Jingle All the Way and Being a Present Parent
Merry Christmas! This holiday season we break down (and hate on) the 90s kid classic, Jingle All The Way! We discuss the representation of parenting via Arnold Schwarzenegger and Sinbad. We also explore the destructive nature of consumerism. Hope you all don’t mind our ribbing of a modern classic that unfortunately does not hold up in any way.
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2023-12-22
85 min
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Transcript
Welcome to Popcorn Psychology, the podcast where we watch blockbuster movies and psychoanalyze them. My name is Bernie Brownfield and I'm a child therapist and I'm joined by Ben Stover, individual therapist, Hannah Espinoza, marriage and family therapists. We're all licensed clinical professional counselors also known as therapists, who practice out of Chicago. Even though we are licensed mental health professionals, this podcast is purely for entertainment purposes and to fulfill our love of dissecting pop culture and all forms. Please remember that, even though we are all licensed therapists, we aren't your therapist. If you are struggling with mental health symptoms, please find a local mental health provider. Welcome to Holiday Season twenty twenty three. In today's episode, we will be doing a movie that one of us had not seen ever, and two of us had probably not seen since we were eleven years old. And as we rewatched it today, we realized we may have made a horrible choice. And I'm sorry. Whose fault is that it is mine? I am reek, it's my fault. It's wanting us to do jingle all the way for two years. That's accurate for two years. I thought there would be lots of interesting things for us to talk about, about, like a family having to go through looking at a dad who's overworking, and how to kind of manage the erosion of trust and the damaging of relationships. And what I forgot is that this movie is garbage. Yeah. Basically, if you want to talk about here about the things Bendes brought out, listened to our episode on hook from last Christmas Season or Missus stubtfire, yes to Rob Williams classics. What we got out of this was none of that. A Schwarzenegger feast that he made twenty point two million dollars on What an Asshole? Well, I mean the prime of his career pretty much the nineties. This is mid nineties. This is the start of the decline, probably where it took I think end of Days to bounce back from this one, or maybe some bad Terminator sequels. So this movie is supposed to be Schwarzenegger near the prime of his career, and it is I think the start of the decline. Ultimately, it is a Christmas stinker. Was tonally a mess. The jokes fell flat in a lot of places, and as we prepare to look at the family relationships in this film. So what we'll start with is the plot summary. So what happens here is that a mattress sales King of Minnesota in this film natural natural fit. Yikes, A natural fit is a total workhol and we're seeing right from the get go that he is missing a lot of things that his kid is doing. His kid lets us know right off the bat that he is never there. He is always missing things, and the disappointment is getting quite raw and the family is getting very angry with him and starting to just count him out of stuff. As we go through the course of this film, we see that his little boy is obsessed with a very Power Rangers esque show called Turbo Man and needs it. Needs it. He needs it because Dad won't show up, so he needs a strong jawed gentleman in his life to provide fatherly guidance since he doesn't get that from Dad. We see the family erosions start to take place, and Dad thinks that if he makes a promise to his son that he'll just get him something special for Christmas, maybe something that Santa ironically is too busy this time of year to guarantee. The same year, the same the tam Alan bonk san off of a roof No two years later. I also watched that this weekend. That was much better. Sure the sequels were not. I'll tell you this right now. This movie is so bad. Buckle up, everybody. This movie is so bad that it made me grateful that I'm child free. You know what I mean. I mean, I choose to be a child free. But this movie is so bad that I will continue to be child free, so I have to subject myself to these kind of movies. So any who in the uh you know, the realm of the Power Ranger toys and the Cabbage Patch kids not being available. The movie takes off from there, where Howard goes on an impossible quest to bring his child this present that he promised Santa Claus might even be too busy to get, but I, who never shows up, can, in fact to get it for you, to make up for all my shortcomings as a crappy dad, which he then fails to do because they've been sold out for months, so much so that even this travesty of a movie. Arnold Schwarzenegger Native Minnesotans, King of Minapolis, The King of Minneapolis, Mattress sales, who is inauspiciously supporting an Austrian accent. You have nothing to see here, y'all. Nobody talks about. Is too busy selling mattresses to ever be present for his kid, and we start to see a family breaking apart because he is always at work pursuing the American dream of always being able to provide enough money to buy your kids all the toys that they want, except for Turboman, which has been sold out for months. And Arnold misses his kid's karate promotion and then makes a promise he has no idea he can't fulfill and goes on a merry adventure trying desperately to bring home this Turboman toy for his son and gets into a conflict with myrin As played by Sinbad as both fathers who just can't get it together, and they go on this ridiculous adventure that results in them becoming the hero and the villain Turboman and whatever. This villain's name is, Yeah, brain and a brain and a jar, Brain, brainon a jar. There's no consequences for anyone despite committing numerous felonies on the way, except for Sinbad. Yeah, which is that's pretty bad, considering he's the only prominent character of color in the whole entire movie. Mm hmm, correct, yep, and never mind that they commit near equal felonies. He smiles and as Arnold gets to be anointed a hero by his child and he gets haled off to jail, able to give his child the toy. H this movie was bad. Is pretty bad, guys bad, It's bad. It's not good. Nobody liked it, and I'm annoyed that we have to talk about it. And that was the only one who's never seen us. So you're welcome. Yeah, So, as we discussed this movie, we're gonna be kind of looking at the themes that will be explained to you by our very own Brittany Brownfield. Well, in this movie, we're going to be talking about dads who can't quite get their shit together. In this movie, we have two fathers who, instead of acknowledging that they are not showing up in their kids' lives in a way that is actually positive and parenting, they spend all their energy on a Christmas Eve that lasts I don't know, twenty four to forty eight hours at least in the daylight. This movie is stuck also in an alternate dimension where it does not go dark after hours and hours and hours and hours and hours. But anyhow, Yeah, I mean, I think this movie is just a prominent display of two dads, specifically Arnold. I can focus on him who has no clue about how to actually be an active parent in his kid's life, and rather than acknowledge that fact and the fact that he's continuously disappointing his kid Jamie, he instead will just put himself in repeated peril both literal, legal, etc. Rather than acknowledge how he is truly letting his kid down, this turboman becomes a symbol of him making it up to his kid or not being a dick bag. Like I just kept thinking, if these both these dudes could just acknowledge where they are disappointing their children, they wouldn't have to do this. It makes me think of in when I work with clients in real life, how they will get really stuck on an objective or they can't let go of something like I need to do this, I need to have this milestone, I need to get this thing right, And it becomes like I don't know what the word I'm looking for but they can't get off of it, and it becomes more of like, what are you trying to achieve? What does this actually mean? What is this goal a symbol of? And why does it feel so hard to let it go? And I think this movie is a case of these two guys who can't let go of this idea of finding Turboman because then what does that mean? They can't fix the problem that is their relationship with their kids. They cannot because they are very much stuck in this idea that I can fix it, and they have no concept whatsoever or what it would take to actually fix it. Yeah, because I'll tell you this right now. In the opening scene of this movie, when Arnold is on the telephone to all of his customers that he loves, he does not seem like a man who is wrecked by his life. What I mean by that is he seems quite happy. Actually, he seems like jolly is He doesn't seem to be torn up about the fact that he's missing his kids thing. He doesn't even seem torn up after he's missed it. He got torn up. But I think it goes very quickly to well can I fix it? Let's make joke He doesn't seem like a guy who is really acknowledging the problem. He doesn't seem like somebody who has awareness at all that this is the problem. Yeah, that this is an actual problem with a human. I think he writes off his kid very easily as not having enough importance in some ways to warrant a serious, thoughtful conversation. And either old boy can't do it in general because he has, you know, the intelligence of an aunt, or or he doesn't think it's that important, Like he doesn't think that kids can can feel big feelings. I think I don't know if I agree with those I see man, Well, I mean they see the impetis of the entire movie is that he knows that the kid has the big feelings and he doesn't want his kid to be hurt. But I think it's about him. But it's all about him. It's definitely about him and him facing consequences. But the consequences he's afraid of are his kid having the big feeling. Sure, though, what we see is his inability to take responsibility to make the changes that would work. I don't think. I don't think he's that thoughtful. No that I agree on, Yeah, I don't think he is the best emotional intelligence. Yeah, which is probably the fault of the movie, and it's horrible writing. Then the actual person we're discussing character itself, because well, one, yeah, the way that he well, I'll say this, the scene where he misses the karate and then the kids pissed at him and then he goes into his room and is trying to joke around like win him over. It did make me curious. And I'm giving this movie way too much credit than it deserves. It did make me curious if that was like Arnold's role as a kid and his family, Like, was he the peacekeeper slash like class clown, the person of the family who's more the jokester who breaks attention, And that's like his coping strategy, because go to move when there is tension in a family dynamic. He just that seemed like his go to move. But I was pleasantly surprised that he quickly went to apologizing. I really felt like he was going to be that guy who just tries to light in the mood and doesn't even say I'm sorry to his kids. So at least there was that. I mean, I'm give him a little shred that he did apologize, but I think it took too long. Well, it took too long for sure. Apologizing should have been the first thing he did. Yeah, not this long jokey thing where he only apologizes because my kid's not playing my game with me. Yeah. And I think his kid's probably getting old enough now where the kid is holding on more to these moments when he's being disappointed that he can't joke with him anymore. He's not a little little kid anymore, where he is like a shorter attention span and you can kind of keep it moving. The kid is now retaining patterns of behavior and holding on to hurt feelings in a way that is just developmentally what's going to happen. And it's going to make it harder for an hour to fall back on old behaviors that he's going to have to rise to the occasion or not. And then the kid's going to have an estranged relationship with you. Well, we already see this kid who's pretty young already writing his dad off like you were saying, Hanah, I think like he's already saying in the very beginning of this movie, he misses everything. This is a kid that's already giving up on his father in like second grade. Yeah, I mean, I think this is a dad that needs to he needs to start doing his own growing up or he's going to his kid's got to grow up past him pretty quickly. Yeah, he's gonna find out really fast that what kids depend on adults for is stability, insistency of their needs being met. And that doesn't only include their material needs. It includes their emotional needs. Yeah, it includes their needs for comfort, their needs for belonging, their needs for approval. And you can't give those things remotely. You can't give those things in absentia, and you can't give those things by buying someone a present because they got their purple belt. Yeah. Well, the filmmakers did do a great job of showing as little Jake Lloyd's character broke that box to get that purple belt, he looked back to see where his dad was. Yeah, and dad didn't even have enough brain to sit down with the kid and say immediately upon walking in, let's watch your video show me your belt. That's true. I didn't really ask him about it. I think he put it on his head to be but that was part of his ploy to like win him over. But also I thought was very disrespectful. That's also that like, like a kid, this kid is learning something about being There's just so many parts of being in karate that I think are more irreverent. And him coming in and just putting it around his head like it's no big deal, I think really made it seem like it's not a big deal that you got this and I don't know and I and again because he doesn't he has his character has no awareness and no intelligence at all. He can't he doesn't see that. That really rubbed me the wrong way when the dad put it on his head, because I was like, this kid has been working hard. This kid is following, been following all of the different directions and information that he's getting in order to get up to this point where he gets this belt. He has to do something in order to get it in front of everyone. Yeah, it's very meaningful. It's yeah, it's very meaningful. And I think that's how I mean, I think that's how correct he is taught to be that way, and so that I think it's a whole that's the whole fucking point. And so the fact that the dad is just like, oh, now, I have one you didn't earn that you didn't learn it, and you didn't even you couldn't even take ten fucking minutes or even I think the other thing that bothers me the most about Arnold's character is that he doesn't He's never honest with his son. He's never honest. He doesn't say he promises things. Don't fucking promise it if you can't do it. Don't even promise the smallest, stupidest thing you can think of, because world life happens, and it's just like it doesn't make any sense. So the fact that he also promises him stuff so often, that would be the reason why a kid would be like writing his dad off already, because he can't be honest with him about anything. Yeah, he can't even be like, hey, I really want to go to that parade. I'm really excited. I can tell that you're excited, but I have this thing that I have to get done today and I just don't know how long it's going to say. And that's what's also really sad is a way that he could very easily have made it up to his kid is saying I'm so sorry that it make it to your karate thing, your karate, you know, promotion. Tomorrow, I will make sure that I'm with work together all day. We'll get I'll make you breakfast, we'll go to the parade. You know, I will be with you together and offer a reason why you were not Yeah, yeah, absolutely, And be careful that it doesn't sound like an excuse, you know, just kind of saying like what she kind of says, like I messed up, you know, and I think that's worthwhile of acknowledging, like not even a good reason, like I blew it. I thought I could make it there in time, and I didn't, and I should loft earlier and I'm really really sorry. And yeah, let's watch the tape of you getting your belt, and tomorrow we will spend all day together. And said, I chase down a toy that you won't care about in a year and spend none of the day with you, and continue this narrative that I'm not going to be around. There's always going to be something more important than you. But don't worry because Ted will be around and he'll be a great step dad, right if he doesn't murder your mom. Yeah, yeah, he might be a little busy at night time serial killing, but slippery. He'll be around for He'll get your rein, dear babe, and he'll make sure to the tree with you. He'll never miss a karate promotion because whereas he going to meet his next victim? Right the way that karate is featured in it, I think, Hannah, you triggered my mind that that's a really good point. Is Karate's also all about discipline, yes, and honor. That's the that's the worst I couldn't think of, yes, and looking at how much inconsistency there is between what he's learning and being shown is important by a discipline and an art form that he he's clearly invested in versus what he's being shown from his father exactly. He's going to start to pick up on and he's going to lose respect for his dad. Yeah, because his dad is not there. His dad does not tell the truth. His dad is not an honorable person. That his dad cares about money. Yeah, more is daddill just becomes someone Whi's kind of the same idea. But this dad will just becomes someone that he can ask things of, like big gifts. Dad will just become like a big piggy bank to him right. I've worked with families where that, unfortunately has been the pattern, and it becomes really bad really quickly, because then also you can if your kid ends up having like behavioral issues, which is very easy to understand, if they have a parent that they feel neglected by, then it becomes this bribery situation where your kid will only behave, not even necessarily that you can only behave if you have big gestures. But also it becomes a thing where they spoil with expensive stuff because they can't sit in the discomfort of parenting better than that. And then it becomes this thing where the kid never learns how to like sit in the discomfort of not getting what they want right away. It can just develop into a really poisonous dynamic very quickly, where you also can have a kid who gets really caught up in like materialism and extrinsic motivation. It can just get really sloppy really quickly and become a real problem later on. The ift to then retroactively figure out by coming to see somebody like me who has to say, hey, your kid should be able to handle not getting to go to that concert or whatever, and if they can't, that's a digative indicative of a bigger issue mm hm. And also have you credit dynamic where you're with your kid where you don't show up for them day to day because you give them the splashy shit, and that's become the understood dynamic because, like you were saying, Ben, kids don't care about big gestures like this in terms of feeling valued by their parents, feeling connected to their parents, feeling important to their parents. Because him looking back at the Karate thing, why kids, why that's really meaningful showing up to kids events is because that's what shows them that you value them, that they are important to you, that you're prioritizing your time and your energy to get there and be with them. Kids respond very much to being with them. And even with buying toys for your kids and stuff like that, kids really enjoy you doing that with them. We got this fancy lego set and we do it together. Absolutely, you know what I mean. We go on this vacation together, we go to this concert together, but not just I'm giving you this toy so I don't have to deal with you, or I'm giving you this toy that replaces me being with you. Right, And kids don't want that. They want to be with their parents. Kids can accept a toy as a gesture if the apology also comes with a behavior correction. But if you start creating the mindset that I'm going to buy you this toy so I can continue being an absentee part of your life that you can't rely on, then we're going to have problems. Yeah, and I think where this movie highlighted poorly, Well, there's no a lesson in this movie. I'm not for the dad, there isn't, yeah, or for anyone. But I think Coward missed an opportunity to tell Jamie that he was important to him and buy the toy he knew the kid liked, he knew he's watching Turboman every day. You would think anybody who was tuned in would have some awareness that Turboman might be hard to get. And if your kid is telling you that, I don't know what he said, like everybody who doesn't have one, all my friends are getting one. Anybody who doesn't have one's going to be a jerk. Basically, Yeah, that is something parents need to parent on. And if your dad has been trading a lot of time to be a way to make money and then you don't deliver the thing. What's the return on investment here? What's the return on investment? And not that you want to train the kid to think that the return on investment for overworking is that you get to have the toy you really want. But you do need to draw some lines to some of this work that I do this time that I can't be with you is to get you and your mom and our family things that we need. That doesn't have to be said toy, But there needs to be a conversation around I am away a lot with work because some parents have to do that and it doesn't make them bad parents. I'm away a lot in order to provide for us. But there is more to this world than this toy. If you like, I'm unable to get you this toy, that doesn't make you any less valuable. And that's the kind of parenting that needs to happen. Having remembered being a kid, there will be some asshole who will tell you, oh, oh, I got this toy blah blah blah blah blah that you didn't get blah blah blah blah blah, and that some toy or thing that you didn't get from your parents that you most certainly still resented because you had totally built up in your head some Christmas that you were totally going to get that toy and you bought it for yourself as an adult. The things that I want to just make sure we're getting to these kids as we talked to them, don't miss the opportunity to parent them that your worth doesn't come from things that you have. The word comes from things that you are and do. And if the dad's not modeling that and echoing it in the parenting message, is gun fall a lot. And have a distinct memory of my mother having this conversation with me as a kid where I remember going to her in fifth grade and bitching that I didn't have guest genes, which I think were the hot thing at the time, and my mom very much says, is you can get guest genes, I'll have to work for those genes, So do you want to have me less? And I was like, oh no, I do like you being around a lot. And so she drew that comparison for me very early, and it obviously stayed with me of this like I could have had fancier stuff as a kid, And the reason why I didn't is because my mom worked either not at all or worked part time. So my mom very early and still this idea of what you're talking about, which is that it's the reason why we don't have that stuff is because we've prioritized spending time with you and raising you and your siblings. And I was like, message received, and I apologize. I think you make a good point in how clocked out Howard is to the family because even as a salesman, a person who seems to be if nothing else, really up up on sales and what's going on in the economy, he isn't aware of what the hottest toy of the season is from like even like commercial perspective, he's not aware of like what's going on business wise right now in the world of retail. And I know it's very different than mattresses, but I think it's he's not even good at like being aware of that part of it. On top of the fact that he's really clocked out of this thing that not only has his kid probably been talking about NonStop for weeks, if not months, but also that his wife has very pointedly asked him to get weeks before so he's not listening to his wife or his kid. Well, he's lying to it. He's like, yeah, I totally got it. Yeah, but he doesn't remember that conversation. I'm sure the look on the look on his face was like we talked about that, right, so he didn't retain that. He feels like the kind of guy who shows up smile magoo, you know what I mean, just chopping it up at home, but isn't really paying attention to the things that matter. You know, that very sitcomie yuckles thing where like a guy can just be like a goof a buffoon, weaponize and competence bro at home, right, And that's totally okay, and your wife will have no problems with that, and if she does, it's because she's a bitch nag. And I feel like the nineties, which this is very much in the midst of, that was the trope, that was the messaging, and I think that was the maybe even the mentality of a lot of parents, and I think this movie echoed a lot of that for people that were alive during that time period of going like ooh, too close and also too which I know is just this because this movie sucks. Is the fact that, going in a line with what we're talking about, the end of this movie should have been I don't care about the toy, Dad, I just wanted to be with you. I'm upset that we weren't together today, you know what I mean? And Arnold learning that lesson instead of this kid being like, I just love the might have Turbo Man and that was really fun and wild, and I'm going to give this toy away. If we're going off of what you just brought up in this kid should be hyper attached to this toy. Yeah, because it's all he got up. What is the impetus for him to then give the toy away? Bad writing? Yeah, if this is like what he's being the morals that he's being encouraged to hold as Howard's son, you know what I mean. It's a very cute, sea, small schmaltzy ending where no one gets held accountable for anything they've done except for the black guy. It's bad because anybody want to see anything else about the dad. It seems like we're sort of like winding down on the parenthood relationships, and it'll come up as we're talking about these other things. Well, it's all interconnected. Because it's basically Dad is a character and everyone else is flat. Yeah pretty much. Yeah, all right, so yeah, I'm good. Okay, let's take our first break here and maybe we'll talk a little bit about some of other characters. What I was saying is that his wife doesn't make any sense. Yep, No, she makes no sense. The fact that I can't get over the fact that he was literally was in a rocket pack way up skyscrapers, so so far from mirth. He gets their kid in his arms, also so far from mirth, and when the kid comes down to the ground, the mom just very couldn't be more casual. Yeah, oh, come here, what's going on. I'm just like, you should be screaming, crying, throwing up, cursing at Arnold. Do you think it's just some guy? Yeah, and maybe even hurting him physically, like attacking him. The fact that she has such a low key response, it seems to just go back to this continued narrative where if we're gonna get really stereotypical, she's like a cool girl. Yeah, you know what I mean. What really struck me though about Rita is Wilson's characters. She had a name, she did I'm sure she does. I can't recall it. I usually write down all the char because he calls because Ted calls her Lizzie, and it made me want to barf in my mouth. Anyway, I think that's the only time they say the name. Yeah, it's the only time. I I mean, this movie rewards that stereotype, like almost like the cool girl dynamic, where even though she is frustrated by Howard tells him so very politely, in my opinion, she does not get that upset about anything. I don't know if she's on kailudes like old school style or whatever. But the fact that she's not more panic at the end, the fact that he actually gets rewarded for the Turboman thing because she's horny question mark by his outfit as Turboman and the rocket pack doing stuff. It's the wildest ending in all of cinema. And I saw Salburne yesterday in theaters. Okay, it was just a crazy movie. This movie just encourages these stereotypes that yes, she's a character with no depth. That would also been another opportunity for Arnold's character to learn to grow where she holds him accountable. You know, the only thing she really does that bristles him. That's kind of a consequence is she lets Ted step into his role that day. But that's just a natural consequence. I think of Arnold not being around that, like there is a person there who is willing to drive them, who is going to help her decorate the tree, you know, who's a neighbor, right, and she seems to not think it's nefarious because she gets a little like what when he hits on her? Ted? So other than that, like she's actually being very cool in my opinion about what's going on, which is a bummer because it's another way in which Arnold can just continue as Arnold's characters can just continue to not grow. Yeah, we're seeing so many things happen that are just not realistic. No, Yeah, for sure. Nothing is totally consistent at all. No behaviors are consistent, like you see. I think this is the impact of this movie has done very short order production. It was crammed into the production schedule and they just kind of blitzed through it. And I think multiple writers had cracks at in none of them tonal consistency, because you see the moments where Mom is starting to lose her patience Dad, and then all of a sudden, oh, he looks hot, like she wasn't aware that he's been working out. Well, this movie is for cowardly. It pulls all its punches except for the ones that should pull. Yeah, for laughs that don't land, that don't land. Like it doesn't it doesn't make any sense. And I think, I mean, clearly, this movie was very poorly written. And I think what also sucks is that he has a mother who doesn't seem to have a backbone or a brain. Oh, and that is is so unhelpful in a situation. It's almost like he's being neglected by both parents. Yeah, like when you have a parent who is who's who doesn't know that he's lying about not getting the toy, who doesn't know him well enough, doesn't know Arnold's character, Howard's character well enough to know that he's lying about not having the toy. Like even that, in and of itself, that conversation just felt so flat and so not realistic. They did such a bad job with this movie that all of the interactions in the family are so disconnected from each other. They feel fake. They do feel fake. It feels very fake, and Arnold does not help without it all. He's hamming it the fuck up like that, the whole conversation after he promises the toy and they're winding down to go to bed, and she so easily eats up what he's saying. Yes, And he couldn't look like a bigger liar. He is trying to be a comedic actor, Arnold Swartzenegger in this movie, and he could not be telegraphing more insanely every thought that's going on or not going on in that big old head, and in that moment when she is like you got it though, right, and he's like, yeah, of course I got it, But he does it in the most madvillian way you could And the way that she's like, great, I knew it is so wild, especially with something like this where she knows that it's her son's favorite toy or favorite thing, where his whole Christmas is probably hinging upon having this toy. I would even say that if anything about this was realistic, she wouldn't have entrusted him with that task at all, that's for goddamn sure, or she would be asking him every day, did you get in? Did you get it? I want to see it. The fact that she hasn't touched it for their hands and gift drafted herself because you know, he ain't wrapping gifts for Christmas. The fact that she hasn't seen it and it's the day before Christmas Eve and she just thinks it's around, and then she believes it it's at his office. Yeah, absolutely not, especially a mom who's gotten used to picking up after him. Yes, with their kid. No, you're exactly right. So then it's like she's checked out, Like if I'm going to go off of this movie as if she's a real person, Sure, you're right, she is checked out. She doesn't really want to acknowledge what's not working either, right, and she keeps giving her husband a pass at the detriment of her child, who will be the one having the actual emotional consequences of the situation, which also does not strike me as real or consistent with the character we see on screen. This mom is very plugged in with Jamie. There is no universe where she would let him fail. Jamie that bad. That doesn't even make sense for how she's written or acted, except that nothing apparently is consistent about how she was coached. Because she seems to lose her brain or have one, depending on which shot it is. Yeah, which is confusing because like we see her from buying none of his shit to buying all of it very quickly. Yeah, and that doesn't make any sense. Yeah. And any person that's ever seen a mother with their only child knows that there is one thing that is for damn sure not happening in most situations, that dad that is known to be failing that kid that she's doing it or vice versa. Right, Sometimes it's both, Yeah, Sometimes very much, it's both. Sometimes we get two parents that aren't great at being parents. That happens. But the way this mom is written is not that. Yeah, she's supposed to be like the warm suburban mom mm hmmmmm who has a dummy husband m m when he unveils himself to be turboman at the end, I can understand her not going absolutely ape shit like a stranger. But when he took that matt that helmet off once, if I was her, once I saw that it was my actual husband, the father of my child, who pulled that shit. You'll you'll have to put me in a handcufs neck to sindbad in the back of that police car. Because I'm fucking killing like yeah, like I would lose it absolutely, this is what you've been doing all day. And then you just said that you in justin danger in our child's life and your life. Bro mm hmm. Well, and she knows he has not been clever. Writing may have been a different story where yeah, he even lied and said, yeah, I've actually been secretly training to be in this show. I planned this, Like even more clever writing would have been that. But there's just no lessons learned anywhere for any bad behavior. It's just oh, it's all cool because you got the toy. I mean it's not even like that all cool because you got the toy. And also wink wink, you're gonna get lucky later. Like that's the energy, yes, very much of the ending, very much, and where her brain comes in and out because like you were saying, she's freaking out and going, my child has not been trained to be in any show. Mm hmm. He's not acting. She's telling a police officer her child's in danger, and then she just like stops, Yeah what yeah, give it. From an adrenaline perspective, it makes it's complete none. She shouldn't be so calm. Her calmness at the end in that end scene is so everyone got trank darted. Before every scene, she was more upset that Ted called her Lizzie than her child is dangling from a Christmas tree above the main parade route in downtown Minneapolis. That's a great point because when Ted hits on her and makes it very apparent what his motivations are, she does show an aggressive side, and appropriately aggressive side. She gets very quote unquote feisty with him. Well, yeah, she realized Ted isn't the benign neighbor next doories. Which also any woman, yes, who has any sense of self safety and awareness would know what was happening with Ted because she's sitting next to him when all these other women, and she's rolling her eyes too, when all these other women are like, you want to come fix my pipes? Ted, Hey, dad, I've got something in my bedroom for you to hook up, you know what I mean. She's around him when he's acting like, in my opinion, a sleeze. Absolutely, and the fact that she doesn't get that he's a sleeze. She is written as the dumbest woman that has walked the earth. Absolutely, Yeah, And then to be I don't know. It's just we're trying to make sense of something that's not going to be made sense of. And it makes me really curious because Rita Wilson is a decent actor. I love her and a lot of other things absolutely, and she can deliver. She was delivering this energy like we were saying, like in the car scene with Ted, So it makes me really curious, Like, what was the direction given to her. Yeah, during the scene at the end when Jamie is rescued right and comes back to her, was the director like, no, play it less, no play it less, play it less, but also look a little horny? Perfect? Yeah, put it, you know, wrap it. We got what we needed. Yeah. I wonder if they just shot this so out of sequence, oh that, or with no context to like certain scenes or something. I guess, especially if it was so badly written that they maybe had to do a lot of rewriting or reshoots. Yeah, or reshoots where like this was the first scene they shot or something bonkers, which I know they do sometimes. Yeah, Well it wasn't with this one. They did a bunch of stuff in Minneapolis, and then they shot a lot of this in la where they would have had access to probably a little bit more safety stuff to do the bananas shit. Yeah, because just doing that outside of Mall of America, they're like, no, we're gonna make more money in an hour than this movie's gonna make. So no, we're not, in fact shutting down our operations. Yeah, because this is the nineties, people went to mals. Yes, but looking at how bananas and disjointed this acting was and how unrealistically they portrayed the mom character who they tried so hard to make so many things that she ended up being none of them. Yeah, you know how Vin Diesel maybe you don't know this. Vin Diesel has a rule in his Fast and Furious movies that he can't lose a fight. It's not funny anyway. Where I'm going with that is it almost takes to wonder if like Arnold Swarzenegger had a rule in this movie, Who's like, my wife can't ever really be that mad at me, and I have to win her over no matter what. Yeah, like I can't be seen as having a wife that's dissatisfied with me or something bonkers. Yeah, Like it's very weird how it won't go there the movie at all. Yeah, because a lot of movies go there, A lot of kid movies even will go there. And even the fact that Jamie is allowed to be mad at him. Yeah, he's allowed to be more mad than the mom is allowed to be mad. That kid has the best He's the best actor in this oh by far. Yeah, Like he is the most emotional depth. He's allowed to have the most emotional depth in this movie. He's the one who's allowed to have an arc. But well, I don't even know, because the arc is that I still love my dad no matter what. You know what I mean, and I'm the goodness that is Christmas. That kids don't actually need the gift, and they'll give it away if there's something better, even if they wanted it so bad. When they see that, they get the thing that they wanted most. Yeah, Because he's like, I couldn't even deliver that message, because the message could have been exactly what we were saying before, is I don't need that. I just needed you. Yeah. And I don't need the toy. I just needed my dad. Yeah, him saying I don't need turbo Man because I have Turboman at home because my dad is Turboman. Yeah, but you're not gonna play with your dad, so that turbleman is pointless because it's a turboman you can't play with instead of, like I said, like it makes it so weird that this movie doesn't I didn't really need that toy, Dad, I just want to spend time with you. That's a corny ending we've seen a lot of times before, but that's an ending that makes sense and doesn't just let Arnold off the hook. Like I'm saying, this movie it really wants to idealize Howard Arnold's character in a way that is so weird. He really can't lose, for he can't lose no matter what. No. Yeah, so I think that seems to be all over God on them. I think that's all we can give it. I mean, yep, yep, So maybe we take another break here. So Supposedly, according to the Internet and Ben, this movie is supposed to I know personally what Chris Columbus is rewrites were This movie is supposed to be a satire, which we're playing fast and loose with what a satire is anyway, And it's supposed to be a satire of American over consumerism, especially during Christmas. Because this is like just serendipitously, this movie came out a month before the Christmas of Tickle Me Elmo, like probably when that was actually peaking. This movie came out, so it just happened to come out during a time when we had like one of the wildest specific toy that everyone wanted and couldn't seem to get their hands on. And I think the only time that this movie seems to do the satire part well where I genuinely laughed is when everyone is being thrown blooney Tune style into shells and wrestling each other. Wonderful Christmas. Oh, the most wonderful time of year. Yeah, it's the most wonderful time of year. Which is assumed that our friend who gave us a lot of good podcast advice, mister Rob Southgate, Oh yeah, is in as one of the people distributing the ping pong balls or bouncy balls that nobody addressed a child put in her mouth. I know, that's right. I thought the same thing. I was like, what, I don't know, I was like, Hannah. Is the whole point of this movie from a writing perspective is let's see how many tiny things we can get Arnold Swartzenegger to move his big body through, right, which that seemed to be the whole purpose of that situation is to get him in that little kid playground area. Yeah, I mean this is the time of comedy effect guy in a little coat. Yeah, so that's true, and so got to capitalize on that. We can't have new ideas, big guy, little tube. That's it funny and so I can understand. I guess, I guess it is an interesting psychological topic of I'm sorry, I am really resisting the urge to like Norm McDonald you on this Oh, it's a big hat. That's why it's funny. Because it's a big hat. It's funny. That's bigger than a normal hat. Celebrity Jeopardy, celebrity Jeopardy Reynolds. Yes, even if it's poorly like this is this is exactly that time period where they would even make fun of themselves. Yeah, but unfortly Arnod Schwarzenegger on this movie can't pull it off. No, only Norm could pull that off. Yeah, But I mean I think it is interesting psychologically, the concept of like Black Friday, the concept of how we have created a culture in America, specifically where we will sometimes kill each other, like people have died during Black Friday. Things has stopped, people have stamped. Yeah, people have been stampeded to get to stuff more than ten times. Yeah, oh yeah yeah. And this movie, though it's a satire of it, quote unquote, it also encourages it. Where like the part of the There's no lesson at the end is there's no lesson in terms of it was pointless to do all this work for this toy that also wasn't learned at the end of this, So that kind of undercats the satire part. But I mean, I guess what are your guys' thoughts about this idea of how this culture that we have in this country of people going absolutely feral on each other and a very uncaring way to get a thing. I think it is a massive tragedy that parenting and communication could prevent that so many of these scarcities and rarities are manufactured for our age. Troup would have been Beanie Babies, Oh my baby babies, pulling out the Beanie Baby catalog at recess and that we're you know, I have sitting on my table because my child likes them. Now is Pokemon cards. We're just a little too old. For that, we're just outside of the range that would have given a crap about Pokemon cards. Yeah, my younger brother cared about Pokemon saying too Like I didn't care. I was too old. Same, I was just too old. I was like, Nope, girlfriends, Pokemon cards, No girlfriend girlfriends got simple that at that point, at that age, because I think I was thirteen right when they really hit. Okay, thirteen or fourteen, and like by that point I was like, ah, yeah, yeah, but kids that were two years younger all about it. But the manufactured scarcities that then they show you commercials about, they still pull that stuff. You could get this super rare version and you could only get it this one, and the only way you'll be cool is if you have the ultra rare version that only like three people will get. But that's the way to be cools, to have the cool thing. Never mind that they're going to release another one in one month, and kids even today are not catching onto that and have spent so much of their parents' money on digital nonsense for video games. Yep, Skins, Skins Fortnite, Yeah, do your Flycraft, Roblox rowbox. So the same stuff is still going on so we have obviously just not learned from it. The thing that's been different is that manufacturers and businesses have been able to take out the people killing each other by making it digital stuff. The Black Friday sales you can do from your phone. You're not trampling store employees. Now. It's like a whole week of cyber sales that's just cyber's hells. But you still have to sacrifice your sanity, your sleep, your money, money, and you're well, I mean not your money. But for like three people they get the super cool TV at the super cheap price. They're just not killing store employees because news coverage made that bad. So I think there's a lot of broken messaging that deserves to be lampooned, but it's not getting done correctly because we're still overvalueing getting the deal. Which the sad part is is Midwesterners will still not even tell you the deal. They'll just tell you we got it on sale. Dance when you get the cool thing, we won't even tell you how we got it, so you won't even have a cool story about it. It's like, oh, yeah, I got it on sale, because it's shameful for me to have a thing that's cooler and everybody else's thing, except that I'm going to display it for you, just won't tell you how much I've paid for it because I'm from the Midwest. Yeah, exactly. I think this is you know, capitalism, man, yep, this is fucking capitalism. This is what it looks like. This is late stage capitalism, where we're looking at things are more important than anything else, and that's how they keep us in our places. We're focused on the wrong shit, doing the wrong stuff when the real shit is happening that will change our world forever. And it's not a surprise in any way that our country is this way. I don't think this movie. I think this movie is really bad, but they certainly showed the reality of what everyone is doing when it comes to Christmas and when it comes to any present giving event where people are throwing giant parties for five year olds and all different kinds of stuff that makes absolutely no goddamn sense, trying to give their kids all the things that they didn't get and look in some ways, sure, in other ways it doesn't fucking matter, because kids are going to remember when you didn't fucking show up to the karate thing. They're going to remember when they were looking for you in the crowd. They're going to remember when you never came to any of the games that they had because you always had a meeting on Thursday. Kids are going to remember all that shit. I don't remember. I remember maybe two presents that I got my all of my growing up, right that were like, oh my god, I can't believe I got this present, But it never made it feel like my parents, who didn't give a shit, gave a shit, right, Yeah. And it makes me think about how when I would do like parent groups and stuff, and then there would be the inevitable, Like these kids today are so entitled, and I want to be like, well, who raised them? Bro? You know what I mean? They didn't get out of the womb like this, or if you got the TV raised them, then they won't. Yeah, know that they have worth beyond what the commercial tells them. Yeah. And just to point out as like a side note of something that I learned to go at school, we are the only country who does not have laws about commercials and marketing towards children. We are the only country who does not have that. So not only are we doing something that no one else is doing. But we're also allowing our children to be brainwashed into thinking that this thing that I can buy or that my parents have to get me is the only thing that really matters. Yeah, and now it's phones and screens of all sorts, like putting them in kids' hands early and often in their faces, and if they're on YouTube, which kids love to be on YouTube, myself included. There's ads in front of everything, whose ads on the sides of everything, And so these kids are being I guess, indoctrinated, indoctrinated and to this idea of absolute eating very specific things because I don't know, going back to the guest Genes story, I don't know if I ever got anything trendy growing up, you know what I mean. I don't know if I got a cauche when I was a kid. So I guess I did get that I was pretty little, but I can't remember. I barely had beanie babies because my mother was like, we didn't know, no, ma'am. No. My parents were very frugile. I was raised by accountants, and so they did a good job of actually seeing through for volity and they were just like, that's dumb, not a mean way they were just like, yeah, right, manufacture already, Yeah, we don't care, and spent a lot of time with us. And that's what I remember, right, all the things we did together, not necessarily any of the flashy stuff I got, because kids get also because in this hyper capitalist society, we're moving on to the next very quickly, you know. The attention span is short. And something that I have to work on with clients is how we have really connected with capitalism, connected datus and value with stuff, and how you can't ever move backwards. And what I mean by that is like if you've moved to a big McMansion, you can't go back to living in a smaller house, or if you drive like a flashy car, you can't go back to driving like a Honda, you know, And how it really will trap people kind of in the situation Arnold's in this movie where they just keep plowing forward to this one thing because they can't just relent and acknowledge this isn't working, this is not what's We can't keep living like this, We can't keep just like stubbornly going towards this goal. We have to stop and realize what our actual goal is, which is I think Arnold's goal, Howard's goal is I want to feel close to my kid or I want my kid to have a good feeling about me. I feel like Arnold's or Howard's deal or whatever is that. I think he wants his kid to think he's cool. The status thing, right, the status I could see, which also sucks, Like why this movie is so lazy. If they would have talked more about the fact that he's obviously an immigrant because he has the world's thickest accent, famously not from America, arn Swartzenegger, if they would have even talked about that more like the American dream, or how he rose to being the mattress king of Minnesota and how good that makes him feel, and how he seems to really love those conversations with his customers. Right, he's smiling. They can't see his face. Yeah, Like he looks gleeful at that holiday party where he's not even participating, he's working. And if this movie would have actually been a set like focused in more on that of the American dream of it all and how that's how he felt like he could show his value to his kid, which a lot of parents do. They get hooked That's what a capitalism affects parenting and kids, right is. Kids are always gonna want shit. I was always the second I got my hands on that jcpenny catalog, like Christmas catalogue that weigh ten pounds, I was circling the shit out of it Adelia's catalog. There was not a catalog in my house growing up that did not have things circled in it that I desperately wanted. Yeah, the American Girl catalog had my hands all over it. I didn't get American Girl doll till I was thirteen, too old to appreciate it. No offense, mom, but appreciate that you got from me eventually. But that's probably the only trendy thing that actually my parents probably saved up to get me eventually. But this idea that kids are always gonna want flashy shit. They're always gonna want what things their friends has, the things they say on commercials. That's just how kids' brains work. They just want the shiny thing, and you, as an adult, you don't have to get roped into that. You can have lines and if your kids disappointed because you didn't get them the thing they wanted, sin that is comfort of your kid being disappointed. They'll get over it because guess what, in the real fucking world, people get disappointed. Yeah, they don't get the things that they want, or things are just flat too expensive to be affordable for your situation, that the trade is not worth it. Yeah, and that is a necessary message to teach. Well, that is the newest, coolest, flashiest thing, but it's not gonna make you the coolest, newest, flashiest thing. Yeah, and it never will mm hmmm. And it's oh okay, you know what. You know, it was almost a satirical kids movie that essentially taught this message so much better and now is super relevant because he just got a star McCauley McAuley, Culkin just got a star on a Walk of Fame. Richie rich nailed it. Oh yeah, he's the boyhood everything. And you know, all he wanted was friends. Yeah. And they didn't make him have friends. Yeah, they didn't solve all his problems, they didn't make his family better. They didn't do anything for him except make him realize how much it sucks, yeah to only want those things and try to ascribe your value to this. And this movie missed on whatever satire they tried to create because it was so tonally inconsistent. Yeah, and you're right because even in Richie Rich, if I remember correctly, the kids that he wants to play with the normal kids, they're like make fun of him for being rich, and they don't want to hang out with him because he's so out of touch and therefore not cool. And yeah, and you're right, that is a much better lesson than what this movie thinks it's trying. I mean, I think this movie was just like, look at these crazy Christmas toy runs that people are like going berserk over. Let's make a movie around that, making fun of it. End of thought process about this movie, and we're going to call it a satire and further embarrass ourselves. I think it's getting, like we're saying, it's getting worse, like the consumer culture, because media is getting more pervasive, advertisings getting more pervasive, and I think parents are having a harder time sitting with their kids disappointment. I think, yeah, yeah, it's interesting for our generation that went through so much of that. I didn't get whatever cool Beanie Baby was. I didn't have. I don't know. My brother may have gotten a Char's Ard card eventually, but it wasn't when it was the Charizard card, right, yeah, right, you know, like it was we had a game Boy that we all shared, right, I mean, we're in danger of walking into Hannah being able to call us old until you're old. No one caress like she did in our last episode here. But I think looking at the point of this movie was supposed to be to tie right to these crazy toyrants. Look how crazy the parents get, Look out of touch we're going to be, and it just didn't land it. And there was so many things it tried to do where we can look at how this affects people of different races, and how these two dads that have so much one's upholster worker, On's a mattress executive, and maybe he's from another country, but you know, we never know that because Arnold was a killer robot or America's dad from Austria. Yeah, but we never talked about yeah ever. Yeah, Like it could have been an interesting j exposition of a maleman who's a civil servant who's working on Christmas Eve and trying to get a toy for his kid between deliveries, versus a guy who owns his own company who's choosing to neglect his family on Christmas Eve because he continues to neglect his family and how's all these resources and the j exposition of that. It could have been yeah, and then it wasn't. It wasn't. But it was also so very nineteen ninety six that we couldn't even tell the difference between Okay, so was this like are they poking fun at that? Are they lampooning this? Is this a satirical representation of Oh, look the white dad and the black dad who did essentially the same thing, the same level of felony crimes and ones getting arrested and he's smiling about it, and let's see. That could have been satirical brilliance. But we couldn't even tell, like was this on purpose or is this just the nineties? Yeah? I think they just got Simbad because Simbat was a hot comedian at the time and Joe Pesh she didn't work out, and they didn't even I don't think they even thought about the racial connotations that we picked up on. Yeah, I would agree with them. I'm sure Sindbad did. But yeah, the movie, I mean, you don't think any folks, say Rodney King, who attacked by the group of people. He does say that, so I think he even maybe just in his in the way that he works in general in terms of how much he improvised, but that even he made a point to point out something that was not being said in the film, right, And like, I mean, I think that smile on his face at the end at that last shot where like he's smiling at Arnold being turbo man and like him getting kind of led away by the cops right at that second, not kind of getting led away as Yeah, I think the twinkle in his eyes to me was Okay, I'm at least gonna make the social commentary here, but yeah, because Arnold had more direct conflict with one police officer, like if anyone's getting arrested a ship at him, yep. Yeah, And even if there was going to be like something of like that officer can't arrest him right now because he was the hero of the whole crowd. Could have had him come and arrest him later at his house because he already knew who he was. It wasn't like he was some faceless guy and everyone would have known who this was. And this it just was nonsense or like the cop was going to put handcuffs on Arnold and then everyone was like turbo man. So the cop was like, I guess I can't do it. Logistics, you know what I mean? Like that would have worked more, but it didn't. Working so hard over here trying to make this movie. We're really brainstorming though, we really are jingle right. Yeah, So let's uh, we'll pause there, We'll go to treatment if we have any sure, all right, So Hannah would like to go first with the turbo treatment of the Turboman family. So, as always, we don't have enough information to really say what this would be like, but I'm going to go out on a limb and say that I would treat Howard and Liz as a couple because I think that there's some pretty significant even though as we've discussed, the wife character is very clearly, very very poorly written and makes no sense at all. That if I think about kind of going back to our brainstorming of like what I think we were shown in this film, which is how disconnected they really seem as a couple. Whether or not that was intentional, I don't know, but they are very disconnected and they definitely have been together for a good amount of years. I would even guess anywhere between ten to fifteen years that they had been together. And so one of the things that I wanted to talk about that I've never really talked about because me and Gotman don't really vibe for the most part, and I can talk about that for one hundred years, but I won't do it here. There's the four horsemen of the Apocalypse. I think some of the things that we saw, and some of the things that I picked up as a couple's therapists in the film were criticism, defensiveness, contempt, and stonewalling. I really think that those things. I don't think we saw a good example of those things in this film, but I do think some of the ways that they were reacting around each other, again, the wife being very disconnected from him, not really being able to pick up on any of his emotionality in any way or even really make guesses of what he was like. She was so checked out in such a specific way, And I think that that happens a lot when you have a partner who is always promising shit that they're not fucking doing, and eventually you just don't really give a shit what they're doing because they're not being honest about it. And maybe it doesn't feel like a big enough thing where you can't be with them anymore, but it certainly is at a big enough wedge in a marriage that would make it really hard to be connected and for them to be able to be the supportive parents that Jamie really needs. And so I think what I would want to do is help them clearly, help them be able to communicate better, but also really show the harm that Howard is doing by continuing this pattern of behavior that's affecting his entire family. Yeah, on a regular fucking basis, not only helping Liz have a voice in the relationship, but also really showing to someone who seems who has no awareness Howard's character, really showing him the effects that his behavior have on other people, and how sometimes that's a part of the work that we do with couples of helping them see. You may have this whole narrative in your head about what you think this is, and you're wrong about that, so wrong. This is having a big impact not only on your marriage, but also on your relationship just as a human with your wife and with your child. And if it keeps going the way that it's going going to end well, and so I would really want to help them. I feel like there would be criticism. I feel like there is defensiveness, especially with Howard's character, as we can tell he can't really manage anybody being mad at him or frustrated with him. I think there is some stonewalling just based on her lack of response to him, like her just being really checked out of the marriage. And so I feel like that's what I would want to do, is kind of help them, help point out the things that they're not aren't willing to look in the face at, and also give the wife a voice in terms of how the behavior is affecting her and her son. Well said, and I'll go this time and let Brittany close this one out. I would absolutely want to work with the wife. I think of the people that I see besides the child, that are the most victimized in this relationship, as like Hannah said, is watching her struggle as if she were a three dimensional character and a real person. We would be seeing a little bit more of how put in between the lies and the failures and the overlove of business and image that Howard is doing, and how much anger and resentment and frustration. She would have a need empowerment and need a place to be able to have someone reflectively listen to her and allow these underlying emotions that she probably has to dissociate away from to keep a mask on for her child, or at least she's going to think she does, especially in the nineties. But looking at what I think someone in that kind of situation is going to need is permission to feel all of their feelings, including the anger ones and the trapped ones. Because we don't know what she does. We have no idea what she does for work or not if she works. Yeah, not a clue. Yeah, I don't think it's mentioned at all. Definitely not. I'm assuming she's a housewife, saying like a wild guess. I mean it's possible, right, Yeah, for sure, a teacher or who knows. It's the nineties, so you know, women were restricted to about two roles on TV between housewife and teacher and nurse, so who knows what she would have been. But looking at what a real person would need in this situation is a very non judgmental place to explore all of those feelings, including up to choosing to stay in this situation, but be better armored against it because for whatever reason, it's not financially or otherwise possible to leave at this second. And how do we empower the client to feel like, even in a situation they may be stuck in in some sense of the word, they don't have to be stuck in all, which can be a significant boon to health. And I think that is something I would want to do with this family, let alone the ridiculous trauma that would process later. Knowing that I just watched my idiot husband who does not know how to operate a jetpack, operate a jetpack to save my child who could have been a street pizza. Because that is how you get a dead husband. Yeah, yeah, well Rita is really missing is one good girlfriend? Yeah? Who's like you realized this is crazy? Right? Mm hmm what he's done? M h wait, you mean you can't trust a man who wants to sleep with you to provide you that Well, honestly could probably be doing the same thing. I can't believe he did that put your child in danger like that. I would never put your child in danger like that ever. Yeah, I mean he would do that, but he would be on his own agenda, which would validate arg yeah, which she was intelligent enough to see through quickly, which was one moment on the end of the film, and he really had to like smack her on the face with it. He did. Yep. Yeah, I mean it's just ridiculous. But that's where I would go a treatment. Brittany who can say, I mean, I'm the kid therapist. So I would think, well, here's the problem with a kid like Jamie I he doesn't have, like the problem is his dad. You know, like putting him in therapy is kind of moot at that age at least because he's right. I mean, it would be just validation. Mm hm Yeah, you're right to be upset. Yeah, that is upsetting that your dad doesn't do that or the other He would be a kid. Let's say, like they put him maybe he was like, I don't know something was going on, and they put him in therapy because his dad's disappointing him. It would be hard to work with him other than having a space where he could talk without bringing the dad in. I think a certain point I'd have to be like I need to see this dad and work with him and do parent coaching and then pull the mom into if they're soil together and kind of be like, what is this dynamic? What are our goals? Why are you working so much? You know, like you were talking about way earlier, Ben like just drilling down on consistency that how are we showing up in the kid's day to day life. What are some hard expectations we can have on like you're gonna get home for dinner four times a week at least? You know, what are the big things we can't not go to? I would probably I feel like Arnold would Howard we need a lot of psychoed from me about why it actually is important. Yes, that he does the things that I'm asking him to do, But honestly, I don't have much for treatment because everything's actually fine at the end of the movie, and the kid's fine, and the relationship's fine, and the kid has the joy of Christmas and him and the generosity of Christmas, And what actually would be the fallout is I don't think the dad learned anything. So I feel like the same situation is gonna keep happening. Oh, they've made it clear in the post credit scene that it's going to bummer. Also, if any movie deserved a post credit scene less anyway. Yeah, so what would happen is they probably would have maybe go to family therapy at some point when the kid's older because he wants something to do with his dad, and his dad's like, I don't understand why we don't have a relationship mm hmm, and Lizzie would be pulling his ass into family therapy and then I would probably end up just wanting to talk to Arnold because the kid's not the problem, right. Yeah. It makes me think of when people do want to do therapy with their teenagers because the dangers don't want to have a relationship with them, and they want family therapy to just they want someone like me to just like make their kid have a relationship with them. And what I tell parents and they don't, I don't think they really know this before they sign up with me, is like, if your kid's not invested in your relationship, I'm not going to make them do family therapy because you want me to put a band aid on a problem you caused in family therapy, even with some one whe of them's a teenager, all everyone has to be invested in the work, and I'm not going to make a kid who has tuned out of the relationship with their parent come to family therapy once a week because their parent feels a type of way. I agree if the kid's not like genuinely invested. And I've had situations, not even that long ago, where I've had kids where they're like, I don't really care about working on our relationship. I know who my dad is. Yeah, and I'm fine because they have a problem they need to figure out. And then I have to vary discreetly, you know, because protecting the kids, you know, being have a discretion with what the kids share with me. Just kind of state to the parent like, hey, as of right now, what I'm getting from your kid is that they're not super motivated to do the work right now. And that's my job is to assess everyone's motivation to do collaborative therapy, whether that's couples or family, and that they're not there and there's no pressing issue growing on right now behaviorally mental health wise, that I feel like you have to do this work because in those situations that the kids are in their own individual therapy or something like that, and I'm like, let them they're stable, you know, if they don't want to do this work, then they don't have to do this work because they are not a big fan of you right now, or they don't want to spend time with you, or they don't want to go to your house, they want to stay at the other parent's house. And I do tell parents though, I'll keep working with you if you want, I'll do parent coaching with you. I'll do family therapy without the kid with you, and we can figure out what's going on in your end that's created this dynamic. But I'm not going to force a kid to sit down and do that work, especially if the parent isn't ready to do repair work, which is apologizing whether the intent was there, recognizing the impact. And then part of repair work is what you talked about earlier. I think, uh, Hannah, is behavior change mm hmm. I recognize what I did that hurt you, whether I meant for a turtu or not is moot. I apologize, I validate you, and this is what I'm going to do differently. And that's something I sometimes we'll do with parents without the kid in the room, Like, this is how you do repair work, and you can do that with me or without me. So that's what I would do a treatment with the crumbs. This movie gave me about that, well, you mean the darkness in his look when dad walked in and put that purple belt on his head, And that's a memory that kid's going to bring up in therapy fifteen years later. That's the kind of darkness in a look that's enough to get you cast as Anakin Skywalker. I mean, I'm surprised it took you this long. Same the same. Yeah. Wait, took final thoughts, which we'll get too in a bit here. So we'll take our last break and get into final thoughts, which I feel like we've shared profusely anyway, so it shouldn't be any mysteries. But this movie sucks. Yeah, we'll take a break here, all right, final thoughts. I feel like we're going to be a roulette. Maybe for once we can all say the same thing at the same time. This movie sucks. We are never happen to see this movie again. Maybe, Ben, because you got kids. Nope, my kid preferred the Santa Claus sequels to this one. That makes sense, yeah, because even those were focused on a kid. Yes, yeah, and Christmas and elves and razzle dazzle something. Well, Santa Claus two was hot garbage, but yeah, well anyway, it's a different movie. But final thoughts, WHI I thing, I'll just start here because this is my fault because my child self remembered this movie as being fun, and my adult self watched this and when wow, like this is so tonally bad. I don't even know if it's satirically showing like racism in Hollywood and bad dadding and people not getting it and no lessons being taught, or if it's just a really poorly written nineties movie that had all the nineties tropes of all those things just being true that have now gotten so obvious in media that I'm seeing it that way. And I think it's more that I don't think it was satirically shown that as turboman, as Arnold goes flying through a family's window who's obviously having a very nice family thanksgiving, yet another opportunity to have a really satirical moment. But we just had to have that be a black family. Yeah, because nineties, I think, yeah, we just need to insert color into this movie, so we'll let them be this like throwaway family that get their home literally destroyed obliterated by Arnold Christmas Eve as a one off note, Yeah, in a jet pack. Yeah, Like just like we can't even tell if it's making fun of that, and I think e reached the conclusion that it's not. But like, this movie went through so many different cycles, Like I think it's just obviously went through rewrite after rewrite, and they just threw a bunch of shit together. Yeah, because it was sloppy and it went from like, oh, we could have a real commentary on consumerism and the impact of families, or we could have a movie where we turn Arnold into Batman where he suddenly discovers a crime and rich guy in a coat goes in and deals with the henchman at first, but then finds the real Batman villains, and somehow we get an entire scenes where he's battling criminal underworld Santo's that did happen and he's beating them up with a candy king. I mean, if this movie's anything, it is a declaration about white privilege and the fact that he was convinces those guys he's an undercover cop and walks out with the fake badge that probably looks so made of aluminum I mean it was plastic. It was plastic. It was fucking plus so plastic. You needed like Omri from the Indian in the Cupboard to say plastac like it was that bad. I'm just gonna stick with the nineties here. For some reason, we hired Jim Belushi to show up and do Jim Belushi things. And then to make it more ridiculous, why not have in addition to Arnold beat up a bunch of Santas, he's also gonna battle Paul White aka the Big Show, who is then at some point gonna punch Vern Troyer across a room. Yeah, and then we're gonna go back to it being a movie where Phil Hartman is hitting on housewives, and then this kid's going to be really angry that his dad's not there, and what movie are we watching where it's in like, oh, look at this. We're gonna have Sinbad and Arnold have a battle of wits, which Arnold is very clearly losing. But also he looks normal sized next to Sinnbad, so we'll cast Sinnbad to be funny and also a little bit what happened in this movie. It was bad. It was bad. It should not continue to exist. It should not be ranked one hundred on the list of Greatest Christmas Movies ever. It should not be ranked at all. It's trash. I'm sorry, I'm done. End of speech, Ron Swanson. Well, where I can give you some cred ben or just some slack is. I also watched this movie when it first came out. I'm sure it was a family favorite in my household, because Arnold Swarzenegger wasn't it, And you know, he was just every kid loved him in movies growing up, and so I remembered it being cheesy, but I thought it would just be like a nineties kid movie, cheesy in a way that I could tolerate, you know. So it was shocking from the jump, how poorly. If this was the first and only thing I ever saw ornal sources niggerin, I would be like this man was a movie star. No charisma, horrible acting, no comic timing, sort of a good grip on a physicality. That's about it. This movie. It feels like a cash grab. It also feels like sometimes when movies try to be family friendly, therefore like something for everybody, it becomes like this, like a shitty soup where you've thrown everything in from the refrigerator. But it doesn't make sense together because like my favorite parts of this movie were the Ted parts because it was so weird, so different tonally than the rest of the movie, so horny in a very specific way, sleazy, his energy is so nefarious. He's actually like a good actor and a good comedic like he could hold onto actually his like acting in it, and he was bringing this level where I was like, can we just follow Ted around into his layer? Feel like I was. I was starting to write these like fan fix about Ted, like what's he up to? Like I want to follow his like like him like yelling at the kids when Rita went up to shower, like he was the most interesting part of this whole movie. And that's about it. But I think it's like that thing where like sometimes I think movies, like I said, try too hard to have like the things that the adults will like and the things that the kids will like. And this movie is bad at both. And yeah, it's a horrible. I will never watch this movie again. I'm gonna do very hard. I'm gonna work very hard to keep this movie from my nieces and nephew so that they don't end up accidentally liking it and then making me watch it on Christmas, Like I'm going to hide this movie from the eyes of all the children around me because I never want to see it again. And that's how I feel about this movie, Hannah. This movie sucked and I hated it and I was bored. And I think are year old Schwarzenegger is the worst actor on the face of the planet. And I've always thought that and we'll always think that, and this movie really shows that. Yeah, and uh yeah, it sucked and I will never watch it again. M hm. So I think what we're saying, ladies and gentlemen, is that rather than watch this movie ever again, we're going to go try to pick fist fights with reindeer jingle all the way to Hell is what this movie should be. Also, the fact that that's where you went with the Batman reference and not a mister Freeze joke. I can't believe that was a wow, the lamest Batman I have ever heard you do. So that's not a zero like a I'm mad that you made me watch this movie and made me wait two years to schedule that. All right, everybody chill and on that note, please rate and review us on any other episode podcast. Maybe you know what, actually, if you wil swaging all the way, hit us up. You know this is interesting because actually we can do a little preview. Our next episode is actually gonna have a similar theme where this hyperconsumerism, this capitalism is so awful that it throws our it causes the impetus for the non Christmas celebration we'll be discussing in our next episode, Festivus. As I rained blows upon him, I realized there must be another way. Yeah. So on that note, you can find us on Instagram, TikTok, and Facebook of Popcorn Psychology. You can find us on Twitter, slash x at Popcorn Underscore psych You can email us at Popcorn Psychology at gmail dot com. If you would like to be a patron, can find the link for our Patreon website on our Instagram bio. If you're a ten dollars or more Patreon you get access to really unedited episodes. If you're a fifty dollars or more patron, you get to choose the topic of an episode. We do. Like Ben was saying, please review and rate us wherever you listen to podcasts it's the best and most effective way for new listeners to find us, and we really appreciate it. Jingle all the way, y'all.
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