Sherlock Holmes - The Sign of the Four Part2

<v Speaker 1>And he's just sitting there.
<v Speaker 2>The horrible smile on.
<v Speaker 3>His face looks in human that almost come down to
<v Speaker 3>fight together. Then again, so was the sign of the
<v Speaker 3>foe again to be the sign of death. A further mystery,
<v Speaker 3>my friend shallock home. My name is Watson, doctor Watson,
<v Speaker 3>and I was privileged to share the adventures of Sherlock Holme. First,
<v Speaker 3>I will refresh your memory on the case so far,
<v Speaker 3>and then I will tell you what happened next in
<v Speaker 3>our investigation of the sign of the form, tell us
<v Speaker 3>very important concerning the disappearance of her father, Captain Marston,
<v Speaker 3>ten years earlier. Each year since then she had been
<v Speaker 3>receiving through the post a single.
<v Speaker 2>Large pearld and now the anonymous sender who's supposed to
<v Speaker 2>wish to meet her. We accompanied her to the rendezvous
<v Speaker 2>and heard him.
<v Speaker 3>Eccentric fellow said, dear Santo, how his father and Captain
<v Speaker 3>Marston had gained a fabulous pleasure which had disappeared after
<v Speaker 3>both their deaths Now it had been rediscovered by his brother, Barthololter,
<v Speaker 3>whom we were to visit to play in Miss Marston's
<v Speaker 3>rightful shell. Arriving at Batholomew's house, we found him sitting in.
<v Speaker 2>A chair, a horrible smile on his face, and quite
<v Speaker 2>quite deep. Oh what on earth does it on meals?
<v Speaker 2>To homes? It means murder matter. Ah, just as I expected.
<v Speaker 2>Here Watson stuck.
<v Speaker 3>In the skin just about his ears, a long dark thorn.
<v Speaker 2>Be careful, he's poising poisoned.
<v Speaker 3>Oh what a fantastic mystery rooms on the country, my
<v Speaker 3>dear Watson. I only require a few missing links.
<v Speaker 2>And I shall have an entirely connected Oh. Oh, the shoulder,
<v Speaker 2>what is it? The pleasure? It's gone? Are you sure? Oh?
<v Speaker 2>I'm having a hole in the cey. We lowered it
<v Speaker 2>through I helped you to do it. I left to
<v Speaker 2>be here last night and I heard him lock the door.
<v Speaker 2>The prison was not in this room with him. What
<v Speaker 2>how did you leave? It was ten o'clock. Oh, dear me.
<v Speaker 2>Now the police will suspect me of having a hand.
<v Speaker 3>If you take my advice, mister Charter, drive down to
<v Speaker 3>the police station and report the message the police Charter
<v Speaker 3>to assist them in every way.
<v Speaker 2>We shall wait here until you return. Please do as
<v Speaker 2>I say. It will be for the best both.
<v Speaker 3>Suppose you know best? Do now what we have a
<v Speaker 3>little while to ourselves.
<v Speaker 2>Let it make good use of it.
<v Speaker 3>In the first place, I just consider how these folks
<v Speaker 3>came and how they went Charter written, the door hasn't
<v Speaker 3>been opened since last night. Then how about the window?
<v Speaker 2>It's fastened on the inside, solid framework.
<v Speaker 3>I just nick hmm, no water part there, roof quite
<v Speaker 3>out of reach. A man mounted by the window.
<v Speaker 2>How do you know? Here it's the principal foot of
<v Speaker 2>the mold upon the sill. And here it's a circular
<v Speaker 2>muddy mark.
<v Speaker 3>See here again on the floor, and here again by
<v Speaker 3>the tables on the footmarks. Is something much more valuable
<v Speaker 3>to us? These are the impressions of a wooden stump,
<v Speaker 3>a wooden leg man that there's been someone else here?
<v Speaker 2>Could you scale that for yourself? Let's see who?
<v Speaker 3>Certainly not a good sixty feet from the ground and
<v Speaker 3>lo a foothole all away. But supposing you had a
<v Speaker 3>friend up here who lowered you that goods type rope
<v Speaker 3>which I see in.
<v Speaker 2>The corner, then if you were an active man, you
<v Speaker 2>might swarm up wooden leg and all of course you
<v Speaker 2>depart in the same passion, and your ally would draw.
<v Speaker 3>Up the rope, shut the window, secure it from the inside.
<v Speaker 3>And depart in the way that he originally came here.
<v Speaker 2>How did this accompliss How did he get in? The doors? Locked?
<v Speaker 3>Windows inaccessible? Did you come down the chimneys the great muster?
<v Speaker 2>Small? Well? Then, how my dear Watson? How often have
<v Speaker 2>I said to.
<v Speaker 3>You that, when you have eliminated the impossible, whatever remains,
<v Speaker 3>however improbable, must be the truth. He didn't come through
<v Speaker 3>the door, the window, or the chimney. He couldn't have
<v Speaker 3>been concealed in the room. If there is no concealment possible,
<v Speaker 3>then where did he come from?
<v Speaker 2>Through the hole in the roof? Of course he did. Now,
<v Speaker 2>if you will have the kindness to hold the lamp
<v Speaker 2>for me, which can I stand out of the searches
<v Speaker 2>to the secret room above where the pleasure was found?
<v Speaker 2>Can you can you manage to get up? I? Thank you?
<v Speaker 2>I can just get up on this roster? God, now
<v Speaker 2>I'm coming up too. U there? Who you see? Oh
<v Speaker 2>there's a flat wall leading out under the roof. I
<v Speaker 2>fancy I can press it back. Yes, And the roof
<v Speaker 2>slopes at a gentle angle. Ah, this is how he
<v Speaker 2>got in.
<v Speaker 3>Now, let's see if we can find some other places
<v Speaker 3>of this clan and abdure. It doesn't look as this
<v Speaker 3>place has been into for years. I'll just a been
<v Speaker 3>able dust has its uses to be his foot place
<v Speaker 3>as clear as we could wish, the teeth of the
<v Speaker 3>principal child's naked foot home as a child's dumb this
<v Speaker 3>hollid scene. Come along, Watson. There's nothing more to be
<v Speaker 3>learned here. If my memory hasn't failed.
<v Speaker 2>Me, I should have been able to forestall this. Where
<v Speaker 2>do I put my lens head? Oh? Thank you? M
<v Speaker 2>m hmmm? Where certainly? In luck? What does it now?
<v Speaker 3>Our native footed friend has had the misfortune to tread
<v Speaker 3>in dis pre act.
<v Speaker 2>That has leaped out of the cowboy there in the corner.
<v Speaker 3>You can see the outside of the edge of his
<v Speaker 3>small foot here or then why we've got him?
<v Speaker 2>That's all I.
<v Speaker 3>Knew a dog that would follow that scent of a
<v Speaker 3>world's end. Hallo, here come the accredited representatives of the law.
<v Speaker 3>Not before they come, Watson. Just put your hand here
<v Speaker 3>on this poor dead fellow's arm, here, and here on
<v Speaker 3>his leg.
<v Speaker 2>Yes, what you feel?
<v Speaker 3>Muscles were as hard as a board, Quite so that
<v Speaker 3>in a state of extreme complexion five seeding the usual
<v Speaker 3>rigor mortis coupled with this distortion of the face.
<v Speaker 2>What conclusion would it suggest to your mind? Oh, death
<v Speaker 2>from some powerful vegetable alkaloid, some.
<v Speaker 3>Streaty like substances which produce tenderness. As you saw, I
<v Speaker 3>discovered a pawn which had been driven or shot with
<v Speaker 3>no great force into the scalp. You observed that the
<v Speaker 3>part struck is that which would be turned towards the
<v Speaker 3>hole in the ceiling if the men were erecked in
<v Speaker 3>his chair. Now examine the thorn, you go, fir, looks
<v Speaker 3>there are some gummi sumbstance has dried on it quite sir.
<v Speaker 2>But is that an English thorn?
<v Speaker 1>No?
<v Speaker 2>No, it certainly is not. And with all these data
<v Speaker 2>you should be.
<v Speaker 3>Able to draw some inferest here of the regular So
<v Speaker 3>the old cilia, he forces me beat on the tree.
<v Speaker 2>Heres a pretty business. The house seems to be as
<v Speaker 2>full as a rabbit one. Oh, mister Jo you must
<v Speaker 2>recollect me, indeed I do. It's mister Shellock Hols, the theorist.
<v Speaker 2>Remember you, I'll never forget the business. Get jewel case. Ah,
<v Speaker 2>but what's all this bad business? Stern facts?
<v Speaker 3>Here? Know who?
<v Speaker 2>But here is lucky? I happen to be out at
<v Speaker 2>normal on another case?
<v Speaker 3>Or do you think the man died of Oh this
<v Speaker 3>is hardly a case for me to theorize them.
<v Speaker 2>No, no, so we can't night that you hit the
<v Speaker 2>maid on the head.
<v Speaker 3>Sometimes a door locked, I understand, jewels worth half a
<v Speaker 3>million missing. I was the window fastened, but there our
<v Speaker 3>footmarks on the sill where it was fastened. They could
<v Speaker 3>have had nothing to do with the matter. Oh, I see, Ah,
<v Speaker 3>I've got it. These fleshies come upon me at times.
<v Speaker 3>Just ab outside, Sergeant Tester, and you please, mister Shodow.
<v Speaker 2>Oh very well, I should come bad and I shall
<v Speaker 2>compad is. Doctor. This is my friend, doctor Watson. He's
<v Speaker 2>assisting me. May he you remain?
<v Speaker 3>Yes, I suppose now, mister Holmes, Shelter was with his
<v Speaker 3>brother last night. The brother died in a fit, and
<v Speaker 3>Shelter walked over the treasure. How's that upon which the
<v Speaker 3>dead man very considerately got up and locked the door
<v Speaker 3>on the inside. Yes, yes, the floor there you are
<v Speaker 3>not in profestible effect. This splinter of wood, which I
<v Speaker 3>had every reasona believe to be poisoned, was in the
<v Speaker 3>man's scalp where you still see the mark there is
<v Speaker 3>he ah, yes, this card inscribed the sign of the
<v Speaker 3>four was on the table. How does all debt sits
<v Speaker 3>in tea theory? If this splinter's poisonous, then DearS.
<v Speaker 2>Me will of made murderous use of it?
<v Speaker 3>The card is some focus focus of blind as I
<v Speaker 3>did not I see. The only question is old there
<v Speaker 3>is a question.
<v Speaker 2>The question is how did he get out?
<v Speaker 3>Oh? Of course there's a hole in the roof there see,
<v Speaker 3>facts better than theory is out all.
<v Speaker 2>There's a track.
<v Speaker 3>Door communicating with the roof, and it's partly open eye
<v Speaker 3>opened it you know.
<v Speaker 2>Oh, well, no matter. It shows how our gentlemen got away.
<v Speaker 2>Sargeant ask mister Charlton to step this way.
<v Speaker 3>It's lease, mister, their DearS showdo yes, it's my jujeday
<v Speaker 3>form you that anything which you say may be used
<v Speaker 3>against you.
<v Speaker 2>I arrest you in the Queen's name as being concerned
<v Speaker 2>in the death of your brother. Oh didn't I tell
<v Speaker 2>you what they would say here in prop.
<v Speaker 3>Yourself, mister Salta, I think I can engage to clear
<v Speaker 3>you of this charge.
<v Speaker 2>You can soon promise too much, mister dearest. You may
<v Speaker 2>probably a harder matter than you think. Not only will I.
<v Speaker 3>Clear him, mister Jones, but I'll make you a free
<v Speaker 3>present of the name and description of one of the
<v Speaker 3>two people who were in this.
<v Speaker 2>Room last night. His name, I have every reason to believe.
<v Speaker 3>Is Jonathan Small. He's small and active, with his right
<v Speaker 3>leg off and wearing a wooden stump which.
<v Speaker 2>Is worn away on the inner side. He's been a convict.
<v Speaker 2>As for the other man, are the other man?
<v Speaker 3>He is.
<v Speaker 2>A rather curious person.
<v Speaker 3>I hope before very long to be able to introduce
<v Speaker 3>you to the pair of them.
<v Speaker 2>Away with you, Watson, te coming home? Watson, You, mister Scott,
<v Speaker 2>Miss Morston's home. Who's delight?
<v Speaker 3>Then? I want you to go to number three Pinchin Lane,
<v Speaker 3>down near the water's edge at Lambeth. The third house
<v Speaker 3>on the right hand side is a bird suffer's.
<v Speaker 2>Sherman is the name. Knock a sherman up and tell
<v Speaker 2>him with my.
<v Speaker 3>Compliments that I want Toby at once. You'll bring Toby
<v Speaker 3>back in the cab with you. Toby a queer mongrel
<v Speaker 3>with the most amazing power of scent. I'd rather have
<v Speaker 3>Toby's help than that of the whole the technic walk
<v Speaker 3>of Mons.
<v Speaker 2>But I want a dog, mister Sherlock.
<v Speaker 3>Holmes, a friend of mister Sherlock is always welcome and
<v Speaker 3>step in, sir, just keeps hearing of the bag, you says,
<v Speaker 3>be vice.
<v Speaker 2>And now say what was it, mister Sherlock, olss got it?
<v Speaker 2>You wanted a dog of yours? Ah, that will be Toby.
<v Speaker 2>Toby was then Toby lives at number seven on the
<v Speaker 2>lip here. Thank you well, mister Sam, and I am
<v Speaker 2>much origed. Go away. I had a good pillow. Are
<v Speaker 2>you heaven? Then? Watson, leave the dog here and come up. Yes,
<v Speaker 2>I have been a time this better size bird. Oh boy,
<v Speaker 2>I'm prepresenting Brucesney Toby and I understand one another.
<v Speaker 3>Oh, Sergeant LeAnn, I just kick off my boots and socks.
<v Speaker 2>Oh Watson, just carry them for me where.
<v Speaker 3>You get well too, I'm going to do a little clanny, yes,
<v Speaker 3>and I must step by handkerchief into this clear set.
<v Speaker 2>Yeah, that'll do. Now come up through a hole in
<v Speaker 2>the ceiling with me for a mother. Do you observe
<v Speaker 2>anything noteworthy about these footmarts? They belonged to a child
<v Speaker 2>or small woman.
<v Speaker 3>Apart from the size, what's the chief difference? Well, all
<v Speaker 3>toes were all crammed together. The other prints each toe
<v Speaker 3>you step to separated.
<v Speaker 2>That is the point. Now, would you kindly step over.
<v Speaker 3>To that roof window and smell the edge of the woodwork.
<v Speaker 3>I shall stay over here as I had this hankschief
<v Speaker 3>in my head.
<v Speaker 2>Yes, uh, yes, this is a strong tar smell.
<v Speaker 3>That's where he put his foot in. Getting asked if
<v Speaker 3>you can trace him, I should think Toby will had no.
<v Speaker 2>Definitely, thank you. Now while I get out.
<v Speaker 3>Onto the roof, you run downstairs and wait for Toby
<v Speaker 3>in the garden below.
<v Speaker 2>Very well, thank you, Watson. Yes, well, I let him
<v Speaker 2>lose this a wight feel pretty smile yes, and let
<v Speaker 2>care carefully? Oh do be careful? Oh well done, I
<v Speaker 2>f a.
<v Speaker 3>Hu it was.
<v Speaker 2>It was easy to follow his cross across the roof.
<v Speaker 2>No one ah tiles rah, we're loosened to her way.
<v Speaker 2>Oh yes, you need honey. He dropped this and some
<v Speaker 2>sort of a pouch made out of beer. Isn't the
<v Speaker 2>insern ah? Some more of those forms and the Finnish things?
<v Speaker 2>That wasn't it your leg? Stand the stick? Smile? Trudge
<v Speaker 2>that's there says here you are, don't you?
<v Speaker 3>Whoa whoa go don't teby snay heaby, Spanny. We'll go
<v Speaker 3>to show your home to Hankchifu the creers out on
<v Speaker 3>it and watch.
<v Speaker 2>Him goes what come on?
<v Speaker 3>What he's going to set us a siff face?
<v Speaker 2>Well, I said, I think we can allow ourselves a breather.
<v Speaker 3>They've heard no over the heavy ramses yesterday they had
<v Speaker 3>twenty eight hours.
<v Speaker 2>High, but their central still life on their own homes.
<v Speaker 2>How would you describe a wooden lady may with such confidence?
<v Speaker 2>The simplicity itself. Few officers were in commanded a convict guard.
<v Speaker 3>Learn important secret is to very treasure. A mess is
<v Speaker 3>wrong for them by an English from named Jonathan Small.
<v Speaker 3>You Small, you remember we saw the name of the clark.
<v Speaker 3>This most concerned us. Oh that's right, Yes, Small had
<v Speaker 3>signed it on behalf of himself and his associates a
<v Speaker 3>fine before he's somewhat dramatically called ah, well, aided by
<v Speaker 3>this child, the officers or one of them gets the
<v Speaker 3>treasure and brings it to injured. Now, then why didn't
<v Speaker 3>Jonathan Smaller get the treasure himself?
<v Speaker 2>The answer is obvious. Oh you haven't a pistol with you?
<v Speaker 2>Have you have my stick? I shall leave Jonathan to you,
<v Speaker 2>but if the other turns.
<v Speaker 3>Nasty, I shall shoot him dead. Come along now, Toby
<v Speaker 3>is anxious to be getting on.
<v Speaker 2>Oh he's therefore again, and I'm at the river from here. Yes,
<v Speaker 2>but out of luck they've taken to a boat of stone. No,
<v Speaker 2>these fellows are sharper than I expected.
<v Speaker 3>Oh, dear, look.
<v Speaker 2>Set a fine child.
<v Speaker 3>Is that here? I do you know my name?
<v Speaker 2>But the sign boarder you a though, Lordicai Smith. Oh
<v Speaker 2>that a ways he. I wanted to speak to mister Smith.
<v Speaker 2>We've been away since yesterday morning, sir. But if it
<v Speaker 2>was about the boat serin, maybe I could serve as well.
<v Speaker 2>I see from the ball that he has a steam launch.
<v Speaker 2>That's what I like, Great sir, it's in the steam
<v Speaker 2>launch that is gone, that's what puzzles me. I know
<v Speaker 2>thereat Moore coliner that would take it to about Woolington beg.
<v Speaker 2>He might have bought some of the wolfs down river.
<v Speaker 2>We might serve, but the words is away.
<v Speaker 3>Many a time I've heard him go on about the
<v Speaker 3>prices they charged with a few rods bags.
<v Speaker 2>Besides, I don't like that wooden legged man with his
<v Speaker 2>ugly station at glandish talk a wooden legged man roused
<v Speaker 2>him up yesterday night, he did. Oh, then, I I'm unlucky,
<v Speaker 2>missus Smith. I wanted a steam launch, and I've heard
<v Speaker 2>good reports of the You see what is her name,
<v Speaker 2>the Aurora. She's not an old green launch for the
<v Speaker 2>yellow line, very broad on the beam we do. Indeed,
<v Speaker 2>she's as trim a little thing as any on the
<v Speaker 2>river Black the two red stream parties. Yes, yes, well,
<v Speaker 2>I hope you'll soon hear from mister Smith. I'm going
<v Speaker 2>down the river. If I should see anything of the Aurora.
<v Speaker 3>I shall let him know that you're uneasy a black funnel,
<v Speaker 3>you say, no shirt black with a white band, of course.
<v Speaker 2>Yes, the sides which were black. Well, good morning.
<v Speaker 3>M's the main thing with people of that sort, does
<v Speaker 3>never let them think their information can be of the
<v Speaker 3>slightest importance to you.
<v Speaker 2>If you do the instantly shut up like an oyster. Well,
<v Speaker 2>our course, he is pretty clear now comfort you would
<v Speaker 2>do that, though, I would engage a launch and go
<v Speaker 2>down to the Roman.
<v Speaker 3>Traculi Aurora, my dear fellow. It would be a colossal castle.
<v Speaker 3>She may have sent any wharf on either side of
<v Speaker 3>the stream between here and Grillage.
<v Speaker 2>Police said, worse and worse, and what are we to do? Then?
<v Speaker 2>I want you to take a Princeton and return to
<v Speaker 2>Vitor his owner with my confidence.
<v Speaker 3>Then drive home, have some breakfast and get on our sleep.
<v Speaker 3>It's quite on the cars that we may be afoot tonight. Again,
<v Speaker 3>very well, I will send a war to whom you remember,
<v Speaker 3>the biggest street irregulars, whom I employed in our study
<v Speaker 3>in Scarlett.
<v Speaker 2>Here, oh, those little ragamuffin, just that they might be invaluable.
<v Speaker 2>The war will be to my best little liftenant Wigan.
<v Speaker 2>I expect he and his gang will be with us
<v Speaker 2>before I have time to finish my breakfast. In future
<v Speaker 2>they can afford to you, Wiggins, and you to me.
<v Speaker 2>I cannot head the house invaded in this way either.
<v Speaker 2>It's just as well that you should all hear the instructions.
<v Speaker 3>I want to find the whereabouts of a steam launch
<v Speaker 3>called the Aurora Black with two red streaks. Follow Black
<v Speaker 3>with a white band, owner Mordecai Smith.
<v Speaker 2>She's down river somewhere, Is that clear? Yes, Governor? The
<v Speaker 2>old scale of pay, And again into the boy who
<v Speaker 2>finds the version. Oh, here's a day in advanced nasir
<v Speaker 2>thank you, governor. Come on, you got all.
<v Speaker 3>Horrible revel al right, if the launches above water Vale
<v Speaker 3>find her in the meanwhile.
<v Speaker 2>We can do nothing. You're going to be at homes. No,
<v Speaker 2>I'm not tired. I never remember feeling tired by work.
<v Speaker 2>The idleness exhausts me completely. Now I'm going to think over.
<v Speaker 3>This queer business to which our fair clients has introduced us.
<v Speaker 3>Wooden legged men are not so common, but I should
<v Speaker 3>think the other man must be absolutely unique. The other
<v Speaker 3>men again, diminutive footmarks, toes never fettered by boots, naked feet,
<v Speaker 3>great agility, small poisoned darts.
<v Speaker 2>And what you make of all this?
<v Speaker 1>We have?
<v Speaker 3>These were of those Indians who associate who is jos
<v Speaker 3>and small harder that some Indians are small men, but
<v Speaker 3>none could have less us master as that.
<v Speaker 2>Now, let's consult the gazetteer.
<v Speaker 3>A then what every year? And turning revos to furs
<v Speaker 3>and these now and of An Islands.
<v Speaker 4>Situated through one hundred and forty miles to the north
<v Speaker 4>of Sumata and the Bay of Being Gore, the moist climate,
<v Speaker 4>coralie shots convict there are the Aborigines of the end
<v Speaker 4>of An Islands.
<v Speaker 2>May perhaps claimed the distinction of being the smallest race
<v Speaker 2>upon this earth.
<v Speaker 3>The average height is rather below four feet. There are fierce,
<v Speaker 3>morose and intractable people. They are capable of forming the
<v Speaker 3>most diverted friendships. Now, then listen to this. Their feet
<v Speaker 3>and hands are remarkably small. They've always been a terror
<v Speaker 3>to shipwrecked cruise, braining the survivors with their stern headed
<v Speaker 3>clubs or shooting them with their poisoned data. Allow, Watson,
<v Speaker 3>you will have done. Why not lie down there on
<v Speaker 3>the seat and see if I can put you to sleep?
<v Speaker 2>Eh? How I know by the being I could do
<v Speaker 2>with a few weeks. Oh, oh, oh, my dear, what
<v Speaker 2>you've said? Suddenly I was afraid I talked? Would wake
<v Speaker 2>you talk? Don't I think?
<v Speaker 3>Oh?
<v Speaker 2>Wiggins has just enough to report. He says, no trace
<v Speaker 2>can be found of the loans. Can I do anything?
<v Speaker 2>I'm perfect depression.
<v Speaker 3>Now we can only wait. If we got ourselves, the
<v Speaker 3>message might come in our absence and let be cause delayed.
<v Speaker 5>But well, you can do what you will, Watson, But
<v Speaker 5>I must remain on God. Oh then I shall run
<v Speaker 5>over the camel will and call on missus. Cecil Forester.
<v Speaker 5>She uh asked me to yesterday on Missus Cecil Forester.
<v Speaker 5>I see well, of course on Missus Marston too. They
<v Speaker 5>were anxious to hear what's happened.
<v Speaker 2>I understand I wouldn't tell them too much. Then women
<v Speaker 2>are never able to be entirely trusted, not the best
<v Speaker 2>of the trouper sentiment. Holmes third be too late back,
<v Speaker 2>my dear Watson, I expect to hear something definite about
<v Speaker 2>the lights. The Sign of the Four was one of
<v Speaker 2>the Sharlock Holmes stories by Sir Arthur Conan Doyle. We're
<v Speaker 2>presenting it in three parts, and you've just been listening
<v Speaker 2>to part two. My name is Norman Shelley.
<v Speaker 3>My friend Carson Hobbs played the part of Sherlock Holmes,
<v Speaker 3>and I was up to Watson. Michael Hardwick wrote the
<v Speaker 3>script for this BBC production from London, and of course
<v Speaker 3>I look forward to the pleasure of your company again
<v Speaker 3>very soon for the third and last part of The
<v Speaker 3>Sign of the Falls and