Buju Banton DEBUTS “Butterflies” + talks Jamaica’s hip hop roots, dancehall history & summer tour w/ Stephen Marley

00:00:00
Speaker 1: So these are some of the stones we're coming forward with. You know, to read night a passion music, you know, not to not to try to shine, not to old du because whoever would be in the sun. Nevertheless, lives of iris. Make sure that the road is still paved right and shoveled free and the music flow consistent.

00:00:35
Speaker 2: Yeah, yeah, what up y'artist is Joe cracked the dawn? You know what it is, your boy, Jady kiss. This is the Joe and Jada Show. Every show legendary, every show iconic speaks slow for.

00:00:49
Speaker 3: We're crushing your pal pal.

00:00:54
Speaker 2: Today's guests, your courtney, I tell you we be the biggest I told you that ship.

00:00:58
Speaker 3: When you think you do it today, yes, all right, all right.

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Speaker 4: When you're think of today's guests, think of evolution, you think of big tune, you think of sold out of rainers, you think of realness, you think of respect, you think of power. You think if you're trying to make a hit, it's somebody you definitely need to call.

00:01:24
Speaker 3: You can to help you out with a phone call. Ladies and gentlemen, hold on and keep going. Let's go.

00:01:33
Speaker 5: He's the goat, to say the least, the lion strong like lion from Jaw the Lion.

00:01:42
Speaker 3: He's the goat. Nobody fucking with your box.

00:01:45
Speaker 2: Call him ten year hiatus, come back, sound brand new, twenty years old person.

00:01:53
Speaker 5: They're not allowed to be in the States and still run the state.

00:01:59
Speaker 6: Done.

00:02:00
Speaker 5: Let's go kicked them out of the United States and he still was able to run.

00:02:05
Speaker 3: Have it in a choke Holt. That's right, ladies and gentleman, make some noise.

00:02:09
Speaker 7: You could call them dog dog man, call them Booso Bonton.

00:02:18
Speaker 1: Not to respect big respect to fund George many many years, our friendship, respect for jad kids, slackwise, thanks you guys having in your program on the podcast.

00:02:32
Speaker 2: Pleasure fucking Booja Montage Dawn sh That shit ain't no normal ship. We had Michael Jordan yesterday. Now we got fucking Booja Bonta. This ain't a game by.

00:02:47
Speaker 3: Here, step by step brick by brook building.

00:02:49
Speaker 2: You know everybody, I know you humble, I know you show everybody love and respect. But it ain't nobody booed you Bontons. I don't give a fuck nobody this couch royalty on the couch. Yeah no, nobody's buger bond turned the don call gamele sister, nineties all the way to now the biggest. You went on tour, You went and bought an airplane. You came back, y'all never seen nobody like Yo. But you think yo, Yo, Bud you left. Let me tell you something. Bud, you left when the money was real good. No, no, no, no, no, Bud, you left when the money was real good.

00:03:27
Speaker 3: He came out. Joey was money.

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Speaker 8: Joey.

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Speaker 2: I said, Yo, bullet, you know where you're gonna get to the next thing. I know a month, lady, he's in. He bought his own airplane. I said, Yo, Butcher, I ain't got no fucking airplane. He got right to it. He got right to it, Yo, Budget. I love you, my brother.

00:03:44
Speaker 3: I love your too, brother. Yeah. No, Joey's right. I came home. Touch me as I feel.

00:03:48
Speaker 1: My friends on the most important question, a couple of questions like, oh, are you heard the fire?

00:03:53
Speaker 3: Next question was where the money at? Where is it? What's going on?

00:03:57
Speaker 1: What's going on in the industry, that's going in the world of well, we know in music business what's going on?

00:04:02
Speaker 2: He's right, yeah, Budget, you know it was a guy in Africa. Fake guy used a Budger name. You know, I this them on TV. This was when I was hosting the what was it? The Wendy Williams Show. Shut him down. He changed his name. Yeah, I told him it's only one budget of Bonta. The Don Gargamel this thatle TV went back to Africa. The guy changed his name. Now he's X thirteen twelve or so. Motherfucker changes. I don't play that shit.

00:04:29
Speaker 3: And then, you know, like most people get their.

00:04:34
Speaker 1: Name from their friends, to get their name from, you know, do some stupid ship and people named them. My name came from my mom. Yeah, so it wasn't the name given to me by my friends. And I took the name Banton due to my other fan and his music and delivery in the dying side, you know, because ever so often we have to keep in mind and the people that there's a distinguished difference between a DJ in Jamaica and a DJ here. And here's the guy who plays the music in my Country's guy who hold onto the microphone and talk on the version, speace and the beat. So prominent one from Indose he was Bantam, you know, came to America median named for himself. So the Bojo came from my mom, and the bantam came from my adoration for his craft, and he display his musical talent in the dance. So it's not something that is given to me by a friend, and so on and so forth. So when a young man came and said the name Bojo, I knew the problem is it poses because automatical most of the algorithms is run. Now algorithms start getting confused. They going homes Bojo. So we had to regulate that. To me, sure that you know what I mean, you.

00:05:47
Speaker 3: Find a new name.

00:05:50
Speaker 6: Yo.

00:05:50
Speaker 3: I did that it on TV.

00:05:52
Speaker 2: I got a phone call, silent phone call for somebody said you did the right thing.

00:05:56
Speaker 3: Joey hung up the phone.

00:05:57
Speaker 2: That's what I well, I probably came go to that part of Africa no more, but I swear to God, I gotta fuck over. We got mutual friends call up with said Joe, you did the right thing. Joe I said, that's right. You know what I'm saying. We gotta salute the gargamel. The gargamel and me go back thirty years, you know, putting that yellowtail fish.

00:06:19
Speaker 3: He used to tell me all the time, Joe, you gotta get slim Joey, Joey, the fat Joey is not gonna make it to the beuty. Yeah. Y. She used to tell me this shit back in the day. Eat fish, Joey, Joey, just eat fish joe Joey, don't do this and this and that.

00:06:36
Speaker 2: He was the first guy talking that health shit to me back in the day. I go like this, I'll tell you one story cording or do Disney work. So I'm gangster rap or whatever. I hit one out the park. What's love? It's just white people love me all over now because they know what's love.

00:06:55
Speaker 3: Like.

00:06:55
Speaker 2: It's like, I hit one out the park. So I'm doing Disneyland. So I do Disneyland, and I bring Booju with me. I'm like, Yo, would you come through? He come through? Bould you come out there? He started ripping it down and then he starts saying, you know, Disneyland and the loose on these people.

00:07:13
Speaker 3: He's starting to sh.

00:07:17
Speaker 2: Turn the my cor turn the please don't these people here, Joey.

00:07:26
Speaker 1: I'm like, yo, so Yo got many tas because once I landed in New York City and you hold on everyone from the community news that I am my community and the Bronx. My next Conniki is Joey Crack, so you see, you see a mercy these bends stay like this is coming through our fi and.

00:07:48
Speaker 3: Pun on that bends and Fat Jordan, that's Joey.

00:07:56
Speaker 2: The car is lady. What I go one day? I go one day? Yeah, but you get yeah.

00:08:02
Speaker 3: So we have many good days. You know. We spend most of the time in.

00:08:06
Speaker 1: The studio working cool and dredj Khalid, Yeah, I mean all that his crew at the time point the bus, you know what I mean those days Java ninety seven Jabba was own as well.

00:08:19
Speaker 2: Count We got a salute Bobby con Java for holding down. And what about David Levy. I never seen David Levy in my life. I never met David Levy. Non fucking listen.

00:08:33
Speaker 3: So just we was babing rocking you what he does he is? I listened to you still and those those those.

00:08:42
Speaker 1: People are quite instrumental and important to the development of the music and grow to the Caribbean music. And decided the worst because even though they might have an hour one day of the week, it was so important that everyone tuning just for this hour. And it does grew now somewhat, you know, the advent of internity in the videos everywhere.

00:09:01
Speaker 3: So five and five you got all type of show.

00:09:05
Speaker 1: The day that was those guys, Pitty news over tie over paid big time.

00:09:13
Speaker 3: They did. These guys.

00:09:14
Speaker 2: They kept the true to reggae music since day one, Like who's some of the well, you know you introduced me the big you gig you the legend, the legend, Big You tell these people they don't know big youth, big you the first fact Joe hang out with Big You tell them bout you.

00:09:35
Speaker 3: The dreadlocks down to the more telling Jamaica go on White Place.

00:09:43
Speaker 1: Road on me big cute, yes, old you know because the Caribbean consists of many different nations of sport, because I'm more closer to the land to the America. Nevertheless, we see them as a part of the Caribbean. So it's right, this togetherness. We don't see anyone bas an invisible bad as which was designed geographically. Yeah, so the people have put on Puerto Rico are at the islands to welcome them as long as Panama we welcome them into our culture.

00:10:15
Speaker 3: That's just who we are able to show them love and you know.

00:10:19
Speaker 1: Handing order draw Analoto pund handing noted all of his friends. He annialt my peeps or in a good vibrae and go into the club ship. Hold on the clubs. We are stand up together. That's right, you know what I mean?

00:10:32
Speaker 3: No matter what. Yeoh, we just want to let y'all know.

00:10:38
Speaker 7: Eighteen hundred is the fish you to kill up.

00:10:41
Speaker 3: Joe and Jada, we're doing it big right now. We're keeping it. Eighteen hundred the premiere tequila. And let me tell you something, This eighteen hundred something stetch. When me and Jada get on at eighteen hundred, it's fire.

00:10:55
Speaker 7: You can see.

00:10:55
Speaker 2: We got the rage special bottle, a staple known for craftsmanship, it consistency.

00:11:03
Speaker 3: You know what I mean. Eighteen hundred, eighteen hundred.

00:11:09
Speaker 2: What let me tell you something. I was scared to fly, so I knew Budgie. When I was scared to fly, I had my first show in Jamaica. By the way, everybody talks budget, don't talk like that. For everybody talks. Everybody say this, everybody say that, everybody's this, everybody that.

00:11:28
Speaker 3: Who's just such a superstar.

00:11:31
Speaker 2: Okay, he wasn't there that At that dinner with with Michael Jordan, Michael Jordan was explaining it to me, the difference of a star and a superstar. Buger Bonkank cannot eat in the Jamaican restaurant. Bujer bon Khan cannot be in the Jamaican section. If he goes to the store. By the time he comes out, there's one thousand guys outside. There's nothing he could do. Mark Anthony cannot eat in the Puerto Rican restaurant. He cannot go into cause these guys are super stars. So he used to escape the Jamaican community and hang out with the Puerto Ricans in the.

00:12:07
Speaker 3: Bronx with us.

00:12:09
Speaker 2: Yeah, you know, if you knew him, you knew him. If not, you know, you know it is what it is. He hanging out over here. Nobody is asking him.

00:12:15
Speaker 3: He could to go.

00:12:17
Speaker 2: You got Bad Bunny, right, and Bad Bunny's biggest star in the world, and he's going, Ah, the Bronx, Washington Heights.

00:12:27
Speaker 3: It's a direct.

00:12:28
Speaker 6: I don't know.

00:12:28
Speaker 2: You can be in Puerto Rico and say Yonker's warburning up. The next street over from Puerto Rico, it's the Bronx.

00:12:37
Speaker 3: There's just no way. It's the next street in Jamaica.

00:12:42
Speaker 2: New York City well maybe Miami too, but New York City, like he said, every week they listening to Jamaica, to Dovid Levy and Bobby it's just so direct.

00:12:52
Speaker 3: You come from Jamaica, you.

00:12:53
Speaker 2: Going to even the Far Rockaway, You're going to two thirty third White Player.

00:12:57
Speaker 3: It's just too much are direct.

00:13:01
Speaker 1: Jamerican community is quite integrated in America. And nevertheless New York has been good to us. And ever since the early early advent of dancedoun music traveling out of Jamaica, which was primary to Canada and New York City. In those these use of clubs like love people that are you guys, maybe nothing old enough to them, but as they might not love people the underground with David Levy, build more Ballroom Jimmy's Jimmy's Guys say at three owned by what Yeah, And there is the Tilian.

00:13:37
Speaker 6: Ballroom in.

00:13:40
Speaker 3: Albany, Manor.

00:13:43
Speaker 1: And there are so many places where the community would get to express themselves and the music grows.

00:13:48
Speaker 6: You know.

00:13:49
Speaker 1: So we're all integrated and we are play a part, even though I mean a lot of people do not wish to acknowledge it.

00:13:55
Speaker 3: Our cultures have one multicultural melting part.

00:14:01
Speaker 2: It started everything. So you know the Jamaica started the Afro beats. We know everything comes from Africa. Find them out with edginger out and handed La started Reggae's Home. Yes, you know he cursed me out one day. I'm budget, come on, John, I swear to God, I gotta give it hended on me and mone.

00:14:24
Speaker 3: He wanted a big pun on the record. I told him fifty thousand dollars.

00:14:27
Speaker 2: He told me less in fat motherfucker, suck my dick, fuck your mother.

00:14:32
Speaker 3: I'm in hell of leaded all this. I'm listening on the phone.

00:14:35
Speaker 2: I'm like, I'm dying laughing because I can't believe in hell of dollars cursing me a fuck you. I'm the legend of legends of latinos that nerving you to charge me a go fuck you? This hung up I said, Yo, I was a real motherfucker boy. That's my figger right there. Boom boom, mommymy no man by.

00:14:59
Speaker 1: So so ever, since then, you know, we we're seeing where it has also provided because it's expression, right, It's expression for those who do not normally get the same medium to express their enough feelings.

00:15:14
Speaker 3: Are the creative side.

00:15:16
Speaker 1: We see where various nations from the Spanish speaking communities start adapt ever since and never so we'll find ourselves over here in our report we call find ourselves all over various.

00:15:27
Speaker 3: I would love it.

00:15:28
Speaker 1: We appreciate it because you're taking our culture further, and I like many people might feel like I mean sometimes when I speak about its issues, that might get offended. But I was asking simple acknowledge it, acknowledge from whence.

00:15:44
Speaker 3: You gotta acknowledge it? I said, you gotta acknowledge it.

00:15:48
Speaker 2: And that's the problem if I think this generation and not even this generation, all generations, it's right there.

00:15:56
Speaker 3: Don't lie on us and don't acknowledge it. Like you know what you're doing. You know what you did from everybody.

00:16:05
Speaker 2: You understand because there's something very spiritual about Jamaican music and Jamaica. There's something that transcends when I'm when I'm in Germany and I see a white boy with fucking dreadlocks and Jamaican ship, the straight white man playing the fucking reggae shit all day. This is a different. This is for such a small island to just go globally. They're Japanese Jamaicans. That's all type of Jamaicans, like everybody falls in love with Jamaica and the culture.

00:16:41
Speaker 3: You know, you just gotta acknowledge it, like I'm I'm I'm with you with that. I'm with you with that.

00:16:47
Speaker 6: You know.

00:16:47
Speaker 3: We had a legend pass away, big legend.

00:16:52
Speaker 2: Willie Cologne started South some music with Heck de Lavo, who I think is the greatest of all time.

00:16:58
Speaker 3: And man, he did it. They did his funeral yesterday and he come out in the casket and they go boom boom with thousands of people in the street.

00:17:12
Speaker 2: And I'm watching it on the Instagram and I'm like, man, they saluted him like a k lived, lived lived, And so you know there's legends, you know, Budger, you come up, who you come up?

00:17:26
Speaker 1: Shaparnx, that whole Beginning era. I come up in the era when the music was sterning, just sterning. I come up when you you have guys like flow a Gun, Red Dragon that in Listad Clement Irene pumpt A early block, dignitary stylist, General Trees, Yeah, Nicodemos Chaka Demos, tollow Tea.

00:17:55
Speaker 3: I come up, Admirald.

00:17:56
Speaker 1: Bailey, Najore Worries. In those days, major warriors like the teacher for DJs, Major Warriors was a teacher for our DJs. Major Warriors was way ahead.

00:18:08
Speaker 3: Of his time.

00:18:09
Speaker 1: Major Worris was the first one who died of sports, really flocked to it and madly provised like compute yeah, and after the meneage I died, you know, Admiral record, Chaharans record. So then they became the next set of mentors or we have to look up to. But originally drummic music, dancedown music was never ever something from uptown was always a road boy music.

00:18:40
Speaker 3: You know the streets. I'm telling rich people like he saw, but I come from the streets. It was so much so that you could not even let your parents know that you have musical aspirish.

00:18:55
Speaker 1: Because you know, the people who represented those bad boys, you know, every one of them in those days was singing about their experience that they had in the ghettos. Until the passages of time things changed so much that for music that was once despised really cute and their children who are managed not even to play it are going near it. They started encourage their children to become a part of that music. Now, bear in mind, we sang from our experience that it be hardship, young warfare, political warfare, polical tribalism, police brutality, you.

00:19:41
Speaker 3: Know, mannerman drama.

00:19:44
Speaker 1: We sing from our reality and we make that into something that other people can identify with because for some strange reason, but my share the same experience, but they never talk about until someone sings about it. Then we can open this the ear because someone someone identify the elephant in the room. So come now full circle. Everyone thinks about their experience, but somehow we've lost a piece of what of what this really is only really come from? You know, you know, I grew up in an industry where there was always the king, a dancer which is yellow Man. And because the people who said it was the king voted for him, and I didn't even know one said yellow Man lose this crowd because the man to keep a fondation. But you might not even no a yellow Man sound to be many people might not even aware of as yellow Man. Who needs such a great impact on the dance sound community to bring it international before the ranking. So after Yellow Man as our first international dancer superstar, we had Shabahans who follow m foods to take the music further. What's my guy of flex Fu mattcarbre As well man cover ring off here. Yes, he was killing out here. The music was we could I we could identify even with songs. You will find yourself just going through some things and hear us tanking to remain you of the time when he was in school, Big time, remind you of something that happened on you have among your friends. They became time markers. Now the music became time markers. We hope, I'm pray that would meain the same for generations to come. Yes, so that reggae music and dance some music and bring new adherents. Because when it comes to a point where you no longer like a song, something that's us a beca. We grew up thinking the only that never dies is music, and that's what we try to do. We try to preserve the culture. We try to give the kids an experience.

00:21:55
Speaker 2: And what's been coming on here lately, not like you, because like I explained, when you came, you know, you're like a Michael Jordan, You're fucking goat.

00:22:03
Speaker 3: Nobody fucks with Boujabonta. That's just it period.

00:22:08
Speaker 2: So you know, for you to sit there and say, you know, it's about expression, it's about passion, it's about it. You know, music is therapy for us. A lot of times we go through shit. We gotta go in that studio and get it off. And that's what it's really truly about it. It wasn't just about chasing the check. What's the new gimmick, what's the new this, and this and that.

00:22:37
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00:24:35
Speaker 2: One thing I never understood and maybe you could explain to me because this educational is the Chinese Jamaicans, right, So from here they had that way I do.

00:24:48
Speaker 3: Now I want to hear about this. I'm shooting. Do you know about it?

00:24:52
Speaker 6: No?

00:24:53
Speaker 3: Right, so I want to learn. I want to learn.

00:24:56
Speaker 2: You got Chinese Jamaicans a big dj out there Jamaica, right, the Chin family. I believe they are like to tell me how they become Chinese Jamaicans like they.

00:25:11
Speaker 1: Over the years, Jamaica has always been a pristrem serious people my agree with it. So no doubt this is a family. However, that's not important to me in the grand scheme of things. What they did to me is more fundamental. They were visionaries who saw that the talent had the potential to be greater than just talent in the community. Hence they invested Randy's records shop and their record in studios, and they invest in the talent, they invest in the culture. And so we can't take away anything from them because they saw an opportunity and seize the movement. That's why they're still here today in non Jaminica Avenue. I mean other people want to know them, do good business and you have a problem you want to starting.

00:26:00
Speaker 3: I am concerned. Had to give them pras because they were visionaries.

00:26:04
Speaker 1: Now food pe Tool, we're Farmer Prime Minister Edward Sages, so a major musical producer who only is a person plant Beverly music and apparatas like that, and then you have PG Patterson or farm Prime Mista. Again, we used to be the manager the Clarendonians and we have our current minister was very much involved in youth sports and a client.

00:26:28
Speaker 3: I think this grange.

00:26:29
Speaker 1: So we have a long history of working with the media and the top h a lands of the country as a concerns development of music as well. But with the level in which the chains contributed their time, effort money for the development of a music that could be here, no one exposed a lot of our young people. But that was before at the same time we had grown about the same time you do. Creed wasn't a producer, Clemenster, Clemen Cox and Dad wasn't a producer. Winstin O'Reilly king Tops and these were produced. We're just naked music least scratch period. The gun damn mind is them, Pita? The guys just naked music from the air from that.

00:27:14
Speaker 3: Excuse me? So we went try Era.

00:27:17
Speaker 1: We're the gentle mind them after distinguished what was the music business and what is the business.

00:27:21
Speaker 3: Of music.

00:27:24
Speaker 1: At the do so we'll run that. You're poor forever and we can't take a look and turn the pages of history to see who was able to separate the two. I stopped there, So you go.

00:27:37
Speaker 2: Budger music business and what's the business you go away? Yeah, that's a Jada kiss line. Back, that's just that's a jewel you come back. They showed picture of you and the airport just walking like it was like budget. We followed every second when you came out, like I remember I was on a flight and they said.

00:27:59
Speaker 1: Remember Joe, Yeah, it was like your Budger in bandage. I think I spoke to you a couple of times while I was bandage. Yes, so the feeling was real yet feeling weeping main door for a night. But joy do comment in the morning, right, So that joy was undeniable.

00:28:17
Speaker 3: It was not forced.

00:28:18
Speaker 1: It was a really natural giant and a joy express not only by the we have the people, but by the we have the most God, because the vice that the people's advice aboultually even God.

00:28:29
Speaker 3: No, I was able to catch a remix.

00:28:32
Speaker 1: Yes and Jadak, Yeah we did, we did, blessed tell them so we bless Yeah and Jadaki is that it was able to. But so right now in this dispensation, the new world that's coming to the forefront of the musical arena is this new album by Bud of Banton for your twenty twenty six coming to you this summer. Won't give you the title of the album as yet, but my first single is called Butterflies.

00:28:58
Speaker 3: Not Butterflies. It's not Psychopathica, Cristy. It's more something for.

00:29:04
Speaker 1: The ladies then, because I find that our music primarily speak to a demographics way. You feel like it's all about being a youngster. And but there's leaders them movie there with this love and affection and they need to be reminded that they're a part of our community and a very integral part of our life.

00:29:26
Speaker 3: So Butterflies aim to ignite I reignite that passion. You follow me? Yeah, So I don't know the selector can play to the room. It's a butterfly. The butterfly tune select, I have it put your.

00:29:47
Speaker 6: You know.

00:29:49
Speaker 3: Pretty late?

00:29:58
Speaker 2: Why are you your ma?

00:30:00
Speaker 3: I feel about applies. I'm gonna love you for life.

00:30:05
Speaker 6: Time shot.

00:30:12
Speaker 2: I feel about young God, the one that im so this time.

00:30:20
Speaker 3: This one is called butterflies around you.

00:30:25
Speaker 5: At the.

00:30:27
Speaker 3: Outs? Where are you on your make? I feel about applies.

00:30:34
Speaker 2: I'm gonna love.

00:30:35
Speaker 3: Here for live me more time. Show in on your eyes.

00:30:40
Speaker 2: I want to love you for life, cold on give me oh no, man.

00:30:46
Speaker 3: I feel about the flies.

00:30:47
Speaker 6: Blave, follow base.

00:30:51
Speaker 3: And show in your eyes.

00:30:54
Speaker 6: Lend me your follow. Listen gentlemen, this you're hold your skate doue so your shoop. I califi that he's biggs. This one is all about the flying. Lo know my man, I feel about the flies. I'm gonna love you for life.

00:31:26
Speaker 3: God, I said my time. Sorry on your eyes.

00:31:30
Speaker 1: I want to love you for life.

00:31:33
Speaker 3: Come down, give me what it do love you for I ain't want a young into your eyes. Let me learn tell you for life.

00:31:46
Speaker 6: You tell me this Jo, hold your skate down blue solo shoop, I califi that he is bis me and your well.

00:31:54
Speaker 3: If you're a cross turning you.

00:31:55
Speaker 6: About your game. Flash baby Jewelry, I sim and I'm feeling your clean give with our sons on your fing Come on, love you tonight.

00:32:27
Speaker 7: Come.

00:32:30
Speaker 1: So this is a This is the first single produced by super Dupes. You know super Dubes at top of super Dubes again is that?

00:32:38
Speaker 6: That?

00:32:38
Speaker 1: Is that a Burgren with Chinese heritage from the Jerminican community invested this time of Basoni and black Chinese a sort of popular in Jamanica. So they emerged. I'm playing the song system to make it beats in the studio. So this is super He has done many famous works. Oh no, super Doops is very acclaimed. You know.

00:32:56
Speaker 3: Yeah, but you know that sounds like budget bands.

00:32:59
Speaker 1: Well listen next album that's bout your bund This next album is one hundred percent dancer. You know sometimes you know what I mean, I'm gonna start outing on the dance about the passage of time. We have to give the people the music that you know, grow with them because you have life, I have experience, but you have got back to the roots that time and not only go after the right, but to teach a generation because no one having no respect nowadays. Now and if you want to go out and flag every one as all of flagging jenius who's one belt and beat everybody.

00:33:31
Speaker 3: Whoa one belt man. So you have to you have to, you have to set up. So twenty years some no generation will emergency.

00:33:41
Speaker 1: In nineteen two toes nine, two toes ten, two to twenty two, twenty five, this was reggae music and this was dance and musical.

00:33:48
Speaker 3: This is the issue of it.

00:33:49
Speaker 1: No, someone has to remind because it's hard work. A lot of people realize they're lazy. What it takes for us to make a proper sound, to come found with it is the easy work. So we want to quick fix and get the glory. But true work, that's standing time starts with hard work. It's hard work.

00:34:07
Speaker 2: There's a lot of concentration, a lot of hard work out of medication, a lot of dedication, alliance at the time and series.

00:34:15
Speaker 3: It just you know, some people they blood lucky.

00:34:19
Speaker 2: But when you win, when you want to do that right Because budget Varns, I have never been whacking this life.

00:34:27
Speaker 3: I never heard of a whax song in my life, but not that song right there. It's out the park. That song right there.

00:34:36
Speaker 2: Sound like we just opened a CD of Buche of Bontan's greatest hits and that just came on like that record right there is out of here.

00:34:47
Speaker 1: Well, Lou will and tell your album and promises to be exciting ranging from love together you know, I mean, you know, oh I style, you know our core woy downside style. So this album look forward to it. Excuse me because the promise is to be dynamic, exciting, fulfilling, rewarding and above all elves musical.

00:35:11
Speaker 8: Wow, I love you go ahead, some mariners at the drug Well right now we're planning going on the road this summer and Steve Marley the road you know, two lions, you know, and in an effort to bring back love that the music industry you haven't should have, And we're going out there in the month of June, June eating you should be on the road, and also to make sure that the masters them get a whiff of this small record.

00:35:38
Speaker 3: By then it should be all the whole entire projects you've been released. But it's going to fuck the summer up. The bracket is well, this summer shall be late. To put it that way.

00:35:46
Speaker 2: Outside, shout out Stephen Marley, a hell of an actor, raffin I mean, Kim money come with no, no, no, no, who's acts come on money? Your fucking commanding man. He should have did a bunch of more movies after that, man like he. That Ship Shouts is a classic without a doubt.

00:36:11
Speaker 1: So that's maybe that's the next avenue of our exploration as a councl in curating the culture and film.

00:36:17
Speaker 3: You know, maybe that's the next era.

00:36:19
Speaker 1: We need to start looking too seriously before it is spread from our field of culture of Oh, so you know that the ties are changing where you can speak up for your people from the Latin of persons that I can pick up from a smart demographics for those who I am able, you know what I mean. Eventually, the whole purpose as to come to get on fund our tool and it can become investors in our own arts that is just music, films, whatever, whatever, whatever, because this is how other nations did it. We don't really figure the blueprint because we still want to be better than the next person.

00:36:54
Speaker 3: Think not together. We can all be better.

00:36:57
Speaker 2: Yes, talk slow meaning to everybody. If you ain't catch that is that everybody could be successful. You need to be happy for your brothers and your sisters that are successful. This ain't all a straight competition. I gotta be better than you or better than that, you know, be happy for everybody, because the more of us that's winning, the stronger we actually are as a culture.

00:37:25
Speaker 3: And so a guy I'm a fan of.

00:37:28
Speaker 2: From Jamaica's busy signal, good guy, this man, but you for a long time they don't let him in America. And they let him in and he went on that Bobby Condice and rapped for like an hour straight. I had to pull a car over. He fuck up the place so bad. But you I had to listen like, Yo, this guy's doing this shit. Yo, this guy's crazy. He's a big I never met him and went I'm.

00:37:58
Speaker 1: A fair or that business sign from the old school, just like there, Yes, when last have you been in the highway?

00:38:05
Speaker 3: Are here already lit from that angle?

00:38:07
Speaker 1: N Because first and foremost are realized that the beats they're not being utilized. So I'm asking myself, is it a situation where the beats are not being utilized because they cannot be utilized or because they cannot be written?

00:38:23
Speaker 3: I just think the pain are lazier.

00:38:25
Speaker 1: Now what what we're doing. We're losing a part, all right. There are certain beats. When it comes on, it does something to you. You automatically want that this is this new beat, this cicniqu from Jamaica, the double wifelt why you feel like readim you when I just played earlier, when I just came in.

00:38:43
Speaker 3: That's the main man low pantack big got by Mark, what's the one there? What extrayed? So want music to make make us feel and come alive no matter what we're going to.

00:38:58
Speaker 1: That's our escape. And if just strapped, when I just kip it. It's always about the music. It's always about the beat. You know, they say your joe while you rapping so good, the beat is great. We speak still now if you're doing a whack beat, then you be in there like, come on, everybody, what to do that?

00:39:18
Speaker 3: Come guy? You said you stuck like a motherfucking.

00:39:23
Speaker 1: So these are some of the stones we're coming forward with, you know, to regnite a passional music. You know, not to not to try to all shine, not to all do because whoever would be in the sun. Nevertheless, as hell as of always make sure that the road is still paved right.

00:39:42
Speaker 3: And shoveled free and the music flow consistently. That's right.

00:39:46
Speaker 1: I'm not in the frere, but I'm not totally aware that way. Yeah, if you have to leave the them to do them, you know, that's hell as an ol G. Sometimes chore them.

00:39:56
Speaker 3: I'm born to you know. Yeah, they know when they were when the og step up. They know you know who got it on it?

00:40:05
Speaker 2: Yes, the education purpose only it's true because the youth they say, all right, that's the Bonton.

00:40:12
Speaker 3: You know, they they're not crazy.

00:40:13
Speaker 2: They grew up their whole life listening to the bond Toon, trying to beat the bond tone. You can't be the bond Ton So it's like, you know, just take that, take the experience your budget. Let me tell you something. You know, we always want somebody come home from jail. Say Max b did eighteen years. We expect them the first day to sound just like the Max beat it we lost eighteen years ago.

00:40:39
Speaker 3: Right, So Buger come out.

00:40:42
Speaker 2: You made great music and everything, but this project right here, you Mari needed enough since you've been out to where this is Budger Bonton.

00:40:54
Speaker 3: Let's I want to hear music and I can't hear it, So I'm going to meet the music. I want to hear.

00:40:58
Speaker 2: Wow talk slow wow boo bo wow. And that's like you because every trouble I bump into this guy on the road. He's playing the good music, and but they don't make that kind of music no more.

00:41:19
Speaker 3: So I hear him.

00:41:20
Speaker 2: He's pumping onicks, he's pumping this, he's trying. I'm like, yo, man, what happened to that fucking good music? Man to the fucking legendary music? And they just don't make.

00:41:32
Speaker 3: It like that no more? Say you know what, you gotta make it yourself.

00:41:36
Speaker 2: You know, do me a favorite. James left the computer. We can start with Biggie Rest of Peace, Jamaican. We could do buster rhymes. I need somebody to google what what artists are Jamaican heavy.

00:41:53
Speaker 3: D f IDs, Oh my biggest Biggies Small Yeah, bust the roundstyle.

00:42:04
Speaker 2: You know um Slick Rick the Ruler, Sean Pauls, he's jamaked like he's Joey Badass.

00:42:16
Speaker 3: O Son Pepper Cool hurts from this Shine Foundation. You're not here? Yeah, Triple ext turn out to.

00:42:29
Speaker 2: His mom's Yeah, we know them. So many people contributed to the hip hop game. Uncle Lucas is part jare making as well. That said j Alamo for brand Nuvi Wow, Alam is your whip me who can't keep all of them? That's why they was fucking with all that Jamaican music. K rrest one, huh, k r rest one. Let me tell you something.

00:42:57
Speaker 3: What's his name? Cannabis? What's his name?

00:43:00
Speaker 4: Mom?

00:43:00
Speaker 3: Car down?

00:43:02
Speaker 2: The legend for connect other for Canada, Cardi Dollar fish y'all legend.

00:43:08
Speaker 3: Let me tell you something that.

00:43:14
Speaker 7: Joe and jadasshow dot com.

00:43:16
Speaker 3: We got new first fresh off the presents.

00:43:19
Speaker 7: Go get it out of Big Bob going jadensshow dot com. You can get these little cot for a T shirt, Widow exact, I need an extra.

00:43:32
Speaker 3: Lodge showing jadashow dot com. Go there and get it.

00:43:46
Speaker 2: Karres One, See when you was talking all that ship earlier, all I could think of was Kars wonder you say, teach King's loose crowns, teachers, stay intelligent, this and everything you were saying. I heard it in my head in the in the car Ress one verse back in the day and Caress he.

00:44:07
Speaker 3: Attacked the Juice Crew. At this time, the Juice Crew.

00:44:11
Speaker 6: Was like.

00:44:13
Speaker 2: Sizla buja bontine everybody together. These guys are like the Avengers, like just him, and they had the monopoly because their DJ ran the radio Marley ma if it wasn't coming through them, he was not hearing it on the radio. So they had that ship like rest of Piece two Lot Fly Todd Williams. So Carrs One gets into a beef with them. Me, who's in a Bronx fan. I'm the biggest carrass One fan. I said, there's no way he could win. Like I'm like, there's just no way he could win. And I never forget. It's winter and this is the first time I heard reggae music. It's winter and j red alert says brand new. Car Us won the response to the Juice Crew and that shit came on and that shit said boom boom boomer doom, but boom boom boom boom boom boom. When I tell you, he went like this like the whole the hip hop game. Never even the way he came. Dub Bitch is over. That bridge is over put it by pop dubbridge is over.

00:45:28
Speaker 3: Hey. I started running around my projects.

00:45:30
Speaker 2: It was like below are yes we walked. I'm running around the whole projects. And so carre Us One introduced a lot of us into the reggae game at that time, like it was like the first time we really heard that like that and uh, but you know he was Jamaican, so he were here with DJ.

00:45:55
Speaker 3: That was wow. Eighty something, eighty five irony.

00:46:00
Speaker 1: In nineteen eighty five eighty six, we in Jamaica was just start getting into be bab.

00:46:08
Speaker 3: Great dance was I think in Jamaica and.

00:46:10
Speaker 1: Those days were Yeah, we used to have fats like schools used to keep events and call them fake and various high schools used to keep it.

00:46:21
Speaker 3: Guys used to find a circle break dancing.

00:46:23
Speaker 6: Wow.

00:46:24
Speaker 3: But we used to have this. There was this particular mixed it slick Rick the Fresh.

00:46:31
Speaker 10: Store, damp Down Teddy Valley produced six minutes, six minutes, six minutes.

00:46:43
Speaker 3: Dog you for sure me shell mind, So we broke it.

00:46:51
Speaker 1: Just locking in in those days to ninety five nine, instun start lacking in so so funny you should say that. So it proved to me that at the same time, in two different locals, the same thing was happening, the same thing, same thing, same thing, same thing was happening because I can't Also recording nineteen eighty five, was watching a music video in it was Menja maker Chabarans there in Bigmore bar room. Mm hmm, Big Maroon. It was this me jam mac don man John, Yes, sir, it is. It's important to know that. Yeah, you know, shout out Jamal'ski. He was Jamaica to a MC I here he was fucking shipped up for the Jamaicas. Jamalski was a legend now here.

00:47:40
Speaker 2: He was around that time of Kars one, he was killing the fucking place, rapping with all the rappists.

00:47:47
Speaker 3: But in Jamaica, Jamalski light skinned brother. But yeah, that time.

00:47:53
Speaker 2: Let's talk about one person because it's very hard for us to have a legend.

00:47:59
Speaker 3: No, I don't, Oh we have. We have mad lyon fucking destroyed the game out here. I'm gonna take it ease. Hey, I'm in this video. What you gotta take it ease? He what he was now Christian?

00:48:13
Speaker 2: Too many suckers and not enough time make more fucking that ship man, Liam, you know that.

00:48:22
Speaker 3: You know, I know Matt. That was a Brooklyn Posset. Yeah, what's his name? Also?

00:48:32
Speaker 2: But I want to say one thing because we never hear about this, right and it's similar in reggaetone. But I got one thing to say. Lady Saw she ran the females for ever. Tell me about Lady Saw, Tell me about her contributions to the game. I felt like there would never be another female to touch the mic in reggae music.

00:48:59
Speaker 1: Well, my is a legend in her own right, and I forgot her Sister Mary and Hall because I respect because all I would get two people account what it shows. So Sister Mary and I she plevative role. You know, I'm coming up in the industry where there was a male dominate the industry when had like ten females, Lady G, Lady and Lady P, Sister Nancy, you know, sister, and then you have junior ranks Lady Johny.

00:49:32
Speaker 3: Yeah, you have Shelly turn that Shelley d. Mom lies my lies.

00:49:40
Speaker 1: I was from a time an era when she and Kojak used to do it that Kojak and Mom lives. And so from that time to the time when Lady I'm becoming assertive, there was a task between Lady G. Litty G was a top dig lyly G used to be a papastan and she was one of the mariest at the time. So after lateg you come Mama sound seeing Marie Anne and she put to bring it to a different level, to bring it in a total different levers who opened the plant door's box and she should never look back. And you know what I mean, our team Salad and then Blanche to give her life work to the church and to the true and living God. So we can't respect and Tanker for her contribution as well.

00:50:23
Speaker 2: We got one of the ev queen ev queen when the whole reggae tone forever like ladies saw and then finally now you got you know the Carol Jeans and all those girls just rocket now.

00:50:37
Speaker 3: So now you got a whole new resurgence of the females.

00:50:41
Speaker 1: Small researchers are female in Jamaica from the ear spiced them to sin see us shin sia. Yeah, well new era and this is what the music always need, new life to keep feeling it.

00:50:53
Speaker 3: But you have to always bring a piece of what makes it the music with you. That's what you need.

00:50:58
Speaker 2: Say tell the jule, you know, shout out to Rihanna. Rihanna not from Jamaica, but he has sound.

00:51:06
Speaker 3: She I remember what this ship?

00:51:09
Speaker 6: No?

00:51:10
Speaker 3: And what was that ship she had? I had to kill him? What was that record that Rihanna?

00:51:16
Speaker 2: Bron pumpa pump brum, pompa pump brum. I might have listened to that ship ten million times when that ship came out. I'm blasting that ship in the car, but I had to kill a man down. Hum pumpa pump rum pumpa pump, rum pompo pump.

00:51:33
Speaker 1: The music grows joy and as you and I board know, it's not being easy for music from the Caribbean, especially Jamaica Danstown music. No within the last four or five six years, almost things because doors has been opened and been closing on face perpetu aliana. Yes, with that being said, no, you hear music like from dan Stall on ninety seven Double Bls. I'm viewous at a section, but let's beak the true. They were also forced because music is ever you know on your phone. Yeah, everyone playing on TikTok whatever you want? Yes, you know, gone on the day is the real game. Jordan's nineteen. She starts singing songs that came out in the eighties. In the nineties, I'm like, yo, what's up. She's like, Yo, that's the number one on TikTok.

00:52:15
Speaker 2: Now, Dad, I'm like what She'd be like, Yeah, that's the number one of like, that's how the kids are learning. So no one shoot into a radio stition. In the more, it's the ball to find out. The Jamaican pattage is everything even before the stone is the radio station. Y'all kids, I like that one. I like that, but you ain't lying now. They don't understand that before we used to look. He said he had to wait to hear run DMC and tape it at three in the morning. Back in the day, we had no It wasn't like now you could just pick whatever music.

00:52:51
Speaker 1: You want to your phone ninety seven and Nicole. Everybody got to be like, it's stunning close. Yeah, that's right, you know your sentimental go upstairs.

00:53:00
Speaker 2: Yeah, everybody, you know, we had we had a shout out because he reached out to me. I got to talk to Mom, Stretch Armstrong and by Beat. Though they had an underground station out here when you went there, and jay Z was waiting online, and Nis was waiting online, and Biggie Smalls is waiting online.

00:53:20
Speaker 3: In fact, Joe's waiting online. The big puns waiting on line.

00:53:24
Speaker 2: The biggest guys you ever seen in your life waiting online to get up under the bus around at three four in the morning. These kids now, the type of access they got now, they don't even realize.

00:53:35
Speaker 1: Like the things you fought for is be thinking of a granted Wow, I said another Joe, Yes, all the things you fought for.

00:53:46
Speaker 2: Yes, everything we fought for right now was like, yeah, it's a regular daglar you know it is what Richard Marbles said, huh, taste white beef Patty and Miami.

00:54:00
Speaker 3: It's the best better you go, no, no taste right.

00:54:07
Speaker 2: I challenge anybody, h listen to me on the planet Earth, anybody to show me a better beef Patty to making Patty to taste right in Miami?

00:54:22
Speaker 3: Uh uh, I want to put some money on it. I got money on it. Say don't do that, but you you ain't got a better one. You don't have a better one. I don't care. I don't care what they say. Taste right?

00:54:38
Speaker 2: Are you in your card in yogh listening? Ain't living anything any money?

00:54:45
Speaker 3: Listen budget one dollar number, Listen to dollar Listen. I need a number.

00:54:50
Speaker 2: Budget when you go back to Miami, I'm gonna send you a box. But it's it's better. Why eating hot.

00:54:59
Speaker 6: Doste right?

00:55:00
Speaker 3: Jamaican beef patty. You could bring me any kind of beef patty you want.

00:55:05
Speaker 1: You're not being I do not eat beef patty, but I know that will be every out of beef fuy you're talking about.

00:55:13
Speaker 3: You gotta bring a beef patty eater. Listen, Listen, Listen, listen. I'm not even gonna tell you. Listen. Listen. Where's that where? Listen? Joey, Joey, you never heard of tasty beef patty Jamaica.

00:55:37
Speaker 1: Oh no, no, taste All the people who are watching now, I'm not knocking the fatty place you spoke about.

00:55:46
Speaker 3: No respect to them. They entrepreneurs, you know what I mean. But no one can taste tasty patty. Maybe take in the world, you know, and they listen and don't you Okay, no, no, no, no.

00:56:01
Speaker 1: So this is the number one party, and listen. I'm gonna go to l make your box get to you in a mirrora. I believe for you and have that experience. I believe you because tastes right. Sound like they caught the tasty yall title, let me right, sound like let me really taste reggae reggae tone.

00:56:29
Speaker 3: He might be right. Listen, my brother, when you in Miami.

00:56:34
Speaker 2: You go to Taste right. They don't even know I buy from there. I sit in the car, you know, prespect goes on to taste right. Buch ft Joe begging you up. I'm gonna be a establishment black progress every day.

00:56:47
Speaker 3: That's right.

00:56:47
Speaker 2: They got lines boy, the boys right there, but we got the studio. You don't get my sugar up, you know what I mean, get my sugar. You know I eat a couple of them Bay patties my ship. The last time you going back to Jamaica, Man, I haven't been at Jamaica in the house. The progress is to the hurricane. The hurricane has done a number on the island.

00:57:09
Speaker 1: But my people are strong, besilient, and we have to face a lot of stuff through a time on the island. And now we're managed to bounce back. And this is shot be no different. We shot bounce back stronger, better and bigger. I've seen all kind of AI ship with sharks in the street. That was all AI right, absolutely sharks in the street. I said, God, damn, this ship going damn in Jamaica. Look at this shark point I read swimming in the pot.

00:57:38
Speaker 3: I'm like, yo, this a ship AI is AI is crazy, but the ready Disneyland is in the lose.

00:57:46
Speaker 2: But you told me twenty years ago Disneyland is in there lose, Joeye.

00:57:53
Speaker 1: This it is not a coincidence because now the lines are blurred and you don't know if it's fair. I don't know, so Ai, I've entered a conversation to create doubts. So even if it's real, it's gonna be dope circular. Then it might be a I you understand, So what is read and what is fake? No, it's very questioning.

00:58:16
Speaker 2: Wow, another jewel all the way up though that that that statement you just said is all the way to the top. We don't know what the fuck going on? Like, I don't know what's real, what's fake, what's happening?

00:58:32
Speaker 3: What's like? This ship is crazy?

00:58:34
Speaker 2: This is what I was talking about earlier, and you think I'm fucking playing Yo, I'm looking at the phone. I don't know what's real, what's fake? Everything is it's blurred lines.

00:58:46
Speaker 3: You right, it's in here, it's not in here.

00:58:50
Speaker 2: So he's saying right now, if Jada kids top five dead or alive, you dick, you pussy your cousins, we would be questioned this ain't that worldwide. Have you even said that ship at versus because right now they.

00:59:05
Speaker 3: Got a ticket huh, not like you that bought a ticket in that building. So you can't be a high you.

00:59:12
Speaker 1: So with you, but you want to hear the huge difference now when back in the time, when someone came to see Jada or see Joey, they will deal with us in the moment.

00:59:24
Speaker 3: Oh do you think girl friends are in the moment? These days?

00:59:28
Speaker 2: They all over the moment. They'll let me tell you something real. This sat this Sunday, This Sunday is new edition. Bois to men and Tony Braxton, and I'm not gonna lie to you them. People don't get, they don't respect. They ain't say fat Joe the Icon wants to pull up with his wife give him a front row seat. They saying they don't give seats. My people are like, you're gonna buy a ticket yourself. Of course, I love these guys, I love their music. I have to be there. I have to be in the moment. I have to support they don't want to. It's no problem to buy front row. But some people look at me, right because they're so into what's happening now. Like just last week, two weeks ago, I went to see Jimmy Jam Terry Lewis.

01:00:22
Speaker 3: I don't give a fuck.

01:00:23
Speaker 2: If I love you, I'm showing up some people who's still trying to be in the mixes, like yo, Joe, you going to that old school shit. I'm like, yo, bro, this is the music I grew up on. This is the music I love. These are the people I look up to. I don't give a fuck. I'm front row and I'm having the time of my life. And so people need to get out there and don't take your icons and your legends from granted when they come through, buy your ticket, go on your outfit, and go in that motherfucker. Don't let nobody. Don't let nobody convince you otherwise. I don't give a fuck. We never what happened.

01:01:02
Speaker 3: It don't make them kind of music. No more, brother, No that train being left ooh, that train left already, in which you told Jane the train is out of your days. That train left yo.

01:01:14
Speaker 2: Listen, but Jamond time, man, I love you in another whole Butterflies when it dropping.

01:01:20
Speaker 3: The seventeenth of April, look forward the Butterflies No. Four seventeen that's April seventeenth.

01:01:27
Speaker 5: You can get that butterfly get it on April sixteenth at twelve midnight.

01:01:33
Speaker 3: Yes well, no.

01:01:36
Speaker 1: Respect, no respect, but and I'm so proud of you product Seaboard doing something great and I mean only hold back for the culture, the brothers in the culture.

01:01:45
Speaker 3: No how important.

01:01:46
Speaker 1: This is not only to have advice, but of advice that we control the narrative, have advice that we can really actual system and our peers instead of people trying to pryme to a level we do from anywhere and all in a while or the city have been so uncomfortable. God is that in so we can all bullshit legends very man, I'm man, there's a race now we can talk about past experience and with the chill. So this is important for the culture to have legends that I because remember, once upon a time we look at those.

01:02:15
Speaker 3: Who are ahead of us as elders m M. Funck top of this, No, we are thellers.

01:02:22
Speaker 1: So we have to make sure that the accessibility stays in the community, and access stays in the community for our community. Because once we used to line up to have things like this done. Now I come sit amongst on the coach with people who are in the semi bursure. I am, and we can talk. We can relate because I'm not saying something as far fetched. I'm saying that you can relate on your sayings. I can identify because the seal industry, and you see trying to hurt me. Now I be an asshole to make you look stupid, but prefer that what we're both doing. So this is a win win situation. Are the fan CV tend the comarado and it didn't good? You want to I want to throw the whole ship the pillow? Real, I hope I was fucking listening to the pillow.

01:03:11
Speaker 2: I hope you heard me telling you rappers call us, thank you very much, invite than I really appreciate you buld your rappers call us up with this contract. The rappers call us up. Guys that we know, we're friends. They got beef whatever. Rappers, you all want to sit on the couch, I want to shoot them. We don't do that here. This ain't the house. This is the house of love, of culture, of spreaded. They want to come in here and talk about the other rappers, this and that.

01:03:37
Speaker 3: That's not what we do here. There's an opportunity to create what I.

01:03:41
Speaker 1: Grew up and went from a by perspective where cultures are with young people express sell the product time to the fund's direct critic, direct communication with the fans.

01:03:50
Speaker 3: We don't need to models.

01:03:52
Speaker 2: See the clean you wanterfly for seventeen You want to know what's crazy for sixteen and twelve minutes.

01:03:59
Speaker 3: Remember hold up, But let me tell you something.

01:04:02
Speaker 2: Rappers who call us for the controversy, you know, we know them brothers, they called Jadakins. They call me, y'all want to sit on the couch and want to shoot on this guy. I want to say my story of this, and we say, yo, we're not with that. I see them go and do their interview with the same people who gate cake, who gate keep the industry and been spreading all that bullshit forever, and they sit down with them, and I look, and I said, look at this ship. They found their way to these motherfuckers who were getting us to kill each other forever, and they sit down right back at that couch. When gods like us say no, we're not doing that, we staying positive, they go right back to the guys who started all the ship.

01:04:46
Speaker 3: But it's okay, let's sain't that. No, this, ain't that that, ain't this crack. It just makes some noise. Dogs again, al Rold jup ad job, what do you feel like?

01:05:05
Speaker 2: I'm not the king h