Dangerous Curves (S20E05)

<v Speaker 1>So that it wasn't Marga's glider parked outside the motel
<v Speaker 1>five years ago. I'm getting out of this marriage while
<v Speaker 1>I'm still young and handsome. Oh forever. I couldn't even
<v Speaker 1>keep a promise. I made you a tree.
<v Speaker 2>Four Finger Discounted.
<v Speaker 3>Welcome to four Finger discount where this week we are going.
<v Speaker 2>To review the worst flashback ever. I'm Dano and I
<v Speaker 2>am guy is working to our shock jock talk block.
<v Speaker 2>Where we are we're talking about dangerous curves.
<v Speaker 3>I would rather run through the top five hundred funniest
<v Speaker 3>sounds of all time and review this episode.
<v Speaker 2>I'd rather do that any way. That sounded great?
<v Speaker 3>Yeah, I know, but you need to have that. What's
<v Speaker 3>the one used to that's the greatest sound of all time?
<v Speaker 2>It has to be right. What's more iconic that the
<v Speaker 2>slide was?
<v Speaker 4>Like?
<v Speaker 2>Yeah, slide whistle? That just snickles defeat.
<v Speaker 3>Sad trombone or warm or the what's the bankrupt sound?
<v Speaker 2>For? It was a family feud. Do you know when
<v Speaker 2>a family feuder that sounds like the start of Netflix.
<v Speaker 2>That's the doom doom. See this is why Dando was
<v Speaker 2>a star of all things audio. I mean, you can
<v Speaker 2>tell the difference between that doom and well, actually that's
<v Speaker 2>not that hard.
<v Speaker 3>From ten years of doing podcasting, fifteen years of radio
<v Speaker 3>whatnot and editing my own sounds, I know what ms
<v Speaker 3>and urs look like in audio form. I'm like, I
<v Speaker 3>don't have to listen to. I'm just like, cut that out,
<v Speaker 3>cut it out.
<v Speaker 2>I just know you're like ciphering the matrix. You're not.
<v Speaker 2>You've seen Blonde Brune and I do enjoy good steak
<v Speaker 2>who does not? Yes, you know, as we always say,
<v Speaker 2>justice for Joey Pants, he was one hundred percent right.
<v Speaker 3>Oh yes, And in saying that, going to this episode,
<v Speaker 3>you need to have ignorance because this episode.
<v Speaker 2>I'm pretty much everything. Oh man, Yeah, that's true.
<v Speaker 3>So before we get into it though, before we get
<v Speaker 3>into some it's gonna be some not rants, but just bewilderment.
<v Speaker 3>But this weekend, so you m seed work function for
<v Speaker 3>your Lovely Louisa's father.
<v Speaker 2>It is the Lovely Louisa's Father's company. Yes, so he
<v Speaker 2>had had the Christmas party for it. It wasn't just
<v Speaker 2>for humans, it's for me And yeah, I was politely
<v Speaker 2>asked to emcee the event. Which year, there's not a
<v Speaker 2>whole lot to it, but you get up and you're
<v Speaker 2>sort of telling everybody to sit down and shut up,
<v Speaker 2>and you know, toilets are over there. If you want
<v Speaker 2>to vabe, go downstairs. Well it went fine, Yeah, went
<v Speaker 2>very well. You know it's a good night.
<v Speaker 3>You know you can start hosting this show. Then you
<v Speaker 3>start doing the intro.
<v Speaker 2>Welcome to fourthing a discount if you want a vape,
<v Speaker 2>can go outside. Got to made fun off. Yes, I
<v Speaker 2>took so I did that and it was great. Great.
<v Speaker 2>I took the kids.
<v Speaker 3>We may have mentioned it on the podcast in previous weeks,
<v Speaker 3>but Nicola and I should say no, Nicola, I took
<v Speaker 3>the kids to Melbourne, their first not ever staying in
<v Speaker 3>a what we thought was gonna be a hotel with
<v Speaker 3>Nicola in the beginning apartment. So it wasn't the hotel
<v Speaker 3>because kids wanted room service and whatnot, so that didn't happen.
<v Speaker 3>But we took them to see Home alone with the orchestra.
<v Speaker 2>Okay, and it was great. This was the a movie up, Yes,
<v Speaker 2>showing you the movie, but a live orchestra is playing
<v Speaker 2>John Williams is fantastic music, yes, John Williams.
<v Speaker 3>John Williams. Yeah, it's one of the sort of the
<v Speaker 3>ones that people sort of forget. You think John Williams,
<v Speaker 3>Jaw Star Wars.
<v Speaker 2>Listen to it, it's like John Williams allover. Yeah.
<v Speaker 3>And apparently the guy who was originally going to do
<v Speaker 3>it wasn't John Williams. It was somebody else because the
<v Speaker 3>conductor his name escapes me. He does all the conducting
<v Speaker 3>for the Melbournsyphony Orchestra, but he was saying that the
<v Speaker 3>original composer had to pull out because he had to
<v Speaker 3>do this other project, this acclaimed classic called The Rescue
<v Speaker 3>was down under. So John Williams was shown the original
<v Speaker 3>sort of cut rough cut of the film and he goes,
<v Speaker 3>I have to do this. So he did that and
<v Speaker 3>just hearing the start because it starts off with the
<v Speaker 3>dude and you're like, oh shit, it's like goosebumps when
<v Speaker 3>you're hearing that live, you know. And the kids loved it.
<v Speaker 3>Although we'll never be taking Holly to that again. She
<v Speaker 3>just she was enjoying herself, but she just can't sit still. Yeah,
<v Speaker 3>So that Holly's just one of those kids where she's
<v Speaker 3>got to be doing stuff she wants to in her
<v Speaker 3>pants and then we there's like have like a water
<v Speaker 3>light show outspront of Crank Casino. Yes, it was more
<v Speaker 3>interested in watching the cricket on the spots bar behind
<v Speaker 3>us then watching the water show, because you know it's
<v Speaker 3>Elliott and he loves his whats. And in the day
<v Speaker 3>after we took them to the Jurassic World exhibition and
<v Speaker 3>that was probably the almost the highlight for me. There
<v Speaker 3>was at the end of it. You see it's cleverly done.
<v Speaker 3>So they build like an actual animatronic t Rex like
<v Speaker 3>the ones you're seeing the film. It looks legit, right,
<v Speaker 3>but it's behind sort of this wire fence with danger
<v Speaker 3>not go behind, so you can't see the wheel, so
<v Speaker 3>it just looks like this TX is stomping and walking out.
<v Speaker 3>And for about thirty seconds Elliott believed and seeing his eyes, he.
<v Speaker 2>Looked at me and goes, is that really? I went,
<v Speaker 2>of course it is. He goes what you see.
<v Speaker 3>His eyes and I'm like, that's what it was like.
<v Speaker 3>When I watched dressing part of the person goes, that's
<v Speaker 3>all fake. That's a fucking dinosaur.
<v Speaker 2>So I would I would have loved it if Elliot
<v Speaker 2>would have had glasses on, and he sort of did
<v Speaker 2>that pulls him off Samuil style.
<v Speaker 3>But there's one point where he goes take a step
<v Speaker 3>back there, take a step back because I was holding
<v Speaker 3>him at the same time I got all on camerady
<v Speaker 3>can hear and going, this is not going to end good.
<v Speaker 3>He was in the moment made he believed the twenty
<v Speaker 3>first it was a really good time. So yeah, so
<v Speaker 3>then we had to watch Dangerous Curves. Now, we've been
<v Speaker 3>saying up to this point now, we're not one of
<v Speaker 3>those podcasts that just bashes every episode. I think we've
<v Speaker 3>been overall, probably ninety five percent positive for the majority
<v Speaker 3>of the episodes that come through.
<v Speaker 2>I think we've been very When you say criticism, criticism
<v Speaker 2>doesn't automatically mean that's bad. Criticism is critical thinking. It
<v Speaker 2>means you're analyzing it. It means you're looking at what works
<v Speaker 2>and what doesn't. It's not just like, oh, there's such
<v Speaker 2>a critic so and people.
<v Speaker 3>Who spack and say, well, these episodes aren't supposed to
<v Speaker 3>be overly critique, they're just meant to be enjoyed.
<v Speaker 2>It goes.
<v Speaker 3>But that's what TV is. You make it to be critiqued.
<v Speaker 3>That's what happens. That's what art is. Yes, yeah, you
<v Speaker 3>can't make an episode and go oh, well, it's your
<v Speaker 3>fault for thinking. You know, that's you should enjoy it,
<v Speaker 3>don't overthink it. It's just meant to exist.
<v Speaker 2>That's certainly one attitude you can take. Yeah, it's maybe
<v Speaker 2>not the best attitude you can take, but it's an
<v Speaker 2>attitude you can take.
<v Speaker 3>If you ignorance is bliss, that's you know that by power?
<v Speaker 2>Yes, yeah, and there's Look, there are certain shows that
<v Speaker 2>don't necessarily reward deeper analysis or that kind of critical thinking.
<v Speaker 2>There just let them wash over you. And look, I've
<v Speaker 2>got those shows and mother, no, no, don't for you've
<v Speaker 2>got those shows in your life. We all have those
<v Speaker 2>shows in our lives.
<v Speaker 3>But The Simpsons has built that core respect though from
<v Speaker 3>it from an audience of what now, twenty years of
<v Speaker 3>season twenty, where you can't just all of a sudden
<v Speaker 3>go oh.
<v Speaker 2>This is just one of the show's supposed to know.
<v Speaker 2>I don't forget and just ignore like you can do ken, Yes,
<v Speaker 2>but you should, but you don't. It's reputation. Isn't that
<v Speaker 2>the reputation precedes it and that you don't stick around
<v Speaker 2>for as long as it's in. Is that if you
<v Speaker 2>don't have a little substance to go with the style.
<v Speaker 2>So you know, I think it's something we should do,
<v Speaker 2>is like pick apart what works and what doesn't because
<v Speaker 2>it's hit highs sometimes that it's hit lows, and you know,
<v Speaker 2>you wonder why that's the case. Why does this work
<v Speaker 2>and this doesn't. That's why you're tuning in. We hope.
<v Speaker 3>The thing is with these flashback episodes, though, is that
<v Speaker 3>the main critique usually is the continuity. People that's ninety shows.
<v Speaker 3>A lot of people hate it because it's how it
<v Speaker 3>doesn't make sense right. We've been able to watch those
<v Speaker 3>episodes in a vacuum. Even if you're watching this one
<v Speaker 3>in a vacuum. The issue isn't the continuity. For me,
<v Speaker 3>it's just how hateful and negative and pessimistic, and it's
<v Speaker 3>just this episode had pretty much the majority of every
<v Speaker 3>element of what I despise about this era of the
<v Speaker 3>Simpsons is the only thing the writers know when you're
<v Speaker 3>doing a flashback is Marginhomer have a fight and it
<v Speaker 3>nearly break up. That's every flashback. Now, every flashback is that.
<v Speaker 2>It's never really about the joys of first meeting and
<v Speaker 2>the you know, the spark of that first.
<v Speaker 3>Game, it was Yeah, but from the team You're onwards. No,
<v Speaker 3>it's always just they even that ninety show It's Marriaging Crisis,
<v Speaker 3>it's always that they always end up fucking other people
<v Speaker 3>nearly and you're.
<v Speaker 2>Thinking, yeah, now, I've only seen this movie. It's an
<v Speaker 2>older movie based on Yeah, I saw it once, maybe
<v Speaker 2>in my late teens or early twenties, movie called Two
<v Speaker 2>from the Road from the late sixties starrying Albert Finny
<v Speaker 2>and Audrey Hepburn and a score from this mix of
<v Speaker 2>the score from the film, Yeah, and my recollection of
<v Speaker 2>But it's a little bit hazy, but you know, from
<v Speaker 2>my understanding, it's it looks at the service like a
<v Speaker 2>bit of a rom colm a bit I'll be like, oh,
<v Speaker 2>look at these two good looking people to get together.
<v Speaker 2>But it also shows I wait a minute, they can
<v Speaker 2>really get on each other's nerves. Oh maybe it's not
<v Speaker 2>meant to be. You know, the good times going going
<v Speaker 2>hand in hand with the bad times. That's what a
<v Speaker 2>relationship said, that's what a marriage is, all that kind
<v Speaker 2>of stuff, And I get the feeling the well the
<v Speaker 2>SIMS is definitely trying to emulate that here. I mean,
<v Speaker 2>they do so with the with the soundtrack, I think
<v Speaker 2>certainly with the end shot all that kind of business.
<v Speaker 2>Because you look at the endhoine like, what's all this
<v Speaker 2>about it? I was like, I was so confused. Yeah,
<v Speaker 2>going about it in this fashion, they just sort of
<v Speaker 2>get it all wrong. There's one or two elements in
<v Speaker 2>this episode that I'm like, if you'd taken this bit
<v Speaker 2>out and use that as the seed from which this
<v Speaker 2>episode would sprout, possibly, but otherwise, no, You're right, it's
<v Speaker 2>completely it's very cynical, it's very even Barton means all
<v Speaker 2>of that stuff. So these are the elements that I
<v Speaker 2>despise about. You know, you're in for a shit episode
<v Speaker 2>when Barton Lisa are the same person. So Lisa is
<v Speaker 2>usually I felt Lisa.
<v Speaker 3>Has been not written all that well later, right, but
<v Speaker 3>Barton Lisa just are both the same shitty kid. Yeah.
<v Speaker 2>Yeah. The whole sing songy bit was really really annoying.
<v Speaker 2>We recently did our episode of Speaking of the Hill
<v Speaker 2>where I've let me find.
<v Speaker 3>Out I remember Mono, I remember Mono. Same story.
<v Speaker 2>It's basically the same story in that if you're lucky
<v Speaker 2>enough to a fan love and sort of a love
<v Speaker 2>that's lasted a little bit a while you've got your
<v Speaker 2>story about how you met, it becomes like your script.
<v Speaker 3>You add things, you take things away, but you're on
<v Speaker 3>the same wavelength.
<v Speaker 2>Yeah. Yeah, And you know when you meet new Bill, like,
<v Speaker 2>so how did you two meet? You instantly sort of
<v Speaker 2>go into that spill if somewhere along though it you
<v Speaker 2>along the line you realize, oh, wait a minute, oh
<v Speaker 2>it didn't quite happen like that, or you know, new
<v Speaker 2>bits get added to it when someone else reveals, oh, well,
<v Speaker 2>you know that night, I was actually on two dates,
<v Speaker 2>and you know, the first one didn't work out at all,
<v Speaker 2>but then I rendered to you, Oh it all worked out,
<v Speaker 2>like you didn't tell me went on a date with
<v Speaker 2>someone else beforehand or whatever. It takes the magic away
<v Speaker 2>from it, it does. Yeah, but so I remember Mono
<v Speaker 2>from from King of the Hill.
<v Speaker 3>Which is available on our Patreon right now or Sticking
<v Speaker 3>the Hill episode reviews.
<v Speaker 2>Yeah, a very sweet episode. I mean I thought it
<v Speaker 2>would pretty well. I think we were worth on the
<v Speaker 2>same page. We quite enjoyed it. Yes, yeah, this episode
<v Speaker 2>does much the same thing and completely fucks it up.
<v Speaker 3>In that episode, right, Hank felt so guilty. Right, even
<v Speaker 3>Hank never really done anything all that wrong in that episode,
<v Speaker 3>he felt so guilty, and he spent the rest of
<v Speaker 3>the episode trying to win her love back here Home
<v Speaker 3>is just as angry at her, saying, oh, you know
<v Speaker 3>this is I've just got here right. Any episode that
<v Speaker 3>has either March or Home or both in the present
<v Speaker 3>day because they do it in the past, it was
<v Speaker 3>in the present day saying the words I wish I'd
<v Speaker 3>never met you. Forget it, forget it, yeah, just forget it, mate.
<v Speaker 2>But I think one of the great things about doing
<v Speaker 2>the shows that we do on the four finger disc
<v Speaker 2>in network is that it shows that there are only
<v Speaker 2>so many stories that can be told. Really, there's only
<v Speaker 2>like seven ways to build a house. But how you
<v Speaker 2>decorate the house or how you build extensions on the
<v Speaker 2>house is therein lies. The genius King of the Hill
<v Speaker 2>did it very very well. Simpsons did not do it
<v Speaker 2>very very well with it's just adding just cliche.
<v Speaker 3>Hank Isaria character cliche, trustpect Neil character, characters who they
<v Speaker 3>only name in passing. They don't introduces, it's just random people.
<v Speaker 3>So why was that going for for mart for Homer,
<v Speaker 3>you know, and why was all of a sudden he's
<v Speaker 3>just taking much give me a break. And the thing
<v Speaker 3>is right you mentioned earlier about that having the story right,
<v Speaker 3>Why would either of Homer or Marge think that that's
<v Speaker 3>a magical story to tell the kids twenty five it's
<v Speaker 3>twenty five years previously, five years from now, when they
<v Speaker 3>both knew that they're both almost embed with somebody else. Yeah,
<v Speaker 3>they're both they were both lying. This makes no sense.
<v Speaker 2>Yeah, taking the two from the Two of the Road
<v Speaker 2>sort of template and trying to map it onto the
<v Speaker 2>Simpsons the way they did here. I don't know. It
<v Speaker 2>was just all fucked up. But then yeah, because none
<v Speaker 2>of it made sense, and mostly none of it made
<v Speaker 2>sense logistically. It was just and I don't oha goes,
<v Speaker 2>I wish you were March. What do you mean? What
<v Speaker 2>do you mean? You were just saying you wish you'd
<v Speaker 2>ever met her. I don't know what is going on. Yeah,
<v Speaker 2>it's you just told Marge to fuck off because this
<v Speaker 2>person's more fun. You're doing limbo wheather.
<v Speaker 3>You're saying, oh, March, I don't need you anymore, and
<v Speaker 3>then all of a sudden he's like, oh you know
<v Speaker 3>what I need March, don't try No, no, no, no, no, no, no,
<v Speaker 3>and then he's saying, stupid march she does this, does that,
<v Speaker 3>and then he sees the carving in the tree.
<v Speaker 2>Oh, I've got to save our marriage. What the are
<v Speaker 2>we doing here? He's so angry, he's knocking it on.
<v Speaker 2>I'm just I just watched this.
<v Speaker 3>I was I have not been this angry, I think
<v Speaker 3>at an episode since the one where Home I left
<v Speaker 3>Marge in the driver's seat. This was that was despicable.
<v Speaker 3>This just was all kinds of just ship riding ship jokes.
<v Speaker 3>What is Flanders now just a crazy psycho Christian.
<v Speaker 2>There's a don't even get me started on Flanders and
<v Speaker 2>this this was this was weird.
<v Speaker 3>This was just fucking ridiculous, And all Flanders is now
<v Speaker 3>is just stupid one liners like the elephants said to
<v Speaker 3>this or whatever, like everything has a ship.
<v Speaker 2>Crossing off my favorite bits under the elephant.
<v Speaker 3>Then what I'm trying to say, though the lines might
<v Speaker 3>be funny, right there, has funny equips, but every single
<v Speaker 3>thing he does.
<v Speaker 2>Now is just that wow is this this? Say about this?
<v Speaker 3>And then but then the whole We're gonna spend our
<v Speaker 3>wedding night trying to fuck up these other couple get
<v Speaker 3>the water pistol. Ready, we know Lock putting a bear
<v Speaker 3>trap outside the door. What are we doing here?
<v Speaker 2>I have no idea. I've got no idea.
<v Speaker 3>What he finds it sexy that Maud's wearing her dead
<v Speaker 3>grandmother's pjs.
<v Speaker 2>What is happening? Yeah, I mean, what the hell is happening?
<v Speaker 2>The pj's thing is kind of funny in and of itself.
<v Speaker 2>I mean, the fact that it's like button up is
<v Speaker 2>the fact that it's her dead drammas. Okay, that's that's odd,
<v Speaker 2>that's uncalled for.
<v Speaker 3>I don't even understand how you write what how does
<v Speaker 3>that enter your mind and go that's a funny line.
<v Speaker 2>It doesn't make any sense.
<v Speaker 3>And what confuses me is this was written by am
<v Speaker 3>Maxtone Graham, who it looks like after So they wrote
<v Speaker 3>twenty four minutes, which I loved, almost my favorite episode
<v Speaker 3>of the season. Right, was that season eighteen? Maybe nineteen
<v Speaker 3>might have been last year, so I think twenty seven.
<v Speaker 3>It must have been nineteen, right, So you read it
<v Speaker 3>with Billy Kimball, right, and they won the Any Award
<v Speaker 3>for Best Writing, and then they go from that to this.
<v Speaker 3>This just felt like two guys looked up. They were
<v Speaker 3>both in their fifties when they wrote this. This felt
<v Speaker 3>like an episode that was written by two guys who
<v Speaker 3>had been made for twenty five years. They're going through
<v Speaker 3>like they It felt like these guys around happy in
<v Speaker 3>their marriage.
<v Speaker 2>And airing their dirty laundry in through this. Oh god,
<v Speaker 2>this was shit. I don't hate the idea of two
<v Speaker 2>seducers falling for each other. Like I forgot the names
<v Speaker 2>of the characters in the Alberto and Sylvia and Sylvia.
<v Speaker 2>I kind of liked the idea of those two clearly
<v Speaker 2>players falling from one another and finding Kindred's player. I
<v Speaker 2>don't know, but who is Sylvia? But the fact that
<v Speaker 2>they're the other person or you know, the the third
<v Speaker 2>not the third wheel, but yeah, the the random element
<v Speaker 2>that could break up the marriage that we know no
<v Speaker 2>one love in the span Yeah, the spanner in the works,
<v Speaker 2>that's right. I like the idea that they they met
<v Speaker 2>each other and like, oh, we're very very happy now.
<v Speaker 2>If I was writing this, if I was Ian Maxtone Graham,
<v Speaker 2>I would have home in margin the kids going to like,
<v Speaker 2>come on, kids, We're off to the lake where we
<v Speaker 2>spent our like our first honeymoon or our first our
<v Speaker 2>first holiday away as a couple, and it's when we're
<v Speaker 2>still getting to know each other. And oh, sometimes when
<v Speaker 2>you meet someone you everything's going great and then you
<v Speaker 2>just cover Oh, wait a minute, there's one thing that
<v Speaker 2>I don't like about them. Does this mean we're not
<v Speaker 2>meant to be together? And while they're at the lake
<v Speaker 2>that first time five years earlier or whatever, they meet
<v Speaker 2>Alberto and Sylvia.
<v Speaker 3>It wasn't the first time. That's what I supposed to visit.
<v Speaker 3>There's there's the twenty years prior, yeah, which is the
<v Speaker 3>timelines fucked up. So it's twenty years prior right where
<v Speaker 3>they were there with Flanders, and Flanders is trying to
<v Speaker 3>prevent them from falling in love, right, but from having sex.
<v Speaker 3>Then it's so all this shit with Alberto and Sylvia
<v Speaker 3>and all that is after they've had the kids, After
<v Speaker 3>they've had the kids.
<v Speaker 2>That's why I'm trying to rewrite. That is what made
<v Speaker 2>me the angriest.
<v Speaker 3>I went, wait a minute, all everything, all the foundations
<v Speaker 3>of this show of margin Homer's relationship. They've had Bart,
<v Speaker 3>they've had Lisa, and they're willing to throw it all
<v Speaker 3>away because they had an argument in the car.
<v Speaker 2>What on earth? Is this shit? Also? How was the
<v Speaker 2>room to pick up pick up bit in that car?
<v Speaker 3>No room forgetting This episode is just the fucking dirt worst.
<v Speaker 2>It was so shit. This is top five fucking worst
<v Speaker 2>things I've ever watched for The Simpsons. It sucked, man,
<v Speaker 2>it sucked well, and from another point of view, it
<v Speaker 2>just seemed to take forever as well. Like I thought, Oh,
<v Speaker 2>this is about to wrap up. Look at the there's
<v Speaker 2>got another seven or eight minutes ago. How much more
<v Speaker 2>story than it fit in here? This is garbage.
<v Speaker 3>It was just Homer and March having an argument again
<v Speaker 3>literally say noids, I never want I wish I'd never
<v Speaker 3>met you, and all of a sudden going actually, I'd
<v Speaker 3>change your one because we need to have an emotional ending.
<v Speaker 2>This was shit. This sucked, This was This was shit.
<v Speaker 3>And having said that, the one continuity issue, though, one
<v Speaker 3>continuity issue if you want to bring up cotton neuit issues,
<v Speaker 3>is that this had to be treated.
<v Speaker 2>As non canon.
<v Speaker 3>You know why because in episode Dan Eat Lisa's fair
<v Speaker 3>to word, one of my favorite episodes of all time
<v Speaker 3>and absolutely iconic episode right, which is where Maggie says
<v Speaker 3>Daddy for the first time. Right, The Simpsons moving next
<v Speaker 3>door to the Flanders, and the Fanners introduced themselves by saying, hey, neighbor,
<v Speaker 3>is great to have you in the neighborhood. And that's
<v Speaker 3>how they meet.
<v Speaker 2>So this episode is just shit shit, I tell you,
<v Speaker 2>it's shipped on multiple Can.
<v Speaker 3>We fuck off with the every flashback now has to go.
<v Speaker 3>Everyone already knew each other. Oh, the Flanners picked up
<v Speaker 3>the Simpsons.
<v Speaker 2>Fuck off, fuck off with that in mind hands favorite moments,
<v Speaker 2>my favorite.
<v Speaker 3>There was a couple of funny lines. I didn't mind
<v Speaker 3>the two of breasts. No, we're going to a lake,
<v Speaker 3>We're they were driving with the Flanders's right and the kids.
<v Speaker 3>Stuff I thought was funny at first, and then I
<v Speaker 3>just cared, going, that's it.
<v Speaker 2>I like some of Flanders's quip says. I pointed out
<v Speaker 2>earlier that whole everything's a fucking quicker, everything's equipped. But yeah,
<v Speaker 2>most of them weren't funny. These two were all right.
<v Speaker 2>The whole toss. As the Elephants said to the eleven keeper,
<v Speaker 2>tosso is in my trunk? Not bad? And also it
<v Speaker 2>looked like you two were a couple runnings over. It's
<v Speaker 2>all right, it's not bad.
<v Speaker 3>I'm also someone's so said about this, so like someone
<v Speaker 3>so the fu off, Cathlin.
<v Speaker 2>Is just be a normal person again, what is going on?
<v Speaker 2>Patty and or s Elma saying just shouting insults at
<v Speaker 2>Homer from the backseat, was.
<v Speaker 3>Like, I just like, your neck looks like a sideways
<v Speaker 3>as I thought you might like that. This is a
<v Speaker 3>guy gaga.
<v Speaker 2>There are occasions when the back of my neck looks
<v Speaker 2>like that. But also yeah, I mean I remember watching
<v Speaker 2>some reality show with the With the Love of Louise
<v Speaker 2>and Young Felix, and there was some guy like that.
<v Speaker 2>We just spent the rest of like half hour just
<v Speaker 2>going we get to see the back of that guy's.
<v Speaker 3>Because what a lovely memory. It sounds like you and Louise,
<v Speaker 3>the foundation of your relationship is sitting back and judging
<v Speaker 3>other people. Absolutely, it sounds like your relationship.
<v Speaker 2>That's all right.
<v Speaker 3>I feel like she doesn't. She's actually friends of all
<v Speaker 3>these people. She just become became friends of them, so
<v Speaker 3>invited to these parties. You go to sit back and
<v Speaker 3>go chick at these fucking idiots. They think they're so
<v Speaker 3>high and mighty. Check it out, that guy's neck look
<v Speaker 3>like that, As.
<v Speaker 2>I said, my seed for this idea would have been, Yeah,
<v Speaker 2>Alberto and Sylvia being at the lake, both heads would
<v Speaker 2>have been turned that we've already had this episode in
<v Speaker 2>many ways anyway, but if we have to have it,
<v Speaker 2>to have it like that. So I'd like the idea
<v Speaker 2>that Alberta and Sylvia ended up together and doesn't seem
<v Speaker 2>quite happy. Good on them. And also, this was just
<v Speaker 2>a flashback to my youth because it doesn't really occur,
<v Speaker 2>it doesn't really exist anymore. But the Women We Love
<v Speaker 2>issue of Esquire was really a thing that it was
<v Speaker 2>an annual issue of Esquy magazine, which is a mega
<v Speaker 2>still read. So yeah, quote unquote men's maggots.
<v Speaker 3>Actually, I've just realized, so it doesn't make sense. Ruthie
<v Speaker 3>the daughter, right, yeah.
<v Speaker 2>How old was she? Oh gosh, I don't know. Yeah,
<v Speaker 2>what you because she didn't look that young? Right you? Five?
<v Speaker 2>Did she know she looked older than that? Well, she
<v Speaker 2>looks sort of bart Lisa age.
<v Speaker 3>Which didn't she but then he met five years prior
<v Speaker 3>another reason I hate this episode, and which means she
<v Speaker 3>couldn't ever had a kid for at least another nine
<v Speaker 3>months to say a year, which means she's at most four.
<v Speaker 2>Maybe she's precocious. Yeah, away, I want to give a
<v Speaker 2>shout out to the Women we Love episode. Yeah. Even
<v Speaker 2>for a while there was quite objective objectifying. What was
<v Speaker 2>the women we Love is? It was kind of like,
<v Speaker 2>check out, That'scyle Johansson or something like that. So what
<v Speaker 2>are we talking about? The Women we Love issue with Esquire?
<v Speaker 2>I already mentioned it.
<v Speaker 3>Oh yeah, okay, now okay, Now because he says something,
<v Speaker 3>I was like, wait a minute, I trade it from it.
<v Speaker 2>You continue, Yes, it actually then started going. The way
<v Speaker 2>that it's presented in this issue was like women have
<v Speaker 2>actually accomplished stuff. I guess we love them too, but
<v Speaker 2>they don't even have that anymore.
<v Speaker 3>Now it's just pictures of belts, esquid. I've never read
<v Speaker 3>an Esquire in my life. I just say, Bill Esquire,
<v Speaker 3>Bill s pres.
<v Speaker 2>It's good mag Well it used to be a good meg.
<v Speaker 2>Actually no, it's it's still quite good. It does mag
<v Speaker 2>mag magazine.
<v Speaker 3>I know I'm being it's a joke because magazines don't
<v Speaker 3>exist anymore.
<v Speaker 2>Oh okay, I thought you were. I was so angry.
<v Speaker 2>Then you're making fun of my old time, My old time.
<v Speaker 2>He's slaying what is this demonry?
<v Speaker 1>Next? Question.
<v Speaker 2>You there eating the paste, all right? Trivia time, Trevia time.
<v Speaker 3>My first question for you is how long did Alberto
<v Speaker 3>apparently not talk That's actually I didn't mind that gag
<v Speaker 3>as well. How long did he not talk to Marge
<v Speaker 3>between saying I take you for a ride or should
<v Speaker 3>I say glide? And then it was like I'm glad,
<v Speaker 3>I'm just glad you' speaking again because I didn't say
<v Speaker 3>anything between that moment.
<v Speaker 2>That's a good question. I might have been getting a
<v Speaker 2>drink of water when that happened. Did you what you
<v Speaker 2>walked away from the screen. Yeah?
<v Speaker 3>Probably halfway through the episodes, You're just like, I don't
<v Speaker 3>know where we're up to. Forty five minutes.
<v Speaker 2>Forty five minutes. Okay, speaking of Alberto in Marge, the
<v Speaker 2>dress that he presents for it has what kind of
<v Speaker 2>hem ah?
<v Speaker 3>No, I was gonna write all that stuff, and I went,
<v Speaker 3>this episode doesn't deserve this much detail.
<v Speaker 2>What was it? It's a wolverine.
<v Speaker 3>Wolverine this I knew it was something Marvel character of
<v Speaker 3>some kind. Unless she's wearing pumps as well. What is
<v Speaker 3>Ned and Maud's code names?
<v Speaker 2>Okay, he is mustache see mostage one. Yep, she is
<v Speaker 2>Red Dog a dog? Yeah? That was one of my
<v Speaker 2>questions to you, Red Dog. The relationship is so weird.
<v Speaker 2>This episode was just weird, right record. One of the
<v Speaker 2>biggest stricken from the record is one of like notes
<v Speaker 2>that I've written here Forbatim. What's it there with these Flanders?
<v Speaker 2>Why are you letting Flanders call the shots? Dude? What's
<v Speaker 2>the deal with this episode? This episode has a bad attitude. Yeah,
<v Speaker 2>but mainly the Flanders stuff. I mean that whole kind
<v Speaker 2>of what you just gotta arrived from these people, and
<v Speaker 2>now you're letting them sort of dictate your level of affection.
<v Speaker 2>What's your partner? It doesn't make any sense. Yeah, I mean,
<v Speaker 2>maybe tell this guy to fuck off. Yeah, everybody just
<v Speaker 2>get out of the car. Yeah, maybe just go somewhere else,
<v Speaker 2>which they do. Then things get worse. Don'nlike dangerous curves?
<v Speaker 2>Terrible episode? Do I have one more question for you?
<v Speaker 2>According to there are many love messages carved onto the tree?
<v Speaker 2>What does disco stew love?
<v Speaker 5>Oh?
<v Speaker 3>I didn't notice disco, that's notice Flanders And.
<v Speaker 2>No, what is it disco? Disco? Still on disco? Who
<v Speaker 2>loves disco? Not bad?
<v Speaker 3>I find a question for you is how much does
<v Speaker 3>Lisa take in advance? Ten ten dollars is correct?
<v Speaker 2>One more question if you want to go for it. Okay,
<v Speaker 2>then in the file that Patty and Selma are keeping
<v Speaker 2>on Homer, can you name uh three of the category
<v Speaker 2>there are four? It's it was you tools there, but
<v Speaker 2>they're all use it was up to's uncle Colin common monkeys,
<v Speaker 2>unclean and ugly.
<v Speaker 3>As ugly, as ugly as bro exactly as where we
<v Speaker 3>used to say like it's full as exactly as cheap
<v Speaker 3>as cheap az.
<v Speaker 2>Yeah, that's gone. Go the way of the word mag
<v Speaker 2>She used to be my playground.
<v Speaker 3>If you're a fan of everything we do here at
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<v Speaker 3>this week, or you do it, don't do it again.
<v Speaker 3>When did I do it for last? I think that
<v Speaker 3>was this two times south Park? Maybe good mind.
<v Speaker 2>Okay, it's kind of run. I'm going to say, I
<v Speaker 2>guess I'll send you a list. Well, okay, get your
<v Speaker 2>phones out, but I'll turn a lot of talk around.
<v Speaker 2>This time.
<v Speaker 3>I'll say I will send you a list that where
<v Speaker 3>you just have it ready on your phone next time.
<v Speaker 2>That's a good idea, go for it. I don't have
<v Speaker 2>to scroll down. Shout outs to our stonecutters. First of all,
<v Speaker 2>we have to, of course give one thousand dollars worth
<v Speaker 2>of props to our one hundred dollars patron Katy G.
<v Speaker 2>And then of course half as much of a shout out.
<v Speaker 3>To man Andrew, which is pretty loud when whatever guy
<v Speaker 3>says kddy G puts both hands out Andrew and he
<v Speaker 3>gets one arm out and.
<v Speaker 2>It's sort of in a Nazi salute. So I'm sorry
<v Speaker 2>about that, Andrew. Also our pots and pans, Master Zach Prut,
<v Speaker 2>and Andrew Swan, Swanny, Mick Swan, and now just a
<v Speaker 2>list of names that I just love to read in
<v Speaker 2>a very rhythmic fashion. A La Dando, Paul Warner, Isabella Murphy,
<v Speaker 2>Jonathan Rossi, Rag Bees, Lee, Stephen Roberts, Sean DV, Peter Anderson,
<v Speaker 2>Timothy Burlson, Andrew Davis, Ryan Dunlap, Kevin Dental, Planned Flood,
<v Speaker 2>Shannon Hofer, Bella winder Bank, Jack McFadden, Heath Apple, be
<v Speaker 2>Adrick McLeod Lewis Kavanaugh, Mark Trileven. One of these days
<v Speaker 2>we'll get it right. You got a right hooray for me,
<v Speaker 2>Reyese Roberts, and hooray for Reece Roberts, Ginger and Pickle,
<v Speaker 2>Preston Murray, Taliah Enriquez, Jake Muscadel, you get them all right? Well,
<v Speaker 2>I'm looking at did they get it? Rid Declan Phoenix,
<v Speaker 2>Brian McCoy, Josh Hellier, Logan Bee. J Oh wait a minute, ah,
<v Speaker 2>what I've gone on to discord? Where is it? Discord?
<v Speaker 2>How do you get a discord? I pressed the wrong button?
<v Speaker 3>Oh my god, I don't know how to say. How
<v Speaker 3>you even did that?
<v Speaker 2>There's no shortcut the discord. How did you even do that?
<v Speaker 2>I don't know?
<v Speaker 3>Andrew Swanny mcswe Oh god, I'm actually confused. Don't know
<v Speaker 3>how you did that. There's no shortcut the discord on
<v Speaker 3>this computer. What the fuck? Just call me Steve Jobs Jesus. Okay,
<v Speaker 3>there you go. Let's join the discord by the way, guys.
<v Speaker 2>Yeah, it's a lot of fun. You can join it
<v Speaker 2>if you can.
<v Speaker 3>There is a way to joy for free. But you
<v Speaker 3>when you get access toward the fun chats, you're gonna
<v Speaker 3>be a support of ouse on Patreon. Use that mouse.
<v Speaker 2>I'm using the button. I don't just don't use the
<v Speaker 2>track pad. I'm not using Uh, Jack macfound appill be.
<v Speaker 2>Are you afraid of mouses? I'm not afraid of mouse. Yeah, mouses?
<v Speaker 2>What am I doing? Not a word? Get through these?
<v Speaker 2>Josh Helly, a Logan Bee, James Sheppard, Joe Ridden, Sect,
<v Speaker 2>David Pretzel's met now like Gavin Lang, Damian Miller and
<v Speaker 2>Charlie Joe. There's too many names here. That's for the
<v Speaker 2>end of the month. You do this every time, okay,
<v Speaker 2>the people, if you are support of ours, five dollars
<v Speaker 2>plus you get your name right out at the end
<v Speaker 2>of the month. I really want to read them out.
<v Speaker 3>You're out on the on the podcast every single week.
<v Speaker 3>You just gonna be a stonecutter. Supporters of ours on
<v Speaker 3>four for discount.
<v Speaker 2>I hope you enjoyed me reading him out as poster.
<v Speaker 2>Dando comment in the comment section if you'd think who
<v Speaker 2>read it better? I will ever read them. Don't worry,
<v Speaker 2>Dando will tell me something happened.
<v Speaker 3>So the original air of Dangerous Curves was November ninth,
<v Speaker 3>two thousand and eight.
<v Speaker 2>A day that will live in infamy. M the day
<v Speaker 2>the music died.
<v Speaker 3>Kab F one eight is the production code written by
<v Speaker 3>as we said, Billy Kimball and Ian Maxto and Graham,
<v Speaker 3>directed by Matthew Fahn. Now what I did like was
<v Speaker 3>Maurice slamash again guest stars, Miss Maurice appearing so much
<v Speaker 3>more than I realized. Correct, here's the voice of all
<v Speaker 3>the various serial characters, and he's actually the voice of
<v Speaker 3>too Cansam in real life. Wow, wherever they've got in
<v Speaker 3>two Cansam, They're like, can you do any of the others?
<v Speaker 2>What is milk? Maurice for always worth? And then we'll
<v Speaker 2>kill them. Yeah.
<v Speaker 3>Chopboard gag is I did not see teacher siphoning gas
<v Speaker 3>and the couch gag is the family is a of
<v Speaker 3>wooden figures that come out of a set of cuckoo
<v Speaker 3>clock cuckoo clocks.
<v Speaker 2>Don't really see cuckoo clocks anymore?
<v Speaker 3>Do you really see clocks anymore? Everyone's got what's the time?
<v Speaker 2>Who like you?
<v Speaker 3>But anyone who's under the age of thirty? What's the
<v Speaker 3>time you get your phone out? And even I'm coming into.
<v Speaker 2>The twenty first century with a smart watch?
<v Speaker 3>Yeah, but even still telling you under thirty they can
<v Speaker 3>be wearing a smart watch. You say, what's the time
<v Speaker 3>they pull their phone out?
<v Speaker 2>Kids? These days?
<v Speaker 3>And the excuse the pull we how often do you
<v Speaker 3>think I've done this before myself? Before you had to
<v Speaker 3>watch whatever? You always wear a watch, But I pulled
<v Speaker 3>my phone out to check the time and then do
<v Speaker 3>a bunch of other shit, but don't actually check the time.
<v Speaker 3>Ah yeah, It's like you get the phone in hand
<v Speaker 3>and go, oh, okay, we've got to do something. Oh
<v Speaker 3>better check X. One thing I did better move over
<v Speaker 3>to Blue Skirt when we were away with the kids
<v Speaker 3>was I turned my phone off from like three o'clock
<v Speaker 3>onwards and it was just three.
<v Speaker 2>To off or on silent off. Wow, I just want
<v Speaker 2>to pretty ballsing.
<v Speaker 3>I thought, if someone's get in contact with it, No,
<v Speaker 3>Nicholas here, and it blew me away.
<v Speaker 2>How often I was going to reach for my pocket.
<v Speaker 3>Without even well, I wasn't been thinking in my head,
<v Speaker 3>oh okay, we're going to check Facebook.
<v Speaker 2>It was just I just reached for my pocket all
<v Speaker 2>the time, and I'm going, oh, yeah, even you have alone,
<v Speaker 2>I went, what do you reaching for your fame for?
<v Speaker 2>You're at the movies? Be present? Yeah, be present? And
<v Speaker 2>it was just great just being in the moment. Yeah,
<v Speaker 2>you're a human being in the year twenty twenty four.
<v Speaker 2>I am, indeed. But the episode kicks off. It is
<v Speaker 2>the fourth of July weekend. They're all stuck in the
<v Speaker 2>traffic and Billa Mahdi on the radio going through the
<v Speaker 2>top five hundred wacky sound effects.
<v Speaker 3>They played variousund effects I've already discussed. Bart has chewing
<v Speaker 3>gum in his ears to block out the sound and
<v Speaker 3>pulls it out and pulls out like bones with it.
<v Speaker 2>I don't know what that was. Was that like part
<v Speaker 2>of his brain or something. It just seems so I
<v Speaker 2>wasn't weird and off putting.
<v Speaker 3>It wasn't brain because the pink was a chewing gum,
<v Speaker 3>but his ear.
<v Speaker 2>Drums or something, I don't know. I hated, why are
<v Speaker 2>we doing like this? This is a dreadful way to
<v Speaker 2>start the episode and just set it off on the
<v Speaker 2>wrong tone. I did not like it.
<v Speaker 3>You knew from the very minute, first minute of this episode,
<v Speaker 3>I knew this is gonna be shit. You can just tell,
<v Speaker 3>you can just tell when it's gonna be Oh, it's
<v Speaker 3>one of those versions of it's what again, it's fifty
<v Speaker 3>year olds, right, and nothing als fifty year olds, mister Davis.
<v Speaker 3>But seriously, this felt like a show that was written
<v Speaker 3>an episode that was written by someone who didn't. These
<v Speaker 3>guys wrote some episodes during well Emas and Graham wrote
<v Speaker 3>episodes during the Golden Era towards the end of the
<v Speaker 3>Golden Era, but this Billy Kimber guy didn't. But still
<v Speaker 3>he wrote twenty four minutes, maybe because he had the
<v Speaker 3>license of twenty four to sort of work from, but
<v Speaker 3>trying to write an original story here fucking suck. And
<v Speaker 3>like this kind of joke with the pulling the bones
<v Speaker 3>out of his ear. It's what I always go on about,
<v Speaker 3>how they make mister Burns this ridiculous, unrealistic character. Now
<v Speaker 3>where things can blow up inside him and he's internal
<v Speaker 3>organs he pulled out and put back inside of him.
<v Speaker 2>It's just it's so stupid. It's just it's just that
<v Speaker 2>shit for riching and scratching. Yeah, exactly.
<v Speaker 3>So Marginal suggests they pick up the hitchhikers, which felt
<v Speaker 3>feels like the most unmarginal thing ever.
<v Speaker 2>Right, Yeah, Homer is the an impulsive one.
<v Speaker 3>Marg Like I said from the very first minute, you go,
<v Speaker 3>this is written by someone who doesn't understand the characters
<v Speaker 3>or it doesn't care.
<v Speaker 2>As you've said about about how is she is, like,
<v Speaker 2>they're not riding specifically for characters anmore, they're riding jokes
<v Speaker 2>and slotting in exactly.
<v Speaker 3>And that's exactly what this episode was. It was all
<v Speaker 3>these zingers that were just applied to whoever was in
<v Speaker 3>the scene at.
<v Speaker 2>The moment quote unquote singers.
<v Speaker 3>Yes, so then we get the whole you said they
<v Speaker 3>were drug crazed thrill seekers. No, they're thrill crazed drug
<v Speaker 3>seekers whatever. And it turns out to be the Squeaky
<v Speaker 3>Voice teen and his new girlfriend Beatrice. Right, you know,
<v Speaker 3>it's nice see Squeaky Voice team actually has a girlfriend now,
<v Speaker 3>and who's well, bat my Beobb's average with Beatrice you.
<v Speaker 3>Marge then says that you know that was once them.
<v Speaker 3>They're switching in the back seat.
<v Speaker 2>Bubbah blah.
<v Speaker 3>Harmers has knock it off, and it gets cut to
<v Speaker 3>twenty years earlier, and it's margin Homer riding their bikes,
<v Speaker 3>and like I said, I normally really enjoyed the flashback episodes,
<v Speaker 3>and he suggests this new thing called biking out. March's
<v Speaker 3>bit hesitant about it. They make March very gullible in
<v Speaker 3>these modern day flashback ones.
<v Speaker 2>It's about to say you had that home, he had
<v Speaker 2>that coming home again, dumba. How old? How old are
<v Speaker 2>they here? It was like, oh, I'm not too sure
<v Speaker 2>about biking out, you fucking teenagers, Well that's your yeah,
<v Speaker 2>the twenties. I'm assuming by this point, twenty years prior.
<v Speaker 2>I think we're going to be going to muddy. This
<v Speaker 2>is going to be like that line that I always
<v Speaker 2>say from Luper. It's like, let's not try to explain
<v Speaker 2>time travel here, because we're just gonna end up making
<v Speaker 2>diagrounds out of straws and making each other mad. Yeah, no,
<v Speaker 2>forget about it. It's just okay, Well, now we're back
<v Speaker 2>in time. Now we don't try to talk about continue
<v Speaker 2>or anything like that. They fucked it up. We shouldn't
<v Speaker 2>be paying any attention, so let's just run through it.
<v Speaker 3>He crashes in the mud, and the Flanders then pick
<v Speaker 3>them up.
<v Speaker 5>Hey names dad Flanders. As the elephant said to the
<v Speaker 5>peanut vendor passos in my trunk.
<v Speaker 2>March, I loved this guy. But are there muddy buddy?
<v Speaker 1>He rhymes, O happy day.
<v Speaker 3>I feel like this is all just so they can
<v Speaker 3>have the joke of Homer actually liked Flanders at one
<v Speaker 3>point in time. He says, you know, and he rhymes, oh,
<v Speaker 3>happy days, and then he's surprised it bicycling the driving
<v Speaker 3>with the Flanders. Now, yes, and Flanner's is a surprised
<v Speaker 3>our bicycling to her breast considering they're unmarried. They're not married.
<v Speaker 3>And again here there's one thing. More says something. She goes,
<v Speaker 3>I think I like this, whatever he is. I think
<v Speaker 3>I'd like to finish my sentence first. And I thought, oh, yeah,
<v Speaker 3>it's like that's why I wrote what's to deal with
<v Speaker 3>these Flanders?
<v Speaker 2>Yes? So yeah, why does he have I don't know, man,
<v Speaker 2>this was written by this It's so confusing because em
<v Speaker 2>Max dain Graham wrote the Larry Burns episode. Yeah right,
<v Speaker 2>he wrote like Trash of the Titans, so later Golden
<v Speaker 2>Nearer episodes, but ones that I really enjoy what is
<v Speaker 2>going on here, Yeah, because I mean, for all Flanders's faults,
<v Speaker 2>and I mean we've seen that he can have volcanic
<v Speaker 2>rage that does come.
<v Speaker 3>Up occasionally, but he tries to suppress it most of
<v Speaker 3>the time.
<v Speaker 2>That's why when it comes up, he usually comes up
<v Speaker 2>for a very good reason. Yes, it's like, hey, Ned,
<v Speaker 2>we built you a house that you know, yeah, but
<v Speaker 2>you did a shit job of it, and you're expecting
<v Speaker 2>me to pat you on the back fo you know.
<v Speaker 2>And also a lot of bad shit has happened to
<v Speaker 2>me before then.
<v Speaker 3>And his question is face he dedicated his life to
<v Speaker 3>God and he's the only house.
<v Speaker 2>Where this is kind of like, oh, the Flanders are
<v Speaker 2>as miserable in their marriage as everyone else. Yeah, it's like,
<v Speaker 2>first of all, I don't think everyone else is miserable
<v Speaker 2>in marriage. Maybe you are, Ian Max Darone Graham. Sorry,
<v Speaker 2>So that's what I felt like. They didn't We're not
<v Speaker 2>you know, we're not casting any aspersions or that's just
<v Speaker 2>what you're right, across. Yeah, yeah, So don't throw the
<v Speaker 2>Flanders into that. They've got their faults. Absolutely, they can
<v Speaker 2>be self righteous and sort of. Yeah, I think it's
<v Speaker 2>goody goody to a fault is the thing.
<v Speaker 3>But it's even unhappy that they got married that day,
<v Speaker 3>So I.
<v Speaker 2>Don't know it. So, like I said, what's the deal
<v Speaker 2>with these Flanders?
<v Speaker 3>So they're saying that this is their honeymoon, and Homer says, oh, well,
<v Speaker 3>they're clearly not happy. Will you not marry me, Marge?
<v Speaker 3>I will happily not marry you whatever whatever. Yeah, you
<v Speaker 3>casts to the present time. Home is now angry at
<v Speaker 3>the squeaky voice Teaen and Beach just kissing. He says,
<v Speaker 3>you no, knock it off, and it's a similar flashback.
<v Speaker 3>We'll get through the episode. It tells, but to look away,
<v Speaker 3>don't look at what's going and make sure you just
<v Speaker 3>keep focusing on your game boy. It's two thousand and eight, guys,
<v Speaker 3>what to make game boys for? Would you ever switch Bay?
<v Speaker 2>Then? I don't know. I'd never game Boy was what
<v Speaker 2>I have when I was a kid, and I grew
<v Speaker 2>up in the nineties, right, a game Boy in the nineties.
<v Speaker 3>But you know what it is this is apologies fifty
<v Speaker 3>year old man writing, what are the kids playing these days?
<v Speaker 2>Game boys? Well, surely you've got a younger person on staff.
<v Speaker 2>I mean I don't think they do. That's the problem.
<v Speaker 2>But they would now but they didn't, then would you'd
<v Speaker 2>be thinking that, I say, a show like a product
<v Speaker 2>like the Simpsons would surely have and you will surely
<v Speaker 2>be able to afford like at least one person on
<v Speaker 2>the staff who's like, update this reference.
<v Speaker 3>No, you know why, because they would be the ones
<v Speaker 3>constantly saying but that doesn't make sense because of this
<v Speaker 3>Because they grew up watching the Simpsons. They didn't want
<v Speaker 3>people questioning. Just fucking enjoy it.
<v Speaker 2>That's that's it. But I'll just have someone if slash
<v Speaker 2>when I haven't get my production coming up and running
<v Speaker 2>and I'm making movies and TV shows, yeah, I would
<v Speaker 2>have a young person designated young person on staff just
<v Speaker 2>to say, yeah, your name dropping so and so when
<v Speaker 2>I your name dropping Britney Spears when you really want
<v Speaker 2>to say Charlie x X. By the time this epizidse
<v Speaker 2>comes out, I'm telling you you may hear Sabrina Carpenter.
<v Speaker 3>I'm telling you there are twelve twelve year olds out
<v Speaker 3>there right top fifteenyear olds probably never who Britney spears
<v Speaker 3>is oh, yeah, that's one, but that's legit.
<v Speaker 2>Though that's not that's not of an a joke. I
<v Speaker 2>would say, Oh, I need to write a joke about
<v Speaker 2>the pop dos Britney spears, At which point someone says, no,
<v Speaker 2>chapel rung. Guy writes an episode Homer checks has watched guy,
<v Speaker 2>It doesn't check the wh Yes, but Whomer is actually
<v Speaker 2>a member of the older generation, so he would therefore
<v Speaker 2>have you're favored.
<v Speaker 3>But then it's following up with this line of and
<v Speaker 3>because he kills all the serial mascots video games, the
<v Speaker 3>reason this generation is the best ever?
<v Speaker 4>Never?
<v Speaker 2>What does that ever mean?
<v Speaker 3>Is this just some old guy, some old guys saying
<v Speaker 3>it's meant to be a joke saying they're actually the
<v Speaker 3>worst ever.
<v Speaker 2>Yeah, But then the way it's delivered is not plays
<v Speaker 2>on video games. It's two thousand and eight.
<v Speaker 3>By that point we had moved on from udo games
<v Speaker 3>that the reason society is fucked, you know what I mean?
<v Speaker 2>There were there were more specific reasons why people buy
<v Speaker 2>white Society is fucked.
<v Speaker 3>And then they drive past the suv superstore, which is
<v Speaker 3>now going out of business. But we capt to the
<v Speaker 3>pass and it's the grand opening. Paddy and Somemer. Where
<v Speaker 3>were they driving Patty and Summer too? I missed that
<v Speaker 3>in the back seat and they were just giving them
<v Speaker 3>a ship.
<v Speaker 2>And then they just threw them out.
<v Speaker 3>But the thing is, so they are annoyed at Homo
<v Speaker 3>for good reason because he pissed into the pool from
<v Speaker 3>the diving board. Oh yeah, and this Homer is the
<v Speaker 3>Homer who's only five years prior, so, like he's got
<v Speaker 3>kids and he's pissing in the pool from the diving board.
<v Speaker 3>He's thirty four years old.
<v Speaker 2>I don't get it. I don't get it. This may
<v Speaker 2>be the worst episode of a thing of the Simpsons
<v Speaker 2>so far. And you know what, I don't want to
<v Speaker 2>get it.
<v Speaker 3>I was angry at that last one with the car,
<v Speaker 3>but this one is just this one's a slap in
<v Speaker 3>the face.
<v Speaker 2>The face. Well, this is a bad combination of it's
<v Speaker 2>got a bad attitude, but it's also got sloppy all
<v Speaker 2>over the place storytelling. It's bad on an emotional level
<v Speaker 2>and it's bout on a logistical level.
<v Speaker 3>Yeah, this is this is the worst episode we've reviewed
<v Speaker 3>on the show so far, it really is. It's fucking terrible.
<v Speaker 3>You heard it here first faction. Yeah, it's really disappointing.
<v Speaker 3>So he throws Patty and somewhere out because they're berating him,
<v Speaker 3>and then Marge says, you should have done it because
<v Speaker 3>they have the map.
<v Speaker 2>Oh my, that was rude and short sighted. Pity.
<v Speaker 1>I have this situation under control. The compass needle is pointing.
<v Speaker 5>That's the FR gauge.
<v Speaker 1>How many times do I have to say I'm sorry?
<v Speaker 2>You haven't such a sorry?
<v Speaker 1>You know, I was hoping a number. It might be zero.
<v Speaker 2>I think the running out of petrol is taken from
<v Speaker 2>two from the Road too, for the Road as well.
<v Speaker 2>I think there are bits and pieces lifted from Two
<v Speaker 2>for the Road all throughout this What a random fucking
<v Speaker 2>episode of the movie. Well, that's the thing. It's it's
<v Speaker 2>the reason I know about it way for these characters. No, No,
<v Speaker 2>the reason I know about the movie it's in a
<v Speaker 2>book called cult Movies. It's not necessarily one that's really
<v Speaker 2>well known. I mean it's not like even from from
<v Speaker 2>the period. It's kind of like, oh yeah, this is
<v Speaker 2>kind of an oddity or a little it went under
<v Speaker 2>a bit under the radar.
<v Speaker 3>The problem is it doesn't feel obscure enough because we
<v Speaker 3>talked about it when they did the Sopranos thing that time,
<v Speaker 3>right when we go, oh, so how much just smothering
<v Speaker 3>grandpa in the car?
<v Speaker 2>What the hell's going on here? Oh?
<v Speaker 3>We find it like, oh it was the Sopranos reference.
<v Speaker 3>They didn't make that clear enough. Right here, it just
<v Speaker 3>feels like this is just a mean spirited story. It
<v Speaker 3>doesn't make you go, oh this this, this is oh,
<v Speaker 3>this is different, this this, this, this is obviously referencing something.
<v Speaker 3>You don't get that vibe watching this. You just think, oh,
<v Speaker 3>these writers don't know how to write.
<v Speaker 2>The characters, or they're just throwing in weird, mean ship
<v Speaker 2>for the sake of it.
<v Speaker 3>Yeah, And they arrive at this party for rich people.
<v Speaker 3>I guess it is all the famous people were there.
<v Speaker 2>I don't know.
<v Speaker 3>Yeah, well that's I'm so well, Rainy Wolf, Cas Wilfcastle, Carusty,
<v Speaker 3>Krusty was there.
<v Speaker 2>I didn't say Krusty.
<v Speaker 3>I'm pretty sure I saw him there. But they arrive
<v Speaker 3>at this party and the guy at Alberto we find
<v Speaker 3>his name is later on, invites the men, says there's
<v Speaker 3>so much fun stuff to do, and Homas says it's
<v Speaker 3>not state he for long mow because you know, I
<v Speaker 3>don't want you to having a good time is not.
<v Speaker 2>Something that we do.
<v Speaker 3>Something along those lines, and then he complains that Marge's
<v Speaker 3>boring later, despite the fact that he was the one
<v Speaker 3>I didn't want to go into the party. So then
<v Speaker 3>he's walking around with two drinks for me.
<v Speaker 1>Oh good, two of your own.
<v Speaker 2>You're a funny one that's strong.
<v Speaker 4>Are you trying to get me drunk?
<v Speaker 1>No, I'm trying to get meat drunk.
<v Speaker 2>You know my horoscope said I need the man of
<v Speaker 2>my dreams tonight.
<v Speaker 1>Well, Horoscope would never lie to a pretty girl like you.
<v Speaker 2>You are adorable. Are you alone?
<v Speaker 1>I'm talking to you at this great party?
<v Speaker 2>Well, then would you like to limbo?
<v Speaker 1>You mean to dance or the place where on baptized
<v Speaker 1>baby skull? Either way, I'm in.
<v Speaker 2>I'm like, why are you flirting with? What's going on here? Yeah,
<v Speaker 2>you're not drunk yet, I'm start You've got two kids
<v Speaker 2>at home?
<v Speaker 1>What is going on?
<v Speaker 3>He's got two kids at home? He just starts flirting
<v Speaker 3>with this girl.
<v Speaker 2>I'm gonna I'm looking at the plot of two for
<v Speaker 2>the road plot. I'm gonna see if there's any sort
<v Speaker 2>of no. I don't think there's no. No.
<v Speaker 3>Is it joke just because the film is called two
<v Speaker 3>for the Roads. Who he's got taken two drinks for
<v Speaker 3>the road? Is that it's meant to be.
<v Speaker 2>No, they're just on the road a lot in them.
<v Speaker 2>But what I'm saying in this episode maybe if this
<v Speaker 2>is a ship joke, nah, forget it. I'm not. I'm
<v Speaker 2>not even gonna try.
<v Speaker 3>But basically, she then asks Homer to go, limbo is
<v Speaker 3>like the game or the place where I'm baptized babies?
<v Speaker 4>Go?
<v Speaker 3>I thought you guys are just not on today. Did
<v Speaker 3>I hear that line?
<v Speaker 2>I missed that one. That's terrible, some of them ship man.
<v Speaker 3>Then Marge catches him doing the limbo with the with
<v Speaker 3>the girl, and for good, you know what I mean,
<v Speaker 3>Like he's not just like he's getting in closer. They're
<v Speaker 3>looking all like lovingly in her eyes. But then he says,
<v Speaker 3>you know what's good about her? She doesn't get jalous
<v Speaker 3>when I talk to other women. You've got two kids
<v Speaker 3>at home, get married to Marge. Let's just get through this,
<v Speaker 3>she margins at falling in the pool. She gets out
<v Speaker 3>and she sees Sylvia and Homer having a sushi fight.
<v Speaker 3>They start forming a sushi fighting. Then she says, I
<v Speaker 3>wish I'd never met you. And that's the end of
<v Speaker 3>the first act. And I went, that is the worst
<v Speaker 3>opening act two ways since this episode I have ever watched.
<v Speaker 2>He's not happy, folks, I'm not happy.
<v Speaker 3>We come back and they've dropping the squeaky voice teen
<v Speaker 3>off at tongue kiss point and again we just have
<v Speaker 3>to have a bit of narcissistic line here. She's going
<v Speaker 3>to take you for a lot of money, and she
<v Speaker 3>sort of looks like way and I'm thinking, first of all,
<v Speaker 3>it's a squeaky voice team, he's a teenager.
<v Speaker 2>What does he go? Do you know who this character is?
<v Speaker 2>Ian Maxton and Graham, because up until this point he's
<v Speaker 2>been the loser that works at the fast food restaurants.
<v Speaker 2>What's she gonna take him for? Ranny Wolfcastle, that's the joke,
<v Speaker 2>all the grease on his face? What the hell?
<v Speaker 3>They arrive at Cozy Cabins. Again this line with bart Well,
<v Speaker 3>who am I David Crockett? By the way, who's David Crockett?
<v Speaker 3>That joke makes it doesn't make sense. It's stupid.
<v Speaker 2>It's the kind of line you would give Chandler bing, Yes,
<v Speaker 2>that's the Yeah. I don't think it's a bad line,
<v Speaker 2>and it would only work because Matthew Perry is delivering it. Yes,
<v Speaker 2>that's right.
<v Speaker 3>Having again, this is as you were mentioning earlier, classic
<v Speaker 3>example of I've written a joke, who can say it?
<v Speaker 2>I would just give it the Bart. Yeah, why the
<v Speaker 2>hell would Bart say this line? I have no idea.
<v Speaker 3>Marge brings up the pedal car, Hey, this might be fun,
<v Speaker 3>something different, and they say that's worse than I don't know. Basically,
<v Speaker 3>they complain, But and Lisa both complains it's the worst
<v Speaker 3>thing ever.
<v Speaker 2>I don't want to do it.
<v Speaker 3>Hope then promises to put one hundred dollars into their
<v Speaker 3>college fund. Lisa wants to take ten dollars now, and
<v Speaker 3>he says, I'll steal it back of Waltz.
<v Speaker 2>You're sleeping. So everyone's just mean to each other.
<v Speaker 3>Everyone's just shit, no one, everyone's horrible. No one likes
<v Speaker 3>each other, no one wants to be around each other,
<v Speaker 3>even the Flanders. Everyone in this episode is horrible to each.
<v Speaker 2>Other, everybody in various ways. Yeah.
<v Speaker 3>The kids then go because the're getting one hundred dollars
<v Speaker 3>because they won't try and have fun. Let's to getting
<v Speaker 3>paid for it. And we have a transition now to earlier.
<v Speaker 5>Sorry, Homer, I'm afraid it's separate accommodations for you. Natly
<v Speaker 5>words what I have urges. It's just your trouser devil talking.
<v Speaker 1>He's talking, he's yelling.
<v Speaker 2>And as you were saying earlier, why were they listening
<v Speaker 2>to this guy? Why? Yeah, why are they even staying there?
<v Speaker 2>What's happening? Where were they going? It's they're riding their bikes. Yeah,
<v Speaker 2>where were they going? I don't know, but it's like
<v Speaker 2>why what what happened that their dad bikes break? How
<v Speaker 2>hard is it?
<v Speaker 4>Like?
<v Speaker 2>Oh I felt like, oh my wallet has fallen off
<v Speaker 2>this cliff or something. No, we got no money and
<v Speaker 2>no where to get home. Why are they staying at
<v Speaker 2>this time? We're reliant on the kindness of the Flanders.
<v Speaker 2>But there are which are people's just met but said
<v Speaker 2>he set up a bed chap outside of my door?
<v Speaker 2>Should be I mean, you really have to do a
<v Speaker 2>lot of reverse engineering to go. Okay, they've lost their money,
<v Speaker 2>they've got nowhere to stay. They're reliant on the kindness
<v Speaker 2>of these two people that they've just meant, who seem
<v Speaker 2>really nice, but are rules so like imposing rules on them, Like, well,
<v Speaker 2>you know, if we don't sort of played by their rules,
<v Speaker 2>we're going to be out on the street. So I
<v Speaker 2>guess we're gonna have to put up with this. But
<v Speaker 2>it's like, it doesn't seem that way. I mean, I
<v Speaker 2>think there could have been a way to make it
<v Speaker 2>seem like, oh wow, it kind of sucks that they're
<v Speaker 2>imposing these things on it, but we we have to
<v Speaker 2>do it. We have to put up with it at
<v Speaker 2>the time being at least, But we're sort of looking
<v Speaker 2>at each other, what's going on here? What? It doesn't
<v Speaker 2>seem that way. They don't do anything, No, it's just
<v Speaker 2>this is happening. What's your catchphrase? It's just a bunch
<v Speaker 2>of stuff that happens. So then we have one of
<v Speaker 2>my many catch rocks.
<v Speaker 3>So up until this point, we've had Flanders and Maud,
<v Speaker 3>Flanners in particular more so berating Homer and Marge but
<v Speaker 3>wanting to have sex before marriage. Right, so now's their
<v Speaker 3>wedding night. Is this apparently the first time.
<v Speaker 2>That Flanners and Moretar getting it on would have seen
<v Speaker 2>that way. It doesn't make sense.
<v Speaker 3>You know why, because she puts on the dead grandma's
<v Speaker 3>pjs and he goes, well, you know that always gets me.
<v Speaker 2>Going, Yeah, how else you seeing them before? If he's
<v Speaker 2>that devout, shouldn't be anywhere near their droom or pajamas.
<v Speaker 3>So they've fucked in the past, have they? And this
<v Speaker 3>the first time shouldn't So more's never had sex before.
<v Speaker 3>What's going on?
<v Speaker 2>I don't want to think about this. This episode sucks. Sucks,
<v Speaker 2>it sucks. It sucks. The dead grammar.
<v Speaker 3>I didn't mind doing the button up, but the more
<v Speaker 3>you think about it goes, this doesn't make sense to
<v Speaker 3>their wedding night.
<v Speaker 2>Why do you have to make this their wedding night?
<v Speaker 2>Well yeah, I mean I don't have to be their
<v Speaker 2>wedding night. You don't have the line of that dead
<v Speaker 2>grandma's pajamas, just you know, have a little grandma's pajamas.
<v Speaker 2>Have a bit of let's analyze this. No, let's not
<v Speaker 2>just have a bit of just have that scene with
<v Speaker 2>a bit of chow chick a battle wow. But then
<v Speaker 2>she comes down and does it strikes a seductive pose
<v Speaker 2>in the doorway, as we have seen on many A
<v Speaker 2>sitcomers like oh theyse do about it again, except she's
<v Speaker 2>wearing head to toe flannel pajamas. It's not an A
<v Speaker 2>plus game, but it's a solid bee. Yeah, why does
<v Speaker 2>it have to be the dead grandma's pjs? Did grandma's pjays?
<v Speaker 2>Takes it there?
<v Speaker 1>Or c minors?
<v Speaker 2>So sus fucked up? So her dead? Her grandma was
<v Speaker 2>just rocking the more body was she the pjs? Fido
<v Speaker 2>don't anyway? Then we cut. It was all for it.
<v Speaker 2>It was all for this fucking out of this world zo,
<v Speaker 2>mister Davis.
<v Speaker 1>I never should they'd say this, but stupid Flanders.
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<v Speaker 3>Patty and Summer recalling Marge.
<v Speaker 2>I think we need to throw a little fault Billy Kimball.
<v Speaker 3>Billy Kimble is a way, yeah, yeah, yeah. So Patty
<v Speaker 3>and Selma they call Marge. They say, Homa's in that limbo.
<v Speaker 3>We could say yes of up to something and good
<v Speaker 3>for nothing, but I think Margin mentions here something. It's okay,
<v Speaker 3>we're safe, We're being looked after by this nice Christian
<v Speaker 3>family at the cabin that It's like, are you not
<v Speaker 3>being had hostage in separate rooms? It's just ridiculous. So
<v Speaker 3>it cuts to Homer and the woman laughing together in
<v Speaker 3>the pool, I believe. So we now dropped forward fifteen years.
<v Speaker 3>So it's like the timelines were confusing. But yeah, okay,
<v Speaker 3>so now they're so Margin Homer of now this is
<v Speaker 3>before they had kids. They've now had kids, butt or
<v Speaker 3>Bart and Lisa. They're having a weekend away at the
<v Speaker 3>cabin in which they met for the No, no, some
<v Speaker 3>of them met for the first time.
<v Speaker 2>I don't know. No, that was my ultimate version.
<v Speaker 3>Yeah, it's where Flanders took them. So while they went
<v Speaker 3>back to why, they went back to this place, I
<v Speaker 3>don't know. Homer and the women are laughing in the pool.
<v Speaker 3>Then Alberto finds Marge crying in the change rooms, and
<v Speaker 3>he then gives her an outfit that he envisioned on
<v Speaker 3>her at the moment she stepped through the door. I
<v Speaker 3>guess the elaborate of the dress and the whole outfit
<v Speaker 3>is meant to be the joke.
<v Speaker 2>I still didn't laugh.
<v Speaker 3>No, but he takes it for a ride, but it
<v Speaker 3>changes a glide, and then she's just happy that you're
<v Speaker 3>talking again. The sun is setting, and Sylvia here gives
<v Speaker 3>Homer a pineapple and pepperoni pizza, says this, They just
<v Speaker 3>keeps getting better and better, so he's just giving up
<v Speaker 3>a much. This was the same reason I despised Marge's
<v Speaker 3>character in that ninety show, where it was like, wait,
<v Speaker 3>Homa's working two jobs for you, and he's throwing it
<v Speaker 3>away because you're falling for your electra, right, you're just
<v Speaker 3>throwing it all away. Here, It's just like they're both
<v Speaker 3>doing the same thing. Homer's just throwing away his twenty
<v Speaker 3>year marriage or fifteen he made to this point, who's
<v Speaker 3>got two kids of this woman who does everything for him.
<v Speaker 3>He's just throwing it away because this girl's got pizza.
<v Speaker 3>They land the glider at the budget motel, which is
<v Speaker 3>the Cozy Cabins, and Alberto says, first we're going to
<v Speaker 3>make love. Then we'll decide if it's a good idea.
<v Speaker 3>That's the European way. Just because you're having Marge occasionally
<v Speaker 3>say well, I don't think this is a good idea
<v Speaker 3>doesn't make it up for the fuck she still.
<v Speaker 2>Would have gone through with it. Yeah. Look, there have
<v Speaker 2>been many, many episodes of The Simpsons up until this
<v Speaker 2>point that have had oh, my attention has been attracted
<v Speaker 2>by some Yeah, someone else has caught my eye. But
<v Speaker 2>I love my spouse. I believe in the sanctity of marriage.
<v Speaker 2>I've got responsibilities and all that kind of stuff. But
<v Speaker 2>still is the grass green On the other side. You know,
<v Speaker 2>this Jack guy seems pretty nice. He's talking about brunch
<v Speaker 2>or what or you know, oh lew Lane seems pretty sweet,
<v Speaker 2>all that kind of business. But you never got the feeling.
<v Speaker 2>It's like, oh, I can relate to this, because you know,
<v Speaker 2>everyone in every relationship is kind of gone. I wonder
<v Speaker 2>what would be like with something else, even if you
<v Speaker 2>are madly in love and madly devote to your person.
<v Speaker 2>Sometimes you're gonna think you have that sliding doors mom,
<v Speaker 2>but you inevitably, if you're a right minded person, really
<v Speaker 2>to the backst of the car with the woman for
<v Speaker 2>ten minutes. She got to see it work.
<v Speaker 3>One of the best. That's an all time of an ending.
<v Speaker 3>When she rocks up to the Homer at work and
<v Speaker 3>he thinks that Marge's left him for this shack guy
<v Speaker 3>and she hasn't.
<v Speaker 2>Makes you cry, yeah, absolutely, But this just makes you furious.
<v Speaker 2>This just makes you like, what's going on?
<v Speaker 3>Jacques planted seeds told a bowling home, but it was
<v Speaker 3>it was set up with Homer doing the bowling ball,
<v Speaker 3>you know that kind of thing.
<v Speaker 2>This feels like they've got superficial problems and these are
<v Speaker 2>superficial solutions. You know, there's no there's no stakes either way.
<v Speaker 2>They seemed fine. I don't know.
<v Speaker 3>They're arguing in the car, weren't they, Because so Paddy
<v Speaker 3>and someone were in the car with them, and he
<v Speaker 3>threw Patty and someone out, So I don't want to
<v Speaker 3>go over now. So Homer and Sylvia arrive at the
<v Speaker 3>hotel as well, so because why not convenience wise of
<v Speaker 3>the story, and.
<v Speaker 2>She and is what Homa says? I want you to
<v Speaker 2>be margin and I thought, don't try and we don't
<v Speaker 2>try this shit. The writing has been terrible up to
<v Speaker 2>this point.
<v Speaker 3>You can just all of a sudden have him go
<v Speaker 3>oh what march No, no, no you Literally the last
<v Speaker 3>time we saw Homer, he was saying this stay couldn't
<v Speaker 3>get any better because of the final bles.
<v Speaker 2>No not happening.
<v Speaker 1>What are you doing here? The same thing going here?
<v Speaker 1>You better not be I mean great. We both care
<v Speaker 1>to rekindle our precious memories of when we were young
<v Speaker 1>and in love. Right we sure did we kindle?
<v Speaker 2>We kindle? Okay, let's come.
<v Speaker 1>Oh, I have a better ide yet, let's spend a
<v Speaker 1>nature Is it right here?
<v Speaker 2>But I don't want to sleep in the same one
<v Speaker 2>with that chest.
<v Speaker 1>I feel the same way about that lamp.
<v Speaker 3>You see Sylvia looking for him outside the door, so
<v Speaker 3>he pulls in the blinds. Then Alberto's hiding in the chest.
<v Speaker 3>He drags the chest outside, throws silvia in there as well,
<v Speaker 3>puts a cement block on top, and that's how they meet. Yeah,
<v Speaker 3>looks for his flasks. Don't stop twistings. She's obviously grabbing
<v Speaker 3>his penis question here. Grandpa then interrupts horm romage here
<v Speaker 3>with the kids and I sweet over them or falling asleep. However,
<v Speaker 3>how did Grandpa know where they were?
<v Speaker 2>I don't know. That has been to unravel this episode, man,
<v Speaker 2>I mean, I know that's why we're here. But at
<v Speaker 2>the same time, that's that's another logic hole right, oh
<v Speaker 2>very much so they were taking they didn't know that.
<v Speaker 2>We're going to know that. No, so how to Grandpa
<v Speaker 2>just walking ba them.
<v Speaker 1>Let's spend the rest of the note making sweet sweet Kude,
<v Speaker 1>I'm true baby, Sydney monste good night.
<v Speaker 2>We won He's just sleep you will stay up forever.
<v Speaker 3>Homer suggests they go for a lake side snuggle. That's
<v Speaker 3>a real time in. Homer suggestsing, we go for a
<v Speaker 3>lake side boggle, and then he even holds up the
<v Speaker 3>game just in case you don't know what boggle is
<v Speaker 3>now emails Own Graham and Billy Kimball Right righters of
<v Speaker 3>this episode have written a gag here with have gone
<v Speaker 3>kids at home? I don't know what boggle is. If
<v Speaker 3>that's the case, don't write it or leave the joke in,
<v Speaker 3>and they could be a joke for the adults don't.
<v Speaker 2>Then go Just in case you don't know what bugle is.
<v Speaker 2>Homads pulls out.
<v Speaker 3>A game of boggle, like it's the explaining the jokes
<v Speaker 3>that you've always mentioned that I don't like terrible, but
<v Speaker 3>march is before we do it? There we should we
<v Speaker 3>should unpack everything. Everything unravels and falls on Homery gets trapped.
<v Speaker 3>Why have I got all that ship in saying that
<v Speaker 3>though packed for a one night? And I said, at
<v Speaker 3>one point into Nikola. So she we get to the
<v Speaker 3>car and she races back to wait a minute, and
<v Speaker 3>she goes back and she spoils another dress. I was like, Nicola,
<v Speaker 3>we are going for one day. I'll tell you this
<v Speaker 3>is the girl, the woman who packed like over a
<v Speaker 3>kilo of undies.
<v Speaker 2>And ship when we went to England. I was like,
<v Speaker 2>how did Why are you taking a pair of hondeyes
<v Speaker 2>for two weeks? We're going for three weeks. Pack five pairs,
<v Speaker 2>five pairs Monday, Tuesday, wednes Thursday, Friday. You wash them
<v Speaker 2>throughout the week. You're done. You don't need fifteen pairs
<v Speaker 2>of undies. I like the idea of having many pairs
<v Speaker 2>of bundies, not.
<v Speaker 3>A quillo's worth. Maybe Undy Saints overs. All right, are
<v Speaker 3>you an over undergo the Delhi nine hundred?
<v Speaker 2>Look, you'll take under. I always prefer over.
<v Speaker 3>Well, if I see they're struggling, I'm fine. If I
<v Speaker 3>see that it, don't give a fuck about the Joel.
<v Speaker 3>I'm gonna make you earn this. I asked for five
<v Speaker 3>hundred grams, You're going to give me five hundred grams.
<v Speaker 2>Yeah, that's a really tough one. It's not really that tough,
<v Speaker 2>but yeah, I'm wondering what my over under is if
<v Speaker 2>I'm ordering a give me a kilo of whatever? Oh
<v Speaker 2>like minced chicken, Okay, something like that, chicken, minch What
<v Speaker 2>do you cook mins chicken? What do you cook with
<v Speaker 2>mince chicken? Actually really nice, sort of Asian ey dish,
<v Speaker 2>mince chicken with glass noodles, tomato, tomato and lettuce, and
<v Speaker 2>you put a bit of a garlic ginger soy sauce.
<v Speaker 2>Chili changes. Soon we start talking about food much more positive.
<v Speaker 2>You put all that in the in your fry pan,
<v Speaker 2>cook it up nicely.
<v Speaker 3>But if listeners at home, we haven't got the cameras
<v Speaker 3>on at the moment, Guy acts the frying up and
<v Speaker 3>it adds to the.
<v Speaker 2>Vision we're watching with the Jamie Oliver recently. Yes, you
<v Speaker 2>would like that guy. Stick stick to cooking, Jamie, don't
<v Speaker 2>writ books, move on, continue, Yes, you cooking it up?
<v Speaker 2>Finding it up? Oh that's chicken. If I want a kilo,
<v Speaker 2>I'm wondering if I think not. Yeah, if it was
<v Speaker 2>under nine hundred, if they gave me nine hundred grams,
<v Speaker 2>I'm like, say nine what if the recipe said a
<v Speaker 2>killer set me five? All right, I'm like no, I know, no, no,
<v Speaker 2>bit more? And then they then you get nine to thirty.
<v Speaker 2>Then you get a kill on thirty like, oh yeah, okay, sure.
<v Speaker 2>If they put it in a bit more is like,
<v Speaker 2>that's nine forty five, I'm like, fie mate, I'll take it,
<v Speaker 2>I'll take it. Yeah.
<v Speaker 3>You should never feel bad about the daily because if
<v Speaker 3>you work in the Dali I wasn't there for five
<v Speaker 3>six years, it becomes instinct to get someone's I want
<v Speaker 3>five hundred grams of ham.
<v Speaker 2>You know how much gund it's pretty You can get
<v Speaker 2>a pretty good grass. You what your muscle memory for? Yeah? Yeah,
<v Speaker 2>And if you're sucking up twice, then what are you doing? Well?
<v Speaker 2>You're back to second hurl. Where's pale faced guy. You
<v Speaker 2>know what to do? Where's the pale guy, He'll know
<v Speaker 2>what to do. Pale guy? What a hero? Pale guy.
<v Speaker 3>Pale face, pale guy not as his face, he's over pale.
<v Speaker 3>I saw him yesterday. I was like, you're just you're
<v Speaker 3>very comforting. Oh yeah, the right hand in.
<v Speaker 2>An uncertain world. It's good to have a constant. Him
<v Speaker 2>and that weird mask kid who wed maskid. Well, he's
<v Speaker 2>always wearing he's still wearing that. Oh yes, and he's
<v Speaker 2>he looks like the odd Yeah, we've mentioned him before.
<v Speaker 2>Probably a very sweet kid. Yeah. People, skills are lacking.
<v Speaker 3>Lacking, non existence. He looks at you as if to say,
<v Speaker 3>why are you here? Why just put your your shopping
<v Speaker 3>on the on this? This what you called conveyor? You
<v Speaker 3>would bag it?
<v Speaker 2>Where am I do I have toudge it? How are you?
<v Speaker 3>I guess guy yesterday he talked, how are you today? Well,
<v Speaker 3>this guy yesterday, he's only like sixty cities in year ten.
<v Speaker 3>He talked my ear off, not wally get a young guy.
<v Speaker 3>All they want to do is just I hate it.
<v Speaker 3>He was like, how's your weekend? I was like, oh good,
<v Speaker 3>I guess did you get.
<v Speaker 2>Up too much.
<v Speaker 3>I'm like, he really want to know. I was like, okay,
<v Speaker 3>well took the kids and see home alone. And he goes, oh, yeah,
<v Speaker 3>I went to one of those. I went to or
<v Speaker 3>to see the Lion King and I was like, this
<v Speaker 3>kid's gonna end up running the shade. And I was like,
<v Speaker 3>I was like, okay, cool, and then I'm talking and
<v Speaker 3>then he goes, yeah, have my exams last week and
<v Speaker 3>he was like what yeah, year town. I'm like, mate,
<v Speaker 3>don't worry about it. I was like, if I can
<v Speaker 3>give you one bit of advice, you're eleven next year.
<v Speaker 3>Don't let them make you think that it's important. None
<v Speaker 3>of that shit goes towards end of score just he
<v Speaker 3>goes yeah, if you people have told me that. He goes, yeah,
<v Speaker 3>I'm gonna take that approach, you guy. I'm gonna try,
<v Speaker 3>but I won't stressed when I get a good score.
<v Speaker 3>I'm like, this guy's got the right idea.
<v Speaker 2>This kid sounds great. Yeah, where was this the strand
<v Speaker 2>or worse? I was like, and he was just like
<v Speaker 2>the lot.
<v Speaker 3>He goes, I'm bit happy today because my team, the
<v Speaker 3>Grizzlies and the NBA they beat the Sellings.
<v Speaker 2>On Saturdays, mind you. He goes, oh, sorry about that,
<v Speaker 2>and I'm just like, this guy's not my best friend. Now, Okay,
<v Speaker 2>we're trying to make this a regular segment, so let's
<v Speaker 2>just cut to the chase. What a lord, Yeah, what
<v Speaker 2>a lord. I should have got his name. That kid
<v Speaker 2>from the Strand year ten at the Strand warwors you
<v Speaker 2>ten to cashier at the Wooly Strand. This is my
<v Speaker 2>Strand story from the weekend. Okay, we'll do anything to
<v Speaker 2>divert away from dangerous curves. Are you aware of politician
<v Speaker 2>Richard Marles, thee long guy. He may for Geelong.
<v Speaker 3>You always see him out the front. I vote at
<v Speaker 3>north Shore Primary Schools where I went to school. It's
<v Speaker 3>just I have a place where I always always go
<v Speaker 3>to that place. Yeah, folks in Australia, we have to
<v Speaker 3>vote and it makes sense to do so anyway, so
<v Speaker 3>we go there. But he's always at the front with
<v Speaker 3>his Gelong scarf on, like handing at things, and I'm like,
<v Speaker 3>this is out and.
<v Speaker 2>About with the people. He's a deputy PM. He's the
<v Speaker 2>deputy Prime Minister. Shit, really he is too, You're right, yeah, yeah,
<v Speaker 2>I mean he's the second most powerful man in Australian
<v Speaker 2>politics No One and Geelong and getting all these new stadiums.
<v Speaker 2>But he's also the Minister of Defense, so you know
<v Speaker 2>you'll see him on the really okay, I believe so
<v Speaker 2>I was giving him titles, but if not. Anyway, he's
<v Speaker 2>handing mad like candy. But he was at the Strand
<v Speaker 2>on Saturday morning. And there's a show on the ABC
<v Speaker 2>here in Australia called Inside, just like a political panel show.
<v Speaker 2>They get a few journals on and a casual politician
<v Speaker 2>and yeah, let'll be talking about that. Lou and I
<v Speaker 2>tend to watch it a Saturday or a Sunday morning,
<v Speaker 2>and you judge them. And guy's fucking neck looks like
<v Speaker 2>a ass. He's fucking gay. But whenever Marlesy Richard Marles
<v Speaker 2>is on, Lo's like, there's your boyfriend. Because I'm like,
<v Speaker 2>I'm like, I saw this guy speak. Although he was great,
<v Speaker 2>I'm not surprised he's doing as well he is in politics. Anyway,
<v Speaker 2>he was there and I thought, look, I never do this,
<v Speaker 2>but he didn't. No, no, well, I never get I
<v Speaker 2>never get selfies with anyone. But I thought, I thought,
<v Speaker 2>Louell thing, this is hilarious.
<v Speaker 3>I have to see this selfie. Where's your phone? I
<v Speaker 3>was to say, yeah, what did he say? He said,
<v Speaker 3>no problem at all.
<v Speaker 2>But then we just had a quick chat because I
<v Speaker 2>said basically what I said to you was like, we
<v Speaker 2>enjoy Insiders. I know that Spearsy, the host of the show,
<v Speaker 2>occasionally puts your feet on the phone, but I think
<v Speaker 2>you always do pretty well on it. And as we
<v Speaker 2>were leaving, I said, it was good meet you. My
<v Speaker 2>name's Guy Davis. Oh, guy, we know, well, yeah, we
<v Speaker 2>know each other because we went to the same school,
<v Speaker 2>but he was but he was a couple of years
<v Speaker 2>above me, and I didn't really remember him from that.
<v Speaker 2>But we were on the same school bus, Davis, when
<v Speaker 2>we were a little kids. No, there's more, when we
<v Speaker 2>were all little kids. Yeah, you know when I was
<v Speaker 2>like in primary school and I caught the bus to
<v Speaker 2>go out to the school campus. But he was catching
<v Speaker 2>it a bit earlier. But yeah, he was on the
<v Speaker 2>same bat. He goes, oh, yeah, we'd catch it and
<v Speaker 2>we'd go along Shannon Avenue and all this kind of stuff.
<v Speaker 2>So yeah, that's right, And he goes, yeah, and you
<v Speaker 2>wrote for the advertising you wrote your memory. Oh I'm
<v Speaker 2>a fan, which one, I went, oh, watch out, Louise,
<v Speaker 2>the lovely Marshes moving in miles miles, isn't it. I
<v Speaker 2>look terrible picture, it's all squinty and it was in
<v Speaker 2>a car park and everything. Yeah, yeah, that's awesome though.
<v Speaker 2>But then I had to call Margaret Mary, who's very
<v Speaker 2>much I hate labor take this man, which was now
<v Speaker 2>old lady. I random Marlsie at the Strand car. Oh,
<v Speaker 2>that guy's gotta he's gonna get him kicked out of government.
<v Speaker 2>Like that's no way to talk about my new best friend. Anyway.
<v Speaker 2>I don't know if any of this is going to
<v Speaker 2>stay in, but yeah, I met Marlsie at the the Strand.
<v Speaker 2>It has to go in the Patreon group. It has to,
<v Speaker 2>all right, I'll put it. I'll put it in anyway.
<v Speaker 2>So that was the other thing that happened to me
<v Speaker 2>on the weekend. And met up with the Deputy PM,
<v Speaker 2>who's a fan of yours truly. What the hell he's
<v Speaker 2>a patrio Richard that Richard Marles the patron saying O
<v Speaker 2>move over, kdy g And by the way, we give
<v Speaker 2>that dip the PM money. We've got to do that.
<v Speaker 2>They live for our pals act. We do indeed, Yeah,
<v Speaker 2>we kdy G said us another us only for you
<v Speaker 2>to kJ we do up a Christmas car for kdy J.
<v Speaker 2>I mean she's already watched it, so have we not
<v Speaker 2>reviewed that already Christmas Carol? I don't know. If we
<v Speaker 2>have talked about it a bit.
<v Speaker 3>I'll be well into doing that. Speaking Muppets the Muppet
<v Speaker 3>fan page up at History. Oh boy, let's not get
<v Speaker 3>into it the how and why. But it's time for
<v Speaker 3>talking muppets to take over. Maybe, Oh, just cut your
<v Speaker 3>eyes on the prize I have that guy had his
<v Speaker 3>eyes on the fighs. Yes, and as I say, fires
<v Speaker 3>one of this guy's talking, he hadn't speaks them the
<v Speaker 3>last forty five minutes.
<v Speaker 2>And we brought it back to dangerous curse.
<v Speaker 3>And that's the no no, you need to say the
<v Speaker 3>catch phase because someone's gonna a shirt where he goes.
<v Speaker 2>We now return you to We now return you the
<v Speaker 2>dangerous curtains already in progress. I can't tell if Dan
<v Speaker 2>I was making fun of my No, I'm thinking of merchandise,
<v Speaker 2>because we'll have one. We now return you too for
<v Speaker 2>your discount. Already in progress. On the back says already
<v Speaker 2>in progress there. That's great.
<v Speaker 5>I can't believe one of the most beautiful moments in
<v Speaker 5>our marriage is based on wise.
<v Speaker 1>You're just as batters me and you used to be better,
<v Speaker 1>so that makes you worse. I don't think we could
<v Speaker 1>ever trust each other again. Ruthie, kick me away from
<v Speaker 1>this nightmare. I wish I'd never.
<v Speaker 2>Met you home.
<v Speaker 3>It was worse because Homer was genuinely flirting margin sort
<v Speaker 3>of She's more innocent in this situation, but she was
<v Speaker 3>still going to fucking Yeah. There was no hit that
<v Speaker 3>she was She was hesitant, but there was no sort
<v Speaker 3>of hit there that she was going to leave had
<v Speaker 3>Homer not been there.
<v Speaker 2>Yeah. If I was writing this episode and it was
<v Speaker 2>like a filler episode for a I was like, Okay,
<v Speaker 2>we've we've got our A list episodes, We've got a
<v Speaker 2>we've got guest stars guaranteed for these things. We need
<v Speaker 2>three or four filler episodes. Here's what I would do
<v Speaker 2>if I was writting this person. It wouldn't be about
<v Speaker 2>Home or Homermarge will be supporting characters in this. You
<v Speaker 2>would have introductions to Alberto and to Sylvia. They're each
<v Speaker 2>going to this lake resort. They've each got their own
<v Speaker 2>stories that kind of thing, and they sort of have
<v Speaker 2>a bit of a flirtation with this other couple that's there.
<v Speaker 2>Turned out to be home very much and Homermarge is
<v Speaker 2>supporting characters in this episode, and it turns out to
<v Speaker 2>be a love the love story about Berto and Sylvia.
<v Speaker 2>That's what I'd do. It's probably terrible, but could.
<v Speaker 3>You could you do this story with a couple who
<v Speaker 3>already exist in Springfield? I think that's kind of the
<v Speaker 3>appeal to find Oh, you think it's more PERTI if
<v Speaker 3>we don't know that, if you don't know them, if
<v Speaker 3>you're like, wait, what's going on?
<v Speaker 5>It?
<v Speaker 2>Maybe it's going to be very reliant on the writing
<v Speaker 2>and the voice acting, but hopefully're gonna make these characters
<v Speaker 2>interesting from the beginnings. You've got to be intrigued, like
<v Speaker 2>who are they? Oh, but they're saying something funny or
<v Speaker 2>doing something likable. Oh, I'm interested in because they're both
<v Speaker 2>so bland. Yeah, I mean despite yeah, sort of no
<v Speaker 2>substantute Hanks storring all the hot sauce you can on
<v Speaker 2>this accent. It's trust me, trus Yea doing her sort
<v Speaker 2>of sexy, fluty thing, which he does very very well.
<v Speaker 2>Female lawyer having lots of sex. Yeah, but you don't really,
<v Speaker 2>As I said before, there's no stakes you don't. You
<v Speaker 2>never feel like I guess I got a ark is
<v Speaker 2>like the default for Marge being potentially unfaithful. I'm sure
<v Speaker 2>there's someone else who was it?
<v Speaker 3>So there was Jacques the big one. Yeah, so early
<v Speaker 3>on in the show there was someone else as she was.
<v Speaker 2>Yeah, that's not really a threat either, and it was.
<v Speaker 4>No.
<v Speaker 3>The thing is, though, Marge Homer relationship crisis stories in
<v Speaker 3>flashback episodes, you know the ending. You can't buy into
<v Speaker 3>any of it because you think there's no stakesy because
<v Speaker 3>we know they end up together.
<v Speaker 2>I guess.
<v Speaker 3>I guess here though, it works into it its way
<v Speaker 3>into present time because in the present time they find
<v Speaker 3>out about the past. Still, speaking of the hill, did
<v Speaker 3>this so much better nearly ten ten years prior?
<v Speaker 2>Sure did? They Sure did.
<v Speaker 3>Indeed, If you're a fan of everything we do here
<v Speaker 3>at four Finger Discamp, but you're tired of hearing these
<v Speaker 3>pesky ads, then you'll absolutely love being a member of
<v Speaker 3>the Fourth Finger Discamp family on Patreon, where you not
<v Speaker 3>only get access to over one hundred hours of bonus podcast,
<v Speaker 3>but you also get access to this show early and
<v Speaker 3>add free every single week, as well as access to
<v Speaker 3>our exclusive Facebook and Discord communities, and so much more.
<v Speaker 3>So go ahead join the family today and support your
<v Speaker 3>palas Guy and Dano for a little as one dollar
<v Speaker 3>per month at patreon dot com slash four for a discount.
<v Speaker 4>Excuse me, boys, my brother is lost and kind of
<v Speaker 4>a jerk if he brought a map of the grounds
<v Speaker 4>as I suggested, Lisa, do you know why I spend
<v Speaker 4>every day after school and detention so I don't have
<v Speaker 4>to come home to you? Oh?
<v Speaker 2>Bart, don't say things you can't take back. That's outier,
<v Speaker 2>deal with it.
<v Speaker 4>Oh Craig, now you woke the baby.
<v Speaker 1>I told you we should have left her with your mother.
<v Speaker 2>My god, Bart, what happened to us? We grew up again? Yeah?
<v Speaker 2>Look at this? Is this? Maybe what happened to us?
<v Speaker 2>We grew up. It's meant to be.
<v Speaker 3>That's what happens in marriages, kids. You know, you get
<v Speaker 3>married and eventually get sick of each other because you
<v Speaker 3>just grow up.
<v Speaker 2>Oh, actually, all you.
<v Speaker 3>Get fucking find someone that you actually enjoy, who you
<v Speaker 3>want to be around. And yes, marriagers sometimes do fail,
<v Speaker 3>but you know, that's not what all marriages are, and
<v Speaker 3>they don't get to have this ending of the oh,
<v Speaker 3>we're going to risk each other's lives.
<v Speaker 2>We love you so much. I miss you, Marge.
<v Speaker 3>When you've had all this bullshit set up, you can't then,
<v Speaker 3>just in a genuine marriage, you don't say I wish I'd.
<v Speaker 2>Never met you. You can't cry, Yeah, you can't cry foul,
<v Speaker 2>you can't say shit like that. Ridiculous, ridiculous.
<v Speaker 3>So now the Flanners and Homer back in the twenty
<v Speaker 3>years probably they're having a chat over having their fishing,
<v Speaker 3>and he suggests he takes March for a walk and
<v Speaker 3>open up to her and talk about talk to her.
<v Speaker 3>And he goes, oh, I suppose you guys are going
<v Speaker 3>to be there. Oh no, we wouldn't be there. It
<v Speaker 3>cuts to Red Dog and Mustache One spying on them.
<v Speaker 3>She's got a water pistol, she's hiding in a tree.
<v Speaker 3>It's their honeymoon. She's going to squid him in the
<v Speaker 3>deck if he tries to make it move on March.
<v Speaker 2>Why why why Flanders is Yeah, I mean, I'm not
<v Speaker 2>saying it would redeem this episode. I don't think anything could,
<v Speaker 2>but yeah, having the Flanders learn a lessently, and this
<v Speaker 2>is like, oh well, maybe we should just mind our
<v Speaker 2>own business. This is the thing that's the last we
<v Speaker 2>see of them. That's it. Yeah, I mean have the
<v Speaker 2>flamers go, well, well, we live in our lives our way.
<v Speaker 2>But I guess you know to which their own.
<v Speaker 3>Hope think is walking along and he this is now
<v Speaker 3>five years prior. Obviously that twenty is prior, and he
<v Speaker 3>carves the name into the tree. Cuts to real time,
<v Speaker 3>and Homer's angry. He's walking through the forest the same place.
<v Speaker 3>Even says, here, I'm getting out of his marriage whilst
<v Speaker 3>I'm still handsome. And then he sees the name of
<v Speaker 3>the tree and he goes, oh much, what just said.
<v Speaker 3>I never want to see you again. I'm getting out
<v Speaker 3>of this marriage. But because he sees the carving in
<v Speaker 3>a tree, oh well, actually I'll take it all back,
<v Speaker 3>take it all back.
<v Speaker 2>So he tries to rip off the carving. Marge and
<v Speaker 2>sees him trying to rip off the carving. I also
<v Speaker 2>ripping off the carving. Didn't like it either, that.
<v Speaker 3>Our marriage can weather any storm, just like this, What
<v Speaker 3>the fuck do you mean?
<v Speaker 2>He just said?
<v Speaker 3>Does what to fuck off with this story? She pushes
<v Speaker 3>the tree. Homo ends up falling over because he's holding
<v Speaker 3>onto the bark. He's hanging over a canyon kind of thing,
<v Speaker 3>hanging upside down under the tree. I'm explaining all this
<v Speaker 3>because I'm gonna hope that none of you actually have
<v Speaker 3>to sit through and watch his fucking episode. He's hanging
<v Speaker 3>from the bark. We cut to park range again. Park rangers.
<v Speaker 3>We can't use that phone to save them, because that's
<v Speaker 3>for fires. If the park ranger is a dicks in
<v Speaker 3>his episode, everyone's horrible. This is everyon, this is a
<v Speaker 3>zion Feld episode. So Homer says he wants to hold
<v Speaker 3>onto the carving, and then we get this bullshit unearned
<v Speaker 3>line from March. The base of a marriage isn't in
<v Speaker 3>that tree, It's in it's within us.
<v Speaker 2>And I was like, oh, didn't you come. You can't
<v Speaker 2>spend twenty something minutes hating each other. Yeah, hating each other,
<v Speaker 2>wanting to spend contradicting, contradicting that one and expecting one
<v Speaker 2>line to cure it all. No way.
<v Speaker 3>Then we get this wacky cartoon ish the tree marges
<v Speaker 3>It's like a Lin Tunes cartoon. Margin falls, Homer catches
<v Speaker 3>her and Homas says, don't worry. A lot of marriages
<v Speaker 3>are based on lies, just like religion in American history,
<v Speaker 3>zinging what a zinger Wow told them, Margin says, you know,
<v Speaker 3>we go through fights, we're just human, but at least
<v Speaker 3>we love each other.
<v Speaker 2>I'm pretty sure about two minutes ago he said he
<v Speaker 2>never wants to see you again. Like I said, you
<v Speaker 2>have spent twenty something minutes making a really convincing case
<v Speaker 2>that these people do not like one another.
<v Speaker 3>Yeah, and then they end up falling and they land
<v Speaker 3>just before the water home. It says, we just have
<v Speaker 3>to wait for the river to freeze. The kids are
<v Speaker 3>just in the pedal car in the river, arguing, threatens
<v Speaker 3>to kill Lisa by saying, well, how about I give
<v Speaker 3>you a shot? Cut to the bottom of this river
<v Speaker 3>home Omage get in the back seat. They start kissing,
<v Speaker 3>but says keep it g rated. Homas says, you have PG.
<v Speaker 3>Thirteen Adult situations. And then we get that fucking really
<v Speaker 3>random So.
<v Speaker 2>Is that from the movie.
<v Speaker 3>I'm guessing it must be. Yeah, fucking wanna be what
<v Speaker 3>was that? It's this random shot of that's just a streak,
<v Speaker 3>randomout thing, but everything's doubling up Homo, Marge with the bikes, Barton,
<v Speaker 3>Lisa in the pedal car Jeep so forming turning into
<v Speaker 3>two cars and back into one car again.
<v Speaker 2>I don't get it.
<v Speaker 1>I don't get it.
<v Speaker 2>Worst episode ever Wors episode two dates. Yes, yeah, the
<v Speaker 2>worst episode so far. That was That was bad. That
<v Speaker 2>was real bad. Dan I did not like this, nor
<v Speaker 2>did I. I think Dan I disliked it more than
<v Speaker 2>I did, but I did not like it, So Dan,
<v Speaker 2>I really didn't like it. What do we learn, Bomber?
<v Speaker 3>What'd you learn from the episode? Miss Davis?
<v Speaker 2>That the women we love the issue of Esquine magazine
<v Speaker 2>should be brought back. Yeah, yes, it's a way of
<v Speaker 2>celebrating the wonderful women that we admire, appreciate, and dare
<v Speaker 2>I say even love.
<v Speaker 3>I learned that you should never give a flashback episode
<v Speaker 3>to Billy Kimball and Me, Max and Graham ever again, Man, you.
<v Speaker 2>Were a name we can trust, Billy Kimball, No, man, Buddy.
<v Speaker 3>Kimmle's a good name, though, Billy Kimble sounds like the
<v Speaker 3>guy at school that everyone's friends with.
<v Speaker 2>Oh and Billy Kimber is a good guy. Billy Kimber,
<v Speaker 2>Billy Kimball legend. From this day forward, your name will.
<v Speaker 3>Be it's the new Name Championship. The current leaderboard stands this.
<v Speaker 3>After four rounds, we have in first position. His name
<v Speaker 3>is Jared on six points.
<v Speaker 2>We need to talk about something just very quickly, because
<v Speaker 2>there was an issue regarding new names. His name is
<v Speaker 2>Jared and various things. Let me just go into my
<v Speaker 2>DMS because Jared horn be slidd into by DMS. That's
<v Speaker 2>sly Boots. I didn't. I initially replied to him, and
<v Speaker 2>then I did not reply to him again. Jared, if
<v Speaker 2>you're listening, of course you're listening. Sorry about that. But
<v Speaker 2>here's the thing. My message from Jared reads as follows,
<v Speaker 2>there's a conspiracy foot here. Davis, so and so I
<v Speaker 2>got a point for something something one of my names.
<v Speaker 2>Now this happens occasionally, because you know, a good name
<v Speaker 2>is worth repeating. Sometimes you're going to get a bit
<v Speaker 2>of crossover.
<v Speaker 3>The rule is that whoever does it first gets the point,
<v Speaker 3>whereas Jared did it first for that particular name.
<v Speaker 2>Yes, but that's usually when it's just one name. With
<v Speaker 2>Treehouse of Horror, you've got three names. So in this case,
<v Speaker 2>in particular, we're going to go with it's the collective.
<v Speaker 2>It's the collective plays to the single name.
<v Speaker 3>The collective, Jared, of the person that get at the
<v Speaker 3>same m as you, they got the points because as
<v Speaker 3>a collective guy thought that those ones were better.
<v Speaker 2>I'm sorry about that, Jed. I mean, this is not
<v Speaker 2>a slighter reflection on you in any way. Plus two
<v Speaker 2>out of three and then the other one. Yeah, you
<v Speaker 2>know what I mean. So I hope they cleose it up,
<v Speaker 2>and Jared's probably going to get three points this time around. Anyway,
<v Speaker 2>probably we'll find out because his name is Jared. Indeed,
<v Speaker 2>he's good at the new names. One point goes to
<v Speaker 2>flash back to the future. I like it.
<v Speaker 3>That is Adam Woolhouse. Who's now on two points. Well,
<v Speaker 3>I'm Adam Woolhouse.
<v Speaker 2>Welcome to the Woolhouse. He's bringing us new names. How
<v Speaker 2>about that I just came up with.
<v Speaker 3>I think I think you've said it joke three times. Really,
<v Speaker 3>you've definitely said welcome to the Warhouse.
<v Speaker 2>I know, Well, a good joke is worth repeating. He
<v Speaker 2>said that joke about three times. You are the one
<v Speaker 2>who was always say the line, guy, I would say
<v Speaker 2>the line. I'm joking. I'm not making I don't know, man,
<v Speaker 2>you want me to repeat lines by Michael Jordan. I
<v Speaker 2>took it personally. Two points goes to by Fidelity. Oh
<v Speaker 2>not bad.
<v Speaker 3>Oh, Phil Hawkins is making a slight little comeback here.
<v Speaker 3>Another two points there for Phil Hawkins. That puts Phil
<v Speaker 3>now in second position at the moment, tied with Kyle
<v Speaker 3>Muldoon on four points.
<v Speaker 2>He's friaging out that Jay.
<v Speaker 3>It's so close currently as it currently stands two points
<v Speaker 3>behind Jared Hornby in first position.
<v Speaker 2>Well, let's see how we go when I give three
<v Speaker 2>points to two for the dolder as in.
<v Speaker 3>Two for the road yep, that is his name is David.
<v Speaker 3>Oh you joke again David Mott with his first points
<v Speaker 3>of the season. That puts him on three. Well on
<v Speaker 3>David Mott, But that means it's getting very close at
<v Speaker 3>the top of the table now.
<v Speaker 2>Indeed, indeed, and because I only have a handful of
<v Speaker 2>pop culture references and I like to repeat jokes, have
<v Speaker 2>I us turned down for Mott?
<v Speaker 3>Maybe because that's worth re easy turned down for Mott?
<v Speaker 3>Turned out for what that's the best one ever? That
<v Speaker 3>got guy like an extra year's worth of work. We're
<v Speaker 3>gonna get rid of the guy, but he had turned
<v Speaker 3>out for him.
<v Speaker 2>But normally that will get your bonus, may it didn't
<v Speaker 2>get me fired.
<v Speaker 3>So still in the first position we have Jared Hornby
<v Speaker 3>on six points, second position Clever Cayle and Phil Hawkins
<v Speaker 3>on four the names it's the same old names again now,
<v Speaker 3>wasn't it. So they're making me come back? And our
<v Speaker 3>third position Brian Hughes and David Mott.
<v Speaker 2>On three points.
<v Speaker 3>Well, well down to everybody, Yeah, well done? Indeed, all right,
<v Speaker 3>Well that is our review of Dangerous Curves. Hope you
<v Speaker 3>guy who's enjoyed listening to us Rand. We haven't random
<v Speaker 3>like that.
<v Speaker 2>For a good while. Certainly not you. You're very to
<v Speaker 2>quote you. I took it personally, Please be quite. Michael Jordan.
<v Speaker 2>Then Michael john you're still in my bit. It's like,
<v Speaker 2>how about we swapped Michael Jordan, You're going to do
<v Speaker 2>some podcasting for a while and I'll start shooting three
<v Speaker 2>pointers with bulls. Yeah, but it was. It was fun.
<v Speaker 2>Sometimes it's good to just get a good rant out. Absolutely,
<v Speaker 2>I feel like people were more.
<v Speaker 3>I've more interested in this episode review than anything has
<v Speaker 3>done for a while, because've been posting on there. This
<v Speaker 3>one of the does. They're like, I can't wait to
<v Speaker 3>hear guys rant and then maybe Ransom the Way in
<v Speaker 3>the future.
<v Speaker 2>And then this is me going, yeah, I suppose and
<v Speaker 2>had some issues and Dan is like, fuck this show.
<v Speaker 2>I was livid. He was very very angry.
<v Speaker 3>Yes, shit episode, shit shit episode. The worst episode we've
<v Speaker 3>ever reviewed in the history of four fork a discaud
<v Speaker 3>so far, all right.
<v Speaker 2>The next episode, thank you for the adding the so far. Yes,
<v Speaker 2>that's sad.
<v Speaker 3>So the next episode of season twenty that we show
<v Speaker 3>we were viewing is called Homer and Lisa Exchange cross Words.
<v Speaker 3>I think I remember watching this one when it was on.
<v Speaker 3>I have no recollection except for the fact that Lisa
<v Speaker 3>and Homer like gone some tournament I think for crossword
<v Speaker 3>Puss something along those lines. And anyway, Shenanigans ensuit.
<v Speaker 2>We'll talk about them when we talk of we will indeed.
<v Speaker 3>So that is the next episode of season twenty we
<v Speaker 3>shall be reviewing. Don't forget, guys, please rate and reviewers
<v Speaker 3>another podcast Spotify review.
<v Speaker 2>Do find this show.
<v Speaker 3>Check out all of our other podcast I Forget, check
<v Speaker 3>out the movie Guide with Malton and Davis. But for now,
<v Speaker 3>mister Davis and you find the words For those incredible
<v Speaker 3>listeners out there.
<v Speaker 2>We hope you've enjoyed this episode of Full Finger Discount,
<v Speaker 2>the podcast where we always do it the European way
<v Speaker 2>s