#277: Comfort Rewatch - The Family Stone
This week we're doing a Comfort rewatch episode for a holiday movie that we love, The Family Stone from 2005 and we're dedicating this episode to Diane Keaton.
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Cozy interiors:
Front room with the Christmas tree
Entryway
Favorite moments:
Emma - Love story between Amy and Brad, when the sister can't get the engagement ring off her finger, and the mom and dad in bed when they show she's had a mastectomy
Elsie - Bar scene, opening scene of Diane Keaton looking at Christmas tree, Judy Garland scene, and when she spills the egg mixture on the floor
Moment you cringed the hardest:
Emma - From the beginning when they are really mean to Meredith
Elsie - When he goes for her sister
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Transcript
WEBVTT 00:00:00.000 --> 00:00:01.000 Elsie: 00:00:01.000 --> 00:00:02.000 You're listening to The Beautiful Mess Podcast. This week we're doing a Comfort rewatch episode for a 00:00:02.000 --> 00:00:03.000 holiday movie. We love The Family Stone. From 2005, we're dedicating this episode to Diane Keaton. 00:00:03.000 --> 00:00:04.000 Rest in Peace, our Queen, the Queen. And I'm also sharing at the end an embarrassing story, Christmas 00:00:04.000 --> 00:00:05.000 themed. That is actually pretty embarrassing. It's so funny. It's bad. I had to ask permission to share this 00:00:05.000 --> 00:00:06.000 one. So that's how, that's the level we're at. It's very funny. I obtained that permission though. So for 00:00:06.000 --> 00:00:07.000 people who have never seen The Family Stone, this is an oldie but a goodie. It's a little bit of, I would put 00:00:07.000 --> 00:00:08.000 it in the category of an emo Christmas movie, a Christmas movie that makes you cry. Kind of along the 00:00:08.000 --> 00:00:09.000 lines of love, actually. Same. Different. Yeah. Yeah. I mean, it's a romantic comedy at its core, and it 00:00:09.000 --> 00:00:10.000 definitely has a lot of comedy, but it definitely has hits you with the feels here and there. I cried. I cried. 00:00:10.000 --> 00:00:11.000 Oh yeah. And we'll give also at the end, our husbands, were kind of roasting it. 00:00:11.000 --> 00:00:12.000 Emma: 00:00:12.000 --> 00:00:13.000 I am going to kind of roast parts of it too. 00:00:13.000 --> 00:00:14.000 Elsie: 00:00:14.000 --> 00:00:15.000 Yeah. So would you prefer to read the premise or just wing it out of your mind? 00:00:15.000 --> 00:00:16.000 Emma: 00:00:16.000 --> 00:00:17.000 I guess Wing it. I don't know. 00:00:17.000 --> 00:00:18.000 Elsie: 00:00:18.000 --> 00:00:19.000 Give it to us, Emma. 00:00:19.000 --> 00:00:20.000 Emma: 00:00:20.000 --> 00:00:21.000 Okay. So this is the love story. It's a couple that I think is engaged. No, they're preen engaged. Okay. Yeah, 00:00:21.000 --> 00:00:22.000 they're preg engaged. And Everett Stone, and then Sarah Jessica Parker is Meredith Morton, and he's 00:00:22.000 --> 00:00:23.000 taking her home to his family to meet them for the first time. She's met one sister. He has a pretty big 00:00:23.000 --> 00:00:24.000 family, but she hasn't met anyone else. And the sister already doesn't like her. And so she's kind of telling 00:00:24.000 --> 00:00:25.000 the family, this lady's not cool. We're not going to like her. And his family is, I feel like what they were 00:00:25.000 --> 00:00:26.000 going for was that. It's kind of what you're saying in your description where they're ultra liberal and very 00:00:26.000 --> 00:00:27.000 chill and really always in their pajamas, very cozy, bohemian kind of bohemian, which didn't totally play 00:00:27.000 --> 00:00:28.000 for me at times, but they're very mean. There's parts where they're like, they're very mean. They're just 00:00:28.000 --> 00:00:29.000 straight bullying. Yeah. Yeah. There's something about it where maybe it aged weird or maybe it just 00:00:29.000 --> 00:00:30.000 didn't quite, it's like no one's that mean to someone bringing home someone for the first time a little bit. 00:00:30.000 --> 00:00:31.000 The story is kind of fish out of water where she's just supposed to be very different from them. She's 00:00:31.000 --> 00:00:32.000 much more closed off and formal and probably conservative. She doesn't want to sleep in her 00:00:32.000 --> 00:00:33.000 boyfriend's bedroom. She wants to have her own bedroom. She feels that that's weird at his parents' 00:00:33.000 --> 00:00:34.000 house, even though they do, they have had sex. They're adults in a relationship. She kind of embarrasses 00:00:34.000 --> 00:00:35.000 herself at every turn to the point where she calls her sister to come because she just feels like she's kind 00:00:35.000 --> 00:00:36.000 of drowning, I think, socially. And so her sister comes to help out, but then her boyfriend kind of falls for 00:00:36.000 --> 00:00:37.000 the sister, and she kind of falls for the brother. And we find out the mom, this is a big spoiler buzz from 00:00:37.000 --> 00:00:38.000 there. This is old movie. The mom has cancer, and it's back. It's her last Christmas. It's her last Christmas. 00:00:38.000 --> 00:00:39.000 And I feel like that's all the big things. And then, yeah, I think that they both end up with those brothers. 00:00:39.000 --> 00:00:40.000 They do. They swap, they do all swap a roof. 00:00:40.000 --> 00:00:41.000 Elsie: 00:00:41.000 --> 00:00:42.000 They have kind of an epilogue at the end, and they show the next Christmas a year later that they're, 00:00:42.000 --> 00:00:43.000 anyway, I will just say if we're starting out with a hot take, I would switch to Luke Wilson as well. I true 00:00:43.000 --> 00:00:44.000 have loved Luke Wilson for as long as I've known him. Yeah. Luke Wilson plays one of the brothers, and 00:00:44.000 --> 00:00:45.000 he's very, Luke Wilson. Jeremy was like, I see how they tried to make him look bad, but you cannot make 00:00:45.000 --> 00:00:46.000 him look bad. Nice. He's just such a beautiful person. So yeah. 00:00:46.000 --> 00:00:47.000 Emma: 00:00:47.000 --> 00:00:48.000 Oh yeah. They tried to make him look kind of sloppy. Sloppy, but you're like, nah, I can see right through. 00:00:48.000 --> 00:00:49.000 He just wearing pajama pants. It's not a big deal. You just put on regular pants. It's fine. 00:00:49.000 --> 00:00:50.000 Elsie: 00:00:50.000 --> 00:00:51.000 Yep. So should we do, let's start with, do you remember the first time you watched the film? 00:00:51.000 --> 00:00:52.000 Emma: 00:00:52.000 --> 00:00:53.000 I don't. I have the worst memory ever. I know I've seen it I think a couple times, but I really don't 00:00:53.000 --> 00:00:54.000 remember. I was trying to picture what living room I was in, but no, I don't remember. So I don't even 00:00:54.000 --> 00:00:55.000 know how long it's been. 00:00:55.000 --> 00:00:56.000 Elsie: 00:00:56.000 --> 00:00:57.000 This is my moment of transformation. This is like, you know how in stories, they show a person how they 00:00:57.000 --> 00:00:58.000 see their home and then later on they show them going back to it and they see it different. So that 00:00:58.000 --> 00:00:59.000 movie is that for me. So when it came out in 2005, it was at the time when I was being a professional 00:00:59.000 --> 00:01:00.000 scrapbooker my first career, and I flew every weekend, and this is at a time, you guys are not going to 00:01:00.000 --> 00:01:01.000 believe this if you are a little bit younger than us, but this was during a time when they still had movies 00:01:01.000 --> 00:01:02.000 on every single flight, and they served full meals on every single flight. It was the very end of it though. 00:01:02.000 --> 00:01:03.000 They stopped doing it a few years after that. But you could go on a flight, a short flight, and they would 00:01:03.000 --> 00:01:04.000 serve you a meal, and you would always, always have movies that were free. It was just a different time 00:01:04.000 --> 00:01:05.000 for air travel, I think. I don't know when it switched around 2010 or, anyway, if you're not on an 00:01:05.000 --> 00:01:06.000 international flight, you're not going to watch a movie. So anyway, so I watched this movie 10 times in a 00:01:06.000 --> 00:01:07.000 row that year because I flew every weekend and it was on every flight for some reason. So maybe it was 00:01:07.000 --> 00:01:08.000 2006, I don't know. And I didn't like it. I thought it was so sad and such a downer. And why'd you keep 00:01:08.000 --> 00:01:09.000 watching it? I dunno. I don't know. I guess, I don't know. I can't explain myself, but let's just say I was 25 00:01:09.000 --> 00:01:10.000 or 24 or 23, and let's give her a free pass. And I just had this love. I guess I might've had a love hate for it. 00:01:10.000 --> 00:01:11.000 I was watching it, but I definitely hated it. And I was mad about how sad and what a downer it was. And I 00:01:11.000 --> 00:01:12.000 think it's because a lot of movies from that time, this was the romantic comedy era, and a lot of movies 00:01:12.000 --> 00:01:13.000 from that time end really happy. So maybe it was that. But yeah, I just got kind of a little bit of a, was 00:01:13.000 --> 00:01:14.000 mad at it all the time, but I did like it. I kept watching it, and then years later I rediscovered it when we 00:01:14.000 --> 00:01:15.000 started the podcast and we were talking about movie houses all the time, and I was like, oh yeah, that 00:01:15.000 --> 00:01:16.000 one house. And it's mostly the snow exterior scenes. Jeremy at one point he was like, Hey, that kind of 00:01:16.000 --> 00:01:17.000 looks like our house. And I was like, you have never listened to our podcast. Everyone knows that, 00:01:17.000 --> 00:01:18.000 Jeremy. But anyway, I do love when my husband says something and I'm like, oh, you really don't listen 00:01:18.000 --> 00:01:19.000 to my podcast? No way. They don't. Yeah, I already knew. But it's just sometimes you're like, yeah, sure. 00:01:19.000 --> 00:01:20.000 So anyway, I rewatched it, I think a couple of years ago when we were starting our cozy movie obsession. 00:01:20.000 --> 00:01:21.000 And at that point I was like, oh, this is a beautiful story. And I actually hate different things about it now, 00:01:21.000 --> 00:01:22.000 but the things about it that bugged me now is kind of the love story swap and stuff is the things that I 00:01:22.000 --> 00:01:23.000 thought were probably good back then. So I think that's really interesting how you can watch movies at 00:01:23.000 --> 00:01:24.000 different times in your lives. Please send us yours if you have, I know some of you're thinking of them 00:01:24.000 --> 00:01:25.000 right now and just see it so differently. Completely different experience. 00:01:25.000 --> 00:01:26.000 Emma: 00:01:26.000 --> 00:01:27.000 Yeah, I don't remember the first one. I watched this, but I definitely think I liked it more before slash sell 00:01:27.000 --> 00:01:28.000 with the love story or I don't know, different elements. And now I'm like, I don't know. I still like it. I like 00:01:28.000 --> 00:01:29.000 the movie. There's definitely really sweet parts and parts that make you cry. 00:01:29.000 --> 00:01:30.000 Elsie: 00:01:30.000 --> 00:01:31.000 I don't think it's romantic to fall in love in one day anymore. I don't, no. So I don't think that's cute. I like 00:01:31.000 --> 00:01:32.000 it when she goes for Luke Wilson though, because I feel like they had a true moment of connection. The 00:01:32.000 --> 00:01:33.000 other couple, I feel like they had no true moment of connection. 00:01:33.000 --> 00:01:34.000 Emma: 00:01:34.000 --> 00:01:35.000 No, no, definitely not. They're just trying to make that one work for the movie. So you don't feel sorry for 00:01:35.000 --> 00:01:36.000 him. Yeah. But it's like, no, man, this does not work, the chemistry is off. Okay. So maybe we should talk 00:01:36.000 --> 00:01:37.000 about, before we roast the story anymore, which I'm sure we will, it'll come up. But let's talk about cozy 00:01:37.000 --> 00:01:38.000 interiors. We talked a little about exterior. 00:01:38.000 --> 00:01:39.000 Elsie: 00:01:39.000 --> 00:01:40.000 Yeah, the exterior in the snow. It is probably one of the reasons why I bought my house. It kind of looks, 00:01:40.000 --> 00:01:41.000 it has, your house has a movie house that, look, I love those snow scenes, but I think the inside of the 00:01:41.000 --> 00:01:42.000 house, it has its highes and lows. 00:01:42.000 --> 00:01:43.000 Emma: 00:01:43.000 --> 00:01:44.000 Yeah, it does. 00:01:44.000 --> 00:01:45.000 Elsie: 00:01:45.000 --> 00:01:46.000 There's some really gorgeous scenes I really like. There's the scene when she's in the bedroom, when 00:01:46.000 --> 00:01:47.000 you see this picture on her wall, see if anyone can catch this when you watch it where she is pushing a 00:01:47.000 --> 00:01:48.000 stroller and she has a bunch of kids behind her holding hands. And it's sort of a silhouette photograph. 00:01:48.000 --> 00:01:49.000 That's gorgeous. I really like, obviously the front room with the Christmas tree. I really like the entryway 00:01:49.000 --> 00:01:50.000 and all the wallpaper. 00:01:50.000 --> 00:01:51.000 Emma: 00:01:51.000 --> 00:01:52.000 I like the kitchen. You don't like it? 00:01:52.000 --> 00:01:53.000 Elsie: 00:01:53.000 --> 00:01:54.000 No. The kitchen too open. No, it's so cluttered. It makes me kind sick. It gives me the feeling of one of 00:01:54.000 --> 00:01:55.000 our grandmas had a very cluttered house growing up, and it gives me this, it's not a bad feeling, but it's a 00:01:55.000 --> 00:01:56.000 little bit of a sick feeling for me. I guess it's bad way. 00:01:56.000 --> 00:01:57.000 Emma: 00:01:57.000 --> 00:01:58.000 It's a little overwhelming. 00:01:58.000 --> 00:01:59.000 Elsie: 00:01:59.000 --> 00:02:00.000 Yeah, overwhelming. I can see that it's cozy, but I also don't want to be there. 00:02:00.000 --> 00:02:01.000 Emma: 00:02:01.000 --> 00:02:02.000 Yeah. Yes. And I agree. I like the kitchen. I like the way the hood is designed and the openness of it, and 00:02:02.000 --> 00:02:03.000 they're in there. A lot of conversations and scenes happen in the kitchen. The orange computer. The 00:02:03.000 --> 00:02:04.000 orange computer is very, make me think of Zoolander. Just it's that computer era. Yes. I think the set 00:02:04.000 --> 00:02:05.000 designers did a great job of making it feel like a lived-in home with an actual family. And a lot of people, 00:02:05.000 --> 00:02:06.000 it is very cluttered and feels very real in that sense, but it is also a little bit overwhelming at times where 00:02:06.000 --> 00:02:07.000 there's a couple scenes where they open the fridge and I felt so overwhelmed. I was like, we need to 00:02:07.000 --> 00:02:08.000 send the home edit in there immediately. This fridge is freaking me out, and I'm not even a perfectly 00:02:08.000 --> 00:02:09.000 organized fridge person, but it's just so, I feel like they did a good job in that it felt like a real family's 00:02:09.000 --> 00:02:10.000 home and they're really having a bunch of family home for Christmas, and everyone's just crammed in. 00:02:10.000 --> 00:02:11.000 Elsie: 00:02:11.000 --> 00:02:12.000 When they're up in the attic. I'm like, that roof definitely leaks. There's just a feeling of unsettledness in 00:02:12.000 --> 00:02:13.000 certain areas of the home. It makes it feel very much like a real home. 00:02:13.000 --> 00:02:14.000 Emma: 00:02:14.000 --> 00:02:15.000 Yeah, it does. 00:02:15.000 --> 00:02:16.000 Elsie: 00:02:16.000 --> 00:02:17.000 But yeah, I mean, there are beautiful shots. Do you remember the entryway with the wallpaper? 00:02:17.000 --> 00:02:18.000 Emma: 00:02:18.000 --> 00:02:19.000 Yes. 00:02:19.000 --> 00:02:20.000 Elsie: 00:02:20.000 --> 00:02:21.000 There's moments where you're like, this is a movie house. But I like how they make it also a real house 00:02:21.000 --> 00:02:22.000 because real holiday houses are cluttered. I love my house more. I'm so proud of it, but it's so cluttered 00:02:22.000 --> 00:02:23.000 at Christmas time. It just is. You can't not make it cluttered. The only way is to have a junk room, a 00:02:23.000 --> 00:02:24.000 graveyard junk room where you constantly take stuff to because it's just, there's so much stuff and 00:02:24.000 --> 00:02:25.000 people coming in and boots and coats and more presents. And then when the kids open their presents, 00:02:25.000 --> 00:02:26.000 good luck with that. You know what I mean? So I think that you should portray a house at Christmas as a 00:02:26.000 --> 00:02:27.000 little bit chaotic, claustrophobic, because that's true in the kitchen. It's like, yeah, you're prepping five 00:02:27.000 --> 00:02:28.000 meals at a time. 00:02:28.000 --> 00:02:29.000 Emma: 00:02:29.000 --> 00:02:30.000 Yes. And there's snacks and everyone brings things. It just overflows very quickly, very easily. Yeah. Okay. 00:02:30.000 --> 00:02:31.000 Favorite moments? I have a lot of favorite moments from this movie. Do you want to say yours? Okay. So 00:02:31.000 --> 00:02:32.000 my favorite storyline, there's quite a few love stories in, as we already mentioned, the brother swapping 00:02:32.000 --> 00:02:33.000 that whole thing. But I really like the sister who doesn't like her initially, who's played by Rachel 00:02:33.000 --> 00:02:34.000 McAdams. She has, in the very beginning, they're talking about this ex-boyfriend of hers who was her 00:02:34.000 --> 00:02:35.000 first time. So the first person she ever had sex with. And her mom's kind of roasting her about it a little 00:02:35.000 --> 00:02:36.000 bit, like you should call him up. He's an EMT or a firefighter. And he clearly got a taste of something he 00:02:36.000 --> 00:02:37.000 wants or some line like that. And Rachel McAdams character's just like mom don't. Anyway, they run into 00:02:37.000 --> 00:02:38.000 him in a bar and she invites him, not Rachel McAdams, but Meredith the sister that nobody likes, or the 00:02:38.000 --> 00:02:39.000 girlfriend that nobody likes. So invites him to Christmas and he shows up and him and Rachel McAdams 00:02:39.000 --> 00:02:40.000 do end up getting together and it's really sweet. And I just love that storyline. I just love his character. 00:02:40.000 --> 00:02:41.000 He's just like in the bar. Oh. And she's like, you should come. I think she still holds a candle for you or 00:02:41.000 --> 00:02:42.000 whatever. And he's like, really? And he shows up with a present and kind of has to sit through this very 00:02:42.000 --> 00:02:43.000 chaotic scene. And he just seemed like, I just love him and I just love his little love story there. I think it's 00:02:43.000 --> 00:02:44.000 really charming. So I love that. Comedy wise. I like when the sister has the engagement ring on her finger 00:02:44.000 --> 00:02:45.000 and can't get it off, and everyone keeps coming in the kitchen and trying to help get it off. They put oil 00:02:45.000 --> 00:02:46.000 and butter. I think it's still a very funny scene. And it's just funny. And if you've ever gotten a ring stuck on 00:02:46.000 --> 00:02:47.000 your finger before, the feeling of panic of like claustrophobia of, I can't get this thing off my body. I hate 00:02:47.000 --> 00:02:48.000 that feeling. And then everyone's trying to help you, and then it carries this level of emotional weirdness 00:02:48.000 --> 00:02:49.000 because it's your sister's engagement ring, and it's just this weird moment. So I think comedy wise, that's 00:02:49.000 --> 00:02:50.000 pretty funny. And I mean, the most emotional moment is, I think for me, at the end of the movie when 00:02:50.000 --> 00:02:51.000 Diane Keaton's character and the dad are in their bed at night talking, they have a number of scenes 00:02:51.000 --> 00:02:52.000 where they're in their bed at night talking kind of decompressing. That's beautiful. At the end of the day, 00:02:52.000 --> 00:02:53.000 which really resonates to me as someone who's in a long-term relationship. And they show they're about 00:02:53.000 --> 00:02:54.000 to make love, I think, and they show her kind of unbuttoning, her shirt, and you see her scars from a 00:02:54.000 --> 00:02:55.000 mastectomy, how do you say it? The surgery where they for breast cancer. And we know that they've 00:02:55.000 --> 00:02:56.000 already told us in the movie that she has cancers back. They didn't really say what kind, but from this 00:02:56.000 --> 00:02:57.000 scene, you know what kind. And it's just this very sweet scene of them together and loving each other 00:02:57.000 --> 00:02:58.000 through the beginning of her death. And yeah, it's just a really heartfelt, beautiful, beautiful scene that's 00:02:58.000 --> 00:02:59.000 hard to watch, but also you can't look away because it's beautiful. And it was Diane Keaton. We know 00:02:59.000 --> 00:03:00.000 Diane Keaton passed this past year, which is part of why we wanted to do this rewatch because we love 00:03:00.000 --> 00:03:01.000 Diane Keaton, all of her movies. 00:03:01.000 --> 00:03:02.000 Elsie: 00:03:02.000 --> 00:03:03.000 But yeah, so yeah, everything Diane Keaton never did. Starting from The Godfather all the way to, I 00:03:03.000 --> 00:03:04.000 guess, I don't know what the, I'm not sure what her very last movie was, recent movies would be, but for 00:03:04.000 --> 00:03:05.000 me it would be all the way to these movies like the Nancy Myers era and honestly the Justin Bieber 00:03:05.000 --> 00:03:06.000 music video. I love that Justin Bieber's an icon music video. I'm glad she did that. I think she was a very 00:03:06.000 --> 00:03:07.000 cool person, a very interesting person. And anyway, I would like to, yeah, I'm going to keep watching her 00:03:07.000 --> 00:03:08.000 movies for the rest of my life, but I'm glad we got to do this one. Yeah, I did not know she was ill and I 00:03:08.000 --> 00:03:09.000 was not preparing myself for that, so it was a sad one. Anyway. Okay, so favorite moments from the 00:03:09.000 --> 00:03:10.000 movie? I love the scene. I love the scene in the bar when she gets drunk and is being herself for the first 00:03:10.000 --> 00:03:11.000 time. And then the other, I don't know what the Luke Wilson character's name is, so I just keep calling 00:03:11.000 --> 00:03:12.000 him. Luke Wilson. Do you remember his? It's okay. No. Okay. We'll just call him Luke Wilson guy. So Luke 00:03:12.000 --> 00:03:13.000 Wilson guy is like, he's really seeing her and accepting her as a full person. That really worked for me. 00:03:13.000 --> 00:03:14.000 And then when she falls asleep on his shoulder in the car, that worked for me, I got how they got 00:03:14.000 --> 00:03:15.000 together and I thought it was cute. And it's like she actually needed, I relate with this because my 00:03:15.000 --> 00:03:16.000 husband is very, very, very opposite energy from me. And sometimes people need someone who's just 00:03:16.000 --> 00:03:17.000 the absolute opposite of them, and that's what works for them as a couple. And if you're a nervous 00:03:17.000 --> 00:03:18.000 person, you don't need another nervous person, you know what I mean? You need someone who's just 00:03:18.000 --> 00:03:19.000 so chill. And so that kind of works for me. There's an opposites thing. I really like how the opening scene 00:03:19.000 --> 00:03:20.000 Diane Keaton looking at the Christmas tree mirrors the ending scene with Amy at the Christmas tree, and 00:03:20.000 --> 00:03:21.000 she has the ring, and that is, I think, just really beautiful. I really like, this isn't our trivia, but there's 00:03:21.000 --> 00:03:22.000 something interesting about the Judy Garland scene. I really like the Judy Garland scene and I actually, its 00:03:22.000 --> 00:03:23.000 watching a movie. Yeah, it's Meet Me in St. Louis, and I watched it I think last year or the year before 00:03:23.000 --> 00:03:24.000 because of this movie. I was like, I want to watch that whole movie. And honestly, I feel like it's more 00:03:24.000 --> 00:03:25.000 meaningful for me to just watch. It's just the song is really, I wasn't obsessed with the movie as much as 00:03:25.000 --> 00:03:26.000 that one song performance is definitely the moment, and then it just goes really well in this movie. It's 00:03:26.000 --> 00:03:27.000 incredible. And what else? I like the part where she spills the eggs, the egg funny on the floor. That's 00:03:27.000 --> 00:03:28.000 funny because that felt very real to me. That disgusting looking casserole. That is the Midwest and that is 00:03:28.000 --> 00:03:29.000 our ESA or something that's ours, our childhood. It's like there's always going to be a casserole like that 00:03:29.000 --> 00:03:30.000 at our type of Christmases. Yeah, I always make it. Why are you? Well, it looks disgusting when it's spills. 00:03:30.000 --> 00:03:31.000 I'm sorry, but I mean, it's like a billion eggs in a casserole dish. Yeah. What's not to love? I caught, I don't 00:03:31.000 --> 00:03:32.000 know. I just know how that thing smells in the fridge. I just do 00:03:32.000 --> 00:03:33.000 . 00:03:33.000 --> 00:03:34.000 Emma: 00:03:34.000 --> 00:03:35.000 All right. 00:03:35.000 --> 00:03:36.000 Elsie: 00:03:36.000 --> 00:03:37.000 But I love them. I eat them. It's fine. They're good. They're good when they're cooked. Once they're 00:03:37.000 --> 00:03:38.000 cooked. 00:03:38.000 --> 00:03:39.000 Emma: 00:03:39.000 --> 00:03:40.000 Can't see me, but I'm making the Muppet angry face right now. I'm upset chest steam coming out of her 00:03:40.000 --> 00:03:41.000 ears. Yeah, when you get a hate mail later from me. 00:03:41.000 --> 00:03:42.000 Elsie: 00:03:42.000 --> 00:03:43.000 Okay. Yeah. I think that's all my favorite moments. Yeah, I think it's a very beautiful, and then there's 00:03:43.000 --> 00:03:44.000 some very insufferable moments, and I do think that they take the family being insufferable a little bit 00:03:44.000 --> 00:03:45.000 too hard. Some of the next one I had under this is Cringe Fest. At what moment did you cringe the 00:03:45.000 --> 00:03:46.000 hardest? There's definitely some cringing to be done in this plot. 00:03:46.000 --> 00:03:47.000 Emma: 00:03:47.000 --> 00:03:48.000 Yeah. I really feel like out of the gate pretty quickly. I was like, oh, they're just going to be really mean to 00:03:48.000 --> 00:03:49.000 her. They're just really mean to her. They're never even pretending to be nice, fake nice. Which I think it's 00:03:49.000 --> 00:03:50.000 setting, they're in Connecticut, but I'm like, go on Connecticut. People email us. You guys are nice too. 00:03:50.000 --> 00:03:51.000 Right. It's not just the Midwest that's fake. Nice. We are maybe the kings and queens of fake Nice. I don't 00:03:51.000 --> 00:03:52.000 know, but we'll keep it going all night. Yeah. We'll never tell you. It'll be decades before we're like, I really 00:03:52.000 --> 00:03:53.000 didn't care for it the first time I met you that you don't even know what we pressed Felix looked like till 00:03:53.000 --> 00:03:54.000 you come to the Midwest. But anyway, yeah, they're really, really, really mean to her just over and over 00:03:54.000 --> 00:03:55.000 again. But then she does quite a few things where you're like, girl, just help yourself out a little bit. So 00:03:55.000 --> 00:03:56.000 yeah, she needs to take a minute several times and she doesn't. And she doesn't. Yeah. I think the one 00:03:56.000 --> 00:03:57.000 that I found the most unbelievable, it wasn't necessarily the most cringey, but the most unbelievable, 00:03:57.000 --> 00:03:58.000 was when she doesn't know that her boyfriend's allergic to mushrooms. And then she's picking the 00:03:58.000 --> 00:03:59.000 mushrooms out of the casserole, and I'm like, number one, that's not going to work. You're going to miss 00:03:59.000 --> 00:04:00.000 one. She's not a chef. Everything's mixed chef. It's not going to work, girl, you've missed it. You've got to 00:04:00.000 --> 00:04:01.000 tell him not to eat that now if he's truly allergic to mushrooms. But also, it's just unbelievable. I was like, 00:04:01.000 --> 00:04:02.000 you guys have never eaten together because I can understand she doesn't cook. She works. 00:04:02.000 --> 00:04:03.000 Elsie: 00:04:03.000 --> 00:04:04.000 I actually like that detail. I actually believe it because I believe they met that previous year before and 00:04:04.000 --> 00:04:05.000 they haven't been in this situation yet. And this could be even their first Christmas together. 00:04:05.000 --> 00:04:06.000 Emma: 00:04:06.000 --> 00:04:07.000 But they don't eat at restaurants together. He's never in front of her been like, does that have 00:04:07.000 --> 00:04:08.000 mushrooms in it? I'm actually allergic. 00:04:08.000 --> 00:04:09.000 Elsie: 00:04:09.000 --> 00:04:10.000 You're probably right. 00:04:10.000 --> 00:04:11.000 Emma: 00:04:11.000 --> 00:04:12.000 Cause mushrooms are in a lot of things. So I just feel like if I something, I think it was trying to show you 00:04:12.000 --> 00:04:13.000 how new the relationship was and it was very new though. Yeah. But still, the reason it's called The 00:04:13.000 --> 00:04:14.000 Family Stone is because the whole time he's kind of asking his mother for her mom's engagement ring, 00:04:14.000 --> 00:04:15.000 the family stone. He wants to give it to Meredith and the mom's like, no, maybe ask me tomorrow. I 00:04:15.000 --> 00:04:16.000 dunno. I don't think so. Which again, I'm kind of like, wow, this is not against Thank King. We just 00:04:16.000 --> 00:04:17.000 mentioned we love her, but this character, I'm like, I don't really know about that. That feels, I think 00:04:17.000 --> 00:04:18.000 voicing if you don't want your kid to marry someone. Yeah. You got to be honest voicing that. But to not 00:04:18.000 --> 00:04:19.000 give them the stone when it's like She does eventually though. Yeah, she does. Eventually she does come 00:04:19.000 --> 00:04:20.000 around to it and gives it to him, but he's already bought this other thing, so it's like, I don't know. 00:04:20.000 --> 00:04:21.000 Anyway. Okay. What are your cringe best? 00:04:21.000 --> 00:04:22.000 Elsie: 00:04:22.000 --> 00:04:23.000 No, for me, the part where I cringe the hardest is just I really don't like it when he goes for the sister. He 00:04:23.000 --> 00:04:24.000 has known her for one day. They show them walking downtown. They're basically on their first 00:04:24.000 --> 00:04:25.000 conversation and they're falling in love. And for me, that's a zero. I feel nothing. The conversation is kind 00:04:25.000 --> 00:04:26.000 of dumb too. It's about some artist she heard about. I don't even think she knows them, and they 00:04:26.000 --> 00:04:27.000 wanted to make a totem pole, and they do. It's like some historical site you can go see, and he's like, oh, I 00:04:27.000 --> 00:04:28.000 want to go there. And he is like, okay. Yeah. It's kind of weird story too. It's like, all right. I mean, no, give 00:04:28.000 --> 00:04:29.000 me getting drunk together over that. I just didn't, I felt nothing, but I also, I believe you. But it's fine. But 00:04:29.000 --> 00:04:30.000 it's fine. I mean, I like the moment where the bus pulls away. I like the running towards each other as a 00:04:30.000 --> 00:04:31.000 shot, but I just think that they didn't, in the script, they didn't give you enough to, I think they could have 00:04:31.000 --> 00:04:32.000 given you three breadcrumbs of weird things they had in common, or just connecting points or she's like, 00:04:32.000 --> 00:04:33.000 oh, I don't like that, but my sister loves it before she gets there. Things like that. And then you would've 00:04:33.000 --> 00:04:34.000 been like, okay, it clicks. Why didn't you just click those logos together a little bit better? They didn't even 00:04:34.000 --> 00:04:35.000 try anyway. They were just like, let's just shove it together right now. But yeah, both of our husbands, 00:04:35.000 --> 00:04:36.000 that was kind of like the Can't Let it go was just the love swap was just too clean. And it's also just weird 00:04:36.000 --> 00:04:37.000 for two people in the same day to swap partners and fall in love. It's just too much. Yeah. Yeah. It's like, 00:04:37.000 --> 00:04:38.000 no, but I do love a weird affair within a family setting though. 00:04:38.000 --> 00:04:39.000 Emma: 00:04:39.000 --> 00:04:40.000 Yeah. That's cool. When the dad opens Luke Wilson's door and she's in the bed and she rolls out, she's 00:04:40.000 --> 00:04:41.000 like, oh. And he's just like, his eyebrow shoot up and then he doesn't say anything, but he just looks at 00:04:41.000 --> 00:04:42.000 her when she comes down the stairs. You know what you did and you're going to need to say something, 00:04:42.000 --> 00:04:43.000 and it's very funny. 00:04:43.000 --> 00:04:44.000 Elsie: 00:04:44.000 --> 00:04:45.000 Yep. No, but yeah, we're roasting it a little bit, but I also think that that is the nature of this movie. I hope 00:04:45.000 --> 00:04:46.000 you can see that we truly do love it. I think it deserves its roasting, but I also think it is a beautiful, I 00:04:46.000 --> 00:04:47.000 mean, I cried. I genuinely cry every single time. 00:04:47.000 --> 00:04:48.000 Emma: 00:04:48.000 --> 00:04:49.000 Yeah, it's gorgeous. Oh yeah, it's great. And I think that getting that real family dynamic feeling with 10 00:04:49.000 --> 00:04:50.000 actors is a lot, and they do achieve it throughout the movie. It does feel like a family most of the time. 00:04:50.000 --> 00:04:51.000 Yeah, it's really good. Yeah, we haven't even mentioned it either. And this will come up in the trivia, but 00:04:51.000 --> 00:04:52.000 one of the brothers is deaf, so a lot of times they're doing a SL or one person's kind of interpreting, And 00:04:52.000 --> 00:04:53.000 he also is gay and his husband's there, and that's really cute too. His husband, by the way, is gorgeous. 00:04:53.000 --> 00:04:54.000 Yeah, he's beautiful. The whole movie, that's what my husband was hearing was I was like, boy, that 00:04:54.000 --> 00:04:55.000 guy's husband, I bet they weren't mean to him when he showed up. I bet they were like, here's the 00:04:55.000 --> 00:04:56.000 family stone. Get married to him right away. 00:04:56.000 --> 00:04:57.000 Elsie: 00:04:57.000 --> 00:04:58.000 He's like, no, he says that Amy was mean to him, which I appreciated that. I appreciated that one person 00:04:58.000 --> 00:04:59.000 was nice to Meredith and gave her an olive branch, and it was like another outsider person because 00:04:59.000 --> 00:05:00.000 maybe just coming into a family that is just not easy for anyone, and that's good. 00:05:00.000 --> 00:05:01.000 Emma: 00:05:01.000 --> 00:05:02.000 I think big families can have a very hard to understand dynamic. So it's like a lot to learn quickly. And if 00:05:02.000 --> 00:05:03.000 you're not from a large family, then it's definitely even more because you're not used to that type of 00:05:03.000 --> 00:05:04.000 thing. 00:05:04.000 --> 00:05:05.000 Elsie: 00:05:05.000 --> 00:05:06.000 Yeah. Okay, so let's do trivia. 00:05:06.000 --> 00:05:07.000 Emma: 00:05:07.000 --> 00:05:08.000 The director put the nine cast members playing the Stones through several weeks of rehearsals so that 00:05:08.000 --> 00:05:09.000 they would bond well enough off camera to convincingly portray a family. Since the script called for a 00:05:09.000 --> 00:05:10.000 characters to use American Sign Language, A SL to communicate with or interpret for Thad's character, 00:05:10.000 --> 00:05:11.000 early rehearsals included a crash course and a SL, the cast members and some critics pointed out that 00:05:11.000 --> 00:05:12.000 their A SL use was subpar, but it was a realistic portrayal of a hearing family's use of a SL, which is often 00:05:12.000 --> 00:05:13.000 not great. That makes sense to me. 00:05:13.000 --> 00:05:14.000 Elsie: 00:05:14.000 --> 00:05:15.000 I like that. I actually think that when people are really not an interpreter who's to the side of a stage, but 00:05:15.000 --> 00:05:16.000 when you see people professional in real life using ASL, they will be very fast and seem like they're not 00:05:16.000 --> 00:05:17.000 trying very hard. It's two different things, and I think the way they acted it was probably true to life. 00:05:17.000 --> 00:05:18.000 Emma: 00:05:18.000 --> 00:05:19.000 I don't know, American sign language, so I really have no, but a lot of times when I see people 00:05:19.000 --> 00:05:20.000 interpreting or if there's, it's almost like they feel like the non-hearing person can read lips and read 00:05:20.000 --> 00:05:21.000 American language. So it's like they're doing kind of both. And in a way it makes me think they're 00:05:21.000 --> 00:05:22.000 skipping words and just doing the main words in ASL. But again, I don't speak American sign language. I 00:05:22.000 --> 00:05:23.000 don't know it, so I wouldn't know. That would be the thing I would be most nervous about. If I had to be 00:05:23.000 --> 00:05:24.000 an actor in this movie though, I would be like, oh my gosh, I'm going to get this wrong. I'm going to do it 00:05:24.000 --> 00:05:25.000 slightly wrong, and it's going to mean something completely different. I just learned this and it's how am 00:05:25.000 --> 00:05:26.000 I going to do it? So yeah, that would be nerve wracking. 00:05:26.000 --> 00:05:27.000 Elsie: 00:05:27.000 --> 00:05:28.000 During the film's Christmas Eve montage as Thad and Patrick Stroll hand in hand toward the end, Patrick 00:05:28.000 --> 00:05:29.000 signs in American Sign language that the evening sky looks beautiful, to which tha responds, know You 00:05:29.000 --> 00:05:30.000 are beautiful. That's cute. I'm glad they put that in. Yeah, I would have mixed that completely. 00:05:30.000 --> 00:05:31.000 Emma: 00:05:31.000 --> 00:05:32.000 That's romance for you. Okay. When Luke Wilson is telling Meredith about Everett's allergy. 00:05:32.000 --> 00:05:33.000 Elsie: 00:05:33.000 --> 00:05:34.000 See they call him, Luke Wilson too. 00:05:34.000 --> 00:05:35.000 Emma: 00:05:35.000 --> 00:05:36.000 They call Luke Wilson too. Because Meredith is Sarah Jessica Parker, and then you say both. Okay. Alright. 00:05:36.000 --> 00:05:37.000 When Luke Wilson is telling Meredith about Everett's allergy, Sarah Jessica Parker shouted, I didn't know. 00:05:37.000 --> 00:05:38.000 In a one take as a joke, and you can tell as Luke Wilson genuinely laughs. That's cute. Yeah, that's funny. 00:05:38.000 --> 00:05:39.000 Elsie: 00:05:39.000 --> 00:05:40.000 That's good. That's good. Yeah, you can tell there was definitely some like, what do you call it, Adlib, 00:05:40.000 --> 00:05:41.000 what actors call it? 00:05:41.000 --> 00:05:42.000 Emma: 00:05:42.000 --> 00:05:43.000 Improv. 00:05:43.000 --> 00:05:44.000 Elsie: 00:05:44.000 --> 00:05:45.000 Improv. And I like that. I like that kind of stuff. That's cute. I like to hear it later. I mean, you can't always 00:05:45.000 --> 00:05:46.000 tell. It's fun to know. 00:05:46.000 --> 00:05:47.000 Emma: 00:05:47.000 --> 00:05:48.000 I did think Sarah Jessica Parker really did a great job in this movie too. Oh yeah. Because she seems very 00:05:48.000 --> 00:05:49.000 nervous and anxious, but also at times likable and at other times you're just cringing and she has a big 00:05:49.000 --> 00:05:50.000 arc. Her character changes quite a bit and she does that great in my opinion. So I feel like she really 00:05:50.000 --> 00:05:51.000 chews it up. 00:05:51.000 --> 00:05:52.000 Elsie: 00:05:52.000 --> 00:05:53.000 She tries to get in the bed in the egg shirt, she goes there for this role. I personally never watch Sex in the 00:05:53.000 --> 00:05:54.000 City, and obviously I know that she's from that, that's what she's best known for. But I know her from 00:05:54.000 --> 00:05:55.000 this, so this is how she's famous to me. 00:05:55.000 --> 00:05:56.000 Emma: 00:05:56.000 --> 00:05:57.000 I know her from her movies too. I never watch sex. It looks awesome. I feel like I just missed it. It's kind 00:05:57.000 --> 00:05:58.000 of like Gilmore Girls. I'm like, I keep meaning to go back and watch it. I know it's great, but I missed it the 00:05:58.000 --> 00:05:59.000 first time around. And so it's just one of those things where you're like, wow, okay. 00:05:59.000 --> 00:06:00.000 Elsie: 00:06:00.000 --> 00:06:01.000 Yeah, I don't think I can go back that far. I dunno. Maybe it becomes more retro over time. I dunno. Tell 00:06:01.000 --> 00:06:02.000 us if anyone has watched Sex in the City in the last couple of years for the first time, if you think it's 00:06:02.000 --> 00:06:03.000 doable or if you think it's too late. I'm curious. Okay. Playing the glue that holds the family together. 00:06:03.000 --> 00:06:04.000 Diane Keaton was the first actor approached to Star in the film. Duh. Keaton has stated that she was 00:06:04.000 --> 00:06:05.000 instantly drawn to her role as many layers of Sybil's personality allow her to explore so many often 00:06:05.000 --> 00:06:06.000 conflicting emotions. Yeah, that's a beautiful part about it. You can feel the love. You can feel the grief 00:06:06.000 --> 00:06:07.000 and sorrow. You can feel the petty bullsh*t. Every layer is perfect. 00:06:07.000 --> 00:06:08.000 Emma: 00:06:08.000 --> 00:06:09.000 She seems very real in the movie. She definitely has moments where she's very warm and loving and 00:06:09.000 --> 00:06:10.000 easygoing, and there's other times she's kind of harsh or a little bit mean, but you do always believe her. 00:06:10.000 --> 00:06:11.000 It does feel very real like a real person. Okay. The composer, Michael Giacchino rerecorded the 00:06:11.000 --> 00:06:12.000 Instrumental Track, have Yourself a Merry Little Christmas as it appeared in Meet Me in St. Louis from 00:06:12.000 --> 00:06:13.000 1944, duplicating every note and matching every tempo of the original orchestra, which he then 00:06:13.000 --> 00:06:14.000 programmed simultaneously to enhance Judy Garland's vocals. Both tracks appear on the film's 00:06:14.000 --> 00:06:15.000 soundtrack album, allowing the listener to appreciate how closely the new recording matches the 00:06:15.000 --> 00:06:16.000 vintage one. 00:06:16.000 --> 00:06:17.000 Elsie: 00:06:17.000 --> 00:06:18.000 Interesting. So are they saying that in the movie it's an acapella performance and then they kind of 00:06:18.000 --> 00:06:19.000 changed it for this movie? 00:06:19.000 --> 00:06:20.000 Emma: 00:06:20.000 --> 00:06:21.000 I don't exactly know what this is saying. I'm not musical enough, but it's making me think that if they had 00:06:21.000 --> 00:06:22.000 just taken the movie audio, it would've not sounded very good for the standards of this movie. So he had 00:06:22.000 --> 00:06:23.000 to fix it up. Yeah. Well, it really is a moment in the film. 00:06:23.000 --> 00:06:24.000 Elsie: 00:06:24.000 --> 00:06:25.000 I think they did it perfectly, and I love watching it every single time. I love how she says it's my favorite 00:06:25.000 --> 00:06:26.000 part. It feels like that feeling like she does this every year. It's really special. Okay. Luke Wilson chipped a 00:06:26.000 --> 00:06:27.000 tooth while filming the movie and asked Diane Keaton to recommend a dentist. Keaton decided to play a 00:06:27.000 --> 00:06:28.000 joke on him when he called the number she had given him, it was actually the number to a psychologist 00:06:28.000 --> 00:06:29.000 Emma: 00:06:29.000 --> 00:06:30.000 Okay. That's funny. All right. She got him. I wonder if he just went ahead and made an appointment for 00:06:30.000 --> 00:06:31.000 that too. I'd be like, well, okay. Rachel McAdams said that she felt drawn to the dramatic arc that Amy 00:06:31.000 --> 00:06:32.000 goes through, which eventually brings her full circle. She sees herself as honest, not mean, and expresses 00:06:32.000 --> 00:06:33.000 that uncensored candor in her sardonic wit. No, she's mean, she's mean. She's definitely, she's mean for 00:06:33.000 --> 00:06:34.000 sure. Mean she can be also honest. And I also think she does come around, which to me matters more 00:06:34.000 --> 00:06:35.000 than if you're mean. It's like if you're kind of mean and then you're willing to say sorry or take it back. It's 00:06:35.000 --> 00:06:36.000 like, yeah, maybe be more thoughtful out of the gate, but I still think that's fine. That's totally fine. 00:06:36.000 --> 00:06:37.000 Someone who's mean and never backs down. I'm like, eh. 00:06:37.000 --> 00:06:38.000 Elsie: 00:06:38.000 --> 00:06:39.000 I think the scene where they're on the floor with the egg is the turning point in their relationship. They're 00:06:39.000 --> 00:06:40.000 all laughing together and it's really sweet and it's disgusting and it's perfect. And I believe that she gave 00:06:40.000 --> 00:06:41.000 her another chance after that. And they don't even really have to tell you that. You just know. 00:06:41.000 --> 00:06:42.000 Emma: 00:06:42.000 --> 00:06:43.000 Yeah. You feel it. 00:06:43.000 --> 00:06:44.000 Elsie: 00:06:44.000 --> 00:06:45.000 But she's mean. She is mean. Let's get our facts straight. Cast amid the final season of the HBO series, 00:06:45.000 --> 00:06:46.000 sex and the City, Sarah Jessica Parker, who had struggled to find a role that distinguished her from her TV 00:06:46.000 --> 00:06:47.000 show character, Carrie Bradshaw declared Meredith a breakaway from her previous roles. She is 00:06:47.000 --> 00:06:48.000 controlling rigid and tightly round. When she tries to dig herself out of awkward moments, she only 00:06:48.000 --> 00:06:49.000 makes them worse. True. I think that she did a great job of choosing this role and I mean, I'd never 00:06:49.000 --> 00:06:50.000 watched Sex in the City, but yeah, great move. You did it. 00:06:50.000 --> 00:06:51.000 Emma: 00:06:51.000 --> 00:06:52.000 Yep. She was like, I got. And we're like, yep. Did great. Patrick shows some sympathy to Meredith hinting 00:06:52.000 --> 00:06:53.000 that the Stones gave him a hard time as well. So you talked about that. No, he says Amy, she's the worst. 00:06:53.000 --> 00:06:54.000 Amy gave him a hard time. Yeah, you're the worst. And they fall down with the eggs. Yep. 00:06:54.000 --> 00:06:55.000 Elsie: 00:06:55.000 --> 00:06:56.000 Yeah. Rachel McAdams worked with both Wilson Brothers in two different movies at the same time. This 00:06:56.000 --> 00:06:57.000 movie with Luke Wilson and also Wedding Crashers 2006 with Owen Wilson. I've never seen Wedding 00:06:57.000 --> 00:06:58.000 Crashers. Is that funny? Is it cute? 00:06:58.000 --> 00:06:59.000 Emma: 00:06:59.000 --> 00:07:00.000 I watched it a long time ago and I think I liked it. I can't remember. What's the tall guy? Oh, Vince 00:07:00.000 --> 00:07:01.000 Vaughn. Yeah. Vince V, yep. Has him in it as well. Yeah, I think I thought it was funny in a long time. 00:07:01.000 --> 00:07:02.000 Elsie: 00:07:02.000 --> 00:07:03.000 Cool. 00:07:03.000 --> 00:07:04.000 Emma: 00:07:04.000 --> 00:07:05.000 It was released in the United States on December 16th, 2005, and was a commercial success with a 00:07:05.000 --> 00:07:06.000 worldwide gross of 92 million. Whoa. I don't know, movie money. I don't know how good that is, but that 00:07:06.000 --> 00:07:07.000 sounds good for a movie like this probably. I dunno if they spin on it, but it's sounding good. 00:07:07.000 --> 00:07:08.000 Elsie: 00:07:08.000 --> 00:07:09.000 I feel like. Okay. I'm not a Hollywood expert, but let me give my hot take. Why wouldn't you just do 00:07:09.000 --> 00:07:10.000 Christmas movies all the time? Oh, yeah. They come back every year and Halloween movies too. Why? If 00:07:10.000 --> 00:07:11.000 you have a chance to do any kind of movie, why wouldn't you do a Christmas and a Halloween movie? 00:07:11.000 --> 00:07:12.000 Emma: 00:07:12.000 --> 00:07:13.000 And this is my beef with Why there's not enough Halloween songs. What's up with that? There are there 00:07:13.000 --> 00:07:14.000 so many Christmas songs and I love them. I love them. Where are the Halloween songs? It comes back 00:07:14.000 --> 00:07:15.000 every year. Yeah. Wouldn't this be a good idea? I don't know, but okay. Yeah, you're right. It's just a 00:07:15.000 --> 00:07:16.000 playlist. This is really not the right time for this grievance, but yeah, it's not. 00:07:16.000 --> 00:07:17.000 Elsie: 00:07:17.000 --> 00:07:18.000 Okay. Diane Keaton also played The Matriarch in Love the Coopers 2015. Okay. My Eyelash Girl told me 00:07:18.000 --> 00:07:19.000 this is amazing. Love the Coopers. It has at homes in it, and it's a same similar type of movie, so we 00:07:19.000 --> 00:07:20.000 should probably watch that this year. I've never seen that. A Christmas movie about a very dysfunctional 00:07:20.000 --> 00:07:21.000 family. Oh yeah, let's watch that. Yeah, I looked up to IMDB earlier and it looked like it had a lot of cute 00:07:21.000 --> 00:07:22.000 people and yeah, let's watch it together. That's our next movie. 00:07:22.000 --> 00:07:23.000 Emma: 00:07:23.000 --> 00:07:24.000 Diane Keaton and Sarah Jessica Parker. Were both in the First Wives Club. Cool. My husband talks about 00:07:24.000 --> 00:07:25.000 that movie all the time. I feel like it was one of his movies that he watched over and over as a kid. 00:07:25.000 --> 00:07:26.000 Somehow he has a lot of movies like that. 00:07:26.000 --> 00:07:27.000 Elsie: 00:07:27.000 --> 00:07:28.000 That's really funny. I've never seen it. And I don't know. 00:07:28.000 --> 00:07:29.000 Emma: 00:07:29.000 --> 00:07:30.000 I feel like his family had cable and it really shows compared to our family where I'm like, we had four VHS 00:07:30.000 --> 00:07:31.000 tapes and they were great. 00:07:31.000 --> 00:07:32.000 Elsie: 00:07:32.000 --> 00:07:33.000 Have you ever heard of the Never Ending Story? 00:07:33.000 --> 00:07:34.000 Emma: 00:07:34.000 --> 00:07:35.000 Have you ever heard of Sister Act? Sister Act two, Rookie of the Year, Little Giants. Never heard of 00:07:35.000 --> 00:07:36.000 anything else. No, I'm just kidding. 00:07:36.000 --> 00:07:37.000 Elsie: 00:07:37.000 --> 00:07:38.000 Okay. I guess it's time for my embarrassing story now. Here we go. With permission from my husband. I 00:07:38.000 --> 00:07:39.000 do have to tell his perspective to make things fair because otherwise it might seem like I'm roasting him, 00:07:39.000 --> 00:07:40.000 but not, I think you're roasting yourself. I think I'm roasting myself. 00:07:40.000 --> 00:07:41.000 Emma: 00:07:41.000 --> 00:07:42.000 Yeah. Okay. That's who I view as at fault in this story. Spoilers. 00:07:42.000 --> 00:07:43.000 Elsie: 00:07:43.000 --> 00:07:44.000 Okay, so this is three years ago on Christmas night. I'm not going to go into it, but let's just say that every 00:07:44.000 --> 00:07:45.000 year on Christmas night, I tend to be a little bit emotionally exhausted and how kids throw a fit. 00:07:45.000 --> 00:07:46.000 Emma: 00:07:46.000 --> 00:07:47.000 Adults are like that too. We get tired, we get hungry. We've had too much stimulation. We get it. Yeah, it 00:07:47.000 --> 00:07:48.000 happens. 00:07:48.000 --> 00:07:49.000 Elsie: 00:07:49.000 --> 00:07:50.000 I wasn't like this before I became a mom, but I have noticed that since I'm a mom and especially in these 00:07:50.000 --> 00:07:51.000 really intense Christmas magic years that I do kind of need to have a little breakdown after every 00:07:51.000 --> 00:07:52.000 Christmas the week after, I will say it comes at a really good time when it's that boring slow week when 00:07:52.000 --> 00:07:53.000 you can read day all day and you can watch movies and you can eat and you don't really have to do 00:07:53.000 --> 00:07:54.000 anything else. I love that. I love that for us, for all of us. So anyway, this year after Christmas, I think it 00:07:54.000 --> 00:07:55.000 was the last year we were in the pink house, so it was probably three Christmases ago or so. We came 00:07:55.000 --> 00:07:56.000 home, our kids were in bed, Christmas was over, and I was just talking to Jeremy. We had just come 00:07:56.000 --> 00:07:57.000 home from his parents' Christmas celebration and I said this little comment about his, okay, so his dad 00:07:57.000 --> 00:07:58.000 makes Chex Mix and Chex Mix is a big deal in our whole family. It's like, if you guys know, I've talked 00:07:58.000 --> 00:07:59.000 about my Chex mix a million times. My father-in-law has Chex Mix too. We all do, but we call it Texas 00:07:59.000 --> 00:08:00.000 Trash from Texas. Interesting. And that's what he calls it. It can go by different names and everyone has 00:08:00.000 --> 00:08:01.000 their specific little variation. So in mine, I have sesame sticks. The Sesame sticks are a really big deal to 00:08:01.000 --> 00:08:02.000 me. I love Sesame Sticks and I do, there's two things I hate in Chex Mix, and I put them in for my husband 00:08:02.000 --> 00:08:03.000 to be nice that he likes, but I don't like them. You know what I mean? And then I put in, there's two 00:08:03.000 --> 00:08:04.000 things that he doesn't like as much that I put in that I like. You know what I mean? And it's like whatever. 00:08:04.000 --> 00:08:05.000 Everyone has their own perfect Chex Mix recipe, and they're all a little bit different. So I make it every 00:08:05.000 --> 00:08:06.000 year. I've been doing it since before we had kids. So I would say 10 years. And it is a big part of the 00:08:06.000 --> 00:08:07.000 holidays, and I also sometimes do it in our summertime celebration, but I do red, white and blue and m 00:08:07.000 --> 00:08:08.000 and try to be whatever, just way to try to fit in and be a good Larson and definitely comes from his side 00:08:08.000 --> 00:08:09.000 of the family. So anyway, his dad was bragging to me about how he makes his checks mix in the 00:08:09.000 --> 00:08:10.000 microwave, and I was like, Ew, I don't like that. I don't like the sound of it. 00:08:10.000 --> 00:08:11.000 Emma: 00:08:11.000 --> 00:08:12.000 This classic Elsie, she does this response to me sometimes too. 00:08:12.000 --> 00:08:13.000 Elsie: 00:08:13.000 --> 00:08:14.000 I don't like microwaves that much in general, which is fine. I've gotten way better than I used to be. 00:08:14.000 --> 00:08:15.000 Microwaves are, yeah. I used to not even be able to handle it, and now I can even use a microwave, but I 00:08:15.000 --> 00:08:16.000 just would choose not to Most of the time. Yeah, I'm the same. It heats things kind of weird, tricky. And 00:08:16.000 --> 00:08:17.000 we have one in our home. I used to be like, no microwave allowed. Now I'm like, whatever. It's there. If 00:08:17.000 --> 00:08:18.000 we need to melt some chocolate, that's pretty much, it's useful the time. 00:08:18.000 --> 00:08:19.000 Emma: 00:08:19.000 --> 00:08:20.000 It's okay. My mother-in-law's anti microwave too. 00:08:20.000 --> 00:08:21.000 Elsie: 00:08:21.000 --> 00:08:22.000 Yeah, whatever. So I was a little bit like we were home by ourselves. And I know my in-laws or my 00:08:22.000 --> 00:08:23.000 mother-in-law's definitely going to hear this, but I'm fine. I'm just going to, I think she'll like it. Sorry Pat. I 00:08:23.000 --> 00:08:24.000 was a little bit just roasting Jeremy's dad. Can you believe he thinks that it's better because it's 00:08:24.000 --> 00:08:25.000 microwaved? And Jeremy says, I do like my dad's checks mix better. And then he adds, or maybe I 00:08:25.000 --> 00:08:26.000 might've said why demanding answers. And then he says, yours is a little dry on Christmas night shots 00:08:26.000 --> 00:08:27.000 fired to a mom with young kids. Our kids were still almost toddlers at this time, and I had already had at 00:08:27.000 --> 00:08:28.000 least one or two glasses of wine. Yeah, yeah. That's the problem right there. So I was just immediately 00:08:28.000 --> 00:08:29.000 bawling and it actually was and is one of our biggest, but also funniest marriage fights. I don't think 00:08:29.000 --> 00:08:30.000 we've had a bigger fight since then because I felt like he was trashing my hard work of Christmas. And it 00:08:30.000 --> 00:08:31.000 is so much work for moms. I think that one of the things hills I will die on is that dads will probably never 00:08:31.000 --> 00:08:32.000 understand unless they had to do a year without you, what it actually takes. I don't think they really 00:08:32.000 --> 00:08:33.000 know. They're basically little kids. They don't really know what it takes to make all this. You know what I 00:08:33.000 --> 00:08:34.000 mean? 00:08:34.000 --> 00:08:35.000 Emma: 00:08:35.000 --> 00:08:36.000 Yeah. It's like Thanksgiving dinner and you know who didn't cooked and you know who didn't cook. 00:08:36.000 --> 00:08:37.000 Elsie: 00:08:37.000 --> 00:08:38.000 And you can say thank you and you can truly be thankful in your heart, but if you've never done it, you 00:08:38.000 --> 00:08:39.000 don't know. So anyway, I was bawling and I think it was a combination of a tiny bit drunk also just being 00:08:39.000 --> 00:08:40.000 the end of a long, long, long, long season. You were tired slash day. And then also he just said the 00:08:40.000 --> 00:08:41.000 absolute wrongest thing you can ever say. So now we have a lot of checks, mixed jokes, and this year I'm 00:08:41.000 --> 00:08:42.000 actually going to try to redeem in my textbooks. I never give up. Okay. That's one thing about me is I 00:08:42.000 --> 00:08:43.000 never give up. So I am going to redeem it and I'm just going to use three times as much butter. That's 00:08:43.000 --> 00:08:44.000 what I decided. 00:08:44.000 --> 00:08:45.000 Emma: 00:08:45.000 --> 00:08:46.000 That's what you need. That's what my father-in-law does. That's why his is so good. Try my text mix on 00:08:46.000 --> 00:08:47.000 Thursday and tell me, you saw the amount of butter and I've made it with him a number of times now. 00:08:47.000 --> 00:08:48.000 It's like you feel your heart stopping, but then it comes out of the oven and you're like, this is delicious. I 00:08:48.000 --> 00:08:49.000 better eat a whole bag of it. And that's how it goes. 00:08:49.000 --> 00:08:50.000 Elsie: 00:08:50.000 --> 00:08:51.000 So anyway, now everyone who listens to our podcast knows never, never bring up how bad my text fix is. 00:08:51.000 --> 00:08:52.000 And from Jeremy's perspective, how he defends himself from his version of the story, he says that I 00:08:52.000 --> 00:08:53.000 forced him to say it and that I pulled it out of him and that he was just saying he likes his dad's Chex mix. 00:08:53.000 --> 00:08:54.000 And I was like, why? And then he finally said, yours is a little dry, which was the main. 00:08:54.000 --> 00:08:55.000 Emma: 00:08:55.000 --> 00:08:56.000 You want to hear my outsider's perspective? 00:08:56.000 --> 00:08:57.000 Elsie: 00:08:57.000 --> 00:08:58.000 Yes. Give it to me. 00:08:58.000 --> 00:08:59.000 Emma: 00:08:59.000 --> 00:09:00.000 Here it is. Jeremy should not have called your Chex Mix Dry. That was a little bit rude. And also you were 00:09:00.000 --> 00:09:01.000 being a little about something that doesn't matter. 00:09:01.000 --> 00:09:02.000 Elsie: 00:09:02.000 --> 00:09:03.000 Right, right. I can accept that for sure. Actually I think it's really funny now. It is really funny. And I'm back 00:09:03.000 --> 00:09:04.000 now. There was a couple years where I didn't make the Chex mix because I was so mad. And I was like, 00:09:04.000 --> 00:09:05.000 you just have your microwaved Chex mix. And that's fine with me, but now I'm back again with my 00:09:05.000 --> 00:09:06.000 ingredients my way. I'll give it another shot. I'm not going to give up. 00:09:06.000 --> 00:09:07.000 Emma: 00:09:07.000 --> 00:09:08.000 Here's the thing. I'll also say this, just my own little perspective. I don't have Chex Mix like you do, but I 00:09:08.000 --> 00:09:09.000 have things where my husband prefers it, the way his dad made it growing up and the way his mom 00:09:09.000 --> 00:09:10.000 makes it. Isn't there something with pancakes? I don't really want to go into the specifics of what our 00:09:10.000 --> 00:09:11.000 things are, but I have a feeling every couple knows what we're talking about. I didn't ask him, so I don't 00:09:11.000 --> 00:09:12.000 want to. But I think the point is, here's the thing to keep in mind. It's not about you. It's about their 00:09:12.000 --> 00:09:13.000 childhood. Right. True. And you should never make someone apologize for their childhood. Just let 'em 00:09:13.000 --> 00:09:14.000 keep their childhood. And if you don't like the way they make something or if they don't prefer your way, 00:09:14.000 --> 00:09:15.000 they like their mom or their dad's way more, whatever, just let it go. Just know that it doesn't really 00:09:15.000 --> 00:09:16.000 matter. And probably your kids are going to do this to their partners one day, and that's not ideal either, 00:09:16.000 --> 00:09:17.000 but it's just how it is. It's more like the nostalgia of it probably than anything else. 00:09:17.000 --> 00:09:18.000 Elsie: 00:09:18.000 --> 00:09:19.000 True. 00:09:19.000 --> 00:09:20.000 Emma: 00:09:20.000 --> 00:09:21.000 And that's kind of sweet when you think about it. Is it annoying? Yes, it is annoying. Especially if you are 00:09:21.000 --> 00:09:22.000 really proud of this thing you've made or it took a lot of work, then yeah, it's a little annoying, but it's just 00:09:22.000 --> 00:09:23.000 like, yeah, it means that they had a good childhood or they have a thing that they like from their family 00:09:23.000 --> 00:09:24.000 and it's like that's actually really healthy and good that they have that. It's true's probably one of the 00:09:24.000 --> 00:09:25.000 things that makes them a good partner. So it's like, you know what it, that's fine. They can like their dad's 00:09:25.000 --> 00:09:26.000 pancakes more than mine. That's fine. Oh wait, I said it. 00:09:26.000 --> 00:09:27.000 Elsie: 00:09:27.000 --> 00:09:28.000 That's fine. It's out there. You can't put that back in. 00:09:28.000 --> 00:09:29.000 Emma: 00:09:29.000 --> 00:09:30.000 Oh, it doesn't matter. I think Bill's pancakes are a plus and his Texas trash. 00:09:30.000 --> 00:09:31.000 Elsie: 00:09:31.000 --> 00:09:32.000 Yeah, and I just want to say for the record, I do think his dad's Chex mix is good. 00:09:32.000 --> 00:09:33.000 Emma: 00:09:33.000 --> 00:09:34.000 Oh, it's really good. 00:09:34.000 --> 00:09:35.000 Elsie: 00:09:35.000 --> 00:09:36.000 That's not the problem. I just think mine is good also. 00:09:36.000 --> 00:09:37.000 Emma: 00:09:37.000 --> 00:09:38.000 Oh, I thought you were talking about my father-in-law. Oh, my father-in-law's basic. I've never had your 00:09:38.000 --> 00:09:39.000 father-in-law. I'm sure it's good. 00:09:39.000 --> 00:09:40.000 Elsie: 00:09:40.000 --> 00:09:41.000 Bring me some of Bill's checks mix in a little bag though. Now I want to know. 00:09:41.000 --> 00:09:42.000 Emma: 00:09:42.000 --> 00:09:43.000 It's really good. 00:09:43.000 --> 00:09:44.000 Elsie: 00:09:44.000 --> 00:09:45.000 But yeah, no, everything. It's all, yeah, and whatever, whatever, whatever. 00:09:45.000 --> 00:09:46.000 Emma: 00:09:46.000 --> 00:09:47.000 No, I'm with you. Microwave, get out of here. 00:09:47.000 --> 00:09:48.000 Elsie: 00:09:48.000 --> 00:09:49.000 Life is beautiful. That's who cares. I guess story. 00:09:49.000 --> 00:09:50.000 Emma: 00:09:50.000 --> 00:09:51.000 It's not a competition as I try to tell my oldest son all the time. It's not a competition. 00:09:51.000 --> 00:09:52.000 Elsie: 00:09:52.000 --> 00:09:53.000 You're right. 00:09:53.000 --> 00:09:54.000 Emma: 00:09:54.000 --> 00:09:55.000 You don't have to win a check fix. You could just let it be. 00:09:55.000 --> 00:09:56.000 Elsie: 00:09:56.000 --> 00:09:57.000 I do though. I do have it. Eventually I will. That's right. Okay, we're going to pass it to a joke. And in fact, 00:09:57.000 --> 00:09:58.000 with Nova. Hey Nova, what do you have for us this week? 00:09:58.000 --> 00:09:59.000 Nova: 00:09:59.000 --> 00:10:00.000 A joke, another Christmas one. 00:10:00.000 --> 00:10:01.000 Elsie: 00:10:01.000 --> 00:10:02.000 Okay, I'm ready. 00:10:02.000 --> 00:10:03.000 Nova: 00:10:03.000 --> 00:10:04.000 What did the gingerbread man put on his bed? 00:10:04.000 --> 00:10:05.000 Elsie: 00:10:05.000 --> 00:10:06.000 What? 00:10:06.000 --> 00:10:07.000 Nova: 00:10:07.000 --> 00:10:08.000 A cookie sheet. 00:10:08.000 --> 00:10:09.000 Elsie: 00:10:09.000 --> 00:10:10.000 That's a good one. Have a good week everyone. 00:10:10.000 --> 00:10:11.000 Emma: 00:10:11.000 --> 00:10:12.000 You can email us anytime at podcast@abeautifulmess.com. And you can also leave us a voicemail at 8 9 00:10:12.000 --> 00:10:13.000 3 0 0 1 1. We'll be back next week. 00:10:13.000 --> 00:10:14.000 Elsie: 00:10:14.000 --> 00:10:15.000 Don't forget to leave us. Your piping hot takes. 00:10:15.000 --> 00:10:16.000 Emma: 00:10:16.000 --> 00:10:17.000 Oh yeah. From last episode. 00:10:17.000 --> 00:10:18.000 Elsie: 00:10:18.000 --> 00:10:19.000 Yeah. Hot takes that don't matter. This super hot takes that. Don't matter. Your personal Hilda. Dion, 00:10:19.000 --> 00:10:20.000 we're going to do a special episode for those in January.