Top 5 Songs of 1980
In this brand-new episode, Jason and Dee fire up the time machine and head back to 1980—a year that bridged the gap between the disco era and the dawn of MTV. But this isn’t just a countdown. Instead of simply naming their favorite tracks, Jason and Dee drop stories, trivia, and clever clues that slowly lead to each song’s big reveal. Can you guess the title before they do?From arena rock anthems to soulful ballads and genre-defining pop hits, the guys break down not just the songs themselves, but their impact on the culture of 1980—the year before music videos would change everything. They also share two honorable mentions each, celebrating the tracks that almost made the cut but still left a lasting mark.Packed with nostalgia, surprises, and a whole lot of laughs, this episode is a must-listen for anyone who remembers cranking up the radio in 1980—or just loves great music history. 🎶👉 Grab your Walkman and feather your hair—it’s time to relive the soundtrack of 1980 with Jason and Dee on the Surely You Can’t Be Serious Podcast!
2025-09-09
59 min
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<v Speaker 1>This is Chuck and Matt with a cinematic flashback podcast <v Speaker 1>where we cover all seventies movies all the time. <v Speaker 2>And the weather on the tens. <v Speaker 1>Hey, Matt, do you know what another brick in the wall, <v Speaker 1>crazy little thing called love and rock with you all <v Speaker 1>have in common? <v Speaker 2>Oh? Yeah, I remember those? <v Speaker 1>They were written by that band you know. <v Speaker 2>I don't know you were so close. <v Speaker 1>But actually these are all songs that were released in <v Speaker 1>the seventies but charted in the eighties. <v Speaker 2>Surely you can't be serious? <v Speaker 1>I am. And you know who else is Jason and <v Speaker 1>d and they're about to give you their top five <v Speaker 1>songs of nineteen eighty. You're listening to the Surely you <v Speaker 1>Can't Be Serious podcast? <v Speaker 3>Okay, ready, ready, ready, Freddy Oh Freddy. <v Speaker 2>Yeah, Okay. Open letter to the Shirley fans out there. <v Speaker 2>Babe Nice, You're my shining star. You might be sailing <v Speaker 2>right now, but probably most of you are in your <v Speaker 2>cars cruising Nice, but you're listening to us on the radio. <v Speaker 2>So escape maybe with the Pina Colada. Yes, with us, <v Speaker 2>as we steal away, we ride like the wind, back <v Speaker 2>to the pop music of nineteen eighty. Nineteen eighty. What <v Speaker 2>can I say about nineteen eighty I wish I didn't <v Speaker 2>know now what I didn't know then? Nice? Nice, Welcome <v Speaker 2>back to thank you, Welcome back to the Shirley Podcast. Everybody, <v Speaker 2>good job you. Yeah, well thanks. I was waiting while <v Speaker 2>you updated your list. Jason comes in Sweaty from the Road, <v Speaker 2>and it's like, I heard a song the day that <v Speaker 2>has to be on the list. So I so researching. <v Speaker 2>He's doing researching, and I'm writing you all a love letter. <v Speaker 2>So we are here today to do the top five <v Speaker 2>songs of nineteen eighty. Now, there were some great songs <v Speaker 2>in nineteen eighty and most of them were on Back <v Speaker 2>in Black, That's right, which we've covered already, and so <v Speaker 2>none of those Back in Black songs will be on <v Speaker 2>our list now without Back in Black. Now it's a <v Speaker 2>little more sparse than some of the years that we've <v Speaker 2>covered one. Yeah, like nineteen eighty was a transitional year <v Speaker 2>in music, and I don't think everybody really knew what <v Speaker 2>they wanted to be listening to. <v Speaker 4>It was a year between classic rock and MTV YEP, <v Speaker 4>when like pop country was trying to dominate. <v Speaker 2>Yeah, maybe little yacht rock punk rock was a rage <v Speaker 2>around some folks. But it certainly wasn't pop music talk about. <v Speaker 4>Yeah, so there was some important pop culture moments from <v Speaker 4>nineteen eighty. I wanted to kind of set the stage <v Speaker 4>real quick. <v Speaker 2>I feel like we're going back to our original format, <v Speaker 2>like we used to do this every year. We used <v Speaker 2>to do this. Yeah, tell me what was going on <v Speaker 2>in nineteen. <v Speaker 4>So, like you said, I don't think the music was <v Speaker 4>particularly strong. In fact, I would say it's pretty weak <v Speaker 4>in nineteen eighty, but I think we did find some <v Speaker 4>good songs from nineteen eighty. <v Speaker 2>Yeah, pop culture moments. Yeah. <v Speaker 4>Darth Vader looked at Luke Skywalker and told him, look, <v Speaker 4>we would never told you what happened. <v Speaker 2>To your father. It is the truth. No spoilers, right, <v Speaker 2>no spoilers for the forty five year old. <v Speaker 4>I mean it's forty five years old. Yeah. Jack Nicholson <v Speaker 4>whacked a door with an axe and said, here's Johnny. <v Speaker 2>Yeah, right, that's a good one. I do have. <v Speaker 4>Back in Black came out, maybe maybe the best selling <v Speaker 4>album of all time, one of those in the conversation, <v Speaker 4>you know, John Lennon was and killed tragic. <v Speaker 2>Okay, December of that year, right, Yeah. <v Speaker 4>Pac Man, Rubik's Cube and post it notes came out <v Speaker 4>in nineteen eighty. Wow, the Miracle on Ice happened in <v Speaker 4>nineteen eighty great. <v Speaker 2>I love the movie too. <v Speaker 4>Yes, very good. And then Mount Saint Helens blew its <v Speaker 4>top in nineteen eighty. <v Speaker 2>That was. That was a big eruption. It was. <v Speaker 4>It was some important moments in nineteen eighty. <v Speaker 2>Now. I don't think we did a good. <v Speaker 4>Job of explaining this in our Best of seventy five, <v Speaker 4>which we dropped a few weeks ago. <v Speaker 2>Okay, you mean like how our format and what we <v Speaker 2>do and how we're doing this. Okay. <v Speaker 4>Yeah, So if we've covered a song I e. Back <v Speaker 4>in Black, we've already gone track by track through that album. Yep, <v Speaker 4>all of those songs are ineligible. <v Speaker 2>Yes. <v Speaker 4>Also, if we've covered a song on. <v Speaker 2>Patreon Patreon, I'm gonna have to go get a Patreon <v Speaker 2>membership to hear those songs. <v Speaker 4>That's right. So I just did a song with Brad. <v Speaker 2>Moore nineteen eighty that. <v Speaker 4>I don't really want to tell you what it was. <v Speaker 2>Nope, but it won't make. <v Speaker 4>Our list because it's ineligible. <v Speaker 2>Sure, all the songs that we're going to cover this <v Speaker 2>later on this season are off the table as well. <v Speaker 2>Which includes Christopher Cross. Christopher Cross, I've was huge in <v Speaker 2>nineteen eighty. <v Speaker 4>He is on the floor. Officially I dropped him. <v Speaker 2>So no Christopher Cross, and he may have made a <v Speaker 2>loud sound when he. <v Speaker 4>Okay, so we've covered the song. We've covered the album ineligible. <v Speaker 2>Right now, and then the rest of this. If this <v Speaker 2>is your first time joining us for a Top five episode, <v Speaker 2>we don't tell you what the song is until we've <v Speaker 2>teased it up. Basically, I will describe things about each <v Speaker 2>of my songs and Jason has to try to figure <v Speaker 2>out which song it is, and you see if you <v Speaker 2>can try to figure it out before he figures it out, <v Speaker 2>and then the same thing in reverse, right, and then <v Speaker 2>what we'll do is we'll give you our top four songs. <v Speaker 2>We'll give you two honorable and mentions. I have a <v Speaker 2>new discovery that I'm gonna mention just briefly. I don't <v Speaker 2>know if Jason has a new discovery or not. But <v Speaker 2>after that, we'll give you our number one choice, and <v Speaker 2>you guys can decide did Jason get it right? Did <v Speaker 2>I get it right? And all of these episodes, we've <v Speaker 2>only arrived on the same number one song one time, <v Speaker 2>and that was a year full of good music. That's right, Yeah, <v Speaker 2>that's right. All right, you ready, I'm ready. Let's okay, <v Speaker 2>here we go, Jason's number five. <v Speaker 4>Five all right, so for my number five. This song <v Speaker 4>was released in May of nineteen eighty. It hit number <v Speaker 4>one in August of nineteen eighty. Now, my wife and <v Speaker 4>I have kind of a semi informal list of movies <v Speaker 4>with songs where the songs are better than the movie. Okay, <v Speaker 4>I would say this happens in this instance. So this <v Speaker 4>song is better than the movie that it had been <v Speaker 4>released for. Okay, okay, now, then this was number one <v Speaker 4>for four weeks. It actually knocked out Christopher Cross's Sailing <v Speaker 4>out of the number one spot. Billboard ranked this as <v Speaker 4>the number three most popular song of nineteen eighty. Shortly <v Speaker 4>before his death in nineteen eighty, John Lennon told Newsweek <v Speaker 4>that he enjoyed this song. <v Speaker 2>Okay. <v Speaker 4>Now, then, this was written and produced by a guy <v Speaker 4>we've talked about. His name is John Ferrar. It makes <v Speaker 4>me think of Steve Martin's character the Man with two Brains. Yeah, okay, <v Speaker 4>so do you remember when we talked about him? <v Speaker 2>No, all right, So. <v Speaker 4>This dude named John Ferrar wrote, hopelessly devoted to you, <v Speaker 4>and you're the one that I want from from Greece. <v Speaker 4>That's right. <v Speaker 2>Yeah. <v Speaker 4>So John Ferrar wrote those two major hit songs that <v Speaker 4>we covered in detail on our Grease soundtrack crack by track. Okay, <v Speaker 4>what do you think I'm giving it to you on <v Speaker 4>a platter right here? <v Speaker 2>Okay. So those songs were both sung by Olivia Newton <v Speaker 2>Shawn Yes. And so this song must be magic, Yes, <v Speaker 2>all right, you have away. <v Speaker 4>So this song Magic comes from the movie Xanadude. Right, <v Speaker 4>it is a it's a cult classic. I realized probably <v Speaker 4>the Melissa Mingles of the world are out there, like <v Speaker 4>that movie is awesome. Jason, what are you talking about? <v Speaker 4>That movie sucks. <v Speaker 2>Yeah, I'm gonna have to agree with Jason. <v Speaker 4>Sorry, it's it's ridiculous. It's a roller skating Olivia Newton <v Speaker 4>John movie. But this song was great. It did hit <v Speaker 4>number one. I will say it's the only number one <v Speaker 4>song to have the word magic in the title. <v Speaker 2>Oh okay, interesting, which is. <v Speaker 4>Crazy because we talked about magic about the cars. I <v Speaker 4>think that hit number four. And a song called Magic <v Speaker 4>stick by fifty cent hit number two. Okay, and Puff <v Speaker 4>the Magic Dragon hit number two. Wow, do you want <v Speaker 4>to hear the top five for August second, nineteen eighty <v Speaker 4>real quick? <v Speaker 2>No, because I think if you do that, you're going <v Speaker 2>to give away some of my songs. Okay, normally the <v Speaker 2>answer is yes, right, but I literally I even put <v Speaker 2>together a list, and I'm like, I can't do this. <v Speaker 2>Some of these songs maybe Jason songs. So I couldn't. <v Speaker 2>I can't say it. Good point, all right, all right? <v Speaker 4>To your number five? <v Speaker 2>Yep? Okay, now this my number five is also from <v Speaker 2>a movie. The actor who played the lead in this <v Speaker 2>movie before this movie had been in one episode of <v Speaker 2>The Rockford Files, which was you go back to our <v Speaker 2>top TV theme songs? That was Jason one of Jason's <v Speaker 2>top picks. <v Speaker 4>Right, I love the Rockford Files. James Garner yep, Norman Native. <v Speaker 2>He was not the lead, but he was an actor <v Speaker 2>in The Electric Horseman, which was Robert Redford movie. Jane Fonda. <v Speaker 4>Yeah. <v Speaker 2>Yeah. Then in this movie he had a starring role <v Speaker 2>as Buck Bonham. Okay, okay, Now, when I was looking <v Speaker 2>at this, it turns out that there is a possibility <v Speaker 2>that he's going to reprise this role because there is <v Speaker 2>a movie in pre production and called My Cricket and <v Speaker 2>Me And it's basically forty five years later after his <v Speaker 2>role in this nineteen eighty movie. It's it's set to <v Speaker 2>star Paul Williams, who we've talked about multiple times smoking band. Yeah, yeah, <v Speaker 2>because he's thirsty dummy. Yes, Little Enis, who also wrote <v Speaker 2>Rainbow Connection, is going to be in it, and he <v Speaker 2>was in the original as well. With this guy is <v Speaker 2>so ugly so in this nineteen eighty movie that I <v Speaker 2>would be surprised if you've heard of or any of <v Speaker 2>our listeners have heard of. <v Speaker 3>Wow. <v Speaker 2>Okay, we had Diane Cannon and Amy Irving and Slim Pickens, <v Speaker 2>the first two of which were in their hottest moments. <v Speaker 2>Slim always looks good, you. <v Speaker 4>Know, stud always. <v Speaker 2>So. The director of this movie is a guy named <v Speaker 2>Jerry Schetzburg. Schatsburg, that's right, I said, Schatzburg. <v Speaker 4>That's an unfortunate name. <v Speaker 2>Now, he had been a grand prize Winter at the <v Speaker 2>con Film Festival early seventies. Ok he's now directing this movie, <v Speaker 2>which didn't do badly. I mean, it's okay, I just <v Speaker 2>I had never heard of it before, right as a <v Speaker 2>song from this movie. Okay, So he calls the star <v Speaker 2>and says, why don't you write a song for this movie. Now, <v Speaker 2>the star of the movie did have a career in <v Speaker 2>music before he was in this movie, little tiny career <v Speaker 2>in music for this and he's on an airplane and <v Speaker 2>he writes this entire song on the back of a barfbag. <v Speaker 2>Now in the movie, he's portraying a musician who's traveling <v Speaker 2>around and he has adventures, and this song ends up <v Speaker 2>being quite a bit more famous than the movie. It <v Speaker 2>peaks at number twenty on November eighth, nineteen eighty, which <v Speaker 2>was a shock to me since it came out, And <v Speaker 2>I mean it was everywhere in nineteen eighty, but country <v Speaker 2>hadn't quite hit the top one hundred as much yet. <v Speaker 2>But it's been in South Park, It's been used in Shrek, <v Speaker 2>It's been used in Shameless, and Family Guy and Forrest Gump. <v Speaker 2>The star of this movie was not much of an actor, <v Speaker 2>even though since it all included, he's had one hundred <v Speaker 2>and forty three film and TV appearances. But you will <v Speaker 2>probably best know him from his habitual beard and braided pigtails. <v Speaker 2>Mister Willie Nelson, and this song is called on the <v Speaker 2>Road Again. Got it Yes on the road again. Just <v Speaker 2>gave to get on the road again. <v Speaker 5>My my love is making music with my friend. <v Speaker 2>Gave way to a road again. <v Speaker 4>I had no idea this is from a movie. <v Speaker 2>What's the movie? The movie is called Honeysuckle Rose Rose. <v Speaker 4>Okay, I've never seen that movie. <v Speaker 2>Yep. <v Speaker 4>But as a kid, I studied the HBO guide Okay, <v Speaker 4>and so even movies I didn't watch or didn't care about, <v Speaker 4>I would just like read the HBO Guide, so I <v Speaker 4>recognize the title on they Suckle Rose. <v Speaker 2>There you go on the road again. It's fantastic. I <v Speaker 2>had no idea it was from a movie either. But <v Speaker 2>and I would like to shout out to Arlen Bullard. <v Speaker 2>He was the one who mentioned that that song was <v Speaker 2>nineteen eighty. It had flown under the radar for me. <v Speaker 2>But when I heard that, I was like, oh crap, <v Speaker 2>that's I mean, that's got to be on the list. <v Speaker 2>Did that hit? Where was that on the charts? Number <v Speaker 2>twenty November eighth, nineteen eighty. <v Speaker 4>Wow, only hit number twenty at a time when country <v Speaker 4>music could have hit number one. Really, yeah, fantastic, that's <v Speaker 4>a good one that flew under my radar as well. <v Speaker 2>All right, we're under your number four, all. <v Speaker 4>Right, my number four. <v Speaker 3>Four. <v Speaker 4>Let's pull up to the sailboat with our doctor shoes on. <v Speaker 2>Okay, okay. <v Speaker 4>This was released March nineteenth, nineteen eighty. This hit number <v Speaker 4>three on the Hot one hundred. It was nominated for <v Speaker 4>a Grammy for Best Pop. <v Speaker 2>Vocal by a Group of duo. Okay. <v Speaker 4>The creation of this song cracks me up because I <v Speaker 4>know you've done stuff like this. I've done stuff like this. <v Speaker 2>Okay. <v Speaker 4>So you know how you get ready to go on <v Speaker 4>a trip or you've got something planned, and you're waiting <v Speaker 4>on your family right right, and you're in the garage <v Speaker 4>and you're packed. You're like, where the crap is, everybody, <v Speaker 4>Let's get this show on the road, right right. So <v Speaker 4>he's waiting on his family to get in the car <v Speaker 4>to go to a Fourth of July event. Okay, all right, <v Speaker 4>So they're taking too long, and then so he's sitting there, <v Speaker 4>He's like, oh, yeah, I've got some equipment down in <v Speaker 4>my studio. I need to go turn that off and <v Speaker 4>make sure that's all sealed up. And I didn't forget anything. <v Speaker 4>And so he goes down there and he's like, I'll <v Speaker 4>sit at the piano for a few minutes, just see <v Speaker 4>what happens. And it's like one note leads to another note, <v Speaker 4>which leads to another note, and he comes up with <v Speaker 4>the bones in about ten minutes. Okay, okay, keep in mind, <v Speaker 4>this is a number three hit, all right, all right, this. <v Speaker 2>Could be I'm not saying it is, but it could <v Speaker 2>be the only. <v Speaker 4>Song to rhyme the words horizon, horizon and realizing in <v Speaker 4>the same song. Now, the singer of this thought that <v Speaker 4>might be too hoke, he might be too Hallmark kardish, <v Speaker 4>all right, And so he calls his buddy Michael McDonald, <v Speaker 4>uh huh, and he says, what do you think. Michael <v Speaker 4>McDonald listened and said, nope, that song is great. <v Speaker 2>You need to go with that. <v Speaker 4>And so he did, and and yours no, okay, keep going, <v Speaker 4>all right. The name of the group, if you paid <v Speaker 4>me one thousand dollars, I could not tell you one <v Speaker 4>other song by this group. Now I don't mean they <v Speaker 4>didn't have other hits that just. <v Speaker 2>Before my time. Okay. The name of the group is Ambrosia. Okay. <v Speaker 2>I recognize the name of the group, okay. And I <v Speaker 2>remember seeing them in passing as I was going through <v Speaker 2>the songs of nineteen eighty, but I do not recall <v Speaker 2>the name of the song. <v Speaker 4>You have already mentioned the name of the song in <v Speaker 4>our intro. Okay, part of the hooky chorus is a <v Speaker 4>real high falsetto where a guy says, make a wish, babe, <v Speaker 4>there there you go. <v Speaker 5>Faver, well, that'll make a color make well the thanks, <v Speaker 5>I'll let the ring down on you so we could <v Speaker 5>dot you. <v Speaker 2>So that's based on here's big spart of me. There <v Speaker 2>you go. I just had to hear that. I had <v Speaker 2>to hear those beautiful melodic chords keys, I mean you <v Speaker 2>love it. I love it. This is a making out <v Speaker 2>of nineteen eighty playlist. <v Speaker 4>Right the sea wind in your Hair, Yes, the biggest <v Speaker 4>part of Me by Ambrosia Nice. I love it, classic <v Speaker 4>yacht rock song. <v Speaker 2>Right there, very good, very good? Okay, Ready for my <v Speaker 2>number four? <v Speaker 4>Number four? <v Speaker 2>Okay, let me just say this before I keep on <v Speaker 2>going here. One of our dear friends and listeners the <v Speaker 2>last episode that we did, which I won't say the <v Speaker 2>name of the song, he was like, I can't believe <v Speaker 2>I live in a world where you put the song <v Speaker 2>above that song when you get to top five level, <v Speaker 2>like any one of these songs can be number one <v Speaker 2>for me any day of the week. So it just <v Speaker 2>depends on how burnt out I am on the other <v Speaker 2>songs or what mood I'm in. You just never know. <v Speaker 2>So number five for me could easily be number one <v Speaker 2>on a different week. Just keep that in mind, all right, <v Speaker 2>So to mine number four? Ready, yes, okay, So this <v Speaker 2>song is from this artist's debut album, which was released <v Speaker 2>in nineteen seventy nine. Now, she had been initially a <v Speaker 2>She was going to be what's called a coloratura is <v Speaker 2>kind of something to do with opretick singing at Juilliard, <v Speaker 2>got accepted to that and decided instead to go study <v Speaker 2>health education at Stony Brook University. Okay, Sure. She marries <v Speaker 2>her high school sweetheart and her maiden name was Andrew's <v Speaker 2>Juice Ski. I'm doing my best to pronounce that right, whiskey, <v Speaker 2>It's easy for me to say. But her she ends <v Speaker 2>up taking the name her married name of her first husband, <v Speaker 2>and that's what you're going to know her by. But <v Speaker 2>I won't give that to you yet. All Right after <v Speaker 2>they get married, he's in the military, so they end <v Speaker 2>up in Richmond, Virginia. Ay, Chuck, how you doing, Buddy Chuck? <v Speaker 2>And she's a bank teller. This future pop goddess is <v Speaker 2>a bank teller or maybe rock goddess, depending on you <v Speaker 2>know what. <v Speaker 4>Stories like this. So somebody got their check stamped by <v Speaker 4>this girl and didn't realize that she's. <v Speaker 2>A future correct. Yes, she told somebody they were over dreamed. <v Speaker 4>So do you have sixteen dollars in your account? <v Speaker 2>So she goes to Eliza Minelli concert and is inspired <v Speaker 2>to start singing again. Ends up moving back to New York, <v Speaker 2>works in a holiday inn, singing at the club and <v Speaker 2>the holiday Inn, and also as a singing waitress at <v Speaker 2>a nightclub. Later on Halloween nineteen seventy seven, she's dressed <v Speaker 2>up in kind of some sort of spandex Halloween costume. <v Speaker 2>Ends up performing in that costume and that gets her <v Speaker 2>noticed in a big way and her career starts to <v Speaker 2>take off. After that, she gets signed, and as I said, <v Speaker 2>this is the song that I'm talking about is from <v Speaker 2>her debut album nineteen seventy nine. The first single off <v Speaker 2>that album does not do very well. I don't think <v Speaker 2>it even charts. Okay. This song is the second single <v Speaker 2>off this album, and it's a cover of another song <v Speaker 2>released earlier by a lady named Jenny Darren. She's from <v Speaker 2>the UK. Let me ask you this. Yeah, this is <v Speaker 2>a little pint size powerhouse. Yes, indeed, okay, keep going, okay, <v Speaker 2>so just for our for our listeners. The first song <v Speaker 2>that failed a chart was called if You Think You <v Speaker 2>Know How to Love Me, which I couldn't have told <v Speaker 2>you I had ever heard of before that. Nope, right, <v Speaker 2>this is what we call a This song I'm talking <v Speaker 2>about is what we call a sleeper hit. It peaked <v Speaker 2>in March of nineteen eighty at number twenty three. Now <v Speaker 2>later that year, there might This is one of two <v Speaker 2>songs that you might call her signature songs. The other <v Speaker 2>one from her second album Hits Big. It's number nine <v Speaker 2>on December twentieth of nineteen eighty. Does it hits Big? Yes? <v Speaker 4>All right, good keep going. <v Speaker 2>When she did the cover of this song from this <v Speaker 2>UK artist, they had to change some of the lyrics, <v Speaker 2>which included a to z which wouldn't make any sense <v Speaker 2>and moonraker, which wouldn't make any sense to the American audiences. Yes, <v Speaker 2>and if you hear the word moonraker, you probably can <v Speaker 2>figure out what we rhymed it. Up with to get <v Speaker 2>this song. <v Speaker 4>I guys, okay, Moonreaker, heartbreaker. <v Speaker 6>This is Pad Bennattar very good. <v Speaker 4>That's a great one man. In fact, it got bummed <v Speaker 4>for the song I came in and did at the <v Speaker 4>last minute. <v Speaker 2>Yeah, it's a good one. <v Speaker 4>So I love it. I love it in fact, I believe, <v Speaker 4>in fact, I would bet my paycheck. Pat Benintar had <v Speaker 4>the second video played on MTV right after the Buggles yep, <v Speaker 4>and it was you Better Run, And it was a <v Speaker 4>statement from MTV to all its competitors. <v Speaker 2>Nice, I like it. Okay, okay, We're ready for your <v Speaker 2>number three, sir, three. <v Speaker 4>My number three. All right. So this song was released <v Speaker 4>February eighth of nineteen eighty. It reached number eight, which <v Speaker 4>is a crime because to me, even though I don't <v Speaker 4>have this ranked as my number one song, it has <v Speaker 4>the most nostalgic feel of nineteen eighty for me personally, <v Speaker 4>of all the songs, of all the song all right now. <v Speaker 4>It was written as an R and B song for <v Speaker 4>a group who has wide range of music. They've done <v Speaker 4>R and B, they've done rock, they've done. <v Speaker 2>Country, not expecting that one. <v Speaker 4>So when the singer brought this song to a couple <v Speaker 4>of other prominent members of the band. He said, hey, <v Speaker 4>I've been working on this. What do you think And <v Speaker 4>the two members listened to it, and one in particular, <v Speaker 4>who you know well, said, I think that's your first hit. <v Speaker 4>The person who wrote and sings this song. Okay, the <v Speaker 4>other prominent member of the band told him, listen, when <v Speaker 4>you sing this, I want you to sing it like <v Speaker 4>Smokey Robinson. So I'm trying to I'm trying to dance <v Speaker 4>around it because you know, all the members that I'm <v Speaker 4>talking about. The first guy, the one who said, hey, <v Speaker 4>I think this is your first hit. First time you <v Speaker 4>heard it, he said, Now that's baby making music. Okay, <v Speaker 4>all right, and when you listen to it, you're gonna <v Speaker 4>be like, heck, yeah, yeah, man, that's that's baby making <v Speaker 4>music right there. <v Speaker 2>Okay. <v Speaker 4>Rolling Stone listed this as this group's number eleven song. <v Speaker 2>Okay, big catalog, Okay, all right. <v Speaker 4>In fact, this guy was hired to replace a person <v Speaker 4>in this group Okay, that we've talked extensively about. Okay, <v Speaker 4>So every person that I've brought up so far, we <v Speaker 4>have talked extensively about. <v Speaker 2>Okay, did we talk about them this year? We did okay, okay, yeah, <v Speaker 2>all right. <v Speaker 4>Now, then this person was added to the group in <v Speaker 4>nineteen seventy seven because the former person in his position <v Speaker 4>would refuse to play a song during an encore. I <v Speaker 4>got in a fistfight with one of the main band <v Speaker 4>leaders of this band. <v Speaker 2>Oh okay, I've switched bands. And now we know which <v Speaker 2>band you're talking about. Okay, that's interesting, Okay, all right, <v Speaker 2>all right, so who's the band? So this has got <v Speaker 2>to be the Eagles. It is the Eagles, okay. And <v Speaker 2>if we're talking about the person's first hit was nineteen <v Speaker 2>eighty so this was Timothy B. Schmidt. <v Speaker 4>It's Timothy B. <v Speaker 2>Schmidt. <v Speaker 4>I'll tell you this. Yes, So this is off a <v Speaker 4>nineteen seventy nine album by this group. Yeah, their last <v Speaker 4>album as a group for decades. <v Speaker 2>Fourteen years, fourteen years. <v Speaker 4>Yes, I think it Flies under the Raider. I think <v Speaker 4>this album is excellent. Okay, but it's shadowed by the. <v Speaker 2>Previous song that they've had. Yeah, okay, I can't remember <v Speaker 2>what Timothy B. Schmidt's song is. <v Speaker 4>Okay, let me play it for you, yes, please, all right, <v Speaker 4>see if you get it here? <v Speaker 2>Okay, got it? That was, like, I can't tell you, Why. <v Speaker 5>Tell you? Tell you? <v Speaker 1>What tell you? <v Speaker 2>Man? I geez that song title? Even though you every <v Speaker 2>time it comes on, I can sing every word to it. <v Speaker 4>That you were singing, all the lyrics. <v Speaker 2>It just was, it just was out of my brain. Yeah. <v Speaker 4>I think it's a beautiful song. It is baby making music. <v Speaker 4>When I looked at the top eight songs, and I <v Speaker 4>don't want to steal anything from you, but some of <v Speaker 4>the ones in front of it are undeniable, massive icon songs. Yeah, <v Speaker 4>and then the rest of them, I'm like, what song <v Speaker 4>is that? Okay, Like half and half I see it, <v Speaker 4>and half of them I'm like, I don't remember that <v Speaker 4>one at all. Right, all right, you're number three, sir, <v Speaker 4>all right, my number three. <v Speaker 2>Now. This is a well known band, a very well <v Speaker 2>known band. Okay, Power Trio, Okay. This is their seventh <v Speaker 2>studio album. They are a Canadian band. Their first album <v Speaker 2>did moderately well. Their second album did so badly the <v Speaker 2>record label almost dropped them. Their third album is what <v Speaker 2>I would describe as an iconic game changer, not just <v Speaker 2>for them but for music in general. All Right, and <v Speaker 2>you're going to be very familiar with at least the <v Speaker 2>title of that album. Okay, this this song hit number three. Sorry, <v Speaker 2>not this song. This album hit number three. Seventh album <v Speaker 2>hit number three in Canada and the UK and number <v Speaker 2>four in the US. This song, however, didn't even crack <v Speaker 2>the top fifty. It was number fifty one at its highest, <v Speaker 2>which is, given the iconic nature of this band, a surprise. <v Speaker 2>It was their biggest hit to date, and they had <v Speaker 2>one more coming on the album after this, and it <v Speaker 2>only hit number forty four. So this iconic band, as <v Speaker 2>far as I know, never had a top forty hit. <v Speaker 2>I haven't researched that to death, but I don't think <v Speaker 2>they have, and I don't think they care because they're <v Speaker 2>not really They weren't too con learned about having hits. Okay, <v Speaker 2>all right now, this song is from a musical standpoint, <v Speaker 2>as many of their songs, incredible and complex and without <v Speaker 2>getting too detailed. You've got a guitar riff playing in <v Speaker 2>an E major scale. The bass is playing in an <v Speaker 2>E mix Olidion scale, and then switches to a D <v Speaker 2>Mixolidian scale before it finally switches to the E major scale. Yes, <v Speaker 2>I'm sorry, a little too complex, but it's freaking awesome. <v Speaker 2>I mean, the intro to The song is forty seconds <v Speaker 2>long and I'm hooked from second two. Okay, okay, okay. <v Speaker 2>And they did this play in it live because they <v Speaker 2>are not master recording. I mean, they probably are master recording, <v Speaker 2>but that's not what this was. This was the fact <v Speaker 2>that they are master musicians. Okay. Many of our Shirley <v Speaker 2>fans are fans of this band. This song. The title <v Speaker 2>was inspired by Brampton, Ontario's CFN y FM's slogan okay, okay. <v Speaker 4>That's the curveball for me, right Okay, though I was <v Speaker 4>tracking and now I'm off. <v Speaker 2>Their first top thirty in Canada, only reached number fifty <v Speaker 2>one in the US got thirteen in the UK singles charts. <v Speaker 2>The opening gives you a what they're trying to do <v Speaker 2>is give you a sense of static and to make <v Speaker 2>the band members, they said, we did this to make <v Speaker 2>us smile and have fun. In this song, they explore reggae, <v Speaker 2>specifically at the end of the song, where then they <v Speaker 2>reference the sound of Silence by Simon and Garfunkel, a <v Speaker 2>line from that song Okay. The reggae sound would come <v Speaker 2>up much in more detail in their next three albums, <v Speaker 2>and the lyrics of this song are a lament about <v Speaker 2>the change of FM radio from the free form to <v Speaker 2>the commercial format in the late nineteen seventies. You have <v Speaker 2>any idea at all. <v Speaker 4>Well, I think this is Rush correct, and I know <v Speaker 4>Tom Sawyer. <v Speaker 2>That's from the next album. Is this one called free form? <v Speaker 6>No? <v Speaker 2>Play it for you, Okay, play it for me. Tell <v Speaker 2>me that's not a banger. <v Speaker 4>That starts off just like full throttle out of the gate. <v Speaker 4>That song is called the Spirit of Radio. Yes, now <v Speaker 4>I recognize it. I think. I tell you this. We <v Speaker 4>used to listen to classic rock, well the football players <v Speaker 4>we lifted weights because our coaches liked classic rock. Yeah, <v Speaker 4>that was where I was exposed to that song. <v Speaker 2>Oh dude, it's a great weightlifting song for sure. Yes, right, yes. <v Speaker 2>And the line from Sound of Silence that they've modified <v Speaker 2>a little bit. They said, the words of the prophet <v Speaker 2>are written on the studio walls. <v Speaker 4>Excellent. No, that's a banger. <v Speaker 2>I love it. <v Speaker 4>Yeah, that one flew under my radar, for sure. <v Speaker 2>That's a great one. By the way, never had a <v Speaker 2>video for this song until twenty twenty, and then they <v Speaker 2>made an animated video presenting the band as they were <v Speaker 2>back in nineteen eighty so you can go check that. <v Speaker 4>One fun And why wouldn't you do it in twenty twenty? <v Speaker 4>You know we're not doing anything anyway, right, right, very good? <v Speaker 2>Okay to my number two number two two? All right. <v Speaker 4>I want to remind everybody that one of the albums <v Speaker 4>that had some songs that chart that we didn't mention <v Speaker 4>was ineligible was Super Tramp. <v Speaker 2>Right. We covered them last season, right. <v Speaker 4>That surprising to me is kind of a just kind <v Speaker 4>of hovers at the top of our download list. <v Speaker 2>It's a great Yeah, go back and check out our <v Speaker 2>Breakfast in America episode. We compared them to Yes, nine. <v Speaker 4>Oh two one, nine O one too Fun nine O <v Speaker 4>two one Fun. <v Speaker 2>That's the number worst album title of all time. <v Speaker 4>But it is it's a great album, that's right. We <v Speaker 4>talk about that number when we talk about that. Yeah, <v Speaker 4>not eligible for this list, yep, all right, but I'll <v Speaker 4>tell you what is eligible. Songs that made me dance <v Speaker 4>and boogie When I was seven years old run around, <v Speaker 4>listened to my parents' radio, Okay, okay, yeah, sounds good, <v Speaker 4>particularly my mom listened to kind of pop radio. All right, <v Speaker 4>and so hi, Mom, this one's for you. <v Speaker 2>Right. <v Speaker 4>This song was released October of nineteen eighty reached number <v Speaker 4>one February seventh of nineteen eighty one. <v Speaker 2>Okay. <v Speaker 4>It was there for two weeks and was actually knocked <v Speaker 4>out by one of my honorable mentions, which I'll talk <v Speaker 4>about here in a second. <v Speaker 2>All right, Okay. <v Speaker 4>This was from their twelfth album, and it's their first <v Speaker 4>number one and only. We talked about them a little <v Speaker 4>bit on our Saturday Night Fever episode. Okay, now here's <v Speaker 4>the cool thing about this, Okay. The initial idea for <v Speaker 4>this song came from one of the co founders of <v Speaker 4>this band. He's also the sax player in this band, <v Speaker 4>and he got the idea from the Koran. Okay, all right, now, <v Speaker 4>he was reading a passage in the Koran that was <v Speaker 4>talking about the creation when God created Adam, and when <v Speaker 4>God created Adam, the angels were singing praises to God <v Speaker 4>in honor of his creation. <v Speaker 2>Okay, all right. <v Speaker 4>This reached number one on the R and B the <v Speaker 4>Dance and the Hot one hundred. You will still hear <v Speaker 4>this song played at weddings parties. It was the theme <v Speaker 4>song for the nineteen eighty two Saint Louis Cardinals. <v Speaker 2>Hello Jim Butler. <v Speaker 4>It was played when the US Hostages were released from Iran. <v Speaker 4>We hear all the time at football, baseball, soccer games. <v Speaker 4>And at the end of this band's nineteen seventy nine hit, <v Speaker 4>they give a forward throwing nod to this song. <v Speaker 2>Do you want Okay? Yeah, I've got nothing. I've got <v Speaker 2>to zero at this point. Okay. <v Speaker 4>So the nineteen seventy nine hit by this same band <v Speaker 4>was called Ladies' Night. <v Speaker 2>Okay. <v Speaker 4>So at the end of Ladies' Night they say, come on, <v Speaker 4>let's celebrate, okay. <v Speaker 2>Is the song celebration, Yes, okay, So it's cool in <v Speaker 2>the gang. <v Speaker 4>This is cool in the gang. Celebration. <v Speaker 2>Wooo, celebrate good times, man, I love it. <v Speaker 4>Celebrate good times, man, love it? <v Speaker 2>All right? <v Speaker 4>That was my number two. <v Speaker 2>Yep, all right, number two, my number two. All right. <v Speaker 2>This song was released May twelfth, nineteen eighty. It hit <v Speaker 2>number one on July nineteenth, nineteen eighty and was there <v Speaker 2>for two weeks. It is regarded as the seventh biggest <v Speaker 2>hit of the year, only two weeks to number one, <v Speaker 2>but it was on the charts a lot. Okay. It <v Speaker 2>was written as a response to critics calling this artist's <v Speaker 2>music quote adult contemporary, middle of the road pop. Okay, <v Speaker 2>in this song references a road is in Manhasset and <v Speaker 2>Great Neck Long Island that is full of different stores. <v Speaker 2>He references products that you would buy at a place <v Speaker 2>called Best Tire or Berliner Stereo, both of which were <v Speaker 2>in the neighborhood that he grew up in. And there's <v Speaker 2>a lyric in this song that I couldn't even say <v Speaker 2>I misheard it. I just didn't know what they were <v Speaker 2>saying until maybe a year ago. And then, of course, <v Speaker 2>once I figured out what it was a year ago, <v Speaker 2>I went down that rabbit hole. But the line I <v Speaker 2>misheard refers to a fashion icon born in seventeen seventy <v Speaker 2>eight who ultimately died of syphilis. The fashion icon's name <v Speaker 2>is Bo brummel Ka. Not ringing a bell for you. <v Speaker 2>No Weird Al parodied this song in nineteen eighty as well, <v Speaker 2>but this was back when he was still just on <v Speaker 2>the Doctor Demento Show. Okay, the products that you might <v Speaker 2>get at Best Tire would be whitewall tires. What you <v Speaker 2>might do with those white wall tires is cruise the <v Speaker 2>Miracle Mile, which is that road in Great Neck Long Island, <v Speaker 2>and you might get a brand new set of speakers <v Speaker 2>from Berlin or stereo. It's cars. No, the name of <v Speaker 2>the weird ol song is it's still Billy Joel to me. <v Speaker 4>Okay, this song is it's still rock and roll to me. <v Speaker 2>There you go. <v Speaker 7>What's the matter with the can't you tell that your <v Speaker 7>ties too wide? Maybe I should buy some fool tab college. <v Speaker 7>Welcome back to the edge of Jibe where if you <v Speaker 7>been hiding out and you cant Frances Ashy till you <v Speaker 7>spending the light upon it. Everybody's talking about the new <v Speaker 7>South Funy Bondy is still rocking. <v Speaker 2>Olden me. <v Speaker 4>Come football. <v Speaker 2>This one was it was neck and neck with you. <v Speaker 2>Maybe right. I may be crazy love that one off <v Speaker 2>of glass Houses as well, But this one I don't know. <v Speaker 2>Just I had to talk about bo Brummel. Oh Brummel, <v Speaker 2>I don't, but should I get you could really be <v Speaker 2>a bull brummer baby if you just give it half <v Speaker 2>the chance. Wow, I says bul Brummel. <v Speaker 4>That's crazy. I'd never heard that before this. Gay our <v Speaker 4>buddy Doug Gray Patreon member Doug Gray, Yes, would love <v Speaker 4>for us to cover glasshouses at some point. Sure, And <v Speaker 4>I know he's disappointed that it took me a long <v Speaker 4>time to figure that one out. I'm sorry, Doug. <v Speaker 2>So, okay, okay, are we on honorable mentions? We are <v Speaker 2>ready for your two honorable mentions? Sure? <v Speaker 4>Yes, So this is the song that I came in. <v Speaker 4>I'm like, ah, this song has to be on the list, right. <v Speaker 4>I came in today. I was mowing, and I was <v Speaker 4>sitting on the moor, and I was listening to songs <v Speaker 4>from nineteen eighty and I came across this one. I'm like, <v Speaker 4>absolutely got to go on there somewhere for me. This <v Speaker 4>song might get the nod just simply because my sister <v Speaker 4>loved it so much. They played the heck out of it. <v Speaker 4>They watched this movie on repeat and the song. I <v Speaker 4>think I've mentioned to you my sisters loved this song <v Speaker 4>and movie. <v Speaker 2>Okay. <v Speaker 4>This was released November of nineteen eighty. It reached number <v Speaker 4>one in February of nineteen eighty one. I found this interesting. <v Speaker 4>There's only been one, two, three, four five times in <v Speaker 4>pop and country history where a song was at the <v Speaker 4>top of the pop chart and the top of the <v Speaker 4>country chart at. <v Speaker 2>The same time. Okay. <v Speaker 4>One of them was Genie c Riley in nineteen sixty <v Speaker 4>eight with Harper Valley Pta great one the other one <v Speaker 4>was Dolly Parton and Kenny Rodgers Islands in the Stream <v Speaker 4>in nineteen eighty three. And then this other girl, Taylor Swift. <v Speaker 4>Don't even know what ye not sure what happened to her, <v Speaker 4>but she did it twice once with we Are Never <v Speaker 4>Ever and All Too Well. And then of course this <v Speaker 4>song was number one on the pop chart and the <v Speaker 4>country chart at the same time. <v Speaker 2>It's just a female sing This is a female singer, okay. <v Speaker 4>In an anthem to working women everywhere? <v Speaker 2>Is this Dolly Parton? Yes? It is. Is this dun <v Speaker 2>dun dun, dun dun dun working nine to five? Yeah, <v Speaker 2>that's it. <v Speaker 4>You know, we haven't really broke down Dolly Parton yet <v Speaker 4>for any song. <v Speaker 2>Or we've we've talked about her before. She came up <v Speaker 2>in our. <v Speaker 4>Collective Soul episode because she covered Shine. <v Speaker 2>Yeah, she we've we've talked about her in other respects too, <v Speaker 2>although I don't remember what the episode is, because I <v Speaker 2>remember she wrote the song I Will Always Love You <v Speaker 2>for for her like former partner manager TV guy, and <v Speaker 2>he sued her anyway, but she like, what was that fun? <v Speaker 2>I remember talking. She was like, I'm leaving and doing <v Speaker 2>my own thing. Wrote that writes this, I will always <v Speaker 2>love you for him, and he's like, I'm suing you. <v Speaker 2>We got to cover that movie. We have to We've <v Speaker 2>been talking about covering nine to five versus Mister Mom <v Speaker 2>as the role reversal films of the early eighties season one. Yeah, <v Speaker 2>we've really got to do that. We need to do that. Okay. <v Speaker 4>By the way, the rhythm at the beginning of nine <v Speaker 4>to five typewriter, typewriter, and she was fiddling with her <v Speaker 4>fingernails one day and then they answered the typewriter sound effects, brilliant. <v Speaker 2>Brilliant, funny movie too, oh wonderful, Dabney Coleman at his finest. <v Speaker 2>All right, should do my other? Yeah, do your other. <v Speaker 4>Honorable mention, My second honorable mention is a cover song <v Speaker 4>of a song originally released in nineteen sixty seven. <v Speaker 2>Okay okay. <v Speaker 4>Now then the genre of that song was called rock <v Speaker 4>steady okay, which is a term I've heard, but I <v Speaker 4>didn't know it was a genre of music. <v Speaker 2>No, mean neither. <v Speaker 4>It was written by a guy named John Holt and <v Speaker 4>produced by a guy named Duke Read. I'm like there's <v Speaker 4>not enough guys around the world today named Duke. <v Speaker 2>Du Creed. <v Speaker 4>Come on, I shouldn't named my kid duke. <v Speaker 2>You know you need a guy to help you change <v Speaker 2>a tire, Nobody better to call it that's you. <v Speaker 4>Dude, You're man right all right. This song was released <v Speaker 4>again by this group on Halloween of nineteen eighty It's <v Speaker 4>number one in January of nineteen eighty one. Okay, This <v Speaker 4>singer and guitarist of a famous group that we need <v Speaker 4>to cover at some point were fans of ska and <v Speaker 4>reggae okay, even though they're not known for that in <v Speaker 4>their music. They heard the song on a compilation tape <v Speaker 4>and so they bought it while they were in London. <v Speaker 4>But according to the guitarist, when asked about his favorite <v Speaker 4>song while in this group, this very prominent early eighties group, <v Speaker 4>late seventies, early eighties, he said, it's virtually impossible to choose. <v Speaker 4>All I can say is the only song I knew <v Speaker 4>for sure that was going to be a hit before <v Speaker 4>we recorded it was this song. Now, then, this song <v Speaker 4>knocked John Lennon out of the number one spot, and <v Speaker 4>Sean Lennon, who is John Lennon's son, mentioned that they <v Speaker 4>had a game room and they used to have a <v Speaker 4>jukebox that would play old music. He said they had <v Speaker 4>tons of forty five's on there. They would play Elvis <v Speaker 4>and the Everly Brothers, and this was the only song <v Speaker 4>that he remembered. This was the only modern song that <v Speaker 4>he played, and he played it all the time. <v Speaker 2>Okay, John Lennon played the song and knocked him out <v Speaker 2>of the number one spot all the time. <v Speaker 4>That's correct. <v Speaker 2>This is a great story, But I don't know what <v Speaker 2>it is, Okay. <v Speaker 4>My other clue for you is the name of the <v Speaker 4>group I believe was named after the lead singer who <v Speaker 4>was bringing the heat in the nineteen seventies and eighties. <v Speaker 4>She's nearly eighty years old now. But okay, so this <v Speaker 4>must be Blondie. It's Blondie, and the song has. <v Speaker 2>To be The Tide is High, very good, Okay, hell <v Speaker 2>love it. So I didn't get a whole lot of <v Speaker 2>songs that were released late in eighty and kind of <v Speaker 2>peaked in eighty one. Most of my stuff was either <v Speaker 2>released in eighty or released in seventy nine and peaked <v Speaker 2>in eighty. So, yeah, this one kind of went by me. <v Speaker 2>I didn't even Yeah, but it's great. <v Speaker 4>One's great one, all right to your honorable mentions. <v Speaker 2>Sir, all right, my first honorable mention, I'm a Little <v Speaker 2>worried might be your number one. This was off this <v Speaker 2>artist's eleventh studio album. It was the second single. It <v Speaker 2>was released in April of nineteen eighty. The song has <v Speaker 2>been covered by Garth Brooks and Brooks and Dune, which <v Speaker 2>ironically were my number one and number two concerts as <v Speaker 2>a kid. First concert was Garth Brooks, second concert was <v Speaker 2>Brooks and Done. Okay, the artist said about this album. Now, <v Speaker 2>this is eleventh studio album, he said he found he <v Speaker 2>was most fulfilled as a songwriter. He had finally hit <v Speaker 2>this point where he felt fulfilled as a songwriter. This <v Speaker 2>song is the third part of a trilogy of songs <v Speaker 2>on this album. It hit number five on the Billboard <v Speaker 2>Hot one hundred on June fourteenth, nineteen eighty So middle <v Speaker 2>of the summer song, which might be appropriate for guys <v Speaker 2>who are running cross country in the heat of the summer, <v Speaker 2>which this guy did when he was in high school. <v Speaker 2>And that's where the song's title comes from. Okay. The <v Speaker 2>lyrics are about the space between love and indifference and <v Speaker 2>feelings we had when we were young and to throw <v Speaker 2>back to your quote from season one exploring the mysteries <v Speaker 2>of the broad Class, specifically Jane Dinsdale's broad Class. Janey's <v Speaker 2>name is mentioned specifically in the song. This producer for <v Speaker 2>this album was Bill's has no Sizimics has no there <v Speaker 2>are no real vowel simsic. Bill Simsack, who we talked <v Speaker 2>about when we talked about Eagles, and one of those <v Speaker 2>guys in that band was the backing singer on this song. <v Speaker 2>Because both of these guys grew up in Detroit. <v Speaker 4>All right, So clearly you're talking about Bob Seeger. Yes, <v Speaker 4>And I don't think this is against the Wind. <v Speaker 2>It is Ago. <v Speaker 6>Jane. <v Speaker 5>It was as long as you was a queer my name. <v Speaker 2>Then the dogs within the radio and the secrets that. <v Speaker 4>It's against the wind. <v Speaker 2>Yes, yes, So apparently Night Moves is part one, Brave <v Speaker 2>Struggles is part two, and Against the Wind is part three. Really, <v Speaker 2>as I mentioned that iconic line of I wish I <v Speaker 2>didn't know now what I didn't know then, he didn't <v Speaker 2>like as a songwriter, but I think it's one of <v Speaker 2>the best lines in all of music. <v Speaker 4>So I'm not a big Bob Seeker fan. He's got <v Speaker 4>some iconic songs. In fact, I think old time rock <v Speaker 4>and roll made your seventy eight list. I think nine <v Speaker 4>seventy nine. <v Speaker 2>Yeah. <v Speaker 4>I was just kind of listening through a playlist of <v Speaker 4>nineteen eighty songs and I came across a Bob Seeger <v Speaker 4>song that I wasn't familiar with called fire Lake. <v Speaker 2>Oh yeah, that's a good one, and I was like, man, <v Speaker 2>that's a good song. It is a good song. Sounds <v Speaker 2>very good. All right, all right. My next honorable mention <v Speaker 2>is another incredible group that we all know very well. <v Speaker 2>We've talked about them many times before in the past <v Speaker 2>for various movies and top five picks and other stuff. <v Speaker 2>I can't believe we haven't covered him yet. I'm kind <v Speaker 2>of surprised by this actually, all right now. This song <v Speaker 2>was of theirs, was released December seventh, nineteen seventy nine, <v Speaker 2>and it was their first number one single. The singer <v Speaker 2>composed this song on a guitar, didn't really play guitar. <v Speaker 2>He only knew a few chords, but he said this <v Speaker 2>actually helped me, Like it limited me, and so by <v Speaker 2>limiting myself on what I could play on the guitar, <v Speaker 2>that's how I came up with this song. He composed <v Speaker 2>it in five to ten minutes. They recorded it in <v Speaker 2>less than thirty minutes. The lead guitarist said he wanted <v Speaker 2>to emulate Rick Nelson and James Burton and his guitar playing. <v Speaker 2>The lead singer said that this was a tribute to <v Speaker 2>Elvis and Cliff Richard. Yes, and it is the first <v Speaker 2>time when they performed this in concert, this is the <v Speaker 2>first time that the lead singer actually played a guitar <v Speaker 2>on stage played the acoustic guitar on stage. People have <v Speaker 2>referred to this song as rockabilly, which is interesting because <v Speaker 2>Dwight Yoakum did cover this song many years later, and <v Speaker 2>the guys who wrote this song also composed all of <v Speaker 2>the music to the yellow album To Your Left. <v Speaker 4>So let me ask you this. I believe this song <v Speaker 4>was written in a bathtub in Munich. <v Speaker 2>That is the rumor. <v Speaker 4>Yes, this is crazy little thing called love Like Queen. <v Speaker 2>You got it. <v Speaker 4>Yes, I love this song. I mean it almost it <v Speaker 4>was almost there. <v Speaker 2>Oh yeah, great song. Great, great song. Okay, and I <v Speaker 2>just have one new discovery. I'm not going to do <v Speaker 2>trivia on it. I just have to shout out James Buckley. <v Speaker 2>I've gone nearly fifty years without listening to Motorhead, and <v Speaker 2>for some reason, I don't know what the topic of <v Speaker 2>conversation was, but James Buckley said, you got to listen <v Speaker 2>to Ace of Spades. I checked it out. It's now <v Speaker 2>my workout playlist and it was released in October of <v Speaker 2>nineteen eighty. So shout out to you, James. Awesome new <v Speaker 2>discovery Spade a spades, great really quick heavy metal song. <v Speaker 2>Yes one. <v Speaker 4>All right, so we're to our number one. <v Speaker 2>Number one. Okay, I'm curious if if we hit an overlap, <v Speaker 2>here's gonna be crazy. It's gonna be crazy. I don't know. <v Speaker 2>We'll see, all right. <v Speaker 4>So I told you that I didn't really have a <v Speaker 4>number one. I had a group of songs that I liked, <v Speaker 4>and I had a bunch of good songs, but I <v Speaker 4>didn't really have that number one with a with a bullet. <v Speaker 4>And then I told you that the heavens parted. <v Speaker 2>Yes, And I was like, that's it for me. <v Speaker 4>That is the number one song of nineteen eighty, Like <v Speaker 4>there is no question in my mind. All right, Okay, Now, <v Speaker 4>when I'm seven years old, I told you I was <v Speaker 4>listening to the Beaar Necessities and you know the Star <v Speaker 4>Wars album by John Williams. <v Speaker 2>You know, right, you know the asteroid song isturing Young <v Speaker 2>Young John Bunge of E. <v Speaker 4>R two D two Christmas album Without a Doubt. <v Speaker 2>Okay, But there is one exception, okay. <v Speaker 4>Now, then, this song was released in November of nineteen eighty. <v Speaker 4>It hit number ten in the UK, number three in Germany, <v Speaker 4>but only number forty two in the States. <v Speaker 2>Now. <v Speaker 4>Then, it was written by the guitarist of this. <v Speaker 2>Band okay okay for a movie. Okay. <v Speaker 4>And when he brought it to the director, like this <v Speaker 4>song along with the you know, the other songs for <v Speaker 4>the album, brought it to the director and the producer. <v Speaker 4>The producer was like, and it was trying to kind <v Speaker 4>of hide his disappointment, but he just didn't quite get it. <v Speaker 2>This is a big name producer. Okay. <v Speaker 4>Now, the director of this movie talked to the producer <v Speaker 4>and said, you just have to trust me. This is <v Speaker 4>going to work. <v Speaker 2>Okay, all right, you got anything yet? Nothing yet? All right. <v Speaker 4>So there's two different verse versions of this particular song okay, <v Speaker 4>both of which I would say you're familiar with. <v Speaker 2>Okay, okay. <v Speaker 4>Included in these two different versions are some sound clips. <v Speaker 2>Are they from the movie. From the movie, Okay, do <v Speaker 2>you know. <v Speaker 4>Who Melody Anderson is? No, she's one of the people speaking. <v Speaker 2>In in the song. <v Speaker 4>Okay, okay, you know who Brian Blessed is? Yes, Timothy <v Speaker 4>Dalton is Yes? How about Max mounts Sidow? <v Speaker 2>Yes. So we're back to Queen and is this slash? <v Speaker 6>Uh? <v Speaker 4>Absolutely, this is Flash. <v Speaker 2>And there it is. <v Speaker 4>Would you pointed to him. <v Speaker 2>Like, crap, that's funny, that's great. <v Speaker 4>There is my name. I wrote my name on the album. <v Speaker 2>I've never seen that. That is a little Jason Colvin <v Speaker 2>handwriting right there. <v Speaker 4>And I took it to my second grade class. <v Speaker 2>I don't want anybody stealing your album. Man, you gotta <v Speaker 2>put your name in pin on the. <v Speaker 4>Front Flash album. <v Speaker 2>Oh that's great. <v Speaker 4>I remember when my dad asked me, keep in mind <v Speaker 4>I'm seven in any conservative family. My dad said, we <v Speaker 4>were filling out this like get to know Jason thing <v Speaker 4>like what's your favorite food, what's your favorite color, what's <v Speaker 4>your favorite what's your favorite musical group? And I was like, wow, <v Speaker 4>I guess it's Queen. And he's like, let's come up <v Speaker 4>with somebody else. <v Speaker 2>Oh wow. <v Speaker 4>So not comfortable with seven year old Jason liking Queen <v Speaker 4>too much. <v Speaker 2>That's great. Well, by the way, we we discussed that <v Speaker 2>movie and that song, but not in as much detail <v Speaker 2>when I remember the producer though, do you know dealer? <v Speaker 2>But we covered the flash Gordon versus Highlander back in <v Speaker 2>I think maybe season two. I think season two. So <v Speaker 2>go back and check out that one. That's a good <v Speaker 2>that's a good episode. I love those. Okay you ready, <v Speaker 2>I'm ready, there we go. I cannot believe this song <v Speaker 2>was not somewhere on your radar. But I've got I've <v Speaker 2>got some teasing up to do. Okay, so this will <v Speaker 2>be this will be fun, all right, Okay. Now, interestingly <v Speaker 2>about this song, this is my number one song. The <v Speaker 2>backup singers in this song, the band which is I <v Speaker 2>mean the band had been making music for a while. <v Speaker 2>They're not a new band. They didn't know that the <v Speaker 2>producers were going to record backup singers for this song. <v Speaker 2>They were kind of surprised by it, actually, And even <v Speaker 2>though the backup singers and the producer and the engineer <v Speaker 2>worked with them that well, they gave them the song, <v Speaker 2>gave them a week to practice it, but they only <v Speaker 2>had forty minutes to record their entire part, and then <v Speaker 2>they were done, and all they got is payment was <v Speaker 2>concert tickets to this band, this album and this single, <v Speaker 2>and that's it. That's it, that's it. That's all they <v Speaker 2>got until two thousand and four. In two thousand and four, <v Speaker 2>they finally they got tracked down by somebody and finally <v Speaker 2>started getting royalties for this song. Okay thirty four, twenty <v Speaker 2>four years after it had been released. Okay, right, this <v Speaker 2>is the first single of this band since nineteen sixty eight. <v Speaker 2>It's been twelve years between singles for this band. Okay, <v Speaker 2>wait a. <v Speaker 4>Minute, Okay, singles, but they had other music available. <v Speaker 2>They had lots of music. Okay, all right, keep going right. <v Speaker 2>So this song was written by the bassist. It hit <v Speaker 2>number one March twenty second of nineteen eighty. The producer <v Speaker 2>was Bob Ezren and Bob Ezren, as they're recording this song, <v Speaker 2>he tells the guitarist, I want you to go to <v Speaker 2>the disco and I want you to incorporate that sound <v Speaker 2>into this song. And the guitarist is like, buddy, hell <v Speaker 2>what So I'm going to read your quote here, Billy Hill, <v Speaker 2>he said. The producer, Ezren said to him, go to <v Speaker 2>a couple of clubs and listen to what's happening with <v Speaker 2>disco music. So I forced myselfself out and listened to <v Speaker 2>four to the bar, bass drums and stuff, and I thought, <v Speaker 2>God awful. And then we went back and we tried <v Speaker 2>to turn one of the parts, because this is a <v Speaker 2>part of a bigger song, into one of those so <v Speaker 2>it would be catchy. Okay. Now, I have never in <v Speaker 2>my life once thought of disco music when I was <v Speaker 2>listening to this song. Sure, but after learning this particular fact, <v Speaker 2>I listened to it on the way on the drive <v Speaker 2>over here today and I'm like, Holy, this is I <v Speaker 2>can hear it. I mean, if you put a little <v Speaker 2>bit of if you put a little wah on the guitar, <v Speaker 2>it is a freaking disco drum beat, and the guitar <v Speaker 2>has a rhythm like a disco song. But I would <v Speaker 2>say I am in the mass majority millions of people <v Speaker 2>who never in a million years would have thought that <v Speaker 2>there's any disco influence on this song. But if you <v Speaker 2>go and you listen to it right now, you're gonna go, Wow, <v Speaker 2>there it is. I can hear it. <v Speaker 4>I can see that. <v Speaker 2>Okay, I can see that. Now those backup singers that <v Speaker 2>I was talking about earlier. The choir were a choir <v Speaker 2>and they were from the Islington Green School and they <v Speaker 2>only had forty minutes to record because they recorded it <v Speaker 2>at the school. There were twenty three students that had <v Speaker 2>that week to practice. The head of music was called <v Speaker 2>a lum Renshaw, and he was very excited because he <v Speaker 2>was thought the boys would be excited about music. Instead <v Speaker 2>of having to listen to Tchaikovsky, they get to sing <v Speaker 2>songs about not needing an education. The headmaster was not <v Speaker 2>happy when she found out out that that's what the <v Speaker 2>lyrics to the song were, we don't need no So <v Speaker 2>I think you got it. <v Speaker 4>Yes, this is another brick in the Wall by Pink Floyd, <v Speaker 4>undeniable iconic song. Yeah, I thought that my number one. <v Speaker 2>Yeah. I want you to listen to this and think <v Speaker 2>about if it was just a little more discos discoie sounding. <v Speaker 7>Twitch. <v Speaker 2>Yeah, I can say that. <v Speaker 4>The symbols, the guitar, the beat, I cannot believe it. <v Speaker 2>So when I was in nineteen eighty, when I was <v Speaker 2>when I was a little four or five year old <v Speaker 2>Dee Graves, this song and dream On were guaranteed plays <v Speaker 2>on the jukebox whenever I went to whenever the family <v Speaker 2>went out to go get pizza. I like it, guaranteed, <v Speaker 2>I like it. <v Speaker 4>Yeah, that completes nineteen eighty for us. We've done seventy five, <v Speaker 4>seventy eight, seventy nine, eighty, We've done eighty three, eighty four, <v Speaker 4>eighty five, eighty nine, ninety four. <v Speaker 2>We haven't got very many years in the eighties left <v Speaker 2>to hit. We haven't. It's crazy. Good job us. Thanks, Well, guys, <v Speaker 2>what do you think did we miss one? Were you <v Speaker 2>mad that I didn't say he stopped loving her today? <v Speaker 2>If you were into country music. I'm trying to convince <v Speaker 2>Jason that we need to do a little country episode <v Speaker 2>for the future, maybe about ten years later on the timeline. <v Speaker 4>Hey, Dolly Parton made my list. <v Speaker 2>That's true. I got some cred man, that's true. <v Speaker 4>All right, guys, So next week the YEP, we are <v Speaker 4>starting our comparison that our patreons have given to us. <v Speaker 2>YEP. <v Speaker 4>We put it out there. We say, Hey, which matchup <v Speaker 4>do you guys want to see? They said this one. <v Speaker 4>So we're doing Chicago seventeen by Chicago YEP versus vital Signs. <v Speaker 2>By survivor by survivor. Very excited about that episode. I'm anxious. <v Speaker 2>I'm not super familiar with either one of the albums, <v Speaker 2>but I know these bands, and I know some of <v Speaker 2>the songs on the albums, and I'm super excited to <v Speaker 2>hear what the whole album sounds. <v Speaker 4>There's some Mount rush More makeout songs on these albums. <v Speaker 2>So absolutely, guys, come hang with us for that episode. <v Speaker 2>And if you made it this far, you're probably gonna <v Speaker 2>enjoy our Patreon episodes. Go to patreon dot com slash <v Speaker 2>Shirly Podcast. You can join for free. You can hear <v Speaker 2>the one Hit Wonder episodes for as little as five <v Speaker 2>bucks a month, and you become a part of the <v Speaker 2>Shirley family. Don't pass it up. And by the way, <v Speaker 2>if you're watching us on YouTube, get that little subscribe <v Speaker 2>button down there, and if you're listening to us on <v Speaker 2>the podcast at the follow button. <v Speaker 4>Hey, we are so close to having five hundred followers <v Speaker 4>on YouTube. <v Speaker 2>I know, right, it's crazy. <v Speaker 4>Help us out. Go subscribe. <v Speaker 2>All right, we will see you guys next week. I guys,
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