Rick Ross ADDRESSES Drake beef & talks upcoming ‘Set In Stone’ album, Verzuz battle with French Montana & new book

00:00:00
Speaker 1: Homie mentioned Ricky, Rose and Rose do what you do best, I go bad. I've been doing that a long time. Yeah, I've always enjoyed giving a nigga spanking if you don't understand what's happening.

00:00:28
Speaker 2: Yeah, Yeah, what up y'all? Joe cracked at dawn.

00:00:30
Speaker 3: You know who it is? Your boy Jada. It's the Joe and Jada Show. Every show, legendary, every show.

00:00:38
Speaker 2: I knic.

00:00:41
Speaker 3: We're just doing what we do, you know what I mean. It's a special addition today Today's guests. He's a friend of ours, you know what I mean. Don't let that go over ad. When you think of today's guests, you think boss, you think empire, you think made back music, you think mobile, you think mentor, you think visionary.

00:01:16
Speaker 2: You think of.

00:01:17
Speaker 4: Bosss, you think of career. You think author, You think hell of the fother. They always try to discredit the black man.

00:01:31
Speaker 2: Did I say author? Serial?

00:01:33
Speaker 3: Think somebody who lived with the culture, serial, serial, author, entrepreneur because it's my man a speech impediments.

00:01:45
Speaker 5: Think hell of a hell of a real estate portfolio.

00:01:51
Speaker 2: You know what I mean?

00:01:53
Speaker 5: Learn about what I'm telling you. Real estate portfolio, you think downright one of the most hustling hustlers of this era, one of the biggest brands, one of the biggest cart show, pool parties that people die for. Ladies and gentlemen rose in the building and give it up.

00:02:23
Speaker 1: Much loved family, much loved family. Having me in Man, we family definite, and so sometimes it's a hard interviewing family because it's so much to talk about. You know, we got align the DJ Khaled. DJ Khaled put me on the Miami. I was living in Miami. I've been living in Miami for twenty something years, and I used to see you in.

00:02:55
Speaker 2: The clubs all the time, all the time. And then the White seven.

00:03:00
Speaker 3: Yeah, I've seen Ross maybe before eighty eight calls.

00:03:11
Speaker 1: You should see him all every every pretty much every night we would go out in the clubs.

00:03:17
Speaker 2: I see Ross.

00:03:17
Speaker 1: And then one day, you know, that Husting came out and that ship was like rest in piece court.

00:03:28
Speaker 2: Better believe it, pretty much.

00:03:31
Speaker 1: DJ Kelly he did the Fat Joe on the Rick Ross like because he would play Fat Joe one thousand times and they start playing that.

00:03:39
Speaker 2: Two thousand, two thousand.

00:03:42
Speaker 1: Joe Austin Hustin, the husting there, Husting there, hust and there husting there us and.

00:03:47
Speaker 2: There us heard.

00:03:49
Speaker 1: That's all you fucking heard. And the rest is just it's just so many layers to you. And I want to salute you for are inspiring me, meaning yeah, I came out before you. But when it comes to the hustle game, like I've seen you risk your life hustling for the back like I literally like, is it true or not you caught like a size on the plane or some ship like that big time rose an't have a season? Wake up and just as what a smoke at. I need the weed. That's all I need. That's and make sure it ain't no ambulance. Tall motherfuckers standing over me. That's the only problem there is. You know they got little room out you know what I'm saying. You got the UFOs out now, the Yamba part uf FO that nigga when but yonber boy, they got the UFOs out there.

00:04:46
Speaker 2: You see.

00:04:47
Speaker 1: That's it, James, The uf Foes is real. But anyway, that's a whole nother.

00:04:52
Speaker 3: Ship U folks or both because you know you're calling winby a U at folk.

00:05:01
Speaker 2: No, no, no, they're gonna put that anywhere.

00:05:03
Speaker 1: DNA alien, I think I'm d N a alien too, now that the truth came out, I might have like two percent if I do insistory dot Com might be two percent alien.

00:05:13
Speaker 2: I'm keeping it coming too incredible at what I do. Like this ship. We never lose, Like I gotta be partner.

00:05:20
Speaker 1: That might be because I saw your your name on that list for the rich Nigga pill to list sixty more years too.

00:05:28
Speaker 5: I try and hang with them.

00:05:30
Speaker 2: They trying to lift.

00:05:32
Speaker 1: They said they got my name on the list, on the list, like he's trying to live sixty more.

00:05:36
Speaker 2: You're gonna get You're gonna get the pill to list. You gotta, I swear to God, I'm on the list. I want to live. You gotta be on that list though, you know what I'm saying. No, I want to know you on it. You on it? You the list? You know.

00:05:57
Speaker 3: You know the trick with the list, right what you gotta get your femie on there?

00:06:01
Speaker 2: Who else? Yeah, Yeah, you gotta get or give him a little piece of the pill. You know what I'm saying. You gotta get a couple of them. Ross comes home, Yes, something.

00:06:12
Speaker 1: He was in the hospital, very serious and for some reason, his first destination.

00:06:17
Speaker 2: The whole world's your house. Ross.

00:06:19
Speaker 1: He comes to the studio and it's me, Dre and him, and he starts playing music and Ross goes. So, you know, they call me the greatest storyteller. I don't know if you've been seeing what's going on out here. You know I love killing these niggas.

00:06:37
Speaker 2: Do start.

00:06:39
Speaker 1: The niggas is over there like the mother podcasters. They're like wadcasters and something Jan said, the niggas is wroadcasters. Nigga's over there with the rets, right because we throw these niggas so so Ross come up, he got fens and all were looking at br like the nigga just came out of the hospital. Two hours of preventing on. It's the pure substance comes from the hill to sitting low, the very touch can get.

00:07:13
Speaker 2: I'm like, yo, this is stopped telling the soon to see finished.

00:07:17
Speaker 1: I start going somen poosts, some poost simpost so I.

00:07:22
Speaker 2: Saw telling the story.

00:07:23
Speaker 1: I we used to throw the sampoos out to the feet of the door, and I said, damn it. Dre said, Yo, y'all gonna try to outstory each other. Niggas gotta man paint that picture. Man, Niggas gotta paint that picture to build that bridge to the destination at all times.

00:07:45
Speaker 2: Even if a nigga land up in the hospital and.

00:07:47
Speaker 1: Can't speak, got the tool down his throat, the mind and the brain won't stop. The ambition won't stop. That won't stop to a nigga. Heart freeze. And I respect that a lot about.

00:08:00
Speaker 2: You, man. You you're hustless. Hustlers.

00:08:03
Speaker 1: They don't got guys like you no more. They don't make them. You know, guys that work like that, they got that work effect like that.

00:08:11
Speaker 2: Every time I.

00:08:11
Speaker 1: Think I'm working too much, I'm like Yock Ross would have took that bag either went out there, nah, real ship out.

00:08:18
Speaker 2: Of around legs. I'd be like, yo, that over there.

00:08:23
Speaker 1: In Dubai, he and the Prince house. The next day, he and chattanoogat at a barn. He takes what is the could you tell us? I know it's like probably like a secret.

00:08:34
Speaker 2: So what is like? You know?

00:08:36
Speaker 1: Like me, if I get money on a certain level, I don't never take from down.

00:08:41
Speaker 2: I'll be like, yo, this is my number. This I see you. You can't get what you're getting.

00:08:45
Speaker 1: In Dubai and the Prince, you know, the grand opening of Carbone, what you're getting in Memphis at a bone. No, no, no. The numbers that you know. Let's say, if we go to Dubai, the numbers that give us to go over there is astounding.

00:09:01
Speaker 2: Then they'll give you another fifty thousand to eat some camel meat. You know what I'm saying.

00:09:06
Speaker 1: Yeah, and then when you come home, if I'm just chilling on a Tuesday, you can put me a little brown bag together. Rose'll slide through. Because you gotta remember, I'm not just thinking about Rose. I'm thinking about the thirty partnerships I got. So when I'm walking through somewhere, that's thirty businesses walking through with me. My other thirty partners see us. We're standing in a penthouse that's seventy five thousand a night in Dubai. Then we'll go to a barn in Augusta. Yeah, the fucking plane broke down. You jumped on another one and went to the fucking ad. Your plane caught a flat of some shit. You jump on another plane to the shop. I said, this, mother fucker man, we ain't turned it down. The back we flew in we landed, it had been raining, so when the plane landed hit the wrong way, made the right. The will went into the mud, and you gotta stop right then because if that will go into the and if it go if you take off in the fold up, you can fuck yourself up. So you gotta treat it like it a major emergency. It was mud. So I jumped on another jet. We couldn't miss the moon yine that.

00:10:25
Speaker 2: We couldn't miss that. Boy.

00:10:30
Speaker 1: Man, you know, you get some people, they get a certain amount of money, they just stop or they want to stop. Are they going hiatus? Are they going that? Like like when.

00:10:40
Speaker 2: You a hustle toe. You know I'm not saying you.

00:10:43
Speaker 1: Jump in the private flat jumping on another one and this you know, Rick Ross, Rick Ross is a different type of animal.

00:10:50
Speaker 2: But GISs.

00:10:51
Speaker 1: You hustle like a motherfucker too. Your kids and your family don't want for nothing. You get them everything they want. You out there your ass go crazy. You know what I'm saying. But this guy Rick was why But that's a pause.

00:11:05
Speaker 2: I ain't say anything, brother left make the flower. I never I never used that word. Paul.

00:11:11
Speaker 1: Let me know, kiss when I could say it, anybody something, let me know, no, No, this is the guy right, He'll show you.

00:11:18
Speaker 2: You never like yeah, okay, if anything, flags fly the left side.

00:11:25
Speaker 3: You got some flags if you okay, say ship your vernacular.

00:11:29
Speaker 2: You know, you know.

00:11:31
Speaker 1: I'm just saying it even if it wasn't you know, I wasn't expected to come from me.

00:11:34
Speaker 2: But if any you know, I mean, just let you know. When it's time I want to hit you one of these. I got you.

00:11:42
Speaker 1: You already know when it's a real moment, you need a real bottle. That's why we rock with eighteen hundred tequila. These people been making tequila for eleven generations. That's a legacy, that's the ol G status. They were the first to introduce a najo, set the standard before most of these brands even existed.

00:12:04
Speaker 3: And you could taste the difference for real. The eighteen hundred Cristillino and Resposato is what we've been on late. Smooth, clean elevator, no rough edges, just a premium poor that speaks for itself. You know, when something is just built right, that's what this.

00:12:23
Speaker 2: Is real talk, That's just what it is.

00:12:26
Speaker 1: It's always around for the best night's winds celebrations to remember that night stories.

00:12:33
Speaker 3: Whether you're keeping it low key with the crew or you pull up to something big. Eighteen hundred fits every Secdy, it ain't trying too hard. It's just as that eighteen hundred tequila, real legacy, real smooth.

00:12:50
Speaker 2: That's the move. Wow.

00:12:55
Speaker 1: I mean, boss, I'm trying to if my lines up here, like yes, shit, it's important. Born with that Billy d Williams ship up there like your ship. You know, when you get a bid, you want your sick. Yeah, I'm like, yo, what's sucking? You know, I don't want the DJ Hollant. You know my driver came my driver camp.

00:13:14
Speaker 2: Damn. I'm like, nah, I'm bugging out with this story. I gotta nah. One of my drivers came. That nigga had. You know, his bid is like small, but he had the fucking the theory. He winded the theory all the way up here, right, he had no here. I don't never kill him.

00:13:32
Speaker 3: What about the guy at the game, Oh no, that nigga.

00:13:40
Speaker 1: Your niggas got niggas got killed by the foul. First of all, you want to go there, this rolls the job Nicks against the field.

00:13:49
Speaker 5: Somebody name again elbow fade.

00:13:54
Speaker 2: I don't watch this ship was I don't watch football.

00:14:00
Speaker 1: See see Sabathia New York nig legend Hall of Famer and.

00:14:05
Speaker 3: Sean Peckowes and kitchen for the year.

00:14:08
Speaker 2: Yeah legend.

00:14:11
Speaker 1: Oh no, no, no, she sees I'm telling you a different story. Cecie Sabathia goes to watch the football, the Giants against these niggas. They chased Tim and Beckhouse to the sprint of the fan. They're gonna fuck him up, yo, give him a if. I see Dominique, welcome to doctor j I ain't gonna fron on them.

00:14:30
Speaker 2: She sees a bad there.

00:14:31
Speaker 1: They chased this ass out the stadium. We understood them because I got them. I got the Philly. I opened my door and it was like, word the mother fat Joe suck my thick nigga fucking Nicks. I said, holy ship Yo on intro like this was the first bit of turban. I swear to god, nigga ain't never tell me that in my life.

00:14:59
Speaker 2: I see Yo Joe's sports. I go to the door. They won't let me in.

00:15:02
Speaker 1: No intersection though, Nah another door, this this this, I get down there. I started arguing with the white guy, who's the nice guy that the white guy who tells you, sir, what's your ticket? You know, they're usually nice, Yo, sit down, don't cheer like your Philly on some shit when it comes to the sports that you derrick right, because I never been. I never had a problem in Philly. My whole career is my second biggest market socer.

00:15:27
Speaker 6: Like it.

00:15:28
Speaker 1: Nigga pull up. He talking about he had this shit. Nah, that wasn't rewind that was like grey Jing or something. He had. Somebody gotta tell him, like, if your man listen, you know. We see that still every now and then on Instagram. We caught one in physical view, real life insight, and we're arguing. We're arguing. They had two o g's in front of us. Looked like real dudes. They were sitting right there, you know, and they was like, Yo, joe y'all about to go, and we're going back and forth. But I fuck him up. He don't even know the nigga in front of him with the ship. I said, Yo, but your man's like, look at your man, like this is who you ride with Another Philly stand down. I said, look at your man. Sit your man name got tight. The niggas got up that way. I kept it wasn't even with them niggas. I was like Yo, but your man's just ship.

00:16:16
Speaker 2: Yo. This is the Philly fan broke.

00:16:21
Speaker 5: He was trying Toms family. He kept moving down to get it.

00:16:27
Speaker 2: Won't melt.

00:16:27
Speaker 1: He's embarrassing his little family. No, the nigga we not even.

00:16:33
Speaker 2: We can't.

00:16:33
Speaker 1: We're not even exaggerating. This ship was straight. What's the ship?

00:16:38
Speaker 7: Uh?

00:16:39
Speaker 2: Yes, rich got it.

00:16:41
Speaker 1: Oh you got it on tape, but we put it on the clip. But I kept sucking with the dude because the dudes are O g theved like a hustle, real niggas.

00:16:49
Speaker 2: Two dudes.

00:16:49
Speaker 1: They had nice seats. So he tried to start with me. I said, Yo, but your man's though he kept he don't even know the nigga.

00:16:56
Speaker 2: I just kept saying.

00:16:57
Speaker 5: They made them leave, man, they all left.

00:16:59
Speaker 1: Let niggas got up. The embarrassed city niggas are like, Yo, we out of here. Yo. He's embarrassed, Yo, this is what That's what it was. That's what you wrapped. Embarrassed got up yo. That nigga don't like me no more. The whole g he probably like yo. Fuck fact Joe Yo, No, I said, the whole Philly don't like like this no more, fresh off that versus I was, because how's it? Where was y'all out in.

00:17:19
Speaker 2: The Apple studio? Apple Studio? I was energy looked like it was. It was nice energy in the.

00:17:24
Speaker 1: Middle of French. My my brother, that's my dog, you know what I'm saying. So we just went up there and shine together.

00:17:30
Speaker 2: No doubt, that's what do.

00:17:35
Speaker 1: Yeah, go show him your sneakers and your jewels that they made ship ship too easy, you know what I'm saying.

00:17:44
Speaker 3: Now, you got the Rennis Signs of a Boss. You how many best sellers withis this number two?

00:17:49
Speaker 2: Three?

00:17:50
Speaker 3: Man?

00:17:50
Speaker 2: This all this is actually my third release.

00:17:53
Speaker 1: I got the young legend Neil Neil Beckham in here, the one that actually do to put the pen down when we just having the discussions. Neil come over here and yeah, but Neil, you know, yeah, you know my brother.

00:18:11
Speaker 3: Appreciate your Welcome to the couch, my brother, you know what I mean.

00:18:14
Speaker 1: But this this is the third release right here, the first two best sellers in this one right here, it's just most definitely just me in a free spirit zone.

00:18:23
Speaker 2: No doubt.

00:18:24
Speaker 3: Now, Neil tell us what it's like sitting down with Boss and then you know what I mean, he's kicking it and you gotta put that into visual visualization and also into some good large people to read. You know a lot of these raptors can't read.

00:18:40
Speaker 8: Yeah, so Ross was a whole different beast, right because my first book was the Gucci Man Book, and he was locked up the whole time. It was a great book, generously, and so you know that was done a lot of times over the phone and you get ten in it to where he's in the feeds.

00:19:01
Speaker 2: He so the phone time was super limit agrements.

00:19:04
Speaker 8: So but on the plus side, that made it really productive because when we talked, he only had this time. Then I get was Ross and I could be living with Roth for six months, following him around and he won't say what one word to me?

00:19:19
Speaker 2: One word no, no, no, that was only for one reason. I told you what it was. You let him know. Yeah, he got a shake. I thought he was a lot of things that fit so many when you can no, no, you got to realize when you.

00:19:35
Speaker 1: Sign it and you get him being checked and then's somebody knew coming around and they sitting there niggas dig I said, yo, I used to when I met her, she was too beautiful for me. They setting me up.

00:19:50
Speaker 2: That gave me a Columbia bag.

00:19:58
Speaker 1: About a good twelve years till I know what does the statue of limitation? She did enough problems with me, I said, ah, fuck, yes, I thought she was the fat.

00:20:07
Speaker 2: But so how do you put it in his words? So?

00:20:13
Speaker 8: Look, so this particular book, right, was different from the first two and very different from any book that I've done before. Right, Like, what I'm used to is trying to figure out a story that's already happened. Right, Joe, tell me about your life, Jada, tell me about your life, and I'm getting a story that's already happened. By the third book, I'm like, what else do we have left to talk about? And that's when it kind of becomes like, oh, I'm not figuring out what the story is and and and then we're putting it in your words and and and putting it out there. We're making a story in real time.

00:20:50
Speaker 2: Right.

00:20:50
Speaker 8: We already talked about in the first two books. Everything that already happened we got to make. And that's why this one was so exciting because we didn't even know how it was going to end.

00:20:59
Speaker 2: It's all on folding in real time. Right.

00:21:01
Speaker 8: The book starts with him getting a book deal, and it's like, what the fuck are we gonna write about? And it's just really just about that process, right and and and with Ross, Like I said, Ross and I have never one time sat down across from each other, put a recorder on the table, and I asked him a series of questions and he gives me answers. That's not how this guy operates. So I just got to be around and absorb it all. I got to be around absorbs stories, and then afterwards put it together. We put it together, we talk about it, we change it. But it's with him, it's so different. It's it's I've never interviewed you know what I mean. I've never I've never said asked a series of questions. I've just been around and taken it all in.

00:21:50
Speaker 2: Therapy. He taught you some therapy.

00:21:54
Speaker 3: Renaissance of a bossis. I'll tell you what. I'll tell you what it read like. For you rappers that can't read.

00:22:01
Speaker 1: And fort of rappers that can't read, that's fucked up. We gotta you know, read, its fundamental. But for Rose, my first book to me was about me introducing myself not just as an artist, but on the personal side of who I was for anybody that didn't know me.

00:22:18
Speaker 2: The second book was me.

00:22:19
Speaker 1: Coming from an entrepreneurial standpoint, me having X amount of partnerships, me investing this, me, this, many franchises, many this, this, many that. This one was more like, Yo, I'm twenty summers in the game. How do I continue feeding that fire and allowing it to burn, not just where I'll be recording music, but actually giving the streets on my feeld they need, you know what I'm saying. So that's what this book about. You know what I'm saying. Still waking up every day and still feed that fire and doing it in a major way, and not just winning, but winning bigger then you know you could ever really put on the table.

00:23:00
Speaker 2: And expect.

00:23:02
Speaker 1: Hey you also, brother, Thank you brother, Yeah, of course, thank you all for sure, Thank you brother. You're ross man. I'm looking at your bed. It's so flawless. You got this thing.

00:23:14
Speaker 2: Gotta shave his ears, man, you gotta put him on to yo, yo shaven. I'm just giving it. I ain't no. I missed the flag would.

00:23:28
Speaker 5: Looking like gotta.

00:23:31
Speaker 1: That the mustache she had the last time I seen him and scared me.

00:23:39
Speaker 2: And I told him.

00:23:40
Speaker 1: I ask the personal level, let it grow all out, and he did it for me.

00:23:44
Speaker 2: My brother, mustache is no.

00:23:49
Speaker 1: That mustache looked like you be on Forensic Founs episode.

00:23:53
Speaker 2: You see what I'm saying. We got a mustacher.

00:23:55
Speaker 1: He ain't here today, but we got a guy that mustache. We gotta mustad. No, you gotta watch them, nigga got that. No you gotta wash, no, no, no, you gotta watch yo.

00:24:06
Speaker 2: I don't trust that. No, no, no, tell you that all the no, no no.

00:24:10
Speaker 1: I'm looking at him, the mustache all coachy ship in this mustang. Oh my god, that motherfucker teaty fingers.

00:24:22
Speaker 2: Yo, Yo, Freddy, what's up Freddy? In the building. He pulled up tomorrow, my nigga, Freddie right there. You know your man.

00:24:32
Speaker 1: One time tried me, what's my man exclusive game? You don't remember that?

00:24:37
Speaker 2: Huh? He tried.

00:24:38
Speaker 1: I know him thousand dollars, butting up. That's some game that's not that we pay pay we do. But one he told me I was jacking his style. I don't know if he remembers that. I was at a fashion show with him. He said, Yo, you've been jackings with this.

00:24:53
Speaker 2: Wait a minute, I.

00:24:59
Speaker 1: Had to pull up a rap video twenty years old and show them with the goy yard shit or leather from head to I said, bro, there's no way.

00:25:07
Speaker 2: I'm like, I've been doing this for twenty That was fifty years ago.

00:25:12
Speaker 1: Conversation I'm having with you. I said, Yo, this was twenty years ago. My nigga, I had the goy yard. I turned the go yard bags into fucking the whole outfit. I mean, you gotta be kidding me. He thought I was jacking this shit. He said, Yo, Man, you know I've been watching you. You've been jacking my shit. Lady, I said, Poppy, you got this shit fucked up. I've been doing this shit, I said, eighty eight. But your man, good guy, Man, great guy.

00:25:39
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00:27:23
Speaker 2: Jo Ross.

00:27:24
Speaker 1: Let me ask you something, right because one thing I never understood. I don't talk to you every day. You know you never done nothing wrong to me in your life. You know, In fact, I don't even I don't know how could actually say that. In reality, they say I cap or whatever they want. But you never did nothing wrong to me in my life, like nothing. You've never been a funny style nigga. You never changed on me. You never nothing. You've always been the same God.

00:27:49
Speaker 2: All the time.

00:27:50
Speaker 1: It just when I was taken with I didn't understand the Drake Rick Ross beach right being you have such a catalog together, y'all been together since day one, making hits together this and that.

00:28:05
Speaker 2: Can you explain to me the.

00:28:08
Speaker 1: Origins of Rick Ross and Drake falling out? Like what made you say, yo, fuck that I'm not rocking with him. Though Rose was mentioned, I was mentioned, or you was mentioned first.

00:28:21
Speaker 2: Facts. Facts.

00:28:25
Speaker 1: Oh so that's how it happens. That's how it happened. Yeah, yeah, it ain't even defended. You understand this. Homie mentioned Ricky Rose and Rose do what he do best, I go bad. I've been doing that a long time. Yeah, I've always enjoyed giving a nigga spanking. If you don't understand what's happening, it ain't that Rose was mentioned.

00:28:52
Speaker 2: Damn. Why would he mention Rose? Like I didn't know.

00:28:55
Speaker 1: I never understood that whole. Like, that's one thing this show on fire. When you get little man right here, you asked him, what made you mention Rose?

00:29:04
Speaker 2: Homie? That's it.

00:29:06
Speaker 1: It's that simple that just like I asked you because I was confused.

00:29:10
Speaker 2: Yeah, that's what it is, and that's what, and that's what, and that's what and that's what and that's just that's no, and that's that's what, yoe.

00:29:18
Speaker 1: And that's what. Real ones do you address it? And it's really too easy because I always thought I always thought he with us. I never even recorded this song with him or nothing. I always thought, yo, no.

00:29:32
Speaker 7: Run run, Yeah, no, Yop, I see where God I always thought he was.

00:29:43
Speaker 2: I thought he was with us, Like I'm like, you know, you know we rocked.

00:29:46
Speaker 1: You know, you gotta understand we always you know, we rock with Homie at that time cash Money was in Miami. It was it was a positive thing we had going to call it was the glue, you know.

00:29:58
Speaker 2: What I mean.

00:29:59
Speaker 1: At that time when I was doing records like Aston Martin Music, that was Rose saying, Yo, Chrisette Michelle gonna do this half of the hook and I'm gonna get you know, at that time, I got John Legend, the biggest R and B motherfuckering the game at that time on speed Out. You understand, Yo, I'm gonna put John Legend on this one too. That's Calid in the background.

00:30:19
Speaker 5: Yo, so little dude, his name is Dre.

00:30:23
Speaker 2: Let him do.

00:30:24
Speaker 1: It, you know, and cool just John Legend at the time. Yo, we do it and it was just a genuine vibe when it went left. Hey man, that's for them to figure out. I ain't figuring that out, you know what I mean. And shit, it's really small talk to me. Once you mentioned Rose name, I'm gonna enjoy it. I'm gonna enjoy coming up. That's just me by the pool, BBL Drizzy. You know, you know, nigga know you had the tummy dunk, the nose reduction, all that shit.

00:30:59
Speaker 2: That shit said. Ship, I'm giving you what you ask. No, give you what you ain't let you down the flag. I can't do that. No I want to.

00:31:13
Speaker 1: No, I won't let you down because somebody told me, y'all bel Air.

00:31:17
Speaker 2: I'm gonna give my brother what he needed.

00:31:19
Speaker 1: Let me ask you never question that lab right to his I know you your partner in bell Air. Did you sell some of bell Aer, like some of the equity or something in the bell Air? Of course not so you never You're still own the same for y'all. Never sold that all. No, man, shout out to my big homie, Bret berrish Man. So you're not like building a brand and then you sell it and then you so that never happened, got yet once you once you tap out, you go somewhere, you go and create something and start building something new. You ain't gonna sell it and Ship keep going. Yeah, that's his soul and soul you know what I'm saying. We still see it still and I've seen the new yacht. You was like, I know, it's all they explain, it's hard your rod.

00:32:09
Speaker 2: Get it. It's because that's what I think. That's why I think the writers might be the affairs and something.

00:32:15
Speaker 1: I get it, get it, I got. I'm a little stage fright. I'm gonna be honest with you, like I got.

00:32:22
Speaker 2: You know, I live in a you know, I got a couple of properties. Let's I live in a big house.

00:32:27
Speaker 1: The wife want a bigger one, right, and getting a little for no reason. I'm getting a little stage fright. Get it, get it, get it. It's so big and it's only two people. I'm like, yo, do we really need some ship? Of course you do, of course you do. Who talks even you do?

00:32:48
Speaker 2: You keep getting bigger and bigger, go more and more. Yeah, that's the motivation that don't do that. I see this. No, this what I'm trying to tell you something?

00:33:00
Speaker 3: So right now bigger Yeah, I gotta go big.

00:33:03
Speaker 8: Go.

00:33:06
Speaker 1: Bigger, go bigger, go bigger. Yeah that's gonna motivate you that much more. That's what it do for me.

00:33:13
Speaker 2: The house already big.

00:33:14
Speaker 1: No, no, but but people, what we're gonna ride scooters in the house and ship is slap five? You could too big? Why not just go walk around the neighborhood. You never get stage fight? Remember Marble shocked when Cali bought that big ass fucking out to see.

00:33:34
Speaker 2: Your caleid man? Are you sure?

00:33:36
Speaker 1: Never was like yo and callous? One guy I worry about, which I know not to worry about. But he's one guy. Check up your calendar because I sit there, didn't need to spend so much money.

00:33:49
Speaker 2: I'm like, Yo, how do you do? Like?

00:33:51
Speaker 1: I know, you know, we all get money, but at least I think of my limitations right Like so, I'm like, yo, there is no limit imitations. That ris nine, you know what I'm saying? By to watch Rich was by the house? Rich by the house? Yeah, by the house Rich. I bought my crib. I'm buy the house because of Ross. Yeah, and I'm gonna put Ross's name in the house. And one of these fucking boys. I mean, hey, it's a cute.

00:34:23
Speaker 2: It's the crib.

00:34:25
Speaker 1: By the crib power, No, by the crib. I bought my crib for thirty seven million. I put twenty five more into it before it was done. I had two offers off the rip for one hundred million. Just stop what you're doing. But my neighbor right across the street is spending one point five billion on his crib.

00:34:45
Speaker 2: His name is Ken Griffin.

00:34:47
Speaker 1: He bought eight like eight, nine, ten, eleven, twelve, thirteen and fourteen, knocking everything down. It's a great investment. So my crib would be worth I'm sure easily three point fifty four hundred million in two or three years.

00:35:06
Speaker 2: For no reason.

00:35:07
Speaker 1: It's called com I've been trying to fight the power.

00:35:17
Speaker 2: Do it. Do it now?

00:35:18
Speaker 1: You know I mean doing it in the bag. I tell them more day, do it bag. I don't give a fuck that ain't blowing the bag.

00:35:24
Speaker 2: Though you ain't blowing the bag.

00:35:25
Speaker 1: You ain.

00:35:27
Speaker 2: Nah.

00:35:28
Speaker 1: Blowing the bag is something totally different. That's when you're fucking the money up, when you feeling, when you're getting in the real estate of Miami is the hottest motherfucking place in the world. They could build them calls. They can't build that corner no more. They gotta be that corner, that lot right now. They got a house up. She trying to make me buy that ship. He got a hundred bodies, he served a hundred life. That shit makes me feel like damn, I'm gonna have to go back to Africa, China, every Egypt right now?

00:35:59
Speaker 2: Good, right on my crib.

00:36:01
Speaker 1: I got money in the bank. I'm so good. And that's she gonna put me back on that Yo, fat Joe. I started the year, Yo, could we do Georgia? Not that nigga the Antarctica doing this show for some fucking eskimost because he got oh go get this trigger, go get it. That ship, go get it that ship right there, go get it man, right, I'm telling you go get it. Ricky Rose, ain't gonna tell you know that ship, Uncle Dann be like, Yo, my fingers feel like I need. I ain't gonna tell you know what hype right now? And shit, I mean hype right now my palms. I said, Yo, I gotta go for it. You know what I'm saying? Fuck it right because I'm way. I look at it like when you pull up the Fat Joe crip, you want to feel like when I say you say, yo, ROSSI, Yo, pull up to the crib. When you pull up, you be like, all right, it's Fat Joe crib, like you're supposed to open the gates, pull in shit a mile long ship big. You know, I'm gonna tell you how I I'm gonna tell you how I think though that don't define the nigga money. Now, that's just like me. When I'm standing on the outside of the ocean. You could see some of the richest motherfuckers in the world pull up in the boat that short. So you know what I'm saying, I don't look at it like who got the biggest boat, got the most paper, because it'll be a motherfucker like King Griffin.

00:37:16
Speaker 2: I'm talking about worth sixty bees going.

00:37:19
Speaker 1: By just and I'm like, damn, look at the homie right there, he just he in the paddle here in the canoe.

00:37:26
Speaker 2: Man, some small shit. It wasn't there on canoe like that.

00:37:28
Speaker 1: And it's a motherfucker who owned a three hundred foot you know, and multiple of them. So you know, the mindset different. But I just believe in really investing that shit. Rose gonna run it. I'm gonna run it. I'm gonna throw the dice. Yeah, yeah, you definitely do. You definitely throw the dice. I've seen you do shit. Your life is so amazing. Bossn I live VI carriers through you.

00:37:54
Speaker 2: I see you.

00:37:55
Speaker 1: I said, man if I was single. I be living like great boss man. I mean look that I said, Man, I ain't gonna let I said, this be a fucking problem out here in these streets.

00:38:05
Speaker 2: The big boys would be tearing this ship up. But we got you. We get home.

00:38:10
Speaker 1: I'm nice and home on that couch right in my graffiti. Minded my business. I'm minding my business. I love it. So Rose, what's new?

00:38:20
Speaker 2: You know? The versus. I'm gonna be honest with you. Ah.

00:38:24
Speaker 1: I don't like friends doing versus like that. Like you know, I try to start with with with jo.

00:38:29
Speaker 2: Rue for no reason like did they didn't do it?

00:38:32
Speaker 1: And I was threatening them and all that. I like to you know, I'm a sucker for a fight, you know what I'm saying. I already knew French and Bross. I knew what that was. Ya got like seven songs hits together too, So I was like, all right, that's I know what that is.

00:38:48
Speaker 2: That's gonna be easy. Agree.

00:38:49
Speaker 1: When you went out there with Dip, say, even though you get along with them, you went out there with the venom they started me. See they fucked you heard rust they started with you. My guys, it was say to get you like that because you were easy going, gone.

00:39:07
Speaker 2: Why didn't get you? Why why are you doing this? And I'm in the crowd, I don't know.

00:39:16
Speaker 5: They told me we wasn't from we wasn't home. It started like that, this ain't y'all back yard.

00:39:23
Speaker 2: Yah, I ain't from here. This that Yeah. Meanwhile he's talking that bro.

00:39:28
Speaker 1: He's my neighbor, coconut man, shout out to the niggas.

00:39:36
Speaker 2: I moved in Miami.

00:39:38
Speaker 3: New York was so mad, like so mad, telling this something to talking, but not much. People want to wish they could move there.

00:39:49
Speaker 2: That's that's what I felt like. And you're going back and forth. This guy here my whole life.

00:39:59
Speaker 1: He's the only rapper in New York City that I bumped into Lil Wayne at the supermarket more in Miami than I bumped it. He's the only rapper I will bump into. He'd be going to the weed spots, he go to the stick. Other than that, I've never seen the New York rapper in New York I have it. I'm sorry, guy, I don't know. Fat Joe is in every boat down York rapp for Stiggs. I'm telling you going though, No, they they niggas ain't a sneaker, spikes, ain't not eat noiget niggas, ain't eating the motherfucker you self right down on the bro I'm not saying niggas ain't real. What I am saying is when I drive down one twenty fifth, one forty fifth Brooklyn, this No, I'm gonna tell you me. I'm gonna tell you it's hard for me to believe that because for me growing up, when I turned on your TV rap so I heard when you're sitting New I'm not talking about the nigga.

00:41:03
Speaker 2: No niggas is on the corner they coming to the park.

00:41:07
Speaker 1: No, not the party bumping bumping into a New York rapper.

00:41:11
Speaker 2: It don't happen. That's crazy. And I'm outside every.

00:41:14
Speaker 1: Boat they gave, every taxi driver, every anybody you named, Jamaican joint, Spanish joint, they know, fat joke. I'm outside when I go, I'm not. I believe Miami because when you're in Miami, nigga, you do. When when I say I'm in Miami, it was almost like a cemetery, like a nigga died. And because he was the only one they see on the corner, he's the only one to get out and argue with niggas and talk shit.

00:41:38
Speaker 2: He the only one they lost their president. Yo, this nigga doesn't lie. What kind of shit is this? This nigga like I was you.

00:41:46
Speaker 1: It wasn't you, So you didn't catch the backlash I was catching. So they was dumb tight. Now you get the ultimate, You get the ultimate New York versus And the first thing he said, it ain't the niggas that moved to my hand.

00:42:02
Speaker 3: I thought you was shooting me. I was in mass in the crowd. I wasn't in New York. I made my first album in my head. I fucking love what you said. But when in the mecca of New York and you telling me y'all ain't home, y'all ain't from here, and you don't.

00:42:20
Speaker 2: Live here, that's what made you say that?

00:42:23
Speaker 3: Was?

00:42:24
Speaker 2: That was that's a nice English.

00:42:27
Speaker 1: Hip hip hop hip hop rapper lives there based on that competitive spirit.

00:42:34
Speaker 2: This is a competitive sport.

00:42:37
Speaker 1: So if it wasn't French, my brother, my little homie, that we don't you know what I mean, They spend the night in the studio together, you know what I mean? Just so long it easily cause niggas could be talking slick. It would have been bad. You know what I'm saying. I could, I could picture Rosie. It would have been tweezy, nah nah Rose and a bad one. But I go to Carbone and I bump into Nori, I bump into this one. I go to the the fucking car washer, bumping the camera.

00:43:05
Speaker 2: But all these niggas wanted me to die, Like yo, he moved to Miami. This niggas not the real one. Why he moved down there? All them niggas.

00:43:15
Speaker 1: Live down there now everywhere I go, New York rappers, New York rappers, New York rappers.

00:43:19
Speaker 2: Hey, everybody, I was just up on the ship way early.

00:43:23
Speaker 1: Niggas investing them. Yeah, that's how I go about new music, new music. They could pre order the album right now. Setting Stone, Setting Stone, Yeah, it's South June twelfth.

00:43:37
Speaker 2: June twelfth, y'all, Setting Stone, broy your best your best verse.

00:43:41
Speaker 3: To you, your best man is kind of question you I got one, I got it, bros.

00:43:49
Speaker 2: No, no you? Yeah?

00:43:52
Speaker 1: The city is this ship with you and Kanye? That what what's that joint? The devil in a new drugs. That was a beautiful moment without a doubt for a lot of people that ship was an emotional, passionate vibe, you know what I mean.

00:44:08
Speaker 2: But it just for me.

00:44:09
Speaker 1: It depends on the mood of men, you know what I mean. I have said some some ship man, I don't have fun doing it. But what is what is your your favorite verse? What do you think just coming off the top of the dome A lot? It's too many, it's not one of few few. I got one my joint be we me down. That's my favorite verse of my whole career. You gotta know what's your favorite verses? You don't have a lot.

00:44:39
Speaker 5: Yography. It's not versus.

00:44:43
Speaker 3: It's projects and I might depending on how I'm feeling rich forever, it could be.

00:44:49
Speaker 5: It's all type is you got?

00:44:51
Speaker 3: I got a section of just him and Ralphie elsa beat he shipped some gravity ever made one of my.

00:44:57
Speaker 2: Favorites, dude.

00:45:07
Speaker 1: But that's that's some of those That's some of those Rose B sides, man.

00:45:11
Speaker 2: And that's the thing.

00:45:13
Speaker 1: Sometimes those B sides mean more than the big records. I mean, it could be tears of Joy one of those versus here we like, I'm just happening in speaking of my mom and letting her know.

00:45:26
Speaker 2: You know what I'm saying, thank you for supporting the boy.

00:45:29
Speaker 3: Eighteen eighteen Rose keep it eighteen hundred. You already know what it is. Eighteen Rose the biggest Rose Man we're doing. We gotta do it big at all times. Man, we celebrate going out on tour twenty anniversary. I'm going out with the orchestra. Were gonna do it big, you know what I mean.

00:45:51
Speaker 1: Setting it off in Miami A twenty ninth fly Ship, big boy, heavy boy shit.

00:45:57
Speaker 3: I might gotta come down there. I gotta give you fly was that people always give you, but probably sometimes they for some reason might not. But your beat selection is out of this. It gotta be one on one egg. You never picked that bad beat ever ever. I'm talking about free styles for throwaways, for your shit. I don't know how, I don't know what your process. I don't know what you tell them. Give me the special hard drive, come live with me and make this. I don't know what the fuck you do, but this. You send me a beat.

00:46:35
Speaker 6: One time, appreciated, appreciate it. You send me a beat had to be Justice League at the time. But the beat is so crazy. Look, just send me the beat they gave you the crack. He just send me the beat with nothing me calling back, bro, boss, what we doing with this? It's all he said. He getting all you money kids.

00:47:00
Speaker 2: In the hung up were getting.

00:47:04
Speaker 5: It turned into a beautiful, fucking beautiful rest.

00:47:08
Speaker 2: This thing is the video.

00:47:10
Speaker 3: You just think all your money and I got the version of that by saying this, niggas anybody ever did a song with this is the illest.

00:47:19
Speaker 1: Let me tell you to it only because you do it in your sleep and you pick great beats. I pick incredible beats too, So it's one of the things I know some rappers that would have had a hundred times better career if they knew how to pick beats. The greatest guys in the easiest thing, not easy thing, and people take it for gritted.

00:47:43
Speaker 3: The fucking greatest and artists the world to the wrong person. If the right person pass you the wrong beat, you think is it? And that's a that's like an epidemic.

00:47:57
Speaker 2: You know, this is very old school.

00:47:59
Speaker 3: When I'm right there, y'all me yo, you just think that's it because that's.

00:48:05
Speaker 2: Very old for what I'm gonna say.

00:48:06
Speaker 3: But give me the nigga at the gas station pass your hard drive. That fucking blowing shit. Am I right tracks.

00:48:16
Speaker 1: I've been there with rappers invite me to their listening session and I go there and they niggas is bang it literally, because you know, New York were very exaggerated, like you remember back in the days when you talk about them MTV videos where niggas used to really dance and all that.

00:48:31
Speaker 2: So if a nigga on your dick, he running up the wall banging.

00:48:34
Speaker 1: His head, acting like this really incredible, like they're doing too much.

00:48:38
Speaker 2: And I'm sitting there.

00:48:39
Speaker 1: They're like, yo, crack, what you think the album really trashed my nigga. I'm sitting in the studio. I'm sitting there like, yo, no, why they call it real? This is my problem in life. Why you call it real? If you want the fake response, don't call it real when you want the fake response, I'm sitting in the studio.

00:48:59
Speaker 2: Niggas is bang in they head on the wall this, I'm like, oh my god, this.

00:49:02
Speaker 1: Ship trash my head, like Jesus Christ, can it get Ahacker.

00:49:07
Speaker 2: You're only wrong when you leave it. Don't tell him that.

00:49:11
Speaker 1: Oh no, I tell him yo, like you ain't touched the last.

00:49:19
Speaker 2: It's called hate.

00:49:20
Speaker 3: That's what when you tell them your honest opinion, then then you hate.

00:49:24
Speaker 1: All I got for you is honest opinion. I hate it this game that abused me to only give you honest opinions. Okay, you know all the way around. I see niggas, they they get in Yo. This guy here, he's beefing with all the rappers. I have nothing to do with it. I'm a born again Christian. How do Fat Joe know he gonna end up with the nigga And I'm gonna be the nigga to smack his cheek off and tell you, nigga, get the fuck up at me. He picked on everybody I know. Somewhere along the line, I'm gonna have to see this guy in hip hop. Okay, buddy, how you doing? Okay, you want your cheeks smacked off?

00:50:04
Speaker 5: Cry?

00:50:04
Speaker 1: The joke is over? Isolation time, Like, get the fuck out of here with this.

00:50:09
Speaker 2: But there.

00:50:09
Speaker 1: It's what I'm trying to tell you. Don't call it real. Don't call a real when you want to fake, motherfucker, call me your studio. Niggas is doing the Benetton bag dancing shit, niggas banging off the wall.

00:50:21
Speaker 2: I'm like yo, this shit man, Like, Yo, Wow, why do you do this to me? Why you bring me to this wack shit?

00:50:28
Speaker 3: Like Joe and jadasshow dot com we got new merch fresh off the presents. Go get it big out of big bo Joe and jadenshow dot com you can get these little cod for a T shirt with the hoodies at it's.

00:50:48
Speaker 1: My favorite right there, I need an extra large showing jadenshow dot Com. Go there and get it. But look, I like what you said about the whack rappers that might get out of the line and ship.

00:51:07
Speaker 2: Just imagine if I.

00:51:08
Speaker 1: Had the chance to slap fifty this ship right here, yo, show bro. No, I'm just saying, just imagine that that's a blessing chance to set back the whack rappers with that you said. Imagine if I could just catch fifty cent with that that bell. No, for real, I've ran out of flag we just talked about. No, no, no, you just mentioned it.

00:51:32
Speaker 2: Joe.

00:51:33
Speaker 1: I gotta give you what you need. No, I'm not talking about him. No you won No I want yeah, yeah, yeah, yeah, I caught that. I caught that. No, the wack rappers running around then you getting that I had nothing with a million dollars back here. You feel me this that million dollar one right here. I caught that.

00:51:52
Speaker 2: No. I didn't say that, No, we was we was talking about.

00:51:55
Speaker 1: No, no, no, no, we caught that.

00:51:58
Speaker 2: We called. Let me tell you something.

00:51:59
Speaker 1: When you say, yo, man gum play talking about he wanted to vibe with niggas and this and this and that?

00:52:04
Speaker 2: What up with with?

00:52:05
Speaker 1: Like niggas be going through things, man, Niggas be going through things.

00:52:11
Speaker 2: Niggas, we be going through things.

00:52:13
Speaker 1: You understand first, like Benedict Arnold on the on the team, because y'all keep it like I've had him the fact. No, no, no, no, stay here, stay here. No no, no, you gotta realize. You gotta realize different niggas go through different things, and everything gonna present itself as you know, at the right time. I can't go no further than that.

00:52:38
Speaker 2: You know what I'm saying.

00:52:39
Speaker 1: But the whack nigga you was talking about, we should go back to him. You was talking about fifty cent the whack man. I'm not even thinking about him. I was telling by the time, when no, I called that, I called that alley nigga.

00:52:49
Speaker 2: I called it. I'm a dunkey. No you told me the alley. I'm a dunk.

00:52:52
Speaker 1: Your niggas, Joe and Raw stop, I'm gonna whim bayaya a nigga rose yo yo yo yo Bross. Let me tell you something though, But you know I have my share of defectors and what we call them ship to scrunt to employees are niggas who used to be down. They find themselfs outside the light because it's a light.

00:53:22
Speaker 2: You know what I'm saying. I'm with Rick, hanging out with Ricks.

00:53:25
Speaker 1: If I'm a guy, the book guy, I'm in the private I'm eating nor durants.

00:53:32
Speaker 2: Know you on the yacht jet.

00:53:33
Speaker 1: You might niggas don't understand the affiliation lifestyle. I'm saying. We go to the a Philly game. Okay, you pull up, Skinny Joe, got the fucking.

00:53:46
Speaker 2: Cheese steaks for you.

00:53:47
Speaker 1: This the affiliated lifestyle, right, No, I'm I tell them that. So we got a little thing. We're gonna say something. And this is not bad because I love everybody, right, but say, I gotta hear some guys. They worked for Cali. They complain, Yo, I worked too hard, this and this and that. I said, these niggas work too hard A than sixty million dollar mansion.

00:54:08
Speaker 2: They work too.

00:54:08
Speaker 1: Hard on the G six, They work too hard at the fucking Grammy Red Carpet. They work too hard with the lobsters and states every day like oh like oh.

00:54:21
Speaker 2: You're isolated in the Turks and cake card. I can't do it.

00:54:25
Speaker 1: So if, if, if, if I got to represent the labor unions, I can't represent them.

00:54:33
Speaker 2: Ross the big shit.

00:54:39
Speaker 1: You know, when I was a kid, you run into the wall, you get a chi chunk. Spanish niggas call that chi chungs. They'll put butter on your shit. Sugar.

00:54:51
Speaker 2: I never heard sugar.

00:54:55
Speaker 1: But guess what if and when, if and when it happened. I got the plug to get a nigga veneers done. I got a Dinnis office too. So if a nigga too came out the whack rappers, anybody that can't read, I called that too.

00:55:09
Speaker 2: Kiss. You know what I mean? You can't read, I can't read, just read off.

00:55:14
Speaker 1: Well, you know when we'll start. We're starting this book right here, to renaissance book.

00:55:20
Speaker 2: It only made something. The only thing you can't do the kiss.

00:55:24
Speaker 1: Is put that fucking teleprompter that far away and me a hard rock best eighteen. Honey, Oh he can't see you got the higher and the lower. Oh he can't see you got the this. This don't make you rest of them?

00:55:37
Speaker 2: Mother Rose Man, I'm so proud of you.

00:55:53
Speaker 1: I see Freddie here, you make because every time I worried about you, you.

00:56:00
Speaker 2: Prove me wrong in fact.

00:56:01
Speaker 1: So like you bought this big ass house vander Holyfield shit, and I'm like, what the fuck is like?

00:56:09
Speaker 2: How many people would fit?

00:56:11
Speaker 1: How many people could sleep in this house in Atlanta seventy five?

00:56:17
Speaker 2: What the fuck? And Rick Ross is there with two three people? Right? So what I'm saying is that shit.

00:56:26
Speaker 1: I'm like, Yo, this nigga's bugging out, like why he bought this house? Next thing, I know you throwing the car show with Freddy and that shit ran Pat making money.

00:56:36
Speaker 2: Out the wild.

00:56:36
Speaker 1: I say your roads say always always find a fucking way. I mean that's genius. Like when did you say, yo, I'm gonna let the whole community in my house?

00:56:49
Speaker 2: Like that to me?

00:56:51
Speaker 1: I don't throw parties. I don't even talk to my neighbors. Were you to throw a thousand, two thousand people in your house? Eight thousand, ten thousand? Yeah, it was actually twelve thousand. Yeah, you gotta you gotta be creative when you when you got somebody like fifty seven Freddy Bill and your old school is easy to get a half a million dollar tab. And after you do that a few times, you gotta find a way, you know what, Freddie, Let's get somebody together by g you feel me. And so we just said, let's let's do it in the front yard.

00:57:24
Speaker 2: You know what I'm saying. We put it together. We made it happen. June thirteenth is the fifth annual.

00:57:31
Speaker 1: Oh that's a royal slap like yeah seven doubt, yeah, yeah, for no reason.

00:57:42
Speaker 2: I had to down with the pink shit on.

00:57:43
Speaker 1: It's like, yo, let me tell you something, Yo, you missed the royal slapping has coming yo.

00:57:50
Speaker 2: The theigg're gonna hit you with the Bookert.

00:57:54
Speaker 1: You beat up this guy one time, Bross, No, No, we beat up this guy. He was like super briller, jumped up. He was like fifteen were jumping off. Everybody fine, then the heat turned bound. Everybody get one off on him. That nigga went like this and caught me fine with the back bink. I was like, I said, courage out that bitch. Yet don't let that nigga. Don't because it catch funny. Y'all don't want this. That nigga hit me with the bunk, I said, oh bird, the fuck the stars was going to school. I tell you that story all the time.

00:58:38
Speaker 2: Rich.

00:58:39
Speaker 1: They then caught me with the back end. You catch a nigga with that? What lecture five? The thing is, I can't wear it in the strip clubs. They the girls just want to suck it.

00:58:51
Speaker 2: You know what I mean.

00:58:54
Speaker 1: I asked him, don't put it all the way down your throat. No room.

00:59:01
Speaker 2: He's that series no noise.

00:59:05
Speaker 1: You go to my Instagram, I said, yo, yo, let me tell you something.

00:59:18
Speaker 2: Ross.

00:59:18
Speaker 1: I watch you and I say, damn he in love this tongue. Two days later, divorce the line this ship.

00:59:28
Speaker 2: Be like.

00:59:30
Speaker 1: He get the little ball alert with the fucking crack in the middle. It's sofa Rick Boy like, God damn it god rick Boy. Yeah boy, you'se a fly nigga. Yeah, let me tell you something, niggas you put it. They they put some ship on Instagram. I agreed with them. They put all the fat guys bass upon me. Biggie heavy D heavy D one. I mean for that whoever that genre. They said, who's the flyes fat nigga? Ever, I'm a salute heavy d I ain't gonna I've seen no all the fat niggas. Man your man heavy, I ain't gonna lie. He spie me everything like nigga. He had that Cherokee back then too. Jse was a young nigga. I've seen that Cherokee. We already knew whatever we gotta do to get a Cherokee, we with it. You need that right. He inspired me like crazy. But you you don't inspire some fat niggas world wide, whoever they had any niggas, we didn't inspire you, and they was Rose ain't.

01:00:35
Speaker 2: Niggas.

01:00:35
Speaker 3: You ain't inspired nigga. This nigga Ross. It was one of my hours too. I remember, I might have went one or two charted. He called me up, good ship. My niggas gonna get you a big steak and the lobster with actual butter sauce.

01:00:55
Speaker 2: He ain't lying. It's the first thing he ever told me I met you. I mean, let me tell you something.

01:01:03
Speaker 1: I'm inspired by success I see from other homies from different places. That's just the genuine rose wall of moving. I don't care where you from. If you nigga, whatever it is, We ain't tripping on nigga, what you is. Nigga, it don't matter if you hustling, you hustling. That's where you from. That's your race, that's your creed, that's your color. You understand. And in this hip hop game, that's just like me off the camera. Niggas would love to say I personally hate Drake for life? Nigga, would you hate nah Homie. We not gonna make it that. That wouldn't be genuine. If a nigga step out of line and you gotta chastise him, that's what you do. But we not finna make that into a dog game. Took no dope from me. Dog, don't old Rose, ain't no paper. You know what I'm saying. Nigga, just he moved the wrong way. Don't let the Grammys get you fucked up in the streets. It's a difference. I made music for the streets. I never necessarily went out and looked for a Grammy. That wasn't never my goal. You the number of speak, both of you, of course, ain't nothing wrong with that, Ain't no Rube, ain't nothing wrong with that? And I'm just hoping everybody increased the peace. No you say, no, I ain't doing that. We ain't doing that.

01:02:26
Speaker 3: Now.

01:02:27
Speaker 2: I'm giving Joe Crack.

01:02:28
Speaker 1: With Joe Crack asks for the whack rappers, the nigga fifty cent. I never sent me the alley hoop. You threw me the alley hoop on fifty nigga, Come get it?

01:02:37
Speaker 2: Fifty O.

01:02:38
Speaker 1: Fuck what they call them? They say that about fifty cent? Man, do that I was. I had a whole look. Look, let me be clear. I don't have to, but I'll be clear for the record. I definitely wasn't thinking about fifty I was thinking about some old school rappers. I don't want to say who young. It was the old nigga and with some old niggas. Man, it was some friends of mine that back in the day. They they had the game of the choke going. Then they got a big album deal, they got their first big chat the man.

01:03:16
Speaker 2: No, it was.

01:03:19
Speaker 1: It was them niggas. The nigga with the dog cheek. What's that nigga name? Uncle Murder? That nigga cheeks way darker than his forehead. I don't know what that nigga went through. He need that Rewaine skin cream.

01:03:31
Speaker 2: Nigga.

01:03:32
Speaker 1: Them niggas ain't getting no money neither Rose. No, Rose, No, I called that alley.

01:03:38
Speaker 2: Who my nigga. No, I didn't do that. I went by yad, my dad, nigga, my shit. Pg. Thirteen.

01:03:44
Speaker 1: Well, I'm talking about inspiration. When I see Rick Ross, I think inspiration. I don't kiss what that means. I think inspiration. Now, let's keep it real. The nigga chicks, the world's watching. You want to say I inspired that to you? Yeah, you want to say that I caught the alley hoop on the niggas. I went by you. I didn't give you the alley. I went by you, did, yo, And good luck to the new city. I say, Okay, see in the Knicks going Rose saying that who's gonna window?

01:04:16
Speaker 2: Okay, see, dang nigga, we just putting the money up. I'm catching the alley. Who I think.

01:04:22
Speaker 1: Let me tell you something I really think, you guys, man, Let me tell you I lived in Miami.

01:04:26
Speaker 2: You guys hate the Knicks. Man, I don't know know I was.

01:04:30
Speaker 9: No.

01:04:30
Speaker 1: That ain't true, yo, every night, Oh no no, no, that ain't true. No no, no, no, no, no no No, no, are you blowing on Philly. They ain't no nigga with the Miami. Niggas fuck with the Knicks. Niggas fuck with the Knicks.

01:04:46
Speaker 2: The Knicks. You gotta understand the Knicks, coach. You always been a one.

01:04:49
Speaker 1: Niggas always been flying Nigga, y'all should always been flying nigga, ain't you?

01:04:53
Speaker 2: Brother?

01:04:54
Speaker 1: You know what I'm saying that I hate so much man the whole studio. No, you gotta give props to the Heat though. Ye three wings, nigga, three rings. You know what I'm saying, Shout out to the Heat. You know what I'm saying, but saying, Hey, who's your favorite Heat player of all time?

01:05:07
Speaker 2: Of all time? Yeah? D Wade the way d Wade Crash. We called him Crash. I love d Wade.

01:05:15
Speaker 1: I got him in the club when he first came to Man Crash it was flash switches, y'all. What Wade County? Yeah, Wade was way you know, we called him Wade County. We called it, you know, that was why. That's what I'm trying to say. Now, I'm gonna say, besides d Wade, who was like an obvious one, but that nigga, man, we get his son, not fuck bam.

01:05:43
Speaker 2: Get at what's that ship?

01:05:45
Speaker 1: No, don't do that. No, No, if you're gonna say the way you're gonna say, James, Tim Hardaway is our coon. Tim Hardaway to this day, the niggaway Tim hard Way.

01:06:00
Speaker 2: We saluted him.

01:06:01
Speaker 1: He was on Morning Lines O Morning, but Tim Hardaway shot with his swag shack.

01:06:07
Speaker 2: If we want to ring.

01:06:08
Speaker 1: With big shack, shout out, let me say, man, you got well, y'all got ringe, you finish?

01:06:16
Speaker 2: Say something? I got love fit. I tell you that shack story. One time, nigga.

01:06:23
Speaker 1: I used to work at Drop Studio in Manhattan, and one day I'm supposed to be Drop at the studio and I walk up in there and this ship is pitch black and I'm like, and it's a shadow of the nigga, this big sitting down diesel.

01:06:40
Speaker 2: Nigga.

01:06:41
Speaker 1: I said, that's it. They got me. They came to kill me. I ain't had a hamm on me nothing. I said, Yo, I'm done this nigga. Turned around, so I'm looking for the light switch and ship. I turned the fucking light switch on the shot. I said, Yo, Diesel, what's up?

01:06:56
Speaker 2: Brother? What's going on?

01:06:58
Speaker 1: He said, wanted to tell you first, big fella, they just traded me to Phoenix. I'm like Jesus, I thought this nigga was murder me in this fucking studio. All I saw it was a fucking shadow with Shot. He's a big motherfuckers. You kill O'Neill, but Shot. I'm gonna say Tim Hardaway because d Wade is just like it's too obvious. So I'm gonna just try to give him a little Tim.

01:07:22
Speaker 2: I'm not to day.

01:07:23
Speaker 1: Because Tim Hardaway is an icon and the nigga salute the legends and the icons. I'm not mad at that. I fuck with Tim Hardaway. I think the Kniggs is gonna win it all, guys. I think it just feels like it got Let's go. We could make us a light wager off the camera. You know, you can make us just a light light and it ain't crazy, you know what I'm saying, something like that's ga, man, they got a real good team. But I think we got a real good team too.

01:07:50
Speaker 2: I do. Yeah.

01:07:51
Speaker 1: I think, Oh, you're getting hurt. Gave us a chance to see everybody else play. Everybody put in the minutes. Your man finally woke up. What's his name Deuce. He had eight three niggas been streaming Duce for the whole year.

01:08:05
Speaker 2: He ain't been hit one basket. It finally made sense now that motherfucker he has surgery.

01:08:10
Speaker 5: Man, let the man heal up and get right.

01:08:13
Speaker 1: Man, you're rich, Thank God. That man is shooting good, the Deuce because I was.

01:08:18
Speaker 2: I was done. I was off the Douce shit. He was shut train. I was off that. I'm like, Yo, it's trying to you know what I mean? Yo, Freddy up.

01:08:27
Speaker 1: Boy fifty seven Freddy in the building having Freddy, Freddy?

01:08:32
Speaker 2: You got shot? How many times? Ak? Forty seven? No, No, that's real talk now nine times with some ship these bullets?

01:08:41
Speaker 1: Is this fucking big man? And you maan God loves you man. Freddy's pill five nigga still pull up get money with rose.

01:08:49
Speaker 2: That boy looked like a motherfucking roll map. That tell these niggas all the time, but call it today. I'm driving over there. He talking to me.

01:08:56
Speaker 1: I said, man, let me tell you somebody tell me. He don't heatn't let me talk. Callib won't let you talk. I'll tell you caliber your God's child. God loves you so much. You have a beautiful family. You know, so much money it feels like you can't even run out.

01:09:11
Speaker 2: Amazing.

01:09:12
Speaker 1: It're so blessing this world. This guy's is blue. The sun is out that this CalAmp man. You so fucking blessed some people, God's children. You wouldn't be here if you wasn't God's children.

01:09:23
Speaker 2: Eight times with a K.

01:09:25
Speaker 1: Nine times with an AK forty seven. We was already bending his roll. Watch bro the one that was gonna hit him right in the sinner his chest. His hand caught that. That's why his hand exploded two fingers over there.

01:09:46
Speaker 2: But thank god it ain't hit you where it was supposed to. Big time. Nah, that shit big.

01:09:52
Speaker 1: I see Freddy all the time, say, damn man, Freddie Man, he got it man.

01:09:55
Speaker 2: You know, God love you man.

01:09:57
Speaker 1: He spent your life AK forty seven and shit, that's fucking Iraq, shit, Afghanistan.

01:10:03
Speaker 2: You know what I'm saying. You got a story to tell? When did yo?

01:10:05
Speaker 1: When you're writing a Freddie book, I'm pretty sure he'll answer until he got a few books coming up. You let me tell you I went We almost gonna rap, but I went through depression. You know, I lost my sister, my best friend Big Pone and my grandfather like the same week or two, and I was like, this was too much for me. And I was the boss, and so I had a lot to deal with, and so I had to go therapy, you know what I'm saying. And when I went to therapy, the whole time I thought I was that' shit expensive. I thought I was getting jerk. And the lady would just let me.

01:10:43
Speaker 2: Talk and talk and talk and talk to talk.

01:10:46
Speaker 1: And then her former therapy I realized when I snapped out of the depression, is she make you figure it out yourself. She like, she'll talk to you till you figure it out yourself and you over the depression ship.

01:11:01
Speaker 2: And so you gotta realize that. You know. I don't know why I explain that story, but uh, i'm.

01:11:09
Speaker 1: It's a part of the it's a part of the the therapy. Yeah, the therapy speak it yeah yeah, yeah, yeah, Well fis me to figure out myself. She wasn't telling me like, all right, you gotta do this, or here's these pills or here's this. She would hear me out every week and then to the point of where I heard myself and I was all right, we gotta switch this ship up and get up out of this ship right here, you know what I'm saying. So that's the point, Like yesterday was my first mama's Mom's Day without my mom's That was hard, Lotty.

01:11:45
Speaker 2: That was that. That was always.

01:11:47
Speaker 1: I went to the start that nigga had me crying in the car, Oh love Mama. They only played the mama your niggas in there, like you're crying to yourself, And so I didn't feel like Mother's Day, you know what I'm say saying. And the people celebrating their wives, this mothers and this and this and that, me I ain't. I watched serial killer movies yesterday just to make me forget it was Mother's Day, because sh it is hard. It's traumatizing, you know. But that you know, that's what we got when it checked us out. It's called All Renaissance of a Boss. Renaissance album is called Setting Stones. The pre order the album right now is hitting the streets and in the June twelfth, the book. Yeah, the book is out this actually tomorrow.

01:12:36
Speaker 2: Yeah you see this.

01:12:38
Speaker 3: The book is out by the time you see this episode, the book is already out.

01:12:42
Speaker 2: Let's make it another best sell, another best seller This Ain't that

01:12:47
Speaker 3: That, ain't this track rock Yes, make some noise for Rosea