Sherlock Holmes - Case of Alice Faulkner

<v Speaker 1>Oh God, Columbia Boat Shaft and System takes pleasure in.
<v Speaker 2>Bringing you the twelfth in a series of weekly broadcasts
<v Speaker 2>featuring Awesome Wells and the Mercury Theater on the air. Tonight, Bodways,
<v Speaker 2>a radio no clebrated piat Pro producing company, brings to
<v Speaker 2>Lias the best loved character in detective fiction, the Immortal
<v Speaker 2>Sherlock Holmes. The play is Ausenbal's own adaptation for radio
<v Speaker 2>of William Gilapsen during melodrama, based on the famous stories
<v Speaker 2>by the Arthur Conan Doyle before they performance the games.
<v Speaker 2>Here is a director of the Mercury Theater, the star
<v Speaker 2>and producer of these unique broadcasts, Auson Wells. Good Evening,
<v Speaker 2>Well Tonight, It's back to Baker Street, back to that
<v Speaker 2>unlikely London of the nineteenth century, where high adventure waits
<v Speaker 2>toiler would seek it in a handsome cab or under
<v Speaker 2>a gas lamp in an infinite keep. But tonight we
<v Speaker 2>paid tribute to the most wonderful member that most wonderful world,
<v Speaker 2>a gentleman who never lived and who will never die.
<v Speaker 2>There are only a few of them, these permanent profiles,
<v Speaker 2>everlasting silhouettes on the edge of the world. There is
<v Speaker 2>first a little hunchback with a slapstick, whose hooked nose
<v Speaker 2>is shaped like his cap. There is now and always
<v Speaker 2>will be the penguin footed hobo in the derby in
<v Speaker 2>the back, the small boy.
<v Speaker 3>With the.
<v Speaker 2>Long, rusty knight on horseback, and a fat knight who
<v Speaker 2>could only procure a charge on foot. There is also
<v Speaker 2>the tall gentleman with a hawk's face and the underslung
<v Speaker 2>pipe before and aft cap. We'd know them anywhere and.
<v Speaker 3>Call them easily.
<v Speaker 1>Buy the punch and the charge captain, and.
<v Speaker 2>The copy muilty. The john and Sherlock Combs now irrelevant.
<v Speaker 2>But as this may seek Willias the Mercury Theater very
<v Speaker 2>much artifact prosion for a revival of a final americal.
<v Speaker 1>But a lot of people remember the fact.
<v Speaker 2>Which is too much Johnson. Its author was William Gillette,
<v Speaker 2>which reminded us, as it reminds you of Sherlock Holmes.
<v Speaker 2>As everybody knows, that celebrated American inventor of under acting
<v Speaker 2>lent his considerable gifts as a playwright to the indestructible
<v Speaker 2>legend of the Conan Doyle Detective and produced the play
<v Speaker 2>which is as much a part of the holmes literature,
<v Speaker 2>as any of Sir Arthur's own romances, and as nobody
<v Speaker 2>will ever forget he gave his face to him. For
<v Speaker 2>William Gillette was the aquiline and actual embodiment of Holmes himself.
<v Speaker 2>It's too little to say that William Gillette resembles Sherlock Holmes.
<v Speaker 2>Sherlock Holmes looked exactly like William Gillette sounds like him too.
<v Speaker 2>We're afraid and hoped of lovely that the Mercury theater
<v Speaker 2>and the radio will take none of the gramour from
<v Speaker 2>the beloved fable of Baker's feet, from the pipe and
<v Speaker 2>the violin, and the hideous purple dressing gown, from the needle,
<v Speaker 2>and the cigar on the window, ledge, and the dry
<v Speaker 2>final famous lines elementary and idea Watson elementary, the mere
<v Speaker 2>Child's play of deduction. My name is Watson. I am
<v Speaker 2>a doctor. It was in the year eighteen evre that
<v Speaker 2>Holmes and I were introduced by a mutual acquaintance. At
<v Speaker 2>the time, we were both looking for a lodging that
<v Speaker 2>would suit our moderate means. This we found on the
<v Speaker 2>second floor of a house at two that he won
<v Speaker 2>the Baker's Feet, And it was during the years that
<v Speaker 2>we occupied these chambers together that Holmes established his unique
<v Speaker 2>international reputation as a consulting detective.
<v Speaker 1>During that time I was privileged to be his daily.
<v Speaker 2>Companions, and I have done my modest share in giving
<v Speaker 2>to the world and account of some of his most
<v Speaker 2>famous cases. Most famous of these are the ones which
<v Speaker 2>I have written under the names of the specld Band, Sinopre,
<v Speaker 2>Howard of the Baskavilles, and the Study in Scarlet. They represent, however,
<v Speaker 2>only a minute faction of the six hundred and forty
<v Speaker 2>three cases Holmes successfully solved during the years that we
<v Speaker 2>shared the lodgings in Baker Street. Other cases I hope
<v Speaker 2>one day to give to the world include the Talatan murders,
<v Speaker 2>the sudden death of Cardinal Tuska, the adventure of Ricolette
<v Speaker 2>of the club Foot and his abominable wife, the case
<v Speaker 2>of Missus Sarantoge, the Circus Bell, and the case of
<v Speaker 2>the Royal Family of Scandinavia. Each illustrate in their own
<v Speaker 2>way the remarkable genius of my friend Sherlock Holmes. Since
<v Speaker 2>my marriage three years ago, Holmes has continue to occupy
<v Speaker 2>that they could seek lodgings like himself I've hit almost
<v Speaker 2>every afternoon in my work in the office of Sinny.
<v Speaker 2>I am in the habit of calling on him. The
<v Speaker 2>sitting room that you go in is exactly as it
<v Speaker 2>has been for the past thirteen years. The warm, bare
<v Speaker 2>skin rug, the huge sofa covered with faded chins, the
<v Speaker 2>matter piece cuttered with miscellaneous objects on answered letters, and
<v Speaker 2>piles of loose tobaccos on one side of the fireplace,
<v Speaker 2>and a deep arm chair, the pipe curling forth slow
<v Speaker 2>waves of aquid tobacco placed in his hideous purple dressing gowns.
<v Speaker 2>The sherlock holmes with this vial in under his chin. An,
<v Speaker 2>what's my jo? How are you?
<v Speaker 4>Homes turned to ride and see you first lighted upon
<v Speaker 4>my word.
<v Speaker 1>I am abant to observe with your wife's left God
<v Speaker 1>on the visit. But how did you know? Why did
<v Speaker 1>I when I like that? How do I know anything?
<v Speaker 1>How do I know?
<v Speaker 5>You've been getting yourself very wet lately? That you're an
<v Speaker 5>extremely careless serven girl, And you moved to a dressing
<v Speaker 5>table go oude of.
<v Speaker 2>The room hose if you had lived a few centuries ago,
<v Speaker 2>that it burned you alive.
<v Speaker 4>Such a confregation would have saved me a great deal.
<v Speaker 2>Of trouble and spend on me at all. How did
<v Speaker 2>you know all that.
<v Speaker 5>It's too simple to talk about scratches and climesy cuts,
<v Speaker 5>my dear felony, and its side of your shoe there,
<v Speaker 5>just where the firelight strikes it scratches, cuts, and they
<v Speaker 5>scraped away cutted mountain.
<v Speaker 2>This is badly, badly scraped the shoe along with it.
<v Speaker 5>There's your wet footlight, deer watsoning, a careless certain girl,
<v Speaker 5>all on one.
<v Speaker 2>Shoe face sandy shave the right side or it used
<v Speaker 2>to be on the left. Light must come to the
<v Speaker 2>other side, because I will move your window, must move
<v Speaker 2>the dressing table, of course, But how the deuce do
<v Speaker 2>you know? My wife was away? Where the juice is?
<v Speaker 1>Your second west button?
<v Speaker 3>Was?
<v Speaker 1>What the juice is yesterday's buttonir doing in today's the pel.
<v Speaker 2>And why the juice? You were?
<v Speaker 6>The expression?
<v Speaker 5>Other elementary matter for elementary child's fair production. I'm only
<v Speaker 5>doing it for you're a mute one, before we pass
<v Speaker 5>on the more serious matters.
<v Speaker 3>Oh, what is it?
<v Speaker 1>Novel?
<v Speaker 2>What's in, my dear fellow?
<v Speaker 5>The enthusiasm which is prompted you to chronicle and if
<v Speaker 5>you would excuse my saying so somewhat to embellish my
<v Speaker 5>little adventures.
<v Speaker 4>You occasionally seems fit to introduce a certain.
<v Speaker 2>Element of romance which struck me as being a just
<v Speaker 2>a trifle out of face, something like working in elopement
<v Speaker 2>in the persist proposition of euclid. I merely refer to
<v Speaker 2>this in case you should see fit at some suture
<v Speaker 2>time to a chronicle, a case on which Idel bethlim
<v Speaker 2>back the strange case of Professor Robert Moriati. Moriati, I
<v Speaker 2>don't remember ever having heard of the fellow, no what,
<v Speaker 2>and you haven't the precisely this quality of invisibility that
<v Speaker 2>makes of Professor Moriarty, Napoleon of crime, sitting motionless like
<v Speaker 2>an ugly.
<v Speaker 1>Venomous spider in the center of his web.
<v Speaker 5>But that web having a thousand radiations, and the spider
<v Speaker 5>knowing every quiver very well of them. And within forty
<v Speaker 5>eight hours I'll have the lines drawn so tightly around.
<v Speaker 1>Him that he can't move, arrest him in his entire
<v Speaker 1>game home. This is a very thing, mind.
<v Speaker 2>How it's perfectly delightful.
<v Speaker 5>My whole life is spent in a still as the
<v Speaker 5>magic endevors to escape from the veriest commonplaces of existence for.
<v Speaker 2>A brief period I escape. Congratulate me.
<v Speaker 5>The day before yesterday I received in this room the
<v Speaker 5>visit of a certain foreign nobleman who was recently inherited
<v Speaker 5>a very considerable title, and it was about to be married.
<v Speaker 5>Seems that this title of gentleman was still indiscreet as
<v Speaker 5>to fall in love with a young English lady that
<v Speaker 5>the name of Faukner socially in inferior, and to make
<v Speaker 5>her a promise of marriage. Later his family's insistence, the
<v Speaker 5>things broken shortly after the broken heart using behind a sister,
<v Speaker 5>also considerable evidence from a form of letters, photographs, and
<v Speaker 5>jury with inscriptions.
<v Speaker 1>These the sister kept.
<v Speaker 2>These together with the sister are now being held in
<v Speaker 2>a house in John's Wood by a pair of blackmailers
<v Speaker 2>who brought with the name of Checkwood. So far as
<v Speaker 2>you see, my dear, what's an as.
<v Speaker 1>Fairly ordinary case? Colect me.
<v Speaker 2>I've had it with my.
<v Speaker 5>Attention last night on my in fiction A certain elements
<v Speaker 5>revealed itself, which renders the case far more important than
<v Speaker 5>I had expected than That element was Professor Moriarty Hellen.
<v Speaker 1>Yes, gentlemen, to see you by the.
<v Speaker 6>Name of Foreman.
<v Speaker 1>I'm in direct com in. Yes, miss film, come in,
<v Speaker 1>mister Foreman.
<v Speaker 2>Dreaming from he didn't for whom Watson, this inspector Foreman.
<v Speaker 2>The day before yesterday he occupied the position of butler
<v Speaker 2>under the name of Judson. Them the home of mister
<v Speaker 2>and missus Chetwood blackmailers from John's Woods.
<v Speaker 1>No faman any news, Yes, sir, this morning a little
<v Speaker 1>last nine Chetwood and his.
<v Speaker 2>Wife throw away in a four wheela. I returned about eleven.
<v Speaker 2>Basick was with them. You know him though years when
<v Speaker 2>I last ten the occasion to meet mister Beasick who
<v Speaker 2>got two years for safe cracking, to go on for him.
<v Speaker 1>Well, I took this man Basic in the library.
<v Speaker 2>I gotta look at him from the outside, and Harry
<v Speaker 2>was opening up the space where they've been keeping.
<v Speaker 1>The letters go on in the end. When they up
<v Speaker 1>the pipe open, it was empty. The letters are gone.
<v Speaker 2>It seems like the folk no girl.
<v Speaker 1>Gopping back somehow.
<v Speaker 2>I got pretty excited as it went out to send
<v Speaker 2>a telegram. Have you got confident? Yes, yes, here it
<v Speaker 2>is the encode m.
<v Speaker 5>Mariotte, I thought so, Watson, his case is taking a
<v Speaker 5>most promising turn foreman. He returned once to the house
<v Speaker 5>in John's Wood. Then ten minutes I should be there myself,
<v Speaker 5>if I remember correctly. The kitchen is immediately below the
<v Speaker 5>drawing room. Yes, when my half over a chair in
<v Speaker 5>the drawing room, you will return a lamp in the kitchen,
<v Speaker 5>scatter smoke balls and give an alarm of fire.
<v Speaker 2>All other instructions remain unchanged. Very good, though, Harry Pollman.
<v Speaker 6>Here's a home.
<v Speaker 4>Well, my dear Watson, it.
<v Speaker 2>Seems to look like a most interesting evening. Alright, it's
<v Speaker 2>the god ning. My name is Sherlock Holmes. Whom whom
<v Speaker 2>did you wait the same at the home? Thank you
<v Speaker 2>so much, mister Chipward. I let's have announced by the
<v Speaker 2>butler in my way out last I didn't very well.
<v Speaker 2>Well here he is yet he's talking abutments to home
<v Speaker 2>to excuse with her. He is not well enough to
<v Speaker 2>see anyone to see me, you peep saying this kind
<v Speaker 2>of spot and say that guy beg your pardon with
<v Speaker 2>the homes. But it's quite useless. Really, Oh, I'm so
<v Speaker 2>sorry to hear it. Yeah, miss Portland, is I regret
<v Speaker 2>to say quite an infau She is unable to see anyone.
<v Speaker 2>Her health is so poor. Has it never occurred to you,
<v Speaker 2>mister Chipwood, that she might be confined to the house
<v Speaker 2>too much?
<v Speaker 1>How does that concern you? It doesn't I think to
<v Speaker 1>make the suggestion.
<v Speaker 2>I'd like to think it over. It's too about his name, Judgson.
<v Speaker 2>Very well, Judson, go and take my card up. Very good,
<v Speaker 2>This is really too good. Well, of course you can
<v Speaker 2>take up your card or your note of whatever it is,
<v Speaker 2>if you wish it so much. I was only trying
<v Speaker 2>to save you.
<v Speaker 5>The trouble it thanks had any trouble, Gods and i's
<v Speaker 5>Can you know, mister Holmes you interest me very much?
<v Speaker 2>Really, on my word, Yes, we've all heard of your
<v Speaker 2>wonderful methods. You're punishing manners which you gain information from
<v Speaker 2>the most typling details. Now I dare say, in this
<v Speaker 2>brief moment or two you've discovered any number of things
<v Speaker 2>about me. Nothing is consequences chetwn I hardly more than
<v Speaker 2>ask myself why he was so distressed to see me
<v Speaker 2>at this particular moment, And what's that impossibly be about
<v Speaker 2>the station in the lower part of that desk, because
<v Speaker 2>you such painful anxiety. Very good, very good, indeed, if
<v Speaker 2>those things are only too now, I'd be wonderfully impressed.
<v Speaker 2>It would be absolute term me justin a message for you,
<v Speaker 2>mister Chetwood. You'll excuse me at trust it's from his partner. Yeah. Really,
<v Speaker 2>she begs to be allowed to see you, mister Holmes.
<v Speaker 2>She absolutely implores this. Well, I suppose I shall have
<v Speaker 2>to give way to ask Miss Faulkner to come down
<v Speaker 2>to the drawing room. Say that mister Holmes is waiting
<v Speaker 2>to see her.
<v Speaker 1>Very good to quite remarkable upon my soul.
<v Speaker 2>May I ask, if it's not an impertinent question, what
<v Speaker 2>message you send up that could sve arouse Miss Paukner's
<v Speaker 2>desire to come down? And really is that she wasn't
<v Speaker 2>down here in five minutes time to go up? Oh?
<v Speaker 2>That was it?
<v Speaker 5>That's not true, And the next time, greatly mistaken. I
<v Speaker 5>hear a young lady on the stair, which case she
<v Speaker 5>has a minute in the heart.
<v Speaker 3>To spare.
<v Speaker 2>Ellie, and it is Miss Faulkner. Let me introduce mister
<v Speaker 2>Sherlock Holmes.
<v Speaker 1>Mister Holmes, Miss Fusser, I'm really miss charmed to meet you,
<v Speaker 1>although a jobs looking if you've made me come down
<v Speaker 1>in spite.
<v Speaker 2>Of myself here.
<v Speaker 1>I thank you very much indeed for concerning to see me,
<v Speaker 1>Miss Fusser.
<v Speaker 2>But regret to observe that you're put to the trouble
<v Speaker 2>of making such a very erected change of.
<v Speaker 1>I did harry a title.
<v Speaker 6>I can sist.
<v Speaker 2>Mister Holmes is quite.
<v Speaker 1>Living up to his reputation, isn't he said it?
<v Speaker 2>Come in? Yes, ma'am.
<v Speaker 1>What are you doing here?
<v Speaker 2>Judson? I didn't pardon them. I was answering the bell.
<v Speaker 1>What well the glowing room?
<v Speaker 4>What do you mean you blocked no one lang the
<v Speaker 4>fell I'm quite sure it was Robin Well.
<v Speaker 2>I tell you it did nothing. You are a butler's right,
<v Speaker 2>mister Chatworthy. They'll did ring? How do you know I
<v Speaker 2>rang it? What do you want?
<v Speaker 5>I want to send my card to the real miss Putner, real,
<v Speaker 5>I said, the real Miss Stuffner. Judson, Yes, sir? What
<v Speaker 5>right have you to ring for persons and give orders
<v Speaker 5>in my house?
<v Speaker 2>What right have you to prevent my cards from reaching
<v Speaker 2>their destination? How does it.
<v Speaker 1>Happen that you and this woman are.
<v Speaker 5>Resorting to trickery and deceit to prevent me from seeing
<v Speaker 5>Alice Popper from some trifling oversight Judson.
<v Speaker 2>Neither of the cards I.
<v Speaker 5>Handed to him has been delivered. Tindly see that this
<v Speaker 5>error does not occur again.
<v Speaker 4>My order, Ah, you have orders.
<v Speaker 2>I can't say you though you were told not to
<v Speaker 2>deliver my card. What business is it of yours? I'd
<v Speaker 2>like to know.
<v Speaker 5>I shall satisfy your curiosity on that point. And it's
<v Speaker 5>a very short time, mister Chetwood.
<v Speaker 2>Yes, and you'll find out in a very short time
<v Speaker 2>that it isn't safe to meddle with me.
<v Speaker 4>It wouldn't be any trouble at all for me to
<v Speaker 4>throw you up into the sleep here.
<v Speaker 5>Possibly enough that trouble would swiftly follow such an experiment.
<v Speaker 2>On your past A cup a lunny thing for you.
<v Speaker 2>I'm not armed, ys well, Miss Faukner comes down, you
<v Speaker 2>go and arm yourself myself, I'll call the police.
<v Speaker 3>Do it now?
<v Speaker 1>Oh no, you will not do it now.
<v Speaker 2>You will remain where you are till really I can't
<v Speaker 2>here to see event of this room.
<v Speaker 4>What makes it so sure of that?
<v Speaker 5>Because you will prefer to avoid an investigation of your
<v Speaker 5>suspicious conduct, mister James leaderby now, yeah, that is not
<v Speaker 5>the name under which you are known to Scotland Yard
<v Speaker 5>I believe, mister Chetwood, the stady there.
<v Speaker 2>Is your wife, Steve Jodson.
<v Speaker 5>You will either deliver that card, Miss Forknett once or
<v Speaker 5>sleep in the free station tonight.
<v Speaker 2>That's a small consequence to me which you do? Shall I?
<v Speaker 2>Shall I go? So go on, take up a card.
<v Speaker 2>It makes no difference to me.
<v Speaker 4>A short time since lab you dislayed and the key anxiety.
<v Speaker 5>To leave the room. They do not ad entertain you
<v Speaker 5>or your wife any longer. Can you prefer to remain
<v Speaker 5>while I talk and Spokener we fill.
<v Speaker 2>Miss the home.
<v Speaker 1>H last and the home?
<v Speaker 6>Yes? Do you wish to see me? Very much?
<v Speaker 5>Indeed, Miskner, Ti'm storry to see that you are far
<v Speaker 5>from well.
<v Speaker 2>No, beg your parn.
<v Speaker 1>What does this not mean?
<v Speaker 3>Oh?
<v Speaker 1>Nothing nothing?
<v Speaker 5>And the mark on your neck plainly showing the clutch
<v Speaker 5>of a man's fingers does that mean nothing? Also curse
<v Speaker 5>me that I shouty to have an explanation of this.
<v Speaker 5>Possibly you can furnish one, mister let It seems to.
<v Speaker 1>Have occurred in your own house.
<v Speaker 2>It is it do to understand that it doesn't help
<v Speaker 2>pey for you or anyone else to interfere with my
<v Speaker 2>say ah, and did your business. They're that much a
<v Speaker 2>great they deceited.
<v Speaker 4>Miss fucker.
<v Speaker 1>I don't know who you own the home?
<v Speaker 2>Why I shall be very great indeed to explain. And this,
<v Speaker 2>this is this I didn't consult. It's the possibility of
<v Speaker 2>obtaining from you certain letters addressed to your sister, which is.
<v Speaker 4>Supposed to be in your position.
<v Speaker 2>I cannot give up my sister's home. There are other
<v Speaker 2>things besides is then and punishment.
<v Speaker 1>Believe me, in this spot there's nothing.
<v Speaker 6>More but my.
<v Speaker 2>Oh, I'm so sorry. How comes you? Miss? Turn over
<v Speaker 2>this chair?
<v Speaker 1>It's not off the table. Don't allow yourself as spokener.
<v Speaker 1>There is no fire.
<v Speaker 4>The smoke was all arranged for arranged.
<v Speaker 2>Still business fer me.
<v Speaker 5>I wanted a package of letters and stopped and that
<v Speaker 5>by following your eyes just now, when you thought there
<v Speaker 5>was a fire, I discovered that you would hidden them
<v Speaker 5>in the appost chair a chair. M yes, kid, elementary
<v Speaker 5>as you see. And now that they're in my position,
<v Speaker 5>there seems to be no reason. Can you remain any
<v Speaker 5>longer in this house?
<v Speaker 2>The night spoken miss Fulckner?
<v Speaker 4>Yes, I I can't take them this for man, is
<v Speaker 4>that belong to you? I find that I cannot keep.
<v Speaker 2>Them unless you can possibly change your mind and let
<v Speaker 2>me have them of your in free will. I suppose
<v Speaker 2>you could, I would not go return them to you.
<v Speaker 2>And uh, oh I've got friends the letter they're returning
<v Speaker 2>to the tire.
<v Speaker 4>Oh about that? Look now, I suppose I.
<v Speaker 2>Can see you walk out of a house. Will fire
<v Speaker 2>on the contrary?
<v Speaker 4>Or don't you seem to return them to their.
<v Speaker 2>Right proner and stuck? Now I hear your letters, the
<v Speaker 2>ever change your mind and be so generous? Who's forgiving
<v Speaker 2>us to wish to return these letters for the one
<v Speaker 2>who wrote them? You have my address.
<v Speaker 4>Any events, let's assure.
<v Speaker 2>There will be no more curlsy, no more persecution in
<v Speaker 2>this house. Thank you to him. You are perfectly safe
<v Speaker 2>for your property in its pockner. So I shill so
<v Speaker 2>arrange it that your faintest cry of distress will be heard.
<v Speaker 2>If that cry is heard, it will be very unfortunate
<v Speaker 2>for those who are responsible, as for you, mister Labie,
<v Speaker 2>and you madam.
<v Speaker 4>And then you understand that you continue your persecution.
<v Speaker 2>Of that young lady at your peril.
<v Speaker 4>Good night, miss come here, miss partner.
<v Speaker 2>Now are you going to give me?
<v Speaker 1>Are you going to give me no, and that would.
<v Speaker 2>Now and then give me or do I break your arms?
<v Speaker 1>Coming up on the door.
<v Speaker 6>No people on that side.
<v Speaker 7>If you call madam, I'll see four more more don't
<v Speaker 7>see I'll see madam. I beg pardon, madam, But there's
<v Speaker 7>no one.
<v Speaker 2>At the door. Betterwhere gonna go? He stop us? What
<v Speaker 2>what we want to do is they'll leave us alone.
<v Speaker 2>Lets the emperor have it. Do me to talk them,
<v Speaker 2>my lofes, that's what I mean. Once let's him.
<v Speaker 4>Get at it. You'll separation homes. But he's quick.
<v Speaker 2>Don't be worthy a minute. I tell you'll professor moreality.
<v Speaker 2>You'll get at him before noon tomorrow night. We won't
<v Speaker 2>wait long either.
<v Speaker 8>And when he's like if means death, ah about.
<v Speaker 2>They just tell three seven day?
<v Speaker 3>Was pay all these se the desert.
<v Speaker 4>Or everything with that tract?
<v Speaker 2>Ha been bad by an expert manny man name has
<v Speaker 2>been a beard is a sad There a lot of
<v Speaker 2>souls again and all this bladder the job he been
<v Speaker 2>on that too, and that's where he made the street.
<v Speaker 3>He slaying.
<v Speaker 2>Well, they were a dangerous game. That's it. It's like
<v Speaker 2>abuse and lighted it. Seven years ago Wilson did two
<v Speaker 2>years the singers in good to that he doesn't said
<v Speaker 2>anything in fingers, they say, and not I experienced at school.
<v Speaker 2>He will see about that it's wool. He's all of
<v Speaker 2>a parent of man. He doesn't real eyes or he
<v Speaker 2>just squeeze in London.
<v Speaker 3>It will be safe.
<v Speaker 2>But if his ices that his name to pleaded, they
<v Speaker 2>need maybe cool and were he fool just the sust Yes, yes,
<v Speaker 2>said pa.
<v Speaker 4>You know take a street is the base.
<v Speaker 2>They just see they like us. Yeah, in goes naked,
<v Speaker 2>safe in the naked. Then say look they see there's
<v Speaker 2>three streets in every direction. And yes, and I think old.
<v Speaker 2>He's gonna go over and over again elsewhere at least
<v Speaker 2>the boy. Then in every doorway through this to night
<v Speaker 2>the basic street man o'clock brought his attendants out on
<v Speaker 2>one feet out before another and teach him out. Understand,
<v Speaker 2>I will see this chair off the rooms myself. Uh,
<v Speaker 2>here's a chance for his life. That's it. That's a
<v Speaker 2>notice as a lassca that I may require a destiny.
<v Speaker 2>But step at about the night and have prayed in
<v Speaker 2>there's a quarter before turned with his crew. Uh, there
<v Speaker 2>a lot of me I want in the right of letter.
<v Speaker 2>I can just sell off the rooms as I used
<v Speaker 2>to be tafe. You be there at seven, that's it
<v Speaker 2>to show men that nine the night. Let's still off
<v Speaker 2>from his house in bags Up Street. Yeah, well go there. Yes,
<v Speaker 2>he will still go there myself. But the meeting tomorrow
<v Speaker 2>night there him a gas fill there if I stay
<v Speaker 2>to pi Batter Street, you know, having swung them and
<v Speaker 2>either way, I added to screen our tools. Queen as yeah,
<v Speaker 2>that he's being homes and I dined together at Scotts
<v Speaker 2>and City Searcher. After dinner we went to a concert
<v Speaker 2>at Queen's Hall. I can still see him on this
<v Speaker 2>particular night of the moriarticy well, knowing that his life
<v Speaker 2>was in peril, sitting beside me in the fall, wrapped
<v Speaker 2>in the most perfect happiness. The the sellostatic played the
<v Speaker 2>violins get the waving his long, thin fingers in time
<v Speaker 2>to music. Where was gorn He goes, put on his
<v Speaker 2>long cloth and started with long steps in the direction
<v Speaker 2>of the suit. Don't ma, don't break a tree, my dear,
<v Speaker 2>very so much as we're seeing no sense of things it, Paul,
<v Speaker 2>we're here to have some And as we came down
<v Speaker 2>to take a street, we could see that the light
<v Speaker 2>was sturning on the second floor of two twenty one bees.
<v Speaker 2>We went up the dark and had a chairs, so
<v Speaker 2>the boy did. He was waiting for him.
<v Speaker 4>He could us his compliments.
<v Speaker 6>And she wants to know to go to you.
<v Speaker 2>Now, where is mister Humpton.
<v Speaker 4>Down stairs in the kitten my compliments?
<v Speaker 2>And I don't think she can where she is you
<v Speaker 2>can't get him? Swer regress will be mister will.
<v Speaker 1>It his most terrible impalking test he needs.
<v Speaker 2>She wants to know what's less projectist.
<v Speaker 4>In the morning, the same same as rain here this morning.
<v Speaker 2>It's the didn't do nothing set you won't be here
<v Speaker 2>all right? I won't be here tomorrow? Yes? Is that
<v Speaker 2>all seton? Quite so?
<v Speaker 6>Yes?
<v Speaker 2>Thank you, sir.
<v Speaker 6>But he's the own.
<v Speaker 2>Here's a letter for yourself on the.
<v Speaker 1>Paper you maybe ten minutes ago.
<v Speaker 4>Mm.
<v Speaker 2>We read it once.
<v Speaker 4>He's good mother. I'll tell him addressing that as.
<v Speaker 3>Yes, sir.
<v Speaker 1>He best addresses names by James Lallaby and.
<v Speaker 2>Wanted James to say the hearings Sir, I hope you
<v Speaker 2>won't say that again. I have the honor to inform
<v Speaker 2>you that this sponsor has sanged the mind regarding the
<v Speaker 2>letters at C which you wish to obtain, and if
<v Speaker 2>you started to dispose of them for a monetary consideration.
<v Speaker 2>If you wish to negotiate, you'll be at nine o
<v Speaker 2>practice of God's monument. At the foot of what took plays,
<v Speaker 2>you will see a fall feeler with wooden shutters to
<v Speaker 2>the windows.
<v Speaker 4>If you have the cab.
<v Speaker 2>Follow, they'll try any other underhand. Pick you both get
<v Speaker 2>what you want, Let me know your decision yours full
<v Speaker 2>the games out of it. Try and surry well better,
<v Speaker 2>perhaps put the fellow means cella means to tell me
<v Speaker 2>a base smitations allow term money at certain letters because
<v Speaker 2>that press I'm.
<v Speaker 1>Proud to buy them from it.
<v Speaker 2>Now, though I God monument cab, it wouldn't shutter, no.
<v Speaker 4>One will come with me.
<v Speaker 5>Tell on to follow all I don't get what I want,
<v Speaker 5>but just chat with it. Wouldn't shucking little guy to
<v Speaker 5>keep me from seeing where they're taking the blaive.
<v Speaker 4>Yes, give this to the man, ahright.
<v Speaker 2>Young look quite young steps and a handsome poor we
<v Speaker 2>lefter seen the driver before.
<v Speaker 1>Yes, but I can't think where handles to the lady.
<v Speaker 2>Apologize to delay and look at the driver again. Yes, there,
<v Speaker 2>my dear fools. You didn't say you would go, but
<v Speaker 2>I certain a jerk fella mean blitter.
<v Speaker 1>This fellow means the sense the protest. And they could
<v Speaker 1>come on from.
<v Speaker 2>The tennis on the corners to say a man's inn
<v Speaker 2>it wi a bus looks quite a red silk to
<v Speaker 2>move back to watch some kind of step over and
<v Speaker 2>else till the abi.
<v Speaker 4>I'm a younger, now go watch.
<v Speaker 2>I'll be back at nicol Billy.
<v Speaker 1>And we brought that lessard why from the clinic pay.
<v Speaker 5>Of course the which boys must have been a new
<v Speaker 5>one tip all seen on the pap jilly.
<v Speaker 2>It does work quickly, but that's the doctor. The boy's
<v Speaker 2>gone as a man.
<v Speaker 1>With him a minister.
<v Speaker 2>Let me know. I'll stop cropping the door there out
<v Speaker 2>here at Free the crowd.
<v Speaker 3>Hold be the most heady and sad.
<v Speaker 2>Oh it's the thing that loaded the fire arms and
<v Speaker 2>the fuck with the buttons back and gun.
<v Speaker 5>I give you my word because I'm like out there.
<v Speaker 5>Will you take up from here to the hospital if
<v Speaker 5>you keep your hand behind you like that?
<v Speaker 2>Yeah?
<v Speaker 1>That set up?
<v Speaker 2>Huh? I can't people throw a bob on the table.
<v Speaker 2>Oh everything they don't to me. I think it's quite
<v Speaker 2>evidence that I do. I say I have a chap.
<v Speaker 2>I say you five minutes and then say, as careful
<v Speaker 2>you about to do Professor my U there, hm, we'll
<v Speaker 2>get nayball and I'll tell you when you are five
<v Speaker 2>minutes is up?
<v Speaker 4>It's real intention just to see.
<v Speaker 2>This case against that is nine tenths the very end
<v Speaker 2>he resisted, I say you're regrets, perfessute. You don't think
<v Speaker 2>that I would be Yeah, everybody hadn't gave the street.
<v Speaker 4>Fight sas g way respect, I could.
<v Speaker 2>Never say good there or best to make your courage
<v Speaker 2>is that? But first that's my out there. You wouldnage
<v Speaker 2>with your friend the doctor and your boy day. We
<v Speaker 2>will soon return. So I please just ight a rote
<v Speaker 2>doesn't it's uh, that's Christ. So it would deacon talk
<v Speaker 2>of the national role with a quiet agents. The whole
<v Speaker 2>does not to be disturbed. In the firsty I used
<v Speaker 2>to call your attention to assume never end. Uh which
<v Speaker 2>type totty dolls and you will find us there they are. Okay,
<v Speaker 2>don't do that. That's don quickly, will father? Where from
<v Speaker 2>my memory of the book you're talking about, really, I
<v Speaker 2>was more in this book. Well, merely, don't do it
<v Speaker 2>I don't want it got one of my own if
<v Speaker 2>he wanted to have someone get it for you. I
<v Speaker 2>always like to say my guests, unnecessary trouble. It's it's
<v Speaker 2>your whole point.
<v Speaker 1>It doesn't do't s mm no. But I have idea
<v Speaker 1>that he will for me, possibly.
<v Speaker 2>The wrong resue. Think what.
<v Speaker 6>That boy?
<v Speaker 2>Yeah, that boy? Yeah, at least we're trying to build
<v Speaker 2>once more.
<v Speaker 1>But that's us.
<v Speaker 2>Doesn't just curse you just see me pocketly?
<v Speaker 3>Will you just pay?
<v Speaker 9>There?
<v Speaker 2>It does that, But it also occurs to me that joined.
<v Speaker 1>Very much the same predicaments professor Ria.
<v Speaker 10>There.
<v Speaker 2>That's important.
<v Speaker 4>Some one tells me it's quite evident, however, that he's
<v Speaker 4>fair to.
<v Speaker 1>Do so he's got my cot. He hain't got me
<v Speaker 1>y delay.
<v Speaker 2>But gentlemen, I'm carefully pointing out to you with this
<v Speaker 2>forty five desires to.
<v Speaker 5>Have us get something of his left hand inside coat pocket.
<v Speaker 5>He's not seeing quite himself today, and the consequence of
<v Speaker 5>his trying to do it himself, might Pool say, oh, I.
<v Speaker 2>Just you attend to accor him, sir, it's done a city,
<v Speaker 2>I'll put it on the table. I'm not there, billy
<v Speaker 2>on this table A right reaches.
<v Speaker 3>I like it.
<v Speaker 2>It's old Billy.
<v Speaker 1>Then what he's got another say?
<v Speaker 5>Quite belie suprised me. That's the gasman's taking the trouble
<v Speaker 5>to informost. He hasn't winter, and he made a snatch
<v Speaker 5>for this and now because now if we have your
<v Speaker 5>little memorandum, if you have anything else you like before
<v Speaker 5>Billy goes, any little thing you've got that you don't.
<v Speaker 1>Want, So sorry, don't thank you, sir.
<v Speaker 2>Listening homes and evil on the fourth of January, you
<v Speaker 2>crossed my box on the twentieth you incommoded thing. Now
<v Speaker 2>at the pose of evil, if I may help peace
<v Speaker 2>and take a position through your continual interference that I'm
<v Speaker 2>in positive inger or losing light of a day?
<v Speaker 4>Mm in uny suggestions make no way.
<v Speaker 2>It has no suggesting to make. They have a text
<v Speaker 2>the street. If you don't prop it up once, your
<v Speaker 2>life's not worth I'm afraid of. But in the pleasure
<v Speaker 2>of this conversation I'm abjecting. More important is it if
<v Speaker 2>you excuse me a moment when I get my title
<v Speaker 2>to lap this, ye makin serve season mister Holmes to
<v Speaker 2>see if peace could not be arranged it quite so
<v Speaker 2>I don't you've seen fit not only to reject my
<v Speaker 2>per boodles, but to meet insulting references coupled with pets
<v Speaker 2>for the rest. You can't see the bad of your dinger.
<v Speaker 2>You don't feed that morning.
<v Speaker 1>But that's thy.
<v Speaker 2>M didn't imagine I do that gun loaded? Did you? Professor?
<v Speaker 2>Way out here here you're contradiction. I didn't spose you
<v Speaker 2>one of you that gun again till I don't mind
<v Speaker 2>while you were talking, because when my part is you
<v Speaker 2>will find them all there sat that you're asking, Yes, yes,
<v Speaker 2>you see show.
<v Speaker 4>Professor Moriat is a dog, Yes, sir, this place.
<v Speaker 2>Here he different for you, so no, no alloy out
<v Speaker 2>y I never will you're asking him there you ain't
<v Speaker 2>a good blood? Yes, thanks mister. You are listening to
<v Speaker 2>the Economy of broadcasting system presentation of Austin Wells and
<v Speaker 2>the Military Favor on the air in Philopols with Austin
<v Speaker 2>Wells in the title role and Ray Collins as doctor
<v Speaker 2>watching we cause a moment station not applications the columb
<v Speaker 2>their broadcasting system. We continue now with the CBS presentation
<v Speaker 2>of Philoch Holmes layed by Austin Wales and the.
<v Speaker 11>Lictory failter on the air, but exactly not O talking
<v Speaker 11>Sherlock Holmes.
<v Speaker 4>That's the house in.
<v Speaker 2>Baker Streets instruction that no one wants to follow him.
<v Speaker 2>If there had been no words from him, but I
<v Speaker 2>held him to following day he would notified Stockham Jars.
<v Speaker 2>I went to the window in ojump and he went
<v Speaker 2>down Baker Street, a tall, thin figure in a gray
<v Speaker 2>outstair walking with long moved steps in.
<v Speaker 1>The direction of Langham.
<v Speaker 4>Stay there.
<v Speaker 3>He entered a tab.
<v Speaker 2>Yeah what are you doing?
<v Speaker 4>Like Maxife?
<v Speaker 2>I told I'm doing chapter four, not something, and I
<v Speaker 2>might be dashing wool. I don't, guys, it's the boy day.
<v Speaker 2>Since they had gas, no, and I still said I
<v Speaker 2>might be gas. You take it and I will go.
<v Speaker 2>But he in my term. That's why, you know, said
<v Speaker 2>dress ball get pumpings are Yeah.
<v Speaker 6>That's it.
<v Speaker 1>Say it's ardly here sir, like hey here sir.
<v Speaker 2>The canting at your boy. They got what they say,
<v Speaker 2>do guy heard the UK home? Oh you mean my sing? God?
<v Speaker 2>So going to count him around where they set down
<v Speaker 2>and then he gets away. I'm all they tell Yeah,
<v Speaker 2>that's that's say help the governor and tell him I
<v Speaker 2>got him out.
<v Speaker 6>He shut up.
<v Speaker 3>The pig.
<v Speaker 2>Here their do before we go all the sin and
<v Speaker 2>then we say night. Great, be careful of that s
<v Speaker 2>rather bill, he's in all this job hell lot of you.
<v Speaker 2>If that's all that is, small cabinet, then whatever says there,
<v Speaker 2>no layer down that might break the glass, tog the
<v Speaker 2>top of get every iron bar that fire.
<v Speaker 1>We let him tie down before they came back in
<v Speaker 1>the glass.
<v Speaker 2>You use it before, right, Also know a cairtaight every
<v Speaker 2>crevices to yourself.
<v Speaker 1>When the men have turned to get on him, they
<v Speaker 1>leave by this door.
<v Speaker 2>Yes, they made great secure if they both from the
<v Speaker 2>outside there follow those bars overall. You see how great
<v Speaker 2>it's not verat tire man down to their Yeah you
<v Speaker 2>know need how quick you're gonnaperate them? Y?
<v Speaker 4>Yes, you know.
<v Speaker 2>That's that's good. We'll git up now, ragin wrist you
<v Speaker 2>one thing right, not about whatever happens. No shooting to
<v Speaker 2>night or a single jot and be heard in the
<v Speaker 2>alley below. The first thing is to get his revolver
<v Speaker 2>away before he has gone to it. Two of your
<v Speaker 2>tricks in the tension in front. Garrett can not comming
<v Speaker 2>from behind and snack it out of his bucket. And yeah,
<v Speaker 2>why you get quiggin f let tad to us say
<v Speaker 2>you understand he waits for you. I understand the if
<v Speaker 2>you do this opportunity to serve in the packet of
<v Speaker 2>letters you forwards and diff you can get reble two
<v Speaker 2>hundred thousands doesn't interest names fairba there is Oh, I
<v Speaker 2>understand you finished and got so money you whistle and
<v Speaker 2>these just get in and there it r riggan okay
<v Speaker 2>and prigion the proper moment, present my compliments mister Sherlock's ms,
<v Speaker 2>and say that I wish in a pleasant journey to
<v Speaker 2>the ass n y the nice well nice r all
<v Speaker 2>right five Claire, when you get a whipple in your
<v Speaker 2>comp right John and there if you get down on
<v Speaker 2>the corner below, let you know when he comes. I
<v Speaker 2>want to let you know. Well, and you see him
<v Speaker 2>driving up. I'm down the alley and a couple three
<v Speaker 2>times there you good to here?
<v Speaker 3>What are you?
<v Speaker 2>How did you get with this place?
<v Speaker 1>I probably need a cab?
<v Speaker 2>You been doing since I came up here on the five? No,
<v Speaker 2>I'm just saying, so I wasted the morning like a
<v Speaker 2>four good morning.
<v Speaker 6>Yes, we're going to sling in the.
<v Speaker 2>Seating selling a pack of four letters. I know that
<v Speaker 2>what else you going to be doing?
<v Speaker 1>You wouldn't delight to know that those men?
<v Speaker 2>I say, up here, what man's looking? Then I was
<v Speaker 2>probably going to seature.
<v Speaker 9>It don't mean these men there.
<v Speaker 11>Is no.
<v Speaker 2>What's sing? We don't have time to get her out?
<v Speaker 2>Or mad about cop? Yeah, I won't have the sat
<v Speaker 2>Night coming in.
<v Speaker 6>It's nice?
<v Speaker 2>Did about did evening?
<v Speaker 3>Mixt the home?
<v Speaker 2>Ah, let's still out of it? So really now I
<v Speaker 2>stily thought I saw this driving by the coast cabine
<v Speaker 2>too many something you seen that before? Have you mixed
<v Speaker 2>the home? Or what?
<v Speaker 1>A time or two?
<v Speaker 2>Now it comes to say, I has a frient of
<v Speaker 2>yours a space. When they was trying to drop himself
<v Speaker 2>out of the window, they had called him the cracksmen
<v Speaker 2>I was and called him never had of him before
<v Speaker 2>where you said, they never heard of him after?
<v Speaker 3>So the.
<v Speaker 1>Race was content view of these luxurious chambers.
<v Speaker 2>It was sends eighty nine, one of the hidden that
<v Speaker 2>covered the put hi out the heel. Quite interesting. The
<v Speaker 2>times of things didn't better to their heads celea be
<v Speaker 2>to their hands.
<v Speaker 5>Then it's very cracksman concerted ticktockets and they senders various kinds.
<v Speaker 3>But now well what now?
<v Speaker 2>Well?
<v Speaker 1>Between you and me and the celetter.
<v Speaker 2>B, we've heard some not altogether agreeable rumors.
<v Speaker 4>Those assume pretty shady work.
<v Speaker 2>I'm try from here the murder through the depeter kins,
<v Speaker 2>I'm all kind of suspicient. That's it it.
<v Speaker 4>By Smid who's corrected here. This room is caught.
<v Speaker 2>Feel that season might go up nothing to us, that's
<v Speaker 2>the letter by nothing to do up, but it might
<v Speaker 2>signify a good deal of some sort. Devil always been
<v Speaker 2>caught and gassed in this trap.
<v Speaker 4>If it's nothing to.
<v Speaker 2>Up, the supposed to leave up alone and get the business.
<v Speaker 1>My time is living there.
<v Speaker 5>Of course it would realize that these reflections could not
<v Speaker 5>suspel you right if it ad on the film h thanks.
<v Speaker 4>Good Sejavi.
<v Speaker 2>Since to Lena that the same room her manners. Glad
<v Speaker 2>you like now here. It is a little ticket of
<v Speaker 2>letters which is the object of this meeting.
<v Speaker 4>I haven't opened this yet, but mispot that tells me
<v Speaker 4>everything is there spose a stile of.
<v Speaker 2>Miss partner knows nothing about this is fair weird little
<v Speaker 2>names for the discussion. What do you mean? Who told you?
<v Speaker 2>It doesn't vot you did every loptone just everything you've
<v Speaker 2>said and done since I've.
<v Speaker 5>Been in this room is informed that miss Sportslayer has
<v Speaker 5>never consented to this transsection, which is a little speculation
<v Speaker 5>of your own.
<v Speaker 2>Oh, I started to take it, aid be like, oh no, no,
<v Speaker 2>like a similar Well, little pal, how much did you give?
<v Speaker 2>A thousand pounds? I couldn't take it.
<v Speaker 1>What do you ask five thousand?
<v Speaker 2>I couldn't give it?
<v Speaker 1>Well, I was at all four thousands.
<v Speaker 2>But why I didn't just ticket? Because I intended to
<v Speaker 2>get more? Oh, that's to them. They offered four thousand,
<v Speaker 2>they will give five. They won't give anything. Why not
<v Speaker 2>they turn the case that was a name will be
<v Speaker 2>this three pounds. The celena is strange, that may appear,
<v Speaker 2>and my time is limited as well as yours. I
<v Speaker 2>have brought with me the sum of one thousand pounds,
<v Speaker 2>which is all that I wish to pay. If that
<v Speaker 2>is your desire to tell it. This figure kind of
<v Speaker 2>a praise never effect at once. It's not not really
<v Speaker 2>wish was very good. Well you can have it. It's
<v Speaker 2>a small amount of I hangle over.
<v Speaker 4>Give me the money.
<v Speaker 2>Certainly, of course, you say you've only brought the punt
<v Speaker 2>I did this? Is this you brought a pipe on
<v Speaker 2>more collect so I didn't say I hadn't brought anymore.
<v Speaker 2>You can be a little stick when it comes to
<v Speaker 2>a pension. It depends on who I'm dealing with. Yeah,
<v Speaker 2>you're give me that money?
<v Speaker 1>Come on, say around.
<v Speaker 2>Now. That's why I watch your James Lender Bear. You've
<v Speaker 2>been so cunning and so cautious and so wise. We
<v Speaker 2>couldn't find a thing to hold you for.
<v Speaker 4>But this little twip will get you in for robbery.
<v Speaker 2>You're happy in with you? Why are your huse about
<v Speaker 2>seeing here? But they get away from here your ton.
<v Speaker 2>I do not anticipate any particular difficulty a robbery.
<v Speaker 1>Hey, why even if you drop away from here, you
<v Speaker 1>haven't gone a witness. You haven't gone a witness for
<v Speaker 1>your name.
<v Speaker 2>I'm not so sure that that's the Letta bear.
<v Speaker 1>I'm so sure of that you use.
<v Speaker 2>This fastness to come and go a nice car.
<v Speaker 3>Back.
<v Speaker 4>Don't want to be.
<v Speaker 6>I am afraid your where.
<v Speaker 2>I have to ask you, gentlemen, to wait at one moment. Please,
<v Speaker 2>what's the idea of figure out I'm writing? What are
<v Speaker 2>you waiting your will? I said no, no? May who
<v Speaker 2>brief the riptom one or two of your gentlemen to sleep.
<v Speaker 2>Wait a bit.
<v Speaker 4>You better listen to me.
<v Speaker 2>It's all They're gonna tie you down. Ninety tips on
<v Speaker 2>the top of that table. You'll describe me that one
<v Speaker 2>thinking you're s sure of anybody in this room? And
<v Speaker 2>three bars got out of that window.
<v Speaker 4>Bars on't no bars.
<v Speaker 2>No, I'm not going to get off drink. There are
<v Speaker 2>so many ways, and to let it be that I
<v Speaker 2>hardly know which one to two.
<v Speaker 6>You better too.
<v Speaker 4>I choose at once. It's the kigon and I cho
<v Speaker 4>I spose on this hair.
<v Speaker 10>Started because follow no, gentleman, no, not trying the window.
<v Speaker 4>I'm leaving back the door that.
<v Speaker 2>I had a busy morning at my office in Holly
<v Speaker 2>Street after eleven before the last of my appointments was over,
<v Speaker 2>and still no news of homes in Dodel postom. Is
<v Speaker 2>there anyone waiting? I have to be in Baker Street
<v Speaker 2>at noon. There's one test moon.
<v Speaker 4>That wait to doty tearing to us to you most particulate,
<v Speaker 4>what about taste face?
<v Speaker 2>There's most focused over out here, and call a cap
<v Speaker 2>for me at the same time and have it wait
<v Speaker 2>till the lady past five doctors also going to do
<v Speaker 2>the seemate.
<v Speaker 1>I agace to it speaking did you bring my card case?
<v Speaker 2>But if I did, I'd lost you. Trouble about his cards,
<v Speaker 2>they said, when mister Home to tend several people tell
<v Speaker 2>me about the several there's right to ask you a
<v Speaker 2>signing today.
<v Speaker 1>This morning, and everything depends on it.
<v Speaker 2>Doctor every time go to mister Holmes une ideally you
<v Speaker 2>want to say you went to mister holmes house. Yes,
<v Speaker 2>in data see that's why I came to you. Then
<v Speaker 2>said nice pin No you idea.
<v Speaker 1>Don't expect him with mom.
<v Speaker 2>No, there's no possibility of mister Home's coming as far
<v Speaker 2>as I know.
<v Speaker 1>But couldn't it get me to come? It would be
<v Speaker 1>such a great stayor to me. And they must warn out.
<v Speaker 2>Of staying about in distressful an out if you could.
<v Speaker 1>Get where it came to home.
<v Speaker 2>I was not get him to come out, and then
<v Speaker 2>I think you could excuse me. I bring out myself
<v Speaker 2>on urgent business. I have no idea where mister Holmes,
<v Speaker 2>probably every more than I building down her little they
<v Speaker 2>want to do and he won't put him little one
<v Speaker 2>to you and don't allow anybody to come in.
<v Speaker 1>I have no more time, honey was.
<v Speaker 6>Right away worn time doctor dog. He get you can't
<v Speaker 6>any ready.
<v Speaker 1>There, don't just come see anybody.
<v Speaker 6>He's not to come in to me. Man, this straight game,
<v Speaker 6>all right?
<v Speaker 4>Help him in.
<v Speaker 6>He's like, we can.
<v Speaker 2>The poet over their just waiting to be conshead.
<v Speaker 6>And the car theil the heck then or you curnt
<v Speaker 6>that's the train enough.
<v Speaker 4>He was on the wrong side of the street.
<v Speaker 6>He was, you.
<v Speaker 4>Sit here, don't know the answer?
<v Speaker 2>That don't you support? And I know where I want
<v Speaker 2>to sit down. You'll sit down here. That is the doctor,
<v Speaker 2>the doctor.
<v Speaker 6>An look at you.
<v Speaker 4>Here's the doctor.
<v Speaker 6>That is the doctor. He a dost here jump cake?
<v Speaker 2>You just coming he and look at me.
<v Speaker 4>O plate here he's here, Lily.
<v Speaker 6>Are you a campman? Cash, I'm a campman. Well, I'm
<v Speaker 6>erected for this. We're arrested.
<v Speaker 2>Arrested, arrested, arrest May Conornio ten.
<v Speaker 6>Where's my hat? Where's my hat?
<v Speaker 2>My hat?
<v Speaker 6>My hat? Ye am, I your head? I will I
<v Speaker 6>my hat. Oh you're responsible here, you're right here in
<v Speaker 6>go I'll there. That isn't my hack. Yeah, you're responsible.
<v Speaker 6>I'll have you erected here, come.
<v Speaker 2>Back to figure out you are?
<v Speaker 3>You know I got you a ten dollar.
<v Speaker 2>No, when you're in here, I want.
<v Speaker 6>To speak to him.
<v Speaker 3>Let's see.
<v Speaker 6>I will stay in the street. I would get out
<v Speaker 6>of your alive.
<v Speaker 2>So why are you staying at me before Iday? So
<v Speaker 2>let's have to wait for me. I must see this
<v Speaker 2>by her. I'm afraid of you.
<v Speaker 1>A good quiet for one moment.
<v Speaker 2>I'll have a look at them. Well they still with him?
<v Speaker 1>Well, how can I remarkable remarkable weather?
<v Speaker 2>We're having a uct?
<v Speaker 3>Oh?
<v Speaker 6>Hop on earth?
<v Speaker 2>How about having you remove some of this diculous disguise.
<v Speaker 2>Wasn't home?
<v Speaker 3>Is that you?
<v Speaker 4>Mary?
<v Speaker 2>Quite?
<v Speaker 3>Quite so?
<v Speaker 2>Oh? Watson watching? Oh they get out that window without
<v Speaker 2>the blind? Why do nothing?
<v Speaker 1>I was getting done by missus. Larrabe here go home,
<v Speaker 1>get out that way now.
<v Speaker 2>I don't think they're watching Corman, good work forman. I
<v Speaker 2>think it's Dy in charge. Hep her the good forman
<v Speaker 2>write me outside. Yes, oh, watching my dear.
<v Speaker 1>I regret to say that that's.
<v Speaker 4>The present time.
<v Speaker 2>The Penson Moriarty himself has not risen to the base.
<v Speaker 2>But do you think he is in the open streets
<v Speaker 2>under some clever disguise, watching for change?
<v Speaker 4>To get it?
<v Speaker 3>Man?
<v Speaker 2>Because this woman set him hid? So can still a
<v Speaker 2>spy let him know by some signal if she found
<v Speaker 2>me in the house. Now they know, roll down that
<v Speaker 2>blind watch and I don't care the shot at from
<v Speaker 2>the street I imagine, which you'll.
<v Speaker 4>Hear from the Prinson Moriarty very soon though he.
<v Speaker 1>When did I tell you he come? Well, he has
<v Speaker 1>a course of seat.
<v Speaker 2>He was in there watching these windows.
<v Speaker 1>He must have been coming to his just come off.
<v Speaker 2>There was a tab wag in front of this out
<v Speaker 2>there and he's climbed up and change takes with a
<v Speaker 2>drive after out again quickly and to dry on him.
<v Speaker 11>Yes, thank you.
<v Speaker 2>Watn't you never rather heavy portmenteau for a few moments
<v Speaker 2>and I won't do it any harm part of my
<v Speaker 2>life that's still over in the following here. Thank your
<v Speaker 2>person he was down there.
<v Speaker 4>Thanks so much, persons.
<v Speaker 2>You wanted to tab the doctor a short time ago.
<v Speaker 2>It's been waiting. I believe today to be so good
<v Speaker 2>to tell the driver to come in here and get
<v Speaker 2>a relief.
<v Speaker 1>You come, tell him that's the one.
<v Speaker 2>It's really good to the idea, wasn't it sounds like
<v Speaker 2>LEAs you should tell your man never to take the
<v Speaker 2>first cab that comes on corn or yes, the second,
<v Speaker 2>the third, maybe six.
<v Speaker 1>But home, I oh, I let's day.
<v Speaker 2>I want to take him down having all right, all right,
<v Speaker 2>good drive wakon by? Want some wait a minute? Driver
<v Speaker 2>up the head? A friend, anail the wolfson? I right
<v Speaker 2>you from the pas Yeah, yeah, a driver get me.
<v Speaker 2>I got the step of the ayway. That's right. I
<v Speaker 2>hold the driver. You you pull a step. Little things
<v Speaker 2>in bags that I wouldn't like to lose art And
<v Speaker 2>it's just as well to make.
<v Speaker 1>Quite sure.
<v Speaker 2>We get knocked up at the way out here. That
<v Speaker 2>means a simple pair of sent cup you.
<v Speaker 3>Taking a shadow? Was that the ship the head?
<v Speaker 2>I ventured the dream that it's might there? You know,
<v Speaker 2>quite sure the policeable.
<v Speaker 4>The whole way, But there's them, I'm quite sure nothing.
<v Speaker 2>Take him away from him.
<v Speaker 4>And tell my dear Watson ends the strange case of
<v Speaker 4>miss Alic progress.
<v Speaker 2>But what about the letto the letters? They will return
<v Speaker 2>to their right plane over and now go I expected
<v Speaker 2>them well started. Miss Potner was really a nice goose.
<v Speaker 1>Huh, yes, what is it all?
<v Speaker 2>I'm just reflecting my thea watn't it's more arty? Out
<v Speaker 2>of the way London. From the point of view of
<v Speaker 2>the criminal expert, like becoming singularly uninteresting today one morning
<v Speaker 2>paper of veritable willed inness of boredom. So yes, it's a.
<v Speaker 9>Lady there waiting for an hour.
<v Speaker 2>Take he's got up to take a monyis he's got
<v Speaker 2>up the day from which I introduced to you the
<v Speaker 2>lady of.
<v Speaker 5>Over forty one and less than forty five and the
<v Speaker 5>strange dark us here in considerable searchial eminence, which is
<v Speaker 5>just for ten years when near east that she is
<v Speaker 5>now wearing a large drug ruby on the second thing ever.
<v Speaker 1>Left hand, Holmes, how do you know these things?
<v Speaker 2>It's amazing elementary and Nadia Watson elementary, the child's player
<v Speaker 2>of deduction. My hein and I have the Columbia broadcast
<v Speaker 2>in st. There is affiliated spacing coast to coast. I've
<v Speaker 2>brought you Auson Wales and the Military Savor on the air.
<v Speaker 2>The twelfth production of this unique series featuring broadways and
<v Speaker 2>radios now celebrated Theatrical Producing Company this evening. The player
<v Speaker 2>was Auson Whale's old adaptation William elect Hillock home in
<v Speaker 2>the cast Doctor Watson played by Ray Collins, Alice Backner
<v Speaker 2>by Mary Taylor, Matt Larrabie by bendor Ford James Larabee
<v Speaker 2>by Edgar Barrier, Respected Foreman by Morgan, Parley Craigan by
<v Speaker 2>Richard Wilson, Classic by Alfred Shirley, Barry by William Allen,
<v Speaker 2>Billy by Arthurnander, Fools, Professor Moriarty by Eustace Wyatt, and
<v Speaker 2>Jill at Holmes by Austin Welles. The orchestra was conducted
<v Speaker 2>by Bernard Hermann and the production was supervised for CBS
<v Speaker 2>by David pon Tator. Got announcer is Frank Keller.