#481 - George Birge on Pressures of Going for Second #1 Song + Eddie Plays Morgan & Abby in Music Game for Money + Why Beyonce Was Nominated for a Grammy But Not a CMA
On this episode of the BobbyCast, Bobby chats with country music star, George Birge, about the pressure he feels going for his second #1 song, which A-list actor was his 'Little Brother' in his fraternity, and more! Plus, Eddie plays Morgan and Abby in a music game with a chance to win a lot of money! And Bobby talks about the Grammy nominations that were announced over the weekend, including the reason he thinks Beyonce was nominated for the Grammy's but not the CMA's.
Follow on Instagram: @TheBobbyCast
Follow on TikTok: @TheBobbyCast
Watch this Episode on Youtube
See omnystudio.com/listener for privacy information.
Available Results
Generated results are saved to the knowledge database for reuse and search.
Extract Knowledge
Pick what you want extracted first. Model, scope, and chapter options appear after a template is selected.
Transcript
00:00:06 Speaker 1: Episode four eighty one, we'll talk to George Berge, who had a number one song with Mind on You, but now he's trying to have a second and what the difference is in getting that first in the second, and how his lifestyle has changed. And so George Burge also the famous person who went to college with that's pretty cool. We're also going to play a game show where I had one hundreds of dollars and I was giving it away. That's pretty fun. So that's coming up as well, and we'll get to the Grammy nominees and so mostly we'll talk about the country stuff and just a bit of the rules. But let me do George first. All right, welcome to the episode George Burge here on the Bobby Cast. We'll start with that. 00:00:43 Speaker 2: George, Hey, Hey, what's up, buddy. 00:00:45 Speaker 1: Okay, so we were looking at the chart and we see the cowboy songs. I think it's a ten? 00:00:50 Speaker 3: Is that? Is that right? You know? 00:00:52 Speaker 2: Do you want your ten? Yeah? Somewhere in that range. Yeah. 00:00:55 Speaker 1: Okay, so you said nine or ten, so maybe it's nine? Is it nine? And you're just saying nine or ten has to not make me look bad. 00:01:03 Speaker 2: I think it will hopefully print at nine this week. 00:01:05 Speaker 1: Okay, so it's probably nine and he's being humble about it. 00:01:09 Speaker 3: That's typical, George. 00:01:10 Speaker 1: Sure. So the question that I have is you had a number one song with Come On You, and we kind of talked about what it felt like to go from being an artist with no hits, and you know, you were in a duo and you were writing, and you were a solo artist and you're struggling, and then you get your first number one. But we rarely talk to people as they're getting their second number one and what that dynamic change is from your first to your second, because then I feel like it's probably like kids after have you get three, four or five? I don't know. Yeah, it don't take a name after that, Yeah, but like one to two, there's probably like a significant change there. Dressful, What has been the difference with this song being a success? Are people treating you different? Is your pay going up? 00:01:56 Speaker 3: Like? 00:01:56 Speaker 1: What has changed in the past year with the second song it's about to be a hit? 00:01:59 Speaker 4: I think everything I think with every number one you have, and I'll tell you you, guys, if I stack four or five together and I start to feel differently, but I feel like with every number one you have, like everything just feels like it doubles in size, like the way people treat you, the way that you're getting paid for shows. I've been able to hire a couple of new people in my crew for like more support, and like I've had crowds start getting bigger even still than they were just for Mind on You and then for me, like as an artist, I like was over the moon excited when Mind on You when number one, But at the same time, I was also kind of like, oh crap, like I have to follow this up right, Like there's eyes on me now, like there's pressure on me now. Before it was like, Okay, this is a wild shot. I'm just swinging for the fences and hope I hit something. And now it's like, all right, I have a standard and I have to you know, kind of match that. And so when I wrote Cowboy Songs, I knew that that was like the magic one that was going to be the next single. But I'm starting to feel that again, like Okay, what's number three going to be? How are we going to back this up? And it's a really exciting problem to have, but it's wild to, you know, feel that pressure constantly of like, Okay, what's next new music? How am I going to grow as an artist? How am I going to keep connecting with fans? So it's been really exciting that and we get a lot of free stuff, so. 00:03:12 Speaker 1: Which is that It is a really cool part of it. And I can tell you just from like my experience and my weird baptism into having like a little bit of fame for a minute and then not really then a little bit more and whenever, because it's it doesn't exist forever, it's not real it, it doesn't last. People are fickle, but when you are this shiny penny, people do treat you way different. It's of course, you got a bunch of free stuff. People are offering to send you places. You're getting free close, Hey, we'll dress you for this stuff. And you know, once I started to like have some success and have some money, people, that's why everybody start offered me the free stuff. And I was like, no, I can kind of afford it now. It was weird. It was like, I actually can afford it. I don't really need it as much now. But I've been to the point too where it's been like really good. And then it's trickled away. And I've been the same exact person with the same exact people, and they treat you, even in this town like people treat you a bit different. Whenever you have a hit and you're about to have a second hit, how about rights do you get people willing to write with you a lot easier. 00:04:15 Speaker 2: That's been the wildest part for me. 00:04:17 Speaker 4: I think, you know, and look like every writer only has so much creative juice, only has so much energy to put into stuff, so like they want to chase the stuff that they think they can potentially have a hit song. So you can never blame anybody from coming out of the woodwork and like trying to jump on a project. But you know, I went from having my small circle that I write songs with and that I knew I write well with, to my phone blowing up every single I mean every single. 00:04:41 Speaker 2: Day, not an exaggeration. 00:04:43 Speaker 4: I will wake up to four songs in my inbox or text messages being like, hey man, I think this is a hit for you, Hey man, I think this is a hit for people I hadn't heard from in years, or people I've never met, or hey, I got your number from so and so sending you a song. 00:04:53 Speaker 2: It's the most flattering thing in the world. 00:04:55 Speaker 4: But it's also like you can so easily get lost being like, oh, well, maybe I need to chase this direction, or maybe I need to grow and do this and kind of get away from what brought you to the dance of the reason that you started to have success in the first place. 00:05:08 Speaker 2: And so that's been something I've been trying to navigate. 00:05:10 Speaker 4: And I've been really blessed to have, you know, my original group of friends that I wrote with, like continue to write with me and know who I am and what I want to say. And you know, we do add some different people to the room and try to add a different dynamic, but it is there is so much noise that starts to come. And like if you don't have a really good foundation, like knowing who you are and knowing who your friends are and knowing what real relationships are, like people that genuinely have cared about you before you had something for them to benefit from, versus people that will be gone the day that your success is gone. And that's the kind of the thing that you have to learn how to balance. And like our business managers, you know, when you get into this industry and you sit down and you're like, holy crap, I made money, like real money for the first time this year, like in my life. And you kind of can get delusional and think that that will last forever too, And in your business maner, it'll tell you like in this industry, like you're gonna make ninety percent of the money for the rest of your life in a five year window, and if you're lucky, really lucky, you might have a ten year window. 00:06:05 Speaker 2: But that's it. 00:06:06 Speaker 4: Like it burns hot and fast and it's gone, and so I know it's not forever. 00:06:10 Speaker 5: I was. 00:06:11 Speaker 4: I had a blessed life before this stuff took off, and I know I'll have a blessed life after it takes off, with just having real friends and people around me. And I'm just trying to have fun while I'm in the window, while I'm in the pocket. 00:06:21 Speaker 1: I librate on that because I think that's that's pretty profound. I've had people said to me as well, it's like, hey, you have a few years to make most of what you're gonna make, So does that mean and are you conscious of like saving a lot now because or are you reinvesting most stuff like what are you doing? 00:06:39 Speaker 2: Yeah, saving and reinvesting. 00:06:40 Speaker 4: What I'm trying not to do is like spend it on watches and cars, you know what I mean, Like put it away to where like I can do something with it down the road, because you know, and I know what it's like to have not had money before too, and so it's it doesn't change much, and it's just like I'm trying to put it away for a rainy day because I know it's not going to come like this forever and so when when that? I mean, look, we're in the entertainment industry. You know, you you're the new hot thing for a little while, and that excites people, but you know that doesn't last forever, and there's always a newer, fresher thing coming on. And I'm going to try to keep making authentic music and connecting with my fans. 00:07:17 Speaker 2: And I've been really lucky. 00:07:18 Speaker 4: To have that connection so far, and I think I've got some fans that'll stay with me for a long time. But you never know when that turns off, and so it's you try to give yourself a little safety net, a little egg that you know when when that does turn off, that you'll have something to fall back on at the end. 00:07:32 Speaker 1: What's a week look like for you? Generally speaking? 00:07:35 Speaker 4: I work seven days a week for the most part now towards the end of the year, like and I call it work like. It's my favorite thing in the world to do. That's what I would be doing if it wasn't my job. But I'm Monday, Tuesday, Wednesday, and usually I'll get up, I'll work out, and then I'll have a write. 00:07:52 Speaker 2: Usually from eleven to three I'll write a song. 00:07:55 Speaker 4: I'll go into town to music row, a producer's studio, and then one of my favorite riders will come in and you know, three or four of us in a room and we'll try to catch magic. It's just like going fishing. You know, you wet a line every day. Most days you don't catch anything, and you catch something small, but you hope, you know, every couple of months you might catch something worth hanging on the wall. 00:08:12 Speaker 2: And that's kind of what we do. Monday through Wednesday. 00:08:14 Speaker 4: We go fishing for a hit song and then Wednesday night, you know, come home, hang with the family, and then we have what's called bus call, where you go meet in a Walmart parking lot. Everybody parks their trucks and you get on the bus, and the bus leaves about midnight, and you wake up in the city that you're playing on Thursday morning. You play Thursday, Friday, Saturday on the road, and then you wake up back in a Walmart parking lot on Sunday and do it again next week. 00:08:37 Speaker 1: Does your family go on the road with you at all? 00:08:40 Speaker 2: They've started to. Yeah. 00:08:42 Speaker 4: The new bus that I'm on has a big bedroom in the back, and so I've got to where Kara and the boys will sleep in the big bed in the back, and then I'll sleep in a bunk and then we'll have them on the road, but only on kind of short trips. Usually when they come on the road, they'll fly in and out, just because my boys are young and running around and they're attention span is not too long, so being stuck on a twenty four hour bus trip is a little tough for them. 00:09:05 Speaker 2: Sometimes. 00:09:06 Speaker 1: Have you heard your song randomly anywhere everywhere? 00:09:09 Speaker 4: And that's I think the coolest part is like it still has not gotten old to me. 00:09:13 Speaker 5: But I mean. 00:09:14 Speaker 2: Cracker Barrel, Target, Walmart, O'Reilly Auto Parts. 00:09:17 Speaker 4: It's like any anywhere I go, I hear it, and it's really fun for me to like get text from people that I went to high school with in Austin or you know, like people I went to college with that I hadn't talked to him forever, but I still have some cool memories of being like, hey, man, just heard your song today and made me thank you, and like just they still have that connection of the people that saw me, you know, in my awkward phase playing to ten people at a dive bar in Austin. Now getting to you know, reconnect and see that we've had a little success. 00:09:46 Speaker 2: That's a really fun feeling for me. 00:09:47 Speaker 1: Something I did not know about George and I think he's okay sharing this is at the University of Texas where he went to school. His like his little brother in the fraternity is now very famous. Have you talked about this publicly. 00:09:59 Speaker 4: I don't know if I've said it in an interview before, but yeah, Glenn Powell was my little brother in my fraternity at the University of Sectionist and he's now like the sexiest man in the world and in every movie that. 00:10:10 Speaker 2: You've ever seen. 00:10:12 Speaker 4: And he was always a stud and he would go out to la and do the acting thing, even when we're in college, we all kind of knew that he was going to have that path, but to see him blow up into like the biggest movie star in the world right now, it has been so fun for me to watch. And he actually came out in Atlanta the other day when we played a show and we text each other, and one really cool thing was it was probably less cool for him than it was for me, But I got to play Jimmy Fallon earlier this year, this Night Show, which is like the biggest. 00:10:39 Speaker 2: Thing I've ever done. 00:10:40 Speaker 4: And Glenn was on Jimmy Fallon two weeks after I was, and he texted me and he's like, hey man, pretty wild. 00:10:45 Speaker 2: A few years after we went to college, we're both on the Tonight Show. So that was like, that was pretty small world, surreal moment for me. 00:10:51 Speaker 1: Explain, little brother. Is everybody that comes in after you a little brother or is there like a specific like one on one little brother thing. 00:10:58 Speaker 4: Yeah, there's a one on one little brother thing, like where you have that relationship and like you're kind of like the mentor help them. 00:11:03 Speaker 2: Like, you know, navigate the wildness. That is a fraternity at the University of Texas. 00:11:09 Speaker 1: So you were his big brother one on one. He was your little brother. 00:11:12 Speaker 2: Yeah, yeah, he was my guy. 00:11:14 Speaker 3: Crazy cool. 00:11:15 Speaker 2: They have abs, Yeah, he's always been jacked. 00:11:19 Speaker 3: Really. 00:11:22 Speaker 1: Where are you at right now? 00:11:24 Speaker 2: I'm in Chicago. 00:11:25 Speaker 4: We're playing a headlining show out here at Joe's on Weed Street, which is pretty surreal. I'm usually used to seeing my name at the bottom of the Marquis, so seeing at the top is pretty cool. And we're gonna have a big old show out here tonight. 00:11:37 Speaker 1: Three final questions for you. Obviously, you get paid when you do a show, but how do you get paid as a songwriter? How does that money come? 00:11:45 Speaker 4: So they have these collection companies called p r OS. I can't remember what it stands for, but as cat BMI and C sack And basically what they do is they go collect royalties anytime your song's played on the radio or a commercial or anything like that, and they pay it out quarterly and lump sums to you and so like, if there's four writers in the room, you know, that number will get chopped four ways and you kind of get a distribution, you know, every few months from that and. 00:12:13 Speaker 2: The number one song on. 00:12:13 Speaker 4: The radio the radio is is what everybody's everybody's chasing the radio. A number one song on the radio is the dream for any writer. That's like, you know, where you can make some real money. And that's why everybody is crazy about, you know, trying to have singles. But that's that's the way we get paid on that. And I would say I'm probably fifty percent of what I make is for my songwriting and fifty percent for my touring. 00:12:37 Speaker 2: So it's about an even split. 00:12:39 Speaker 1: Is it a direct deposit that goes into your account, and it doesn't all come at once, right, Like it comes based on like the wave of how the song is climbing. 00:12:46 Speaker 4: Exactly, and it's usually like nine months delayed. So like what I made nine months ago, I'll get paid today. And for ten years, you know, my royalties were less than a hundred, like just. 00:13:01 Speaker 2: Nothing, right, nothing, nothing, nothing. 00:13:03 Speaker 4: And then I had the number one song in mind on you and I literally just woke up one day and my bank account had an extra comment in it, and I. 00:13:12 Speaker 2: Blew my mind. 00:13:15 Speaker 4: Exactly exactly, but it was it was one of the coolest feelings that I've had in my entire life. 00:13:22 Speaker 1: So yeah, all right, two final questions. You are rated number two overall on the pickleball league. Bones court kills me. What would you like? Well, I think that's pretty good. 00:13:32 Speaker 4: Really good rating there kills me that I can't beat you. 00:13:36 Speaker 1: There's seven people in the league. I don't know what what would you like to say about your standing at ranked at number two? And who would you, you know, like to talk a little trash to? 00:13:44 Speaker 4: You know, I kind of equate myself to that, to that young pitcher out of high school. He's throwing one hundred and five, but he doesn't really know how to control the fastball yet. He gets a ticket straight to the show, but he kind of has to finesse some of the intangibles. 00:13:59 Speaker 2: And that's what I'm working on right now. 00:14:01 Speaker 4: And uh, Bobby is a is a workhorse. He's disciplined, hard to rattle, and he's just there's not really any holes in his game. And so I'm just kind of trying to figure out. I keep chipping away at the farmer, but I haven't quite found the hole in it yet, but I do know that that's coming. And then the other five below me, I could probably be left handed. 00:14:21 Speaker 2: I'm not worried about them. 00:14:22 Speaker 1: Yeah, yeah, sure that's true. We were talking with Kickoff Kevin yesterday and he said, he's like, I feel like I've almost got up. Bobby figured out he got me. He does me me seven one, seven seven one because I'm so close, and I'm like, but if it's if it's seven to one, it's not really that close, you know. Okay, final question. I really don't have a final question. I just said the number three and thought i'd have a three point Do you have one? 00:14:47 Speaker 3: A Cowboys fan? George George the Cowboys fan, but he the last time we talked, he said he's gonna quit on the Cowboys. 00:14:52 Speaker 5: Okay, have you. 00:14:52 Speaker 4: Quot the corying to quit the Cowboy I've been trying to quit the Cowboys for ten years, but I just can't. 00:14:57 Speaker 3: Man. 00:14:58 Speaker 4: I'd rather feel misery then feel nothing at all. And anytime I try to root for another team, I just feel nothing. And so you know, that's where I'm at with the Cowboys. You know, ride or die, and it. 00:15:09 Speaker 2: Looks like I'm gonna be a lifer at this point. So that's that's what we get. 00:15:12 Speaker 1: You guys can follow George at George Burge have a good show tonight, buddy, And hey, you're number two in my heart number two on the scoreboard. One day he'll give me. He's good, He's really good. Actually, I don't have the ceiling that he has. I think I'm at my ceiling. I think George is just starting, so his ceiling is much higher. You'll get me. You'll get me one day, young fellow. 00:15:36 Speaker 2: A minute, but I'm working on it, all. 00:15:37 Speaker 1: Right, buddy, talk to you soon, George, see you, guys. 00:15:40 Speaker 5: Dude. 00:15:41 Speaker 6: Let's take a quick pause for a message from our sponsor, and we're back on the Bobby Cast. 00:15:55 Speaker 1: All right, So this is a game show of sorts where Eddie, you will actually play, but you can win no money. Oh but if either Morgan, who has joined the game, in Abbey, who has joined the game, beat you, they win one hundred dollars. What but you should know the stuff. Okay, but if either. 00:16:13 Speaker 3: So I'm the one stopping them from winning one hundred dollars. 00:16:15 Speaker 1: Now you two can decide. You can play individually and if you win, you win one hundred bucks, or you can play together and if you win, you split it and you get fifty each. 00:16:22 Speaker 5: Oh. 00:16:23 Speaker 7: I feel like two brains are better than one, especially our brains. 00:16:25 Speaker 8: That's true, that's true. 00:16:26 Speaker 1: Okay, that's true. You guys are gonna play together and if your score beats Eddie's, you'll get thee hundred bucks. Eddie, I want you to win. 00:16:33 Speaker 3: Yeah, because you don't want to spend your money. 00:16:35 Speaker 1: Right, So I have one, two, three, four, five, six, seven, eight, nine, ten, eleven, twelve, thirty forty have twenty. A survey was done by US Pop Culture where they talked two fans on artist trademarks. They were given an artist and they were asked to name the thing they know them for the most. It has nothing to do with music, Okay, okay, So the question is can you name what people think are each of the artist trademarks? So what we will do is, Eddie, you will write your answer down, okay, and once you're in we can you guys can talk it out. Okay, Okay, I like. So again, it's not gonna be music. It's not gonna be a song. It's gonna be what as people or as like a brand they're known for it that's not a song or music related. Okay, Okay, up first, Michael Jackson, Oh no, Now the question I have, Mike, are we gonna go to podcast prison for playing this music in the background. 00:17:36 Speaker 9: No, I got some free music. 00:17:37 Speaker 1: Love it, love free music. 00:17:39 Speaker 3: It's a good question. 00:17:39 Speaker 1: So it also gives Addy some more time to think. Here, Michael Jackson, what's he known for? Most has nothing to do with music, and it can be anything. 00:17:48 Speaker 3: Anything like even like dark stuff, bro, it can be whatever. I don't even want to go there. 00:17:55 Speaker 1: And you two, you know you can whisper about it. Turn your MIC's, we write things down, whatever you want to do. 00:18:04 Speaker 3: Okay, I think Michael Jackson is probably known mostly. 00:18:10 Speaker 1: Let me know when you get your answer written down, because don't say it, because then I'm gonna have them be able to say it. 00:18:17 Speaker 3: Okay, I'm in all. 00:18:19 Speaker 1: Right, let's you guys can talk about it or you can give me an answer. But now you're free to talk. 00:18:23 Speaker 10: Now we can talk about it. Oh, turn your mic on. 00:18:26 Speaker 8: Wait, I think I think I know. Okay, what are you to do with music? Moonwalking? But does that have to do with music? 00:18:35 Speaker 1: Well, if your answer was moonwalking, I would say that is not a song. 00:18:41 Speaker 10: Okay, So you're saying it's not related to. 00:18:42 Speaker 1: Song, it's not related. Yes, that's okay. 00:18:47 Speaker 7: So it could be moonwalking, but I feel like it could also be the white glove. 00:18:50 Speaker 10: He's very much done for that white glove. 00:18:52 Speaker 7: I know, I know he's also some however, to say it politically correct that he has white skin was the thing. 00:19:01 Speaker 8: And then you have like an amusement park. 00:19:03 Speaker 10: Yeah. 00:19:03 Speaker 3: I love this conversation. 00:19:06 Speaker 10: I'm well aware of with Michael Jackson. 00:19:08 Speaker 11: Think the first thing I thought was moonwalking. You want to go with go for it, moonwalking? 00:19:15 Speaker 3: Okay, Eddie wanted your answer, Well, it's not moonwalking because I felt like that had to do with music because it's dancing. So I left that out and put hanging a baby out of the window, like it. 00:19:27 Speaker 5: Window. 00:19:28 Speaker 3: Do you guys never remember that. I don't know that one he held a baby outside his hotel window like he's gonna drop it. 00:19:33 Speaker 1: Well sort of that is what happened, but that's not why he did it. There were like a bunch of photographers media fans, and he was just like like ha ha, look at everybody, look watch it. He was just it was his It was a son. 00:19:44 Speaker 3: That was weird. 00:19:44 Speaker 1: He wasn't like watching me drop his baby. He was just like being funny. 00:19:48 Speaker 10: Okay, but it definitely funny funny. 00:19:50 Speaker 1: It wasn't Eddie is not hanging a baby. 00:19:54 Speaker 3: The answer is its Moonwalking. 00:19:57 Speaker 1: By the way, the White Glove was second, but number one is Moonwalk. 00:20:05 Speaker 5: Nice. 00:20:06 Speaker 1: Okay, okay, wow, good job, good job. Okay, guys, Next up Prince singer, artist, guitar player, performer. Prince. 00:20:27 Speaker 3: Prince is known let's see. 00:20:35 Speaker 1: Gosh, so they gave these people an artist, and they said, what's the thing that they're known for the most? That has nothing to do with the music they make? Right, So Moonwalking doesn't have to do any music that he makes. It's he's dancing, but it's not about it thriller, it's not about. 00:20:51 Speaker 3: Beat it gosh, the Prince dates. 00:20:55 Speaker 1: Any of that counts, yea, any of that counts. 00:20:58 Speaker 3: Okay, I'm gonna go with Eddie. 00:21:00 Speaker 1: You're gonna need to need you to lock in there. 00:21:02 Speaker 3: Okay, I'm gonna go. 00:21:06 Speaker 1: I mean, okay, uh, ladies, get a few seconds to talk about it. 00:21:10 Speaker 7: Yeah, we're kind of we're kind of going back and forth between two. 00:21:12 Speaker 10: I mean, immediately we went. 00:21:14 Speaker 7: The color purple because purple rain and then everybody associates purple in general with Prince. 00:21:19 Speaker 1: Have your microphone you forget to turn it back on every time? 00:21:22 Speaker 10: Sorry? 00:21:23 Speaker 7: Yeah, that was and then the other one, though, was his symbol, which I don't even know what it's called, but it's like Louisiana origin. 00:21:29 Speaker 8: I believe it. 00:21:30 Speaker 7: It's like a New Orleans. It reminds me of like the Saint's logo. That's so good, like the floor. 00:21:41 Speaker 1: Answer color purple purple? 00:21:43 Speaker 10: Yeah, it's the color purple, Eddie. 00:21:44 Speaker 3: What did you write about the color purple? 00:21:46 Speaker 1: Is that what you wrote? 00:21:47 Speaker 5: No? 00:21:47 Speaker 3: I did it because I feel like that's the music. It's purple rain. 00:21:50 Speaker 1: What about that? But he I mean not to say she's right, but they're on the right track because he dresses all on purple. No, his mansion is purple, right, Mike, yea, his whole. 00:21:58 Speaker 3: Thing is purple. I know, but I did not. I put overdose. 00:22:01 Speaker 1: Oh how he died. 00:22:04 Speaker 3: Very surprising. 00:22:05 Speaker 1: He has known most for the color purple. 00:22:06 Speaker 3: Yeah, okay, I have to I have to stop overthinking this. 00:22:12 Speaker 10: Yeah, over there. 00:22:14 Speaker 8: What happens when you overthink? 00:22:18 Speaker 1: Okay, I'm gonna get you only get thirty seconds, okay, okay, Elton John mm. 00:22:23 Speaker 3: Hmm, I'm in This is weird. I can't believe what did this? 00:22:40 Speaker 2: All? 00:22:41 Speaker 1: Right, guys, our girls, I go every guys, do you have an answer. 00:22:45 Speaker 7: Yeah, I think we feel pretty confidently that it's his star glasses. 00:22:50 Speaker 3: What do you have? I went being gay? Both fair, I mean he's. 00:22:54 Speaker 1: He wasn't always gay though, no, nor early career he was not. I know, like when he did don't go break him, he was still living as a straight man. 00:23:01 Speaker 3: The crocodile rock was he? 00:23:03 Speaker 5: Then? Uh? 00:23:04 Speaker 1: The answer is his oversized glasses. 00:23:09 Speaker 3: I am totally getting rocked. 00:23:12 Speaker 1: God, good job, guys, It's good. 00:23:15 Speaker 3: Okay, next week you're going. That's it. 00:23:19 Speaker 1: Laney Wilson, Oh, I'm. 00:23:24 Speaker 3: Not gonna get squirker. 00:23:24 Speaker 1: I'm in right, you guys do yeah? 00:23:31 Speaker 2: Uh? 00:23:31 Speaker 8: Girls have the bell bottom bottom. 00:23:34 Speaker 3: Bell bottom correct no point. 00:23:38 Speaker 1: Three zero? Willie Nelson mm hmm. 00:23:45 Speaker 3: Yeah. 00:23:46 Speaker 10: Both of those are close. 00:23:50 Speaker 7: I don't oh second the second one, well, yeah, we're you're already in. 00:23:55 Speaker 3: I'm in yeah, yeah. 00:23:56 Speaker 7: Between we have braids, his braids and we are smoking weed, because both of those are classic. 00:24:01 Speaker 8: Willy it is. 00:24:02 Speaker 11: But I think it's weed. You're gonna go see that's the first thing anyone thinks. 00:24:07 Speaker 3: So, Edie, what do you have smoking weed? 00:24:09 Speaker 1: It's braids. 00:24:12 Speaker 3: I knew it. 00:24:15 Speaker 8: I feel we are about that. 00:24:17 Speaker 3: Hey, this is bones. I don't think they're killing me. 00:24:20 Speaker 1: Yeah, that's first when they missed, but they were that was second on the list. Yeah, you guys are good at this. 00:24:25 Speaker 8: Dang, sorry about that. 00:24:26 Speaker 10: That's okay. 00:24:27 Speaker 7: Did he always like was he always known for smoking mean or is that later part of his career. 00:24:31 Speaker 3: I'd say most of his career. 00:24:33 Speaker 1: Yeah, he was always old to us. Now we're older, he was always old to us too. So and also weed wasn't as openly talked about fifteen years ago because I was like looked at a lot worse than it is now. So it wasn't as much of his identity. 00:24:50 Speaker 10: Seeing the braids were all the time. 00:24:52 Speaker 1: Yeah, okay, jeans, this is gonna be tough for you guys. Gene Simmons from Kiss I'm In. There's definitely one that is nicer to the older players. 00:25:08 Speaker 3: Yes, why are you guys whispering I'm in? I'm in? You guys can talk? 00:25:15 Speaker 5: What do you? 00:25:15 Speaker 10: I don't like? I am really not familiar with it. 00:25:18 Speaker 8: I can just think of like the tongue mask, like the whole mask I think they. 00:25:21 Speaker 10: All had though, Was that all all of Kiss all had that? 00:25:24 Speaker 8: I think they all did. Geene Simmons, he's the lead singer. 00:25:27 Speaker 7: Right, but Jeans I feel like was in the news for something. That name sounds so familiar to me aside from. 00:25:33 Speaker 1: Me to answer, guys, go for the mask. 00:25:35 Speaker 10: That's all we got. 00:25:36 Speaker 11: Like the tongue's tongue sticking out, mask thing, tongue sticking out. 00:25:41 Speaker 1: What are you going with? Tongue sticking out, tongue steaking out, Oki, tongue sticking out, tongue the face paint. Okay, but he put his tongue out. 00:25:53 Speaker 10: The only one who did that. 00:25:54 Speaker 1: Well he tongue, yes, but they all wore masks. You have like a long tongue. 00:26:00 Speaker 3: It's like that was his thing. 00:26:00 Speaker 1: Yeah, that's right, it's the thing. Taylor Swift. 00:26:07 Speaker 5: Whoa hmmm. 00:26:22 Speaker 1: We'll get through ten and we'll do speed around Mike. I like this game, but we could do this for an hour. 00:26:28 Speaker 3: Yeah, we can totally do this for an hour. 00:26:30 Speaker 1: Like, this is the funny. I might like to play sometime. I never have to play games because I have to put them together. 00:26:34 Speaker 3: At least you'd be so good at this game. 00:26:36 Speaker 1: This will be if I one'd like to play. 00:26:38 Speaker 3: Yeah, I'm in by the way. 00:26:39 Speaker 1: Okay, Taylors for Daddy, uh no, no. 00:26:41 Speaker 10: You guys, do you want our answer or whatever an. 00:26:45 Speaker 1: Answer you want to go with that top one. 00:26:46 Speaker 11: We either had like breakup songs singing about ex boyfriends or but that's music related, but having a lot of. 00:26:53 Speaker 1: Excess that could be a thing, that could be a thing. 00:26:56 Speaker 10: Or curly hair, curly hair? Who is like her identifier? 00:27:00 Speaker 8: What that was beginning? 00:27:01 Speaker 5: What is your answer? 00:27:03 Speaker 8: I say for our friends, go for ex boyfriends. 00:27:05 Speaker 1: Yeah, Okay, that isn't correct. Now, Eddie. You need to gain you need to gain a couple of spots here, you're down three points. What do you have? 00:27:11 Speaker 3: What did they say exactly? 00:27:12 Speaker 1: They said ex boyfriends? 00:27:13 Speaker 3: Okay, I said dating lots of guys. So that's the same thing. 00:27:16 Speaker 1: Yeah, that the number thirteen is the answer. 00:27:19 Speaker 7: Oh oh my god, yeah gosh, she's known for that. 00:27:25 Speaker 1: Yeah, Morgan Wallin. 00:27:28 Speaker 10: Oh, ok. 00:27:38 Speaker 3: I'm in between two. 00:27:40 Speaker 1: Or they have a three point lead on you, Eddie? 00:27:49 Speaker 3: I need this he do you let me know when you're in comen. 00:27:57 Speaker 5: Girls what you have? 00:27:59 Speaker 7: Well, we're going back and for between a mullet and Tennessee Volunteers. 00:28:04 Speaker 10: Being a massive fan of that, but I think we're going mullet. 00:28:06 Speaker 3: Eddie, I too had mullet at first, but I changed it to throwing a chair off a building. 00:28:12 Speaker 1: That's a terrible answer. That was like such a overall like that he did that. But that's not even no. No one says but MORGANA, yeah, the answer is a mullet. 00:28:22 Speaker 3: Goodness is known for I'm sorry, dude, you're just giving your money away. I'm sorry. 00:28:27 Speaker 1: I'm more embarrassed for you, and I am said. Okay, two more in normal speed than we'll do speed on Luke Combs. 00:28:36 Speaker 5: Mm hmm. 00:28:42 Speaker 1: I have a four point lead. This is embarrassing Freddy. This is sad like he knows lyrics a song, but no think about culture found his weakness. 00:28:54 Speaker 10: Yeah, I think that's what. Yeah, I think we got it. 00:28:57 Speaker 3: I'm man, Eddie. 00:28:58 Speaker 1: What do you have crocs? What do you guys have? 00:28:59 Speaker 10: We have his Columbia shirts. I think they're Columbia shirts. 00:29:02 Speaker 1: It is Columbia shirt. 00:29:06 Speaker 8: I love this game. 00:29:08 Speaker 1: There's so much better you than this. 00:29:10 Speaker 3: Remember when I said I like this game, I lied, I don't like it. 00:29:15 Speaker 1: Okay, one more normal normal round snoop dogg. 00:29:20 Speaker 3: I'm in. 00:29:30 Speaker 1: All right, guys, I need to answer. Oh are we a go ahead? 00:29:34 Speaker 5: What are we doing? 00:29:35 Speaker 8: I thought the chain like a gold chain. Is that you thought? 00:29:37 Speaker 1: What's your official answer? 00:29:39 Speaker 7: I thought smoking weed or the murder or the brains, the brains around. 00:29:45 Speaker 5: Chain. 00:29:45 Speaker 10: We can go chain. 00:29:46 Speaker 1: Anybody have weed? It's weed, yea. Within four, Eddie's down four. Now we'll go speed around you guys. Well, everybody needs to have your answers in and written down. Okay, in fifteen seconds, fifteen seconds ready, the first one is one, two, three, four, five, six, seven eight same out here. The first one is Freddie Mercury from Queen in fifteen seconds, Freddie Mercury from Queen. 00:30:17 Speaker 11: All right, I think that first one answers in Abby that he had aids. 00:30:24 Speaker 1: Okay, Eddie mustache, it's mustache, Eddie. 00:30:27 Speaker 3: With a come on, let's go baby. 00:30:29 Speaker 10: The rock ones get me. I don't know anything about rock. 00:30:35 Speaker 5: Aids. 00:30:36 Speaker 1: It's just one thing, but I think people do know him. 00:30:38 Speaker 3: I mean I thought of I thought of that. 00:30:42 Speaker 1: Non music. That's probably probably second or third. Right, Next one up, Bob Marley. Eddie is down three points, Bob Marley, I'm in Oh no, okay, Morgan with answer smoking weed, Eddie dreadlocks answers dreads. 00:31:11 Speaker 3: Don't call them come back. 00:31:13 Speaker 1: I started writing Ven down to Wow with eight to go, can't he do it? 00:31:21 Speaker 5: Wow? 00:31:25 Speaker 1: Okay, here we go, come on, come on, come on, Parker McCollum. 00:31:31 Speaker 11: Yeah, okay, we locked it in, locked it in. 00:31:40 Speaker 3: I don't even know how to write this. 00:31:44 Speaker 5: All right time. 00:31:45 Speaker 1: I'm in Okay, Morgan, gold chain, Eddie, I put chain correct two point lead with seven to go. 00:31:52 Speaker 3: I almost sait hat stupid gold. 00:31:55 Speaker 1: Chain, jelly roll. 00:32:04 Speaker 3: I'm in. 00:32:06 Speaker 10: You guys need to answer his tattoos face tattoos. 00:32:11 Speaker 3: Oh, I said, face tattoos. 00:32:12 Speaker 1: I'll accept face tattoos U from them too, well, accept it face tattooses correct? 00:32:16 Speaker 10: Have me try to make me change it to jail. 00:32:19 Speaker 3: That's good. 00:32:20 Speaker 1: That was a good one. That's a good one. 00:32:22 Speaker 8: I like that though. 00:32:23 Speaker 1: Okay, six left ed you down to come on Jordan Davis. 00:32:30 Speaker 5: Yeah, mm hmm. 00:32:36 Speaker 3: Look at them. I know they got beard. 00:32:40 Speaker 1: Okay, five left ed you down to Ozzy Osbourne, and you're gonna need to hit this one. 00:32:59 Speaker 10: I'm in, Morgan, eyeliner, makeup. 00:33:05 Speaker 1: Okay, that's wrong, that's incorrect. Now Eddie, you need you need to hit this two. 00:33:11 Speaker 3: I was in between two. I was in between the TV show The Osborns or Biden the head off of a bat. 00:33:18 Speaker 1: I will tell you that one of them is correct. 00:33:19 Speaker 3: I know, I know, and it's just which one did you write down? I did the bat. 00:33:22 Speaker 1: It's the bat. My good Eddi's down one. 00:33:30 Speaker 10: I think I forgot that specifically. 00:33:32 Speaker 3: Guys, guys, look back. I'm right behind you. 00:33:36 Speaker 1: That four to go. Eddie's down one. Goodness, Carrie Underwood, oh. 00:33:50 Speaker 3: M hmm, I can't do that. 00:33:53 Speaker 1: I felt very time there. 00:33:56 Speaker 5: Eddie. 00:33:56 Speaker 1: Let me you have already in Morgan. 00:33:58 Speaker 10: Yeah, we have her legs. 00:33:59 Speaker 3: Eddie thought that was creepy. I put American idol. 00:34:02 Speaker 1: The answer is legs. 00:34:05 Speaker 8: Hey, Eddie, where you going? 00:34:07 Speaker 3: Literally, I was like, that's too creepy. I can't say three. 00:34:09 Speaker 1: Laugh. Eddie's down to Dolly parton mm hmmm. 00:34:16 Speaker 11: In talked about it, but I think we're in no, yeah, yeah. 00:34:22 Speaker 8: Second one second. 00:34:25 Speaker 3: They're fighting right where we. 00:34:27 Speaker 2: Want to be. 00:34:28 Speaker 10: The second one, come on, you said. 00:34:31 Speaker 1: What are you debating between her hair or her boobs? 00:34:34 Speaker 10: I mean both very iconic. The hair is all the wigs though. 00:34:37 Speaker 8: I know, but it has to be the boobs. That's the first thing you think of. 00:34:41 Speaker 1: Okay, I guess we're going you have Boobs boos to left, Eddie need missing both, need to get them both. Billie Eilish, m hmm, Billie Eilish, I'm in. 00:34:55 Speaker 9: We're in, Eddie. 00:34:57 Speaker 5: What do you have. 00:34:58 Speaker 3: Eyes Dan, the way you're looking at I got it wrong. 00:35:06 Speaker 10: Pretty guys. 00:35:07 Speaker 1: What do you guys have clues? No, that's three. And then finally Reba. 00:35:14 Speaker 3: Oh oh man, I don't even have to write it down. 00:35:16 Speaker 8: Yep, yep, yeah, ladies, red. 00:35:21 Speaker 3: Hair, red hair. 00:35:26 Speaker 1: What would you like to say? Because you were brought in as the expert and you were gonna save me some money and instead you cost me money? 00:35:33 Speaker 3: Yes, I did. 00:35:34 Speaker 1: Do you feel like you underperformed what you thought you'd do? 00:35:37 Speaker 5: Yeah? 00:35:38 Speaker 3: I think at the beginning of the game, I kind of didn't really understand how close to music or how far away to stay for music. That was bad. I messed that up. Shouldn't have even thought about that, And then I just second guessed everything. 00:35:49 Speaker 1: What would you different next time? 00:35:50 Speaker 3: Don't second guess anything, Go with a big one, go weed Boobs, just. 00:35:55 Speaker 1: Go for it, got it, got it, got it? 00:35:58 Speaker 3: Second guess? 00:36:00 Speaker 1: Since you demolished him, I'm gonna be both the. 00:36:03 Speaker 10: Hundred dollars because I. 00:36:05 Speaker 1: Love to see Eddie embarrass at a game and you played well as a team, so you guys can come and collect your Money's amazing, Eddie. 00:36:14 Speaker 3: What's up? 00:36:15 Speaker 1: That sucked? 00:36:16 Speaker 2: Bro? 00:36:16 Speaker 3: I feel like I should pay you to me too. 00:36:18 Speaker 1: All right, thank you guys. 00:36:20 Speaker 12: The Bobby Cast will be right back. This is the Bobby Cast. 00:36:34 Speaker 1: Let's talk Grammys for a second Best Country Album, Beyonce, Cowboy, Carter post Malone, F one Trillion, Casey Musgrave's Deeper Well, Chris Stapleton Higher, and Landy Wilson Whirlwind. So whenever the CMAS came out and Beyonce wasn't nominated, I felt I took a bit of time and explained that the CMAS or the ACMs, it's very much an industry thing of if you're around people then like you and want to give you awards. And Beyonce, regardless of the record she put out, she was never around. Now I'm not saying that it's right. I think it's a flawed system. But I was explaining the system of the CMA Awards and why post Malone was nominated for so many because post Malone, it wasn't that he was a dude or that he was white, in my opinion, it was because he moved to town and he was doing everybody shows, like he showed up for charity shows, he did my charity show, he was doing stuff with Brad Page, so he really embedded himself in the community. And again I'm not saying that that should matter when it comes to awards. I'm just saying how the flawed system works basically when it's ACM and CMAS because those people, because it's industry people, it's record labels, it's management companies, it's some radio people. They're voting on people that have been available to the country format the riders are enjoying work, even like jelly Roll. Now he's not one of the people are talking about here, but the reason jelly Roll has been so widely accepted is because he made himself extremely available. He was riding with people. So on the flip side, again, a very flawed system. The Grammys, and I've been a Grammy voter, but it's way different because you're really not a part of a system at the Grammys because it is all formats. It's it's it's all over the country. It's all it's again, it's different formats. But what happens at the Grammys. Also is I believe if I'm still accurate, that there is a board that can override any winner, no matter what, no matter what you look, Mike, you can look us up because this say again, this. 00:38:51 Speaker 9: Would be like a known thing out there that I believe. 00:38:54 Speaker 1: So I believe that culturally they can change a vote, meaning if there's a tie, if they decide that there is a group of people. And I don't know that it happens often or ever even, but you know, on a reality shows at the end and very fine productively, like then the producers can justly be a bit of a deer. Now they don't do that if the reality show has money involved because of if you're like winning money because of some laws from back and black and white TV shows like that sixty eight thousand dollars question or whatever. But let me know what you see. 00:39:31 Speaker 9: I think they might have eliminated it because of the controversy. 00:39:33 Speaker 1: Because it the controversy was very recent. 00:39:35 Speaker 9: The weekend Yeah, back in twenty twenty, I guess he said something about it. 00:39:39 Speaker 1: Really they So what does it say up there as of now? 00:39:42 Speaker 9: When I say an article from twenty twenty one that they eliminated the secret committee after the weekend protest about this this committee that could overrule. 00:39:51 Speaker 1: That's awesome, then, yeah, because that if that happened at twenty twenty, that it has only been three years that this has been happening, Well, great, Well that was a humongous flaw in the system. 00:40:01 Speaker 9: Yeah, it was an anonymous group of fifteen to thirty people. 00:40:04 Speaker 1: That would if they wanted to change it, if they. 00:40:06 Speaker 9: Would quote unquote review the views. Yeah, okay, we need this person to win. 00:40:12 Speaker 1: So the reason you have like a Beyonce involved is because it's it's a different panel of people voting. It's not just the people in Nashville that are a part of the format. It's also why sometimes, which is I think great in the country categories, you get people that are absolutely country, but they just aren't like in favor with the voter that the system and don't get me started to hate the system. So I like it that these people pop up. Sometimes you'll see like Willie Nelson up for a Grammy for an album and he wasn't up for it as a CMA. And a lot of times too, you'll have people that are Grammy voters actually listening to stuff that aren't country fans and make decisions based on what they hear, not that they're not a country fan, but they'll actually listen and go yeah. So again, a different process with different people probably doesn't always accurately show what country music is quote unquote as far as Nashville goes. But the CMAACM system is flawed. There's no voting system that's not flawed. Even if you do the People's Choice Awards, that's just fan clubs. The biggest fan club gets on I know a lot about like the Oscars. Whenever they put a movie out, they say, hey, we want this movie to be considered, they have to campaign for it. So it's not just like the best movie ever gets nominated for an Oscar. It is the studios having to say, hey, this is our movie, this is why we think it should win. They have to go around and tell all these people. So it's like campaigning like you would for president, like hey, this is our movie. Every voting system is flawed, and that is my point with the cmas that are coming up and the Grammys that are happening here. But it's also I like that Beyonce is in the Best Country Album category. She did put out a country album, you don't have to like it. And if there is no panel that is making sure that she doesn't win or does win, I think that's great because if that panel was still living, which I thought it maybe to know what it's been turned over, they could have done either and I wouldn't have been surprised. They could have said, no, we're I gonna do this, not really a country album, or they could have said, let's for sure make this the winner since it wasn't nominated anywhere else unless there's now like a secret secret. I was thinking of the same thing, a super secret committee. No, we got rid of that super secret. But okay, best country album, let's see best country solo performance. Not even surely what this means. When is his best solo performance? Are they taking it from like a performance? 00:42:32 Speaker 2: Now? 00:42:32 Speaker 1: They just call it thing. I know, it's the dumbest thing. It's basically just a single. 00:42:36 Speaker 9: Yeah, I think it's just a single. 00:42:37 Speaker 1: Beyonce sixteen Carriages, Chris Stapleton, it takes a woman, Jelly Roll. I am not okay. Casey Musgraves the Architect or Shaboozi a bar song, and I again, I think you have a lot of people voting in this that did not know the chart, so they're probably just listening or going with pop culture. One of the two Best Country Duo Group performance Cowboys to Kelsey and Noakah eh if number two most wanted Beyonce and Miley Cyrus, I guess I don't know that one. I knew the other one, break Mine, Brothers, Osbourne, Bigger Houses, Dan and Shay. I had some help. I mean the biggest song, which again they don't use chart chart, is very a very small part of this. If it was charted, it would be Morgan Wallen. The post Malone song is massive. Yeah, I don't know. I can never pick the Grammy categories because of that, because what we know and what has been celebrated here and awarded and given number ones. Because the people that are voting for this aren't a part of the celebration or knowing what's number one, for the most part, their votes fall different, which I like because it's not the same people winning every award because of a system, a broken, flawed system. Best Country Soul in this Songwriter's Award, the architect Shane mcinallay Casey must scrap Josh Osbourne a bar song one, two, three, four, five six riders on that one. 00:44:08 Speaker 5: I don't know. 00:44:08 Speaker 1: I Chabboozi's real name. I don't know if he's one of the writers. 00:44:11 Speaker 9: He said the credit the original who they sampled it from. 00:44:14 Speaker 1: Huh, great point on that what Chaboozi's but Chaboozi though, Collins, Yeah, yeah, oh yeah, Chibooz Collins Yeah, And that's where Chaboozi comes from. Now, I think his first name Chaboozi, Chaboozi, Collins Obena. 00:44:35 Speaker 9: I think they listed backwards. He's Collins Obina Chaboozi. 00:44:39 Speaker 1: But the other guy's name is Sean Cook and Mark Williams. But who cares. There's a flaw somewhere. I'm not okay as jelly Roll Jason de Ford, that's that is jelly Roll with Britain with one, two, three four, there's four writers there. I had some help, oh a lot, a lot on this one. Lewis Bell, Ashley, Gorley, a many named Hoskins, Austin Post which is post Malone, Ernest. We had Ryan on Ryan but his name is Charlie Handsome. 00:45:12 Speaker 3: Yeah. 00:45:12 Speaker 1: But Morgan Wallen, Chandler, Paul Walters and then Texas hold him. I said that about a Barcelon, but I had some help, had more writers in there. But those are the country awards. Hard to handicap those, just because the same voters and people that are actually in the industry don't vote on these. A few do, but most don't. And I think I like that. I think it's refreshing, even if I don't agree with it. It's not the same people winning every award because it's the same people voting a couple of big awards. And again I can't be I should be more educated on some of this, I guess. But album of the Year New Blue Sun from Andre three thousand saw him at the airport in Europe, chased him around, said hi to him. Don't know. Is it a flu? 00:46:00 Speaker 9: I believe so it's not the album we wanted from him. 00:46:05 Speaker 1: Yeah, that's weird. How good? 00:46:09 Speaker 11: I don't know. 00:46:10 Speaker 1: I'm not saying it's not good. I'm saying who listens who's listened to it? And again that's not the rule. He doesn't have to be listened to. I'm not. I don't even know if it's good or not. I've never But if they're like here's Andre three thousands, flut album, Beyonce, Cowboy Carter, Sabrina Carpenter, Short and Sweet, Charlie XCX Brat, Jacob Callier, Jesse bowing for I don't know him, Billie Eilish, of course, Chapel Roone, of course, Tail Swift, of Course, Song of the Year, A bar song, Billie Eilish, Birds of a Feather, Birds of a Feather, to beat good Die with a smile that he got got, Berna Mars, Fortnite, Taylor Swift, post Malone, good Luck Babe, chapel Roone, not like us, Kendrick, please please please, Sabrina Carpenter text a hold and Beyonce. I know every one of those songs. Best new artist. This is always interesting. Let's see who in the country space Chahboozy that's it. 00:47:06 Speaker 9: Huh, that's it. 00:47:07 Speaker 1: Benson Boone, I know him. That's a him. I know him, right, Benson Boone, Yeah, Yeah, Okay, Sabrina Carpenter know her. I don't know that. These next two are not to say them. Doci never heard of them. Karunga mm hmm kru kru. 00:47:28 Speaker 9: Ang beIN Doci's female apparently. 00:47:31 Speaker 1: Okay, ray r e y E Chapel Roon, Shaboozi, Teddy Swims. 00:47:36 Speaker 10: I mean. 00:47:38 Speaker 1: Chapel Roons. If they were going by people that care passion tickets, Chapel Roon's the wonder there, with Sabrina Carpenter probably being second. But I think that's always the category two where somebody absolutely random wins. But if they're not doing that panel, it won't be somebody absolute random. What do you agree? 00:47:59 Speaker 3: Yeah? 00:48:00 Speaker 4: Agree? 00:48:00 Speaker 1: Because sometimes it would be like I'm cellist, just one best new artist beating out Brittany and Christina and we're like, wait what and you listen to Yeah, it's a whole album of cello, Like who voted on this? Okay? So those are your Grammy notes and my idiot opinions on them all. 00:48:14 Speaker 9: I mean, I was like, when boni Vere won, We're like, who is bonie Vere? 00:48:16 Speaker 1: That was pretty good, though, like we did like Boniver after a while and then it was the same thing like three albums later, but okay, cool, that's that. Thanks for listening to the episode, and we will see you guys next week. 00:48:26 Speaker 12: Thanks for listening to a Bobby Cast production.