"Five Minutes of Fire": Lawrence of Arabia, British Beatlemania, Ole Miss
Embark on a daily journey through the corridors of time with "Five Minutes of Fire," the podcast series that unravels the historical tapestry woven into Billy Joel's iconic anthem, "We Didn't Start the Fire." Join us twice a day for a brief and vibrant exploration of the names and events that have shaped the 20th century.In today's episode, the flames of history dance with the cinematic brilliance of the "Lawrence of Arabia," a timeless epic that left an indelible mark on film history. We then ride the wave of Beatlemania, a cultural phenomenon that transformed the music landscape and ignited the hearts of millions. The narrative takes a historic turn with the integration of Ole Miss, a landmark event in the Civil Rights Movement.In just five minutes, we'll guide you through these historical snapshots, providing context, anecdotes, and a deeper understanding of the individuals and events that defined their times. Whether you're a devoted Billy Joel fan or someone eager to explore the stories behind the lyrics, "Five Minutes of Fire" is your daily ticket to historical enlightenment.Subscribe now to join us as we unravel the verses of "We Didn't Start the Fire," offering insights that breathe life into the captivating tales behind the names etched into the song. "Five Minutes of Fire" - where history unfolds swiftly and vibrantly, twice a day. Don't miss your daily spark of historical exploration!
2024-01-16
5 min
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<v Speaker 1>I'm Jason Colvin, I'm d Graves. <v Speaker 2>Give us five minutes and we will give you the fire. <v Speaker 1>Hello everybody, and welcome back to the Surely You Can't <v Speaker 1>Be Serious Podcast Special Edition five Minutes of Fire. We <v Speaker 1>are here talking about the lyrics of We Didn't Start <v Speaker 1>the Fire by Billy Joel. We're covering only five minutes <v Speaker 1>at a time, which is about to link with the song, <v Speaker 1>so it works out kind of nicely. So please join <v Speaker 1>us as we dive into some new lyrics today. <v Speaker 2>All right, guys, So here are the topics that we're <v Speaker 2>going to be covering today. <v Speaker 1>Lawrence of Arabia, British Beatlemania and old Miss Okay, d <v Speaker 1>tell me about Lawrence of Arabia. Okay. Lawrence of Arabia <v Speaker 1>is a nineteen sixty two epic film based on the <v Speaker 1>life of Te Lawrence and his nineteen twenty six books <v Speaker 1>Seven Pillars of Wisdom. It was directed by David Lean, <v Speaker 1>who won the Oscar. Produced by Sam Spiegel, it won <v Speaker 1>not only for Best Director, it also won Best Picture, <v Speaker 1>Best Cinematography, Best Art Direction, Best Sound, Best Film Editing, <v Speaker 1>Best Music Score, and was nominated for several others, including screenplay. However, <v Speaker 1>at the time, only one writer was listed, Robert Bolt, <v Speaker 1>because the other writer had to remain anonymous because he <v Speaker 1>had been blacklisted and was living in France and wrote <v Speaker 1>under a pseudonym. His name was Michael Wilson. When Academy <v Speaker 1>Board of Directors researched, they found that Michael Wilson had <v Speaker 1>been a part of the writing process and so he <v Speaker 1>was at that time given screenwriting credit with Bolt. The <v Speaker 1>film starred Peter O'Toole. Also had Alec Guinness, which we <v Speaker 1>talked about from Bridge over the Requy, and Omar Shariff, <v Speaker 1>which we talked about when we talked about Doctor Schivako. <v Speaker 3>Awesome. <v Speaker 1>All right, tell me about British Beatlemania. <v Speaker 2>Okay, I don't know if you heard about these guys <v Speaker 2>that call him the Fab four, John, Paul, George and Ringo. <v Speaker 1>They were the English version of the Beach Boys. <v Speaker 2>Formed in nineteen sixty in Liverpool, actually cut their teeth <v Speaker 2>in Hamburg, Germany. Early songs include love Me, Do Please, <v Speaker 2>Please Me, for Me to You and she Loves You. <v Speaker 1>In nineteen sixty three, cut their teeth in a strip <v Speaker 1>club in Hamburg. <v Speaker 2>Yes they did. By October nineteen sixty three, the press <v Speaker 2>had coined the term Beatlemania to describe the craziness and <v Speaker 2>hysteria and high pitched female screaming when they would see them. <v Speaker 2>In February of nineteen sixty four, the Beatles arrived in <v Speaker 2>the United States and appeared on The Ed Sullivan Show <v Speaker 2>to seventy three million viewers. They also appeared in A <v Speaker 2>Hard Day's Night in the movie in nineteen sixty four. <v Speaker 2>To protect themselves from their fans, they were transported by <v Speaker 2>armored car, and in nineteen sixty six, John Lennon controversially <v Speaker 2>is said that the group had become more popular than Jesus. <v Speaker 2>The Beatles have one of the most lasting rock legacies <v Speaker 2>of all time, Maybe the maybe, the Yeah, all right? <v Speaker 2>D you tell me about Old Miss? <v Speaker 1>All Right? Old Miss refers to an event involving James <v Speaker 1>Howard Meredith, an American civil rights activist, writer, and political advisor, <v Speaker 1>and a US Air Force veteran. But in nineteen sixty two, <v Speaker 1>after he heard JFK give his inaugural address, he was <v Speaker 1>inspired to exercise his constitutional rights and apply to the <v Speaker 1>University of Mississippi. His goal was to put pressure on <v Speaker 1>Kennedy and his administration to enforce the civil rights for <v Speaker 1>African Americans. His admission to Old Miss started the Old <v Speaker 1>Miss Riot of nineteen sixty two, where James Meredith's life <v Speaker 1>was threatened and thirty one thousand American servicemen were required <v Speaker 1>to quell the violence. This is the largest ever invocation <v Speaker 1>of the Insurrection Act of eighteen oh seven, and it <v Speaker 1>was a flash point in the civil rights history. Meredith <v Speaker 1>went on to do many more things. In nineteen sixty six, <v Speaker 1>he started a March against Fear, planning to march from Memphis, Tennessee, <v Speaker 1>to Jackson in Mississippi without the involvement of civil rights organizations, <v Speaker 1>and he was shot by the second day by a <v Speaker 1>white gunman and sovered numerous wounds. He, by the way, <v Speaker 1>is also still alive. All right, Okay, guys, that does <v Speaker 1>it for today's episode. Join us next time for five <v Speaker 1>minutes a fire. <v Speaker 4>Hey, check it out. There's a brand new podcast on <v Speaker 4>the way exploring the discographies of the Beatles and the <v Speaker 4>Beach Boys. <v Speaker 3>It's called Apples and Oranges and and Lodges. On February seventh. <v Speaker 4>We will be matching albums against each other in a <v Speaker 4>one v one format, discussing every single track and then <v Speaker 4>giving our verdict on which album is better. <v Speaker 3>Pet Sounds versus Revolving Sergeant Pepper versus Smile. <v Speaker 4>Wouldn't it be nice if most people knew how well <v Speaker 4>the Beach Boys actually held up against the Fab Four. <v Speaker 3>Both bands inspired each other to keep pushing the boundaries <v Speaker 3>of what was possible in pop music here, there, and everywhere, and. <v Speaker 4>What we got were some of the great just albums <v Speaker 4>of all time. <v Speaker 3>All Summer Long versus A Hard Day's Night, River sol <v Speaker 3>versus the Beach Boys Today. <v Speaker 4>So let's come together for some fun, fun fun and <v Speaker 4>help me Ronda get this podcast off the ground, and <v Speaker 4>we'll sure appreciate you being around on February seventh, wherever <v Speaker 4>you find your podcast. <v Speaker 3>That's Apples and Oranges. February seven,
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