Princess Celestia LIVE in Vancouver | Nicole Oliver Live at Fan Expo (My Little Pony, Stargate, Littlest Pet Shop)

<v Speaker 1>Don't wonderful thing about tiggers. It's tiggers are wonderful things. Hey,
<v Speaker 1>thank you, how maybe.
<v Speaker 2>Respond as cheerily.
<v Speaker 3>The wonderful thing about tiggers is that tiggers are wonderful things.
<v Speaker 4>Very nice. Wow.
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<v Speaker 2>Do it now?
<v Speaker 1>How you doing out there? It's me Tigger, am Dark
<v Speaker 1>Wing Duck.
<v Speaker 2>It's me Bunkers Deep Bobcat.
<v Speaker 6>All right, y'all?
<v Speaker 5>Is it Ray your favorite firefly you desire? Hondo Old
<v Speaker 5>Knock Goud is Jim Cummings and welcome to tuned In.
<v Speaker 7>Hello, Hello, Hello fan ex Bill Vancouver. How are you
<v Speaker 7>doing today? Welcome, Welcome, Welcome to the second ever live
<v Speaker 7>recording of Tuned In with Jim Cummings.
<v Speaker 6>Give it up, Give it up, give it up?
<v Speaker 7>Yes, yes, yes, who here has seen or heard the podcast?
<v Speaker 7>Before hands up. Ah, so a lot of you have
<v Speaker 7>some work to do. Yes, yes, we have a good time.
<v Speaker 7>There's just really briefly, there's a whole bunch of guests
<v Speaker 7>that are at this convention right now that have been
<v Speaker 7>on the podcast. We've had a great time, you know,
<v Speaker 7>just discussing acting, voice acting. Even some Disney artists have
<v Speaker 7>been on. So if you haven't seen it, be sure
<v Speaker 7>to check it out. And without further ado, I'm going
<v Speaker 7>to introduce our guests for today. You know her from
<v Speaker 7>my Little Pony, none other than Nicole Oliver right here
<v Speaker 7>in the middle. And last but not least, none other
<v Speaker 7>than the legend himself, mister Jim Cummings.
<v Speaker 4>How are you doing alright?
<v Speaker 6>Is this thing on?
<v Speaker 2>Hello?
<v Speaker 4>Nice place you got here?
<v Speaker 8>Hello?
<v Speaker 3>I have knocked up my glasses on my head, I'm ready.
<v Speaker 3>Look at all the pretty people out there.
<v Speaker 2>Whi everyone?
<v Speaker 6>Are you doing?
<v Speaker 4>I'm blinded? So I'm glad? Are you sure? Okay? Good?
<v Speaker 5>It sounds good, sounds promising. Thanks for all getting out
<v Speaker 5>of bed and coming down and seeing us. Thank you
<v Speaker 5>so so very much. I say we get dangerous now,
<v Speaker 5>what do you think? Let's get dangerous? What do you
<v Speaker 5>think Christopher. Shall we so?
<v Speaker 6>I have no voice, but shall we shall?
<v Speaker 4>Well? Thank you so much for coming.
<v Speaker 3>Oh, thank you for having me. I'm I'm quite honored
<v Speaker 3>to be sitting with Winnie the pool.
<v Speaker 4>Oh like a likely story. You have twenty minutes to
<v Speaker 4>cut that out, all right.
<v Speaker 9>Only if you give me some honey.
<v Speaker 5>Oh thank you, sexty pony voice. I don't think ponies
<v Speaker 5>are allowed to talk like that.
<v Speaker 3>Are they only on their off hours?
<v Speaker 4>I think?
<v Speaker 5>Oh, well, I hope this hour isn't off, but it is,
<v Speaker 5>so it's too late.
<v Speaker 4>And thanks all for being here, folks. This is lovely.
<v Speaker 4>Thank you very much, thank you, thank you.
<v Speaker 7>So I thought we could start at the beginning. One
<v Speaker 7>of the things that fascinates me so much about the
<v Speaker 7>entertainment industry is all the avenues that actors and performers
<v Speaker 7>take to end up where they are in their career.
<v Speaker 7>And I've been listening and researching on you, Nicole, and
<v Speaker 7>I think that you share a lot of similar philosophies
<v Speaker 7>to Jim when it comes to your approach creative approach
<v Speaker 7>to a hello, acting or anything like that. But you
<v Speaker 7>also had very different backgrounds. You know, you were classically trained,
<v Speaker 7>correct you went over.
<v Speaker 6>The ponds I did.
<v Speaker 9>I trained Shakespeare.
<v Speaker 3>Jeremy Irons was one of my instructors.
<v Speaker 4>No, it's named drup star himself.
<v Speaker 3>Name drop.
<v Speaker 5>Yes, it's like Elizabeth Taylor told you never be a
<v Speaker 5>name dropper.
<v Speaker 9>Well too, right now, I guess. Yeah, I started.
<v Speaker 3>Well, I was a dancer a long time ago when
<v Speaker 3>I was a kid and so, and that's really hard
<v Speaker 3>on the body. I tore my knee out when I
<v Speaker 3>was twelve, and then I thought I'd be a lawyer.
<v Speaker 4>Oh wow, they went your pole vaulting career.
<v Speaker 3>And then I did the school play and I got
<v Speaker 3>bitten by the bugol. But my parents said I had
<v Speaker 3>to get an education, so I did go to the
<v Speaker 3>classical road. I went to theater school and graduated.
<v Speaker 9>A long time ago when the earth.
<v Speaker 3>Was flat, and have been a professional actor for pushing
<v Speaker 3>almost forty years now. And yeah, it's amazing. I started
<v Speaker 3>when I was minus five.
<v Speaker 4>No, and you're only thirty two, so that's amazing.
<v Speaker 2>Right.
<v Speaker 9>Wow, that's girl math.
<v Speaker 4>And you were acting like an embryo.
<v Speaker 3>I was you lying there and vibrating. But no, so
<v Speaker 3>doing a long time in a lot of different avenues,
<v Speaker 3>and even in my career I've done a lot of things.
<v Speaker 9>I you know, it's.
<v Speaker 3>I'm really grateful to be able to do what I
<v Speaker 3>love and I don't take that for granted.
<v Speaker 9>It every day.
<v Speaker 5>How old were you do you think when you when
<v Speaker 5>you knew you had the bug? When you said, you know,
<v Speaker 5>I'm going to do this and that's it.
<v Speaker 6>Sixteen sixteen.
<v Speaker 9>Yeah, during the high school play?
<v Speaker 4>Yeah? Is that what it was that you that.
<v Speaker 9>Crime of miss Jean Brodie.
<v Speaker 3>I remember walking out on stage and I remember the applause,
<v Speaker 3>and I just remember, well, I just loved being part
<v Speaker 3>of a group of just playing and getting to be
<v Speaker 3>something different or walking different shoes, or experience different emotions
<v Speaker 3>that maybe you weren't allowed to and the freedom in that,
<v Speaker 3>you know is was intoxicating.
<v Speaker 9>And rewarding. And I'm still doing it so you know.
<v Speaker 4>Yeah, still still going, still trying. Yeah, absolutely good for you.
<v Speaker 7>I want to go back and ask you what it
<v Speaker 7>was like working with Jeremy Irons, like having a mentor
<v Speaker 7>like that, having a coach or a teacher like that.
<v Speaker 6>What was that like?
<v Speaker 7>And Jim, for you when you sang in the Lion King,
<v Speaker 7>did you work with Jeremy Irons or were you separate.
<v Speaker 5>No, I didn't I think we ever really met, which
<v Speaker 5>is kind of weird.
<v Speaker 4>But no, I was there.
<v Speaker 5>I had already sung a song, a demo for Hakuna
<v Speaker 5>Matata Jess Harnell and I. You guys, no Jess and
<v Speaker 5>a maniacs got a loving Jess Arnell. Well, Disney hired
<v Speaker 5>us to do a demo for Ernie Sabella and Nathan
<v Speaker 5>Lane Poomba and Timow and they figured because they weren't singers,
<v Speaker 5>they said, well, let's just get Jim adjusted to do it.
<v Speaker 5>So we'll you know, they can give him a cassette.
<v Speaker 5>They can drive around in their car listen to it,
<v Speaker 5>listen to it, listen to it over and over for
<v Speaker 5>a month. That way, you know the song like, you know,
<v Speaker 5>happy Birthday. You know, everybody knows Happy Birthday. It's that
<v Speaker 5>kind of thing. So that's what they did. And they said,
<v Speaker 5>and you know, since you're here, would you like to
<v Speaker 5>take a swing at be prepared the villain song?
<v Speaker 4>You guys saw Lion King, right, be.
<v Speaker 5>Prepared and the bad guy has to laugh at the
<v Speaker 5>end of the song.
<v Speaker 4>It's a law. And so so there you go.
<v Speaker 5>And they said, well, let's have Jim take a swing
<v Speaker 5>at it and it apparently I didn't stink, so I
<v Speaker 5>got into snuck into the movie too.
<v Speaker 9>That's so cool, you know.
<v Speaker 4>Yeah, a lot of those happy circumstances.
<v Speaker 9>Well, I met mister Irons, call me Jeremy. I was staying.
<v Speaker 3>It was at Oxford in England, and I was boarding
<v Speaker 3>there at Balliol College, and he was teaching us shocking Shakespeare.
<v Speaker 4>Wow.
<v Speaker 3>And we were doing Julius Caesar and every day we
<v Speaker 3>meet out in the quad and go walking along the
<v Speaker 3>Thames and talk Shakespeare and do our lines. And my
<v Speaker 3>classmates were from all around the world, so not all
<v Speaker 3>of them spoke English, so I might be doing my
<v Speaker 3>lines in English, but the other actors were speaking Spanish
<v Speaker 3>or Russian, and it was mind boggling. And then we
<v Speaker 3>just sit down and have a pint and talk. So
<v Speaker 3>you know, it was this real kind of fundamental introduction
<v Speaker 3>for me to like the substance and the foundation that
<v Speaker 3>somebody I've admired has and had and that, and just
<v Speaker 3>how real it all was to you can get to
<v Speaker 3>separate the artifice from the acting right, and in such
<v Speaker 3>a gorgeous location with steeped in history, it was no kidd,
<v Speaker 3>really inspiring.
<v Speaker 4>Wow.
<v Speaker 5>That's you're walking into some well born steps over there
<v Speaker 5>in Shakespeareville.
<v Speaker 9>Yes, right, right, very much. So, all the world's a
<v Speaker 9>stage and all that you know.
<v Speaker 3>Yeah, yeah, the.
<v Speaker 4>Whole world is yes, Yes, here's one.
<v Speaker 7>Now another question I have for another question I have
<v Speaker 7>for both of you. I mean, one of the things
<v Speaker 7>that fascinates me so much about voice acting is just
<v Speaker 7>the ability to obviously change your voice into so many
<v Speaker 7>different characters. For you too, specifically, one of the talents
<v Speaker 7>that amazes me is your ability to play so many
<v Speaker 7>different characters within the same show. Like I saw you
<v Speaker 7>were on a show called Littlest Pet Shop where you
<v Speaker 7>played over twenty characters. Just you, over twenty characters, Jim.
<v Speaker 7>For you, I think of you know a Sarge's Heroes,
<v Speaker 7>where you played pretty much every single character. So is
<v Speaker 7>the process and how much do you lean on the
<v Speaker 7>animation to differentiate your voice when you're doing over twenty
<v Speaker 7>voices in one project?
<v Speaker 4>Take it away?
<v Speaker 9>Process?
<v Speaker 4>Well, I.
<v Speaker 3>Listened a lot to the world around me. I get
<v Speaker 3>inspired by what I hear around me. But I've always
<v Speaker 3>been making funny voices ever since I was a kid.
<v Speaker 3>My mom told me I spoke with a British accent
<v Speaker 3>for six months when I was like six years old,
<v Speaker 3>No kid drove her nuts, and then I apparently switched
<v Speaker 3>to a French accent. So I've always loved the music
<v Speaker 3>of voices, and I've even I haven't been arrested yet,
<v Speaker 3>but there I was. One time I was in nordstrooms
<v Speaker 3>and there was this woman who was at the makeup
<v Speaker 3>and she was looking for a very particular kind of
<v Speaker 3>blush and she was going on and on and on
<v Speaker 3>about the blush not too orange, not to caral, but
<v Speaker 3>you know side they hate it, it's too orange.
<v Speaker 9>And I was like, who is that?
<v Speaker 3>And so I was trying to get my phone out
<v Speaker 3>to record her and not get arrested for stalking. So
<v Speaker 3>I mean that we all have so many voices inside
<v Speaker 3>of us. It just takes the courage, I think, to
<v Speaker 3>take the leap. But I also get inspired by lots
<v Speaker 3>around me and those who've come before me.
<v Speaker 5>So yeah, yeah, do you I used to do impressions
<v Speaker 5>of my relatives.
<v Speaker 6>Oh yes, do you do?
<v Speaker 4>What where do you come up with yours?
<v Speaker 3>So I have an aunt, Sylvia, who lives in Winnipeg,
<v Speaker 3>Manitoba above Minnesota, and.
<v Speaker 10>Sylvia Sylvia used to smoke, but she didn't smoke, you
<v Speaker 10>know what I mean, you know, and so when I
<v Speaker 10>would go over she oh, Nikki it is that's what
<v Speaker 10>my family called me, was Nick, Oh Nikki, look at
<v Speaker 10>it's so oh no that's no.
<v Speaker 9>I'm not smoking, no Nick. But today I had a bit.
<v Speaker 4>Of one cigarette smoking. Yeah it wasn't.
<v Speaker 3>Yeah, well cigarette smoking maybe both. That might explain a lot.
<v Speaker 3>But yeah, so family too, really great. Yeah, nobody's billed
<v Speaker 3>me yet for using their voice, but I'm sure that's sticking.
<v Speaker 4>Yeah. Yeah.
<v Speaker 5>Well, my aunt Grace God rest he soul was Lieutenant
<v Speaker 5>Spinelli on Chippendale's Rescue Rangers. I know that's how you
<v Speaker 5>guys see that show Chippendale. Member, there's an old show.
<v Speaker 4>Oh thanks, thank you very much.
<v Speaker 11>But you know, to my waves, think to my little Liz,
<v Speaker 11>that's just the way she sounded. How you doing there, Jim,
<v Speaker 11>won't get over here, give your aunt Grace a hug.
<v Speaker 5>That was my aunt, not my uncle. And so uh
<v Speaker 5>and and you know, I just put her in a
<v Speaker 5>cartoon and everybody bought it. You know, that's one of
<v Speaker 5>my tricks. And I you know, to this day, I'll
<v Speaker 5>still come up with different things like that, and I
<v Speaker 5>put two together.
<v Speaker 4>I've you ever blend together two people?
<v Speaker 2>Yeah?
<v Speaker 3>Well, my boys when they were little their voices, because
<v Speaker 3>kids' voices are unbelievable. There's such great reactors. And on
<v Speaker 3>some shows, you know they're going to want to hire
<v Speaker 3>an adult to do a boy Do you do a
<v Speaker 3>boy voice or something because we can work longer hours
<v Speaker 3>and maybe we won't be as temperamental. I don't know, Jim,
<v Speaker 3>but sometimes I'd be looking at my kids and they'd
<v Speaker 3>be like, much stop it, stop it, mom, stop it,
<v Speaker 3>don't steal my voice. Mom, stop it.
<v Speaker 2>It's like I was the voice snatcher.
<v Speaker 5>But that's pretty good. And he was right smack dab
<v Speaker 5>in the middle of puberty there. It sounded like.
<v Speaker 3>Yeah, and the kids are yeah, yeah yeah.
<v Speaker 4>I remember I was in ninth grade and I answered
<v Speaker 4>the phone, Hello, how you doing? Oh hi Sally, which
<v Speaker 4>was my mom.
<v Speaker 1>I go, this is this isn't Sally, it's Jim High.
<v Speaker 5>You know, And I did my back. Then I finally
<v Speaker 5>they dropped, and I finally, well.
<v Speaker 3>I go a big borrow and politely steal and ask
<v Speaker 3>for forgiveness from almost anything.
<v Speaker 9>Yeah, it's all around you.
<v Speaker 5>Well, it's easier to ask for permission then, I mean
<v Speaker 5>forgiveness than permission.
<v Speaker 4>Yes, there you go exactly.
<v Speaker 7>Both of you doing these voices right now gives me
<v Speaker 7>the question growing up, did you find just like a
<v Speaker 7>compulsion to do these voices? Like it was just something
<v Speaker 7>where like I need to do a voice. It's just
<v Speaker 7>an urge, you know, these voices are coming out coming out?
<v Speaker 7>Or is it something that you really had to sit
<v Speaker 7>down and workshop and craft every time you made a
<v Speaker 7>new voice.
<v Speaker 3>I always say anyone who knows me, it's like, what's
<v Speaker 3>your real voice? I'm all over the place with it,
<v Speaker 3>and I love to saying but really, I mean, bugs bunny.
<v Speaker 3>I watched that growing up and was just so inspired
<v Speaker 3>by all of that and and just yeah, so it's
<v Speaker 3>the music, right, it's all around you, And I think, yeah,
<v Speaker 3>you know, sometimes when I'm trying to find a voice,
<v Speaker 3>I'll think of like tonally, like I play piano, So
<v Speaker 3>what you know, does this person's voice around here, this
<v Speaker 3>note up here, the notes and then maybe she's gonna
<v Speaker 3>live here or is it done here and that's where
<v Speaker 3>she's going to be and that you.
<v Speaker 2>Know, does she have a bit of a cold, maybe
<v Speaker 2>down here.
<v Speaker 4>She's a smoker, ye.
<v Speaker 10>Like that, right, But the notes, the.
<v Speaker 3>Notes of it, all right, the music notes really helped
<v Speaker 3>me kind of find scale. Yeah, yeah, the the odd time, what,
<v Speaker 3>I have no inspiration all.
<v Speaker 9>The time, all the time.
<v Speaker 7>Well, it's funny you mentioned that because we've talked to
<v Speaker 7>so many actors on this podcast, and so many come
<v Speaker 7>from a musical background, you know, finding those notes, I mean,
<v Speaker 7>you know, I know Jim's a singer.
<v Speaker 6>Were you ever singer? Yeah?
<v Speaker 3>Yeah, I am a singer. I was a singer. I
<v Speaker 3>will always be a singer. You kind of have to
<v Speaker 3>be able to do it all and if you can't,
<v Speaker 3>you have to be able to fake it really well,
<v Speaker 3>I think in this business. So singing now is in
<v Speaker 3>school choirs. And then I actually sang in some rock
<v Speaker 3>bands in Toronto, Ontario, Canada whoo in the eighties and
<v Speaker 3>nineties and started out musical, did musical theater, and then
<v Speaker 3>I got seducted to the dark side of film and
<v Speaker 3>television also known as the paycheck differential. And yeah, so
<v Speaker 3>and then music and on a lot of animation shows.
<v Speaker 3>Now there's been a lot of music and so My
<v Speaker 3>Little Pony was the first cartoon that I had sung for.
<v Speaker 5>Oh that's cool. I was about to ask you that. Yeah,
<v Speaker 5>did you say you were in a band or you were?
<v Speaker 9>I was like, yeah, I was.
<v Speaker 3>We had an item musical band. I think we called
<v Speaker 3>ourselves six six nine because that was the lead guitarist
<v Speaker 3>address at the time on austin'son was very original thinking
<v Speaker 3>of the name. But we did covers like oh the
<v Speaker 3>long cool Woman and old black Dress. You heard that song?
<v Speaker 9>I do, yes, like from a lot of time.
<v Speaker 8>With the Hollies, Uh, you know, the just one Look
<v Speaker 8>she was a bad a little long.
<v Speaker 9>Come won't it?
<v Speaker 5>Okay, you have ten minutes to stop that?
<v Speaker 4>Okay, all right, that's wonderful. Good for you.
<v Speaker 6>It wasn't that.
<v Speaker 4>Come on, help me out?
<v Speaker 3>I thank you?
<v Speaker 6>Oh pretty good?
<v Speaker 3>Huh, very sweet? Yeah, but no singing on My Little
<v Speaker 3>Pony was was nerve wracking. Daniel Ingram was the composer
<v Speaker 3>on it, and it's just incredible and was who Daniel Ingram?
<v Speaker 3>And he's been nominated for Emmys and I don't know,
<v Speaker 3>probably I think he lines his whole room with him now.
<v Speaker 3>But it was incredible because it was a real mix
<v Speaker 3>throwback to those classical music musicals, but also there was
<v Speaker 3>something very relatable and almost poppy in the music on
<v Speaker 3>that show it and it had its own thing.
<v Speaker 9>It has its own life now even.
<v Speaker 3>After the run of the show. So yeah, sang on
<v Speaker 3>that and I still sing. People ask me not to,
<v Speaker 3>but I'll sing anyway. Well actually in my car, right, yeah,
<v Speaker 3>that's right.
<v Speaker 4>Well, you never know get a gig out of it
<v Speaker 4>that you can't.
<v Speaker 6>I know you were in a band as well, Jim.
<v Speaker 6>What was the name of your band?
<v Speaker 4>Yeah, well I was in a bunch of them, but
<v Speaker 4>Fusion was the one band in it.
<v Speaker 5>Was like one that I was. I was a fantastic
<v Speaker 5>parrel in high school, which was cool, and I was
<v Speaker 5>a sweet soul spice in high school. I was the
<v Speaker 5>white kid and I still am and except now I'm
<v Speaker 5>the white old fart.
<v Speaker 9>Uh.
<v Speaker 5>But Fusion was the band in New Orleans, the only
<v Speaker 5>one I made money in that I could make a
<v Speaker 5>living doing. And we just did cover songs and stuff
<v Speaker 5>like that. Would anyone like to hear some of you?
<v Speaker 5>Arrayah heap say no good, okay, no, no, no, no, okay,
<v Speaker 5>take me acrop Okay, We're done.
<v Speaker 7>And uh, do you remember the first time you sung
<v Speaker 7>in a in a cartoon.
<v Speaker 5>Oh gosh, that's a good. Oh, Dumbo Circus, it would
<v Speaker 5>have to be. It was, yeah, Dumbo Circus, it was.
<v Speaker 4>It was a brand new thing.
<v Speaker 5>It was called cable Tea the ooh yeah, yeah, that
<v Speaker 5>was yeah, that was a while ago and Disney Channel
<v Speaker 5>had just started and they said, well, we need some
<v Speaker 5>content because we can't keep rerunning these old things from
<v Speaker 5>forty to fifty years ago. So they started Dumbo's Circus
<v Speaker 5>and I was I was Lion Old the Lion Dumbo's
<v Speaker 5>Powell and it was people in costume, you know, some
<v Speaker 5>some little people, some you know, regular folks.
<v Speaker 4>And they were in costume.
<v Speaker 5>There wasn't animated, so you know, it was hard to
<v Speaker 5>have like a five foot mouse because it was based
<v Speaker 5>on Timothy from Dumbo, and so they made him a lion.
<v Speaker 5>So I got to be Lionel the Lion, and that
<v Speaker 5>was my first job for Disney.
<v Speaker 3>That's one of my favorite things when you're different characters,
<v Speaker 3>like how would they sound when they sing? You know
<v Speaker 3>what I mean? Like because it's it's not just enough
<v Speaker 3>for those who are like interested in doing voiceover, right,
<v Speaker 3>like just what your character is going to sound like.
<v Speaker 3>But it's also like, what do they sound like? What's
<v Speaker 3>their laugh sound like? What do they sound like when
<v Speaker 3>they sing?
<v Speaker 4>Yeah?
<v Speaker 9>Because do they sing? Are they tone deaf? Do they
<v Speaker 9>talk sing?
<v Speaker 3>Wow?
<v Speaker 4>That's all? Yeah, I have that same philosophy.
<v Speaker 3>You know, and so and what could what can you
<v Speaker 3>add to it that's going to make it kind of
<v Speaker 3>stand out a little bit like that can help add
<v Speaker 3>back into the character. So I don't see singing as
<v Speaker 3>a character. There are some not all actors will sing.
<v Speaker 3>There are they'll hire some people who just sing for
<v Speaker 3>certain characters. Yes, but I probably.
<v Speaker 9>Because I'm a control free well.
<v Speaker 3>I love to be able to do both, and I'm
<v Speaker 3>very grateful when I'm given the opportunity to do so,
<v Speaker 3>because you really can really flesh out the character that way,
<v Speaker 3>you know.
<v Speaker 5>And I agree, yeah, absolutely, And I think everybody likes that.
<v Speaker 5>When the song comes on, you know, I remember, you know,
<v Speaker 5>I've had four daughters, and I remember, you know, the
<v Speaker 5>cartoon beyond it's something to be playing, and the song
<v Speaker 5>will come on and they get up and they start
<v Speaker 5>waltzing around the room. So everybody picks up on it,
<v Speaker 5>you know, young, old, doesn't matter.
<v Speaker 3>I think I played, Uh, there's a cartoon came in
<v Speaker 3>a little while ago called press Start, and I had
<v Speaker 3>a character press Start based on the kids books, and
<v Speaker 3>I played Helga the Viking and I got to do
<v Speaker 3>opera singing and oh did.
<v Speaker 4>You have the helmet with the.
<v Speaker 5>And and just and it came Wow, I'm just glad
<v Speaker 5>none of this glass started breaking.
<v Speaker 3>Yeah, but to be able to like I went into
<v Speaker 3>I got offer the part and they're like, oh, by
<v Speaker 3>the way, we wanted to be an opera singer. I
<v Speaker 3>didn't know that. First of all, she had to have
<v Speaker 3>a really bad accent and the worst the better, you knew,
<v Speaker 3>kind of a cross between Beaker and you know somebody.
<v Speaker 9>And so then they then she do the opera singing.
<v Speaker 9>You know, I'd have to sing the song.
<v Speaker 3>And it was just so fun. First of all terrifying
<v Speaker 3>because I'm like, what are.
<v Speaker 4>We gonna do? And the dogs liked it. They're going,
<v Speaker 4>what what do you want?
<v Speaker 3>I'm over here right the studio dogs are crazy. But
<v Speaker 3>that's what's so fun about working in this business. I
<v Speaker 3>don't know if you' fel the same way. Just those
<v Speaker 3>challenges that make you want to run out of the
<v Speaker 3>room and hide, and also that you just can't wait
<v Speaker 3>to stand up and shout to the rooftops. You know,
<v Speaker 3>I kind of I feel like I live between.
<v Speaker 4>Terror and.
<v Speaker 9>In these exalting highs. When I'm in the booth all
<v Speaker 9>the time.
<v Speaker 3>You never know what's going to come your way, and
<v Speaker 3>you never know if you're going to be able to
<v Speaker 3>do it or not, and then when you do it,
<v Speaker 3>you're like, yeah, I knew we could do that.
<v Speaker 5>If you're a fan of everything we do here at
<v Speaker 5>tuned In with Jim Cummings, you could support the show
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<v Speaker 2>Do It Now.
<v Speaker 7>Do you feel like that pressure is higher or lower
<v Speaker 7>when you're recording in a group versus an individual setting?
<v Speaker 3>I think, well, I love group records, and they're a
<v Speaker 3>rare thing to begin with, because to get everyone's schedule
<v Speaker 3>and alignment is so hard.
<v Speaker 9>But then with COVID that went out the window.
<v Speaker 4>I know that's crazy.
<v Speaker 3>As an actor, I didn't get into this business to
<v Speaker 3>work in isolation, so I found that's been a real
<v Speaker 3>challenge because I get inspired by everyone's.
<v Speaker 4>Nay, acting is reacting?
<v Speaker 3>Yeah, also what do you how are you going to
<v Speaker 3>say the line? What are you going to do? But
<v Speaker 3>then also you might be inspired by the way that
<v Speaker 3>you would give a line to me. It's going to
<v Speaker 3>make me do something that I hadn't thought of, practiced
<v Speaker 3>or whatever. And it's those yummy moments of of of
<v Speaker 3>just that creative spark that.
<v Speaker 9>When you're working on your own. Yeah, it's really tough.
<v Speaker 9>Do you have to do it all?
<v Speaker 6>Right? Yeah?
<v Speaker 4>I agree?
<v Speaker 5>Yeah, and I and I like to I tend to
<v Speaker 5>add live. I always do it as written, yep. But
<v Speaker 5>then I'll do it as that should have been written,
<v Speaker 5>and that which is my ad libe that I made up.
<v Speaker 9>And do you negotiate a writing credit?
<v Speaker 5>Yeah, but you can't negotiate to because the writers are going,
<v Speaker 5>oh yeah that was good.
<v Speaker 4>Yeah I wrote that.
<v Speaker 2>I'll take that, thank you.
<v Speaker 4>Sure.
<v Speaker 2>Yeah.
<v Speaker 4>Yeah.
<v Speaker 5>There's a semi famous story about when we did Aladdin
<v Speaker 5>and and I had a scene with Robin Williams not
<v Speaker 5>in the room at the same time, but I had
<v Speaker 5>lived a couple of lines that I was I was
<v Speaker 5>the big guy the doukizuldas directly from Jaffa.
<v Speaker 4>If you guys saw that movie, that was me, that
<v Speaker 4>was me. Thanks, and uh, they'd.
<v Speaker 5>Liked a couple of my lines, so they kept them,
<v Speaker 5>but they didn't, Uh it didn't work with Robin's line
<v Speaker 5>that followed right after. So they had to hire Robin Williams,
<v Speaker 5>and I'm sure he was cheap, you know, to come
<v Speaker 5>back in and fix the lines. And if you see
<v Speaker 5>I want to I think it's the third one. There's
<v Speaker 5>a courtroom scene.
<v Speaker 4>And he didn't.
<v Speaker 5>He wasn't crazy about the fact that he had to
<v Speaker 5>fix his lines because oh, little funny cartoon man, oh
<v Speaker 5>very nice, Oh had lib Oh I never heard of that.
<v Speaker 5>And so he came in and he said, well, well,
<v Speaker 5>we won't have this problem anymore. I'll tell you what.
<v Speaker 5>I'm sorry. I will not take guff from a tertiary character.
<v Speaker 5>And he leaned over and grabbed my feet and rolled
<v Speaker 5>me up like a blind and Genie vanished me. So
<v Speaker 5>so I got dissed by Robin Williams in a major
<v Speaker 5>motion picture.
<v Speaker 4>Thank you, Thank you.
<v Speaker 5>He gave me his finger personally sort of symbolically symbolical.
<v Speaker 4>Please let's change the subject. The cool question for you?
<v Speaker 7>Sure, So you've done so much work not only in
<v Speaker 7>voiceover but also on camera and a host, sting and
<v Speaker 7>many anymore, how different is your approach to whatever medium
<v Speaker 7>you're working with or is it very similar, say your
<v Speaker 7>approach versus on camera or recording in a booth?
<v Speaker 4>Great question.
<v Speaker 3>Well, first of all, it's all acting, right. Voice is
<v Speaker 3>just the adjective in front of the noun. And so
<v Speaker 3>you're an actor, so it's always who am I? What
<v Speaker 3>are my similarities to this character?
<v Speaker 9>That's difference? So how can I find my way in?
<v Speaker 3>I believe preparation, whether it's an animation character or a
<v Speaker 3>television role or a movie.
<v Speaker 9>You're only as good as your last job.
<v Speaker 3>So I take it very seriously and do a lot
<v Speaker 3>of prep work and and try and think outside of
<v Speaker 3>the box, and and so that when I'm actually in
<v Speaker 3>the booth or on set, I can just let it
<v Speaker 3>all go and have fun and be present and enjoy
<v Speaker 3>the moment and you know, everything else around you, without
<v Speaker 3>being so stuck in my head or terrified that I
<v Speaker 3>don't even know what I'm doing.
<v Speaker 5>You know, well, you know I the way I have
<v Speaker 5>a philosophy if it was a football game.
<v Speaker 4>Then I treat every gig like it's the super Bowl.
<v Speaker 6>Yep.
<v Speaker 5>You know that's I think that's the only way to go, yep,
<v Speaker 5>because otherwise, you know, what are you doing? You know
<v Speaker 5>you're not You're gifted to not have to sell shoes because.
<v Speaker 4>I've done that. It sucks and this is much better
<v Speaker 4>to hang out with you.
<v Speaker 3>I sold jewelry.
<v Speaker 9>Yeah, I worked in retail. I get you.
<v Speaker 4>Yeah. Oh wow, there you go. Well I used to
<v Speaker 4>sell pots and pants door to door.
<v Speaker 9>Here you win, that's it.
<v Speaker 4>Okay.
<v Speaker 5>I used to sell my blood. Okay, never mind, Okay,
<v Speaker 5>as long as.
<v Speaker 9>I'm pots and pants Jim.
<v Speaker 4>Yes, which is sadly true.
<v Speaker 9>Yeah, every job like the super Bowl.
<v Speaker 3>And also, I think one of the things I miss
<v Speaker 3>about auditioning in person, so much of our industry has
<v Speaker 3>moved online, right yeah, which is a whole other story.
<v Speaker 3>It makes me cry, but that in person, I've gotten
<v Speaker 3>jobs like I've gone to audition for something and they've
<v Speaker 3>seen something else and they ask you back for something,
<v Speaker 3>or they'll ask you in.
<v Speaker 9>That moment, can you try this for me?
<v Speaker 3>Or because of how you were doing a guest spot
<v Speaker 3>on a certain show. I've had them right, like all
<v Speaker 3>of a sudden, you have a three episode arc or
<v Speaker 3>an animation there we know she can do this too,
<v Speaker 3>or can you do this as well? And I was
<v Speaker 3>just working on a movie the other day. I was
<v Speaker 3>an animated film I'm not allowed to talk about. And
<v Speaker 3>I was brought in to do some smaller the name
<v Speaker 3>that's right or else the lawyers will descend from the ceiling.
<v Speaker 3>But and I was doing walat.
<v Speaker 4>I'll get it out of her and tell you later.
<v Speaker 3>But at the end, the director came up to me
<v Speaker 3>and said, you know, we had swung for the Fences
<v Speaker 3>on this went a different way on one of the leads,
<v Speaker 3>which I had also auditioned for.
<v Speaker 9>And he's like, I think.
<v Speaker 3>We we'd like to go with you.
<v Speaker 9>Can I just work with you for a little bit.
<v Speaker 3>I have a different idea and that's come back my
<v Speaker 3>way now, right? And so had I not been in
<v Speaker 3>the booth with the director doing these things like there's
<v Speaker 3>no small parts, there's no to be asked to contribute,
<v Speaker 3>is incredible. You show up, you do your best, just
<v Speaker 3>speak for the Fences. Super Bowl every time, Bad Bunny
<v Speaker 3>halftime show.
<v Speaker 4>Yes, yeah, there you go right, yeah, yeah. Gratitude is essential.
<v Speaker 5>Yeah, I'm grateful for all of it, every little every
<v Speaker 5>little bit. I think that's that's part of being happy too, gratitude.
<v Speaker 5>You can't be happy if you don't have gratitude. No, right, yes,
<v Speaker 5>it's a thing. Yeah, yeah, it's true. Yeah, I stole
<v Speaker 5>that from Dennis Sprigger, but he was right.
<v Speaker 4>So there you have it.
<v Speaker 7>Yeah, a question for both of you. I'm curious as
<v Speaker 7>an actor what it feels like. You know, it's great,
<v Speaker 7>it's book a part of course. You know, that's exciting.
<v Speaker 7>Your adrenaline is going. You know, you're excited to perform.
<v Speaker 7>It's another thing to get cast in a part of
<v Speaker 7>a major ip like Marvel. You know, you both have
<v Speaker 7>played superheroes before in Marvel. You know properties and obviously
<v Speaker 7>Winnie the Pooh something is so big like mine, little Pony.
<v Speaker 7>You know, what's that feeling when you get cast in
<v Speaker 7>something that's already so established and so big, like, oh
<v Speaker 7>my god, like people already know that. You know, the part,
<v Speaker 7>the anticipation part of is this going to blow up?
<v Speaker 6>Is gone? You already know it's huge.
<v Speaker 7>What's that feeling like when you get cast in one
<v Speaker 7>of those properties? Did you grow up as a comic fan.
<v Speaker 7>I know Jim did.
<v Speaker 3>Yeah, I know why had all the Archie comics? Those
<v Speaker 3>were my you.
<v Speaker 4>You read a lot of Archie comics.
<v Speaker 3>Ye, me too, a lot of Archie comics.
<v Speaker 2>Yeah.
<v Speaker 3>I mean I think if you let the magnitude of
<v Speaker 3>some of it hit you, I would never.
<v Speaker 1>Get out of bed.
<v Speaker 2>I'd be like not today people.
<v Speaker 3>But yeah, I played Black Widow and Lego Marvel, I've
<v Speaker 3>been the Sorceress. And he was going to ask you that,
<v Speaker 3>you know, lots of different parts like that, I've camera,
<v Speaker 3>I've worked with you, worked with Julia Robertson, so you
<v Speaker 3>can't really think about it, but certainly after the fact,
<v Speaker 3>I fangirl us fangirling knowing I was coming to talk
<v Speaker 3>with you, Winnie, and that you know, was say, mister Cummings.
<v Speaker 4>And in a.
<v Speaker 7>Part like Black Widow, does the does the on camera
<v Speaker 7>actors performance have any influence into your character or is
<v Speaker 7>it just brought one hundred percent through you or is
<v Speaker 7>there a.
<v Speaker 9>Mix kind of a little both.
<v Speaker 3>It's going to depend really on the animation director and
<v Speaker 3>where they're wanting to go, whether they're trying to I mean,
<v Speaker 3>Scarlet Johanson, give me a break, Like what Colin Joseph's
<v Speaker 3>the luckiest man on the planet as whereas I'm concered
<v Speaker 3>next to my hut, next to my husband, that is,
<v Speaker 3>he's the luckiest man on the planet. But she's incredible.
<v Speaker 3>She's got a great tone about her, you know. But
<v Speaker 3>I loved my favorite on camp, like Florence Pugh as
<v Speaker 3>her sister.
<v Speaker 9>Come on now, the hair flip?
<v Speaker 3>So those there's a lot of things in live action
<v Speaker 3>that do come over into the booth that you try.
<v Speaker 3>But you see, it's her voice when we're using our
<v Speaker 3>whole body in front of the microphone. It's not just
<v Speaker 3>the voice. I always say, what are you going to
<v Speaker 3>do with the other now?
<v Speaker 4>Yer?
<v Speaker 3>So how do you do the hair flip with your voice?
<v Speaker 6>Like?
<v Speaker 3>Is it a sassy attitude? Is its true?
<v Speaker 9>You know?
<v Speaker 3>How do you get into all the things that we
<v Speaker 3>take for granted? With their eyes? It's if it's an inspiration,
<v Speaker 3>how do we get it in here to then have
<v Speaker 3>it meet? Because you see the eyes and the ears.
<v Speaker 9>Coming together, right?
<v Speaker 3>So yeah, but yeah, sure, Marvel, huge, Yeah it's gonna right.
<v Speaker 3>Did it not feel the same way for you? Oh?
<v Speaker 4>Absolutely? Well?
<v Speaker 5>Did you ever read comic books? Speaking of Marvel, pard
<v Speaker 5>of me. Were you see girls don't read comic books?
<v Speaker 4>Do this?
<v Speaker 3>Sorry?
<v Speaker 2>What was that?
<v Speaker 12>Where?
<v Speaker 5>No?
<v Speaker 9>I read com I brothers?
<v Speaker 4>Okay? Good?
<v Speaker 3>Oh yeah, I mean I had star I had Star
<v Speaker 3>Wars sheets on my bed. I had the original Star
<v Speaker 3>Wars sheets on my bed because my brothers did, and
<v Speaker 3>I was like, oh, I want them too. And then yeah,
<v Speaker 3>so I've always collected stuff, yeah, you know, dolls or
<v Speaker 3>I mean I have the original Sonny and Share Barbie,
<v Speaker 3>like I love Charlie's Angels, I love pop colors, oh
<v Speaker 3>my gosh, you know all that kind of stuff. And
<v Speaker 3>I just I think, you know, when you look at
<v Speaker 3>what's really impacting people, it's such a great end to
<v Speaker 3>understanding how people tick. And that goes back to what
<v Speaker 3>we do for a living.
<v Speaker 5>Right, So yeah, so true, yeah, always, well it's a blessing.
<v Speaker 4>Yeah. And did you always knew you were going to
<v Speaker 4>do this sort of thing?
<v Speaker 9>Yeah?
<v Speaker 4>Yeah, that's right, Yeah, that's right.
<v Speaker 3>Yeah, I didn't want a quiet life.
<v Speaker 5>Yeah, I mean I kind of knew I was going
<v Speaker 5>to do something exactly like this when I was five.
<v Speaker 3>So I always say, but the challenge is just, you know,
<v Speaker 3>how do you keep reinvent how do I keep reinventing
<v Speaker 3>myself without losing who I really am, because you're trying
<v Speaker 3>to please a bunch of masters and mistresses, right that
<v Speaker 3>all have different ideas and the whims of change all
<v Speaker 3>the time. And and you know, aging and being a
<v Speaker 3>woman in this business and dealing with all those sort
<v Speaker 3>of things too. I have a lot to say, I
<v Speaker 3>have a lot I want to do, and gosh darn it,
<v Speaker 3>I'm going to find a way to do it.
<v Speaker 1>That's right.
<v Speaker 4>Strong opinions for all occasions.
<v Speaker 6>You will give it up.
<v Speaker 3>Yeah, strong opinions for all occasions.
<v Speaker 5>That from Jimmy McSwain, the great director, voice director. That's
<v Speaker 5>her line. Yeah, so, and you can quote her.
<v Speaker 7>I will, I will, all right, jim I think it's
<v Speaker 7>time for a voice swap.
<v Speaker 6>What do you think?
<v Speaker 7>But yes, that time of the show has come. Those
<v Speaker 7>of you who watched the podcast know what's coming. Those
<v Speaker 7>of you who don't, you're in for a treat. So
<v Speaker 7>how this game works. I did homework, You did some homework.
<v Speaker 9>Take my notebook out.
<v Speaker 6>Look at that. I think that's the first.
<v Speaker 2>Of all, I'm of an age.
<v Speaker 3>Second of all, I'm in the menopause, sir, of all,
<v Speaker 3>what's my name?
<v Speaker 2>I don't remember what day it is, Jim.
<v Speaker 4>Did you say men on or No?
<v Speaker 3>That really?
<v Speaker 6>Okay?
<v Speaker 7>So how it works for anybody who doesn't know Nicole?
<v Speaker 7>You can go first, since you're prepared, you got the
<v Speaker 7>notebook and everything. You'll pick one of your characters and
<v Speaker 7>one of their iconic quotes. You'll say that in the
<v Speaker 7>character's voice, and then Jim, you'll do the same thing
<v Speaker 7>in one of your character voices, and then we'll go
<v Speaker 7>by you guys.
<v Speaker 5>See one of these before you're in luck, I think, please,
<v Speaker 5>or in Canada, one of these.
<v Speaker 3>So I'll start with Princess Celestia.
<v Speaker 5>Oh perfect, I do a perfect Princess Celestia.
<v Speaker 9>So here it is.
<v Speaker 3>You ready, Here we go. I was not aware that
<v Speaker 3>I was an expression to the moon.
<v Speaker 4>Wait wasn't that Jackie Gleeson to the moon? Alice?
<v Speaker 3>Well, nobody knows what that is, even borrow and you steal.
<v Speaker 3>I banished my sister to the moon. I'll have you know, Jim, damn,
<v Speaker 3>I did she was bother something.
<v Speaker 5>I'm not going to mess with that. No, now, I
<v Speaker 5>forgot the quote.
<v Speaker 3>I was not aware that I was an expression to
<v Speaker 3>the moon.
<v Speaker 4>I was not aware that that was an expression. I expression,
<v Speaker 4>oh wow.
<v Speaker 3>Okay, like dear Celestia, people would say, and I was like,
<v Speaker 3>I was not aware that I was an expression.
<v Speaker 2>And to the moon.
<v Speaker 4>How about dark wing duck?
<v Speaker 5>I was not aware that I was an expression to
<v Speaker 5>the moon d w all right, okay, so let's see.
<v Speaker 5>Let me give you one. Okay, here we go. How
<v Speaker 5>about tigger? Should we do tigger? Say yes, thank you? Okay,
<v Speaker 5>your choice, dealer's choice on who's going to respond. But uh,
<v Speaker 5>the wonderful thing about tiggers, it's tiggers are wonderful things.
<v Speaker 3>Hey, thank you, le Maybe respond as cheerily. The wonderful
<v Speaker 3>thing about tiggers is that tiggers are wonderful things.
<v Speaker 4>Very nice. Wow, I feel like bouncing. That was very good.
<v Speaker 2>Bounce with the capital b.
<v Speaker 6>Okay, about we do one more back and forth? How
<v Speaker 6>does that sound? One more character each?
<v Speaker 4>Well more each? Okay?
<v Speaker 5>So who what did someone say? Mooh or pooh? Okay?
<v Speaker 4>There was some guy selling hot dogs?
<v Speaker 5>Never mind, Okay, would you please pass the honey?
<v Speaker 9>An your black widow?
<v Speaker 10>Would you please pass the honey?
<v Speaker 12>Oh?
<v Speaker 4>I think she won that one. Oh?
<v Speaker 3>How about oh sorceress from he Man?
<v Speaker 4>Oh?
<v Speaker 2>He man by the power of Grace school. He man,
<v Speaker 2>by the power of Grayschool.
<v Speaker 5>How about Tash hey Man, by the power of Gracecoal.
<v Speaker 6>There we got back.
<v Speaker 4>Okay, I'm spat on the microphone. Now I have to
<v Speaker 4>We're done.
<v Speaker 2>That was great.
<v Speaker 4>Oh that's pretty good. Hooray. Well, thank you, my dear.
<v Speaker 4>This is amazing.
<v Speaker 7>Wait before we go, before we go home, work question
<v Speaker 7>for you, Nicole. I have to know. So you played
<v Speaker 7>multiple characters in the movie Sausage Party with Seth Rogen. Yes,
<v Speaker 7>I have to know what went through your mind the
<v Speaker 7>first time you read through that script.
<v Speaker 9>I was so good.
<v Speaker 12>I was I'm going to be canceled, do I when
<v Speaker 12>I saw the drawings, I I'm never going to be
<v Speaker 12>able to unsee how the buns looked.
<v Speaker 9>Yeah, my character, Sally Bunn.
<v Speaker 3>Was the squish one at the back of the package,
<v Speaker 3>and she ended up getting together with Michael Sarah's hot dog.
<v Speaker 4>I like how the body language comes in. You see
<v Speaker 4>she's all along on the side of.
<v Speaker 2>At the back there.
<v Speaker 3>And uh, I did a couple of them. But that movie,
<v Speaker 3>that record was a group record, and it was ridiculously fun.
<v Speaker 3>Just trying to not laugh to get a clean take
<v Speaker 3>was next to impossible, and the and the idea. The
<v Speaker 3>jokes were, have you all seen sausage party? Have people
<v Speaker 3>seen savage at those who are of a certain age,
<v Speaker 3>wh are allowed to see that type of thing? Okay,
<v Speaker 3>so you know it's a little out there and dirty
<v Speaker 3>and weird and the weirder the better, and and the
<v Speaker 3>writers were there and they would get ideas and you
<v Speaker 3>go and you like, I'm saying this normally by saying this,
<v Speaker 3>it's being recorded and it will be there forever, and
<v Speaker 3>then back to I'm going to be canceled. But you know,
<v Speaker 3>but yeah, it was, it was.
<v Speaker 9>It was one for the books.
<v Speaker 3>Yeah, it was definitely a great memory for me for sure,
<v Speaker 3>by the.
<v Speaker 4>Things we do for love, money, in.
<v Speaker 7>The rain and the snow and all right, well, I
<v Speaker 7>think we have time for one last question for each
<v Speaker 7>of you.
<v Speaker 6>Here we go.
<v Speaker 7>I wanted to ask if you could go right now
<v Speaker 7>back in time and talk to your eighteen year old self,
<v Speaker 7>what would you tell them.
<v Speaker 9>Oh, I've been asked this before.
<v Speaker 3>I kind of sum it up by saying, I would
<v Speaker 3>tell my eighteen year old self to eat the bread.
<v Speaker 3>And what I mean by that is, as a young
<v Speaker 3>woman in the industry.
<v Speaker 9>Starting out, it was some tough times.
<v Speaker 3>A lot of the stories and the expectations were true,
<v Speaker 3>and feeling whether or not I was good enough, and
<v Speaker 3>I could measure it up to other people's ideas of
<v Speaker 3>what I should be, what I should do, what I
<v Speaker 3>should sound like, And I would tell my eighteen year
<v Speaker 3>old self to eat the bread. Don't take away from
<v Speaker 3>any of your dreams, your aspirations, what you want to
<v Speaker 3>do to try and please somebody else who isn't going
<v Speaker 3>to be around tomorrow and who doesn't really care.
<v Speaker 9>So eat the bread. That's what I say.
<v Speaker 6>Yeah, well said, Well said, Oh.
<v Speaker 5>That's that sucks, because I was just going to say
<v Speaker 5>that now I'm screwed. Uh No, I I don't have
<v Speaker 5>too many regrets, you know, so I would say, you know,
<v Speaker 5>do follow.
<v Speaker 4>In fact, this is kind of advice for anybody too.
<v Speaker 5>If you if you find something I make, I remember
<v Speaker 5>making a list of things that I would do all
<v Speaker 5>day long for free, and then decide to do them
<v Speaker 5>so well that somebody will stupid enough to pay you.
<v Speaker 5>And that's as close as it gets to success or
<v Speaker 5>you know, in my mind, happiness. And because if you
<v Speaker 5>enjoy what you do and love what you do. You
<v Speaker 5>never have to work a day in your life, and
<v Speaker 5>I would have jumped into that a little sooner than.
<v Speaker 4>Waited as long as I did to do it. So yeah,
<v Speaker 4>that's what it would be.
<v Speaker 7>Yeah, all right, thank you, thank you well, thank you
<v Speaker 7>guys all so much for thank you all.
<v Speaker 3>I just want to say one thing because I knew
<v Speaker 3>that I was coming to meet you, and I am
<v Speaker 3>a huge fan body of your work and here, but
<v Speaker 3>Winnie the Pooh and aamail and have been a huge
<v Speaker 3>part of my life. And one of the things are
<v Speaker 3>iconic character is Princess celestiaan Winnie the Pooh have in
<v Speaker 3>common is friendship, right, and I have had this picture
<v Speaker 3>of Winnie the Pooh and Christopher Rock or Winnie the
<v Speaker 3>Poo and Piglet walking, you.
<v Speaker 9>Know the image I'm talking about.
<v Speaker 3>Yeah, so I wanted to Princess Celestia, wanted to say
<v Speaker 3>something to you. Oh, any day spent with you is
<v Speaker 3>my favorite day.
<v Speaker 2>So today is my new favorite day.
<v Speaker 4>Mine tool.
<v Speaker 9>Thank you for having me.
<v Speaker 4>You're a sweetish honey. Oh Nicole, bless you. Thank you
<v Speaker 4>so much for tuning in.
<v Speaker 3>Thank you for having me.
<v Speaker 4>This is thank you.
<v Speaker 6>Thank you so much.
<v Speaker 7>Everybody for watching as well, and everybody out there on
<v Speaker 7>the interwebs watching as well. We really appreciate you, guys.
<v Speaker 7>This podcast has been such a fantastic journey.
<v Speaker 6>We really appreciate it.
<v Speaker 7>And we're going to be doing this at I believe
<v Speaker 7>seven more fan expos this year, so you can check
<v Speaker 7>out all the updated lists online of where to find us.
<v Speaker 7>And this has been a great time. One more time.
<v Speaker 7>Give it up for Nicole, Oliver Hey and Jim Cummings.
<v Speaker 7>Thank you, thank you, God bless I'm producer Chris. Thank
<v Speaker 7>you all again so much for watching. Really appreciate it.
<v Speaker 7>We'll see you the next one. Okay, Oh, you know what,
<v Speaker 7>we'd like to gather in for a group photo if
<v Speaker 7>you guys don't mind you guys, we want all.
<v Speaker 4>Of you to be in the picture.
<v Speaker 9>If you will now, would you come join?
<v Speaker 4>Thank you sure, especially Tigger.
<v Speaker 1>Look at this guy hete both Soloian from the hundred
<v Speaker 1>to acre.
<v Speaker 6>Would