is 64 00:02:28,860 --> 00:02:31,809 when we talk about what is happening in session, 65 00:02:32,139 --> 00:02:32,770 and I thought, 66 00:02:32,820 --> 00:02:32,889 well, 67 00:02:32,899 --> 00:02:34,369 it's kind of like narration, 68 00:02:34,619 --> 00:02:36,729 and it's kind of like providing commentary 69 00:02:36,979 --> 00:02:39,889 and so narrative commentary is kind of how that came to be. 70 00:02:40,669 --> 00:02:42,059 And essentially what this is, 71 00:02:42,100 --> 00:02:43,130 this is a tool 72 00:02:43,460 --> 00:02:46,250 so that you are not stuck with tracking behavior 73 00:02:46,619 --> 00:02:49,259 if that's the only option in any given moment in a session. 74 00:02:49,300 --> 00:02:51,330 So let me paint a picture so that you can understand 75 00:02:51,740 --> 00:02:52,529 what this looks like. 76 00:02:53,059 --> 00:02:55,300 We know we have 3 reflective responses, 77 00:02:55,380 --> 00:02:58,460 so we can reflect content if the child is saying something to us, 78 00:02:58,660 --> 00:03:01,699 we can reflect feelings if the child is expressing emotion, 79 00:03:02,300 --> 00:03:03,600 and we can track behavior 80 00:03:03,899 --> 00:03:05,009 depending on what they're doing. 81 00:03:05,259 --> 00:03:05,360 Well, 82 00:03:05,500 --> 00:03:07,970 tracking behavior is the one that we can always do. 83 00:03:09,039 --> 00:03:11,580 The child is always doing something that we can track, 84 00:03:11,869 --> 00:03:12,740 even when, 85 00:03:12,750 --> 00:03:13,000 quote, 86 00:03:13,190 --> 00:03:15,199 the child's just sitting there. 87 00:03:15,869 --> 00:03:16,740 That's always the thing. 88 00:03:16,830 --> 00:03:17,130 Well, 89 00:03:17,270 --> 00:03:17,669 what do I, 90 00:03:17,710 --> 00:03:19,750 I can't do anything if the child doesn't say anything. 91 00:03:19,830 --> 00:03:21,509 I can't do anything if the child just sits there. 92 00:03:21,589 --> 00:03:23,380 I can't do anything if the child doesn't play. 93 00:03:24,460 --> 00:03:26,449 Choosing to sit there is a behavior. 94 00:03:26,779 --> 00:03:28,690 Choosing not to talk is a behavior. 95 00:03:29,100 --> 00:03:31,619 So we absolutely can always track behavior. 96 00:03:31,660 --> 00:03:34,490 That is the one that is the standard given at any moment. 97 00:03:35,179 --> 00:03:35,699 But 98 00:03:35,979 --> 00:03:37,770 if a child is not speaking 99 00:03:38,020 --> 00:03:39,740 and is not expressing emotion. 100 00:03:41,509 --> 00:03:43,020 We have tracking behavior 101 00:03:43,309 --> 00:03:44,059 of the 3. 102 00:03:44,729 --> 00:03:47,229 And that can become very tedious, 103 00:03:47,759 --> 00:03:49,429 can be very repetitive, 104 00:03:49,759 --> 00:03:51,470 can feel a little bit boring, 105 00:03:52,119 --> 00:03:53,190 and it can be 106 00:03:53,350 --> 00:03:55,869 irritating for both you and the child 107 00:03:56,360 --> 00:03:57,910 because essentially what happens is 108 00:03:58,639 --> 00:04:00,509 the child is quietly, 109 00:04:00,679 --> 00:04:01,389 calmly 110 00:04:01,559 --> 00:04:03,190 with his or her back to you. 111 00:04:05,149 --> 00:04:06,389 Stacking Lego bricks. 112 00:04:08,160 --> 00:04:09,389 So they grab the red 113 00:04:09,600 --> 00:04:10,190 cube 114 00:04:10,520 --> 00:04:13,669 and then they grab the yellow cube and then they grab a blue 6 115 00:04:14,080 --> 00:04:16,399 and then they grab two white singles 116 00:04:16,640 --> 00:04:19,510 and that and that's the nature of the play 117 00:04:19,760 --> 00:04:21,738 and if that's for 30 or so seconds, 118 00:04:22,000 --> 00:04:22,769 I think we, 119 00:04:22,859 --> 00:04:24,079 we feel pretty comfortable with that, 120 00:04:24,119 --> 00:04:25,670 but when it's 30 minutes, 121 00:04:26,239 --> 00:04:27,309 things change a little bit. 122 00:04:28,339 --> 00:04:29,869 So we're going, 123 00:04:29,980 --> 00:04:30,130 oh, 124 00:04:30,149 --> 00:04:31,220 you picked that one up. 125 00:04:32,209 --> 00:04:33,359 Now you grabbed that one. 126 00:04:34,209 --> 00:04:35,540 You put that one on there. 127 00:04:36,320 --> 00:04:36,660 Oh, 128 00:04:36,670 --> 00:04:37,899 you added that one. 129 00:04:38,510 --> 00:04:38,709 All right, 130 00:04:38,790 --> 00:04:38,950 well, 131 00:04:39,029 --> 00:04:44,179 there's only so many variations of you put that there or you picked that up 132 00:04:44,309 --> 00:04:44,619 that 133 00:04:44,829 --> 00:04:46,899 that one can come up with for 30 minutes, 134 00:04:47,309 --> 00:04:49,600 and this is where it becomes difficult 135 00:04:50,149 --> 00:04:54,040 because you need something else because at some point the kid's gonna be like, 136 00:04:54,109 --> 00:04:54,980 will you stop? 137 00:04:55,660 --> 00:04:57,619 Or at least they think it because if they, 138 00:04:57,720 --> 00:04:58,649 if they're not talking to you, 139 00:04:58,660 --> 00:05:00,070 they may not actually verbalize it. 140 00:05:00,380 --> 00:05:01,420 But you're saying, 141 00:05:01,500 --> 00:05:01,929 oh my gosh, 142 00:05:01,980 --> 00:05:02,769 I wish I could stop. 143 00:05:02,820 --> 00:05:03,339 The kid's saying, 144 00:05:03,380 --> 00:05:03,779 oh my gosh, 145 00:05:03,820 --> 00:05:04,850 will you please stop? 146 00:05:05,440 --> 00:05:07,970 And then you're kind of at this impasse because it's like, 147 00:05:07,980 --> 00:05:08,059 well, 148 00:05:08,179 --> 00:05:09,130 you're not saying anything, 149 00:05:09,179 --> 00:05:10,489 I can't reflect content. 150 00:05:10,820 --> 00:05:11,570 You're not 151 00:05:11,700 --> 00:05:13,220 expressing emotion overtly, 152 00:05:13,320 --> 00:05:14,809 so I can't reflect feelings. 153 00:05:15,179 --> 00:05:16,410 I have to track behavior, 154 00:05:16,500 --> 00:05:17,609 that's all that's left. 155 00:05:17,940 --> 00:05:20,450 But that becomes very monotonous very quickly. 156 00:05:21,130 --> 00:05:23,049 So the narrative commentary approach 157 00:05:23,339 --> 00:05:26,089 is that you can discuss what you're observing, 158 00:05:26,579 --> 00:05:28,089 but it's bigger picture. 159 00:05:29,140 --> 00:05:29,799 In other words, 160 00:05:30,829 --> 00:05:31,839 It's not just 161 00:05:32,109 --> 00:05:34,390 you're picking that individual piece up. 162 00:05:35,619 --> 00:05:37,559 What is going on bigger picture? 163 00:05:38,179 --> 00:05:39,670 The child's creating something. 164 00:05:40,809 --> 00:05:43,279 The child is working on a project. 165 00:05:44,200 --> 00:05:46,579 The child is using strategy, 166 00:05:46,750 --> 00:05:48,899 the child is using problem solving. 167 00:05:49,269 --> 00:05:52,190 We can see that there are other things going on 168 00:05:52,190 --> 00:05:55,220 than just the individual behavior at any given moment, 169 00:05:55,709 --> 00:05:59,619 so the narrative commentary serves the purpose of kind of giving 170 00:06:00,510 --> 00:06:01,670 observation. 171 00:06:02,839 --> 00:06:03,350 Of 172 00:06:03,519 --> 00:06:05,750 what's going on at a higher level. 173 00:06:06,600 --> 00:06:09,640 It feels more conversational #1, 174 00:06:10,200 --> 00:06:10,809 2, 175 00:06:11,119 --> 00:06:13,670 it gives you a variety instead of 176 00:06:13,959 --> 00:06:15,320 just saying the same thing over and over. 177 00:06:15,399 --> 00:06:16,619 This is especially true 178 00:06:17,440 --> 00:06:19,320 when a child is painting or coloring. 179 00:06:20,589 --> 00:06:22,470 So we're not supposed to label the colors. 180 00:06:22,640 --> 00:06:26,200 We're not supposed to identify anything that the child hasn't. 181 00:06:26,559 --> 00:06:28,600 So they're quietly sitting there coloring and you say, 182 00:06:28,769 --> 00:06:28,950 oh, 183 00:06:28,980 --> 00:06:30,309 you picked that one up now. 184 00:06:31,549 --> 00:06:32,769 You colored that part 185 00:06:33,720 --> 00:06:35,000 You put that one down. 186 00:06:35,649 --> 00:06:35,829 Oh, 187 00:06:35,850 --> 00:06:36,970 you chose a new color. 188 00:06:38,299 --> 00:06:40,070 You colored that one right there. 189 00:06:40,630 --> 00:06:41,119 Oh my gosh, 190 00:06:41,200 --> 00:06:42,750 I mean you can do it, 191 00:06:42,850 --> 00:06:43,269 but 192 00:06:43,480 --> 00:06:43,720 gosh, 193 00:06:43,799 --> 00:06:45,989 you'd like a little bit more of an option. 194 00:06:46,559 --> 00:06:49,750 So typically when you provide narrative commentary, 195 00:06:50,160 --> 00:06:51,190 you're giving 196 00:06:51,679 --> 00:06:54,989 observational thoughts from your perspective 197 00:06:55,480 --> 00:06:56,470 of what's happening. 198 00:06:56,760 --> 00:06:58,549 So let me give you a couple of examples. 199 00:06:59,000 --> 00:07:00,140 So instead of saying 200 00:07:00,519 --> 00:07:01,760 you picked that up. 201 00:07:03,260 --> 00:07:06,000 Child goes over and starts grabbing 202 00:07:06,220 --> 00:07:07,410 all the army stuff. 203 00:07:07,940 --> 00:07:09,209 They are the most soft, 204 00:07:09,420 --> 00:07:09,700 sweet, 205 00:07:09,809 --> 00:07:10,570 gentle, 206 00:07:11,220 --> 00:07:12,179 soft spoken. 207 00:07:13,959 --> 00:07:14,609 Just 208 00:07:14,959 --> 00:07:15,320 really, 209 00:07:15,369 --> 00:07:16,670 really even, 210 00:07:16,839 --> 00:07:17,869 gentle. 211 00:07:18,779 --> 00:07:19,529 Interaction 212 00:07:20,209 --> 00:07:22,700 So that for them might be like, 213 00:07:23,190 --> 00:07:25,779 you're gathering all the supplies that you need. 214 00:07:27,000 --> 00:07:28,179 That's their personality. 215 00:07:29,320 --> 00:07:30,839 I am much more emphatic. 216 00:07:30,929 --> 00:07:33,690 You should see me gesture while I record episodes. 217 00:07:34,089 --> 00:07:35,359 One of these days I'm gonna do a video, 218 00:07:35,410 --> 00:07:37,809 but you have no idea all the body movement 219 00:07:37,809 --> 00:07:40,089 is taking place when I record podcasts for y'all. 220 00:07:40,890 --> 00:07:41,119 Why? 221 00:07:41,350 --> 00:07:45,890 Because I'm a gesturer and I move and I'm expressive and my voice changes. 222 00:07:46,010 --> 00:07:47,119 That's my personality. 223 00:07:47,450 --> 00:07:49,250 So if I'm going to say that, 224 00:07:49,359 --> 00:07:49,880 it's, 225 00:07:50,410 --> 00:07:50,679 oh, 226 00:07:50,769 --> 00:07:51,970 you're gathering supplies, 227 00:07:52,049 --> 00:07:54,019 so you have everything you need. 228 00:07:54,799 --> 00:07:56,489 That's my personality coming out. 229 00:07:57,179 --> 00:07:59,380 It gives us more interaction. 230 00:07:59,459 --> 00:08:01,170 It gives us more options, 231 00:08:01,260 --> 00:08:03,529 so we're not just stuck with this one thing. 232 00:08:03,720 --> 00:08:06,130 And I was on a coaching call several weeks ago now, 233 00:08:06,859 --> 00:08:08,980 and one of my coaching participants, 234 00:08:09,100 --> 00:08:09,459 Sharon, 235 00:08:09,980 --> 00:08:10,730 in Egypt, 236 00:08:10,980 --> 00:08:12,329 she's an expat from the UK, 237 00:08:12,339 --> 00:08:13,809 but she's in Egypt, 238 00:08:14,220 --> 00:08:15,179 and she 239 00:08:15,459 --> 00:08:17,369 was really struggling to 240 00:08:18,130 --> 00:08:20,519 Engage verbally often enough, 241 00:08:21,049 --> 00:08:21,529 so she said, 242 00:08:21,600 --> 00:08:22,040 I'm just, 243 00:08:22,130 --> 00:08:25,250 I'm one that's going to wait longer like you said 5 or 6 seconds. 244 00:08:25,290 --> 00:08:26,640 That just seems crazy to me. 245 00:08:26,970 --> 00:08:31,040 So she was trying to increase the frequency of her comments, 246 00:08:31,489 --> 00:08:32,280 and she said, 247 00:08:32,330 --> 00:08:35,690 I finally decided that I needed to assume that the 248 00:08:35,690 --> 00:08:37,808 teddy bear in the corner of the room was blind. 249 00:08:39,090 --> 00:08:41,558 And everything that I say 250 00:08:41,890 --> 00:08:45,799 has to allow the blind teddy bear to have a sense of what's going on in the room. 251 00:08:47,289 --> 00:08:50,520 And that's exactly what narrative commentary kind of does. 252 00:08:50,979 --> 00:08:51,669 Because think about it, 253 00:08:51,700 --> 00:08:51,979 if, 254 00:08:52,059 --> 00:08:53,609 if there's someone who is blind 255 00:08:53,820 --> 00:08:54,549 in the room 256 00:08:55,099 --> 00:08:55,979 and you say, 257 00:08:56,260 --> 00:08:57,210 you put that there. 258 00:08:58,789 --> 00:09:01,219 It's real hard to have any idea of what's going on. 259 00:09:01,979 --> 00:09:03,309 But if you say 260 00:09:03,719 --> 00:09:05,280 you're gathering all the supplies, 261 00:09:05,359 --> 00:09:07,030 so you have everything you need, 262 00:09:07,559 --> 00:09:10,080 now there's so much more understanding of what's going on. 263 00:09:10,159 --> 00:09:12,070 We might not know what supplies, 264 00:09:12,440 --> 00:09:15,590 but we know that something along those lines is taking place. 265 00:09:15,919 --> 00:09:18,669 So the concept of the blind teddy bear might actually help you. 266 00:09:18,719 --> 00:09:19,070 Thank you, 267 00:09:19,080 --> 00:09:19,630 Sharon, 268 00:09:20,500 --> 00:09:22,349 because really what we're doing 269 00:09:22,679 --> 00:09:27,229 is we're kind of just providing this observational dialogue 270 00:09:27,770 --> 00:09:28,909 about what we notice. 271 00:09:29,599 --> 00:09:31,859 And it really does change things 272 00:09:32,239 --> 00:09:33,909 because kids don't get annoyed. 273 00:09:34,150 --> 00:09:37,429 We don't feel like we're just monotonously rotely 274 00:09:37,429 --> 00:09:38,869 saying the same thing over and over again. 275 00:09:39,559 --> 00:09:42,940 And it's special to see how the relationship 276 00:09:43,229 --> 00:09:44,619 is really at the heart of it, 277 00:09:44,919 --> 00:09:47,739 because the child's personality influences the session, 278 00:09:47,950 --> 00:09:49,940 our personality influences the session, 279 00:09:50,150 --> 00:09:53,059 and narrative commentary allows those two things to converge. 280 00:09:53,309 --> 00:09:53,950 And speaking of, 281 00:09:54,030 --> 00:09:54,979 I was watching 282 00:09:55,349 --> 00:09:56,349 a different 283 00:09:56,669 --> 00:09:59,900 coaching groups play session this week, 284 00:10:00,229 --> 00:10:01,039 and 285 00:10:01,349 --> 00:10:03,000 Nathan was 286 00:10:03,280 --> 00:10:04,900 It was his turn to submit the video. 287 00:10:05,229 --> 00:10:06,440 And at one point in the session, 288 00:10:06,549 --> 00:10:07,400 he says, 289 00:10:07,869 --> 00:10:11,150 you're brandishing the sword with ferocity. 290 00:10:11,929 --> 00:10:14,320 And we paused and we talked about that phrase, 291 00:10:14,570 --> 00:10:16,039 the kid's like newly 5. 292 00:10:16,770 --> 00:10:17,289 And he said, 293 00:10:17,359 --> 00:10:19,549 you're brandishing the sword with ferocity. 294 00:10:19,679 --> 00:10:21,840 And I told him that he was born in the wrong era and 295 00:10:21,840 --> 00:10:24,640 he really was meant to live in a castle a long time ago. 296 00:10:25,440 --> 00:10:25,869 But 297 00:10:26,080 --> 00:10:27,890 that is truly Nathan. 298 00:10:28,320 --> 00:10:29,599 It is his personality, 299 00:10:29,679 --> 00:10:30,919 it is the way that he talks, 300 00:10:30,979 --> 00:10:32,390 it's the way that he thinks. 301 00:10:32,880 --> 00:10:35,150 I told him he deserves to be like the king's hand, 302 00:10:35,280 --> 00:10:35,440 that, 303 00:10:35,479 --> 00:10:37,750 that's the ideal role for him in my opinion. 304 00:10:38,880 --> 00:10:41,599 But you're brandishing the sword with ferocity. 305 00:10:42,390 --> 00:10:43,340 That is 306 00:10:43,549 --> 00:10:44,979 narrative commentary 307 00:10:45,349 --> 00:10:46,020 and it's 308 00:10:46,309 --> 00:10:49,739 personal and it's relational and it's observational 309 00:10:50,469 --> 00:10:54,940 and it makes the session feel more genuine it makes the session feel more real 310 00:10:55,429 --> 00:10:56,739 when kids complain 311 00:10:57,140 --> 00:11:01,419 about our reflective responses it's because they feel contrived to them. 312 00:11:02,289 --> 00:11:03,260 And let's go back. 313 00:11:03,309 --> 00:11:04,219 We know 314 00:11:04,510 --> 00:11:07,909 that it is not the words that we use and it is not the skills. 315 00:11:09,309 --> 00:11:10,539 You could have 316 00:11:10,869 --> 00:11:12,619 the skills in a playroom, 317 00:11:13,270 --> 00:11:14,580 and that is not enough. 318 00:11:14,869 --> 00:11:16,559 It is about relationship 319 00:11:16,789 --> 00:11:17,820 and it is about 320 00:11:18,309 --> 00:11:20,090 the connection that's made. 321 00:11:21,489 --> 00:11:24,239 So just because you rotely say, 322 00:11:24,530 --> 00:11:25,530 you picked that up. 323 00:11:26,760 --> 00:11:29,010 That is not at the heart of CCPT. 324 00:11:29,809 --> 00:11:34,880 The heart of CCPT is I'm trying to operationalize what's going on for the child. 325 00:11:34,919 --> 00:11:37,599 I'm trying to see this through the child's eyes. 326 00:11:38,770 --> 00:11:39,159 So 327 00:11:39,330 --> 00:11:41,929 if it makes sense for you to say 328 00:11:41,929 --> 00:11:45,010 you're brandishing the sword with ferocity because that's 329 00:11:45,010 --> 00:11:46,849 your personality and that's what's going on with 330 00:11:46,849 --> 00:11:48,559 the kid and that's your way of connecting, 331 00:11:49,210 --> 00:11:51,119 that's what narrative commentary does. 332 00:11:51,369 --> 00:11:52,679 It adds some flavor. 333 00:11:52,809 --> 00:11:54,400 It does not derail the session. 334 00:11:54,530 --> 00:11:55,690 You don't get to go rogue, 335 00:11:55,890 --> 00:11:58,010 you don't get to talk about whatever you want to talk about. 336 00:11:58,049 --> 00:11:58,900 You don't get to 337 00:11:59,090 --> 00:12:02,270 narrate and give commentary on the weather or 338 00:12:02,270 --> 00:12:05,059 school or anything else outside of the session. 339 00:12:05,090 --> 00:12:06,520 That is not what it is for. 340 00:12:07,630 --> 00:12:10,559 But if you are on target and you are saying something that 341 00:12:10,559 --> 00:12:14,349 is 100% attuned and engaged with what that child is doing. 342 00:12:14,989 --> 00:12:18,369 It gives you an alternative to the simple tracking behavior. 343 00:12:19,799 --> 00:12:22,359 So I hope that that is something that you can 344 00:12:22,359 --> 00:12:25,750 either challenge yourself to work on or you can tweak and 345 00:12:26,000 --> 00:12:27,960 make a little bit of adjustments if you have been 346 00:12:27,960 --> 00:12:30,710 doing it and maybe you notice there's something you can change 347 00:12:30,960 --> 00:12:33,150 or maybe you're really on track with, 348 00:12:33,349 --> 00:12:34,619 with your narrative commentary, 349 00:12:34,760 --> 00:12:36,390 that's really the goal. 350 00:12:36,640 --> 00:12:39,559 It's to a point where our skills are so ingrained. 351 00:12:39,989 --> 00:12:41,710 And it's such muscle memory 352 00:12:42,020 --> 00:12:43,340 that it feels more fluid, 353 00:12:43,539 --> 00:12:44,700 it feels more free, 354 00:12:44,780 --> 00:12:46,409 it feels more conversational. 355 00:12:46,739 --> 00:12:50,020 A session is not meant to seem robotic and 356 00:12:50,340 --> 00:12:52,219 and just skill to skill to skill. 357 00:12:53,140 --> 00:12:54,409 That's very cognitive 358 00:12:54,539 --> 00:12:55,570 and kids are not. 359 00:12:56,309 --> 00:12:58,719 It needs to be emotional and experiential, 360 00:12:58,770 --> 00:13:00,460 and narrative commentary will help with that. 361 00:13:01,140 --> 00:13:03,039 So I hope that that encourages y'all. 362 00:13:03,289 --> 00:13:06,210 I love you if you are interested in a coaching program. 363 00:13:06,270 --> 00:13:07,799 I do have one starting in November, 364 00:13:07,890 --> 00:13:08,729 November 3rd, 365 00:13:09,169 --> 00:13:11,320 and you can click in the show notes for 366 00:13:11,320 --> 00:13:14,270 to book a discovery call or go to playtherapypro.com. 367 00:13:14,770 --> 00:13:16,409 And we have a few spots left in that group 368 00:13:16,409 --> 00:13:20,010 if you want to get some really in-depth CCPT training, 369 00:13:20,330 --> 00:13:21,010 check that out. 370 00:13:21,289 --> 00:13:21,650 Love you all. 371 00:13:21,750 --> 00:13:22,289 Have a great week. 372 00:13:22,330 --> 00:13:23,190 We'll talk again soon. 373 00:13:23,409 --> 00:13:23,609 Bye. 374 00:13:24,780 --> 00:13:27,539 Thank you for listening to the Play Therapy Podcast with Dr. 375 00:13:27,700 --> 00:13:28,659 Brenna Hicks. 376 00:13:28,780 --> 00:13:30,809 For more episodes and resources, 377 00:13:30,900 --> 00:13:35,619 please go to www.playtherapypodcast.com.