The Real Report - DaBaby talks 'BE MORE GRATEFUL,' NBA YoungBoy project & 50 Cent bond

Joe and Jada

Tony Yayo and Uncle Murda are joined by the first guest to grace The Real Report: North Carolina's own DaBaby. The "Rockstar" rapper tells Yayo and Murda about his latest project 'BE MORE GRATEFUL,' how his hit single "POP DAT THANG" came together, the stories behind the scenes of his collaboration project with NBA YoungBoy, and why he respects 50 Cent for not being buddy-buddy with the rest of the hip hop game.

All lines provided by Hard Rock Bet

See omnystudio.com/listener for privacy information.

2026-02-11 36 min Transcript

Available Results

Generated results are saved to the knowledge database for reuse and search.

No generated results are available for this episode yet.

Extract Knowledge

Pick what you want extracted first. Model, scope, and chapter options appear after a template is selected.

Generated results for public episodes are saved to the knowledge database so they can be reused and searched later.

Transcript

00:00:00
Speaker 1: My rider die right there. You get you know what I'm saying, your whole g at eight years old, a princess in a gangster at the same time. You know what I'm saying, Like the lyrics on that song, I just want her to say something right. When I did the second time, she kind of looked at me like I know what I'm doing, Like wait, he didn't get stopped bruising rocket.

00:00:34
Speaker 2: Years to talk of New York Tonyo, And.

00:00:36
Speaker 1: It's the boy Uncle Murder a k a leg Jet Lenny.

00:00:39
Speaker 3: And Ladies and Gentlemen live from New York City. It's the real report. Shout to the value. Make some noise up ahead, whoa, whoa, And we got one of the biggest artists in the world worldwide, not local. I don't seen them overseas rocking stages arenas number one hits right now the album is out.

00:01:00
Speaker 2: Be more grateful.

00:01:01
Speaker 3: A lot of y'all need to start to be more especially you mur You're more grateful.

00:01:06
Speaker 2: Be more grateful. You know what I'm saying.

00:01:08
Speaker 1: Be more grateful now, my nigga. Now the baby man, I appreciate it.

00:01:16
Speaker 2: Miami.

00:01:18
Speaker 3: It ain't even been a week. You know what I'm saying, so, so, be more grateful. Pop that that the charge again.

00:01:24
Speaker 1: You know, congratulations my fifty fourth Billboard Hot one hundred entry talk that ship. That's right me, God, fifty fourth got me.

00:01:34
Speaker 3: Congratulations, Man, I appreciate you, my nigga. So so, be more grateful. Yeah, you know we've been fucking with you know, we like family. Come on, man, you know you give me three things that you're grateful for me.

00:01:44
Speaker 1: Man, Look, you know the journey in itself, the character, the character, you know what I'm saying, developed long away, still being you know, seven years in the game. I know y'all niggas. Let y'all have been in this ship. That ship sounded like to y'all, but you know it's still being the motherfucking make it. Come on, man, still being in the position to be able to feed the nigga family, know what I'm saying, and still being able to you know, put this ship on display, man and step on these niggas and you know.

00:02:13
Speaker 4: These niggastro these niggas got contact and you know, just being able to deliver a project like, be more grateful, man, I'm grateful for all this ship.

00:02:26
Speaker 1: You know what I'm saying. Yeah, I have rich ass, real nigga friends like y'all come, you know what I mean?

00:02:33
Speaker 3: One thing about you, we know man, you we know you're gonna kill the club for sure. And one thing I love about all this is like you know fifty had in the club? We have that was the format, Like yeah, I had seductive. So it was like, Yo, when it's rocking in the club, you getting them extra bookings and everything like that.

00:02:49
Speaker 1: You need all that that?

00:02:51
Speaker 2: Like what what is the creative process with a record like that?

00:02:54
Speaker 1: Soon? As how do you pick the beat?

00:02:56
Speaker 2: Who's your favorite producer?

00:02:57
Speaker 1: That wasn't even when I picked First and Chaos they produces from around my way and Ship shut out to my niggas they sent me that bitch. I really had majority of the album. The album was really damned and done. I was working on like picking the track list and Ship. You know there'd be a whole headache and Ship and they sent me to Beat. So as they sent it to me, I caught Enginet where you're at hell No, meet me meet me at the spot right now, Meet me at the spot. I knew that was one. So they really gave me a oop, you know what I mean? I had to text the niggas the other day, like, boy, I don't know what the fuck y'all had going on with y'all. Y'all made this bitch and sent it to me, nigga, But yeah, y'all, y'all did that, and they was like, well, yeah, you had you you did that. You know what I'm saying. So they threw me to oop I wind miilled that bitch, you know what I'm saying. And I knew I already knew what was up with that one. Like I already I knew off top. I knew that one was goddamn. They was gone. It was instant. You know. I'm loving Marionnate and that ship. I love it.

00:03:46
Speaker 2: I'm loving the joint you got with Come on, man, showing with your.

00:03:50
Speaker 1: Daughter, come picking up one. That's my baby, man, I just got off the phone with her. That's my twin man. She you know she that's my that's my my rider. Die right there. Get You know what I'm saying. She old she at eight years old, the princess and in the gangster at the same time, you know what I'm saying. So like the lyrics on that song, like what she what she said on this I didn't even tell her to say that. I just told her to say something at the beginning that ship, right, I was trying. I'm trying to nudge and like, start right here, baby started talking. I nudged. I told her the engine that started over. She got to have on little in front of the mic. The beat start playing again, cause you see how she let it build up. She ain't start to the beat drop. I'm nothing. I'm like, go ahead, baby, she kind of when I did the second time, she kind of looked at me, likenigg I know what I'm doing, nigga, like wait for sure, you know what I'm saying, something like all right. I sat back to the beat drop, y'all gonna watch how y'all talk to my daddy, y'all gonna watch you. And I looked at that and I said, hold on. I'm like, I said, you got it, baby, Yeah, go ahead, do you? And yeah, we really did that ship like two years ago to so that was a six year old. You know what I'm saying, little girl, that that that delivered that ship on time on the record like that. You know, I just not put it out. I was going that, yeah, you that's gonna be something.

00:05:01
Speaker 3: Bring your daughter out on tour, the tours coming on now, talk about the tour.

00:05:04
Speaker 1: You got to be more grateful to you know what I mean? We just downstairs, bitch today just want to sell today. That's gonna be crazy, you know what I'm saying? Crazy? Big you heard you got U twenty three songs? You feel like it's twenty three double? I had to come. I had to come with it. Man, do you feel like it was a double album? Got me fucked up. At one point I thought, I'm like, damn, we may have to make this Ship a double I'm like, man, I don't. Don't nobody want to hear that ship that double album. I'm putting all this ship on once. I'm putting out. We had a lot people like it's a double our set. He's not promoting it as a double album. I mean, you know out there, Yeah, niggas ain't ready to receive Ship as a double album no more. I don't think so like you know, niggas attention span ain't ain't you know it ain't there twenty three So to even be able to because I would never put out twenty three songs. I don't like, you know, I used to be against putting out over fourteen because I don't want nothing to go over a niggas head. Molde. I'm in you know what I'm saying. In the time, I ain't dropped album four years, so I know, you know, me and audience, we got catching up to do. I got plenty of this ship for him, so I'm like, fuck that. I gotta be able to put out, you know, to turn up records to ship that people come to me for to get the party started. I gotta be to be able to showcase the lyricism and ship I go do. When I go on them platforms and just get in front of a mic and freestyle, I gotta go burn that down, you know what I'm saying. I gotta go do all that ship. I gotta reconnect with my female audience and talk that ship to the ladies, you know what I'm saying, Get to make them feel some type of way baronating. You know, I had to. I had to check every single motherfucking box with this one, like it was necessary.

00:06:34
Speaker 3: I mean, truck rocking to it was like he was talking about your album. Definitely come on, definitely pretty view album. Make sure what's up with the video process, so I feel like you can make movies like yeah, I can't feel I can't wait.

00:06:47
Speaker 5: And if your videos be like Luther Chris did, like the it be next level. You just don't do regular videos going there with it, man, I.

00:06:59
Speaker 1: Come on, man, you was actually shooting videos for other artists though too, since I still like to this day, I mean a lot of people I don't. I don't really care to do it. You can't even I can't even charge your motherfucker enough for that. You got take more than you know. I charged it. I charged to come upon for an hour shooting the video. Take way longer than that. You know what I'm saying. You know, But but with that Ship, it's like, you know, definitely like artists, like labels reach out to me, the direct videos for artists and Ship and half you know what I mean. They have done it. You know I did it for several artists, you know what I mean.

00:07:27
Speaker 3: It's crazy because I was telling Murder, I'm like, yo, you kind of remind me of like a fifty cent in like an NBA young boy like y'all don't work with too many artists.

00:07:36
Speaker 1: I'm not.

00:07:37
Speaker 3: You did a dope project with NBA. Yeah, yeah, you know what I'm saying. So you can talk about that because that was I was.

00:07:42
Speaker 1: Talking about it now. I mean it was why he was on house arrested ship right out in Utah. And yeah, we definitely I don't even know because.

00:07:50
Speaker 2: It seemed like a lot of rappers was mad at you at that time.

00:07:53
Speaker 1: Yeah, that's when everybody try for everybody.

00:07:57
Speaker 3: Was like everybody was black palling him, and if they it was like fuck.

00:07:59
Speaker 1: That for sure. And I mean the niggas. I'm pretty sure niggas was still bumping them, but it was like, you know, yeah, that's when. That's when it was. That's when it wasn't the popular thing that got damn fuck with, brother, that was like the only nigga in my area that I was even listening to, you get what I'm saying. So we connected how we cannet. I can't even remember how it came about with that's even doing the project. But the nigga teld me pull up on them. I got damn had my I took my kids out there. It's like a U you know, it's all it's like a little fucking ski resort, some ship out there. Brother. Was it so I took my kids and ship out there. We out there skiing and ship. Then I go pull up on brother. It was while he was on house arrest and ship, so you know I could talk about it now. I God damn. But yeah, right after the little curfew times and ship, after the mother, after the people come check on youall pull up. You know what I'm saying, It's like they hit the door. They hit the door. I gotta I gotta jump out the window. And I pulled up on my nigga. You know what I'm saying, Like fuck that. You know I'm rocking with you. I'm that type of nigga. Like if I'm rocking with you, I'm rocking with you, I don't give a fuck. You know, the whole world against you. That guy, remember that was Michael Jackson, that suld Go. They had that project that was twenty two and this is.

00:09:08
Speaker 3: When like everybody was kind of mad at NBA and wait for no reason in the project with like you know fifty, the way they.

00:09:14
Speaker 1: Was picking side, people had to pick a side. People were standing next to the other side because what was going.

00:09:19
Speaker 3: But this is this is what to me, this artists that don't mess with a lot of other artists.

00:09:23
Speaker 1: This would make him special to me, like a fifty to baby NB A young way. They don't lean on features to make a hit.

00:09:29
Speaker 3: They made hits and continue to make hits without features.

00:09:33
Speaker 1: By this sure he's one of them guys, a friend that everybody is a friend of none. You know what I'm saying the day and that's how I be with these niggas. So I wasn't never really on friendly time we rappers just hanging together type time anyway, you know what I'm saying. That's why I fuck with, you know, with niggas like fifty like already, No, bro, don't fuck with nobody'd be it'd be fucking people up when they see the way brother fuck with me in the way he you know what I'm saying, like the way he rocked with me. Niggas, niggas get around me and get the man. How easy man? They be so fucking mind blowing. Can you call them for me and tell them you know what I mean? They call me and ship. One time somebody asked me to do that. I bro, y'all noticed wanted the people that I let you. Except for what he said, nigga, I ain't got there, you know, but if you need something different other than that. Yeah, man, man five, that's my nigga. Man, that's my nigga. You come on, you feel up. What time it was me? I remember the time it was me, you, Gilly and Wilder.

00:10:33
Speaker 5: I forgot where we was at and we was talking about where they tried to cancel you and how fifth really stood up like I had.

00:10:40
Speaker 1: I had just met brother a week before that ship. That's crazy, you know what I'm saying. So you know when you got all the reasons in the world to say, nah, you don't. You don't owe me no loyalty. You know what I'm saying to no relationship. We don't built the developed none of that. You just met me, so it's we. You know, when we met, we chopped it up for like two hours. Right on the spot, I pulled up on them. Should out Vanessa from Double leg cell I wass that's my baby. Yeah, her birthday, Happy birthday? Anyway, Yeah, hell yeah. I was doing like like some press. I was doing press for the h I think it was for the for the album with NBA Young Boy. It might have been that No, no, no, no, no, this is before this, because this was before the So this was twenty twenty one. But I was doing like a little media day and Ship. I was up here in New York, right and I'm just, you know, I'm doing what I'm doing. I'm showing them a video. I'm showing them that that Lonely video. It's one of the videos. He fucked with this one. I had like the Joker shit going on, and shit, that ship right there, and she saw the video and she seen me breaking down the video and shit, she's sitting in there room full of motherfuckers from different platforms, all that ship, and I'm chopping it up with everybody after I played the video or whatever and do my little one too, and she's just looking at me. I've been fucking with her since I did the double X self Freshman covering all that ship because I fucked with her. I like she's stiff. She's stiff, you get what I'm saying. Like she's the whole time had none of them niggas, everybody else there doing what they do, and I was on the same ship like I came. They had a stylist and that the niggas had like twenty thirty outfits for me and Ship when I pulled up to do the double exelf cover. I had on a Nike, a Nike hoodie, some Nike joggers, and some fucking flip flops, and I came in the bitch and then get baby, we got the styles in here. They got all this ship yeah for me to pick from. I looked at us when I'm not wearing none of that ship. I'm doing a freestyle and this right here. You know what I'm saying. It had the and had the best one out of everybody in the freshman class or whatever. But I think she really, like you know, disrespected the way I came, you know what I mean. It was vice versa. But after I was done, like you was still on business. Come on, come on, like you met fifty and introduced me to him, caught him on the spot.

00:12:40
Speaker 3: You gotta think, man, you went viral before viral was viral. I mean, it was in Atlanta.

00:12:45
Speaker 2: This is what made me like this nigga. I'm gonna keep it rip.

00:12:48
Speaker 3: Remember he was in Atlanta and niggas trying to press him. He was like, what what y'all told?

00:12:53
Speaker 1: All right? Are yo?

00:12:53
Speaker 3: No hood pass, no hood pass, no hood pass.

00:12:59
Speaker 1: He was told, definitely.

00:13:01
Speaker 3: So the whole New York was looking like, Yo, you had the records, but he also had the street credibility.

00:13:07
Speaker 1: Then in a business to this day then you know what I'm saying.

00:13:09
Speaker 2: But to me, that Atlanta ship what that What year was that?

00:13:12
Speaker 1: That was was like twenty eighteen, yeah, twenty eight two. Then he was crazy. I remember that he came up front.

00:13:18
Speaker 2: He was like, ya, I don't know what y'all talking about.

00:13:21
Speaker 3: You could tell it was like, yo, no, this this dude is really a real nigga.

00:13:25
Speaker 1: Right yeah. They tightened right on up, Joe. They tighten and it was a whole you know, you know, theggas.

00:13:31
Speaker 3: And I just seen him. He was like, I don't know what y'all talk pay pawtax now, I don't.

00:13:35
Speaker 1: Know that was firee. We ain't doing that one doing that. We ain't doing that. That was a very viral moment. Bro. That was crazy. Bro. I'm glad it went how it went because because he could have went left.

00:13:46
Speaker 5: You know, you know, it was ailed at me about about you with that, because when you do like the music right in the videos, you give off a character like like I just told you knew that Chris vibes. You give you give it that like you feel like all right, but when you hear about you and you read about you and you do your history, it's like, oh, he'd be shooting motherfuckers for real, man, But you have so much.

00:14:09
Speaker 1: Fun and entertable when they come to creating this like.

00:14:11
Speaker 3: A mis that was like a mister of Tupac. That's like it's like a mixture.

00:14:20
Speaker 2: You know what it is. It's a mixture of Tupac. And did you do underground?

00:14:23
Speaker 3: Remember you know they had ship they was and then Tupac was the nigga that the real life, not the.

00:14:30
Speaker 1: Police and all crazy ship.

00:14:32
Speaker 3: Like he's man humble. You meet him, you be like, damn this nigga should be cool. Nigga back cool, be cool, you know, nigga shoot people and be like yo, man. But that's in the South. That's every day ship.

00:14:42
Speaker 5: Like I'm not having And I'm just saying back in my days when I had my my little prior incidents, you know, when I shot people allegedly they didn't.

00:14:49
Speaker 1: Tell and I was don't want to talk about that. I'm just saying it was cool, like.

00:14:55
Speaker 3: Baby the baby was checking his propertyred percent and I was still in my life, nigga, what the fuck you mad?

00:15:02
Speaker 1: He's gonna get us demonotize. Let's go to the.

00:15:06
Speaker 2: I ain't know he was doing that.

00:15:11
Speaker 1: I'm Hollywood. I'm not with all this stuff said. I'm Hollywood. He's smoked up, yigg you got you know, look at look look at the baby.

00:15:18
Speaker 2: You see him in this big man ship. They said he fell off. This is what I said.

00:15:22
Speaker 3: Somebody fell somebody with character, charisma and all that.

00:15:26
Speaker 1: It's never gonna fall out. What you do? Look, what do you doing? What are you doing? You're doing right now? What you're doing right now? Right? Look that the lampball.

00:15:37
Speaker 3: Was right there too, right back at it with the records because he's like a fifty brother.

00:15:43
Speaker 1: And I can't stop. I can't.

00:15:45
Speaker 2: What's the process of the album?

00:15:46
Speaker 1: No. Twenty three songs? Twenty three songs, and I really you know, I took my time. I made a classic. That's something, bruh. I made shot to my time. I made a classic when I checked all the boxes I wanted to be able to really you know, blitzed. They ass the way I like to do it, like my style relationship, It's how I did it. In twenty nineteen, twenty twenty. It ain't you know, I ain't had I ain't had the opportunity, and it's really you know, niggat to take accountability. I really could have been did this shit like this, but I wouldn't. I was out of love with the game, with the business, so I had to take a step back. Okay, let me see how they show this shit go like this because I ain't no, I was unawhell, okay, they should go like this. Let me take a step back, let me soak up what I need to soak up. Okay, cool, and then let me got them reapproach this ship. But when I reapproached it like it had to be in a way to work. I can got them like to see me. I'm I'm about putting it in motherfucker's face, like NonStop boom boom boom. I don't like the calm shit. I got a single. Let's talk about this one song. It's a nice song, and talk about this ship for six months. Fuck all that. Like I get bored, I'm gonna give you a bunch of me giving them. So I'm gonna give you a bunch so I can got damn smack dad, it's a lot. I'm smack the ass around the whole year, the whole year, sticking bone, set the tax, It's set the time.

00:17:00
Speaker 3: That felt like he's talking about his life. It felt like the records was changing. No records sounded the same. Stick and stones found like you on this, Tupac, you got the band dinner. That's what I said, Tupac, did you underground?

00:17:13
Speaker 1: You know me?

00:17:13
Speaker 3: I like that club ship. When I'm in the car, so I'm listening up Job, I'm listening to Shake.

00:17:22
Speaker 1: I'm saying spot I already know.

00:17:25
Speaker 2: So I feel like, you know, it's like Miami worldwide.

00:17:28
Speaker 3: I'm thinking of clubs I know for the summertime, Like I know how to pick singles, just a lot on that.

00:17:35
Speaker 1: And that's how I marketed this ship. Like I went down there, I got damn shot the content all in Miami. It got cold up there where I'm at cold Turkey. I told the whole team, whole house team, going to Miami tomorrow, everybody. I flew these two, these two people I got on the on the film side, on the film production time, flew them in. I flew one nigga in from here, from three niggas from here, one again, from here down here with four niggas they could working camera and we shot content right the dances in we shot content. It's really a masterclass on how to roll out of motherfucking song. We went down there for a week. By the time I left Miami, that song was the talk of the motherfucking of the world. You know what I'm saying. They're like, now, you gotta put this it out right now. And outside niggas back of the crib. Niggas is in the ice store and they can't even go to the store, school out and ship. But we down there on the motherfucking beach dancing around and ship vibe and that you get what I'm saying. But that set the tone. It It lets you know, okay boom like this song. The first time they heard that song, they saw sunshine, clear water, you get what I'm saying. Nigga on the yacht, they saw good energy, you know what I mean, beautiful women dancing and ship and that's how you you know, it's like on.

00:18:42
Speaker 2: The top of your all your videos though with these ships.

00:18:44
Speaker 1: Come on, you know what.

00:18:46
Speaker 3: I listened to your album and it's so crazy. You the only allist that I like. Motherfucker's like he gonna shoot the video for.

00:18:52
Speaker 1: That, right for sure. That's the first thing.

00:18:54
Speaker 3: That's why the reason why you say Luda and Busted so much. Yeah, it's not really the same style. It's just they had to was.

00:19:01
Speaker 1: No I got. I definitely grew out. That's the era, you know. I definitely was inspired by them niggas, especially visually, like from them niggas, Looter, Bust, the rhymes, see the crazy, all them niggas. I'm a one of six apart, baby, You get what I'm saying. So like all them ships, even like Marinate and like i'ma I'm gonna tap into the twenty one questions concept with that one. You get what I'm saying. It's like, you know, all this shot guy, the fuck is.

00:19:27
Speaker 2: The budget though? You got fucking Marching.

00:19:28
Speaker 1: Band and I go there gets like that. I don't put any I didn't put plenty of my own money, plenty.

00:19:35
Speaker 2: Of I don't know, Marching band.

00:19:37
Speaker 1: I ain't just spend the money like I made sure I was. I was right there, hands on with the business side. That was so that's why I didn't learn how to produce and direct. You get what I'm saying. So all my videos like I produce them. My team produce them. So I do the cast and I find the crew. You get what I'm saying, Like I hand picked the fucking actors and ship all that, ship the dancers, all that. I even run around to get wardrobe, Like I don't even leave it in the hands of a fucking no no wardrobe person sometimes because they we couldn't get this, we couldn't get that. Like I'm real particular, Like I go myself, I go pull up the fashion district in LA and hop out on the street. They got all that shit, I go do all that. You get what I'm saying, Like I really, I really take this ship. You know what I'm saying from my mind. I put this, I make this ship. You know what I'm saying. Pop up right here, you know what I'm saying in front of a nigga, So you know when they come to that shit, I really didn't soak the game. If I got the cameras, I got all the cameras. I got every fucking camera, you know what I'm saying, All the way to the one I got the camera they shoot power on that. I got it. At the crib, I got a fucking a lens that costs one hundred and twenty five thousand dollars or something like six of them in America. Yeah, these look the white boys on the on the sets and ship when I come on these productions that you need that shit. I already got moved, I already got scripts. Did I'm start writing this ship and I LinkedIn. I didn't ask Broth for advice on that ship plenty of times fifty and shit. But one thing that nigga told me like two years ago, probably been like three years ago, like nah, fuck that you ain't done with the music funk that you can do that ship whenever. You know what I'm saying. You know, he could have been you know what I'm saying, Preston, but and had me on any one of these shows, of course, you know what I'm saying. Like they got other niggas playing roles and in some of these shows and ship whatever. But them niggas can't fuck with me. Them niggas can't when you know what it's ship like that, like like I respect ship like that, like to the to the highest, like I expect you like that to the first extent because he like, nah, nigga, like you ain't done with music like niggas can't. You ain't done with music exactly thinking. You know, man, fuck that ship man, you know that thing that that I can't you know what I'm saying, still deliver, you know what I mean, a better body of work than anybody out here in my Always.

00:21:46
Speaker 3: Take your kids, your family, and that's that's what you know what I'm saying, you mad humble.

00:21:51
Speaker 2: Sometimes you got a lot of laws.

00:21:53
Speaker 1: Beat the law, beat beat. I just got another one that got someone that man.

00:21:59
Speaker 3: Man, this is this is what I learned about be on video set. You know everything is smooth. Somebody gets punched in the face. We don't advocate violence. Rappers don't advocate the violence. You know why because that costs fifty thousands.

00:22:14
Speaker 2: On my shoe. But you know who they sue, They sue fifty suit Yeah, yo, for fuck.

00:22:21
Speaker 3: We want we want the boss, right, so the baby like I know, like you know a lot of shit happened in your career.

00:22:27
Speaker 1: Yeah, I could just imagine them.

00:22:28
Speaker 3: Laws was because a broken jay could court you anywhere to fifty to seventy thousand.

00:22:33
Speaker 1: Dollars and got highed. Bro, what they was coming from seventy the first just to get to retain the lawyer. That's just the risk. Tell tell artists coming out how it works. Man with the laws. Man keep their hands to yourself. Don't do it, you know what I'm saying. Or load them niggas into the back of alley way around the corner. They saying, no cameras, no cameras. It was live on TV for some mom it was live on TV.

00:23:05
Speaker 2: That makes that makes a lot of people stay in the house just because of.

00:23:08
Speaker 1: The Lord fact. That's what That's what made me fall back and ship too. I'm telling you because it's like it kept me from going outside, moving around and ship as much as I would because it's like, you know, in person, I ain't gonna let no I'm still to this day like I ain't gonna let a nigga play with me. You know what I'm saying.

00:23:23
Speaker 2: You got the baby hit me in that mayback truck to ciper truck.

00:23:27
Speaker 1: I can't get on the grass. I sneezed the wrong way, damn disappearing, you know what I'm saying. So once I saw it became like trendy to like come after the nigga, you know what I'm saying, Like on some I asked. I'm telling you I had to sit back and like, okay, whoa, let me let me God damn, let me let me reevaluate what the fuck going on out here? Like I don't. I ain't want to play no game without knowing what's going on. If I don't play spades. You get what I'm saying. I ain't gonna sit down at the motherfucking table. I'm gonna sit back behind it and god damn peep what's going on? And you know what I'm saying, I'm gonna see okay out this. Okay, when you run out of these cars, you cut books when you got them. Boom boom. Oh. I bet that's how to not slip up and do that. Don't play your motherfucking your high your high card too soon. You may need it at the end this and that, you know. And and once I do get equipped with what I need to approach the game the best way possible, that's what I'm gonna sit my ass down and got damn and spank that ship.

00:24:22
Speaker 2: Always have your blessings. Man, coming back to the community time.

00:24:26
Speaker 3: Doing turkey drives Brown, Let me ask you something about country niggas, man.

00:24:31
Speaker 1: I almost want to ask you, man, Conbo say that.

00:24:38
Speaker 5: You even thinking, you don't even realize.

00:24:45
Speaker 1: Country AGAs listen, not like respect for different, talking about different. I'm gonna let me ask you something. Man. The baby looks check me out.

00:25:03
Speaker 3: You know what I'm gonna saying because South niggas, niggas from the South right, not saying this.

00:25:09
Speaker 1: The country niggas say.

00:25:16
Speaker 2: I'm gonna take country niggas talking about niggas. I'm talking about niggas that could.

00:25:21
Speaker 3: Kill a hog, cut the cog and put the pig.

00:25:24
Speaker 2: And now I can't do that, right. Yeah, that's a that's the now. That's what I was about.

00:25:29
Speaker 3: Now is that I don't see that pee family in the South flod everywhere you kill.

00:25:36
Speaker 2: I don't see that kill a.

00:25:37
Speaker 1: Pig cut that's country New York.

00:25:40
Speaker 3: My explanation is a New York nigga is never gonna do that, right, And I'm gonna make and I'm gonna tell you something about Look, we're gonna get to that, right, New Yorks nigga ain't never kill a pig. We got projects and like that, man, ain't no pig around for the kok you got cooking with Kirk.

00:25:59
Speaker 1: Come on, none, no, knife.

00:26:02
Speaker 3: Niggas from the South could cook. You know, y'all can take everybody chicks because y'all know how to cook barbecue and all that. Yeah, murder, can't even make a grilled chep.

00:26:12
Speaker 5: Call you hurt my kids. I'm on the phone, he called me. I mean my kids is born in time. They're like, Dad, make a grilled cheese. I can't make no grilled cheese. You know, start talking popping ship and I.

00:26:24
Speaker 1: Learned you put a little butter in there. That I learned, nigga. My kids put the press on me. I learned my niggas South could cook. I'm gonna keep it all. The niggas from the South can't cook. Nigga, no knife through that nigga different, you know, I don't know nobody can cook like me. I'm gonna keep it high. I don't even I ain't in the hiring chefs. And none of that ship. Them niggas can't. I don't be one that ship. We keep it hot. I see what they do, and see what they got going on. They put the little green ship on top of my food. They put the little flour on the purple fly went. I smacked it smacked. This make it. Look, don't that nigga don't do New York nigga can't make a grill cheese. I can't explain that I got that. I get it in man like people. Like when I'm eating good, I mean eat good regardless. That's the thing. So if you're around me, you know what I'm saying, Like, because I'm I'm gonna eat. That's one thing I mean. Like I'm on a Wednesday, I'm I'm eating smoked up nigga and show don't. Yeah you know, you know it's a family b I ain't tripping, but you know, and that's that Southern hospitality ship to like if I'm cooking, you know anybody around, man, your niggas got niggas come eat some of these niggas be here. Yeah, brop hell, Yeah you know what I mean. But yeah, that's you know, I been knew how to get it in in the kitchen. I had to cheep. My favorite call man, favorite car, got a lot Man made back truck, my favor. Every time I see a new toy, what's your favorite? Right now? The one I'm jumping in more than anything like it is the cyber truck. That's is just so convenient. That's my favorite right now, that's like, yeah, what about what about may truck? For sure? Like we yeah, like that's my that's probably the.

00:28:13
Speaker 2: Rich you had the mad back truck out there, that.

00:28:16
Speaker 1: That's my that's my favorite one. The mayback truck probably my favorite one. You know what I'm saying. But what I'm driving most frequently the motherfuckery truck. Yeah. The Phantom too, is always the Fantom. Oh yeah, you got You got a couple of fantoms. I ain't got but one murder.

00:28:31
Speaker 3: Don't know nothing about calls either, don't worry about that. You don't know what a fan. You don't know what we're.

00:28:37
Speaker 1: Gonna do this. You know, it wasn't back in the day.

00:28:42
Speaker 5: We were so young, we used to identify, you know, certain people by their cars.

00:28:47
Speaker 1: Yes, just made me and my niggas like they still do it now of course. You know, I don't know what I'm saying.

00:28:51
Speaker 5: I grew up like that niggas getting identified by now you see I.

00:28:54
Speaker 1: Say that when I drive the most last cyber truck, the one where's plenty of them, you or you don't know who I ain't. I feel them too, But I'm more about moving smooth than anything. You know what I'm saying, I have sell them bitches. I don't trip on no cars, man, I'm kind of I'm not even kind of. I'm very much past that ship. You know what I'm saying. I may go get rid of one of two of them bitches after this interview. I've been feeling because I don't drop like my family paid for that bitch got like seven thousand miles. You know what I'm saying. I know what I'm saying, like that ship, ain't you know? I ain't really doing nothing with this ship. I ain't doing nothing with that motherfucker six fifty murder exactly. No, I don't know nothing about that with tax Yes, yes, about eight with Texas.

00:29:36
Speaker 3: Yeah, there you go. We don't even know what the going to the car game. You don't know what about Believe you don't know what y'all don't give a fuck about no car de love calls. Man, I love the nigga. Every time you get a new car, you' sposed to pay chickens to.

00:29:51
Speaker 1: What you get. Man. Yeah, I ain't even in the posting cars more like I say, like they ain't doing nothing, but you know, giving a nigga giving a nigga up. So I'm telling you I know how it go. Like that's the thing, Like, I know how it goes. So you know, I'll be a fool. That's what I ain't with wrapping them and all that they want to see. Yeah, we'll fuck them, Goddamn them. Niggas don't know I do it. I do it with him like my leg broke all they said, I fell out like I do it the fun with him. But other than that, like I ain't you know, I ain't in the position where I gotta god damn show niggas got damn you know, Yeah, show niggas what I got going on. I still got everything to show for you. Give what I'm saying that you have come to see this ship in real life, you know what I mean. Anybody got damn it. You know they want to they want to feel like they know something from a distance. I'm gonna let them think they know something. Let them think they own the summer. We passed that. You know, cron ass man, you didn't get me a murder on the court. You know you got that. Yeah, come on, man, you should see this nigga.

00:30:46
Speaker 5: Like I don't even know why you bring that up like this nigga shoot like Bill cart Right, this nigga got the.

00:30:52
Speaker 1: L Bill Park, right. I know we got some fool too, right, did the food coming to small?

00:31:00
Speaker 3: This is what we're doing, right. We got this thing we call the chopping block, right, got you? So this is my first time shouter cutching slices. That's what got slices. Shout to McClaren. Niggas can cook cut they could cook. It's the winter popular spots. We got the jerk chicken slices. Yeah, and we got the I think the oxtail slice. Now is the piece of thing big damn south like that? It's not really big like that.

00:31:25
Speaker 1: You know what I'm saying. Okay, what's jerk chicken piece? Shouter cutting slices? That s it ain't cold? Right, don't being barrassed someone? You know it's not make it. So you niggas be eating that cold piece of that. Throw it in the oven real quick and get it.

00:31:44
Speaker 2: To cutching slices.

00:31:46
Speaker 3: And what's the other one you got over there, Tea, that's the oxtail one. To bring the oxel one over here to man were over here with mister caviar pancakes. Come on, duck rock us so got us trying all this ship shout mc laren, this is fire. This is my first time having this. You know, the store been like the door be off the line. Cutting slices, okay, but I never had a jerk chicken slice. It's in Brooklyn. They got one in the city. They're all over. It's like blowing up. I'm slices.

00:32:17
Speaker 1: You're with the baby. Just to clarion, which one of these my close.

00:32:21
Speaker 5: Up cameras good as I ain't gonna fron cut some slices.

00:32:27
Speaker 3: You're popping right now hungry too. I'm gonna keep it real. The jerk chicken on the pizzas hitting the popping right the ock style. Man, and I've been feeding for cutching slices for like everybody know about cutting slices in New York.

00:32:40
Speaker 1: Never had it. So yo, what you like to cook? Man? Like the barbecue? Yeah? You get crazy? Yeah, I ain't you know what I'm saying. I heard it. Don't know nothing about dogs. I ain't gonna you go ahead talk your ship. I don't.

00:32:54
Speaker 3: He'd be acting like, yeah, ain't knowing this barbecue. He ain't know nothing that I like the South out there. You know nothing that I went to Austin. I want to terry blacks and all them places and barbecues.

00:33:04
Speaker 1: Come on.

00:33:06
Speaker 3: The South known for barbecue like murder. You couldn't kill a pig and then cook it and eat it. You can't hunt like you ain't with none of that.

00:33:13
Speaker 1: That's what I'm saying.

00:33:14
Speaker 2: Country niggas do that.

00:33:17
Speaker 1: Nigga ain't killing. No nigga talking nigga, you're just talking, nigga. Shot the up. Nice niggas say. Niggas kill pigs. That's country, the country.

00:33:32
Speaker 2: But they doing that in the country, right, Yeah, what's my man? What's my man that be cooking?

00:33:36
Speaker 3: He'd be got his name, he been like on YouTube and all like he got like the big ass real in his back.

00:33:43
Speaker 1: He'd be frying. He be making those raccoon and everything. Yeah, yeah, I love this black. You would eat raccoon, No, nigga.

00:33:51
Speaker 2: He'd be making raccoon.

00:33:52
Speaker 1: He's looking at raccoon shark type of ship and I ain't working with none of that. Yeah, you be on that fancy ship for really. I wouldn't smoked upigga. When they try to put the Cavio all my pan cakes nos overseas. I said, take that ship out. I fuck with it. You gotta live, Mike Tyson, man, come on and learn, learn me something, put me down.

00:34:25
Speaker 2: That's one thing about you, you worldwide. You stay in the best hotels.

00:34:28
Speaker 1: Man. You gotta get them on fancy sometimes. Man, one hundred percent. You gotta leave your life. Nigga, Come on now, I appreciate it. I appreciate you. You painting the picture for niggas. Come because I'm with all that. You know what I'm saying. Keeping nigga and spied man shut after cuts the slight slices. They got it. Man, my shup gone. Look at that.

00:34:51
Speaker 3: I heard it from the baby cuts of slices right from send us that check.

00:34:54
Speaker 1: You heard what you said. I be surprised. From one to ten, I'm gonna get this bitch of twelve point five clothes. Look at that? What's all the clothes to the common voice. I'm about to have the order number one of the jerk chicken mob. Tell him make one for tell him make two breshs jerk chicken. That ass we gonna go pick them up. Look at that.

00:35:12
Speaker 3: Y'all heard that on the chopping block. We gave it a twelve point five, not a ten. Look at that giving it twelve point five. Shout to cut the slices. Definitely, it's the real report. Make sure y'all like Shire and subscribe. We're gonna eat these jerk Chicken and Oxtel slices. We got the biggest in the game and be grateful. Out Now, the baby.

00:35:34
Speaker 2: Pop that's on the charts as usual, nothing new to him.

00:35:37
Speaker 1: Y'all know what it is, man, The baby makes some noise. My nigg my nigga, the creative shooter. Come on, come on, thank you, brother, appreciate you. My niggare breass my nigga,

Chapters

No chapters available.