Sherlock Holmes - The Case of the Vienese Strangler

<v Speaker 1>This episode from the Life of Sherlock Holmes will be
<v Speaker 1>transmitted to our men and went overseas by short waves
<v Speaker 1>and through the worldwide facilities of the Armed Forces Radio Service.
<v Speaker 2>Pet Tree Wine brings you.
<v Speaker 1>Ba's the rath Bone and Nigel Bruce in the New
<v Speaker 1>Adventures of Sherlock Holmes. The Petbree family, the family that
<v Speaker 1>took time to bring you good wine.
<v Speaker 2>Invite you to listen to Doctor Watson tell about another.
<v Speaker 1>Exacting adventure he shared with his old friends that master
<v Speaker 1>Detective Sherlock Holmes, and say, I want to ask you
<v Speaker 1>if you've sent him for that little present we've got
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<v Speaker 1>and we'll send you your free recipe calendar at once.
<v Speaker 2>And now for our weekly visit with a good doctor Watt.
<v Speaker 2>Let's see if he's waiting for us. Good evening, Oh,
<v Speaker 2>good evening, doctor Wang. The phonograph.
<v Speaker 3>I see, yes, my boy, that's particular minute e sillip,
<v Speaker 3>potent memories for me here.
<v Speaker 2>I'll you haven't come.
<v Speaker 1>Here to this.
<v Speaker 4>You want a story.
<v Speaker 2>That's right, doctor, Well let's do a better now.
<v Speaker 4>I'll tell you what thank you.
<v Speaker 3>Doctor began in Vienna in eighteen hundred and eighty nine,
<v Speaker 3>many many years before the insane house painter named Schicklgruber
<v Speaker 3>had converted that gay city into a place of fear.
<v Speaker 5>And of pressure.
<v Speaker 2>And what were you and Sherlock Holmes doing there? Doctor?
<v Speaker 2>Just taking a trip, mister Foreman.
<v Speaker 4>In those early days of our association. We didn't have
<v Speaker 4>the time, all the money for just taking trips.
<v Speaker 6>No, no, no.
<v Speaker 3>We were in Vienna because Holmes had been engaged in
<v Speaker 3>certain highly important investigations. We were staying in a charmings
<v Speaker 3>of Porcion inhabited by students and musicians, and on the
<v Speaker 3>ninth story began.
<v Speaker 4>We'd finished dinner and had returned to our room.
<v Speaker 3>I was busy making some notes on the investigation we'd
<v Speaker 3>just concluded, and Holmes was scraping away at his beloved Barlin.
<v Speaker 2>What's wrong? Why can't I get it?
<v Speaker 4>Pretty?
<v Speaker 7>To me?
<v Speaker 2>Pretty? Really old chap? I hate the fingered one of
<v Speaker 2>the Listen to this sounds like a pigler malish wake.
<v Speaker 4>Easy homes. There's no need to fling with Berlin like that?
<v Speaker 2>What's no chap? Why with all your other excellent qualities,
<v Speaker 2>are you not a pianist?
<v Speaker 4>It's a piano.
<v Speaker 2>Got to do this in this case, everything is a
<v Speaker 2>piano in this room, and if you could play it?
<v Speaker 2>And that's that. So not that I'm struggling with. Might
<v Speaker 2>have some means come in? Oh you things for which
<v Speaker 2>to see me?
<v Speaker 6>You are?
<v Speaker 2>That is my name.
<v Speaker 6>I wish to see you.
<v Speaker 2>I leve Ulstein.
<v Speaker 6>I live you on responsible.
<v Speaker 2>How do you do because this is my friend, doctor Watson,
<v Speaker 2>how do you do? He? Doctor Ullenstein? May I pay
<v Speaker 2>my tribute to the brilliant If you're playing, you have
<v Speaker 2>the exact position of praising that much demands start to
<v Speaker 2>watch the Night of Command performance. You gave it the
<v Speaker 2>Imperial court a fortnight. The girl, Hey.
<v Speaker 4>Curious, I knew i'd seen you somewhere before.
<v Speaker 3>My friend was just expressing the need of a pernish
<v Speaker 3>that you walked in, young lady.
<v Speaker 2>Perhaps I'm trying.
<v Speaker 4>I do not play this amateur.
<v Speaker 6>I don't mean to be who is just that My
<v Speaker 6>life is dedicated to my professional.
<v Speaker 2>Stand for line and now, please tell me what can
<v Speaker 2>I do to help you. I must presume you've come
<v Speaker 2>to see me in my professional test.
<v Speaker 4>That is correct, her homes.
<v Speaker 2>So I realized you're a great detective.
<v Speaker 1>Like you.
<v Speaker 2>My problem machine quite trivial.
<v Speaker 4>I I'm being blacknailed by a man in responsible.
<v Speaker 2>He has shund off put your Hungarian painter who listens
<v Speaker 2>to the upstairs. Yes, I think I've heard of him
<v Speaker 2>since two months now.
<v Speaker 3>Ever since you know my secret, he's come to me
<v Speaker 3>for money, and today he told me he must have
<v Speaker 3>two hundreds.
<v Speaker 2>And fifty goods or he will go to the police.
<v Speaker 4>I have not that much money, hair Homs.
<v Speaker 7>Please to tell me what I shall do.
<v Speaker 2>Just what hold does he have over you?
<v Speaker 7>My brother Carl he got.
<v Speaker 2>Into some trouble. He and the police for looking for him.
<v Speaker 2>He ran away to mention, as you say, Munich him
<v Speaker 2>thunder our party. Nip of this.
<v Speaker 6>He was a friend of mine, so I thought.
<v Speaker 7>When the trouble come on my brother, I turned to
<v Speaker 7>Shandor for help.
<v Speaker 2>It's not a car out of the country. And he
<v Speaker 2>turned on me for blackmails.
<v Speaker 3>A bad man.
<v Speaker 2>I issue was dead first, blackmail as a courage at hand,
<v Speaker 2>I think after whats and I will call on the gentleman.
<v Speaker 2>By the way, doesn't have any written evidence of your
<v Speaker 2>brother's crime? Yeah, he has his address in Munich. I
<v Speaker 2>show Shandor a letter from him when he first go there,
<v Speaker 2>and keep the letter. Do not give it back to him.
<v Speaker 4>And if he gave the police your brother's addrested in
<v Speaker 4>the rest of her.
<v Speaker 6>They would of course.
<v Speaker 2>Hair Homes, will you please to tell me what I
<v Speaker 2>should do? I cannot go on to say my music.
<v Speaker 2>Calm yourself. I should be most happy to help you.
<v Speaker 2>And if you will leave the way, we'll see how
<v Speaker 2>persuasive we can be with Chandle our party. It's the studio,
<v Speaker 2>hair Homes. You better let me do most of the talking.
<v Speaker 6>You must be d that is possible, love.
<v Speaker 2>I think, bearing in mind that found this profession will
<v Speaker 2>take the liberty of opinions. All look a very complicated
<v Speaker 2>lot to me. I think this skeleton key will do
<v Speaker 2>the trick. Very dangerous hair homes.
<v Speaker 4>No, no, no, no, don't worry about that product. We're
<v Speaker 4>perfectly people and taking over.
<v Speaker 2>So ah here we are clo the door behind you.
<v Speaker 7>When it.
<v Speaker 4>Don't see the thing, I'll strike a match.
<v Speaker 5>Look at him.
<v Speaker 2>Some talk like to guess, Willie Watson, that your hope
<v Speaker 2>h Judging from his appearance for a line fullunchtin, I
<v Speaker 2>think Sandor Pardi had other enemies besides yourself less scrupulous enemies.
<v Speaker 4>He's been strangled. Look at the finger marks on his boat?
<v Speaker 7>Is he.
<v Speaker 4>Yes? But it is still warm? Though I'm afraid he's dead.
<v Speaker 2>I'm back, but a bad man your to that, Watson.
<v Speaker 2>You notice the fingers of the killer, broken the skin
<v Speaker 2>and drawn blood. Should he not communicate with the police
<v Speaker 2>before we do that? For line we see if you
<v Speaker 2>can find you about this letter, move the body, Willi
<v Speaker 2>Watson lying across an open dispatch box that might contain
<v Speaker 2>the document in question, Come on, ah well, A painter
<v Speaker 2>of the lateness to our party was an unusual methodical man.
<v Speaker 2>Everything files. You're an alphabetical order. Yeah, we are flour line.
<v Speaker 2>They are all unchtime. And the letter has the Munich postmark.
<v Speaker 2>I think this was for the document question and he
<v Speaker 2>was doing it. Please for line. Yeah, now visit a
<v Speaker 2>letter here, Holmes, how can I die? It's very little
<v Speaker 2>thankful for it's the that nail of a still a line.
<v Speaker 2>I feel it wouldn't it means a simple a matter.
<v Speaker 2>I wonder what other treasures this box contains? Hello, Hello,
<v Speaker 2>what is it interesting? It's still interesting? Look at this
<v Speaker 2>a color.
<v Speaker 4>Information on the case that we've just been working on.
<v Speaker 2>The names attached to the document. I think we may
<v Speaker 2>assume that the dead man did not confine his backmailing
<v Speaker 2>to struggling young pianists. He was after big game tools.
<v Speaker 2>We'd better be careful, homes.
<v Speaker 4>I don't think that we should go for the police
<v Speaker 4>just yet.
<v Speaker 2>No, we will stop by having a little top of
<v Speaker 2>the other persons of this ponson. For I who lives
<v Speaker 2>in the room adjoining this one, I too, and the
<v Speaker 2>room across the landing L Kung Fo, the guy Chinese actor.
<v Speaker 2>He's upon me. I see that I think to stop
<v Speaker 2>by calling on him. Return to your room for igne
<v Speaker 2>and we will let you know later. What we've found
<v Speaker 2>in the meantime is saying nothing to anyone of what
<v Speaker 2>has happened.
<v Speaker 1>Do everything you tell me, homes these once again, please
<v Speaker 1>let metect you for what you've done.
<v Speaker 3>For you know, Holmes, I'm not sure that girl didn't
<v Speaker 3>strangle a far der sup pianists have unusual strength of
<v Speaker 3>her fingers, and we know that she had the motive.
<v Speaker 4>Look how naturally calm she was when she realized the
<v Speaker 4>man's death.
<v Speaker 2>And discreete what you were, fellow humh and I think
<v Speaker 2>what you refer to is our natural calmness is the
<v Speaker 2>cold attachment of the too well.
<v Speaker 4>I have a feeling we should keep an.
<v Speaker 2>Eye on her, just to say we were watching.
<v Speaker 7>We will.
<v Speaker 2>And now I have just play a visit across the
<v Speaker 2>landing to the distinguish Chinese actor, mister ling to fold. Yeah,
<v Speaker 2>you wish to see me if you could stairs on
<v Speaker 2>the turn. But of course, gentlemen, please do come in
<v Speaker 2>adam a shark Holmes. This is my colleague, doctor Watson.
<v Speaker 2>I am great to Mitchell.
<v Speaker 6>Do I not here to see me in your professional capacity.
<v Speaker 2>I hope the stuff. Oh no, not exactly. I just
<v Speaker 2>wanted to ask you a few questions. Please to ask
<v Speaker 2>me anything. Do you know Schandoradi, the paint who lives
<v Speaker 2>across the hall I wrote him by sight? Will not
<v Speaker 2>do each other understairs?
<v Speaker 1>Not more?
<v Speaker 2>I see. Have you been in your room this evening?
<v Speaker 2>May I ask?
<v Speaker 7>Yes?
<v Speaker 2>I have been sitting here quietly for the past few hours,
<v Speaker 2>reading over the antics of Confusa.
<v Speaker 3>May I asked, Will you heard any unusual noises this evening?
<v Speaker 3>Sounds of struggle or a cry from the direction of
<v Speaker 3>sandorf Party's room, Prince, I do not think so.
<v Speaker 2>Wait, yes, yes, I think I did hear late voices
<v Speaker 2>in there, and the sound of a cry, But not
<v Speaker 2>long ago? Was this ago?
<v Speaker 6>Perhaps?
<v Speaker 2>More? Is anything wrong? Has the trouble come to Chandle Sandor?
<v Speaker 2>I thought you said you were only a nodding. Acquaintance
<v Speaker 2>with the gentleman is a well known act. It is
<v Speaker 2>only natural I should call him by his first name,
<v Speaker 2>mister Holmes, even though I do not know him. Has
<v Speaker 2>something happened to him? I'm afraid so, But I can't
<v Speaker 2>tell you any more about it at the moment. Thank
<v Speaker 2>you for your cooperation will be again. No, Dad, what
<v Speaker 2>do you think?
<v Speaker 4>Well, I wasn't telling us the truth, he seems they
<v Speaker 4>shifted to me.
<v Speaker 2>Oh, we're going downstairs to the porter's desk, the only
<v Speaker 2>one entrance to the house. You will remember. The porter
<v Speaker 2>may be able to tell us of any unusual comings
<v Speaker 2>and goings in the last hour or two. Come on out, Chap,
<v Speaker 2>don't otto. It's a great deal of work ahead of us.
<v Speaker 4>Yeah, here, Hawgs, what can I do for you?
<v Speaker 2>How long have you been on duty to night?
<v Speaker 4>Since five o'clock?
<v Speaker 2>You notice what people have come in or gone out?
<v Speaker 2>Since then? No one has gone out? Splendid And who
<v Speaker 2>came in foil and Williamstein came in just after six
<v Speaker 2>and the upperdeed the paint are coming a few minutes later.
<v Speaker 2>Thats who lives in the other ground for apartments besides
<v Speaker 2>doctor Watson and myself. The only two other apartments in
<v Speaker 2>the one to the right of the court that lives
<v Speaker 2>Madame Jansen, she's a seedish lady. And Scope and the
<v Speaker 2>Miran signor Vialetti. The Italians. Oh, thank you, thank you
<v Speaker 2>very much. I'm much obliged you to be a hermit.
<v Speaker 4>Where we all are back to our room.
<v Speaker 2>We can let him be a lady. She's at home.
<v Speaker 4>Sounds as if she's very much at all.
<v Speaker 7>Your sheer lack com that's a friend.
<v Speaker 2>Never come to Sydney.
<v Speaker 7>The provo rubbish him.
<v Speaker 2>I have so much wish to make her acquaint.
<v Speaker 3>And this is done if we can only stay from
<v Speaker 3>the moment, madam, my I phone want to ask you question.
<v Speaker 2>Yes, I just want to.
<v Speaker 5>I know your question.
<v Speaker 7>You play the I have heard you. You want to
<v Speaker 7>know where that the great Valaria will allow you to?
<v Speaker 2>What company are in the magnificent soprano aria.
<v Speaker 7>Hello, So from a mostage la float to my geco.
<v Speaker 7>See your lucky answer to your question, this is sing.
<v Speaker 2>If you was one of my questions, It was not,
<v Speaker 2>but I really seeing it with just this day suddenly,
<v Speaker 2>but then at the moment there are other things on
<v Speaker 2>my mind. You're a theo letty, do you know? Daddy?
<v Speaker 7>My boy sighed?
<v Speaker 2>Let me go eve my guy see but I know, okay, attense,
<v Speaker 2>I don't like a girl you haven't seen in the evening.
<v Speaker 7>No, I've been alone, are reviewing the score and the
<v Speaker 7>troth you doing? Are you to sing? The next week?
<v Speaker 7>Here in Vienna? I hope your report to be president.
<v Speaker 7>It would be a great treat.
<v Speaker 5>Even saw it must a goss the stone.
<v Speaker 6>But come and see me again, and I would sing
<v Speaker 6>for your ports before your name.
<v Speaker 4>Ah, it's got regards to woman. She's not your murders.
<v Speaker 4>I'm show.
<v Speaker 3>And now I suppose we'll have to question this stopless woman,
<v Speaker 3>and then we'll have talked to everyone in the house.
<v Speaker 2>Now, I think before we visit her, and we'll examine
<v Speaker 2>the dead man from a little more closely. That black
<v Speaker 2>in the statch box may hold the keys of this mystery.
<v Speaker 4>They tell an interesting story.
<v Speaker 3>A party had obviously in black mailing Madame Janson's the Sultry.
<v Speaker 2>And also our friend the Chinese actor lighting Fold.
<v Speaker 4>The lighting foe was lying when he said that he
<v Speaker 4>didn't know, he.
<v Speaker 5>Said, fin George Field.
<v Speaker 4>Of poor people living in this house in his path.
<v Speaker 6>Hell, it's matter what in the farms on the prince
<v Speaker 6>a small foot medious to this ploty, But it must
<v Speaker 6>have been hiding.
<v Speaker 2>Take a look at these watson.
<v Speaker 4>Hair, long black hair?
<v Speaker 2>Where were they on a hook in the cupboard? Someone
<v Speaker 2>facing themselves back so to be out of sight could
<v Speaker 2>easily leave such evidence.
<v Speaker 5>I've got home down.
<v Speaker 3>Got it, the long back hair, the long nails that
<v Speaker 3>caused the peculiar up upon his throat.
<v Speaker 5>A small footprint.
<v Speaker 2>It was a woman, Lilip, with which one Caroline Mullenstein
<v Speaker 2>and Signora Violette, and both have fond hair. Remember, and
<v Speaker 2>it must be that conscious was not necessarily who else?
<v Speaker 2>Not a woman? I have small feet, long nails, and
<v Speaker 2>long black hair.
<v Speaker 5>I kill the Chinese ACTRESSY come on, I hope he's
<v Speaker 5>still there.
<v Speaker 2>I come on, miss Squint.
<v Speaker 5>Oh look at you.
<v Speaker 4>He's praying his head in his hands.
<v Speaker 2>Oh, my dear fellow, I'm afraid payers can dream. No
<v Speaker 2>good now he's been strangled, strangled with his own cue.
<v Speaker 1>Dr Watson's story will continue in just a second, so
<v Speaker 1>I'm gonna take that second for a fast question. I
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<v Speaker 1>And now back to the night's new Sherlock Holmes adventures.
<v Speaker 1>The famous pair are staying in Vienna, where they've become
<v Speaker 1>involved in the mysterious strangling of a notorious blackmailer.
<v Speaker 2>As we rejoin our story, Sherlock Holmes and doctor Watson,
<v Speaker 2>I've cost questioning another of the suspects, a Swedish sculptress
<v Speaker 2>by the name of Madame John. What do you want
<v Speaker 2>with me? So have you come in here?
<v Speaker 4>We just wanted to ask you few questions, Madam.
<v Speaker 2>With myr figurines? May I ask if you always working?
<v Speaker 2>To say?
<v Speaker 3>Yeah?
<v Speaker 2>But what's thet to you?
<v Speaker 3>Do you wish to buy some of my sculptor?
<v Speaker 7>No?
<v Speaker 2>But I assure you the question was prison.
<v Speaker 3>Tell me who you are and stop eating my tue.
<v Speaker 3>My friend is a private protective, Madam, a detective who sank.
<v Speaker 2>You here no one sent me here. I'm conducting an
<v Speaker 2>investigation of the murder of schandor of Paddi and Dad.
<v Speaker 1>Jack.
<v Speaker 4>Yes, madam, but we happen to know that you had
<v Speaker 4>a motive for killing him. He's been blackmailing you. Get
<v Speaker 4>out of here.
<v Speaker 1>Would like to hear the con here in christ No, no, no, no, look.
<v Speaker 4>Here, madam. If you know what's good for you, you
<v Speaker 4>will answer.
<v Speaker 1>And you know what's good for you, you'll get out
<v Speaker 1>of here.
<v Speaker 2>Watson at homes. You can't popular, madam for our improsions.
<v Speaker 2>You've meant no rudeness.
<v Speaker 4>You have been really be told us he is go away,
<v Speaker 4>never made you backtown. I got home. Obviously she's the killer,
<v Speaker 4>but the hair with chuck black.
<v Speaker 2>Yes, but the hot hair, and didn't put us the
<v Speaker 2>size of a fat anyway. She works to play but
<v Speaker 2>been marvel. I might have suspected her.
<v Speaker 4>So home, though, Will you tell me what you're driving out?
<v Speaker 2>The answer to this killing? How about them? But I'd
<v Speaker 2>have to prove it, I said, I must work the
<v Speaker 2>right to world chap. You might wait for me in
<v Speaker 2>our room. No no, no, wait a minute, wait a minute,
<v Speaker 2>that may be dangerous. Wait for me in Senora, You're
<v Speaker 2>letter is rom I mind. I'll join you there as
<v Speaker 2>soon as my work is done. Pretend that you have
<v Speaker 2>returned because you were so enchanted little boys got home.
<v Speaker 4>You can't ask me to be alone with that.
<v Speaker 2>I say, Watsonman, don't question me. There isn't a moment
<v Speaker 2>to be lost.
<v Speaker 6>Off.
<v Speaker 7>Of course you're not Daria, my dear doctor.
<v Speaker 4>No let alone alone?
<v Speaker 7>Not how great is your set?
<v Speaker 5>I heard him, of.
<v Speaker 4>Course, but I can't identify its work.
<v Speaker 5>That's what put the rigger let.
<v Speaker 6>So you're still in not.
<v Speaker 7>Telling your favorite composed? And will you think of something
<v Speaker 7>is just for you? I will pun the guy's light down.
<v Speaker 2>And that will be so much more a monthing.
<v Speaker 1>Oh, is your favorite is composed?
<v Speaker 4>I haven't.
<v Speaker 7>What's the.
<v Speaker 1>Harvy?
<v Speaker 6>Like a master German composers, not to the elastic and
<v Speaker 6>a masterream.
<v Speaker 7>She goes again, Come in, Somene of the sei Is,
<v Speaker 7>Come into the live.
<v Speaker 4>Chinese act.
<v Speaker 2>I am sorry to make commoson, but as we say
<v Speaker 2>in my country, those who sun pun trade seek the
<v Speaker 2>double knowledge.
<v Speaker 7>You devil, you devil, thank kill you, thank kill you.
<v Speaker 2>One I confession, Senor Violette, you can testify it to
<v Speaker 2>it want from homes. Oh, you're not telling amoun nails
<v Speaker 2>shop of my lucky.
<v Speaker 4>She's painted home.
<v Speaker 2>For anndramatic exit for a most dramatic lady.
<v Speaker 7>Well homes.
<v Speaker 3>Now that you've turned Senora Violette over to the police,
<v Speaker 3>that you tell me what made me.
<v Speaker 2>Was obvious from the beginning of the Tiber hangled by
<v Speaker 2>someone with long fingernails. Night from four was killed at
<v Speaker 2>ruled the Mountains? Then who was the woman with a
<v Speaker 2>motive and long nails? And I mentioned my dead fellow
<v Speaker 2>was the woman for len Ollenstein know being a concert pianist.
<v Speaker 2>Her nails were next be shot the scoltists who worked
<v Speaker 2>in play. Again, No, that would make it impossible for
<v Speaker 2>her to mold her delicate figurines. Therefore, Signora Fioletti, by
<v Speaker 2>the process of elimination, was the only woman with long nails.
<v Speaker 4>While did she straangled with Chinese actor too.
<v Speaker 2>And doubted that he witnessed the first killing. The long
<v Speaker 2>black hairs in the closet were from his cue, and
<v Speaker 2>I presumed that later he threatened Yoletti and so he
<v Speaker 2>himself was strangled.
<v Speaker 4>I still don't understand why she straangled off.
<v Speaker 2>Partly in the first I think you'll find that in
<v Speaker 2>backtailing her tool. Remember he had documents incriminating everyone in
<v Speaker 2>the house accept her, and I think we may assume
<v Speaker 2>she killed him and then removed her own papers from
<v Speaker 2>the the statch box. But i'd no proof, and so well,
<v Speaker 2>I had to frighten her into confessions.
<v Speaker 4>So that's why you disguise yourself as like Kung Fu.
<v Speaker 2>Yes, I borrowed the robes from his room, like it
<v Speaker 2>with the lights below as I ended. Yes, And it's
<v Speaker 2>also fortunate that the average European all Chinese look alike
<v Speaker 2>and proline Unstein. You're coming in to see you in
<v Speaker 2>a few minutes, so anxiously is everything all high?
<v Speaker 1>Well?
<v Speaker 4>From your point of view, my.
<v Speaker 5>My dear young lady, Yeah, there's nothing more.
<v Speaker 2>For you to worry about it. Oh, I would like
<v Speaker 2>to I say you here, I I've done very little
<v Speaker 2>for you. But if you really feel that you want
<v Speaker 2>me something, perhaps justice once you wouldn't mind a copying
<v Speaker 2>an amateur. It would be a pleasure.
<v Speaker 7>What did you wish me to play?
<v Speaker 2>Matter? But of course there are not from the flat
<v Speaker 2>that's spent it peace.
<v Speaker 7>You like.
<v Speaker 4>Very much, youngly, very much? In fact, I might say,
<v Speaker 4>he is my favorite composer. Charming, perfectly charming. I only
<v Speaker 4>wish it that all our adventures then the melodiously.
<v Speaker 1>Tonight Sherlock Holm's Adventure is written by Dennis Green and
<v Speaker 1>Anthony Boucher and is based on an incident in mister
<v Speaker 1>Arthur Conan Doyle story, a case of bident. Mister Rathbone
<v Speaker 1>appears to the courtesy of Metro Golden Mayor and mister
<v Speaker 1>Bruce is the courtesy of Universal Pictures, where they are
<v Speaker 1>now starring in the Sherlock Holmes series. This is Bill
<v Speaker 1>Foreman saying good night for the Petrick family.
<v Speaker 2>This is the mutual Broadcasting System.