#15 Dina

Heavyweight

During a visit back home, Jonathan’s mother inadvertently admits something that forces him to question his past. In this season finale, Jonathan turns the mic around on himself for one of the more personal episodes of the series.

Credits

Heavyweight is hosted and produced by Jonathan Goldstein.

This episode was also produced by Kalila Holt. The senior producer is Kaitlin Roberts.

Editing by Jorge Just, Alex Blumberg, and Wendy Dorr.

Special thanks to Emily Condon, Emanuele Berry, Pat Walters, and Jackie Cohen.

The show was mixed by Kate Bilinski. 

Music by Christine Fellows and John K Samson, with additional music by Y La Bamba, Caspar Babypants, Michael Charles Smith, and Blue Dot Sessions. Our theme song is by The Weakerthans courtesy of Epitaph Records, and our ad music is by Haley Shaw.

Learn more about your ad choices. Visit podcastchoices.com/adchoices

See omnystudio.com/listener for privacy information.

2017-12-07 35 min Transcript

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Transcript

Yello. Why hello? Now, what kind of greeting is that 0:00:09.240 --> 0:00:12.000 You've got your radio voice on? Could you elaborate on 0:00:12.039 --> 0:00:12.640 what you mean by that? 0:00:12.800 --> 0:00:15.320 I know in the first second, if I'm being recorded 0:00:15.400 --> 0:00:17.919 or on your inflections. 0:00:17.960 --> 0:00:21.799 Well, I always talk like this, Jackie. Back to you. 0:00:21.920 --> 0:00:23.560 The way you're speaking with me now is never the 0:00:23.560 --> 0:00:26.160 way you would normally speak. Okay, wait, hang on a second. 0:00:26.160 --> 0:00:29.560 I'm I'm just talking normal, but you're not talking normal. 0:00:29.600 --> 0:00:32.280 It's your radio voice. Hey, what's going on? It's still 0:00:32.320 --> 0:00:35.959 not It's still not. It's still not. Hey. No, hey 0:00:36.040 --> 0:00:38.879 Jackie again, Jackie, No, you wouldn't say him like that. 0:00:39.080 --> 0:00:40.440 How's it going? Too much energy? 0:00:40.800 --> 0:00:40.959 Hi? 0:00:41.440 --> 0:00:44.240 I can tell anyway. It can't be a radio voice 0:00:44.240 --> 0:00:49.000 because I do a podcast. It's a podcast voice, all right, 0:00:49.040 --> 0:00:57.800 And welcome to the show from Gimlet Media. I'm Jonathan 0:00:57.840 --> 0:01:17.280 Goldstein and this is Heavy Wait today's episode, Dina. Hello, Hello, Okay, 0:01:19.280 --> 0:01:22.800 so we just got to Montreal. We we What's that? 0:01:23.480 --> 0:01:25.119 Isn't that how you say yes in French? 0:01:25.480 --> 0:01:27.319 Yeah? But you just say it once you to say 0:01:27.360 --> 0:01:32.479 we we My folks are about to meet us, pick 0:01:32.560 --> 0:01:34.440 us up at the airport to take us back to 0:01:34.480 --> 0:01:37.520 their place. Where we will be staying for the next 0:01:37.520 --> 0:01:44.000 five days, five days, five days, in my childhood home, 0:01:44.280 --> 0:01:46.880 in the childhood bed i've not slept in in decades. 0:01:47.640 --> 0:01:50.680 My wife, Emily, and I are here for passover, to 0:01:50.760 --> 0:01:54.600 sup upon the bread of affliction. Growing up, though, it 0:01:54.680 --> 0:01:58.960 was everything of affliction, candy, corn of affliction, road trips 0:01:59.000 --> 0:02:08.799 of affliction, bedtime stories of affliction. I moved out when 0:02:08.840 --> 0:02:12.080 I was nineteen, but from age one to eighteen, what 0:02:12.160 --> 0:02:15.559 I remember most is the vague feeling of worry permeating 0:02:15.600 --> 0:02:20.880 the household. Worry that manifested is yelling, yelling through closed doors, 0:02:21.360 --> 0:02:25.000 yelling across the kitchen table, my father yelling into a 0:02:25.080 --> 0:02:28.720 junk drawer desperately trying to find a working pen, my 0:02:28.840 --> 0:02:32.280 mother yelling into a clogged toilet, desperately trying to make 0:02:32.320 --> 0:02:36.200 it go down. But more often than not, the yelling 0:02:36.320 --> 0:02:39.840 wasn't over anything at all. We were just a naturally loud, 0:02:40.000 --> 0:02:44.480 anxious family, a race of nervous giants shrunk into the 0:02:44.520 --> 0:02:51.880 bodies of little Jews. 0:02:55.760 --> 0:02:56.079 Man. 0:02:56.280 --> 0:02:58.880 When I move out of here, I'd say in my teens, 0:02:59.320 --> 0:03:03.920 I'm going to live like sting, peace and quiet, meditation, 0:03:04.360 --> 0:03:09.480 tea and tantric sex, and now after years of oolong 0:03:09.639 --> 0:03:13.760 roubis and lemon roubis, I'm home again for my first 0:03:13.760 --> 0:03:21.079 trip back with Emily and our five month old son Aggie. 0:03:21.400 --> 0:03:26.360 Day one. Here they are my parents. Tyota pulls up 0:03:26.360 --> 0:03:31.040 to the airport, pickups and passes us. Try to catch 0:03:31.080 --> 0:03:37.600 They don't see us here. We're right here. My mother 0:03:37.680 --> 0:03:43.520 jumps out. She runs back towards us, pointing at Aggie's ears. 0:03:43.680 --> 0:03:45.000 His ears are exposed. 0:03:45.240 --> 0:03:49.400 Hi, Hi, emily ears are exposed. 0:03:48.600 --> 0:03:53.760 Both my mother and father where their woolen caps pull 0:03:53.880 --> 0:03:57.920 down well past their ears. In younger, stronger days, they 0:03:58.000 --> 0:04:01.160 might have stretched those camps right down over their feet, 0:04:01.200 --> 0:04:04.880 but they're old now. My mother Dina seventy two, and 0:04:04.960 --> 0:04:06.960 my father Buzz eighty three. 0:04:07.760 --> 0:04:09.960 I want to drive slowly, not too fast. I want 0:04:09.960 --> 0:04:10.920 to go carefully. 0:04:10.960 --> 0:04:17.240 Okay, okay, fine, Well, Buzz is high strung. Dina's intensity 0:04:17.440 --> 0:04:20.840 is capable of raising the emotional temperature of any space 0:04:20.920 --> 0:04:26.120 she occupies in elevators, walk in pantries, and tiotas. Her 0:04:26.160 --> 0:04:30.080 powers are especially acute. 0:04:29.120 --> 0:04:32.080 Like a funny feeling in my throat, Like it's like 0:04:32.200 --> 0:04:34.280 really emotional. 0:04:35.360 --> 0:04:39.760 It's like a dreamed, you know, It's like a dream Yeah, 0:04:40.000 --> 0:04:41.680 it's like such a weird feeling. 0:04:42.360 --> 0:04:45.440 I think the weird, elusive feeling my mother is trying 0:04:45.480 --> 0:04:47.520 to describe is happiness. 0:04:48.480 --> 0:04:51.280 It's just wonderful to see him, But I hope he's 0:04:51.320 --> 0:04:52.160 going to be warm enough. 0:04:52.200 --> 0:04:54.560 Did you bring him up a little something? 0:05:01.640 --> 0:05:04.760 Home? Sweet home? 0:05:05.560 --> 0:05:08.080 Walking through the door, I'm a twelve year old again, 0:05:08.480 --> 0:05:11.400 home from school and looking forward to zoning out with 0:05:11.480 --> 0:05:15.400 petticoat junction. I'm a sixteen year old rushing to the 0:05:15.440 --> 0:05:19.000 bathroom to gargle out the smell of cigarettes. I'm a 0:05:19.040 --> 0:05:21.919 forty eight year old, a grown ass man with a 0:05:21.920 --> 0:05:25.640 grown ass ass. Parenting a newborn leaves a person with 0:05:25.720 --> 0:05:31.000 no time for squats. So don't judge Alex so nice 0:05:31.040 --> 0:05:36.480 in here plate. I can't believe it. So normally the house, 0:05:36.720 --> 0:05:40.720 a modest, semi detached bungalow, has a certain storage unit, 0:05:40.839 --> 0:05:45.320 bombshelter vibe, walls of toilet paper, a cold room full 0:05:45.360 --> 0:05:49.960 of canned fruit, cocktail needle points of biblical scenes, and torreadors, 0:05:50.240 --> 0:05:53.120 all leaned up against the walls for fear of pounding 0:05:53.160 --> 0:05:57.440 in a nail and regretting it forever. But today the 0:05:57.480 --> 0:06:01.839 place looks positively sparse, So I just don't open. 0:06:01.600 --> 0:06:04.360 A closet or the chore everything I'll tumble on your 0:06:04.400 --> 0:06:07.279 head because when you've heard you guys are coming. I 0:06:07.360 --> 0:06:10.360 threw everything into the closets and hid them. 0:06:10.800 --> 0:06:14.040 My mother grabs Aggie and heads upstairs for a diaper change. 0:06:14.320 --> 0:06:15.680 Emily and I trail behind. 0:06:16.720 --> 0:06:17.560 I want him to be. 0:06:17.600 --> 0:06:18.480 Fresh and clean. 0:06:18.640 --> 0:06:22.760 Oh you're so sweet, You're so sweet, my angel. 0:06:23.480 --> 0:06:27.040 Where the frige is the bag? The friggin bag contains 0:06:27.080 --> 0:06:29.960 the friggin diapers that my mother bought for our visit. 0:06:30.800 --> 0:06:32.680 It turns out it's on her lap. 0:06:33.800 --> 0:06:35.640 I kept a bill because I wasn't sure if you 0:06:35.680 --> 0:06:36.920 want me to return them or not. 0:06:38.560 --> 0:06:41.440 Would you be able to return to use diapers? Yeah? 0:06:41.560 --> 0:06:45.360 You know me. I could return anything. I could return anything. 0:06:46.520 --> 0:06:51.120 You know that, Johnny, I do know that returning stuff 0:06:51.160 --> 0:06:53.760 is what my mother lives for. She sees it as 0:06:53.800 --> 0:06:57.479 a staring contest, a game of chess, but with yelling. 0:06:58.440 --> 0:07:01.080 I remember once going along with her as she returned 0:07:01.080 --> 0:07:04.680 a shirt she'd bought for my father two years earlier. 0:07:07.839 --> 0:07:12.000 It's missing a sleeve, she told the cashier, holding up 0:07:12.040 --> 0:07:15.600 the article of clothing. The cashier turned it around and around. 0:07:16.400 --> 0:07:19.760 It's not supposed to have sleeves. The cashier finally said, 0:07:20.400 --> 0:07:25.200 it's a poncho. A poncho, my mother repeated, as though 0:07:25.200 --> 0:07:28.200 it were a foreign word, which, in her defense, I 0:07:28.280 --> 0:07:31.600 suppose it sort of is. I don't care what it is. 0:07:32.080 --> 0:07:41.000 It's factory defective and my husband can't wear it. Whenever 0:07:41.040 --> 0:07:43.880 she'd get this way, I'd adopt a stance meant to 0:07:43.920 --> 0:07:47.760 convey filial loyalty, peppered with a touch of what Vietnam 0:07:47.840 --> 0:07:52.160 Vets call the thousand yard stare. I've stood next to 0:07:52.200 --> 0:07:57.280 my mother through countless exchanges, arguments, spectacles, and stinks. But 0:07:57.360 --> 0:07:59.520 this is the first time I've stood by her side 0:08:00.080 --> 0:08:01.240 as she diapers my son. 0:08:02.200 --> 0:08:05.480 Oh look how much peepee he has? Oh, you made 0:08:05.520 --> 0:08:10.080 a lot of pepi baby. See that's how I knew 0:08:10.080 --> 0:08:11.960 you were sick. When you were a baby, Johnny, you 0:08:11.960 --> 0:08:12.720 weren't peeping. 0:08:14.120 --> 0:08:16.720 What was wrong with me? As a kid, it was 0:08:16.760 --> 0:08:20.080 easy to be embarrassed by my mother. One time, a 0:08:20.160 --> 0:08:23.400 popular boy named Jeordie showed up at our house. I 0:08:23.520 --> 0:08:26.880 wasn't home, but my mother answered the door with her 0:08:26.880 --> 0:08:32.720 hair on fire. My hair's on fire, she screamed. The 0:08:32.760 --> 0:08:35.600 next day in school, Jeordie showed the whole class how 0:08:35.640 --> 0:08:38.560 she screamed it. He wiggled his fingers in the air, 0:08:38.880 --> 0:08:41.360 looking as though he was about to fall to his knees. 0:08:42.559 --> 0:08:46.080 That night, I asked my mother what had happened. It 0:08:46.160 --> 0:08:49.520 was the barbecue, She said, your father wasn't home, and 0:08:49.559 --> 0:08:52.560 I was so in the mood for barbecued lamb chops. 0:08:53.240 --> 0:08:56.600 It seems that while examining the chops for signs of spoilage, 0:08:57.000 --> 0:09:00.160 she leaned her hair sprayed boufont too close to the grill. 0:09:01.000 --> 0:09:03.920 While this explained the fire atop her head, it did 0:09:03.960 --> 0:09:06.760 not explain why she answered the door while nursing a 0:09:06.800 --> 0:09:11.400 fire atop her head. Growing up, this kind of stuff 0:09:11.440 --> 0:09:14.160 happened all the time, so I was always on high 0:09:14.200 --> 0:09:18.800 alert for humiliating emergencies. Being back home again, I feel 0:09:18.800 --> 0:09:21.840 the old muscle memory kick back in. What that smells? 0:09:22.240 --> 0:09:23.080 Something's burning? 0:09:24.040 --> 0:09:26.520 Did you turn on the heater? Did you touch the heat? Though, 0:09:27.520 --> 0:09:29.920 it turns out that one of the rag dolls my 0:09:30.000 --> 0:09:32.680 mother had been hoarding somehow landed onto one of the 0:09:32.720 --> 0:09:35.680 old lamps she'd been hoarding and had begun to burn. 0:09:37.640 --> 0:09:39.480 I could have had a fire because I was so 0:09:39.600 --> 0:09:41.720 careless for a shim. 0:09:42.559 --> 0:09:45.920 The day plays out as a series of minor disasters averted. 0:09:46.679 --> 0:09:49.720 In the morning, my mother loses her cell phone. We 0:09:49.840 --> 0:09:52.960 find it in the night table. In the afternoon, a 0:09:53.000 --> 0:09:56.200 screw to my father's glasses falls out. We replace it 0:09:56.240 --> 0:09:59.560 with a twist tie. At dinner, a waiter charges my 0:09:59.600 --> 0:10:02.720 mother for or potato. She claims she didn't order, but 0:10:02.800 --> 0:10:07.200 after ten minutes of Camp David's style negotiations, it's dropped 0:10:07.200 --> 0:10:11.800 from the bill. Before bed, my father can't find his passport. 0:10:12.360 --> 0:10:15.400 Why do you need a passport? I ask? You always 0:10:15.440 --> 0:10:18.600 need a passport, he says. We find it in the 0:10:18.679 --> 0:10:22.880 night table. In the past, having someone witness all of 0:10:22.920 --> 0:10:26.839 this would have made me feel anxious, But now having 0:10:26.840 --> 0:10:29.280 Emily here makes me feel like I have an ally. 0:10:30.160 --> 0:10:32.600 Turning to her in the midst of some crisis is 0:10:32.640 --> 0:10:36.160 like looking directly into the TV camera and winking at 0:10:36.160 --> 0:10:36.800 the audience. 0:10:42.559 --> 0:10:47.680 Doggy Day two. 0:10:49.200 --> 0:10:51.800 After we put Oggie to sleep, Emily and I lie 0:10:51.840 --> 0:10:55.080 in bed. I ask for her thoughts and reflections on 0:10:55.120 --> 0:11:04.280 the trip so far. Oh, come on, come on, no comment? 0:11:04.840 --> 0:11:07.920 How could she resist? Look at how my mother acts 0:11:07.960 --> 0:11:11.040 with Aggie, I say, trying to get Emily going, I 0:11:11.040 --> 0:11:13.440 saw her put a pocket mirror under his nose while 0:11:13.440 --> 0:11:15.600 he was sleeping to see if he was still breathing. 0:11:16.440 --> 0:11:19.959 After every spoonful she feeds him, she asks, if he's choking. 0:11:20.840 --> 0:11:24.000 You realize, though, that you say all that about Aggie 0:11:24.040 --> 0:11:27.080 now too, like just a tiny little cough, and you 0:11:27.160 --> 0:11:28.400 are doing it. 0:11:28.480 --> 0:11:29.160 Is he breathing? 0:11:29.559 --> 0:11:31.959 Can he sit like that? Can he touch that thing? 0:11:32.320 --> 0:11:34.240 Can he eat that? Can he do that? Is he 0:11:34.240 --> 0:11:35.360 supposed to be doing that? 0:11:35.640 --> 0:11:36.040 What's wrong? 0:11:36.080 --> 0:11:36.480 What's wrong? 0:11:36.520 --> 0:11:39.120 What's wrong? What's he doing? What's he doing? Is he choking? 0:11:39.160 --> 0:11:39.640 What's wrong? 0:11:40.760 --> 0:11:42.080 You do a lot of that kind of thing. 0:11:43.559 --> 0:11:46.280 I can see to Emily that maybe I do just 0:11:46.360 --> 0:11:48.920 a little of that kind of thing. But I wasn't 0:11:48.920 --> 0:11:52.040 even in the parking lot of the ballpark of aDNA Goldstein. 0:11:55.720 --> 0:12:00.880 You one day you dropped, you dropped Aggie off, and 0:12:01.760 --> 0:12:05.800 you called me right afterward because you were so worried. 0:12:05.840 --> 0:12:06.480 Do you remember this? 0:12:07.920 --> 0:12:11.560 I do remember this. It was Aggie's first week of daycare. 0:12:12.200 --> 0:12:15.080 He shares a babysitter with two little sisters, But on 0:12:15.120 --> 0:12:18.720 that particular morning, when the babysitter opened the door, she 0:12:18.880 --> 0:12:22.160 was alone. She told me the girls were napping in 0:12:22.200 --> 0:12:23.199 another room. 0:12:23.840 --> 0:12:27.200 You called me and said she was there alone. She 0:12:27.280 --> 0:12:29.560 said they were in bed. I don't know. Maybe she 0:12:29.640 --> 0:12:32.520 killed the whole family, and now she's going to kill Oggi. 0:12:33.120 --> 0:12:35.360 And you weren't joking. 0:12:35.559 --> 0:12:38.960 Like you knew it was a crazy thought, but you 0:12:39.160 --> 0:12:42.840 needed me to tell you she didn't kill their family. 0:12:42.920 --> 0:12:44.240 She's not going to kill Aggie. 0:12:44.880 --> 0:12:47.160 I did not need you to tell me that. 0:12:47.760 --> 0:12:50.679 And you're misremembering you were freaked out. 0:12:51.720 --> 0:12:54.120 You were freaked out. I thought I was very stoic. 0:12:55.400 --> 0:12:56.199 You called me and. 0:12:56.160 --> 0:12:58.800 Said, I think the nanny is gonna murder our child, 0:12:58.800 --> 0:13:00.880 and that she murdered the whole family. 0:13:00.559 --> 0:13:04.319 That we do daycare with. I don't consider that stoic. 0:13:05.440 --> 0:13:05.840 All right. 0:13:05.920 --> 0:13:09.959 I mean, I'm just imaginative. That's one way to look 0:13:10.000 --> 0:13:13.480 at it. Yet another way to look at it is 0:13:13.520 --> 0:13:18.200 that I'm also crazy, just like my mom. Well, set 0:13:18.240 --> 0:13:27.120 my hair on fire and open the front door. In 0:13:27.160 --> 0:13:29.959 the days after Ougi was born, I couldn't stop thinking 0:13:30.080 --> 0:13:33.920 terrible thoughts. Things I couldn't speak, not even to Emily. 0:13:34.920 --> 0:13:37.880 With this new overwhelming love for my son came new 0:13:37.960 --> 0:13:42.920 overwhelming fears for his safety, his heartbreaks to come, for 0:13:42.960 --> 0:13:47.800 his old age, his loneliness, so I started seeing a therapist. 0:13:48.520 --> 0:13:52.080 I explained how worry was the lingua franca of my childhood. 0:13:53.280 --> 0:13:55.680 I wasn't allowed a paper route because it was a 0:13:55.679 --> 0:13:58.840 good way to get abducted, no barefoot in because of 0:13:58.920 --> 0:14:02.120 rusty nails. And I didn't even learn to swim until 0:14:02.200 --> 0:14:06.160 junior high because water that's where people go to drown. 0:14:07.320 --> 0:14:10.600 Worry and fear were how my mother communicated love. I 0:14:10.679 --> 0:14:13.800 said to my therapist with a shrug, But love is love. 0:14:14.320 --> 0:14:17.480 The important thing is that we feel it. But my 0:14:17.559 --> 0:14:21.360 therapist's response troubled me. She said that love was the 0:14:21.400 --> 0:14:25.160 transcendence of fear, that you might even say fear was 0:14:25.160 --> 0:14:29.400 the opposite of love. Sitting at my childhood desk with 0:14:29.480 --> 0:14:33.720 Aggie's toys scattered at my feet, my therapist's words returned 0:14:33.760 --> 0:14:37.640 to me. If I was becoming my mother, would AGGI 0:14:37.720 --> 0:14:41.160 someday become me? Someone weighed down by fear? And worry? 0:14:41.880 --> 0:14:44.920 Was our genetic line nothing more than an inglorious chain 0:14:45.000 --> 0:14:48.480 of Russian dolls? Should my therapist save the notes from 0:14:48.480 --> 0:14:50.920 our sessions so I can send Aggie to her at 0:14:50.960 --> 0:14:54.680 a discounted rate. I didn't want my son becoming me, 0:14:55.240 --> 0:14:57.360 and there were only two people who could help me 0:14:57.480 --> 0:15:01.360 understand how I became me, wh who charged New York 0:15:01.400 --> 0:15:04.680 therapy rates that might leave me bankrupted before I'm cured? 0:15:05.440 --> 0:15:13.880 And the other my mother day three. As a child, 0:15:14.080 --> 0:15:17.480 I felt trapped and embarrassed by my mother. As an adult, 0:15:17.760 --> 0:15:20.720 I came to be amused by her. It's only as 0:15:20.720 --> 0:15:23.880 a freshly minted father visiting home for the first time 0:15:24.320 --> 0:15:26.920 that I'm beginning to see that I am her. 0:15:27.560 --> 0:15:33.160 How much you pay for apples seventy but I'm desperate? 0:15:33.360 --> 0:15:35.800 This is what we normally talk about. Where to get 0:15:35.800 --> 0:15:38.160 the best price on paper plates? Where to get the 0:15:38.160 --> 0:15:39.720 best price on honeydew melon? 0:15:40.280 --> 0:15:40.560 Dina? 0:15:40.600 --> 0:15:42.960 What do you pay for a bottle of water. 0:15:43.800 --> 0:15:45.480 Twenty four for a dollar eighty eight? 0:15:46.760 --> 0:15:47.760 Bottle water. 0:15:49.000 --> 0:15:51.160 Cox twenty four for six forty nine? 0:15:51.720 --> 0:15:54.440 Will you pay for a loaf of bread? But after dinner, 0:15:54.680 --> 0:15:57.520 after Aggie's gone to sleep, my mom and I sit 0:15:57.600 --> 0:16:00.320 down at the kitchen table to have a different converse station. 0:16:01.360 --> 0:16:04.200 Emily is reading in bed, and my father's watching TV 0:16:04.320 --> 0:16:09.920 in the basement. It's just us. Hello, Hello, go ahead 0:16:09.960 --> 0:16:13.600 and talk here. I am Why do you say here? 0:16:13.640 --> 0:16:14.000 I am? 0:16:14.680 --> 0:16:14.840 Well? 0:16:15.040 --> 0:16:16.320 Where should I say there? 0:16:16.360 --> 0:16:18.320 I am? 0:16:18.600 --> 0:16:21.280 Tonight? I want to talk about the fear, that thing 0:16:21.320 --> 0:16:24.560 my family lives inside, like a snowsuit with a broken 0:16:24.640 --> 0:16:28.120 zipper that can no more be removed than our own flesh. 0:16:28.680 --> 0:16:31.360 I want to talk about the nameless thing that binds 0:16:31.400 --> 0:16:37.880 all Goldstein's, that ignites us, propels us, and ultimately paralyzes us. Well, 0:16:37.920 --> 0:16:39.760 I think about this stuff now, because you know, I 0:16:39.760 --> 0:16:44.400 have I have a I have a son, and I think, 0:16:46.040 --> 0:16:47.960 but I think he's so beautiful. 0:16:48.000 --> 0:16:52.840 And I saw those blue eyes like no horas Bay's eggs. 0:16:53.080 --> 0:16:56.400 My mother's not talking crazy talk, she's talking Yiddish. 0:16:56.560 --> 0:16:58.440 So Bay's eggs. 0:16:58.520 --> 0:16:59.440 Yeah, what does that mean? 0:17:00.120 --> 0:17:00.440 Bad O? 0:17:00.480 --> 0:17:05.679 I shouldn't hurt them. The bad eye, the evil eye, 0:17:06.119 --> 0:17:09.480 the belief that merely saying something positive is enough to 0:17:09.520 --> 0:17:13.399 invite evil forces to snuff the good thing out. So 0:17:13.480 --> 0:17:16.280 even bringing up a normal son to mom question about 0:17:16.320 --> 0:17:19.960 good parenting is enough to attract the eye. On the 0:17:20.040 --> 0:17:23.000 day of my bar Mitzvah, my mother carefully sewed a 0:17:23.080 --> 0:17:26.760 red ribbon into my underwear. In this way, she reasoned, 0:17:27.040 --> 0:17:30.000 should the evil eye turn its gaze upon me, I'd 0:17:30.000 --> 0:17:35.760 be protected by my underwear. Why do you think you 0:17:35.920 --> 0:17:42.639 do that evil eyed stuff? It's what you say, it's cuckoo. 0:17:43.000 --> 0:17:44.800 I know it's cuckoo, but I can't help it. 0:17:45.200 --> 0:17:48.440 But then that's just a superstition. I don't know everybody 0:17:48.480 --> 0:17:52.199 does it. I've never met anybody who puts red ribbons 0:17:52.200 --> 0:17:54.600 in their own I'm saying I personally have never met 0:17:54.640 --> 0:17:57.639 anyone who does that. So I can't say everybody puts 0:17:57.680 --> 0:18:00.520 red ribbons in their underwear. But what what is it 0:18:00.600 --> 0:18:06.080 supposed to be? Warding off? But what is the evil eye? 0:18:06.600 --> 0:18:11.720 I don't know. This is how conversations with Dina often go. 0:18:12.359 --> 0:18:15.840 The derail hit dead ends. So when I ask her 0:18:16.359 --> 0:18:19.840 why was our home the way it was? I expect 0:18:19.840 --> 0:18:24.320 more of the same, But instead my mother grows quiet. 0:18:31.560 --> 0:18:35.160 I worry, Yeah, I do too. 0:18:35.359 --> 0:18:39.880 I'm afraid of this, afraid of that. Well, I was irrational. 0:18:39.920 --> 0:18:42.640 I wasn't thinking right, and I have a chance to 0:18:42.680 --> 0:18:44.160 redo my a little bit. 0:18:44.240 --> 0:18:49.399 Not with you, but with Augie. She stops talking and 0:18:49.440 --> 0:18:53.400 stares into her lap for a while. We just sit there. 0:18:56.560 --> 0:19:00.720 I look upon this as a second chance. I want 0:19:00.760 --> 0:19:04.639 to correct my mistakes, Johnny, I want to redeem myself. 0:19:05.560 --> 0:19:10.800 That's it. My mother doesn't usually talk this way if 0:19:10.800 --> 0:19:13.919 something's causing her grief. She returns it to the store, 0:19:14.400 --> 0:19:17.800 sends it back to the kitchen, and so talk of 0:19:17.840 --> 0:19:21.840 second chances and redemption. The words sound weird coming out 0:19:21.880 --> 0:19:24.080 of her mouth, and I don't know how to respond. 0:19:25.160 --> 0:19:28.240 Where's all this coming from? I ask? Are you thinking 0:19:28.280 --> 0:19:34.720 of something specific? It's too painful. I don't want Maybe 0:19:34.760 --> 0:19:37.199 if you talk about it, you won't talk about it. 0:19:37.240 --> 0:19:41.280 I don't think it could be anything. Then I can't. 0:19:41.320 --> 0:19:45.600 I can't talk about it. Don't press me, please well, 0:19:45.600 --> 0:19:46.800 I don't want to force you. I don't want to 0:19:46.840 --> 0:19:50.640 make you feel bad. I am ashamed of myself. Let's 0:19:50.720 --> 0:19:57.400 change the subject, and with that the conversation ends. I'd 0:19:57.400 --> 0:20:00.320 gotten to my mother for answers about my childhood, but 0:20:00.400 --> 0:20:02.960 instead she has left me with questions I didn't even 0:20:02.960 --> 0:20:06.439 know I had. What had happened that was so bad? 0:20:06.600 --> 0:20:09.320 She couldn't even talk about it? What was she so 0:20:09.400 --> 0:20:20.320 afraid to tell me? After the break, I find out, Hello, Hello, 0:20:20.560 --> 0:20:24.159 So mom's upstairs with Emily. Do you have any insight? 0:20:24.280 --> 0:20:27.800 Day four? I sit down with my father to see 0:20:27.840 --> 0:20:30.439 if he has any idea what the second chance is 0:20:30.480 --> 0:20:34.280 that my mother's talking about. He's hesitant to talk because 0:20:34.359 --> 0:20:37.280 that goes against his strategy of staying out of the drama. 0:20:37.960 --> 0:20:41.000 In fact, most of my childhood memories of him are 0:20:41.040 --> 0:20:44.200 of a man in bed napping with a large volume 0:20:44.240 --> 0:20:47.080 of World War II history splayed open on his chest. 0:20:47.720 --> 0:20:51.000 This retiring nature might be the secret to having stayed 0:20:51.040 --> 0:20:55.040 married to my mother for more than fifty years. What 0:20:55.200 --> 0:20:57.159 is the thing that she is carrying around with her? 0:20:57.200 --> 0:21:01.879 She's a very private person and she feels she doesn't 0:21:01.920 --> 0:21:05.040 want to be intruded upon. Don't take it the wrong way, so. 0:21:05.080 --> 0:21:07.680 You have no inkling. You don't know what's going on. 0:21:07.960 --> 0:21:10.000 Doesn't even discussed with me. I don't know what guilt, 0:21:10.080 --> 0:21:10.920 I don't know what she's talking. 0:21:10.960 --> 0:21:13.480 Don't find it odd or intriguing in a way. 0:21:13.520 --> 0:21:18.639 It's a touchy subject for her, and she's very reluctant 0:21:18.680 --> 0:21:19.760 to talk about it. 0:21:20.080 --> 0:21:21.200 Talk about it. What's the it? 0:21:21.720 --> 0:21:23.160 I don't know. You have to ask her, and she's 0:21:23.200 --> 0:21:26.480 going to shut down. She's going to shut down. 0:21:28.080 --> 0:21:31.359 This means she'll try to change the subject or start 0:21:31.359 --> 0:21:34.800 to yell. But today I don't care. I just want 0:21:34.840 --> 0:21:38.320 to know what the big secret is. I wonder what 0:21:38.440 --> 0:21:41.600 it is? I say to Emily, who knows? She says 0:21:41.680 --> 0:21:44.640 while brushing her hair. So many things about your mom 0:21:44.720 --> 0:21:47.240 are a mystery to me, like why is the kitchen 0:21:47.280 --> 0:21:50.320 faucet always running full blast? And why does she keep 0:21:50.359 --> 0:21:54.560 offering me paper towels. I think she says, you should 0:21:54.600 --> 0:22:01.679 just let it go, but of course I can't. What 0:22:01.800 --> 0:22:04.480 had my mother done that she wanted a second chance at? 0:22:05.040 --> 0:22:06.879 Was it for the time she bought me a shirt 0:22:06.960 --> 0:22:10.840 for my birthday that she later admitted was actually a dress? 0:22:11.320 --> 0:22:13.440 Did you want to redo the time she dropped me 0:22:13.480 --> 0:22:16.600 off at a birthday party and hollered out the car window. 0:22:17.200 --> 0:22:20.439 Have fun? But if you get diarrhea and someone's on 0:22:20.480 --> 0:22:24.679 the toilet, just making the bathtub diarrhea is not a 0:22:24.760 --> 0:22:28.440 time for pride. Of course I now see the wisdom, 0:22:28.840 --> 0:22:31.879 but as a child, her words were a source of shame. 0:22:33.200 --> 0:22:35.680 I need to know. So I invite my mother out 0:22:35.720 --> 0:22:38.720 for a Sunday stroll with Oggie and me. Maybe if 0:22:38.720 --> 0:22:43.680 she can just relax, it'll come out like diarrhea. 0:22:45.800 --> 0:22:46.240 We'll talk. 0:22:46.880 --> 0:22:47.720 What should I say? 0:22:48.359 --> 0:22:49.480 Learn to take your robble? 0:22:50.280 --> 0:22:50.919 So tell me? 0:22:52.920 --> 0:22:54.960 So, do you find walking with Hoggie relaxing? 0:22:55.359 --> 0:23:03.120 Very relaxing? So nice? It's a pleasure, my little friend. 0:23:02.040 --> 0:23:05.960 To start things off. I lobber an easy question, cocktail 0:23:06.000 --> 0:23:10.240 party stuff. What's your first memory? 0:23:13.200 --> 0:23:17.959 Kindergarten? And we lived on Colonial four h three nine Colonial, 0:23:18.640 --> 0:23:22.680 And I remember my father used to play peinockle and 0:23:22.720 --> 0:23:26.040 he had a thumb that was the nail like the 0:23:26.080 --> 0:23:30.080 thumbnail was very cut off, and all of a sudden 0:23:30.119 --> 0:23:32.679 I thought of it, and I started screaming and crying 0:23:32.720 --> 0:23:38.480 and carrying on. I'm worrying. Oh, I remember, how old 0:23:38.520 --> 0:23:40.600 are you must have been four or five. 0:23:40.880 --> 0:23:44.040 So an early memory is being at kindergarten and remembering 0:23:44.080 --> 0:23:48.119 your father's thumbnail and starting to cry. What was it 0:23:48.160 --> 0:23:50.560 that upset you about it? 0:23:50.560 --> 0:23:53.439 I read about it because it wasn't like a regular thumb. 0:23:55.359 --> 0:23:57.840 I was worried crazy. 0:23:58.280 --> 0:24:01.280 I tried a guide her towards happy red inniscences, but 0:24:01.320 --> 0:24:06.000 all her memories are awful. Rheumatic fever, scarlet fever, her 0:24:06.040 --> 0:24:09.080 mother slapping her in Woolworth's for whining about a balloon 0:24:09.160 --> 0:24:11.640 she wanted, waking up in the middle of the night 0:24:11.800 --> 0:24:14.360 to find a wall in the kitchen covered in moths. 0:24:14.960 --> 0:24:17.800 Then I remember my mother's pressure cooker in that house 0:24:18.160 --> 0:24:26.560 hits the ceiling and pea soup was splattered everywhere, all 0:24:26.640 --> 0:24:27.400 your memories. 0:24:27.600 --> 0:24:33.560 Let's hear another memory. With the small talk exhausted, I 0:24:33.640 --> 0:24:36.920 trepidaciously bring the subject back around to the do over. 0:24:37.880 --> 0:24:40.760 I don't know, Johnny. I don't want to talk about it. 0:24:40.800 --> 0:24:44.840 I don't want to remind myself the way I felt. 0:24:45.560 --> 0:24:49.160 Doesn't conjure up good memories. Please, and that's the. 0:24:49.240 --> 0:24:49.600 End of it. 0:24:49.640 --> 0:24:51.800 I don't want to go into details. 0:24:54.240 --> 0:24:57.439 Nonetheless, for the rest of the day, I can't stop 0:24:57.480 --> 0:25:01.640 myself from asking for details, I asked, as she puts 0:25:01.640 --> 0:25:02.879 away the breakfast dishes. 0:25:05.280 --> 0:25:06.840 I have nothing more to say, Johnny. 0:25:06.920 --> 0:25:09.720 Leave me be, I ask, as she cuts coupons while 0:25:09.760 --> 0:25:13.359 watching Judge Judy with Emily in broad strokes. 0:25:13.200 --> 0:25:16.359 Alone, Please Emily take him off me? 0:25:17.040 --> 0:25:20.280 And while she peels boiled eggs for lunch, Leave me alone. 0:25:21.760 --> 0:25:24.760 Later we all sit down for dinner and with it 0:25:24.840 --> 0:25:25.439 some wine. 0:25:25.880 --> 0:25:26.960 What's wrong with me? 0:25:27.119 --> 0:25:31.520 I think I'm off my rock. My mother rarely drinks wine. 0:25:32.200 --> 0:25:34.440 Oh my god, how did I get like this? 0:25:36.080 --> 0:25:36.320 Mom? 0:25:36.400 --> 0:25:41.400 You just had a glass of wine. As she drifts 0:25:41.440 --> 0:25:45.320 off into an inebriated slumber, I give it one last try, 0:25:47.200 --> 0:25:50.439 can I Is there anything you need to tell me? No, 0:25:50.680 --> 0:26:02.040 any secrets to reveal No, I was getting nowhere day five? 0:26:03.200 --> 0:26:10.679 All right, you want to change him? What? It's our 0:26:10.760 --> 0:26:13.040 last day, and I've decided to give it a rest. 0:26:13.760 --> 0:26:17.240 I stop asking weird questions and we all just hang out. 0:26:17.440 --> 0:26:19.600 We talk about the price of things, We yell from 0:26:19.680 --> 0:26:22.520 room to room, We search for lost cell phones, and 0:26:22.600 --> 0:26:28.840 grow pleasantly bored with each other's company. Overall, it's pretty nice. Well, 0:26:28.880 --> 0:26:31.680 while putting Aggie down for a nap, my mother has 0:26:31.680 --> 0:26:34.960 a question for me, Sonny, what was it. 0:26:34.840 --> 0:26:38.200 That you were hoping to get from me? Oh? 0:26:38.560 --> 0:26:40.199 I really did just want to be able to have 0:26:40.240 --> 0:26:42.879 a conversation, that's all I'm not. I don't want to. 0:26:42.960 --> 0:26:44.480 I don't want to cause your distress. 0:26:44.880 --> 0:26:46.440 You're not causing distress. 0:26:46.560 --> 0:26:48.320 It's it's what it was. 0:26:49.520 --> 0:26:52.200 And I don't even want to talk about old, painful stuff. 0:27:00.440 --> 0:27:02.560 Who was sweet? 0:27:03.040 --> 0:27:03.080 What? 0:27:05.000 --> 0:27:08.840 She lays Aggie down, She stands over the crib. She 0:27:08.920 --> 0:27:12.879 starts to say something, but then trails away. What are 0:27:12.920 --> 0:27:19.560 we saying? All right, I'm gonna turn it off. Then 0:27:22.800 --> 0:27:26.199 I was not adopted. I had no secret twin, and 0:27:26.280 --> 0:27:29.840 my mother had no secret family. There were no murders, 0:27:30.040 --> 0:27:33.600 no affairs. It turns out that my mother's big secret. 0:27:34.000 --> 0:27:35.720 The thing that was so hard for her to say 0:27:36.480 --> 0:27:39.160 was that she was sorry for a lot of things, 0:27:39.840 --> 0:27:44.200 some small, some not so small. Some I remember, some 0:27:44.560 --> 0:27:48.760 I don't, calling me names, screaming at me a lot. 0:27:48.920 --> 0:27:51.560 How she could have been nicer to my girlfriends, How 0:27:51.600 --> 0:27:55.560 she used to pull my hair, hit me. Hitting kids 0:27:55.680 --> 0:27:58.480 was like the hula hoop. Back then, I say, a fad. 0:27:59.080 --> 0:28:03.360 Everyone did it. It wasn't right, she says. Back then 0:28:03.440 --> 0:28:06.880 people didn't know better. I say, I should have known better. 0:28:06.920 --> 0:28:11.840 She says, I forgive you. I say, I don't forgive myself. 0:28:12.960 --> 0:28:16.560 So I forgive her again, and I mean it, And 0:28:16.640 --> 0:28:18.840 then I turned the recorder back on. 0:28:24.280 --> 0:28:27.520 I love you, honey. You made it a little easier 0:28:27.560 --> 0:28:27.919 for me. 0:28:28.080 --> 0:28:39.800 Thank you. I love you too much. When you become 0:28:39.840 --> 0:28:43.640 a parent, your whole life changes, but you forget that 0:28:43.800 --> 0:28:47.320 some things stay the same. I'd been so focused on 0:28:47.400 --> 0:28:50.520 becoming a better father that I forgot I was still 0:28:50.560 --> 0:28:53.840 a son. And maybe learning to be a better son 0:28:54.640 --> 0:28:59.400 is how you become a better dad. Anyway I want 0:28:59.480 --> 0:29:02.960 him to be. On the last morning of our visit, 0:29:03.320 --> 0:29:06.280 my mother and I head to the park. As a kid, 0:29:06.480 --> 0:29:09.040 the park was someplace I usually went with my grandfather 0:29:09.360 --> 0:29:12.080 or father. One of the only times I remember going 0:29:12.080 --> 0:29:15.080 with my mother, two collies appeared out of nowhere and 0:29:15.120 --> 0:29:19.080 began chasing us. I remember we separated and the dogs 0:29:19.200 --> 0:29:23.120 chased her while I hid behind a tree. I look 0:29:23.160 --> 0:29:26.480 around the playground from my own childhood with her. I 0:29:26.560 --> 0:29:29.840 knew most things were out sandbox because someone could have 0:29:29.880 --> 0:29:33.720 peed in there. Same for the swings, monkey bars, teeter totters, 0:29:33.720 --> 0:29:38.760 and merry go rounds. But then something surprising happens. Picking 0:29:38.760 --> 0:29:40.840 Aggie up out of the stroller, my. 0:29:40.880 --> 0:29:43.240 Mother says, I'll take him down the slide. 0:29:43.480 --> 0:29:45.200 He's never he's never gone down the side. 0:29:45.320 --> 0:29:47.880 Come with Bobby Henney. We'll go down the slide together. 0:29:47.960 --> 0:29:50.120 Okay, you're gonna go with him down the side. Well, 0:29:50.120 --> 0:29:53.280 what do you think I'll put himself? I didn't. You're 0:29:53.320 --> 0:29:54.520 not afraid to go down the slide. 0:29:54.800 --> 0:29:55.880 Why would I be afraid? 0:29:56.320 --> 0:29:59.640 I don't know. Okay, be careful, yeah. 0:30:00.160 --> 0:30:01.960 On my nervis, I wasn't afraid. 0:30:02.400 --> 0:30:08.000 Be careful. I don't know. My mother hands me back 0:30:08.040 --> 0:30:12.240 Aggie and holding onto the railing, she carefully climbs the 0:30:12.280 --> 0:30:15.680 steps to the top of the slide. When she gets there, 0:30:15.880 --> 0:30:18.760 I climb up too, and hand Aggie back to her 0:30:19.280 --> 0:30:23.040 with hesitation. She positions them onto her lap and I 0:30:23.120 --> 0:30:25.560 run around to the bottom of the slide to await 0:30:25.600 --> 0:30:26.320 their arrival. 0:30:26.800 --> 0:30:30.040 And you stand there and catch us in chase bad for. 0:30:30.120 --> 0:30:33.600 Me, And then Dina lets go. 0:30:33.960 --> 0:30:34.880 You're gonna go down. 0:30:34.960 --> 0:30:45.680 Whoo whoo. He's having fun. Huh, so much fun in fact, 0:30:45.960 --> 0:30:49.080 that my mother decides to do it again. And so 0:30:49.440 --> 0:30:53.120 again she climbs up the steps, all three of them, 0:30:53.640 --> 0:30:56.200 to the top of the ladder, and from the grand 0:30:56.240 --> 0:30:59.040 height of three and a half feet, my mother and 0:30:59.120 --> 0:31:05.600 son descend the toddler slide once more, sliding sliding down 0:31:05.880 --> 0:31:14.080 the snide. Oggie loves it, so they do it again 0:31:14.840 --> 0:31:19.080 a third chance, a fourth, and even a fifth. Then 0:31:19.240 --> 0:31:22.280 we move on to the bouncy caterpillar, the rope bridge, 0:31:22.760 --> 0:31:25.280 and the swings. 0:31:24.240 --> 0:31:34.320 Swim swingy Oggy's going swingy, the itsy bitsy spider win 0:31:34.560 --> 0:31:35.640 up the water. 0:31:36.720 --> 0:31:40.440 Parenthood is like a redo of your own childhood, and 0:31:40.560 --> 0:31:44.560 grandparenthood is like a redo of that. That's all life is, 0:31:45.240 --> 0:31:49.720 learning and relearning the same lessons over and over all 0:31:49.760 --> 0:31:53.160 of us, like those itsy bitsy spiders crawling up endless 0:31:53.200 --> 0:31:56.520 water spouts, trying to make just a little more progress 0:31:56.640 --> 0:32:00.280 each time we set out. There's comfort in knowing that 0:32:00.360 --> 0:32:02.920 no one ever gets it right, no matter how many 0:32:03.000 --> 0:32:07.160 chances we get. But hopefully at least a few things 0:32:07.160 --> 0:32:10.840 go right, a few purely kind gestures somehow get through, 0:32:11.800 --> 0:32:16.000 And for everything else we ask for forgiveness, And if 0:32:16.000 --> 0:32:20.800 we're lucky, we'll receive it, and if we're luckier, we'll 0:32:20.840 --> 0:32:25.680 forgive ourselves too. 0:32:27.400 --> 0:33:05.600 Horrors. 0:33:17.120 --> 0:33:21.800 Now that the vernitures returning to its. 0:33:21.760 --> 0:33:30.160 Goodwill home, now that the last month's rent is scheming 0:33:30.400 --> 0:33:32.000 with the damaged. 0:33:31.880 --> 0:33:38.160 Pole, take this moment to dissolved, if we meant it, 0:33:38.320 --> 0:33:42.560 if we tried, but felt. 0:33:42.280 --> 0:33:48.800 Around for far too empty from things that accidentally talk. 0:33:53.400 --> 0:33:56.600 Eavyweight is hosted and produced by me Jonathan Goldstein along 0:33:56.600 --> 0:34:00.400 with Khalila Holt. The senior producer is Caitlin Roberts, editing 0:34:00.440 --> 0:34:04.280 by Jorge just Alex Bloomberg and Wendy Tour Special thanks 0:34:04.280 --> 0:34:08.480 to Emily Condon, Emmanuel Berry, Pat Walters, and Jackie Cohen. 0:34:09.080 --> 0:34:12.280 The show is mixed by Kate Bolinski, music by Christine 0:34:12.320 --> 0:34:15.640 Fellows and John K. Sampson. Additional music credits for this 0:34:15.719 --> 0:34:19.120 episode can be found on our website Gimbletmedia dot com 0:34:19.160 --> 0:34:22.480 slash Heavyweight. Our theme song is by The Weaker Thans 0:34:22.520 --> 0:34:25.600 courtesy of Epitaph Records, and our ad music is by 0:34:25.600 --> 0:34:29.279 Hailey Shaw. Follow us on Twitter at Heavyweight. This is 0:34:29.320 --> 0:34:31.960 our last episode of the season, but we're already looking 0:34:31.960 --> 0:34:34.719 for stories for season three, so if you have one, 0:34:35.040 --> 0:34:38.440 email us at Heavyweight at gimletmedia dot com. And if 0:34:38.480 --> 0:34:41.880 you see fit phunch in some stars for us on iTunes. 0:34:42.640 --> 0:35:03.000 Thanks for listening. Oh oh sign 0:35:04.920 --> 0:35:04.960 M

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