The Physics Chanteuse: when science hits a high note

Physics World Stories Podcast

What do pulsars, nuclear politics and hypothetical love particles have in common? They’ve all inspired songs by Lynda Williams – physicist, performer and self-styled “Physics Chanteuse”.

In this month’s Physics World Stories podcast, host Andrew Glester is in conversation with Williams, whose unique approach to science communication blends physics with cabaret and satire. You’ll be treated to a selection of her songs, including a toe-tapping tribute to Jocelyn Bell Burnell, the Northern Irish physicist who discovered pulsars.

Williams discusses her writing process, which includes a full-blooded commitment to getting the science right. She describes how her shows evolve throughout the course of a tour, how she balances life on the road with other life commitments, and how Kip Thorne once arranged for her to perform at a birthday celebration for Stephen Hawking. (Yes, really.)

Her latest show, Atomic Cabaret, dives into the existential risks of the nuclear age, marking 80 years since Hiroshima and Nagasaki. The one-woman musical kicks off in Belfast on 18 June and heads to the Edinburgh Festival in August.

If you like your physics with a side of showbiz and social activism, this episode hits all the right notes. Find out more at Lynda’s website.

2025-05-27 47 min Transcript

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Transcript

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Hello, and welcome to the Physics World Stories

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podcast. I'm Andre Glesser, and in this episode,

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we're gonna be exploring

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the intersection

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between physics and music, or at least we're

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gonna be listening to some physics based songs

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in the company of Linda Williams.

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Having performed for the likes of Kip Thorne

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and Stephen Hawking, Linda finds herself about to

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embark on a tour which begins

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performing

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a song about

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and in front of

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Dame Jocelyn Bell Burnell.

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We'll hear about that later in the podcast,

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but let's begin with one of her songs.

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The curl of the Faraday's law.

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Now the trick is to use the vector

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ID for the curl, I'll curl.

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And then you'll see that everything simplifies,

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because Gauss's law tells us that del dot

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E is zero,

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and Ampere's law

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simplifies the other side.

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Aloha. My name is Linda Williams,

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and I'm the physics chanthus.

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I produce,

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original

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science cabaret for

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scientists

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and the general public.

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My background is I'm a physicist, and I

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have over twenty years teaching

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as a tenured college professor.

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But now I'm retired from that, and I'm

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just

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getting my act together and taking it on

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the road.

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And cooled the particle

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zoo was born in the goo.

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Photons,

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bosons,

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gravitons,

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leptons,

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energy, radiation.

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Science cabaret or physics cabaret or cosmic cabaret

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or atomic cabaret or algebra cabaret

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is just a form of,

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musical theater performance

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where the topics are whatever

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issue you want. Right now, I'm doing a

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new show called Atomic Cabaret, which is all

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about the nuclear world we live in, and

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it commemorates

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the eightieth anniversary

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of the US bombing of Hiroshima and Nagasaki

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this year.

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And,

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I've also done

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algebra cabaret, which is a cabaret all about

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math. So it's essentially songs and repartee, and,

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usually, I'm a solo act, but sometimes I'll

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bring in other performers.

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And, yeah, so it's science themed,

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theater, musical theater

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in a cabaret genre. Because you're about to

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go on tour.

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Yes. So I'm about to embark on a

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journey to The UK. I'm going on tour.

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It's been a bucket list of mine to

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perform at the Edinburgh

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Fringe Festival, which I'll be doing this year.

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But my first stop is in Belfast

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at the International

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Symposium

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on Astronomy and Culture.

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It's called INSAAP,

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and,

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it's a fantastic

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conference

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of, artists and astronomers

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and archaeologists

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and folks who are into

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ancient astronomy, archaeoastronomy,

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and just all coming together and seeing how,

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astronomy influences art and culture. So I'm going

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to be doing the banquet,

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show at the Belfast

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Castle,

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on June 12. Amazing. So Edinburgh Fringe,

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I can kinda see that. I can see

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you performing there. That that's gonna go very

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well, I think.

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I hope so. Yeah. Yeah.

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I what what did you teach? Physics?

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I taught at a,

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college in California

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at

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at Santa Rosa Community College,

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junior college

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for twenty years. So I essentially taught all

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of the lower division

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courses,

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calculus based, algebra based. I also taught some

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astronomy.

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And, yeah, I did that for twenty years.

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And during COVID, I moved to Hawaii and

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was teaching remotely.

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And when they said, we're gonna go back

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face to face, I said, aloha. I'm I'm

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staying.

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And, I ended up working at the Gemini

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Observatory on Mauna Kea as a tour guide

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for a couple years.

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And then now I just decided to go

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on tour while I still can sing and

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dance.

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Did your students know about your alter ego?

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No. I mean, I I was performing long

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before I got into physics.

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So I was performing first,

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And then, you know, I was auditioning and

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trying to get into the business in Los

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Angeles, and I was just bored. And I'm

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I said, I'm gonna write my own shows.

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So I went to college. I never thought

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I'd go to college. And I went to

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college,

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And,

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I just realized, like, I needed to find

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something I was interested in,

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and I ended up

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falling in love with astronomy and physics. And,

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I mean, people thought I'd be a, you

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know, like a stripper in Vegas. No one

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thought I'd end up going into physics, and

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it turned out I was good at it.

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So then, naturally, I just started, you know,

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creating work about it and performing. Because, you

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know, as soon as I've learned about the

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Particle Zoo, I was like, oh my god.

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You could totally sing about corks. You could

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sing about the Big Bang. Everything is so

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singable,

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and it's fascinating, and I love it all.

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And so I just naturally put it to

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music and theater, and I've been doing it

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for a long time.

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I grew up in the eighties,

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during the, you know, super high threat of

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nuclear Armageddon, and I became an antinuclear activist.

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And so it was through that, actually, and

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I I just I remember picking up a

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Scientific American, and I couldn't

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understand it. And I thought, what? I am

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missing something.

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So I went to the library, and I

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I just started reading. I mean, I picked

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out books like,

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you know,

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Kant's Progolema to any future metaphysics. Like, I'm

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just pulling stuff, and I'm like, I can't

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comprehend this. And so then I said, well,

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I'm gonna go study physics and math. And

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I literally

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taught myself trigonometry over the summer and started

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taking calculus, and I was good at it.

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It's like I'm a savant of some form.

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You know?

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Like, an idiot savant, a bim smart bimbo.

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But,

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yeah. So before that, like, in high school,

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I was doing shows. I was performing. I

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would you know, I've always been singing and

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dancing.

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So then I just naturally started doing shows

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about physics. And my first show

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was when I was in grad school. It

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was called Cosmic Cabaret, and it was all

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about the big bang and the evolution of

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the universe.

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And I always have, you know, environmental and

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social justice issues woven in

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to it all, you know, to kind of

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complement my activism with my,

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love for science and

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and,

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astronomy. And so,

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how the Physics Chantouse was born. So I

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was doing shows for years

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that always had sort of a combination

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of science fiction, science fantasy, science kinda melded

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together with musical theater and comedy.

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And then when I I went to my

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first conference, the American Physics

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Society, APS conference, and I was sitting in

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the banquet,

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and what they had on stage was so

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boring. I wrote down on my

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cocktail napkin the physics chanteuse, and I said

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to myself,

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I'm gonna do shows for scientists. Because one

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of the one of the problems about doing

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science theater is exposition.

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So if you're gonna make a joke

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about the big bang or you're gonna make

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a joke about physics, you have to explain

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it to your audience. And when you have

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an scientifically

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illiterate or not very literate audience, you have

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to do a lot of explaining before you

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can get to the punch line. So I

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remember just thinking, like, I can

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do shows for scientists with no exposition

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whatsoever.

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And that's how the Physics Chanties was born.

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I just started you know, the first show

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I did was for a solid state conference,

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and I, you know, I just researched the

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material and, you know, talked to the organizers

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and see who's in the audience and write

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a song for somebody and and, you know,

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working on and I'm a had people come

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up and say, I can't believe you put

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my research in your song. Like, only five

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people in the world know about that. You

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know? It's just it's just so much fun.

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You know? So my although I do write

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songs for the general public and kids and

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up with science stuff, I I really love

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writing

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songs that are scientifically

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accurate for a scientific audience. And I think

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that's what's unique about my show because there's

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plenty of people doing science theater for a

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general audience.

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But doing it just for scientists is just

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a whole another level, and I just love

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it, which brings me to what I'm doing

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at INSAAP, which is writing the song

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for Dame Jocelyn Bell Brunel,

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on Pulsars.

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You've written for a few people. You've written

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songs for a few people. We'll come to

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some of those, but Dame Jocelyn Bell Brunel

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is,

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well, I think legend is thrown around too

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much because she really is one. She's such

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an inspiration.

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Her story is she's so humble.

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She's a Quaker. You know, she's just so

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humble, and her contribution is so magnificent, and

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she's such a fighter. And as a woman

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and a feminist,

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and, you know, I'm mature older woman. So

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when I went to school, I was often

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the only woman in class.

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But, you know, she

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she stuck to her guns. Right? Her her,

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thesis adviser who won the Nobel Prize, you

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00:10:02,455 --> 00:10:04,554
know, he used to call her stupid.

262
00:10:05,174 --> 00:10:06,695
So I didn't put any of that in

263
00:10:06,695 --> 00:10:09,095
the song I wrote. I just honored her

264
00:10:09,095 --> 00:10:09,595
discovery

265
00:10:09,975 --> 00:10:11,754
and, you know, not

266
00:10:12,615 --> 00:10:13,595
complain about,

267
00:10:14,455 --> 00:10:16,455
her not getting the Nobel Prize. Although I

268
00:10:16,455 --> 00:10:18,590
mentioned it, but even she says, well, I'm

269
00:10:18,590 --> 00:10:20,210
just thrilled that they thought

270
00:10:20,750 --> 00:10:23,629
my little pulsating star was worthy of, you

271
00:10:23,629 --> 00:10:25,009
know, a Nobel Prize.

272
00:10:25,550 --> 00:10:27,250
She's so humble. It's incredible.

273
00:10:28,029 --> 00:10:31,230
So, yeah, I'm thrilled to hear. Where does

274
00:10:31,230 --> 00:10:33,764
the the creative process start? Is it with

275
00:10:33,764 --> 00:10:35,845
the words? Is it with the melody? Usually,

276
00:10:35,845 --> 00:10:38,164
when it's for a scientist like this, it's

277
00:10:38,164 --> 00:10:40,404
the words. It's the research. So I have

278
00:10:40,404 --> 00:10:40,904
to,

279
00:10:41,764 --> 00:10:44,690
I watched her give talks for this, honestly,

280
00:10:44,750 --> 00:10:46,669
and I would say that 90% of this

281
00:10:46,669 --> 00:10:47,809
song is her words.

282
00:10:49,549 --> 00:10:50,690
Jocelyn Bell

283
00:10:51,149 --> 00:10:52,049
was a PhD

284
00:10:52,509 --> 00:10:53,330
grad student

285
00:10:53,710 --> 00:10:54,210
studying

286
00:10:54,590 --> 00:10:55,090
astronomy

287
00:10:56,830 --> 00:10:57,580
at Cambridge

288
00:10:57,945 --> 00:10:59,245
in '67.

289
00:10:59,705 --> 00:11:01,325
She was looking for quasars,

290
00:11:01,865 --> 00:11:03,165
ressinging the planetary

291
00:11:03,705 --> 00:11:04,205
scintillation.

292
00:11:04,985 --> 00:11:06,045
She built a radio

293
00:11:06,424 --> 00:11:08,445
telescope with over 4,000

294
00:11:08,665 --> 00:11:09,725
dipole antennas.

295
00:11:10,665 --> 00:11:12,285
Now face, face switch

296
00:11:12,665 --> 00:11:13,165
receiver

297
00:11:21,039 --> 00:11:23,200
So I mean okay. Here's what happened. She

298
00:11:23,200 --> 00:11:25,039
gave a talk, and the title of the

299
00:11:25,039 --> 00:11:25,940
talk was

300
00:11:26,639 --> 00:11:27,735
tick tick tick

301
00:11:28,134 --> 00:11:30,774
pulsating star, how we wonder what you are,

302
00:11:30,774 --> 00:11:33,254
and that's the chorus of the song. So

303
00:11:33,254 --> 00:11:35,575
I just pulled that from her talk. And

304
00:11:35,575 --> 00:11:37,575
then as I'm watching her talk, and she

305
00:11:37,575 --> 00:11:39,894
was giving the the speech that she gave

306
00:11:40,054 --> 00:11:42,214
I've watched several, but one she was giving

307
00:11:42,214 --> 00:11:44,420
at Stanford. So it was to a scientific

308
00:11:44,420 --> 00:11:44,920
audience.

309
00:11:45,620 --> 00:11:48,259
And so, you know, I'm taking notes, and

310
00:11:48,259 --> 00:11:49,860
the way I usually do is I'll take

311
00:11:49,860 --> 00:11:51,460
tons and tons of note. I love doing

312
00:11:51,460 --> 00:11:53,779
research, so I spend way too much time

313
00:11:53,779 --> 00:11:54,519
doing research

314
00:11:54,980 --> 00:11:57,794
instead of practicing the song. But, so I'll

315
00:11:57,794 --> 00:11:59,554
I'll do a lot of writing, and then

316
00:11:59,554 --> 00:12:01,794
I pair it down, and then I turn

317
00:12:01,794 --> 00:12:02,454
them into

318
00:12:02,995 --> 00:12:03,495
lines.

319
00:12:03,875 --> 00:12:05,394
And then I take the lines, and I

320
00:12:05,394 --> 00:12:07,634
put them into shorter statements, and then I

321
00:12:07,634 --> 00:12:10,320
try to rhyme them. Pass shows rough in

322
00:12:10,320 --> 00:12:11,220
the data.

323
00:12:11,840 --> 00:12:13,220
She sped up the paper

324
00:12:13,600 --> 00:12:15,379
to get a final resolution,

325
00:12:16,399 --> 00:12:19,440
and out popped out little green men every

326
00:12:19,440 --> 00:12:22,720
one point three three seven seconds. Tick, tick,

327
00:12:22,720 --> 00:12:25,085
tick, pulse, saving star. I'm

328
00:12:31,384 --> 00:12:33,144
thinking I gotta do a workshop and because

329
00:12:33,144 --> 00:12:34,764
it's the same thing I do

330
00:12:35,144 --> 00:12:38,205
for every scientific song. It's the same process.

331
00:12:38,264 --> 00:12:38,764
Research,

332
00:12:39,720 --> 00:12:40,220
writing,

333
00:12:40,519 --> 00:12:42,679
and then breaking it down into lines and

334
00:12:42,679 --> 00:12:44,839
I where I don't worry about rhyming, and

335
00:12:44,839 --> 00:12:47,179
then I'll do the rhyming scheme.

336
00:12:47,559 --> 00:12:49,899
And then I have to check for accuracy,

337
00:12:50,759 --> 00:12:52,379
which I get in trouble with.

338
00:12:52,919 --> 00:12:54,200
You know, I just have to be really

339
00:12:54,200 --> 00:12:57,845
careful because some things work better structurally,

340
00:12:58,705 --> 00:13:01,504
and then I'll find out like, I'll realize,

341
00:13:01,504 --> 00:13:03,424
like, that's wrong. That's backwards. And then I

342
00:13:03,424 --> 00:13:05,105
have to redo the whole song. I just

343
00:13:05,105 --> 00:13:06,945
had to do that with the Pulsar song.

344
00:13:06,945 --> 00:13:09,240
Actually, I Got a mistake.

345
00:13:09,620 --> 00:13:12,279
Oh, that I can't have any mistakes.

346
00:13:12,659 --> 00:13:14,100
You know? If I'm singing a song in

347
00:13:14,100 --> 00:13:16,419
front of Jocelyn Bell, the my nightmare is

348
00:13:16,419 --> 00:13:18,339
that she's gonna come up to me afterwards

349
00:13:18,339 --> 00:13:20,980
and go, oh, dear. I lovely song. It's

350
00:13:20,980 --> 00:13:22,039
just one bit.

351
00:13:22,394 --> 00:13:23,134
It's actually

352
00:13:23,435 --> 00:13:25,995
the ray is not feeding into the receiver.

353
00:13:25,995 --> 00:13:27,435
The you know, I it's it's like a

354
00:13:27,435 --> 00:13:29,355
nightmare to me is this that come up

355
00:13:29,355 --> 00:13:31,774
and and and have to do a correction.

356
00:13:32,235 --> 00:13:34,634
You know? Listen there. So has anybody ever

357
00:13:34,634 --> 00:13:35,995
done that to you? Have you ever had

358
00:13:35,995 --> 00:13:37,990
that nightmare happen? Well, I just wrote a

359
00:13:37,990 --> 00:13:39,289
song for,

360
00:13:40,950 --> 00:13:44,330
Alan Robock, the climate scientist who works in,

361
00:13:44,789 --> 00:13:47,029
nuclear winter research, and I wrote a song

362
00:13:47,029 --> 00:13:49,715
for him because he has a line that

363
00:13:49,715 --> 00:13:51,475
he said that I go, that's a that's

364
00:13:51,475 --> 00:13:53,495
a hook. And it was,

365
00:13:54,675 --> 00:13:57,975
nuclear winter is a self assured suicide. And

366
00:13:58,035 --> 00:13:59,795
and I that's the chorus of the song,

367
00:13:59,795 --> 00:14:00,615
but I say,

368
00:14:00,915 --> 00:14:03,955
nuclear winter is a self assured suicide. You

369
00:14:03,955 --> 00:14:06,250
bomb your enemy and end up killing everyone

370
00:14:06,250 --> 00:14:09,210
alive. So that's the the the chorus, which

371
00:14:09,210 --> 00:14:10,029
works great.

372
00:14:10,409 --> 00:14:12,009
But I so I finished the song, and

373
00:14:12,009 --> 00:14:13,370
I was so proud, and I sent it

374
00:14:13,370 --> 00:14:15,049
to him. And he said wrote back, and

375
00:14:15,049 --> 00:14:16,350
he goes, I love it.

376
00:14:16,649 --> 00:14:19,710
But, dear, there's a couple mistakes. You know?

377
00:14:21,245 --> 00:14:24,125
And, because I was saying it's ash instead

378
00:14:24,125 --> 00:14:25,965
of smoke, and it's really the smoke that

379
00:14:25,965 --> 00:14:27,024
goes to the stratosphere

380
00:14:28,125 --> 00:14:28,785
and produces

381
00:14:29,485 --> 00:14:31,485
the blocking of the sunlight that creates the

382
00:14:31,485 --> 00:14:33,424
nuclear winter. It's not the ash.

383
00:14:33,804 --> 00:14:33,965
So,

384
00:14:35,299 --> 00:14:37,459
but ash was easier to sing sing than

385
00:14:37,459 --> 00:14:39,620
smoke, so I have to fix it. But,

386
00:14:39,620 --> 00:14:41,459
you know, I'm grateful because I don't want

387
00:14:41,459 --> 00:14:44,579
any mistakes. It's it's a it's science. They're

388
00:14:44,579 --> 00:14:47,220
they're very factual, and I pride myself on

389
00:14:47,220 --> 00:14:48,855
making sure that they're correct.

390
00:14:49,334 --> 00:14:50,855
Do you write all the music yourself as

391
00:14:50,855 --> 00:14:52,294
well? So I do.

392
00:14:52,695 --> 00:14:55,334
I'm not really like, I don't perform live,

393
00:14:55,334 --> 00:14:56,794
but because of the,

394
00:14:57,815 --> 00:15:00,774
in the olden days, I can you know?

395
00:15:00,774 --> 00:15:02,534
And when I first started doing this, I

396
00:15:02,534 --> 00:15:03,690
would use sequencers

397
00:15:04,070 --> 00:15:05,050
and synthesizers,

398
00:15:05,430 --> 00:15:07,769
and I can strum on a guitar, but

399
00:15:07,990 --> 00:15:10,790
I'm a I'm a, I'm a loop maker.

400
00:15:10,790 --> 00:15:12,550
And now I realize I should probably be

401
00:15:12,550 --> 00:15:14,790
a DJ because that's what I love doing

402
00:15:14,790 --> 00:15:17,195
is I can, you know, just take loops

403
00:15:17,195 --> 00:15:19,034
and make songs out of loops now. Like,

404
00:15:19,034 --> 00:15:21,034
with Logic Pro, it's what I'm using right

405
00:15:21,034 --> 00:15:21,534
now.

406
00:15:22,394 --> 00:15:24,254
And I've also been experimenting

407
00:15:24,875 --> 00:15:28,014
with AI songwriting programs because

408
00:15:28,450 --> 00:15:31,589
I'm primarily a lyricist, and I've been experimenting

409
00:15:31,730 --> 00:15:35,429
with dropping lyrics into Suno is one program.

410
00:15:35,970 --> 00:15:38,209
And what they do is they make songs,

411
00:15:38,209 --> 00:15:40,049
and they'll have a singer on it. And

412
00:15:40,049 --> 00:15:41,669
I'll just listen to a thousand,

413
00:15:42,065 --> 00:15:44,464
and, and I'll I can get, like, a

414
00:15:44,464 --> 00:15:46,464
melody out of it. So that's been an

415
00:15:46,464 --> 00:15:47,365
interesting process,

416
00:15:48,544 --> 00:15:50,704
that I've done. I think I have, like

417
00:15:50,865 --> 00:15:53,345
I wrote a song called, There is No

418
00:15:53,345 --> 00:15:55,480
Planet b, Earth is all we need,

419
00:15:55,860 --> 00:15:58,100
and I'd grab the music out of Suno

420
00:15:58,100 --> 00:15:59,700
for that. And then I can pull off

421
00:15:59,700 --> 00:16:01,879
the vocals and sing on it. So that's

422
00:16:02,339 --> 00:16:03,720
an interesting process

423
00:16:04,259 --> 00:16:06,259
that gets people upset. There's a lot of

424
00:16:06,259 --> 00:16:08,440
musicians who you know, it's, like,

425
00:16:10,065 --> 00:16:12,465
unacceptable to be using AI as a tool

426
00:16:12,465 --> 00:16:13,424
like that, but,

427
00:16:14,065 --> 00:16:16,384
I'm just gonna confess and say that I

428
00:16:16,384 --> 00:16:18,865
find it a very interesting process, and it

429
00:16:18,865 --> 00:16:19,365
expediates

430
00:16:19,904 --> 00:16:21,365
the process. Now

431
00:16:21,665 --> 00:16:25,170
having said that, probably 50% of my shows

432
00:16:25,170 --> 00:16:25,830
for scientists

433
00:16:26,210 --> 00:16:28,629
are parodies. I'm the parody queen.

434
00:16:29,090 --> 00:16:31,170
So I can take you know, I do

435
00:16:31,170 --> 00:16:34,710
these medleys of parodies. So I've done medleys

436
00:16:34,850 --> 00:16:37,809
of parodies of pop songs and classic songs

437
00:16:37,809 --> 00:16:38,309
because

438
00:16:38,794 --> 00:16:41,194
that's an easy it's fun. People love it.

439
00:16:41,194 --> 00:16:44,254
They recognize the song. It's, it's clever,

440
00:16:44,714 --> 00:16:46,574
and I don't have to write the,

441
00:16:47,034 --> 00:16:47,534
music.

442
00:16:47,914 --> 00:16:49,934
So, you know, I've done medleys.

443
00:16:50,394 --> 00:16:51,914
I'm doing a medley for the,

444
00:16:52,315 --> 00:16:55,350
Insap Show of, like, songs related to,

445
00:16:56,450 --> 00:16:58,709
you know, astronomy. I've done several

446
00:16:59,169 --> 00:17:00,389
songs for

447
00:17:00,769 --> 00:17:03,809
astronomy, astrophysics, physics. Every show, I do some

448
00:17:03,809 --> 00:17:06,450
parodies. There's entertainment in here. Right? But there's

449
00:17:06,450 --> 00:17:07,910
also science communication.

450
00:17:08,444 --> 00:17:10,284
And you've talked about the, you know, you

451
00:17:10,284 --> 00:17:12,684
don't need the exposition for it. But now

452
00:17:12,684 --> 00:17:14,684
tell me all about the audience reactions from

453
00:17:14,684 --> 00:17:15,505
the sort of

454
00:17:15,884 --> 00:17:18,224
delight to the possible intrigue.

455
00:17:18,845 --> 00:17:19,345
Well,

456
00:17:19,724 --> 00:17:22,125
it's been a I've had a a full

457
00:17:22,125 --> 00:17:22,625
range.

458
00:17:23,085 --> 00:17:24,940
You know, just the first thing that comes

459
00:17:24,940 --> 00:17:26,159
to mind was I did

460
00:17:26,460 --> 00:17:27,679
a show at CERN,

461
00:17:30,139 --> 00:17:31,579
and it was for a,

462
00:17:32,380 --> 00:17:35,119
summer school of science teachers from all over

463
00:17:35,419 --> 00:17:38,059
Eastern Block country. So this was, like, in

464
00:17:38,059 --> 00:17:40,644
February or something. And so there was, you

465
00:17:40,644 --> 00:17:42,505
know, all these teachers,

466
00:17:42,964 --> 00:17:44,424
and they were all drunk,

467
00:17:45,285 --> 00:17:47,525
and the power went out. So here I

468
00:17:47,525 --> 00:17:49,384
am in the most, you know, sophisticated,

469
00:17:50,964 --> 00:17:53,440
physics facility in the world in in the

470
00:17:53,440 --> 00:17:55,920
electricity. So I'm singing acapella because the show

471
00:17:55,920 --> 00:17:58,880
must go on. And the they all start

472
00:17:58,880 --> 00:18:00,500
singing their country songs,

473
00:18:01,840 --> 00:18:03,600
and then they storm the stage and steal

474
00:18:03,600 --> 00:18:04,500
all my stuff.

475
00:18:05,440 --> 00:18:07,140
That was, like, the worst experience.

476
00:18:07,785 --> 00:18:10,045
I have a lot of sing along songs

477
00:18:10,424 --> 00:18:12,605
as well, and I get the audience singing.

478
00:18:12,904 --> 00:18:13,965
So for example,

479
00:18:14,664 --> 00:18:16,285
I did a parody

480
00:18:16,825 --> 00:18:17,325
of,

481
00:18:17,865 --> 00:18:19,725
Blackbird to Black Hole,

482
00:18:20,184 --> 00:18:22,125
you know, instead of, you know,

483
00:18:22,829 --> 00:18:25,069
blackbird singing in the dead of night, that

484
00:18:25,069 --> 00:18:27,230
song I'd you know, I'd instead of rewrote

485
00:18:27,230 --> 00:18:29,789
it as black hole spinning in the dead

486
00:18:29,789 --> 00:18:30,450
of night

487
00:18:30,829 --> 00:18:33,230
and spiraling around out of sight until you

488
00:18:33,230 --> 00:18:35,869
collide. And when black holes collide, they produce

489
00:18:35,869 --> 00:18:36,450
a gravitational

490
00:18:36,829 --> 00:18:37,244
chirp.

491
00:18:37,644 --> 00:18:38,464
So then I

492
00:18:38,765 --> 00:18:41,265
I was able to get a gravitational

493
00:18:41,644 --> 00:18:45,184
chirp from Scott Hughes who was working on

494
00:18:45,484 --> 00:18:45,984
gravitational,

495
00:18:46,765 --> 00:18:48,845
waves. And I put that in the song,

496
00:18:48,845 --> 00:18:50,525
and it sounds like whoop. So then I

497
00:18:50,525 --> 00:18:51,585
have the whole audience

498
00:18:51,919 --> 00:18:54,079
says, everybody chirp, so everyone's going whoop whoop

499
00:18:54,079 --> 00:18:56,000
whoop whoop whoop whoop whoop. And, you know,

500
00:18:56,000 --> 00:18:57,220
so that's kinda fun.

501
00:18:57,519 --> 00:18:59,759
The more they drink, the better. So unless

502
00:18:59,759 --> 00:19:01,279
they get too drunk and they storm the

503
00:19:01,279 --> 00:19:02,259
stage, but, typically,

504
00:19:03,919 --> 00:19:05,859
yeah, the response is really fun,

505
00:19:06,794 --> 00:19:08,394
for the most part. But, you know, I've

506
00:19:08,394 --> 00:19:11,274
had, like, I've had some really negative response

507
00:19:11,274 --> 00:19:11,934
as well.

508
00:19:13,115 --> 00:19:15,835
Yeah. In the earlier days, I would get

509
00:19:15,835 --> 00:19:17,454
invited to a conference,

510
00:19:18,075 --> 00:19:18,575
and

511
00:19:18,875 --> 00:19:20,794
there would be people that would say no.

512
00:19:20,794 --> 00:19:23,000
No. We cannot have a woman on stage

513
00:19:23,000 --> 00:19:25,500
in a slinky outfit singing.

514
00:19:27,000 --> 00:19:30,119
And so I got banned from performing several

515
00:19:30,119 --> 00:19:30,619
times.

516
00:19:31,079 --> 00:19:31,740
Oh, dear.

517
00:19:32,359 --> 00:19:34,279
Yeah. It's a bit of a backlash. But,

518
00:19:34,440 --> 00:19:36,359
you know, it's I understand it. It's like,

519
00:19:36,359 --> 00:19:39,295
look. There's three women at the physics conference,

520
00:19:39,295 --> 00:19:41,295
and one of them shouldn't be on stage

521
00:19:41,295 --> 00:19:42,515
in the slinky outfit.

522
00:19:42,894 --> 00:19:44,974
So, you know, until there's more parity

523
00:19:45,535 --> 00:19:47,234
oh, I got a little play on parity.

524
00:19:47,295 --> 00:19:50,414
Parity, parity. Until until there's more quality in

525
00:19:50,414 --> 00:19:52,434
the you know, in physics,

526
00:19:52,950 --> 00:19:56,390
I understand that. So it's it's, you know,

527
00:19:56,390 --> 00:19:59,109
I understand that. Okay. Fair enough. People are

528
00:19:59,109 --> 00:20:01,289
being entertained. Some people are being, you know,

529
00:20:01,349 --> 00:20:03,349
upset by it. But most people are being

530
00:20:03,349 --> 00:20:06,069
entertained. Because at Edinburgh Fringe, not everybody is

531
00:20:06,069 --> 00:20:07,914
going to be a scientist the way they

532
00:20:07,914 --> 00:20:09,855
would be at CERN or or at conference.

533
00:20:10,475 --> 00:20:12,715
The world premiere of Atomic Haberay will be

534
00:20:12,715 --> 00:20:15,134
in Belfast right after NSAP on,

535
00:20:15,515 --> 00:20:17,595
June 18. And then I go on tour.

536
00:20:17,595 --> 00:20:19,880
So then after that, I'll be taking

537
00:20:20,500 --> 00:20:21,080
it to,

538
00:20:21,460 --> 00:20:24,820
York and then Leeds and then London and

539
00:20:24,820 --> 00:20:27,619
then you know? So several different fringes. And

540
00:20:27,619 --> 00:20:30,339
if you go to my website, atomiccabaret.com,

541
00:20:30,339 --> 00:20:31,480
you can see all the

542
00:20:32,099 --> 00:20:35,115
venues in, The UK that I'm doing. So

543
00:20:35,115 --> 00:20:38,315
that show is geared towards a general audience,

544
00:20:38,315 --> 00:20:40,255
so I will have to do exposition,

545
00:20:41,035 --> 00:20:43,434
which just means that you you know, I'm

546
00:20:43,434 --> 00:20:45,275
talking, I sing, I talk, I sing, and

547
00:20:45,275 --> 00:20:46,255
I have to explain,

548
00:20:47,599 --> 00:20:50,180
the physics. So for this show, it's primarily,

549
00:20:51,519 --> 00:20:54,720
it's more political. It's physics and politics because

550
00:20:54,720 --> 00:20:55,779
it's nuclear weapons.

551
00:20:56,480 --> 00:20:56,980
And,

552
00:20:57,839 --> 00:20:59,759
and in The UK, I'm talking about the

553
00:20:59,759 --> 00:21:02,240
dreadnought. I'm talking about the Trident. I'm talking

554
00:21:02,240 --> 00:21:04,595
about the b 61 that The US is

555
00:21:04,595 --> 00:21:06,355
bringing to Lake And Heath. There's been a

556
00:21:06,355 --> 00:21:08,355
lot of protests about that. You might have

557
00:21:08,355 --> 00:21:10,774
heard the show is a benefit for CND,

558
00:21:11,794 --> 00:21:14,855
and their attempt to, abolish nuclear weapons.

559
00:21:16,160 --> 00:21:18,559
So I will talk you know, I'm talking

560
00:21:18,559 --> 00:21:19,059
about

561
00:21:19,440 --> 00:21:22,740
how what radiation is, what nuclear physics is.

562
00:21:22,960 --> 00:21:24,400
You know? But then I'm singing a song

563
00:21:24,400 --> 00:21:27,200
about depleted uranium. So it's not as much

564
00:21:27,200 --> 00:21:28,335
of it as a

565
00:21:28,815 --> 00:21:30,194
science show and,

566
00:21:31,774 --> 00:21:33,075
so it's a bit of a,

567
00:21:34,255 --> 00:21:35,634
different, you know,

568
00:21:36,015 --> 00:21:38,815
show for me, which I'm excited about. So

569
00:21:38,894 --> 00:21:41,134
because I'm getting on in age, and so

570
00:21:41,134 --> 00:21:42,974
I kinda feel like I I need to

571
00:21:42,974 --> 00:21:43,714
be more,

572
00:21:45,080 --> 00:21:45,580
political,

573
00:21:46,119 --> 00:21:48,200
because the world's also kind of in bad

574
00:21:48,200 --> 00:21:49,960
shape right now. So I just feel like

575
00:21:49,960 --> 00:21:52,759
it's a use my platform as best I

576
00:21:52,759 --> 00:21:54,759
can to try to do good in the

577
00:21:54,759 --> 00:21:55,259
world,

578
00:21:56,519 --> 00:21:58,440
with physics. That's that seems like a good

579
00:21:58,440 --> 00:21:58,940
idea.

580
00:21:59,585 --> 00:22:02,545
Although I think possibly there are some people

581
00:22:02,545 --> 00:22:04,224
in charge in some countries in the world

582
00:22:04,224 --> 00:22:06,244
who wouldn't want people being political

583
00:22:06,545 --> 00:22:08,224
when they were on tour. I'm thinking of

584
00:22:08,224 --> 00:22:11,125
Bruce Springsteen, for example. He's currently on tour

585
00:22:11,265 --> 00:22:12,644
in The UK, and he's

586
00:22:13,025 --> 00:22:14,964
speaking out against the current

587
00:22:15,319 --> 00:22:16,940
administration in America.

588
00:22:17,480 --> 00:22:17,980
And

589
00:22:18,839 --> 00:22:19,500
the current

590
00:22:19,880 --> 00:22:22,599
president of America used some social media to

591
00:22:22,599 --> 00:22:24,759
put out a message about Bruce Springsteen being

592
00:22:25,000 --> 00:22:25,660
A loser.

593
00:22:27,160 --> 00:22:29,305
That's pretty much what he says about anyone.

594
00:22:29,765 --> 00:22:32,265
He he doesn't like him. Like, Taylor Swift's

595
00:22:32,565 --> 00:22:33,625
not hot anymore.

596
00:22:33,924 --> 00:22:36,025
She's just a loser. It's like anyways.

597
00:22:36,644 --> 00:22:38,565
If I was gonna go to a performance

598
00:22:38,565 --> 00:22:40,825
concert of any sort, I'd probably choose

599
00:22:41,339 --> 00:22:42,240
Taylor Swift,

600
00:22:42,700 --> 00:22:44,480
you, or Bruce Springsteen

601
00:22:44,940 --> 00:22:47,500
over one of his rallies. But did does

602
00:22:47,500 --> 00:22:49,679
that concern you at all for me?

603
00:22:51,420 --> 00:22:52,400
Well, for example,

604
00:22:53,019 --> 00:22:53,519
honestly,

605
00:22:53,900 --> 00:22:55,599
you know, like, so for the INSAAP

606
00:22:55,924 --> 00:22:58,664
show I'm doing, it's a audience of astronomers.

607
00:22:59,444 --> 00:23:00,664
And, you know,

608
00:23:01,444 --> 00:23:04,085
I'll have a little flavor of politics because

609
00:23:04,085 --> 00:23:05,845
I can't help it. You know? I mean,

610
00:23:05,845 --> 00:23:07,384
that's who I am, but

611
00:23:07,765 --> 00:23:08,325
it's not

612
00:23:09,240 --> 00:23:11,160
I'm not beating them over the head with

613
00:23:11,160 --> 00:23:11,980
it. Whereas

614
00:23:12,440 --> 00:23:14,839
Atomic Cabaret is just kind of a different

615
00:23:14,839 --> 00:23:15,339
show

616
00:23:15,799 --> 00:23:16,299
because,

617
00:23:17,160 --> 00:23:18,140
I'm deconstructing,

618
00:23:19,319 --> 00:23:21,099
you know, deterrence, and I'm deconstructing

619
00:23:21,480 --> 00:23:21,980
the,

620
00:23:22,279 --> 00:23:24,700
you know, the politics of

621
00:23:25,494 --> 00:23:27,494
of nuclear weapons. So, you know, that that,

622
00:23:27,494 --> 00:23:29,275
you know, we're making ourselves safer,

623
00:23:29,654 --> 00:23:31,894
you know, by having nuclear weapons is just

624
00:23:31,894 --> 00:23:34,534
absolute madness. So it's a that's a different

625
00:23:34,534 --> 00:23:35,034
show.

626
00:23:35,494 --> 00:23:36,394
Yeah. That's right.

627
00:23:56,224 --> 00:23:57,825
You know, I had, like, this success in

628
00:23:57,825 --> 00:24:00,304
the nineties where I got a full spread

629
00:24:00,304 --> 00:24:02,144
in the New York Times. I was on

630
00:24:02,144 --> 00:24:03,744
To Tell the Truth. I was in People

631
00:24:03,744 --> 00:24:05,664
Magazine. I was, like, in every you know,

632
00:24:05,664 --> 00:24:06,484
I had this

633
00:24:06,869 --> 00:24:07,369
little,

634
00:24:08,069 --> 00:24:10,309
my little fifteen minutes of fame, and what

635
00:24:10,309 --> 00:24:12,329
I got from that was a book deal.

636
00:24:12,710 --> 00:24:14,390
And it was supposed to be, like, my

637
00:24:14,390 --> 00:24:16,230
life on the stage, and I would you

638
00:24:16,230 --> 00:24:17,210
know, it'd be

639
00:24:17,829 --> 00:24:19,430
what it's like to be a woman in

640
00:24:19,430 --> 00:24:21,554
physics and my take on the universe. And

641
00:24:21,554 --> 00:24:23,794
so I got a book deal, and I

642
00:24:23,794 --> 00:24:24,534
got invited

643
00:24:24,994 --> 00:24:27,554
to do a PhD at City University of

644
00:24:27,554 --> 00:24:30,514
New York from with Brian Schwartz, who's a

645
00:24:30,514 --> 00:24:33,075
physicist, and he's very supportive of,

646
00:24:34,115 --> 00:24:36,194
physics and theater and science and the arts.

647
00:24:36,194 --> 00:24:36,934
And so

648
00:24:37,529 --> 00:24:39,930
I started my PhD. I moved to New

649
00:24:39,930 --> 00:24:42,350
York City in February.

650
00:24:42,730 --> 00:24:43,210
So,

651
00:24:43,769 --> 00:24:45,950
a few weeks later, nine eleven happened,

652
00:24:46,650 --> 00:24:47,150
and

653
00:24:48,170 --> 00:24:51,369
I saw the towers fall from my apartment

654
00:24:51,369 --> 00:24:54,404
in Brooklyn, and I fled. I just fled.

655
00:24:54,404 --> 00:24:55,544
I went back to California.

656
00:24:56,164 --> 00:24:59,065
I was very traumatized by that experience. And,

657
00:25:00,724 --> 00:25:03,444
like, what happens often in warfare is that

658
00:25:03,444 --> 00:25:05,845
I found myself pregnant within a year, and

659
00:25:05,845 --> 00:25:07,044
you don't have to put this in the

660
00:25:07,044 --> 00:25:08,519
show, but you know? So I was like,

661
00:25:08,519 --> 00:25:09,880
I have to get a job. I'm a

662
00:25:09,880 --> 00:25:11,799
single mom, so I went I gave up

663
00:25:11,799 --> 00:25:12,539
my career,

664
00:25:13,000 --> 00:25:13,740
and I,

665
00:25:15,240 --> 00:25:17,480
and I taught physics at a community college

666
00:25:17,480 --> 00:25:19,799
for twenty years until my son, you know,

667
00:25:19,799 --> 00:25:21,660
went off to college, and I retired.

668
00:25:22,164 --> 00:25:23,924
And so now that I have this big

669
00:25:23,924 --> 00:25:24,904
twenty year gap

670
00:25:25,444 --> 00:25:27,204
of doing being on the road and doing

671
00:25:27,204 --> 00:25:27,704
shows.

672
00:25:28,005 --> 00:25:30,265
I did, however, have the opportunity

673
00:25:30,644 --> 00:25:34,105
to do some shows, especially at my college,

674
00:25:34,599 --> 00:25:35,819
because we had a planetarium.

675
00:25:36,200 --> 00:25:37,259
So I was producing

676
00:25:38,039 --> 00:25:38,539
shows,

677
00:25:39,799 --> 00:25:40,700
in the planetarium.

678
00:25:41,079 --> 00:25:42,440
I was doing all,

679
00:25:43,079 --> 00:25:45,799
you know, astronomy and physics, like, themes about

680
00:25:45,799 --> 00:25:48,515
Starship Earth and, cosmic evolution

681
00:25:49,055 --> 00:25:51,134
and going in I it's my favorite theater

682
00:25:51,134 --> 00:25:53,535
is the planetarium because the acoustics are really

683
00:25:53,535 --> 00:25:55,934
great. So I would do musical shows in

684
00:25:55,934 --> 00:25:56,595
the planetarium,

685
00:25:57,134 --> 00:25:58,654
and I was able to do that for

686
00:25:58,654 --> 00:26:01,235
years. So I continued to produce work,

687
00:26:01,559 --> 00:26:02,299
but not

688
00:26:03,240 --> 00:26:05,740
out at conferences as much as,

689
00:26:06,839 --> 00:26:09,399
I was doing before just because, you know,

690
00:26:09,399 --> 00:26:10,679
I was a single mom, and I had

691
00:26:10,679 --> 00:26:13,179
to at one point, I was doing shows

692
00:26:13,319 --> 00:26:14,919
a lot, and I was like, I something's

693
00:26:14,919 --> 00:26:17,545
gotta, you know, give because I can't do

694
00:26:17,545 --> 00:26:19,384
it all. I'm gonna either suffer as a

695
00:26:19,384 --> 00:26:22,025
mom or suffer as a teacher or, you

696
00:26:22,025 --> 00:26:24,265
know, suffer as a performer. So I just

697
00:26:24,265 --> 00:26:26,585
said, well, I'll do that later. So now

698
00:26:26,585 --> 00:26:28,424
I'm getting my act back together and taking

699
00:26:28,424 --> 00:26:30,019
it on the road. I'm really excited. Amazing.

700
00:26:30,019 --> 00:26:32,179
Do you feel like the the physics community

701
00:26:32,179 --> 00:26:33,240
has become more

702
00:26:33,779 --> 00:26:35,559
accepting of this sort of

703
00:26:35,859 --> 00:26:37,700
mixture of science and the arts in this

704
00:26:37,700 --> 00:26:39,940
way? Yeah. I I mean, definitely. Like, if

705
00:26:39,940 --> 00:26:42,599
you recall, there was big plays like Copenhagen,

706
00:26:43,484 --> 00:26:45,565
you know, which was a, you know, wild

707
00:26:45,565 --> 00:26:47,505
Tony award winning show.

708
00:26:48,045 --> 00:26:48,944
And I think

709
00:26:49,244 --> 00:26:51,984
with climate science, there's a lot of climate

710
00:26:52,444 --> 00:26:52,944
theater.

711
00:26:54,045 --> 00:26:56,924
I think, like, even at Edinburgh Fringe, there's

712
00:26:56,924 --> 00:26:59,240
a there's a lot of climate shows. I

713
00:26:59,240 --> 00:27:01,900
think so, I mean, it's climate physics.

714
00:27:02,440 --> 00:27:04,539
There's not a lot of physics theater.

715
00:27:05,160 --> 00:27:07,100
No. There's some there's some comedians

716
00:27:07,799 --> 00:27:09,019
who are doing science.

717
00:27:10,680 --> 00:27:11,820
I know there's a mathematician

718
00:27:12,200 --> 00:27:14,539
who and who's doing some stand up,

719
00:27:15,025 --> 00:27:17,184
and he's pretty funny. But it's not that

720
00:27:17,184 --> 00:27:19,045
common, I'd have to say.

721
00:27:19,984 --> 00:27:21,444
So whether or not they

722
00:27:21,904 --> 00:27:23,744
accept it is I mean, it's like with

723
00:27:23,744 --> 00:27:26,625
any field. They're serious. They got business to

724
00:27:26,625 --> 00:27:27,845
take care of. Geologists

725
00:27:28,305 --> 00:27:30,244
are the most chill.

726
00:27:30,569 --> 00:27:32,109
So I love doing the,

727
00:27:32,890 --> 00:27:34,990
you know, the American Geological Union

728
00:27:35,369 --> 00:27:38,169
shows. Done several of those because they're they're

729
00:27:38,169 --> 00:27:42,009
kinda chill. Astronomers tend to be chill. Particle

730
00:27:42,009 --> 00:27:42,509
physicists,

731
00:27:43,054 --> 00:27:43,875
very uptight.

732
00:27:45,295 --> 00:27:46,355
You know, fusion,

733
00:27:46,654 --> 00:27:48,575
I've I've done a I did a fusion

734
00:27:48,575 --> 00:27:51,134
conference. They were pretty uptight. So it just

735
00:27:51,134 --> 00:27:51,634
depends.

736
00:27:52,255 --> 00:27:54,115
You know, people are very serious.

737
00:27:55,380 --> 00:27:57,380
And but I've been really lucky because I've

738
00:27:57,380 --> 00:27:59,160
done a lot of shows with Kip Thorne.

739
00:27:59,299 --> 00:28:02,099
So you know? And he's a big fan.

740
00:28:02,099 --> 00:28:03,960
He's, he even gave me a quote

741
00:28:04,259 --> 00:28:05,480
for this show.

742
00:28:06,180 --> 00:28:07,700
I got to quote him, and he said,

743
00:28:07,700 --> 00:28:09,855
Linda will blow your mind. And I said,

744
00:28:09,855 --> 00:28:12,095
that's perfect. Thank you very much, Kip. You

745
00:28:12,095 --> 00:28:13,634
know? And so Cool.

746
00:28:14,815 --> 00:28:15,295
Yeah.

747
00:28:15,775 --> 00:28:18,174
So not a really great audience when someone

748
00:28:18,174 --> 00:28:20,355
like Kip Thorne comes on stage and introduces

749
00:28:20,414 --> 00:28:21,954
you and says you know,

750
00:28:22,289 --> 00:28:24,450
gives you accolades and says how great you

751
00:28:24,450 --> 00:28:26,930
are. It's like it's hard. Everyone it,

752
00:28:27,490 --> 00:28:29,809
you know, yeah, it just gets everybody jazzed

753
00:28:29,809 --> 00:28:31,890
up. This isn't deliberate, but I'm wearing an

754
00:28:31,890 --> 00:28:34,130
Interstellar T shirt, which is obviously Kip Thorne

755
00:28:34,130 --> 00:28:36,210
Kip Thorne related. So how did you meet

756
00:28:36,210 --> 00:28:37,964
Kip Thorne then? How did that come about?

757
00:28:38,444 --> 00:28:38,944
So

758
00:28:39,884 --> 00:28:43,585
I was hired by Richard Price, who is

759
00:28:43,804 --> 00:28:44,544
a gravitational

760
00:28:45,644 --> 00:28:49,164
theorist for the KipFest. So Kip was turning

761
00:28:49,164 --> 00:28:51,039
60 years old, and

762
00:28:51,419 --> 00:28:54,559
they were planning this giant party at Caltech.

763
00:28:54,779 --> 00:28:55,839
And so

764
00:28:56,299 --> 00:28:58,700
Richard saw me and, you know, somehow found

765
00:28:58,700 --> 00:29:01,179
out about me and hired me. And so

766
00:29:01,179 --> 00:29:03,099
I helped in the coordination. This is my

767
00:29:03,099 --> 00:29:05,934
favorite part is to actually participate in organizing

768
00:29:05,994 --> 00:29:06,654
the party.

769
00:29:07,115 --> 00:29:09,515
And it was my idea, I have to

770
00:29:09,515 --> 00:29:11,295
take credit for, to,

771
00:29:12,075 --> 00:29:12,975
have a,

772
00:29:13,914 --> 00:29:15,535
a, like, a family tree

773
00:29:15,994 --> 00:29:18,660
for Kip, like, where he came from because

774
00:29:18,740 --> 00:29:21,220
so his you have Einstein, then you have

775
00:29:21,220 --> 00:29:23,859
Wheeler, then Wheeler was his mentor, and then

776
00:29:23,859 --> 00:29:26,019
he then you have his tree of all

777
00:29:26,019 --> 00:29:28,980
his students, grad students, and so on. And

778
00:29:28,980 --> 00:29:30,839
so we got to work on that. And,

779
00:29:31,954 --> 00:29:34,595
and so I was able to perform at

780
00:29:34,595 --> 00:29:36,194
the KIPP Fest, and I sang a bunch

781
00:29:36,194 --> 00:29:37,174
of songs, and

782
00:29:37,555 --> 00:29:39,154
that was it. I was at a party

783
00:29:39,154 --> 00:29:40,914
at KIPP's house, and it was like a

784
00:29:40,914 --> 00:29:43,474
who's who in general relativity. And, of course,

785
00:29:43,474 --> 00:29:46,214
his best friend, Stephen Hawking, was there, and

786
00:29:46,720 --> 00:29:49,200
and he yeah. So he invited me back

787
00:29:49,200 --> 00:29:52,259
for several other events to perform at.

788
00:29:53,759 --> 00:29:55,139
Yeah. He's a,

789
00:29:56,079 --> 00:29:58,960
he is a great supporter of you know,

790
00:29:58,960 --> 00:30:00,259
has been for my work.

791
00:30:01,375 --> 00:30:03,315
You met Stephen Hawking as well then?

792
00:30:03,615 --> 00:30:06,095
Yeah. I got to perform at his birthday

793
00:30:06,095 --> 00:30:08,034
party, his sixtieth birthday party.

794
00:30:08,414 --> 00:30:10,894
He had a big birthday party in The

795
00:30:10,894 --> 00:30:12,894
UK, but then he had a smaller little

796
00:30:12,894 --> 00:30:14,194
bash birthday bash,

797
00:30:14,654 --> 00:30:16,309
in a jazz club in,

798
00:30:17,090 --> 00:30:17,590
Pasadena,

799
00:30:17,970 --> 00:30:20,370
and Kip flew me in to perform at

800
00:30:20,370 --> 00:30:20,870
that.

801
00:30:21,570 --> 00:30:22,549
And that was,

802
00:30:23,090 --> 00:30:23,990
that was exciting.

803
00:30:25,009 --> 00:30:25,509
Amazing.

804
00:30:26,130 --> 00:30:26,630
Okay.

805
00:30:27,490 --> 00:30:29,250
Is it do you have a I it's

806
00:30:29,250 --> 00:30:31,394
it's hard to say. Right? Because you've made

807
00:30:31,394 --> 00:30:33,955
songs about and for some pretty amazing people.

808
00:30:33,955 --> 00:30:36,215
Is it do you have a particular favorite,

809
00:30:37,154 --> 00:30:39,494
person to write for or about?

810
00:30:41,234 --> 00:30:42,914
Well, it has to be Kip Thorne. You

811
00:30:42,914 --> 00:30:43,715
know? I mean,

812
00:30:44,730 --> 00:30:47,130
because his work is so phenomenal, and he

813
00:30:47,130 --> 00:30:50,009
is such an amazing person. He's so kind

814
00:30:50,009 --> 00:30:51,309
and generous and

815
00:30:51,690 --> 00:30:52,829
brilliant. And,

816
00:30:54,329 --> 00:30:55,309
yeah, that's probably

817
00:30:55,769 --> 00:30:59,204
been my best greatest muse for sure.

818
00:31:00,785 --> 00:31:02,785
Yeah. And then but as far as, like,

819
00:31:02,785 --> 00:31:05,125
a topic that's fun to write about,

820
00:31:05,424 --> 00:31:07,825
particle physics is really fun to write about

821
00:31:07,825 --> 00:31:09,505
because you have you know, I've written quark

822
00:31:09,505 --> 00:31:11,984
songs and different songs and my love on

823
00:31:11,984 --> 00:31:14,400
song. I was commissioned to write a song

824
00:31:14,779 --> 00:31:17,119
for a science radio show for,

825
00:31:18,299 --> 00:31:18,799
Valentine's,

826
00:31:19,340 --> 00:31:20,859
and I came up with my best song

827
00:31:20,859 --> 00:31:24,059
I've ever written, which is I discovered the

828
00:31:24,059 --> 00:31:26,640
Love On, which is the boson of love.

829
00:31:27,234 --> 00:31:29,474
And so then, you know, it's the particle

830
00:31:29,474 --> 00:31:31,634
of love, and that's been, and I end

831
00:31:31,634 --> 00:31:33,015
every show with that song.

832
00:31:33,714 --> 00:31:35,234
We need to add it to the standard

833
00:31:35,234 --> 00:31:37,335
model chart. It's the force that's missing,

834
00:31:38,194 --> 00:31:39,815
from the chart is the Lovon.

835
00:31:40,259 --> 00:31:40,759
And,

836
00:31:41,140 --> 00:31:43,220
you know, so yeah. So those are that's

837
00:31:43,220 --> 00:31:45,000
a really fun topic to sing about

838
00:31:45,299 --> 00:31:47,320
and write songs about. It's very lyrical.

839
00:31:48,820 --> 00:31:50,920
The standard model of physics

840
00:31:51,940 --> 00:31:53,080
has four forces

841
00:31:53,515 --> 00:31:54,335
in it.

842
00:31:54,714 --> 00:31:56,095
The strong, the weak,

843
00:31:56,474 --> 00:31:56,974
gravity

844
00:31:57,835 --> 00:31:59,134
and the electromagnetic.

845
00:32:00,875 --> 00:32:03,294
But I have found a new force

846
00:32:03,835 --> 00:32:06,255
that rules from high above.

847
00:32:07,434 --> 00:32:08,255
Let me

848
00:32:08,830 --> 00:32:10,289
propose to you

849
00:32:10,910 --> 00:32:13,730
a unified theory of love.

850
00:32:17,390 --> 00:32:17,890
About

851
00:32:18,430 --> 00:32:20,289
when you were doing this in the in

852
00:32:20,670 --> 00:32:21,330
the nineties,

853
00:32:22,005 --> 00:32:24,505
you were talking about nuclear weapons.

854
00:32:26,644 --> 00:32:27,144
We're

855
00:32:27,445 --> 00:32:29,204
back doing it again. You're back doing it

856
00:32:29,204 --> 00:32:29,704
again.

857
00:32:30,325 --> 00:32:31,924
Why do we still need to talk about

858
00:32:31,924 --> 00:32:32,424
this?

859
00:32:35,125 --> 00:32:35,625
Sadly,

860
00:32:36,700 --> 00:32:38,160
because we still have

861
00:32:38,860 --> 00:32:40,160
overkill capacity

862
00:32:40,460 --> 00:32:42,960
to murder the biosphere. I mean, ultimately,

863
00:32:43,980 --> 00:32:46,460
you know, I started writing a song called

864
00:32:46,460 --> 00:32:47,119
the deep

865
00:32:47,740 --> 00:32:50,075
because I'm obsessed with the deep field, and

866
00:32:50,075 --> 00:32:52,315
it starts off by saying I've been staring

867
00:32:52,315 --> 00:32:53,295
at the deep field

868
00:32:53,674 --> 00:32:56,095
and thinking about how many, you know,

869
00:32:56,875 --> 00:32:59,994
thousands of galaxies and millions of billions of

870
00:32:59,994 --> 00:33:02,315
stars, and yet we still have this deep

871
00:33:02,315 --> 00:33:04,255
silence. We have the great silence

872
00:33:05,000 --> 00:33:07,399
of the Fermi paradox. Right? Where why are

873
00:33:07,399 --> 00:33:09,720
we alone? Are we alone? Do does it

874
00:33:09,879 --> 00:33:10,779
do we require

875
00:33:11,240 --> 00:33:12,779
a universe of entropy

876
00:33:13,079 --> 00:33:15,399
in order to have the emergence of this

877
00:33:15,399 --> 00:33:17,799
complexity of life on Earth? Like, what you

878
00:33:17,799 --> 00:33:20,315
know, that I reject Copernicanism

879
00:33:20,855 --> 00:33:22,855
that, you know, we're not special. We're super

880
00:33:22,855 --> 00:33:25,575
special and that we would have the we

881
00:33:25,575 --> 00:33:26,394
would dare

882
00:33:27,015 --> 00:33:27,515
to,

883
00:33:28,454 --> 00:33:31,275
jeopardize something as rare as life,

884
00:33:32,339 --> 00:33:33,720
is out outrageous

885
00:33:34,019 --> 00:33:34,660
to me. It's,

886
00:33:35,460 --> 00:33:36,980
I think about it all the time and

887
00:33:36,980 --> 00:33:38,900
I always have. It's always been I think

888
00:33:38,900 --> 00:33:40,119
the day I discovered,

889
00:33:40,579 --> 00:33:42,500
wow, we can kill all life on earth.

890
00:33:42,500 --> 00:33:44,500
Like, not just kill all life on earth

891
00:33:44,500 --> 00:33:46,579
and, oh, that's okay. Humans will go away,

892
00:33:46,579 --> 00:33:48,825
and then the Earth will be better because

893
00:33:48,825 --> 00:33:50,845
another life form will emerge afterwards.

894
00:33:51,224 --> 00:33:53,785
I'm talking about biotic death, the end of

895
00:33:53,785 --> 00:33:54,285
evolution.

896
00:33:54,904 --> 00:33:57,305
Like, it'll be so dead. There'll only be

897
00:33:57,305 --> 00:33:57,805
extremophiles.

898
00:33:58,984 --> 00:34:01,410
So, you know, that's the sad thing. And

899
00:34:01,490 --> 00:34:03,250
putting that in a show and at the

900
00:34:03,250 --> 00:34:05,890
Edinburgh Fringe is a challenge. So I'm trying

901
00:34:06,049 --> 00:34:09,170
you know? But it's something people don't wanna

902
00:34:09,170 --> 00:34:09,829
talk about.

903
00:34:10,849 --> 00:34:12,929
It is the business of physics. The number

904
00:34:12,929 --> 00:34:15,030
one business of physics is nuclear weapons.

905
00:34:15,425 --> 00:34:17,425
So, you know and that's heartbreaking to me

906
00:34:17,425 --> 00:34:17,925
because

907
00:34:19,184 --> 00:34:22,065
the universe is so interesting and exciting and

908
00:34:22,065 --> 00:34:22,565
fascinating

909
00:34:22,864 --> 00:34:25,364
and everything in it from pulsars to quasars

910
00:34:25,425 --> 00:34:27,710
to the big bang and galaxies and, you

911
00:34:27,710 --> 00:34:29,809
know, we're on this planetary starship

912
00:34:30,269 --> 00:34:33,469
spaceship, spaceship Earth orbiting a star that's dragging

913
00:34:33,469 --> 00:34:35,789
us through a galaxy. And, you know, if

914
00:34:35,789 --> 00:34:37,010
we could think galactically

915
00:34:37,869 --> 00:34:40,510
and preserve life on Earth, who knows where

916
00:34:40,510 --> 00:34:42,510
our future generations will end up and what

917
00:34:42,510 --> 00:34:44,815
will happen? The idea that we have to

918
00:34:44,815 --> 00:34:45,875
extend the human,

919
00:34:46,894 --> 00:34:49,454
species to Mars to preserve the light of

920
00:34:49,454 --> 00:34:49,954
consciousness,

921
00:34:50,335 --> 00:34:51,795
like, from Elon Musk,

922
00:34:52,575 --> 00:34:53,715
is just ridiculous.

923
00:34:54,175 --> 00:34:56,755
Because it's like a Mars is like a

924
00:34:57,140 --> 00:34:59,699
shitty little planet. You know? Like, why we're

925
00:34:59,699 --> 00:35:02,440
already interstellar. We're inter we're planetary.

926
00:35:02,980 --> 00:35:04,900
We're on this the spaceship. That's kind of

927
00:35:04,900 --> 00:35:07,140
my ethos I'm working on right now that's

928
00:35:07,140 --> 00:35:09,619
also in my show, which is, like, you

929
00:35:09,619 --> 00:35:11,684
know, let's let's try to get rid of

930
00:35:11,844 --> 00:35:14,344
our capacity to murder the biosphere

931
00:35:14,885 --> 00:35:17,125
so that we can continue on this journey

932
00:35:17,125 --> 00:35:18,265
in space because,

933
00:35:18,724 --> 00:35:20,644
you know, this is the I actually have

934
00:35:20,644 --> 00:35:22,085
a song. This is how it's it's it's

935
00:35:22,085 --> 00:35:24,885
called Spaceship Earth, and it starts out with,

936
00:35:24,885 --> 00:35:27,719
you know, often you hear Elon Musk saying

937
00:35:27,719 --> 00:35:31,320
that humans have to colonize Mars, that we

938
00:35:31,320 --> 00:35:33,320
have to go to the stars, that we

939
00:35:33,320 --> 00:35:35,239
have to go to space. And I just

940
00:35:35,239 --> 00:35:37,880
wonder, where does he think we are? We

941
00:35:37,880 --> 00:35:40,360
are in space. We're on a planet. We're

942
00:35:40,360 --> 00:35:41,880
in you know, so it goes into this

943
00:35:41,880 --> 00:35:43,934
whole thing, and it's just like, you know,

944
00:35:43,934 --> 00:35:44,994
it's it's like,

945
00:35:45,775 --> 00:35:48,815
Copernicus never happened. We're all living like we're

946
00:35:48,815 --> 00:35:49,315
flatlanders,

947
00:35:49,855 --> 00:35:51,454
that all there is is Earth. It's the

948
00:35:51,454 --> 00:35:53,454
center of the universe, and we don't have

949
00:35:53,454 --> 00:35:54,195
this galactic

950
00:35:54,655 --> 00:35:56,815
perspective that we're on a planet orbiting a

951
00:35:56,815 --> 00:35:59,289
star, orbiting a galaxy in a local group

952
00:35:59,289 --> 00:36:01,929
of galaxies expanding with the Hubble flow. I

953
00:36:01,929 --> 00:36:04,829
mean, we gotta think galactic to save ourselves.

954
00:36:04,969 --> 00:36:07,309
We gotta be more Star Trek and less

955
00:36:07,369 --> 00:36:09,369
Star Wars. I mean, I like Star Wars

956
00:36:09,369 --> 00:36:11,069
too. But, yes, I see what you're saying.

957
00:36:12,409 --> 00:36:14,109
I know. I like them both too.

958
00:36:15,684 --> 00:36:17,605
So it seems a really odd decision that

959
00:36:17,605 --> 00:36:19,045
when but my daughter used to ask me

960
00:36:19,045 --> 00:36:20,405
that all the time. Star Wars or Star

961
00:36:20,405 --> 00:36:22,565
Trek? I'll be like, both? Why why do

962
00:36:22,565 --> 00:36:24,184
I have to choose between them?

963
00:36:24,964 --> 00:36:27,445
The world premiere is a very exciting time

964
00:36:27,445 --> 00:36:29,304
because you've never performed it before.

965
00:36:29,730 --> 00:36:30,949
I suspect that

966
00:36:31,329 --> 00:36:33,409
the world premiere will look quite different as

967
00:36:33,409 --> 00:36:34,929
a show to the last one you do

968
00:36:34,929 --> 00:36:38,309
in the Edinburgh Fringe because you've you've evolved

969
00:36:38,369 --> 00:36:40,690
with the audience's reaction. You know, there's a

970
00:36:40,769 --> 00:36:42,530
I forget what it's called. Just telling you

971
00:36:42,530 --> 00:36:44,849
this because I did perform several times at

972
00:36:44,849 --> 00:36:45,465
the Swedish

973
00:36:46,344 --> 00:36:47,244
Science Festival.

974
00:36:47,545 --> 00:36:50,265
Because, you know, in other countries, science is

975
00:36:50,265 --> 00:36:53,644
huge. Edinburgh has Edinburgh has a science festival,

976
00:36:53,785 --> 00:36:56,025
fringe festival. I mean, there's it's much more

977
00:36:56,025 --> 00:36:57,864
popular in Europe than it is in in

978
00:36:57,864 --> 00:36:58,525
The States.

979
00:36:59,489 --> 00:37:01,730
They have something. It's a it's I forget

980
00:37:01,730 --> 00:37:03,489
what the word is, and it's I forgot

981
00:37:03,489 --> 00:37:04,849
about this, and I need to find what

982
00:37:04,849 --> 00:37:05,909
it is. There's a Swedish

983
00:37:07,170 --> 00:37:09,250
word for an artist who kind of goes

984
00:37:09,250 --> 00:37:11,489
to a place and and creates on the

985
00:37:11,489 --> 00:37:14,085
spot. Now that's not exactly what I'm doing,

986
00:37:14,085 --> 00:37:14,585
but

987
00:37:14,885 --> 00:37:15,625
I am

988
00:37:16,005 --> 00:37:18,644
when I go to another location if I

989
00:37:18,644 --> 00:37:20,724
were to go globally, I would, like, talk

990
00:37:20,724 --> 00:37:22,724
about what's you know, just like a stand

991
00:37:22,724 --> 00:37:24,565
up comedian does that. Right? They go and

992
00:37:24,565 --> 00:37:26,950
they talk about the issues of that community.

993
00:37:26,950 --> 00:37:27,450
So

994
00:37:28,150 --> 00:37:29,910
when I'm in Scotland, I'm doing a show

995
00:37:29,910 --> 00:37:30,650
in Glasgow.

996
00:37:31,430 --> 00:37:32,809
I'm going to talk about

997
00:37:33,110 --> 00:37:36,390
Fastlane. That's where the Trident submarines are based.

998
00:37:36,390 --> 00:37:38,710
You know? And so there's if I was

999
00:37:38,710 --> 00:37:39,349
doing a show,

1000
00:37:40,704 --> 00:37:43,664
you know, down south in in in England,

1001
00:37:43,664 --> 00:37:45,905
I would, you know, talk about Lakenheath and

1002
00:37:45,905 --> 00:37:48,565
the B 60 1 or or whatnot. So

1003
00:37:48,625 --> 00:37:50,944
there's different issues. But, yeah, the show is

1004
00:37:50,944 --> 00:37:51,844
gonna evolve.

1005
00:37:52,625 --> 00:37:53,525
I do extemporaneous

1006
00:37:54,144 --> 00:37:56,300
performance. So what I'm doing is I have

1007
00:37:56,300 --> 00:37:58,400
all the songs. I have a script.

1008
00:37:58,780 --> 00:38:01,179
I have you know, I'm using PowerPoint. So,

1009
00:38:01,179 --> 00:38:03,199
you know, there's a structure to it, but

1010
00:38:03,659 --> 00:38:04,640
it's changing.

1011
00:38:05,420 --> 00:38:08,219
So the beauty of everything except Edinburgh I

1012
00:38:08,219 --> 00:38:09,894
mean, Edinburgh, I got forty five minutes. I

1013
00:38:09,894 --> 00:38:11,654
got ten minutes in, ten minutes out. Like,

1014
00:38:11,654 --> 00:38:13,174
there is you know, I've never been to

1015
00:38:13,174 --> 00:38:15,014
the Fringe before, so I'm sure it's gonna

1016
00:38:15,014 --> 00:38:16,694
blow my mind. But, you know, that's the

1017
00:38:16,694 --> 00:38:18,054
whole thing. It's like you got ten minutes

1018
00:38:18,054 --> 00:38:19,815
to get in, set up, do your show,

1019
00:38:19,815 --> 00:38:21,809
ten minutes out. So it I'll be much

1020
00:38:22,210 --> 00:38:23,829
whatever what I end up doing

1021
00:38:24,210 --> 00:38:25,989
at the end of my tour at Edinburgh

1022
00:38:26,130 --> 00:38:27,890
will be very different than what I'm doing

1023
00:38:27,890 --> 00:38:30,469
in Belfast, you know, for the world premiere.

1024
00:38:31,090 --> 00:38:32,789
Yeah. Yeah. Absolutely. David,

1025
00:38:33,250 --> 00:38:34,610
how many shows are you gonna be doing

1026
00:38:34,610 --> 00:38:35,269
in Edinburgh?

1027
00:38:36,085 --> 00:38:36,585
Nine.

1028
00:38:37,125 --> 00:38:39,125
So I'm just I'm not doing the full

1029
00:38:39,125 --> 00:38:41,605
run because I have no idea what to

1030
00:38:41,605 --> 00:38:43,224
expect. And quite honestly,

1031
00:38:43,844 --> 00:38:45,465
I've never done more than

1032
00:38:45,925 --> 00:38:48,769
two shows. Like, I've done several weekends

1033
00:38:49,070 --> 00:38:51,710
consecutively, but only weekends. Like, I've never done

1034
00:38:51,869 --> 00:38:53,809
I don't know how people do three weeks.

1035
00:38:54,829 --> 00:38:56,590
You know, night after night after night, I'm,

1036
00:38:56,590 --> 00:38:59,250
like, tired. I like, anyway so,

1037
00:39:00,030 --> 00:39:02,424
but then I plan to take this to

1038
00:39:02,424 --> 00:39:04,585
Australia because they have fringes. But, you know,

1039
00:39:04,585 --> 00:39:05,324
next year

1040
00:39:05,864 --> 00:39:08,824
is the some anniversary for Chernobyl. And I'm

1041
00:39:08,824 --> 00:39:10,924
like, I'm gonna do the Chernobyl show.

1042
00:39:11,304 --> 00:39:12,844
And I have a song for that.

1043
00:39:13,545 --> 00:39:15,304
I haven't written it yet, but it's a

1044
00:39:15,304 --> 00:39:17,239
it's a parody of, I don't know if

1045
00:39:17,239 --> 00:39:19,480
you know this song from American in Paris,

1046
00:39:19,480 --> 00:39:21,719
but it's like it's like, I'm building a

1047
00:39:21,719 --> 00:39:23,179
staircase to paradise

1048
00:39:23,800 --> 00:39:26,059
with a new step every day.

1049
00:39:27,079 --> 00:39:29,480
Maurice shall I forget who's singing it, but

1050
00:39:29,480 --> 00:39:29,980
Maurice

1051
00:39:30,359 --> 00:39:31,965
some old singer guy.

1052
00:39:32,525 --> 00:39:34,125
And so they wanna do, like, this I'll

1053
00:39:34,125 --> 00:39:36,684
have an animation of the sarcophagus that's slipping

1054
00:39:36,684 --> 00:39:39,644
over. Chernobyl will be like, I'm building a

1055
00:39:39,644 --> 00:39:41,344
staircase to paradise.

1056
00:39:41,965 --> 00:39:42,785
One sarcophagus

1057
00:39:43,244 --> 00:39:43,744
every

1058
00:39:44,285 --> 00:39:46,625
decade or whatever it end up being.

1059
00:39:47,059 --> 00:39:49,780
They just but, right, Russians just drone bomb

1060
00:39:49,780 --> 00:39:50,440
the sarcophagus.

1061
00:39:50,820 --> 00:39:52,820
You know? It's like, what, a hundred million

1062
00:39:52,820 --> 00:39:55,219
dollars, you know, to do that? They're gonna

1063
00:39:55,219 --> 00:39:56,199
have to do it forever.

1064
00:39:57,139 --> 00:39:58,280
Mhmm. I mean

1065
00:39:58,900 --> 00:40:01,219
right? I mean, think of, like, at least

1066
00:40:01,219 --> 00:40:02,119
with Chernobyl,

1067
00:40:02,585 --> 00:40:04,605
they can cover it. With Fukushima,

1068
00:40:05,144 --> 00:40:06,924
it's just oozing into the ocean.

1069
00:40:07,304 --> 00:40:08,204
You know? So,

1070
00:40:08,984 --> 00:40:10,744
it's kind of like a it would be

1071
00:40:10,744 --> 00:40:13,545
more like a show about these wounds on

1072
00:40:13,545 --> 00:40:15,625
mother earth that we're gonna have to, like,

1073
00:40:15,625 --> 00:40:18,550
take care of, like, vessel virgins serving

1074
00:40:19,090 --> 00:40:21,650
the altar, you know, like, forever. We're gonna

1075
00:40:21,650 --> 00:40:23,730
have to be caring for these wounds we

1076
00:40:23,730 --> 00:40:24,230
created

1077
00:40:24,929 --> 00:40:26,789
with, you know, our technology.

1078
00:40:57,494 --> 00:40:59,255
My feeling about this is, like, look. How

1079
00:40:59,255 --> 00:41:00,954
many songs are written about love?

1080
00:41:01,974 --> 00:41:03,034
Millions. Right?

1081
00:41:03,335 --> 00:41:05,574
How many why don't why aren't we singing

1082
00:41:05,574 --> 00:41:07,835
about everything? Why aren't we singing about,

1083
00:41:08,449 --> 00:41:10,710
you know, quarks and leptons and,

1084
00:41:11,089 --> 00:41:14,449
quasars and pulsars and nuclear weapons? And, you

1085
00:41:14,449 --> 00:41:15,750
know, there's a full

1086
00:41:17,010 --> 00:41:17,510
universe

1087
00:41:18,049 --> 00:41:19,510
of topics that are worthy

1088
00:41:20,130 --> 00:41:21,349
of singing about

1089
00:41:21,755 --> 00:41:22,574
and celebrating

1090
00:41:22,954 --> 00:41:25,675
and hopefully is entertaining to people, not just

1091
00:41:25,675 --> 00:41:27,055
scientists. So that's

1092
00:41:28,074 --> 00:41:30,715
that's kinda my jam. I do write songs

1093
00:41:30,715 --> 00:41:32,494
about love, but it usually involves

1094
00:41:33,515 --> 00:41:35,940
a boson. When you hear songs that aren't

1095
00:41:35,940 --> 00:41:38,339
scientifically accurate, does it bother you anyhow? I'm

1096
00:41:38,339 --> 00:41:40,199
thinking of things like

1097
00:41:40,579 --> 00:41:41,719
the final countdown

1098
00:41:42,019 --> 00:41:43,480
where they're heading for Venus,

1099
00:41:44,339 --> 00:41:46,420
and and maybe they've seen us. I'm not

1100
00:41:46,500 --> 00:41:48,260
I know there's possibly life in the clouds

1101
00:41:48,260 --> 00:41:49,780
of Venus, but I don't think it's got

1102
00:41:49,780 --> 00:41:52,065
eyes. Does that worry you? No. But let's

1103
00:41:52,065 --> 00:41:54,465
face it. The best science song ever written

1104
00:41:54,465 --> 00:41:56,005
in the history of the world

1105
00:41:56,465 --> 00:41:58,164
is the galaxy song.

1106
00:41:59,824 --> 00:42:01,684
You know, and I don't know how accurate

1107
00:42:01,824 --> 00:42:02,565
that is,

1108
00:42:03,505 --> 00:42:06,085
but it's pretty accurate. But that's a fantastic

1109
00:42:07,349 --> 00:42:09,190
song. I if I ever wrote a song

1110
00:42:09,190 --> 00:42:10,650
that well, I would,

1111
00:42:12,070 --> 00:42:14,550
be so proud. But that's a really good

1112
00:42:14,550 --> 00:42:15,050
song.

1113
00:42:16,150 --> 00:42:18,309
I don't there are like, I'm in a

1114
00:42:18,309 --> 00:42:20,570
group of science singers. I've been to conferences

1115
00:42:21,349 --> 00:42:21,849
of

1116
00:42:22,230 --> 00:42:22,730
science

1117
00:42:23,295 --> 00:42:23,795
songwriters.

1118
00:42:24,094 --> 00:42:26,434
And if you go on YouTube and you

1119
00:42:26,815 --> 00:42:30,114
look up science songs, often what you find

1120
00:42:30,255 --> 00:42:31,234
are assignments

1121
00:42:31,775 --> 00:42:33,375
teachers have given kids in,

1122
00:42:34,255 --> 00:42:34,755
you

1123
00:42:35,135 --> 00:42:38,114
know, elementary and middle school or high school

1124
00:42:38,329 --> 00:42:40,670
for extra credit. Like, write a song about

1125
00:42:41,050 --> 00:42:44,030
carbon or something, and then you'll there's thousands

1126
00:42:44,090 --> 00:42:45,869
of songs, parodies mostly,

1127
00:42:47,130 --> 00:42:49,690
that you can find. And there's there's other

1128
00:42:49,690 --> 00:42:51,469
groups. There's there's the Cernettes.

1129
00:42:52,265 --> 00:42:54,664
Right? So the Cernettes was a group at

1130
00:42:54,664 --> 00:42:55,164
CERN.

1131
00:42:56,505 --> 00:43:00,204
They're not that scientifically accurate. There's Astro Capella

1132
00:43:00,265 --> 00:43:03,085
is another group that sings science songs,

1133
00:43:03,545 --> 00:43:05,869
and they're accurate. So, I mean, there's actually

1134
00:43:05,929 --> 00:43:07,949
people gigging and doing work,

1135
00:43:09,849 --> 00:43:10,349
about,

1136
00:43:10,969 --> 00:43:13,609
science, but typically for a general audience, you

1137
00:43:13,609 --> 00:43:16,809
know, for children. There's two you know that

1138
00:43:16,809 --> 00:43:19,389
song, the sun is the mass of incandescent

1139
00:43:19,609 --> 00:43:22,135
gas. It was covered by they might be

1140
00:43:22,135 --> 00:43:23,675
giants. You know that song?

1141
00:43:24,454 --> 00:43:26,315
It's a great song, but it was written

1142
00:43:26,694 --> 00:43:28,635
by it was the same guys who wrote

1143
00:43:28,694 --> 00:43:29,755
Unchained Melody,

1144
00:43:30,375 --> 00:43:32,474
and they also wrote albums,

1145
00:43:33,014 --> 00:43:34,234
albums of

1146
00:43:34,710 --> 00:43:35,210
songs

1147
00:43:35,510 --> 00:43:38,550
on science, and they're spectacular. Like, they wrote

1148
00:43:38,550 --> 00:43:39,849
them in the sixties.

1149
00:43:41,269 --> 00:43:42,809
Lou Zinger and Hizeret

1150
00:43:43,349 --> 00:43:45,349
is their name. You gotta look it up.

1151
00:43:45,349 --> 00:43:47,130
Like, they're spec I've covered several

1152
00:43:47,505 --> 00:43:48,484
of their songs,

1153
00:43:49,744 --> 00:43:50,964
in my show, like,

1154
00:43:51,984 --> 00:43:54,164
what does the glass of a greenhouse

1155
00:43:54,464 --> 00:43:57,505
do? It doesn't let the long heat waves

1156
00:43:57,505 --> 00:43:59,744
pass through. I mean, they're just they're for

1157
00:43:59,744 --> 00:44:02,304
kids, but they're fantastic songs. Like, they're really

1158
00:44:02,660 --> 00:44:04,420
and they have songs about the stratosphere and

1159
00:44:04,420 --> 00:44:06,820
I've sung I've used them all. Tom Lear.

1160
00:44:06,820 --> 00:44:08,119
He's probably the first

1161
00:44:09,140 --> 00:44:12,579
person to sing about science, and he he

1162
00:44:12,579 --> 00:44:13,719
was also an activist.

1163
00:44:14,019 --> 00:44:16,680
Right? So he also wrote about bombs.

1164
00:44:17,765 --> 00:44:19,385
He was, I think he was a Quaker.

1165
00:44:20,005 --> 00:44:21,385
God bless the Quakers.

1166
00:44:22,005 --> 00:44:22,505
So,

1167
00:44:22,805 --> 00:44:24,744
you know, I think he was the first,

1168
00:44:25,285 --> 00:44:26,025
and then

1169
00:44:26,405 --> 00:44:26,905
the,

1170
00:44:28,085 --> 00:44:28,744
you know,

1171
00:44:29,364 --> 00:44:31,364
Hi Zaret and Lou Zinger, their names are

1172
00:44:31,364 --> 00:44:32,025
so great,

1173
00:44:33,030 --> 00:44:34,410
did albums full.

1174
00:44:34,869 --> 00:44:37,750
And then They Might Be Giants covered one

1175
00:44:37,750 --> 00:44:39,269
of their songs. And so, I mean, I

1176
00:44:39,269 --> 00:44:41,030
really haven't you know, I guess I could

1177
00:44:41,030 --> 00:44:42,890
do a PhD on this, like,

1178
00:44:44,869 --> 00:44:46,949
someday. But there is, like, a history of

1179
00:44:46,949 --> 00:44:49,264
it. I haven't really seen anyone

1180
00:44:49,964 --> 00:44:50,464
doing

1181
00:44:50,764 --> 00:44:53,244
cabaret. Like, I mean, my goal when I

1182
00:44:53,244 --> 00:44:55,164
went to get my PhD in New York

1183
00:44:55,164 --> 00:44:58,605
and have a book deal in 02/2001

1184
00:44:58,605 --> 00:45:00,385
was that I was gonna go to Broadway

1185
00:45:00,684 --> 00:45:03,969
and do, you know, Cosmic Cabaret on Broadway.

1186
00:45:03,969 --> 00:45:05,829
That was that was my goal.

1187
00:45:06,210 --> 00:45:08,769
And I'd wanted to have a doctorate because,

1188
00:45:08,769 --> 00:45:10,789
you know, I think because it legitimizes

1189
00:45:11,170 --> 00:45:14,130
you. And I was doing pedagogy, actually. So

1190
00:45:14,130 --> 00:45:15,589
I was doing science pedagogy.

1191
00:45:16,289 --> 00:45:17,750
So you you're an activist.

1192
00:45:18,255 --> 00:45:19,394
You're a scientist.

1193
00:45:19,775 --> 00:45:20,914
You're a science communicator.

1194
00:45:21,855 --> 00:45:24,114
If you if you could use one song

1195
00:45:24,654 --> 00:45:27,135
to fix one problem in the world, what

1196
00:45:27,135 --> 00:45:29,694
would you sing about to fix? It's the

1197
00:45:29,694 --> 00:45:30,755
Love On song

1198
00:45:31,135 --> 00:45:32,275
that, you know,

1199
00:45:33,019 --> 00:45:34,859
I just you have to believe in love.

1200
00:45:34,859 --> 00:45:35,679
Like, compassion,

1201
00:45:35,980 --> 00:45:36,480
empathy

1202
00:45:37,179 --> 00:45:38,719
is something that

1203
00:45:39,099 --> 00:45:40,159
physics can't

1204
00:45:40,460 --> 00:45:40,960
describe.

1205
00:45:41,260 --> 00:45:43,119
Right? So I you know, ultimately,

1206
00:45:43,579 --> 00:45:46,079
even though I do sing about science,

1207
00:45:46,994 --> 00:45:48,755
if I want to try to save the

1208
00:45:48,755 --> 00:45:50,514
world, the best thing I can do is

1209
00:45:50,514 --> 00:45:53,654
try to provoke empathy and compassion in people,

1210
00:45:54,434 --> 00:45:56,775
whether you're a scientist or not a scientist.

1211
00:46:11,394 --> 00:46:11,974
That mediates

1212
00:46:12,595 --> 00:46:14,055
the force of love

1213
00:46:14,434 --> 00:46:16,835
But you can't measure it You can only

1214
00:46:16,835 --> 00:46:19,715
feel it Pulling on the super strings of

1215
00:46:19,715 --> 00:46:22,035
your heart We should add it to the

1216
00:46:22,035 --> 00:46:25,394
standard model chart The force that rules from

1217
00:46:25,394 --> 00:46:26,135
high above

1218
00:46:26,589 --> 00:46:27,409
in a unified

1219
00:46:27,710 --> 00:46:28,690
field theory

1220
00:46:28,989 --> 00:46:29,969
of love.

1221
00:46:32,269 --> 00:46:34,109
I'd like to thank Linda very much for

1222
00:46:34,109 --> 00:46:35,550
talking to me and wish you the very

1223
00:46:35,550 --> 00:46:38,109
best of luck for that tour. If you'd

1224
00:46:38,109 --> 00:46:39,869
like to find out more about the tour,

1225
00:46:39,869 --> 00:46:41,614
maybe get some tickets and go along to

1226
00:46:41,614 --> 00:46:45,534
it, Linda's website is scintainment.com.

1227
00:46:45,534 --> 00:46:47,474
So if you think about science and entertainment,

1228
00:46:47,614 --> 00:46:50,175
combine those two words, scintainment.com.

1229
00:46:50,175 --> 00:46:51,775
But if you struggle with that, we'll, of

1230
00:46:51,775 --> 00:46:53,534
course, post a link to it on the

1231
00:46:53,534 --> 00:46:54,594
Physics World website,

1232
00:46:55,430 --> 00:46:56,329
physicsworld.com,

1233
00:46:56,789 --> 00:46:58,630
and we'll be back next month with something

1234
00:46:58,630 --> 00:47:00,789
else from this wonderful world of physics. Thank

1235
00:47:00,789 --> 00:47:02,570
you very much for listening.

1236
00:47:19,324 --> 00:47:19,824
Fundamentally,

1237
00:47:20,684 --> 00:47:22,144
you know, love on, baby.

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