Deathless Zen: Sati, Satori, & the Koan of Cessation | Stephen Mugen Snyder, Roshi Q&A
In this session, Ajahn Kovilo and Ajahn Nisabho interview Zen meditation teacher and founder of Awakening Dharma, Stephen Mugen Snyder, Roshi. Subjects discussed include the Pau Auk meditation system, techniques for deepening jhāna, and the concepts of Cessation, Awakening, and the Deathless across Zen and Theravāda traditions. To learn more about Mugen Roshi, visit https://awakeningdharma.org/.
Bio
Stephen Mugen Snyder, Roshi began practicing daily meditation in 1976. Since then, he has studied Buddhism extensively—investigating and engaging in Zen, Tibetan, Theravada, and Western non-dual traditions. He was authorized to teach in the Theravada Buddhist tradition in 2007 and the Zen Buddhist schools of Soto and Rinzai in 2022. Mugen is a senior student of Roshi Mark Sando Mininberg and a transmitted teacher in the White Plum Asanga—the body of teachers in the Maezumi-roshi lineage. Mugen is the author of five books, including "Liberating the Self", "Demystifying Awakening", and "Buddha’s Heart". He also co-authored "Practicing the Jhānas." To learn more, visit https://awakeningdharma.org/.
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[music] Welcome to Clear Mountain on Wednesdays. Uh this evening we're very happy to have Muggan Roshi Steven Snider with us. Muggan, thanks so much for joining us. >> Yeah, thanks for having me. I'll just read a quick bio for those of you who don't yet know Mugan Roshi. So Stephen Mugan Snider Roshi began practicing daily meditation in 1976. Since then he has studied Buddhism extensively investigating and engaging in Zen, Tibetan, Terravada and Western non-dual traditions. He was authorized to teach in the Terraata Buddhist tradition in 2007 with Paul Oxida and the Zen Buddhist schools of Sto and Rinszai in 2022. Muggan is a senior student of Roshi Marando Minenberg and a transmitted teacher in the white plum asa the body of teachers in the Mumu Roshi lineage. Rugan is the author of five books including Liberating the Self, Demystifying Awakening, The Buddhist Heart, and he co-authored Practicing the Jas. So, yeah, Mukin, I'm curious if you could go a bit more into that last book we named, the practicing the Janna. This is your account and kind of making the Pok system of meditation a bit more western friendly. So um yeah could you talk about your experience since you know we're terra monks most of our people are often familiar with the language of terravada and many people know pak but maybe not necessarily know what's involved in in that meditation system extensively so >> sure I uh I did a retreat a two-month retreat with pock in 2004 and had at that time there was really no books in English Sean John or virtually none. So we had his book Knowing and Seeing which we could download offline which was like a big city phone book. It was a gigantic book and I couldn't make too much sense out of it. It was very complicated and technical. But going on the retreat uh I just found that one of the skill sets I developed in my years of Zen practice was uh holding uh effectively 247. And so when Pollock said, "I want you to be with your breath 247." He didn't always use those terms. That that was familiar to me. And so the first or second day I went in for interview, he asked, you know, how long are you with the breath? And I said, the better question is how long am I not with the breath? And that was about 30 to 60 minutes a day. So at that point, he sort of uh encouraged me to keep going with things. and uh and and I found the practice just unfolded quite naturally being with it. And I and I think in a lot of ways I was benefited by the fact I really didn't know anything and I didn't know at that time that there really hadn't been any western lay people who had progressed in the genres with him. Uh many had tried but had not been successful. So uh all of that was unknown to me until after the retreat. But I found him a very uh very personable teacher. He loved when I wore my Zen robes. And he would just giggle and say say, "I can't wait to get you in brown robes." And he offered to ordain me almost every time I went in. Not quite, but often. And I was married at the time. And I said, "Well, as soon as you have married student housing, then you know, I'm all yours." But uh no, it was it was a great retreat. It was very very impactful. He he's a very dedicated and an amazing meditator himself and doing the practices he required me to do each of the Janna for three hours uninterrupted uh in order to move on to the next Janna and of course there's a number of attempts and a number of times one is in even first Janna because you work with these casinos these mind-made uh objects and uh along with the breath and along with the heart practices the Brahma viharas all can access Janna. So you do a lot of a lot of trips a lot of time abiding in Janna. So the purification is really quite impactful. I I think it took me about 18 months to integrate that retreat afterwards. But I did end up at the end of the retreat uh sort of un unknowingly popping into cessation for a while and I was quite uh confident in those days. I was much younger. And so I set a time resolve for three hours in sessation, which I never recommend to anybody because I think that just was sort of too deep and left me pretty uh my hair blown blown back. I'll say afterwards >> and now it's totally gone. Um [laughter] >> we we suffer from the same condition. I think [laughter] >> well Muggan um I you know I mean we're going to I think this is going to be a fascinating discussion uh in that you can bridge and speak to the both resonance and dichotomy and tension between these terabata and Zen perspectives on the practice and I think there's some really interesting territory to get into there uh including terms of awakening sessation and more >> right >> to really begin um just bringing it very practically back. I think some people hear the term Janna thrown around and you know for many pock the system is very precise uh very um you know lays out a clear path and yet people often have huge trouble um staying with the breath at one spot or sticking with the casino for a long period >> right >> um and they don't necessarily have that samadei faculty uh you know really robust at the beginning of practice or even after many decades What practical advice would you give to someone who's listening to this? They've tried sticking, you know, focusing on various objects and have just not been able to remain with it. How would you advise them uh very practically uh in three or two or three minutes? uh in terms of how to explore practice towards samata >> the the main thing that I think people need to do that isn't traditionally done is I encourage people to do 5 to 10 minutes of either meta or karuna compassion for themselves before coming to the breath because we need the heart juiciness. If you're staying with the breath and there isn't a juiciness, my my line is it feels like a factory job where you're just stamping cans. It's very very uh slow. It's very monotonous to do. But if so, if you can sort of hold awareness from the nose, including the upper chest, and bring that to the breath, it allows us to stay our heart to be engaged as well. The other tip I give people is to really cultivate silence. And the main silence they need to cultivate is inner silence. So they need to have some distance from their inner chatter. You know, most people have thoughts, but the problem in meditation is they bring awareness to the thought rather than letting the thought just pass by like a cloud in the sky. So they've got to they have to really be committed to silence. And then they really have to stay with the breath on and off the cushion. Continuity is essential. If someone's meditating beautifully and then get up and they and they're not meditating for two or three hours, let's say, they're going to lose most of that meditative concentration. Like boiling a pot of water, you're taking the lid off the pot and walking away and then wondering why it's not full of steam when you come back. So th those are the main tips I would give to someone if they want to progress and and you have to have a kind of a lightness to it. As I teach it now, I try to have people get in contact with the non-conceptual breath. And so getting away from our ideas, our stories, our associations with breath and getting to the deep felt sense. And it has a qualitative different u I guess uh feeling to it when we do get to the to the non-conceptual breath. And that really helps a lot also because we're not getting into all the ideas and and ruminating over our associations with breath and and that kind of thing. That's very helpful. And I wonder for the benefit of those listening if you could just expand out a little more on how to cultivate uh karuna and um you know compassion or meta towards towards oneself in that space. I know many learn a phrase to invoke meta and it works for two days and then it stops or >> right >> you know the juiciness only maintains for so long. So yeah, what are some practical means people can use to access that reliably and the felt sense of the breath? What's a practical means for touching that? >> Well, the practical s the practical uh contact with the breath is it's being with the breath and it's it's letting yourself descend into the breath. And as our awareness begins to descend and there is a feeling of sort of dropping into it, we're moving more and more away from the conceptual, the story of me, all the different distractions that we can have. And so, so that really helps a lot with with meta. Generally, the the meditative object is innate goodness. Innate goodness is the goodness we can witness in babies in uh whether they're animal or human in nature itself. And it's just the goodness like that babies emanate without trying to be good. They're not trying to perform for us. They just are goodness. So it's getting in contact with that either initially through a memory or through our own life experience. And so once we get there, I I teach that the support phrases are are to assist us. If if you don't feel like you're you're stable with the meditative object of innate goodness, then you can turn to some of the support phrases to keep you focused. The problem is a lot of people treat the support phrases as the object. And so that becomes a problem. They're just caught up in the words. They're not they're not descending into the non-conceptual breath. And with karuna, karuna is about being with uh duca, being with the unsatisfactoriness, the suffering of human life. And so by being with and and certainly we can experience duca on these retreats, we can have bodily pain. We can have mental issues going on. We can have a lot a lot of things to choose from, environmental noise. So there's lots of sources of dooka. And to simply be with it, accepting it and opening to to the dooka allows the tenderness, the love of what I call the absolute, which is the source. The ab the love of the absolute comes in and and we feel a kind of uplift and a tender holding. The the one disagreement I have with some teachers is they talk about karuna compassion taking away suffering or dooka. And I say no, it doesn't take it away. It helps us supports us being with it because we need to be with the dooka. That's really where our practice is. And by being with it, then we can we can help unpack it. We can help digest whatever is ready to be uh worked with if that's appropriate. >> Yeah. In in your book uh the Buddhist heart um you actually have um preceding your discussion of the four Brahma vihares or the divine abidings a whole small section on innate goodness. So it's something kind of a preliminary practice to the four Brahma viharas and I appreciated that but that that concept of innate goodness and how you describe it isn't one that I had found in in terraada in terra texts and I'm curious if you could say more about that and also after you describe that in in your book you actually give the four brahaviharas in reverse order so going upa or equinimity first followed by muda sympathetic joy compassion and then loving kindness. >> So could you maybe say more about innate goodness um and if there is a terra equivalent or if it's something that you've picked up elsewhere and also why you chose to present or why you choose to present the divine abidings in the order that you do. >> Sure. Then uh when I was writing Buddha's heart, I whenever I'm writing a book and have meditation as part of the book, which is typically what I do, I spend a lot of time with the meditations and I typically try to take them apart. I try to mix and match. I I try to do different things with them to see, you know, do do we, for example, the category of beings, do we need them in this order? Is this really the best order? And so I would experiment by trying different ones first or second. And what I found was the category of beings that that are traditional in terraada are the best um the best sequence. It does take us deeper and deeper into the practice. So it's effective in that way. And what I found was uh that that with meta, if I took innate goodness without support phrases and just really zeroed in on that as my meditation object, I found there to be a benefit. There was a kind of uplift, a a certain uh flow, a certain buoyancy, a certain optimism that really came into my experience. And I began experimenting with students, having them try it and see what happened. And I found a lot of students really took to it and it was easy for them to also practice off the cushion, which is a big part of my teaching. Whatever you're doing on the cushion, you should be doing off the cushion. And things like I tell them, you know, because my students are are lay people. So before you go in the grocery store and you're in your car, just take five minutes to contact innate goodness and then try and maintain that contact even a little as you move through the grocery store. And you'll find you start relating to and recognizing others innate goodness as your abiding in your innate goodness. So this begins changing some of the behaviors and patterns people have. And it begins to fill in what what I call psychologically the core wound which is the the deep deficit that most people carry of some perception of worthlessness or failure on their part. And so it helps fill that in as well. So that's how I came up with it. It was I I say I innovated it. I didn't invent it. Um but you know it's a small eye. I just I borrowed it from the meta and found it beneficial. And this is part of my my teaching where I I experiment a lot. I try particularly with the terabond and Zen I I I'll combine you have people practice from one tradition for a while then I'll say with the Zen tradition then I'll move them into the heart practices and then back into say Shikantaza which is a major Zen meditation and turning to your point about the order of the Brahma vihares a lot of teachers in the west uh teach obviously the sequence the reverse sequence so meta karuna muda and uka and What happens is a lot of people spend inordinate amount of time with meta then they'll spend a little less time with karuna by the time they get to muda it's a little bit of a taste and oopeka many people can't contact a lot of some teachers don't even teach it they just focus on the first couple and what I found waseka is incredibly important because about accepting the truth of this moment so whatever is happening are the greatest resistance humans have is from not accepting what's here. I don't want this in some fashion and I begin to brace against the moment. So right there you can see there's a closing down uh an inability or an unwillingness to open. And so I found by starting with aka and working with just acceptance and I teach this if somebody comes to me with some issue or life problem the first thing I'm telling them okay let's start with acceptance let's start with aka and and I and the simple way to practice it is just simply to repeat internally acceptance acceptance and that just lets the energy drop a bit it lets us be more grounded and settled and also it doesn't it doesn't uh kick up our resistances to what's happening. So we can more accurately perceive what's going on. So that to me became really the the base the foundation for the the Brahma vihares. And then w with muda muda really is focusing on the unity the non-duality quality of the love of the absolute. uh and the way I I frame it is that meta is like the big umbrella and the other Brahma viharas are derivatives of that. So that's why I think going sort of upstream we start we do the the uh you know upa and then muda about unity. So your happiness if I'm deeply in a unity experience your happiness is perceived the same as my happiness. So, it isn't that I'm I'm I'm recognizing you have something happen and I feel good about it. I feel it the same way you do. It's like I'm getting that new job or I'm getting that ice cream cone. And so that really lets us, you know, uh really lets us break down the separation between other self and others. And then moving into compassion. Compassion's terribly important for humans because we do have the dooka. No matter what your stage of attainment, you're going to have health issues. You're going to have a variety of things that are going to be uh challenging. And so, we all need to be able to be with the discomfort, the dissatisfactoriness of life and to hold that in a way with tenderness. And that's where the of the absolute comes in. love comes in to help hold it and is really the I talk about meta translating as as unborn unconditioned love. So unborn it's always around unconditioned. We don't need to do anything to have access to it or or we don't have to deserve it even. So so that lets us open more and not get into our our worthiness, you know, am I worthy of meta? And and then I teach it that we practice meta for ourselves and when we're full it will automatically begin to broadcast. So we don't try like I'm not trying to send meta to you. I just do meta and as I'm doing it here with you, let's say it's going to begin to overflow and the close recipients will be the first folks to be uh touched by that. So I I frame it a little different, but it's it's based on my own practice and then working with students uh you know because I'm I'm also trying to work with lay students and keep the practices relevant to uh modern lay people as well. Well, thank you Lugan. I I appreciate that myself. I think that reordering I mean the Buddha did typically teach the Brahma Biharas in you know meta kuruna muda up but as you're saying I mean um I I do find value in that as well your innovative um yeah reordering and just on this this topic of care uh another innovation which I have encountered in your teachings is about the precepts or about morality in general you've got a a teaching about looking at each of the five precepts or the eight precepts If someone's on retreat in terms of their inner as aspect, their outer aspect, and their secret aspect, >> we all we all like the secret, don't we? >> Yeah, I know. [clears throat] >> Yeah. Well, would love it if you could actually explain what each of those three modes of of being and examining and practicing the precepts are. >> And I'll say also I I've actually um reddrafted the Zen precepts. the Zen precepts like for example the first precept is generally do not kill and I've reddrafted it as the precept of preciousness because I found for myself and students if I reflect on my day at the end of the day and say well I didn't kill anybody today so I can tick that box but if but if I'm holding preciousness did I recognize did I support did I encourage preciousness in my life throughout today that that gives some people something to work with that's tangible and and we can stay with it. So that that's actually going to be I've got a book that that'll be coming out called living awakeness. But after that one I'm working on a precept book where I'll I'll detail and have practices on what I'm calling the generative precepts. But but coming back to your question on outer inner and secret I borrowed that from the Tibetan uh practitioners. I I studied the Zoken Rigpa practice for about five years and and so was acquainted with some of the terminology and the way I found it was working with the precepts. There would be the outer which is which is the exterior to the body and in terms of relating to others. How am I doing with the precept in that regard? And then the inner is sort of my own inner experience, my own psychology. How how am I working the precept? How is the precept catching there? And then finally, the secret is really holding it in uh a way that's deeper, that's more what we might call in our true nature in the Zen tradition or I might say we're in contact with the absolute. So we're we're with more of the source relating to the precept rather than just my behavior or my psychology or mentalizing about it, which would be the outer and inner. So I and I thought by doing it this way and it has proven to be helpful that students could get more traction with the precepts because a lot of the westerners as I'm sure you've seen the lay people they they take it very seriously but they don't know what to do with it once they take the precepts it's a little complicated on well how do you apply it so I was trying to give people some some uh methodology where they could apply it more and that led to my drafting the generative precepts So move in. Um you know there are two kind of interesting intersections I think worth exploring. One is the innovative language you've sort of drafted for some of these things and the other is um the intersection between Zen and Terraata. And obviously these ven diagrams intersect in different ways with um language like the absolute. You know obviously you must know Terravada monks get a little nervous around such language. Um and you know >> and uh >> it doesn't mean they don't know it. >> Yeah. Well, and it's interesting because yes, in the poly, you know, the Buddha motions to Nibana, the deathless element, the amatu. Um and he you know was very uh kind of careful in his language around um how he talked about these these things so as not to um make them not to allow us to raify them too much. Um and you know you do talk about the absolute the non-manifest uh ver sort of emptiness and then the manifest which is uh you know can manifest as light and has all these qualities which interestingly uh do map on to the beautiful mental constituents talked about in the abidama quite well you know like >> luminosity of mind and malleability >> and certainly arant features these beautiful mental qualities but just as someone who's had to navigate both of these um you know navigate this language which I do find a really useful skillful means. It calls forth something in my heart that the word nabana does not. Um and yet, you know, there is the danger of people taking it too far or or really buying into it in a way that might not be healthy. Um >> or might, you know, how do you walk that line between uh kind of the traditional Buddhist precision of how he spoke about the deathless and this language which you find was so >> in Terravada. >> Yeah. in Terravada and the sort of language which which you use. >> Well, you know, some of it starts from I think our own questioning of what would the Buddha teach if he was alive today? How would he be talking about these things? Because I think that based on the time when he was teaching this, he was using the language that was most accessible to those folks. And like when you look at the sutas when he mentions Janna he has a kind of a formula way of talking about the Janna. And I I view it that the Janna were so well known in those days because they were were active in in the uh yogic tradition uh you know preceding Buddhism and and I think that like today if we were in a group just if we gathered a hundred westerners together and we just said uh let's take five minutes to pray together everybody would have some idea of what prayer means. And I think in the same way that Janna was that kind of a term in the Buddha's day. So he could give a kind of a shortorthhand about it and people knew oh yeah you focus here you do this. So so I think some of it we have to look at the the uh context of when the language was being used. And for me I first made contact with the absolute uh on the retreat I did with Pawok after finishing the eighth Janna coming back to the access concentration of eighth Janna. I found that there was a portal there and that of course I went through and I found myself in what I call the absolute realm what in some terraoden teachers I know it's not not orthodox but they call the ninth Janna and so I was in the absolute or awareness was in the absolute and consciousness and there was a lot of perception going on about what was happening and what it was and then from there that led to where I could feel the pull of sessation the stillness, the peace, the darkness, the the emptiness of sessation really like a kind of tractor beam pulling. And so I I began to see, oh, I see that even things like like love and and these other qualities, presence, they're, you know, they're great, but they come from they come from sessation. sessations the hub of the absolute and that that nothingness that it has I mean it's it's a nothingness uh no mentality or materiality with such a potency that's responsible for all of life all of creation all of manifestation so it it's incredibly powerful to to be near to go in to abide in so anyway that that's what started My my mapping this was recognizing from my own experience. And then when I began working with students more particularly in the Zen tradition, I began introducing some of this and I found it really made sense to people. They were having experiences. The other thing that I do in my teaching which is in the books is I I do these guided meditations that a lot of people can follow. a large number of folks who resonate with my teaching can follow and people have uh awakenings they have sessation just from my leading guided meditations. So there's something about uh having that energy in the field having that language and the precision that does help people in the Zen tradition particularly Zen you if you go to a teacher and say I'm having this experience I went into one teacher when I was young oh I love everybody I'm falling in love with everybody I want to hug them all and they were like get rid of that that's that's not something we deal with and it was just unknown and I was really in this in this deep meta unity experience and it wasn't recognized and if you brought in any experience they would just say go sit. So there was no help in terms of mapping or technique of meditation. And that's part of what I've tried to introduce is some understanding, some languaging that people could then use to uh deepen their practice because I feel like it's it's not like I'm revealing anything that's any great secret, but it's putting a context on it with the understanding this is based on on my experience and now my experience of students. I've probably have between 50 and 100 students that have had awakenings whether Zen Kensho or Cherabod sessation. So, so I I'm having a a I I have a group that I can I can learn from as well and fine-tune language and things like that. And again, I tell people I'm not a traditional teacher in either either tradition. If that's what you want that then I'm not the person. I'm I'm more looking for innovation. How do these work? what what advances the the student the best and the most is really my my objective. >> One of the teachings which you give uh which I think does a a great job of straddling this seeming divide between some of the language of the terabata and some of the language of of Zen. Um you know there was a some languaging of Zen that I used to really like before I ordained of no effort. You don't need to make any effort. >> Mhm. And coming to terra you know you got right effort you know capital R capital E [laughter] you know but one uh kind of skillful means you you use is talking about proactive effort and receptive effort and I think you're rather uniquely situated having gone through the PA Janna system which really does take a lot of skillful effort both proactive and receptive and I'm curious if you could say more about these terms and if they apply as you experienced it both with cultivation of the Janna and cultivation of uh shikantasa you mentioned that earlier or other uh Zen meditations um >> maybe are more on the receptive end of things >> right yeah the the main thing is like with the Pak Janna system that initially we all need to bring proactive effort I need to direct awareness to the breath in the anapana region between the nostrils and the upper lip. It's not going to do it by itself or it doesn't seem to do it by itself. So, at first we're coming back. We find awareness. We're thinking about lunch. We come back. Somebody loosened the zipper on their jacket and I was distracted. Come back. So, we keep coming back, coming back, coming back. And and that's the first Janna factor of vitaka, which I I talk about as applied awareness. Once it begins to sustain which means anywhere from 10 to 20 minutes without serious interruption that's the second Janna factor of vichara that's where we have to start relaxing we have to start stop doing as much and we need to start allowing and so that's where I came up with the terms proactive receptive and and I talk a lot in my teaching about ripeness and about surrender and the ripeness is we have to Understand that in all of these practices, we all have a a particular kind of ripeness and it doesn't mean that all of us in this moment are ready to contact and be absorbed into sessation. We have to be ripe for that. So it it doesn't help to think we have to, you know, through my effort that I'm going to make it happen because it doesn't work that way. So it's different than our lay lives, our our ordinary lives where we believe that our life functions well because of our individual efforts. >> So [clears throat] there's a skillfulness to apply effort and there's a point when the practice begins to do itself. And that's where we need to start surrendering effort, relaxing, allowing and realize we're not directing this. All we're doing is abiding here and the whole practice is unfolding. The janna factors are beginning to appear. We're going deeper. Thoughts are getting quieter. We're finding a focus. Maybe we're having some light phenomenon. The pre- nimita light phenomenon could be happening. So all of that we have to keep allowing because we're not controlling it. And if we start monkeying with it, then you know we're just going to uh derail our practice. One of the things I tell people on a Janna retreat is don't play with your nimmita. And everybody does that. They get a light phenomenon in Nimita and they get excited which we all do and they end up trying to make it bigger, make it more intense, do all these things and eventually it goes away. So it's a self-reinforcing system. If you're going to apply proactive effort beyond the point it's it's really recommended, it it's going to start derailing the practice. So you you actually have to start surrendering and allowing and being receptive. So, uh, Muggan, I I think, um, I'm going to ask some questions that I'm really curious about. Um, and think you can speak to in a way that not many can. Um, one of which is the, you know, one consistent point of, uh, tension or or confusion I have with the Zen tradition is the term awakening is applied very broadly to something called Sattorii, which see or kencho, which seems to be a brief glimpse of something, Sattorii, which perhaps maps onto stream entry. Um and [clears throat] in terabati as you know awakening is uh reserved for a very you know a certain set of experiences from stream entry on up and cessation uh their sessation of perception and feeling is generally ascribed as a state only accessible by non- returners and arants who >> right >> the Buddha has said you know I've given up sensual lust completely can no longer live a household life etc. So I have a twofold question there and um genuinely like this is a discussion I've wanted to have for a long time. Um you you know first how do you map the uh Zen awakening system onto the terra and um how do you kind of square this idea of uh awakening or sessation experience as a very rarified uh experience that really would usher someone into monasticism almost immediately at least by some Terraata accounts with um you know the idea that maybe a hundred students or something are achieving a cessation experience And just genuinely curious this is I've never actually gone to talk to a Zen teacher about this who's had terra uh kind of experience as well. >> Sure. Yeah. And and to say that the hundred students or 50 to 100 I mentioned that would be a combination of the Zen Kencho experience and cessation. The minority would be cessation. >> So the majority would be Zen Kencho experiences. So first kencho is a term used broadly in the Zen tradition to simply mean awakening seeing into one's true nature and we talk about depth of kencho really relates to how long the sense of self the personality is suspended because when it in the experience of of kencho there's uh three components there's a deep sense of no self so there there's no self-referencing that can be made I don't know who I am is it would be the only answer one could give there's also a deep sense of the unity the love of the absolute so we have to have that love the deep emptiness and then there has to be finally the recognition this is my true self this is truly who I am what I am and that creates the kind of inner explosive experience that does suspend the personality the sense of me for a period of time. Virtually nobody is at gone forever. That's that's sometimes talked about in the Zen tradition and it's really more fable than reality in my experience. But that and so so that would be saturator to me is a more sustained uh awakening experience. So it's going to be a longer experience. One can have a saturator as their first Zen awakening experience but that would mean that the sense of self is suspended is not present for at least weeks if not months. So a long enough time that they really get the no self really gets rooted in their consciousness. And so that and and then what happens is the foundation shifts. The person that has kensho still is going to have a sense of me as their inner foundation let's say. And with the saturator the the personality the sense of me is shifted out of the way and what we call our true nature becomes our foundation and true nature is the qualities of the absolute in a particular consciousness. So emptiness, unity, love, uh peace, stillness, presence etc are all within all of us. It's in our it's coded into our consciousness. And so, but that becomes the self-reference. And then in the Zen tradition, there's a third awakening recognized called daote, which translates as final or full enlightenment, which it it truly isn't either. Uh but the reason it's called that is because the sense of self is effectively put down and is not picked back up again. So it's it's quite rare and it's quite impactful but there's no sense of self and the foundation becomes the absolute itself. So when there's a self-reference it's not self-referencing a personal history or a certain identity it and not even true nature qualities of the absolute but the absolute self. So, so that's the Zen map. And I think that I I'm I'm always reluctant to, you know, over overlay them, but but I think in at least in the West, there are late terraodin teachers that will recognize Zen Kencho if it's deep enough as a streamantry experience. For me, I I'm looking for whether it's sessation or kensho, I'm looking for what I call awakeness, qualities of awakeness. My next book coming out is is called living awakeness. So I detail about 15 qualities of awakeness, what they are, how to work with them, and then I talk about a variety of things like the yoga chara, eight levels of consciousness, and then how those get changed based on different awakenings. So it's it's organized towards that. But I'm looking for that awakeness, the brightness, the clarity, um the ease. You know, there's a variety of things, but one of them is service. Are the people oriented more towards service than they were before? That's a natural outcome of a deep awakening experience. So for someone who has a sessation experience on a retreat with me for example, it's only if I can by watching them over succeeding days or weeks that I can see this awakeness. Like I had a gentleman uh have an assessation experience at a retreat about two years ago and uh he had that awakeness quality very clearly and he was recently on retreat with me again. Uh and he still has it. He he's talked about how his life has changed in ways that it hasn't returned to the old way. So that's part of the awakeness is there's just this shift away from being say an an earthbound person, an earth dweller and we become something else. I know the terraoden talks about as noble ones or different languaging like that. I don't tend to use that kind of language, but um anyway, so I'll I'll pause here or stop here. >> No, no. Patuja being the the world the worldling or earthling as you said. Um, >> yeah, >> I I appreciate keeping each systems integrity and it strikes me that it it's very important to see I really am curious do those final awakenings map up a ship and that other third one you named because if these systems there can only be one ultimate in the end of the day, right? So that feels like an important thing to for me to ask is like is there a uni unity at the end of these articulations? Uh, and would you say that that third stage of awakening is is our ship in the Zen and and Terabotic Inception? >> I I I think there are parallels uh to the two. Um, I of course my my when I talk about Araant, I don't talk about it in the same sort of uh mystical way that it's often presented. And that's not a disparagement. It's just uh th things like the the defilements uh are gone. I I I think that the defilements are very very weakened but unless one has done some personal work a lot of the deep wounding that humans carry today isn't going to be resolved. And so that's part of what in the digote realization the core wound as I call it is resolved. it's it's completed it's rounded out whatever language you want to use. So that means that that driver that anchor is no longer present and that's what I see in the arant as well is that because this the core wound is active up until that stage or that realization that in that realization process in in that journey into sessation that's going to be resolved either somehow in entering exiting or embodying the fruits of sessation the the core wound gets um satisfied or it gets completed, whatever language you want to use. So I think there's equivalence. I'm almost reluctant to say that they're parallel because there are a lot of the terraodins that are very touchy about it. Um and so I I don't want to walk into a hornet's nest either. So >> we're not very for the record. [laughter] That's that's kind of what I say is yes there's equivalencies and and I think you know like I was talking with someone the other day another teacher and they were talking about um the the the territory from arant to Buddha and and that because part of my teaching is there's no end to realization and there's no end to personal work because we have subconscious and unconscious material no matter how realized you are there's still going to be triggering events where new material gets percolated up and so we engage it and we work it. We don't pretend it's not there. We don't try to spiritually bypass. We engage it. And my at least this teacher was of the mind that that the territory between Ara and Buddha is one where all the condition material in the unconscious and subconscious is resolved. So there's no more material at all. I I haven't actually seen that in terod text. Maybe it's there and I don't know about it. But, you know, that was sort of a a kind of a leap I wasn't willing to make. I I don't really I I'll talk about the Tatagata. So, so that I think is we we can language around that. There's more about functionality there. I mean, Buddha has such a high a high barrier, high mark. I I don't know that there's much productivity talking about that. >> Yeah. Yeah, I'm curious um some other um language I think you use quite effectively in talking about these different stages of awakening whether it's in the Zen system or in a teraba system is the accordion effect and the stage step um step process >> and yeah we consider the arant I mean the language usually is something like done is what had to be done and you know transcending greed anger and delusion and no more mental suffering but could you explain Uh I I appreciated this language, the accordion effect and >> what [clears throat] that looks like for a spiritual awakening as well as the stairstep process. >> Sure. Well, virtually everybody who goes on an extended retreat is going to be familiar with the the accordion effect. And really what that's meaning is we have a new transcendent experience. We have an expansiveness that we've never had before. Regardless of the practice, whether it's meta or it's it's uh something else, it's it we're just in new territory and we have new insights that come with it and new amazement and awe and wonder and generally shortly after that the personality gets triggered and it's like wait a minute this is not what I signed on for I am not in control of this. This is not okay. And so the personality does its best to get back into its structure because with the transcendent experience, the personality material opens up and and that's where the personality gets gets scared. It's it's afraid it's going to go away because we often have a relationship to our personality that it is the same as me. And so we get a sense that wait a minute, if this thing goes any further, I might lose the me or the personality. And so it slams back as tight as it can get. Typically, it's not where it started. But it if you're if the realization or the the experience is here, it's, you know, it's closer together. So people have a sense after having a deep transcendent experience of, well, I lost it. I did something wrong. I screwed up. you know I I'm not good enough for this some some kind of negative selft talk so I began talking about no it's just the accordion effect it's got to come together and that's where the integration embodiment happens once that happens and whatever like one of my main instructions to students is to track congruent uh reaction so anything that triggers you where you get a glass in the restaurant with lipstick do you just ask for a new glass or do you scream at the waitress or waiter So the screaming at them is an overreaction. So something got triggered by your getting that glass with lipstick that probably hit somewhere in the core wound. So by tracking that we begin to see patterns. We begin to see associations that then we can work as personal material. And that's what my book Liberating the Self is about. working some of those things like like greed, hatred, anger, things like that and learning to get to the vulnerability preceding them which opens us to the quality of the absolute that we're actually wanting to draw upon. So I I forgot the oh the and then the stairstep method is simply that that moving uh we have a new transcendent experience typically. So, we step up and then typically there's that integration and that's what I was just speaking to was we start seeing all the things that don't fit anymore. Uh I I don't want to live my life doing this anymore. I want to change that uh to be more congruent. And and as I say it, we want the outside to match the inside is really the simple instruction. And so, but by framing it as a stairstep method, we get to that stair. Then there's a plateau and that's the integration and the personality changes. And once we've digested enough of the psychological material that arose from that realization, then we're ob we're often ready for the next step up in terms of transcendent experience, which is going to be followed by its own psychological material that's in congruent with the realization. Do you do you feel that uh Janna practice or your your practice with the paw system was helpful for allowing you to be able to shift into the ways of of seeing uh of seeing not self? Um yeah. Do you Yeah. Or >> Sure. >> Yeah. Well, the ma the main thing is because in the pox system for for for a teacher to recognize or confirm Janna along with the Janna experience, there can't be any sense of self. There's no sense of me at all and there's no thought. So, those are revolutionary experiences on their own. If we went out to uh Pikes Pikees Market down there and we interviewed people, they would say, "What what happens when when thoughts stop?" If your thoughts stop, they'd say, "Well, I'm dead." Or, you know, what happens when you when you don't have a sense of self? I'm dead. Or I'm I need to go to the, you know, psychiatric hospital. But but it's something that we can we can experience in little little bits which do help us gain greater acclamation and acceptance of what we call non-self no self in Buddhism. >> So we're going to have to move over to Zoom in just a second and we'll post a link to the uh Zoom session into the chat in a moment. Um we haven't been able to take questions because we have our computer turned upside down in a the black thing. So sorry for everyone trying to ask us question. [laughter and clears throat] We can barely see ourselves. Um but Mugan Roshi I just wanted to end with uh one question is you know we've taken a kind of trip through cessation different awakening all these uh sort of uh very refined languages or languaging. Um one thing I've very much appreciated though is how you're able to bring it into the body and how people actually work with it. And um you know in terms of working with meta near the heart that's fairly common and obvious but still it's powerfully invoked. >> But perhaps could we end um with just would you speak a little more about the core wound and how people can work what is the core wound and how can people work with that in their own I believe the diaphragm is where you say it lives often. I thought be a very poignant uh inroad to something very tender. >> Yeah. In the solar plexus around the diaphragm is typically where most of us hold the experiences that we find to be particularly wounding. And the core wound comes from uh the psychological work of Margaret Mer of dual unity. We're born in a dual unity. So we're in unity with presence of the absolute is how I would frame it. And at some point the infant, the toddler realizes I need to invest in this society and this family to survive. So we all turn away from that that dual unity that uh undivided unity and unfortunately almost all of us blame ourselves. Something was wrong with me. I was thrown out of heaven. I was you know thrown out of this contact. And the the story of it is different. It can be I'm bad. I'm worthless. I'm helpless. I'm hopeless. I'm unlovable. Something like that. But uh people typically have to work down to it. They start by just again watching the the inongruent behavior. That that's our first tip off. And if we do that enough, we'll begin to start surfacing. We'll follow we're following the streams to get to the river of the core wound. >> Min, thank you so much for joining us. And yeah, you're definitely right that you know, I'm sure, well, I don't know if people in the Zen side of things can get a little bit uncomfortable when we start going too hard on the uh terravada side of things, but definitely terraod can get really uh sensitive when we start talking about such high attainments. But uh yeah, you're I mean bonafides having gone through the pock system that is yeah, you can't you can't fake that. I mean I lived at a pock monastery for a year and the kind of testing structures for that are something which really is hard to find anywhere in the the terravada world uh outside of the pollock system and the type of janna you know there are different ways of speaking about janna and the subtlety or the profoundity of the jas are described differently in different systems but the pock janna are ones which are yeah extremely profound and um so yeah that's uh definitely something very much worth worth praising and appreciate your uh yes speaking about it in this uh approachable way and for taking the time to join us this evening. >> I enjoyed it. It was it was a nice nice time to spend with you both. Thank you for having me. >> Thank you. And uh we know before you entered you talked about um doing some snow blowing up in front of your house and is it Billy Collins poem called Shoveling Snow with the Buddha? So it was good to do that with you today. It was >> Thank you. Thank you. >> Thanks. [music]