The Best Looks in 9 to 5, Explained

[SPEAKER_03]: It is amazing to me that Talley-Arten can stand up straight.
[SPEAKER_03]: Right.
[SPEAKER_03]: I mean, just gravity.
[SPEAKER_01]: Well, she always wears heels, right?
[SPEAKER_01]: We're just kind of tilt-jip-forward.
[SPEAKER_03]: Right, and she's loaded the ground.
[SPEAKER_03]: So you would think that it would not work.
[SPEAKER_03]: I mean, look, you can't contain them.
[SPEAKER_03]: You can't even keep them within the ribcage.
[SPEAKER_00]: Ha ha ha ha.
[SPEAKER_03]: Let's tell them why we're here.
[SPEAKER_03]: I'm Stacy.
[SPEAKER_01]: And I'm Clinton.
[SPEAKER_01]: And we're from why they wear that.
[SPEAKER_01]: fits like a glove.
[SPEAKER_01]: Okay, so we're watching movies because we like to watch movies and we like to critique the style of the characters in the movie and the TV shows and maybe even a visual podcast now and then yeah wearing on shoot up these days.
[SPEAKER_01]: Well, we don't critique real people anymore.
[SPEAKER_01]: Remember?
[SPEAKER_01]: I'm a bad person.
[SPEAKER_03]: Right.
[SPEAKER_03]: We're reformed.
[SPEAKER_03]: But it is kind of amazing that so many films bonded us.
[SPEAKER_01]: Yes.
[SPEAKER_03]: And that we really talk so much about the fashion in these movies.
[SPEAKER_01]: But you bring up a really good point because these movies, especially the ones that we're doing a lot of in the beginning, are from the early 80s, from our formative years, right?
[SPEAKER_01]: And a lot of these movies really dictated or guided us as far as like what we thought people should be wearing Because that's what they were, you know, these were like big these were big people on big screens And they were like, oh, this feels glamorous
[SPEAKER_03]: Absolutely, and God, I mean, there is so much about the 80s that I miss.
[SPEAKER_03]: Like crazy eyeshadow, come on.
[SPEAKER_03]: I mean, the 80s were made for crazy eyeshadow.
[SPEAKER_01]: The 80s were amazing, period and story.
[SPEAKER_01]: Like if you were not part of them, we're sorry for you.
[SPEAKER_01]: Sorry, that sucks.
[SPEAKER_01]: But like these are some of these movies that we're doing.
[SPEAKER_01]: The ones that really informed us as people.
[SPEAKER_01]: And I know that both of us were informed as people by the movie 9 to 5.
[SPEAKER_01]: So much.
[SPEAKER_01]: So let's watch that.
[SPEAKER_02]: 9 to 5 in 10 seats.
[SPEAKER_01]: Now, this came out in 1980.
[SPEAKER_01]: Now, I'm 11 years old.
[SPEAKER_03]: And it's like two.
[SPEAKER_03]: OK. Yeah, I was in, OK, I was three months younger.
[SPEAKER_01]: The director is calling what's his name?
[SPEAKER_03]: The Higgins?
[SPEAKER_01]: No.
[SPEAKER_03]: No?
[SPEAKER_01]: Sorry.
[SPEAKER_01]: I'm just going so well.
[SPEAKER_01]: Oh, it is calling Higgins.
[SPEAKER_03]: Wow.
[SPEAKER_03]: Look at that.
[SPEAKER_03]: She knows something.
[SPEAKER_01]: Well, the costume designer was.
[SPEAKER_03]: And rock.
[SPEAKER_03]: Correct.
[SPEAKER_03]: All right, well, let's do it.
[SPEAKER_01]: Judy's first day at work.
[SPEAKER_01]: That is an iconic look in this movie.
[SPEAKER_01]: Here's Judy.
[SPEAKER_01]: Here's Judy, play by Jane Fonda.
[SPEAKER_03]: Maybe we roll out all the red carpets and give you all the flowers.
[SPEAKER_01]: Okay, I got so much to say about this outfit because I think it makes her look crazy.
[SPEAKER_01]: Of course.
[SPEAKER_01]: She's crazy.
[SPEAKER_01]: Who shows up to work for her first day in that?
[SPEAKER_03]: The carnation, first of all.
[SPEAKER_03]: I'm like, what?
[SPEAKER_01]: There's so, look, just look at this for a second.
[SPEAKER_01]: So, I mean, it's a beautiful suit.
[SPEAKER_01]: And this suit fits her perfectly, right?
[SPEAKER_01]: It's this beautiful sort of, I would call this Robin's egg blue maybe?
[SPEAKER_01]: Now, let's blur it with a knife.
[SPEAKER_03]: It's blur with a knife, but I agree with you.
[SPEAKER_03]: And it's also, it almost looks like, it's a floral print, but it almost looks like lace from far away.
[SPEAKER_01]: It almost looks like lace, right?
[SPEAKER_01]: Or like a brocade.
[SPEAKER_01]: But I think it's just a printed fabric.
[SPEAKER_01]: It's just a print.
[SPEAKER_03]: I think it's a printed cotton, if I'm going to be honest.
[SPEAKER_03]: very bulky.
[SPEAKER_01]: It doesn't look very bulky, right?
[SPEAKER_01]: And if it's her like a glove, so I'll give the costume and design to that.
[SPEAKER_01]: I think the costume designer did a great job here.
[SPEAKER_01]: And quite a perfect job.
[SPEAKER_01]: But who puts on that suit and says, you know what this suit needs is more shit?
[SPEAKER_03]: Yes.
[SPEAKER_01]: A big pussy bow.
[SPEAKER_01]: She's got a pocket square, I think.
[SPEAKER_03]: She does.
[SPEAKER_03]: She has a pocket square and she's got the carnation.
[SPEAKER_03]: The big glasses.
[SPEAKER_03]: The bowl hat with a bow on the hat.
[SPEAKER_01]: And the rope trim on the hat and the glasses have the glasses chain.
[SPEAKER_01]: I mean, I got a, the placement of this carnation drives me crazy.
[SPEAKER_01]: I understand.
[SPEAKER_01]: Absolutely.
[SPEAKER_01]: It looks like a tumor.
[SPEAKER_03]: I guess it really does.
[SPEAKER_03]: It does not do her any favors whatsoever.
[SPEAKER_03]: I mean, frankly, that pussy boblasts doesn't do much for this suit, either.
[SPEAKER_01]: Right.
[SPEAKER_01]: Right.
[SPEAKER_03]: The suit would be gorgeous.
[SPEAKER_03]: Look at how, I mean, to talk about like uptight, right?
[SPEAKER_03]: She's tied up and then look at Violet.
[SPEAKER_03]: Look at her perfect neck.
[SPEAKER_03]: Look at this kimono.
[SPEAKER_03]: Look at this kimono.
[SPEAKER_01]: Look at this kimono.
[SPEAKER_03]: Look at this lengthening of the neck with a high V. And the earring matches the lipstick.
[SPEAKER_03]: Look at the high blush.
[SPEAKER_03]: She's iconic.
[SPEAKER_01]: I can't.
[SPEAKER_01]: I first of all, this movie, just we can both agree is a lesson on how to do comedy led by Lily Tomman.
[SPEAKER_02]: She's amazing in the scene number two.
[SPEAKER_01]: Moving on here, I have to just stop and pause for Mr. Hart's high-round ass.
[SPEAKER_01]: Look at the man's butt in these pants, like Mr. Hart played by Debbie Coleman.
[SPEAKER_01]: Yes, he can get it.
[SPEAKER_01]: Okay, I don't know if he wants it.
[SPEAKER_01]: I don't know if anybody wants it at this point, but he looks so good in this suit and best combo, I think.
[SPEAKER_01]: I mean, come on.
[SPEAKER_01]: With that mustache, that is hot.
[SPEAKER_01]: You don't think so?
[SPEAKER_03]: I mean, I'm gonna say I agree with the high round ass part.
[SPEAKER_01]: I mean, I don't know how much of it is his actual ass or the pants.
[SPEAKER_01]: The pants are cut so high in the crotch.
[SPEAKER_01]: Yeah.
[SPEAKER_01]: I mean, that is, we could, wait, is the pant just high on the waist?
[SPEAKER_01]: It's high on the waist, it's high in the crotch.
[SPEAKER_01]: It's high.
[SPEAKER_01]: It's just high.
[SPEAKER_01]: Anyway, I'm just saying.
[SPEAKER_03]: I just, wait, hold on.
[SPEAKER_03]: We need to go back here a little bit.
[SPEAKER_03]: Violet put on her blazer.
[SPEAKER_03]: Took off the kimono, which is a major thing we need to talk about.
[SPEAKER_03]: I don't understand the work like in the office kimono, but going in to see the boss you take off the kimono and put on a blazer.
[SPEAKER_03]: Why don't you just wear the blazer?
[SPEAKER_01]: Really good point.
[SPEAKER_01]: I mean, but also was it was the office kimono ever a thing like Did I miss that?
[SPEAKER_01]: Yeah, it's like you know I understand like the house coat that grandma wears and she's making sauce Like she puts on the house coats.
[SPEAKER_01]: She doesn't get the sauce on her dress, right?
[SPEAKER_03]: But I didn't know that there was a such thing as a as an office kimono No, but it's chic as chic as chic as chic as chic But now it does not have the structure of this herringbone blazer, which clearly has a great notch color Watch the earring match the pin match the lipstick match the nail
[SPEAKER_01]: Oh, it's so good.
[SPEAKER_01]: It's a quad-factor of respect.
[SPEAKER_03]: It's a quad-factor.
[SPEAKER_03]: And remember how he used to say, oh, you know, Matthew, match doesn't work.
[SPEAKER_03]: This works.
[SPEAKER_01]: This works.
[SPEAKER_03]: Matthew, match works.
[SPEAKER_01]: Also, her belt, the butterfly, fucking belt.
[SPEAKER_01]: Do you see this?
[SPEAKER_03]: He's done with the, because, hello.
[SPEAKER_01]: Oh, so good.
[SPEAKER_03]: Oh, so good.
[SPEAKER_03]: The finger in the office by her mount.
[SPEAKER_03]: But when you see her do this,
[SPEAKER_01]: There it is, right there.
[SPEAKER_03]: I don't think you're Gold Butterfly matching the butterfly mouth.
[SPEAKER_03]: I'm dying.
[SPEAKER_01]: Oh, everything about this is perfect.
[SPEAKER_03]: And Roth, we love this.
[SPEAKER_01]: I have literal chills.
[SPEAKER_01]: And they do have nothing to do with Debbie Colbert's ass.
[SPEAKER_01]: I mean, Mr. Hart's ass.
[SPEAKER_02]: Scene number three.
[SPEAKER_03]: Oh, my god.
[SPEAKER_03]: Oh, my god.
[SPEAKER_03]: First of all, what I love chefs kiss for so many reasons, right?
[SPEAKER_03]: They defined her waist.
[SPEAKER_03]: It looks like they lengthened her torso to give her ta-ta, maybe some more room.
[SPEAKER_01]: Look at the bag with the dress with the sweater.
[SPEAKER_03]: Now, I'm dying over the sweater.
[SPEAKER_03]: Okay, I would wear that today.
[SPEAKER_03]: There's nothing about that color that doesn't, I mean, I love it.
[SPEAKER_03]: It's almost a Kelly Green.
[SPEAKER_03]: I love it.
[SPEAKER_03]: It looks 50s.
[SPEAKER_03]: It looks 50s to me almost a little Italian.
[SPEAKER_03]: Like a non-no-no-no-no, you know, with the, but the DV, clearly to accommodate the girls.
[SPEAKER_01]: Well, let's talk about those girls and that dress.
[SPEAKER_01]: You and I have both dressed every single body type imaginable, right?
[SPEAKER_01]: Yes.
[SPEAKER_01]: That is a very difficult body type to dress, and the way that this dress fits dolly is exquisite.
[SPEAKER_01]: She must have gone through seven wardrobe fittings to get that as perfect as it is.
[SPEAKER_03]: Because honestly, when you are fitting somebody, right, that kind of perfection is very hard to achieve.
[SPEAKER_03]: Yes.
[SPEAKER_03]: So, you know, that takes time, that takes like a lot of tailoring, but it also really speaks to the fact that, I mean, this is the quintessential sexy body, totally.
[SPEAKER_03]: And it is hard sometimes to make a curvy body into something that doesn't feel as sexualized as professional.
[SPEAKER_01]: Right.
[SPEAKER_01]: I mean, what is a woman with Dora Lee's shapes supposed to do at the office where a potato sack?
[SPEAKER_01]: Because she doesn't want people looking at her chips.
[SPEAKER_01]: But also it's like it's hard not to look at her chips.
[SPEAKER_01]: But so it's just like, you know, what do you do?
[SPEAKER_01]: What do you do?
[SPEAKER_02]: Scene number four.
[SPEAKER_01]: But we want to talk about Jane Fond as a wig here.
[SPEAKER_01]: Like, I feel like Jane Fond, I might have said, well, if dolly's gonna get those giant wigs, I want a giant wig too.
[SPEAKER_03]: Because that's what you said.
[SPEAKER_01]: So Judy Burley has this gigantic hair.
[SPEAKER_01]: Like, where is that coming?
[SPEAKER_01]: There's not that no human has that much hair in their head.
[SPEAKER_03]: I actually think it is the funniest haircut for Judy Burley.
[SPEAKER_03]: It's like, you know that the day before she came to work, she had longer hair, right?
[SPEAKER_03]: Like, it was absolutely like, this is my work haircut.
[SPEAKER_03]: And it is just,
[SPEAKER_01]: It's terrifying.
[SPEAKER_03]: And I mean, you know, that it kind of works that it's like a little bit prudition-prim because all of her clothing and her, her, you know, she's so uptight.
[SPEAKER_03]: I think that that really works and of course, obviously, the scene with the, her, again, this is your ultimate.
[SPEAKER_03]: Zero, that's amazing.
[SPEAKER_03]: But my bigger concern is, what does consolidate it do?
[SPEAKER_03]: What if I do at consolidated?
[SPEAKER_03]: Like what is the, it the whole thing takes place in this office?
[SPEAKER_03]: What does the office do?
[SPEAKER_01]: I know, right.
[SPEAKER_01]: There are so many companies that are like that.
[SPEAKER_01]: It's like, what do you actually do?
[SPEAKER_01]: I feel like what consolidated does doesn't even matter.
[SPEAKER_03]: It doesn't matter.
[SPEAKER_03]: I mean, that's why it's sort of background noise through the whole thing.
[SPEAKER_03]: But, you know, at our age, having seen it hundreds of times, I still can't figure out what consolidated does.
[SPEAKER_01]: No idea.
[SPEAKER_01]: All right.
[SPEAKER_01]: Let's talk about Dix Adidas.
[SPEAKER_01]: So, my Adidas!
[SPEAKER_01]: So, Judy's ex-husband shows up.
[SPEAKER_01]: I think he's actually serving her divorce
[SPEAKER_01]: Brown and cream now people need to know that this was a big deal back in the day the Adidas track suit was one of the coolest things that you could wear if you wanted to look hip up That's I hip because this is the sports car the young girlfriend secretary.
[SPEAKER_03]: Yeah, and this is what you know I'm so I'm shocked.
[SPEAKER_03]: They didn't and didn't put him in a gold chain.
[SPEAKER_01]: Well, he's got it.
[SPEAKER_01]: He's got a medallion
[SPEAKER_03]: Oh, didn't even see it.
[SPEAKER_01]: Yeah, look at that.
[SPEAKER_03]: So see?
[SPEAKER_03]: Yeah.
[SPEAKER_03]: I was right.
[SPEAKER_03]: I thought of everything.
[SPEAKER_01]: With the Harry Chester, everybody's Harry Chester was sticking out back in the day.
[SPEAKER_03]: Back in the day.
[SPEAKER_03]: Back in the day.
[SPEAKER_02]: Scene number five.
[SPEAKER_01]: Okay, all right, Dora Lee walks into the lunch room and gets a snub.
[SPEAKER_03]: And also dressed conservatively.
[SPEAKER_03]: Yes, this is the best thing to see.
[SPEAKER_03]: Do you know how taught us?
[SPEAKER_01]: No, I mean, she's wearing a very simple white blouse with a deep V. Look at this perfect A-line skirt and supposed to a pencil with a nice slit up the side, which makes it a little sexy.
[SPEAKER_01]: And I think it's really hard to see because she's in the, is that a loose side heel?
[SPEAKER_01]: It is a loose side heel.
[SPEAKER_01]: It's a loose side heel.
[SPEAKER_03]: And I can't tell whether it is a mule, or it's got an ankle strap, but it gave her so much height.
[SPEAKER_03]: Also, what's great is the proportion.
[SPEAKER_01]: Yes.
[SPEAKER_03]: It makes her legs look a zillion times longer, because she's little.
[SPEAKER_01]: She's tiny, little thing.
[SPEAKER_01]: Yeah.
[SPEAKER_01]: So this outfit actually gets so little screen time, but it works so well from a distance.
[SPEAKER_01]: The silhouette is perfect.
[SPEAKER_01]: She's got that beaded sequin bag again, which actually, that outfit needs to make it a little interesting.
[SPEAKER_01]: Yeah, exactly.
[SPEAKER_03]: And very 50s and inspiration.
[SPEAKER_03]: So I like that.
[SPEAKER_03]: The funny thing is I'm like, where's her cardigan?
[SPEAKER_00]: Right?
[SPEAKER_00]: She goes!
[SPEAKER_03]: But yes, I, uh, that, that doesn't get a lot of attention.
[SPEAKER_03]: Even the belting, um, you know, which gives her such a waistline, like they really thought about it.
[SPEAKER_01]: She's drinking a tab.
[SPEAKER_01]: Looks like she made a tab.
[SPEAKER_03]: But I hope so.
[SPEAKER_03]: I loved a tab.
[SPEAKER_02]: Didn't you love a tab?
[SPEAKER_01]: No, I hated tab.
[SPEAKER_02]: Scene number six.
[SPEAKER_03]: Oh, Roz's pen.
[SPEAKER_03]: Do you know anybody who ever wore that pen in the 70s?
[SPEAKER_01]: Oh, there's a name for that kind of pen.
[SPEAKER_01]: It's a shadow-laying pen.
[SPEAKER_01]: That's French.
[SPEAKER_01]: Ha ha ha ha.
[SPEAKER_01]: Shetala.
[SPEAKER_03]: It's a shetala pen.
[SPEAKER_01]: Yes, Roz's pen.
[SPEAKER_01]: But also this blouse.
[SPEAKER_01]: I can't think of a worse blouse skirt, hair color combo to ever exist in the universe.
[SPEAKER_03]: In the universe, and my question is, is there something written?
[SPEAKER_03]: Yeah, it's like the design isn't just loaded and sharp.
[SPEAKER_01]: It's like if you went to like a Harry Styles concert and you're like, I mean, I'm going to get this tattoo right here on half of my titties.
[SPEAKER_03]: I mean, look at how lower tits are.
[SPEAKER_03]: They either, they really put, they hyped up that skirt or they just did put her in a rob that was like down to year.
[SPEAKER_01]: And he looked at where her teacher at her stomach.
[SPEAKER_01]: Could you imagine the character fitting where she's all right.
[SPEAKER_01]: You're in to play Ross.
[SPEAKER_01]: We're going to put you in this.
[SPEAKER_01]: Bravo has no support whatsoever.
[SPEAKER_01]: We're going to put you in a color.
[SPEAKER_01]: It's just a cotton.
[SPEAKER_03]: That is the color of sadness.
[SPEAKER_01]: Yeah, yeah.
[SPEAKER_01]: Right.
[SPEAKER_01]: Oh my god.
[SPEAKER_01]: We're going to match your blouse to your hair color.
[SPEAKER_03]: We're going to match your blouse to your mood.
[SPEAKER_03]: Scene number seven.
[SPEAKER_03]: Oh, Violet, Newstead, at home with her oldest son.
[SPEAKER_03]: This to me is the beginning of Sheek Lesby and Fashion, right?
[SPEAKER_01]: Not beginning.
[SPEAKER_01]: Has it progressed since then?
[SPEAKER_01]: I'm just kidding.
[SPEAKER_03]: I think it has, but nothing against Lesbians.
[SPEAKER_01]: Nothing against Lesbians.
[SPEAKER_01]: Yes, it's actually like surprisingly Sheek, right?
[SPEAKER_01]: Because it's not just a sweatshirt.
[SPEAKER_01]: It's got like a sweatshirt with detail.
[SPEAKER_01]: It's got some sort of sheeming.
[SPEAKER_03]: Yes, and she's got the, you know, colored shirt.
[SPEAKER_03]: I think it's a checker.
[SPEAKER_03]: I mean, I wouldn't say it's the most flattering in the mid-section, but she's wearing a kind of cool army pant and look at this boot.
[SPEAKER_01]: I know.
[SPEAKER_03]: The boot kills me.
[SPEAKER_03]: Patent rounded toe, square heel, and then when she jumps and hugs her son.
[SPEAKER_03]: Do, do, do, do, do, do, do, do, do, do, do, do, do, do, do, do, do, do, do, do, do, do, do, do, do, do, do, do, do, do, do, do, do, do, do, do, do, do, do, do, do, do, do, do, do, do, do, do, do, do, do, do, do, do, do, do, do, do, do, do, do, do, do, do
[SPEAKER_01]: This is some good food acting right here, really cute.
[SPEAKER_01]: Scene number eight.
[SPEAKER_01]: So I want to talk about the outfits that they spend a lot of time in the movie.
[SPEAKER_03]: I mean, we've got Dorely in this kind of like amazing powder blue leather coat with white fur.
[SPEAKER_03]: I think Louie Thomas character Violet News did is wearing two kinds of gray with an amazing locket and a studded belt.
[SPEAKER_03]: It's really kind of incredible how different they made these characters through their clothes.
[SPEAKER_03]: Oh, yeah.
[SPEAKER_03]: It's unbelievable.
[SPEAKER_03]: The distinction.
[SPEAKER_03]: It's almost like the three alarm clocks that you see at the beginning of the week.
[SPEAKER_01]: Now, I think that the costume designer and Roth chose these three looks for this next sequence because these actresses are going to be in these looks for a long time.
[SPEAKER_01]: So they're pretty strong looks, but at the same time they're pretty uncomplicated, right?
[SPEAKER_01]: There's not a lot of bells and whistles.
[SPEAKER_01]: There's not a lot of accessories going on here.
[SPEAKER_03]: Only on Violet.
[SPEAKER_01]: Only on Violet.
[SPEAKER_03]: She's got the earrings, she's got the locket, the watch, the ring, and you've got Jane Fonda in this petal pink, the whisper pink sweater with a matching like whisper scarf, which by the way is like huge for spring for 2026.
[SPEAKER_01]: And she's pairing that with a trench.
[SPEAKER_01]: It looks like a wool or a casmere trench and also a light pink.
[SPEAKER_01]: It's also like a, it's got a pink tone to it though.
[SPEAKER_03]: Oh, that the coat.
[SPEAKER_03]: Yes, I was saying that the skirt is sort of like a tan.
[SPEAKER_03]: Yeah, um, very tight.
[SPEAKER_03]: A line, you know, very tight waist.
[SPEAKER_01]: this trench coat that that Darlie is wearing right cuz it's it's so chic okay now let's just stop right here and talk about Darlie's outfit.
[SPEAKER_01]: I remember in 1980 being like is that what breasts
[SPEAKER_03]: Look what you mean protruding triangles because I got to say from this angle I do I've never seen a a bosom quite that shape before.
[SPEAKER_01]: I have literally never seen it is it is a torpedo it's a torpedo It's a literal torpedo tip.
[SPEAKER_03]: It's a torpedo bra that has been that has some sort of smoothing effect Because how could you wear that mock neck thin knit needle neck without some Knit showing oh, there's a little it looks like she's got a pierce thing
[SPEAKER_03]: Oh, it does almost look, but then you've got this matched waist and I've got to say the yellow and the blue It's very Easter egg, but it works, especially with that floral Yes, it works are also because she's got such a beautiful pale skin So that beautiful pale yellow works so well with her skin and I think even the fact that she's wearing pink Eyeshadow look at that I like this pastel Easter egg frenzy Fabulous look at that
[SPEAKER_01]: Oh, my God, that hair, that mascara, that lipstick with the shading and the snatch cheek.
[SPEAKER_03]: Oh, that is some contour.
[SPEAKER_01]: She looks so good.
[SPEAKER_01]: Oh, my God.
[SPEAKER_03]: She looks crestfallen.
[SPEAKER_01]: She does.
[SPEAKER_01]: Look at how tiny that little waist is still.
[SPEAKER_03]: And it's a bronze.
[SPEAKER_03]: leather belt or snake skin, but it's like a copper tone.
[SPEAKER_03]: It's not just straight brown.
[SPEAKER_01]: I don't love the kind of floral that she's wearing on the skirt.
[SPEAKER_03]: I know that I give up dress.
[SPEAKER_03]: I know.
[SPEAKER_03]: I know exactly where her head is going.
[SPEAKER_03]: But what I do like is that at least it's a print that kind of brings all the colors together.
[SPEAKER_03]: Totally.
[SPEAKER_03]: And the back ground color, the ground being that pale yellow really works with the flower.
[SPEAKER_01]: Then they kidnapped Mr. Hart.
[SPEAKER_03]: And they put him in some bondage gear.
[SPEAKER_01]: The bondage gear, you know what, it's kind of hot.
[SPEAKER_03]: It's definitely not that.
[SPEAKER_01]: So they are allowing him to wear his pajamas onto that horse.
[SPEAKER_01]: That's very magnanimous of them.
[SPEAKER_01]: I really think they should have been like, Mr. Hart, you have sexually objectified every woman in this office.
[SPEAKER_01]: You wear that naked underneath him.
[SPEAKER_03]: absolutely and be sexually objectified yourself just the way Clinton liked.
[SPEAKER_01]: And how's it going to go to the bathroom anyway with that?
[SPEAKER_01]: It seems like if he can pull his pajama pants down, it's not really secure enough.
[SPEAKER_03]: You know, they don't really address that.
[SPEAKER_01]: I have to say something.
[SPEAKER_01]: I don't know how Mr. Hart goes from pajamas to t-shirt to pajamas under the harness.
[SPEAKER_03]: I think it's a little bit like us walking through a door so that you know we got into a building that eventually like either doryle or violet or duty are helping him change.
[SPEAKER_03]: It's just we're not privy to that.
[SPEAKER_01]: I feel like that seems very dangerous.
[SPEAKER_01]: I mean, just keep him in his underwear or nothing else and it would be a lot easier.
[SPEAKER_03]: And you would just like that better for the movie would be.
[SPEAKER_03]: That high ass is really got you.
[SPEAKER_01]: Now, this I love because Judy is like a ballerina.
[SPEAKER_01]: She looks so good in this night gown that she's wearing.
[SPEAKER_01]: So it's the real little puff sleeve.
[SPEAKER_01]: And then it just drapes from the neck all the way down to the ground with these little gathers.
[SPEAKER_01]: It's so pretty.
[SPEAKER_03]: Yeah, it's also that she doesn't have any boobs.
[SPEAKER_03]: It looks very like innocent very Wendy from Peter and very Wendy from Peter But it's a little sexy when the light shines through it when it's a diatheness.
[SPEAKER_01]: Yes.
[SPEAKER_01]: Okay.
[SPEAKER_03]: It's funny what Dick is wearing in this scene.
[SPEAKER_03]: You're right Like he goes from being like the Adidas cool guy to like now.
[SPEAKER_03]: He's got us.
[SPEAKER_01]: He's wearing an astronaut.
[SPEAKER_01]: Who is this guy?
[SPEAKER_01]: He you know what this shows you that Dick doesn't know who he is as a person.
[SPEAKER_03]: That's right.
[SPEAKER_01]: He does not know who he is
[SPEAKER_01]: as a person.
[SPEAKER_03]: I mean, doesn't know.
[SPEAKER_03]: Well, now we know it's what he's lost, but it's too late.
[SPEAKER_02]: Scene number 10.
[SPEAKER_03]: So, Mr. Hinkley, chairman of the board, spends most of his time in Brazil, shows up because all of these amazing things have happened.
[SPEAKER_03]: Wow, the ladies have been keeping their boss in.
[SPEAKER_03]: in chains.
[SPEAKER_01]: OK, these are the final outfits.
[SPEAKER_03]: Yes, and I have to say the Red White and Blue All-American, very All-American.
[SPEAKER_01]: But, yeah, very All-American, but I don't get it.
[SPEAKER_01]: Like, why the nod to America at the end?
[SPEAKER_01]: Because it's the land of promise and the free so far.
[SPEAKER_01]: Right.
[SPEAKER_01]: Okay, well let's break down these outfits.
[SPEAKER_03]: So we got Dora Lee wearing a knit dress and white, which are very, very big in the 70s.
[SPEAKER_03]: This is 1980, so still we've got some carrying out a little self belt to give it some shape.
[SPEAKER_03]: I actually really like this on her.
[SPEAKER_03]: I think she looks really beautiful in it.
[SPEAKER_01]: I love it too.
[SPEAKER_01]: It's got a great trim on the skirt, a little like fluted hem.
[SPEAKER_01]: Yep.
[SPEAKER_01]: Okay, and then we have Judy.
[SPEAKER_01]: She's wearing, I don't know, a pretty standard looking dress.
[SPEAKER_01]: It's not very exciting.
[SPEAKER_03]: I need to bear friends then we started with.
[SPEAKER_03]: You know, I would have hoped a little bit more for her characters like Fashion Arc to be honest.
[SPEAKER_03]: You kind of wanted Judy to wind up a lot looser.
[SPEAKER_03]: right because she really shows up for herself when she's like hit the road jack to her accent.
[SPEAKER_03]: And so I was sort of hoping her last outfit would be like a little like more relaxed.
[SPEAKER_01]: Yes, a little less prim and proper.
[SPEAKER_03]: Like her hairs out or you know what?
[SPEAKER_01]: That would be good.
[SPEAKER_01]: Yes, which out the wig.
[SPEAKER_03]: Switch out the wig, and then Violet, look, I mean, pray, it's a power color.
[SPEAKER_03]: And she's been wearing hints of red, the entire film.
[SPEAKER_03]: In every scene, she is wearing either red in her makeup or red in her accessories or red in her clothing.
[SPEAKER_03]: And I think this look like finalizes the fact that she's arrived.
[SPEAKER_01]: Yes, but she's not wearing a red earring here, because that would be too much.
[SPEAKER_03]: You know what, it might be too much, but she also has more than one pair red earrings.
[SPEAKER_03]: Did you know?
[SPEAKER_03]: I noticed in the movie.
[SPEAKER_01]: Okay, here they are.
[SPEAKER_01]: A toast.
[SPEAKER_01]: Now, what I think is interesting about this.
[SPEAKER_01]: We've got the men red wine blue to marry American life.
[SPEAKER_01]: It's also very French because when Ross comes in, she's wearing a French flag in her beret, which mirrors what these three women are wearing.
[SPEAKER_03]: That is correct.
[SPEAKER_03]: Rose wears a lot of burgundy, a lot of gray, and a lot of burgundy.
[SPEAKER_01]: Let me tell you something.
[SPEAKER_01]: Rose should go to Paris more frequently because she looks fantastic here.
[SPEAKER_01]: I love this barray on her.
[SPEAKER_01]: I love this cowl neck and the suit to die for it.
[SPEAKER_03]: The evil I revolutions.
[SPEAKER_01]: Against the monarchy?
[SPEAKER_03]: The patriarchy.
[SPEAKER_01]: Oh, the patriarchy.
[SPEAKER_01]: That's where we're going.
[SPEAKER_01]: That's where we don't like.
[SPEAKER_01]: We don't like the patriarchy.
[SPEAKER_01]: I keep forgetting.
[SPEAKER_03]: All right, that was nine to five.
[SPEAKER_03]: We love the fashion, we love the styles.
[SPEAKER_03]: I mean, that fashion, some of it is still so good.
[SPEAKER_03]: I would wear a lot of what Violet News did wear.
[SPEAKER_03]: It's today.
[SPEAKER_01]: I will say, I'm a little sick of looking at these silk tie glasses.
[SPEAKER_01]: I'm over them.
[SPEAKER_03]: You know what?
[SPEAKER_03]: I think 30 years of pussy boba wasn't quite enough for anybody.
[SPEAKER_01]: Right, it's so much silk pussy boba.
[SPEAKER_01]: So much pussy boba.
[SPEAKER_03]: So much pussy boba.
[SPEAKER_01]: Why do you wear that?
[SPEAKER_02]: Thanks for watching.
[SPEAKER_02]: A special thank you to our sponsor, the Nicarbocker Hotel.
[SPEAKER_02]: Find out more and explore all our shows at altru.com.
[SPEAKER_02]: And as always, keep asking.
[SPEAKER_02]: Why can't we wear that?