Jill Scott Highlights

00:00:02
Speaker 1: Money, ladies and gentlemen without further ado a word.

00:00:08
Speaker 2: I know, Jenny miss, I just didn't want to work a nine to five, y'all, Like I just didn't like nine to five. That thing bothered my soul. But this thing felt good. So it started with poetry, which is why I'm still like, if I don't have anything to say, I can't sing anything.

00:00:35
Speaker 3: Like.

00:00:36
Speaker 2: The words matter so much to me, and they give me the pathway to be as genuine and as sincere as I could possibly be with every word that I say or sing. Rather, so it started with poetry. I got my feelings hurt some boy, and I wrote a poem about it. I shared it with some women that I was hanging out with and they were like, oh my god, I was. I read another one, so I read another one and then I was like, oh, that went nice. I'll write another one. And I wrote another one because I was just trying to deal with what this felt like, first heartbreak first. So then I started hearing about poetry readings, and I thought, Okay, I'll go. You know, it's I'll pay to get in, you know, I'll get on the list, and then I'll read a poem and see how that goes. Oh, that went great. Okay, I'll do it again.

00:01:28
Speaker 4: It went good for you for the first time.

00:01:29
Speaker 2: Yeah, it went great. I was like, okay, I'll do this again. This is fun. This is fun. I get to see people hang out, you know, people buy me drinks. Don't get any money yet, you know, but nonetheless, this feels good. So I continued. And then one night I was in a car with a friend and this guy pulls up. And I was literally across the street from my house. This guy pulls up and he goes listen, knocking on the glad Vincent, knocking on the glass. My friend said, I ain't Vincent. It neither she. He was like Vincent Vincent, come on, man like, man on me, ain't that? And then he went and pulled out. I saw the butt of a gun. My friend takes off down the street. I don't know what I was thinking. I guess I just panicked. So I opened the car door and I grabbed him. I think I'm gonna pull him over the dash. I don't know what I was thinking, but I was just I don't know. I panicked and he dropped what he had. He was on fire, like yeah, So he and we took off. He thought he had gotten shot because he was burning right the l fell and he thought he thought he was on fire, like he thought he was shot.

00:02:46
Speaker 4: Vincent man my friend friend.

00:02:48
Speaker 2: Who was not vincent, and I was not vincent. We just happened to be sitting across the street from my house in a car and he took off. And the next day I was like, there's really know other words, I was fucked up, like fucked up because North Philly had always been this place that was like safe for me. Crack addicts knew me, drug dealers knew me. They carried my mother's groceries home. You know, crackhead is a creep up on you. I turned around like, oh, ag you you know what I mean, Like I was good in the hood. Now I wasn't. Now I wasn't, And that it messed me up, took me off, like really off kilter, like outside of myself. I was afraid for the first time in the hood. Now it sounds wild because I grew up, you know, where people were getting murdered a lot. But somehow I wasn't afraid, But now I was. So I went to a poetry reading the next day in my pajamas because I couldn't bathom on how to put on clothes. I don't know. I wore my pajamas and I got up to say a poem and I sang and I sang, I think, what did I sing? I sang poorgy and bess what's the name of the song? Summertime? Sang Summertime? And when it was done, the room was silent, and then they blew up. Everybody stood up, people started running, you know, oh my god, wait in it. This whole time they didn't know, you know, And I never really said anything because it was mine, Yeah, my little voice. It was mine, and everybody liked it so much, so I started to do it. Was doing it more because it felt good, you know, like it felt good. So I did it again and it went well, and I did it again and then I was like, hey, you know, I'll add some poetry to this singing and see how this works. And it went well. And then I added a DJ and that went well, and it just seemed like this was right.

00:04:55
Speaker 4: So you're doing all of your own artist development, yeah, baging out your own show everything.

00:05:01
Speaker 1: Yes, but audit but yeah, yeah, full audit in front of live audience.

00:05:07
Speaker 2: Yeah, can you leave in three days to go do Rent in Canada. I've never been out of the country round myself like, this is wild. I say yes, how much you say?

00:05:20
Speaker 3: How much you say? You say.

00:05:24
Speaker 2: It was great. I think at the time I was getting like seventeen hundred dollars a week plus seven hundred dollars per dim. I had nothing. I had nothing, so this was great, a great opportunity. And I went out of the country and I did Rent and it was great. That people were awesome. I loved them. We had such a good time, such sweet spirits, and the rent heads were amazing. Those are the people who loved the play. And they would sleep outside the theater and they had pictures of you, and they would it was.

00:05:52
Speaker 3: Rent was a big deal.

00:05:54
Speaker 2: It was.

00:05:54
Speaker 5: It was.

00:05:54
Speaker 3: It was the biggest deal at that It was a little bit. It was.

00:05:58
Speaker 2: It was enough for me, but it was good and I enjoyed that. And then they asked me if I wanted to do go to Broadway, and I didn't. I didn't. There is a gift of discipline in theater that I will have in two instances. One I'll be broke or it's amazing one or the other you feel what I'm saying. If I'm broke, I might be on Broadway that sounds wild, or if it's amazing, like if I need a job, because that hustle, that mindset, that day to day, being in the same light with the same people, We're in the same clothes, saying the same thing, almost the same way. You didn't experience that, God bless you didn't. I don't think I would. I would have cracked.

00:06:57
Speaker 3: Yeah.

00:06:58
Speaker 2: So I had to choose between I know I jumped, didn't I I had to choose between a record deal or Broadway.

00:07:07
Speaker 3: Yes.

00:07:08
Speaker 4: Oh, they were on the table at the same time.

00:07:10
Speaker 2: Yes, And I chose the record. Yeah. I've been waiting for this time my whole life, my whole life. I have been waiting to be this age. I've I've been waiting to be this full. You can take that literally, figuratively, whatever way you want to. I've been waiting for this because I watched my my my aunt and my mother. I watched these women bloom into something else in front of my eyes. So I've been waiting for this. Oh, I've been waiting for this. I don't know what's going to happen. I don't know when I do know that I have an album coming.

00:07:49
Speaker 3: Yes, Yes, shout out to a new album. Yes, shot a new album.

00:07:55
Speaker 2: Yes, I said would have said, I met what it meant, and I'm really proud of that. I'm really proud of that. But I've been waiting for this. This is this is the age I've been waiting for. I don't know what it is about this, but I'm very excited to be here. I'm very happy that I'm still able able, very happy to be here, and that's what it is. I'm not ready for that. I'm not ready for that. I'll tell you why. I'll tell you why. This is the whole Honestly God, light skinned girls in North Philly had to fight for their lives. I never understood what was happening around me. My grandmother is so brown that her nickname was Blue. I could not figure out, for the life of me why light skin and long hair equated beautiful. I could not get it. It didn't make sense to me, and then I felt like I could be possibly light skin with long hair. I can't do anything about it. My cousin's a hairdresser. She does some hair. She keeps us looking nice. You know, my mother goes to the good thrift stores. You know, she gets me loafers with dimes in it. You know, like, I can't stop this pro part, this part. But what I will not do is I will not be conceited. I will not It's not going to happen ever. Ever, Ever, when you went go go.

00:09:38
Speaker 1: I used to be in a go go band. What yeah, I used to play keys in a go go bed and say so cool when you went go go, I don't think you understand. Like for me, kids from the DMV, I went from a f to a stand nice because because that right there, nobody had went there and that was like, that was the real deal.

00:10:14
Speaker 2: I tried, Oh.

00:10:16
Speaker 3: Man, I tried.

00:10:17
Speaker 2: I didn't have any like go go percussionists, so I found an African percussionist and it kind of it made sense. It just made it worked it, you know. So it was an homage, not really like trying to grab it. But DC loved it. The DMV was like, girl, we love you. When I got over there Finn.

00:10:38
Speaker 3: That audience, I wish I could have seen him storing that in DC.

00:10:41
Speaker 2: Oh, I didn't know what it's supposed to go on for like ten minutes.

00:10:45
Speaker 3: No, no, no, no, you do that for fifteen if you want to.

00:10:49
Speaker 2: Yeah, yeah, that was great. Hot twenty that was great. It's love had been like four different things. And then I was just I love the lyrics. I love the lyrics. I love how it felt. But it just didn't land on anything yet. And I was like, well, let's try go go.

00:11:08
Speaker 3: But had you had you been to go go once? It's different.

00:11:13
Speaker 2: Yeah, you come out with your hair sweating out, your clothes stuck to you.

00:11:19
Speaker 4: You you thought I was from out there. We went out there for a big take a weekend. I'm like, man, I ain't leaving.

00:11:24
Speaker 6: Man what.

00:11:26
Speaker 3: They want to go?

00:11:28
Speaker 6: Go?

00:11:28
Speaker 3: That's a mumbo sau.

00:11:32
Speaker 2: You look like a DC Nigga author there Ca you're Campa. Hell.

00:11:39
Speaker 4: No, I ain't go to college.

00:11:41
Speaker 3: It looks like finished born in the game.

00:11:46
Speaker 4: We don't enjoy gangs in college.

00:11:48
Speaker 2: Gang. You were born in a game.

00:11:49
Speaker 4: My family is one.

00:11:51
Speaker 5: Yeah, we just about the ship, so yeah, we don't. We don't go to college and join gangs. I've done well for myself. I'm singing up man.

00:12:00
Speaker 2: That's right.

00:12:02
Speaker 3: I like that. I appreciate that.

00:12:04
Speaker 4: Yeah, I mean, I'm trying to live my life like it's gold.

00:12:07
Speaker 3: And say I want to be there.

00:12:09
Speaker 2: That's what it means, just in case anybody's got questions. Living your life like it's golden literally means following your path. Like you know, Dorothy the Whiz they followed the yellow brick road. It's the same thing, like your spirit will tell you this is good, this is the way to go. Go that way, even if it doesn't work out the way you thought it would. Even if follow the road, follow the path, It'll take you somewhere else and somewhere else, and then maybe a year, maybe nine years later, you'll understand why you went that path. I didn't love working sixteen hours or fourteen hours a day at that theater company for two hundred and fifty dollars, living in my mother's basement. I didn't love that. I wanted to move out. I wanted to get a car. I wanted to buy clothes, I wanted to do stuff. But in hindsight, I see the value of why I was there and even why I stayed. Learned so much. I can communicate with people in the theater environment and on stage, you know I can. I can say I need you to change this light to this, this and that and this and touch this, and you know, add add pieces and move all kinds of things around the stage because it feels good and it looks good and it makes my audience interested.

00:13:31
Speaker 4: And you added to your toolbox.

00:13:32
Speaker 2: Yeah, and I'm wrong with a good toolbox.

00:13:36
Speaker 1: Nothing, it's so much par for the course. Like when you just look back on it and you can extrapulate, you can actually pinpoint the things, as you say, tools that you grabbed from each of those moments that at the time felt hard or or or sometimes could have felt counterproductive or I felt like they were taking me to something, felt like they were taking you somewhere you didn't want to go when you wanted to go here, but you needed everything that was on this street before you could make that right, than the right, then another right and get back to the street that you wanted to get on. And that's everything I'm hearing in your journey.

00:14:18
Speaker 2: That's what it is.

00:14:19
Speaker 3: Not skipping any steps.

00:14:23
Speaker 2: I don't think I did. I mean, I don't know. There's so much more to learn you, there's so much codd would with Polly.

00:14:30
Speaker 3: You're a thing, Yeah, insane at the at the studio, you know, to be.

00:14:41
Speaker 2: There, just to be.

00:14:45
Speaker 1: Like when it comes to music, I'll do anything, not anything. I'll sing this, I mean just within. I'll sing backgrounds. I'll play the keyboard. If you need me to learn instrument. I can play trumpet, food, I'll play the drums as I am right now, they say, are you I'm not too big to stand behind somebody's microphone. I don't have to sing lead, but for this, I don't. It's a it's a prideless venture for me. I'm willing to cope. I'm willing to get some polyurathane and stay in the studios if that means I get to be here every other day and learn this thing and be part of this thing. And that's that's that's really selling out to the gift.

00:15:38
Speaker 3: That's what you have.

00:15:39
Speaker 1: You gotta be there. I'm still surprised that you didn't know you could sing like that. I'm still shocked.

00:15:45
Speaker 4: Yeah, that that is very shock.

00:15:46
Speaker 3: That is shocking.

00:15:49
Speaker 2: I don't want to talk about that anymore, you know, I don't. I don't. I really don't feel like people understand where I'm coming from.

00:15:57
Speaker 3: I get where you're coming from.

00:15:58
Speaker 2: Okay, you do, thank you, thank you. So I just say thank you because.

00:16:05
Speaker 1: When you say when you say it's a mind, I understand what you mean by that, and so you know it's it's like, this thing is so precious to you, and when you start exposing this thing to the world, lending it to people who aren't going to be careful, who aren't going to respect, who aren't going to love your thing the way you love it and need it to be loved, I understand exactly.

00:16:37
Speaker 2: What You're terrifying everything every time.

00:16:40
Speaker 3: Absolutely so there's this thing.

00:16:45
Speaker 2: It still feels so good. You gotta, you know, we gotta get it out, Gotta go, Gotta get on the road, Gotta be amongst my bandmates, Gotta you know, hang out with my drivers, Gotta kick it with the caterers. Gotta that's another thing. Oh my god, guys, every single person is important.

00:17:06
Speaker 3: Talk about them important.

00:17:08
Speaker 2: If lighting doesn't show up, your show's in the dark, talk about it. If the background, one of your background vocalists doesn't show up, you've got to make room for that note and understand how how things change once that note is missing. We all got to work together differently because we're covering spaces. If your drummer doesn't show up for the show, what you're doing what We're gonna clap clap all night, stop by.

00:17:34
Speaker 4: Everybody has a part to playing it and it's very important.

00:17:38
Speaker 3: It's fun how you take them. Yeah, I was.

00:17:40
Speaker 5: I was randomly on Live the other day and one of our drivers from tour or just our drivers period that always ros with us, Corey, he jumped into Live and just he just said something and he just I lit up. I lit up because I'm like, I love Corey. Yeah, and I put my life in his hands when we're on the road. This man is getting us from point A to point B, and I I never want people to overlook that, just like you said, like everybody is important, the caterers, security, security, oh man, big yat, you know what I mean.

00:18:19
Speaker 4: Like, so for us, you know that that is I'm glad you said that. I am really glad that you said that.

00:18:24
Speaker 2: Got I realized where I am, you know, with the R and B you know, kings of the world O here, And I just want to make sure that we talk about this businesses and what it takes. Yes, it takes a lot of diligence and not giving up on yourself and rehearsal, rehearsal, rehearsal, rehearsal, rehearsal so you can forget rehearsal, so you can forget. You learn everything, and then you forget it and you live it every night, live in different it's different city, different energy, live it different every night. That's what it takes. I just wanted you, you know, to to know that. And then of course living within your means. It matters that you don't get, you know, a deal of some sort or some kind of contracting, then you just go spend all your money. This is entertainment. It's it's feast or famine. And when it's famine, Jesus Christ, it's a little embarrassing.

00:19:23
Speaker 3: You know what you want to talk about that you want to talk about that?

00:19:27
Speaker 5: Oh Lord Jesus, she didn't watch your episodes, and you have to get out of there.

00:19:35
Speaker 3: I've been in some famines.

00:19:37
Speaker 2: And look at you, Oh look at me now.

00:19:41
Speaker 1: I remember being in a stolen rental car, using money from Nash Trade to put in the gas tank coins, stole rental, living in Rancho.

00:19:55
Speaker 2: With Dirty Dre well we'll call him Dirty Drey and Philly Andre Harris. We went to all of us went to Great Adventures, and we stopped in McDonald's and we got small fries because in the back of each bag, we each one had to have a bag. I'll take seven small fries with seven bags, please. There was a coupone on the back of each bag for Great Adventures. So that's how we ended up going to Great Adventures.

00:20:22
Speaker 3: That's what I'm talking about.

00:20:23
Speaker 2: Yeah, Yeah, Dre had in his car. It was a hole and I had to sit in front. It was a hole, so I had to keep my feet on both sides of the hole. But I could see the bros well load, I could see the road the whole time, so I could never fall asleep.

00:20:46
Speaker 3: Yeah, yeah, right, because you.

00:20:49
Speaker 2: Know what I'm saying, what more than a towe been there?

00:20:53
Speaker 3: More than to be there?

00:20:54
Speaker 4: Yeah.

00:20:55
Speaker 3: They want to know some of the people and music that has inspired you to be who you are. How'd you get a stamp with your with your face on it? They want to know. They feeling a Broadway.

00:21:16
Speaker 4: I don't forget Canada.

00:21:17
Speaker 3: In Canada, the people that YO top f.

00:21:32
Speaker 7: Your top five. Yeah at the tip top fire your top five omen be singers, be so.

00:21:50
Speaker 6: We've got.

00:21:52
Speaker 3: Why you can be this too? Before we know your top five?

00:22:01
Speaker 6: Jasp you.

00:22:14
Speaker 1: Jop five.

00:22:17
Speaker 3: H ooh.

00:22:29
Speaker 6: H.

00:22:34
Speaker 3: Sister Jills is beautiful.

00:22:36
Speaker 2: Man, your choices are crazy.

00:22:40
Speaker 3: That's only wonderful.

00:22:41
Speaker 2: They talked about you all over the internet. They talk it, they say, they say, you know that damn that matters, saying boy that damn dank he could sing a song and that is no lie, no, lie, my goodness.

00:22:54
Speaker 3: I received this, You're top five R and B singer.

00:23:03
Speaker 2: Well, I thought about that's a lot.

00:23:06
Speaker 3: That's a lot you wrote.

00:23:10
Speaker 2: Okay, it's different, Okay, no order right, nope, Frankie Beverly don't know, man, I was supposed to have his baby. He didn't know that, but that was in my mind as a young person. We are one, we should have been one. D'Angelo, Yes, yep, absolutely, that voice, those choices, that sincerity, that soul is.

00:23:41
Speaker 3: Just a question. Mm hmmm. As we say neo, so it becomes a is he the king of Neo?

00:23:48
Speaker 2: So I don't think there's aka is there?

00:23:52
Speaker 3: Okay?

00:23:52
Speaker 2: No, I don't. I don't you know. They all kings to me.

00:23:58
Speaker 1: When I heard D'Angelo, life changing, absolutely life changing yep.

00:24:06
Speaker 3: Okay, I just you know you, you know you you you move world. So I want to know how you felt about that.

00:24:17
Speaker 2: Kings. Yeah, I don't know. I don't even know if he would want to be that. Like I think I've seen interviews where he talked about Neil soul and was like that's not really where he wanted to necessarily be, you know, So I mean maybe to the world, Yeah maybe, Yeah, that makes sense. He's changed things. He changed things and opened a door for another kind of music that had been shut for a long time. It wasn't nobody was doing soul for music like that, Like it stopped. It got real hip hoppy if that's a phrase. Yeah, hip poppy. I didn't say hops. Yeah, so yeah, I guess so, I guess he would be the king he ushered. He open the door and ushered so many.

00:25:10
Speaker 1: Through like it was like as a church kid and musician and singer and songwriter, it was like, that's that's what I want to be right here, that's.

00:25:22
Speaker 3: I want to be.

00:25:23
Speaker 1: We want to be free and musical and creative and and grounded like that. Life changing. Still nothing like it to this day.

00:25:35
Speaker 3: Nothing.

00:25:35
Speaker 2: Nope. Even from the beginning when you listen to his first album, like nobody's done anything like.

00:25:44
Speaker 3: It's not close. Nope.

00:25:50
Speaker 2: He had a good time. Huh, yes, man, Prince, hmmm. Nobody sings like that to me, like the list as far as R and B. Like he could do so many kinds of music, obviously, and he can play so many instruments, but you know, nothing compares to you that level of guts put into it. International lover, what is that? He was like, I'm going to pour sex into a song and I'm going to stir it gently, and he did. There you go, ah, wonderful. I listened to Under the Cherry Moon for four years straight. I don't know, it's the only time I listened to one thing for that long four years straight. I love, love, love, love love that album. I know every nuance of it. I think it's a perfect work. Love that album al Green, which I listened to all morning.

00:26:58
Speaker 3: Your list.

00:27:00
Speaker 2: I know what you're yeah, yeah, you gotta say a thing for me. I love a good singer, I really do, and so many different kinds of great vocalists. But I need you. You gotta say something to me. Please say something, And how you put a phrase, how you oh, please, please please. It's the writer and me. The writer requires to be titillated. And the last one as wv mmm Yep, they're on my wall. They're on my wall. That cassette. Cassette, Yeah, that cassette. I listened to it faithfully and every day for I don't know, a couple of years at least, and even now when I listen to it now, I'm like, damn, that's good.

00:28:03
Speaker 3: So that's my favorite. That's my favorite.

00:28:04
Speaker 2: They're so good and they're still what working, still working, They're still working. That counts. Yeah, that's that's my five favorite R and B artists today. Give me somebody else tomorrow because it's so much good stuff. Very grateful for that.

00:28:26
Speaker 3: Yeah. R and B Top five R and B songs.

00:28:35
Speaker 2: Fire and Desire m M. Tina Marie Rick, James Rick.

00:28:41
Speaker 3: One of the coldest, very good.

00:28:46
Speaker 2: Very very good. He knows how to tap into something that's both pastor and pimp at the same time.

00:28:53
Speaker 5: It's dangerous, lovely heavy, heavy as both of those two things, and come on, very dangerous.

00:29:05
Speaker 2: Use your powers for good, Tina Marie.

00:29:09
Speaker 3: Oh.

00:29:11
Speaker 2: One of the best moments of like top five moments of my life. I was rolling around in a cabriolet in Paris and it was midnight. Fire and Desire came on, and when Tina Marie did her first big note. The first thing she said, the Eiffel Tower lit up, and I.

00:29:34
Speaker 1: Was like, lovey, I could do is you're saying that?

00:29:43
Speaker 3: I see it.

00:29:45
Speaker 2: It was wonderful and.

00:29:50
Speaker 3: I need that.

00:29:58
Speaker 2: Rain.

00:29:59
Speaker 3: W Why not?

00:30:02
Speaker 2: So well written, so well executed, all of it as well, perfect.

00:30:06
Speaker 3: All of it as well. Adore ye listen Jesus Christ, this is incredible. Do you like it? I love it?

00:30:17
Speaker 2: Yeah?

00:30:17
Speaker 4: About to listen to a letter that's a whole revolution.

00:30:21
Speaker 2: Love me in a special way?

00:30:26
Speaker 5: Yeah?

00:30:28
Speaker 3: Yeah, this is great?

00:30:30
Speaker 4: Be right?

00:30:32
Speaker 3: What more can I say? What more can I say?

00:30:38
Speaker 2: That's right?

00:30:39
Speaker 3: Love me now?

00:30:41
Speaker 2: Yeah? That's how you do a damn thing? Is it the way?

00:30:54
Speaker 3: Yes? Yeah, you're damn right.

00:31:03
Speaker 2: I think it's very well executed. I appreciate how how the the words worked.

00:31:12
Speaker 3: You did good. I think so you did.

00:31:15
Speaker 4: I think so that's song. You can't like, you cannot you know, got the double negatives, but you can't nott smile.

00:31:26
Speaker 3: You have to show.

00:31:27
Speaker 2: I think it's because it's the woke. I think the whoe has something to do with it. I'm not sure.

00:31:35
Speaker 3: I breakfast guy, that's what she did.

00:31:40
Speaker 4: She got up the breakfast.

00:31:42
Speaker 5: Yeah, simple man, what and grits and the way you sang grits that's why you said that though you said it was made it that song felt like a live recording.

00:31:56
Speaker 2: Hm hmmm, Drane b.

00:31:59
Speaker 3: Dal felt like you were.

00:32:02
Speaker 1: At one of your poetry houses and you were saying me, I got I got something special.

00:32:08
Speaker 3: I wanted to for y'all and you sing that that's what it feels like.

00:32:14
Speaker 2: Mm hmm.

00:32:15
Speaker 3: That's nice and that's missing.

00:32:19
Speaker 2: Who ooh.

00:32:24
Speaker 3: It is.

00:32:27
Speaker 4: I think you should write for other artists too.

00:32:29
Speaker 2: I would love to.

00:32:30
Speaker 5: I think you should, absolutely, because they some more Jill Scott songs on more artists too. Because it wouldn't just come with the song. It would come with It would come with a healing, It would come with teaching, It would come with information, and it would come with.

00:32:48
Speaker 1: It would come with this level of you know what I mean, like they would you would learn so like yeah, just if you well, I.

00:32:56
Speaker 2: Would want to know what was going on in their lives. I would want to know what they wanted to talk about. I will want to know what affected them deeply. I would I would probably want to have meals and you know, I want to know so that I could write something because whatever I write, you're gonna be singing this for the rest of your lie fa yep for that, like is it's the way it's like, you know, twenty six years later, Oh my god, and people are still karaoke in that level.

00:33:27
Speaker 3: You better have aunts.

00:33:31
Speaker 2: Yeah, they better sing it and doing it so good.

00:33:35
Speaker 3: I gotta come and go. Yeah, yeah, I know it's girls.

00:33:39
Speaker 2: It's all right. Yes, I love I love hearing what people are doing with it. It's good. I just recently like added or took.

00:33:50
Speaker 6: M M.

00:33:51
Speaker 2: I don't know which one it is, but I changed it a little. I think that when the words are good, it doesn't matter what you do with the music. That you can change the music because the words are solid and you create another feeling out of some a feeling which is fun. I think it's a lot of fun. Some people that irks their soul, you know, like sing it the way I but I am, But I am. You know, I might not, I might not be for everybody, but who I'm for I'm really, really really for. Yes, good, it's good life