The Art of Emotion: Why The Passion of Joan of Arc Still Shocks Audiences

The Untold Secrets of Iconic Films Podcasts

 From its groundbreaking cinematography to its unforgettable performances, The Passion of Joan of Arc remains a powerful cinematic experience. In this episode, we explore what makes this film so emotionally intense and artistically unique. 

2026-04-20 30 min Transcript

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Transcript

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<v SPEAKER_00>Welcome back to the Untold Secrets of Iconic Films Podcast Show.

00:00:04.240 --> 00:00:11.119
<v SPEAKER_00>Tonight we step into one of the most haunting, powerful, and emotionally raw films ever created in cinema history.

00:00:11.359 --> 00:00:17.679
<v SPEAKER_00>A film that does not rely on spectacle, nor color, nor sound in the way modern audiences expect.

00:00:17.839 --> 00:00:20.879
<v SPEAKER_00>Instead, it relies on something far more dangerous.

00:00:21.199 --> 00:00:26.399
<v SPEAKER_00>Human emotion captured so closely that it almost feels uncomfortable to watch.

00:00:26.640 --> 00:00:29.280
<v SPEAKER_00>We are talking about the passion of Joan of Arc.

00:00:29.679 --> 00:00:34.159
<v SPEAKER_00>A film that was not just made to tell a story, but to make you feel a trial.

00:00:34.320 --> 00:00:40.719
<v SPEAKER_00>To experience silence as suffering, to see faith, fear, and injustice reflected in a single human face.

00:00:41.520 --> 00:00:45.520
<v SPEAKER_00>To understand this film, we must first understand the woman at its center.

00:00:45.840 --> 00:00:48.079
<v SPEAKER_00>Joan of Arc was not born into power.

00:00:48.320 --> 00:00:53.280
<v SPEAKER_00>She was not a queen, nor a noble, nor someone history expected to remember.

00:00:53.439 --> 00:00:58.000
<v SPEAKER_00>She was a young peasant girl from France who claimed she was guided by divine voices.

00:00:58.240 --> 00:01:02.560
<v SPEAKER_00>She believed she had been chosen to lead her country during one of its darkest wars.

00:01:02.799 --> 00:01:09.439
<v SPEAKER_00>In a world dominated by political power and religious authority, such a claim was not seen as inspiration.

00:01:09.599 --> 00:01:11.120
<v SPEAKER_00>It was seen as threat.

00:01:11.359 --> 00:01:14.159
<v SPEAKER_00>And that is where her journey into history begins.

00:01:14.560 --> 00:01:18.239
<v SPEAKER_00>The film does not show her as a myth or a symbol at first.

00:01:18.480 --> 00:01:25.599
<v SPEAKER_00>It shows her as a human being standing alone in a courtroom filled with men who already believe they know the truth about her.

00:01:25.840 --> 00:01:30.319
<v SPEAKER_00>What makes this film extraordinary is not what is said, but how it is shown.

00:01:30.560 --> 00:01:32.719
<v SPEAKER_00>The camera does not stay distant.

00:01:32.879 --> 00:01:37.680
<v SPEAKER_00>It moves closer and closer until faces fill the entire screen.

00:01:37.920 --> 00:01:43.519
<v SPEAKER_00>Every blink, every tear, every trembling expression becomes part of the storytelling.

00:01:43.760 --> 00:01:45.920
<v SPEAKER_00>You are not watching Joan's trial.

00:01:46.239 --> 00:01:47.760
<v SPEAKER_00>You are inside it.

00:01:48.000 --> 00:01:53.280
<v SPEAKER_00>The director, Carl Theodore Dreyer, made a radical decision that changed cinema forever.

00:01:53.439 --> 00:02:07.359
<v SPEAKER_00>He stripped away distractions, no grand sets that demand attention, no dramatic visual effects, no unnecessary movement, only faces, light, shadow, emotion.

00:02:07.599 --> 00:02:12.960
<v SPEAKER_00>At the center of it all is Renee Jane Falconetti, the actress who plays Joan of Arc.

00:02:13.120 --> 00:02:18.080
<v SPEAKER_00>Her performance is often described not as acting, but as suffering captured on film.

00:02:18.240 --> 00:02:22.159
<v SPEAKER_00>She does not perform emotions, she lives them in front of the camera.

00:02:22.400 --> 00:02:31.599
<v SPEAKER_00>There are moments where she looks upward, not with theatrical drama, but with quiet desperation, as if searching for something beyond the world that is judging her.

00:02:31.840 --> 00:02:38.479
<v SPEAKER_00>Other moments show her fear, not as screaming panic, but as internal collapse contained within silence.

00:02:38.800 --> 00:02:41.199
<v SPEAKER_00>This is what makes the film so powerful.

00:02:41.439 --> 00:02:46.000
<v SPEAKER_00>It does not tell you what to feel, it forces you to feel it yourself.

00:02:46.240 --> 00:02:48.560
<v SPEAKER_00>The trial scenes are especially intense.

00:02:48.800 --> 00:02:52.560
<v SPEAKER_00>Clergymen question her beliefs, her visions, her loyalty.

00:02:52.719 --> 00:02:56.080
<v SPEAKER_00>Every question is a weapon designed to break her certainty.

00:02:56.319 --> 00:02:59.759
<v SPEAKER_00>But Joan does not respond like someone trying to win an argument.

00:03:00.000 --> 00:03:03.840
<v SPEAKER_00>She responds like someone protecting something sacred inside herself.

00:03:04.080 --> 00:03:07.199
<v SPEAKER_00>And that is where the true conflict of the film exists.

00:03:07.439 --> 00:03:16.159
<v SPEAKER_00>It is not just a legal trial, it is a battle between faith and authority, between personal belief and institutional power.

00:03:16.400 --> 00:03:20.800
<v SPEAKER_00>Between one young woman and an entire system that refuses to understand her.

00:03:21.120 --> 00:03:27.120
<v SPEAKER_00>As the questioning continues, the tension builds not through action, but through repetition.

00:03:27.599 --> 00:03:32.400
<v SPEAKER_00>Faces lean in, eyes narrow, silence stretches.

00:03:32.719 --> 00:03:37.199
<v SPEAKER_00>And in that silence, the audience begins to feel something deeper than plot.

00:03:37.439 --> 00:03:39.360
<v SPEAKER_00>They begin to feel pressure.

00:03:39.599 --> 00:03:41.280
<v SPEAKER_00>The pressure of judgment.

00:03:55.919 --> 00:03:57.840
<v SPEAKER_00>But here, silence is not empty.

00:03:58.000 --> 00:04:02.000
<v SPEAKER_00>It is heavy, it is emotional, it is almost physical.

00:04:02.240 --> 00:04:05.120
<v SPEAKER_00>You can feel it pressing against the characters.

00:04:05.439 --> 00:04:07.840
<v SPEAKER_00>You can feel it pressing against Joan.

00:04:08.080 --> 00:04:16.240
<v SPEAKER_00>As her trial moves forward, she is offered opportunities to save herself, to deny her visions, to accept the authority of the court.

00:04:16.560 --> 00:04:20.720
<v SPEAKER_00>But each time her responses reveal something deeper than stubbornness.

00:04:21.279 --> 00:04:23.040
<v SPEAKER_00>They reveal conviction.

00:04:23.279 --> 00:04:29.199
<v SPEAKER_00>Whether that conviction is faith, delusion, or destiny is left for the viewer to decide.

00:04:29.360 --> 00:04:32.480
<v SPEAKER_00>And that ambiguity is what makes the film timeless.

00:04:32.720 --> 00:04:37.600
<v SPEAKER_00>There is no simple answer, no clear villain, no easy resolution.

00:04:38.160 --> 00:04:40.879
<v SPEAKER_00>Instead, there is only human complexity.

00:04:41.120 --> 00:04:45.120
<v SPEAKER_00>As Joan's fate becomes clearer, the film shifts emotionally.

00:04:45.360 --> 00:04:49.439
<v SPEAKER_00>What began as interrogation becomes something closer to witnessing.

00:04:49.680 --> 00:04:52.399
<v SPEAKER_00>The camera no longer feels like an observer.

00:04:52.720 --> 00:04:55.040
<v SPEAKER_00>It feels like a witness to suffering.

00:04:55.439 --> 00:04:58.639
<v SPEAKER_00>And in that suffering, something unexpected happens.

00:04:58.959 --> 00:05:01.839
<v SPEAKER_00>Joan becomes more than a historical figure.

00:05:02.079 --> 00:05:03.839
<v SPEAKER_00>She becomes a mirror.

00:05:04.079 --> 00:05:08.000
<v SPEAKER_00>A mirror reflecting how society treats those who do not conform.

00:05:08.399 --> 00:05:11.839
<v SPEAKER_00>How belief systems can become instruments of control.

00:05:12.160 --> 00:05:16.240
<v SPEAKER_00>How truth is often decided not by reality, but by power.

00:05:16.480 --> 00:05:21.439
<v SPEAKER_00>The final moments of the film are among the most emotionally intense in silent cinema history.

00:05:21.680 --> 00:05:35.040
<v SPEAKER_00>Without relying on words, without relying on explanation, the film communicates something universal: fear of death, acceptance of fate, and the fragile boundary between human courage and human breaking point.

00:05:35.360 --> 00:05:39.759
<v SPEAKER_00>As Joan faces her final moments, the world around her becomes distant.

00:05:39.920 --> 00:05:44.160
<v SPEAKER_00>The crowd, the judges, the structures of authority all fade into background.

00:05:44.399 --> 00:05:48.079
<v SPEAKER_00>What remains is a single human being confronting the end.

00:05:48.319 --> 00:05:51.759
<v SPEAKER_00>And in that moment, the film stops being about history.

00:05:52.000 --> 00:05:54.399
<v SPEAKER_00>It becomes about existence itself.

00:05:54.639 --> 00:05:59.040
<v SPEAKER_00>The passion of Joan of Arc is not simply a film you watch once and forget.

00:05:59.279 --> 00:06:01.519
<v SPEAKER_00>It is a film that stays with you.

00:06:01.680 --> 00:06:06.000
<v SPEAKER_00>Not because of what it shows, but because of what it makes you feel long after it ends.

00:06:06.160 --> 00:06:11.120
<v SPEAKER_00>It challenges the viewer to think about belief, justice, and the cost of conviction.

00:06:11.360 --> 00:06:14.639
<v SPEAKER_00>It asks a silent question that has no easy answer.

00:06:14.959 --> 00:06:19.279
<v SPEAKER_00>What happens when truth and authority collide, and neither is willing to bend?

00:06:19.680 --> 00:06:23.120
<v SPEAKER_00>And perhaps more importantly, it asks another question.

00:06:23.360 --> 00:06:26.480
<v SPEAKER_00>What does it mean to remain human under judgment?

00:06:26.720 --> 00:06:31.600
<v SPEAKER_00>Even today, nearly a century later, the film feels modern in its emotional intensity.

00:06:31.839 --> 00:06:38.000
<v SPEAKER_00>In a world filled with noise, distraction, and constant movement, its silence feels almost revolutionary.

00:06:38.240 --> 00:06:41.839
<v SPEAKER_00>It reminds us that cinema does not always need words to speak.

00:06:42.000 --> 00:06:44.160
<v SPEAKER_00>Sometimes a face is enough.

00:06:44.720 --> 00:06:47.600
<v SPEAKER_00>Sometimes silence is louder than dialogue.

00:06:47.839 --> 00:06:52.480
<v SPEAKER_00>And sometimes a single human emotion can carry an entire story.

00:06:52.720 --> 00:06:57.920
<v SPEAKER_00>This is why The Passion of Joan of Arc remains one of the most iconic films ever created.

00:06:58.160 --> 00:07:02.480
<v SPEAKER_00>Not because it entertains, but because it confronts.

00:07:02.720 --> 00:07:04.560
<v SPEAKER_00>It confronts faith.

00:07:04.879 --> 00:07:06.560
<v SPEAKER_00>It confronts power.

00:07:06.800 --> 00:07:09.040
<v SPEAKER_00>It confronts humanity itself.

00:07:09.360 --> 00:07:11.519
<v SPEAKER_00>And that is where we will leave you tonight.

00:07:11.680 --> 00:07:17.680
<v SPEAKER_00>With a story not just of Joan of Arc, but of what it means to stand alone when the world refuses to listen.

00:07:18.000 --> 00:07:22.639
<v SPEAKER_00>Thank you for listening to the Untold Secrets of Iconic Films Podcast Show.

00:07:22.879 --> 00:07:31.600
<v SPEAKER_00>Tonight, we continue our journey into one of the most emotionally overwhelming and visually groundbreaking films ever made in cinema history.

00:07:31.920 --> 00:07:33.759
<v SPEAKER_00>The Passion of Joan of Arc.

00:07:34.079 --> 00:07:41.120
<v SPEAKER_00>A film that does not shout but whisper so deeply that it echoes inside your mind long after the screen goes dark.

00:07:41.439 --> 00:07:46.399
<v SPEAKER_00>A film that does not rely on action, but on something far more powerful.

00:07:46.879 --> 00:07:48.879
<v SPEAKER_00>Human truth under pressure.

00:07:49.120 --> 00:07:53.680
<v SPEAKER_00>Before we go deeper into the film itself, we need to understand something very important.

00:07:54.160 --> 00:08:03.199
<v SPEAKER_00>This is not just a story about a trial, it is a story about perception, about how society decides who is innocent and who is guilty.

00:08:03.439 --> 00:08:08.480
<v SPEAKER_00>Not always based on truth, but based on fear, politics, and belief systems.

00:08:08.639 --> 00:08:15.839
<v SPEAKER_00>And at the center of that storm stands a young woman who believes she is chosen by something greater than herself, Joan of Arc.

00:08:16.160 --> 00:08:19.680
<v SPEAKER_00>A teenager who stepped into history carrying nothing but faith.

00:08:20.000 --> 00:08:24.319
<v SPEAKER_00>And that faith would either make her immortal or destroy her.

00:08:24.480 --> 00:08:31.120
<v SPEAKER_00>When director Carl Theodore Dreyer began creating this film, he did something extremely unusual for his time.

00:08:31.519 --> 00:08:33.919
<v SPEAKER_00>He rejected cinematic luxury.

00:08:34.159 --> 00:08:37.519
<v SPEAKER_00>No grand medieval castles dominating the screen.

00:08:37.840 --> 00:08:40.159
<v SPEAKER_00>No heroic battle sequences.

00:08:40.480 --> 00:08:44.720
<v SPEAKER_00>No visual distractions that could pull attention away from emotion.

00:08:44.960 --> 00:08:48.240
<v SPEAKER_00>Instead, he focused almost entirely on faces.

00:08:48.639 --> 00:08:49.919
<v SPEAKER_00>Human faces.

00:08:50.159 --> 00:08:54.559
<v SPEAKER_00>Because in his vision, the human face was the most powerful landscape in cinema.

00:08:54.960 --> 00:08:57.919
<v SPEAKER_00>And once you watch this film, you understand why.

00:08:58.159 --> 00:09:02.080
<v SPEAKER_00>The entire story unfolds almost like a psychological excavation.

00:09:02.320 --> 00:09:09.759
<v SPEAKER_00>We are not just watching events, we are watching emotional pressure being applied slowly, frame by frame.

00:09:10.159 --> 00:09:13.759
<v SPEAKER_00>At the heart of this experience is Renee John Falconetti.

00:09:13.919 --> 00:09:19.039
<v SPEAKER_00>Her performance as Joan of Arc is often described by critics as one of the greatest in film history.

00:09:19.360 --> 00:09:22.240
<v SPEAKER_00>But even that description feels too small.

00:09:22.559 --> 00:09:28.240
<v SPEAKER_00>Because what she delivers is not performance in the traditional sense, it is exposure.

00:09:28.480 --> 00:09:33.679
<v SPEAKER_00>Every expression feels raw, unprotected, almost too real to be acted.

00:09:33.919 --> 00:09:37.200
<v SPEAKER_00>There is a moment in the film where Jones simply looks upward.

00:09:37.679 --> 00:09:44.559
<v SPEAKER_00>There is no dialogue, no explanation, only eyes filled with something between hope and fear.

00:09:44.799 --> 00:09:48.480
<v SPEAKER_00>And in that moment, the entire meaning of the film shifts.

00:09:48.799 --> 00:09:51.039
<v SPEAKER_00>We are no longer watching a trial.

00:09:51.279 --> 00:09:54.240
<v SPEAKER_00>We are witnessing a human soul being questioned.

00:09:54.480 --> 00:09:58.639
<v SPEAKER_00>The courtroom scenes in this film are structured like psychological warfare.

00:09:58.879 --> 00:10:05.600
<v SPEAKER_00>Each question from the judges is designed not just to extract answers, but to destabilize belief.

00:10:05.840 --> 00:10:12.799
<v SPEAKER_00>They do not only question what Joan claims, they question her identity, her sanity, her truth.

00:10:13.039 --> 00:10:23.840
<v SPEAKER_00>And this is where the film becomes timeless, because it reflects something that still exists in the modern world: the struggle between individual belief and institutional authority.

00:10:24.240 --> 00:10:28.720
<v SPEAKER_00>As Joan answers, her responses are not defensive in the usual sense.

00:10:28.960 --> 00:10:30.799
<v SPEAKER_00>They are deeply personal.

00:10:30.960 --> 00:10:32.960
<v SPEAKER_00>She does not argue to win.

00:10:33.200 --> 00:10:38.240
<v SPEAKER_00>She speaks as if she is trying to protect something invisible but sacred within her.

00:10:38.399 --> 00:10:41.840
<v SPEAKER_00>And the more she speaks, the more the tension increases.

00:10:42.159 --> 00:10:45.360
<v SPEAKER_00>Because certainty becomes dangerous in a world built on control.

00:10:45.759 --> 00:10:50.080
<v SPEAKER_00>The camera work in this film plays a crucial role in building emotional intensity.

00:10:50.399 --> 00:10:53.120
<v SPEAKER_00>Dreyer often uses extreme close-ups.

00:10:53.360 --> 00:10:55.759
<v SPEAKER_00>So close that you feel uncomfortable.

00:10:56.080 --> 00:10:59.519
<v SPEAKER_00>So close that you cannot escape the emotion on screen.

00:10:59.759 --> 00:11:02.799
<v SPEAKER_00>There is no distance between the viewer and the subject.

00:11:03.120 --> 00:11:08.399
<v SPEAKER_00>You are inside the emotion, not watching it, experiencing it.

00:11:08.639 --> 00:11:11.759
<v SPEAKER_00>And this technique was revolutionary for its time.

00:11:12.720 --> 00:11:16.879
<v SPEAKER_00>It changed how filmmakers understood emotional storytelling forever.

00:11:17.120 --> 00:11:27.200
<v SPEAKER_00>As the trial continues, Joan is pressured to deny her visions, to accept the authority of the court, to surrender her truth in exchange for survival.

00:11:27.440 --> 00:11:30.799
<v SPEAKER_00>And here the film introduces its most painful question.

00:11:31.120 --> 00:11:32.480
<v SPEAKER_00>What is more important?

00:11:32.960 --> 00:11:34.399
<v SPEAKER_00>Truth or life?

00:11:34.720 --> 00:11:36.720
<v SPEAKER_00>Conviction or safety?

00:11:37.039 --> 00:11:39.120
<v SPEAKER_00>Belief or survival?

00:11:39.360 --> 00:11:42.159
<v SPEAKER_00>The film never answers this question for you.

00:11:42.639 --> 00:11:45.279
<v SPEAKER_00>It leaves it suspended in silence.

00:11:45.600 --> 00:11:48.480
<v SPEAKER_00>Because any answer would reduce its complexity.

00:11:48.720 --> 00:11:52.080
<v SPEAKER_00>Instead, it allows you to sit with discomfort.

00:11:52.320 --> 00:11:57.679
<v SPEAKER_00>As Joan refuses to fully surrender her belief, the court grows more aggressive.

00:11:58.159 --> 00:12:00.559
<v SPEAKER_00>Not in violence, but in certainty.

00:12:00.879 --> 00:12:05.840
<v SPEAKER_00>And certainty in this film feels more dangerous than any physical weapon.

00:12:06.080 --> 00:12:08.480
<v SPEAKER_00>Because it leaves no space for doubt.

00:12:08.720 --> 00:12:11.600
<v SPEAKER_00>And without doubt, there is no empathy.

00:12:11.840 --> 00:12:16.559
<v SPEAKER_00>As Joan's fate approaches, the emotional tone of the film begins to shift.

00:12:16.799 --> 00:12:23.120
<v SPEAKER_00>The trial is no longer just legal, it becomes spiritual, it becomes existential.

00:12:23.360 --> 00:12:27.919
<v SPEAKER_00>It becomes about what it means to be human in a world that refuses to understand you.

00:12:28.159 --> 00:12:31.360
<v SPEAKER_00>There is a quiet tragedy in the way Joan is isolated.

00:12:31.600 --> 00:12:35.440
<v SPEAKER_00>Even when she is surrounded by people, she is emotionally alone.

00:12:35.600 --> 00:12:39.759
<v SPEAKER_00>And that loneliness is one of the strongest emotional themes of the film.

00:12:40.080 --> 00:12:44.720
<v SPEAKER_00>Because isolation is not just physical, it is psychological.

00:12:45.360 --> 00:12:49.440
<v SPEAKER_00>It is the feeling of being unseen even when you are fully visible.

00:12:49.679 --> 00:12:55.519
<v SPEAKER_00>One of the most powerful aspects of the passion of Joan of Arc is how it uses silence as storytelling.

00:12:55.759 --> 00:13:00.000
<v SPEAKER_00>In modern cinema, silence is often a pause between dialogues.

00:13:00.240 --> 00:13:03.120
<v SPEAKER_00>But here, silence is emotional weight.

00:13:03.360 --> 00:13:04.639
<v SPEAKER_00>It is pressure.

00:13:04.879 --> 00:13:07.200
<v SPEAKER_00>It is judgment without words.

00:13:07.440 --> 00:13:09.679
<v SPEAKER_00>You can feel it in every frame.

00:13:09.919 --> 00:13:14.320
<v SPEAKER_00>As the film moves toward its final act, the atmosphere becomes heavier.

00:13:14.559 --> 00:13:18.080
<v SPEAKER_00>Not through action, but through inevitability.

00:13:18.879 --> 00:13:22.879
<v SPEAKER_00>We begin to sense that the system has already decided Joan's fate.

00:13:23.120 --> 00:13:27.759
<v SPEAKER_00>The trial is no longer about truth, it is about confirmation.

00:13:28.080 --> 00:13:32.399
<v SPEAKER_00>And this realization changes how we watch everything that follows.

00:13:32.879 --> 00:13:35.519
<v SPEAKER_00>Because now we are not waiting for justice.

00:13:35.759 --> 00:13:37.600
<v SPEAKER_00>We are watching the process.

00:13:37.919 --> 00:13:40.559
<v SPEAKER_00>There is something deeply tragic about that.

00:13:40.799 --> 00:13:44.320
<v SPEAKER_00>Joan, however, remains emotionally consistent.

00:13:44.559 --> 00:13:49.039
<v SPEAKER_00>Even as everything collapses around her, she does not become bitter.

00:13:49.440 --> 00:13:51.360
<v SPEAKER_00>She does not become cynical.

00:13:51.600 --> 00:13:53.840
<v SPEAKER_00>She remains grounded in her belief.

00:13:54.000 --> 00:14:00.480
<v SPEAKER_00>And whether that belief is seen as divine truth or human delusion is left entirely to interpretation.

00:14:00.720 --> 00:14:04.320
<v SPEAKER_00>That ambiguity is one of the film's greatest strengths.

00:14:04.720 --> 00:14:07.279
<v SPEAKER_00>Because it respects the intelligence of the viewer.

00:14:07.600 --> 00:14:22.399
<v SPEAKER_00>As we approach the final moments of the film, the visual language becomes even more minimal, almost empty, stripped down to pure emotion, no distraction, no escape, only consequence.

00:14:22.639 --> 00:14:27.440
<v SPEAKER_00>And in those final moments, the passion of Joan of Arc becomes something beyond cinema.

00:14:27.759 --> 00:14:29.519
<v SPEAKER_00>It becomes meditation.

00:14:29.919 --> 00:14:38.080
<v SPEAKER_00>On fear, on belief, on mortality, on what it means to stand alone when the world turns away.

00:14:38.320 --> 00:14:42.399
<v SPEAKER_00>And when the final silence arrives, it does not feel like an ending.

00:14:42.639 --> 00:14:44.399
<v SPEAKER_00>It feels like an echo.

00:14:44.639 --> 00:14:48.080
<v SPEAKER_00>A question that continues long after the screen fades.

00:14:48.639 --> 00:14:52.080
<v SPEAKER_00>What would you hold on to if everything was taken from you?

00:14:52.320 --> 00:14:54.879
<v SPEAKER_00>Your life or your truth?

00:14:55.120 --> 00:14:58.000
<v SPEAKER_00>That is the question Joan of Arc leaves behind.

00:14:58.240 --> 00:15:03.360
<v SPEAKER_00>And that is why this film is not just watched, it is remembered.

00:15:03.600 --> 00:15:07.039
<v SPEAKER_00>Not as entertainment, but as experience.

00:15:07.360 --> 00:15:12.639
<v SPEAKER_00>A reminder that cinema, at its highest form, is not about what is shown.

00:15:12.799 --> 00:15:14.720
<v SPEAKER_00>It is about what is felt.

00:15:14.960 --> 00:15:19.919
<v SPEAKER_00>Thank you for listening to the untold secrets of Iconic Film's podcast show.

00:15:20.320 --> 00:15:23.120
<v SPEAKER_00>Tonight we are not just continuing a story.

00:15:23.440 --> 00:15:28.799
<v SPEAKER_00>We are entering a world where cinema becomes emotion and emotion becomes silence.

00:15:29.039 --> 00:15:31.039
<v SPEAKER_00>The passion of Joan of Arc.

00:15:31.279 --> 00:15:35.919
<v SPEAKER_00>A film that feels less like a movie and more like a memory you cannot escape.

00:15:36.240 --> 00:15:39.279
<v SPEAKER_00>A memory of judgment, a memory of faith.

00:15:39.519 --> 00:15:44.399
<v SPEAKER_00>A memory of a young girl standing alone against an entire system that refuses to understand her.

00:15:44.720 --> 00:15:49.440
<v SPEAKER_00>To fully experience this film, we need to slow down our perspective.

00:15:49.759 --> 00:15:52.000
<v SPEAKER_00>Because this is not a fast story.

00:15:52.240 --> 00:15:56.799
<v SPEAKER_00>It is a slow emotional collapse, captured frame by frame.

00:15:56.960 --> 00:16:01.840
<v SPEAKER_00>When Carl Theodore Dreyer made this film, he was not interested in entertainment.

00:16:02.080 --> 00:16:04.000
<v SPEAKER_00>He was interested in truth.

00:16:04.240 --> 00:16:07.679
<v SPEAKER_00>Not historical truth alone, but emotional truth.

00:16:07.919 --> 00:16:12.399
<v SPEAKER_00>The kind of truth that exists in human eyes when words are no longer enough.

00:16:12.639 --> 00:16:15.759
<v SPEAKER_00>That is why this film feels so different even today.

00:16:16.080 --> 00:16:21.200
<v SPEAKER_00>There is something almost uncomfortable about how close it gets to the human face.

00:16:21.519 --> 00:16:23.360
<v SPEAKER_00>It does not allow distance.

00:16:23.759 --> 00:16:25.679
<v SPEAKER_00>It does not allow escape.

00:16:26.000 --> 00:16:27.759
<v SPEAKER_00>It forces presence.

00:16:28.080 --> 00:16:30.879
<v SPEAKER_00>And that presence becomes overwhelming.

00:16:31.120 --> 00:16:36.639
<v SPEAKER_00>As we go deeper into the courtroom sequences, something very interesting begins to happen.

00:16:36.879 --> 00:16:39.919
<v SPEAKER_00>The judges are not portrayed as cartoon villains.

00:16:40.320 --> 00:16:43.440
<v SPEAKER_00>They are calm, they are controlled.

00:16:43.759 --> 00:16:46.320
<v SPEAKER_00>They believe they are doing the right thing.

00:16:46.559 --> 00:16:49.440
<v SPEAKER_00>And that is what makes the conflict so powerful.

00:16:49.679 --> 00:16:53.840
<v SPEAKER_00>Because this is not a battle between good and evil in a simple sense.

00:16:54.159 --> 00:17:04.079
<v SPEAKER_00>It is a battle between belief systems, between institutional authority and personal conviction, between what is accepted and what is felt.

00:17:04.400 --> 00:17:10.319
<v SPEAKER_00>Joan of Arc stands at the center of this system like a fragile point of light surrounded by pressure.

00:17:10.640 --> 00:17:16.640
<v SPEAKER_00>Every question directed at her is not just an interrogation, it is a test of identity.

00:17:16.960 --> 00:17:18.000
<v SPEAKER_00>Who are you?

00:17:18.240 --> 00:17:19.599
<v SPEAKER_00>What do you believe?

00:17:19.839 --> 00:17:23.039
<v SPEAKER_00>And more importantly, who gave you the right to believe it?

00:17:23.279 --> 00:17:28.400
<v SPEAKER_00>And Joan answers not like a politician, not like someone trained in argument.

00:17:28.640 --> 00:17:32.160
<v SPEAKER_00>She answers like someone speaking from inside a vision.

00:17:32.319 --> 00:17:36.240
<v SPEAKER_00>There is honesty in her voice that the court cannot easily process.

00:17:36.640 --> 00:17:40.640
<v SPEAKER_00>Because honesty in a rigid system becomes dangerous.

00:17:40.960 --> 00:17:45.519
<v SPEAKER_00>As the questioning continues, we begin to notice something subtle but important.

00:17:45.920 --> 00:17:52.160
<v SPEAKER_00>The film is not only about Joan being judged, it is also about the audience being made to judge.

00:17:52.400 --> 00:17:59.440
<v SPEAKER_00>We are constantly asked silently without words do you believe her or do you not?

00:17:59.759 --> 00:18:02.079
<v SPEAKER_00>And the film refuses to guide us.

00:18:02.240 --> 00:18:04.400
<v SPEAKER_00>It leaves us in uncertainty.

00:18:04.640 --> 00:18:07.759
<v SPEAKER_00>That uncertainty is where the emotional power lives.

00:18:08.000 --> 00:18:13.119
<v SPEAKER_00>The cinematography continues to push boundaries in how it frames human emotion.

00:18:13.440 --> 00:18:16.000
<v SPEAKER_00>Faces fill the screen in extreme close-up.

00:18:16.480 --> 00:18:18.720
<v SPEAKER_00>Eyes dominate the composition.

00:18:19.039 --> 00:18:21.119
<v SPEAKER_00>Tears become landscapes.

00:18:21.359 --> 00:18:25.039
<v SPEAKER_00>A slight movement of lips becomes a full emotional event.

00:18:25.279 --> 00:18:29.200
<v SPEAKER_00>In modern cinema, we are used to action-driven storytelling.

00:18:29.440 --> 00:18:31.839
<v SPEAKER_00>But here, stillness becomes action.

00:18:32.160 --> 00:18:36.160
<v SPEAKER_00>Silence becomes dialogue, and emotion becomes plot.

00:18:36.400 --> 00:18:40.160
<v SPEAKER_00>There is a moment where Joan is shown listening completely still.

00:18:40.480 --> 00:18:44.720
<v SPEAKER_00>No movement, no reaction, just presence.

00:18:45.039 --> 00:18:47.279
<v SPEAKER_00>But that stillness is not empty.

00:18:47.519 --> 00:18:49.920
<v SPEAKER_00>It is full of internal conflict.

00:18:50.160 --> 00:18:52.960
<v SPEAKER_00>You can feel thoughts moving behind her eyes.

00:18:53.200 --> 00:18:59.680
<v SPEAKER_00>You can feel fear, faith, confusion, and strength all existing at once.

00:18:59.920 --> 00:19:02.960
<v SPEAKER_00>And that is what makes the performance so extraordinary.

00:19:03.279 --> 00:19:07.839
<v SPEAKER_00>Because it does not simplify human emotion, it multiplies it.

00:19:08.079 --> 00:19:13.359
<v SPEAKER_00>As the trial moves closer to its conclusion, the emotional pressure increases.

00:19:13.759 --> 00:19:18.720
<v SPEAKER_00>Not through music, not through spectacle, but through repetition.

00:19:19.119 --> 00:19:20.559
<v SPEAKER_00>Questions repeat.

00:19:20.880 --> 00:19:22.240
<v SPEAKER_00>Answers repeat.

00:19:22.559 --> 00:19:23.839
<v SPEAKER_00>Doubt repeats.

00:19:24.079 --> 00:19:27.119
<v SPEAKER_00>And repetition becomes psychological weight.

00:19:27.759 --> 00:19:31.680
<v SPEAKER_00>The court tries to break Joan not by violence, but by exhaustion.

00:19:31.839 --> 00:19:38.400
<v SPEAKER_00>By making belief feel too heavy to carry, and yet she continues to hold on to her inner conviction.

00:19:38.720 --> 00:19:42.559
<v SPEAKER_00>This is where the film stops being just historical storytelling.

00:19:42.880 --> 00:19:44.799
<v SPEAKER_00>It becomes philosophical.

00:19:45.039 --> 00:19:48.640
<v SPEAKER_00>It begins to ask deeper questions about human existence.

00:19:48.880 --> 00:19:51.359
<v SPEAKER_00>What happens when belief cannot be proven?

00:19:51.599 --> 00:19:54.079
<v SPEAKER_00>What happens when truth cannot be shared?

00:19:54.319 --> 00:19:57.440
<v SPEAKER_00>What happens when understanding is impossible?

00:19:57.759 --> 00:20:00.319
<v SPEAKER_00>These questions do not have clear answers.

00:20:00.559 --> 00:20:02.880
<v SPEAKER_00>And the film does not pretend they do.

00:20:03.200 --> 00:20:06.240
<v SPEAKER_00>Instead, it allows silence to carry meaning.

00:20:06.480 --> 00:20:12.000
<v SPEAKER_00>As we approach the final segments of the story, Joan's isolation becomes more visible.

00:20:12.160 --> 00:20:15.039
<v SPEAKER_00>Even in rooms full of people, she feels alone.

00:20:15.200 --> 00:20:22.000
<v SPEAKER_00>And that loneliness is not just physical separation, it is emotional disconnection from the world around her.

00:20:22.160 --> 00:20:25.680
<v SPEAKER_00>She is surrounded by language she cannot fully accept.

00:20:25.839 --> 00:20:29.440
<v SPEAKER_00>And they are surrounded by a belief they cannot understand.

00:20:29.839 --> 00:20:33.359
<v SPEAKER_00>This gap between them is where tragedy exists.

00:20:33.599 --> 00:20:36.160
<v SPEAKER_00>The court believes it is restoring order.

00:20:36.480 --> 00:20:39.200
<v SPEAKER_00>Joan believes she is following truth.

00:20:39.440 --> 00:20:42.160
<v SPEAKER_00>And neither side fully understands the other.

00:20:42.400 --> 00:20:44.960
<v SPEAKER_00>That is what makes the ending so powerful.

00:20:45.200 --> 00:20:52.960
<v SPEAKER_00>There is no traditional victory, no simple resolution, only consequence and acceptance.

00:20:53.200 --> 00:20:57.759
<v SPEAKER_00>In her final moments, the emotional tone of the film becomes almost meditative.

00:20:58.000 --> 00:21:00.319
<v SPEAKER_00>Everything slows down further.

00:21:00.720 --> 00:21:06.799
<v SPEAKER_00>The world feels distant, and what remains is only human presence facing inevitability.

00:21:06.960 --> 00:21:10.799
<v SPEAKER_00>There is a quiet dignity in how the film portrays this moment.

00:21:11.039 --> 00:21:14.880
<v SPEAKER_00>It does not exaggerate suffering, it observes it.

00:21:15.119 --> 00:21:20.319
<v SPEAKER_00>And that observation becomes deeply emotional because it feels honest.

00:21:20.559 --> 00:21:24.240
<v SPEAKER_00>As the story reaches its end, something unexpected happens.

00:21:24.480 --> 00:21:28.000
<v SPEAKER_00>The film stops feeling like a historical reconstruction.

00:21:28.240 --> 00:21:30.720
<v SPEAKER_00>It starts feeling like a reflection.

00:21:31.039 --> 00:21:36.240
<v SPEAKER_00>A reflection of every moment in human history where someone stood alone for what they believed.

00:21:36.400 --> 00:21:41.759
<v SPEAKER_00>Whether they were right or wrong becomes less important than the courage of conviction itself.

00:21:42.000 --> 00:21:45.839
<v SPEAKER_00>And that is where the film reaches its deepest emotional level.

00:21:46.160 --> 00:21:48.640
<v SPEAKER_00>It is not asking us to agree with Joan.

00:21:48.880 --> 00:21:51.680
<v SPEAKER_00>It is asking us to understand her humanity.

00:21:51.920 --> 00:21:59.519
<v SPEAKER_00>The passion of Joan of Arc remains powerful today because it does something very rare in cinema, it removes distraction.

00:22:00.319 --> 00:22:03.519
<v SPEAKER_00>And in removing distraction, it exposes emotion.

00:22:03.759 --> 00:22:06.640
<v SPEAKER_00>Raw, unfiltered human emotion.

00:22:06.880 --> 00:22:10.960
<v SPEAKER_00>It reminds us that cinema does not need complexity to be powerful.

00:22:11.200 --> 00:22:15.920
<v SPEAKER_00>Sometimes simplicity, when used with precision, becomes overwhelming.

00:22:16.400 --> 00:22:20.079
<v SPEAKER_00>A face, a tear, a silence.

00:22:20.480 --> 00:22:23.279
<v SPEAKER_00>And in that silence, a complete world of meaning.

00:22:23.519 --> 00:22:29.599
<v SPEAKER_00>This is why the film continues to be studied, discussed, and felt nearly a century after its creation.

00:22:29.920 --> 00:22:35.279
<v SPEAKER_00>Because it is not just a film about the past, it is a film about being human.

00:22:35.440 --> 00:22:36.960
<v SPEAKER_00>And that is timeless.

00:22:37.279 --> 00:22:41.279
<v SPEAKER_00>We continue now with a deeper exploration of the passion of Joan of Arc.

00:22:41.680 --> 00:22:48.000
<v SPEAKER_00>But this time we are going beyond plot, beyond history, and even beyond cinema technique.

00:22:48.240 --> 00:22:51.359
<v SPEAKER_00>We are entering the emotional architecture of the film.

00:22:51.680 --> 00:22:58.400
<v SPEAKER_00>Because this is not just a story that unfolds, it is an experience that builds pressure inside the viewer.

00:22:58.880 --> 00:23:03.599
<v SPEAKER_00>Slowly, silently, unavoidably.

00:23:03.839 --> 00:23:08.240
<v SPEAKER_00>As the courtroom sequences progress, one thing becomes more and more clear.

00:23:08.480 --> 00:23:11.039
<v SPEAKER_00>This is not a trial in the traditional sense.

00:23:11.279 --> 00:23:14.960
<v SPEAKER_00>It is a controlled environment designed to dismantle certainty.

00:23:15.200 --> 00:23:18.400
<v SPEAKER_00>Every question asked to Joan is carefully structured.

00:23:18.640 --> 00:23:23.599
<v SPEAKER_00>Not to discover truth, but to test how long truth can survive under pressure.

00:23:23.839 --> 00:23:29.119
<v SPEAKER_00>And what makes this even more powerful is how calm everything appears on the surface.

00:23:29.440 --> 00:23:35.920
<v SPEAKER_00>There is no chaos, no dramatic shouting, no visible brutality.

00:23:36.160 --> 00:23:41.200
<v SPEAKER_00>Everything is polite, structured, almost ritualistic.

00:23:41.440 --> 00:23:47.519
<v SPEAKER_00>And that contrast between surface calm and emotional violence is what creates the film's intensity.

00:23:47.839 --> 00:23:51.519
<v SPEAKER_00>Joan in the center of this system becomes something paradoxical.

00:23:51.839 --> 00:23:56.079
<v SPEAKER_00>She is both extremely vulnerable and extremely resistant at the same time.

00:23:56.319 --> 00:23:58.319
<v SPEAKER_00>Vulnerable because she is alone.

00:23:58.559 --> 00:24:01.359
<v SPEAKER_00>Resistant because she refuses a break internally.

00:24:01.599 --> 00:24:05.039
<v SPEAKER_00>The camera continues its obsessive focus on faces.

00:24:05.680 --> 00:24:11.440
<v SPEAKER_00>Not wide battlefields, not large settings, just human expressions.

00:24:11.680 --> 00:24:17.039
<v SPEAKER_00>And through those expressions, the film constructs its entire emotional language.

00:24:17.279 --> 00:24:21.039
<v SPEAKER_00>There is a moment where silence stretches longer than expected.

00:24:21.599 --> 00:24:25.680
<v SPEAKER_00>No dialogue, no movement, just waiting.

00:24:25.839 --> 00:24:30.000
<v SPEAKER_00>And in that waiting, tension builds not externally, but internally.

00:24:30.400 --> 00:24:35.680
<v SPEAKER_00>The audience begins to feel the weight of judgment without any physical action taking place.

00:24:36.240 --> 00:24:38.880
<v SPEAKER_00>This is one of the film's greatest achievements.

00:24:39.200 --> 00:24:43.599
<v SPEAKER_00>It transforms psychological pressure into cinematic experience.

00:24:43.839 --> 00:24:49.599
<v SPEAKER_00>As Joan continues to answer questions, the court repeatedly tries to force contradiction.

00:24:49.839 --> 00:24:51.680
<v SPEAKER_00>They want inconsistency.

00:24:52.240 --> 00:24:53.680
<v SPEAKER_00>They want doubt.

00:24:53.920 --> 00:24:56.079
<v SPEAKER_00>Because doubt weakens certainty.

00:24:56.319 --> 00:25:07.759
<v SPEAKER_00>But what they encounter instead is emotional steadiness, not arrogance, not defiance, but a kind of quiet persistence that cannot easily be categorized.

00:25:07.920 --> 00:25:11.279
<v SPEAKER_00>And that is where the conflict becomes philosophical.

00:25:11.599 --> 00:25:15.119
<v SPEAKER_00>Because the real question is no longer about Joan alone.

00:25:15.359 --> 00:25:18.079
<v SPEAKER_00>It becomes about the limits of understanding.

00:25:18.400 --> 00:25:23.359
<v SPEAKER_00>Can a system designed for order accept something that does not fit its structure?

00:25:23.680 --> 00:25:26.000
<v SPEAKER_00>The film does not answer this directly.

00:25:26.240 --> 00:25:28.720
<v SPEAKER_00>Instead, it continues to observe.

00:25:29.039 --> 00:25:32.880
<v SPEAKER_00>And observation in this case becomes more powerful than explanation.

00:25:33.119 --> 00:25:37.599
<v SPEAKER_00>As time passes in the narrative, the emotional atmosphere becomes heavier.

00:25:38.000 --> 00:25:45.119
<v SPEAKER_00>Not because something new is constantly happening, but because the same emotional pressure is being sustained over time.

00:25:45.359 --> 00:25:51.759
<v SPEAKER_00>And sustained pressure creates psychological fatigue, both for Joan and for the viewer.

00:25:52.319 --> 00:25:53.839
<v SPEAKER_00>This is intentional.

00:25:54.079 --> 00:26:00.559
<v SPEAKER_00>The director is not just telling a story, he is constructing an emotional experience that mirrors endurance.

00:26:00.799 --> 00:26:07.359
<v SPEAKER_00>There are moments where Joan looks exhausted, but even in exhaustion, there is clarity in her expression.

00:26:07.680 --> 00:26:12.160
<v SPEAKER_00>It is not confusion, it is acceptance mixed with belief.

00:26:12.400 --> 00:26:17.519
<v SPEAKER_00>And that combination creates emotional complexity that cannot easily be labeled.

00:26:17.680 --> 00:26:21.920
<v SPEAKER_00>One of the most fascinating aspects of the film is how it treats power.

00:26:22.400 --> 00:26:32.319
<v SPEAKER_00>Power is not shown as violence, it is shown as structure, language, procedure, authority, and repetition.

00:26:32.720 --> 00:26:36.000
<v SPEAKER_00>The court does not need to raise its voice to dominate.

00:26:36.480 --> 00:26:39.119
<v SPEAKER_00>Its very structure creates dominance.

00:26:39.279 --> 00:26:48.319
<v SPEAKER_00>And against this structure, Joan exists as a single point of resistance, not through rebellion, but through internal consistency.

00:26:48.640 --> 00:26:55.200
<v SPEAKER_00>As the narrative moves forward, we begin to notice something subtle in how the camera treats Joan compared to others.

00:26:55.359 --> 00:27:04.079
<v SPEAKER_00>Other characters are often shown in groups, framed within systems, surrounded by architecture that reinforces authority.

00:27:04.319 --> 00:27:07.440
<v SPEAKER_00>But Joan is often isolated within the frame.

00:27:07.680 --> 00:27:13.119
<v SPEAKER_00>Even when others are physically close, the composition separates her emotionally.

00:27:13.440 --> 00:27:19.279
<v SPEAKER_00>This visual separation reinforces the core theme of the film: isolation of belief.

00:27:19.599 --> 00:27:24.960
<v SPEAKER_00>As the trial nears its conclusion, the emotional weight becomes almost unbearable.

00:27:25.279 --> 00:27:29.119
<v SPEAKER_00>Not because of action, but because of inevitability.

00:27:29.359 --> 00:27:37.519
<v SPEAKER_00>The audience begins to sense the direction of events, not through dialogue, but through emotional pattern recognition.

00:27:37.920 --> 00:27:42.480
<v SPEAKER_00>And that sense of inevitability creates tension that is different from suspense.

00:27:42.720 --> 00:27:47.519
<v SPEAKER_00>It is not about what will happen, it is about how it will be experienced.

00:27:47.839 --> 00:27:51.599
<v SPEAKER_00>Joan's responses begin to carry even more emotional weight.

00:27:51.839 --> 00:27:56.960
<v SPEAKER_00>Every word feels measured, not strategic, but sincere.

00:27:57.279 --> 00:28:04.480
<v SPEAKER_00>And sincerity, in a system built on interrogation, becomes both strength and vulnerability at the same time.

00:28:04.720 --> 00:28:14.079
<v SPEAKER_00>There is no easy escape for her, no external rescue, no sudden reversal, only the continuation of process.

00:28:14.400 --> 00:28:17.839
<v SPEAKER_00>And process in this film is the true force of power.

00:28:18.079 --> 00:28:23.599
<v SPEAKER_00>As we move toward the final moments, the film begins to strip away everything unnecessary.

00:28:23.839 --> 00:28:34.640
<v SPEAKER_00>What remains is emotional essence, not narrative complexity, not historical detail, but pure human confrontation with consequence.

00:28:34.880 --> 00:28:38.480
<v SPEAKER_00>And in that confrontation, something very important emerges.

00:28:38.720 --> 00:28:42.480
<v SPEAKER_00>The film stops being about Joan as a historical figure.

00:28:42.799 --> 00:28:45.680
<v SPEAKER_00>It becomes about human experience under judgment.

00:28:45.920 --> 00:28:47.920
<v SPEAKER_00>And that experience is universal.

00:28:48.400 --> 00:28:59.839
<v SPEAKER_00>Because every human being, in some form, understands what it means to be misunderstood, to be questioned, to be pressured into explaining what feels unexplainable.

00:29:00.079 --> 00:29:03.680
<v SPEAKER_00>This is why the film continues to resonate across generations.

00:29:04.240 --> 00:29:08.799
<v SPEAKER_00>Because it is not locked in history, it is rooted in emotion.

00:29:09.119 --> 00:29:13.759
<v SPEAKER_00>As Joan approaches her final fate, the emotional tone becomes almost still.

00:29:14.319 --> 00:29:16.880
<v SPEAKER_00>Not empty, but focused.

00:29:17.119 --> 00:29:20.880
<v SPEAKER_00>Like the world itself has narrowed into a single point of experience.

00:29:21.119 --> 00:29:23.200
<v SPEAKER_00>There is dignity in this stillness.

00:29:23.440 --> 00:29:27.920
<v SPEAKER_00>Not dramatic dignity, but quiet internal dignity.

00:29:28.160 --> 00:29:30.480
<v SPEAKER_00>The kind that does not need recognition.

00:29:30.720 --> 00:29:36.480
<v SPEAKER_00>And as the final emotional arc completes itself, the film leaves behind something very rare.

00:29:36.720 --> 00:29:38.720
<v SPEAKER_00>It does not leave answers.

00:29:38.960 --> 00:29:40.799
<v SPEAKER_00>It leaves reflection.

00:29:41.039 --> 00:29:51.920
<v SPEAKER_00>Reflection on belief, on authority, on silence, on human endurance, and on the fragile space between truth and perception.

00:29:52.160 --> 00:29:56.319
<v SPEAKER_00>When the story finally closes, it does not feel like conclusion.

00:29:56.559 --> 00:29:59.920
<v SPEAKER_00>It feels like continuation inside the viewer's mind.

00:30:00.319 --> 00:30:03.680
<v SPEAKER_00>Because the questions it raises do not end with the film.

00:30:04.079 --> 00:30:05.119
<v SPEAKER_00>They continue.

00:30:05.440 --> 00:30:09.359
<v SPEAKER_00>And that continuation is what defines true cinematic impact.

00:30:09.599 --> 00:30:13.599
<v SPEAKER_00>The passion of Joan of Arc is not remembered because it entertains.

00:30:13.920 --> 00:30:17.759
<v SPEAKER_00>It is remembered because it transforms attention into emotion.

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<v SPEAKER_00>And emotion into memory.

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<v SPEAKER_00>Thank you for listening to the Untold Secrets of Iconic Films Podcast Show.

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<v SPEAKER_00>Until next time, remember this some films do not end when the screen goes dark, they continue inside you.

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