#35 Rachel and Jon

Heavyweight

Rachel and Jon are siblings who were separated as young children. Jonathan helps them confront the woman responsible... fifty years later.

Credits

Heavyweight is hosted and produced by Jonathan Goldstein.

This episode was produced by Kalila Holt, along with Stevie Lane.

Special thanks to Emily Condon, Alex Blumberg, PJ Vogt, Mohini Madgavkar, Nabeel Chollampat, and Jackie Cohen.

The show was mixed by Bobby Lord. 

Music by Christine Fellows, John K Samson, Blue Dot Sessions, and Bobby Lord. Our theme song is by The Weakerthans courtesy of Epitaph Records.

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See omnystudio.com/listener for privacy information.

2020-11-12 44 min Transcript

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Transcript

Pushkin. Hi, John, I am robot Goldstein. I will be 0:00:28.330 --> 0:00:33.729 your robot medical assistant. Pass me the scalpel to chat. 0:00:34.250 --> 0:00:37.530 Would you would you really? Would you love to continue 0:00:37.530 --> 0:00:38.129 to chat with me? 0:00:39.690 --> 0:00:39.849 No? 0:00:41.409 --> 0:00:43.530 How many people are you able to be that honest with. 0:00:44.970 --> 0:00:45.210 Just you? 0:00:46.930 --> 0:00:46.970 So? 0:00:47.050 --> 0:00:51.849 Well, that's that's kind of special, right, I know that 0:00:52.090 --> 0:00:54.130 is a good point. Do you see it's a very 0:00:54.170 --> 0:01:06.650 special bond? Yea from Gimblet Media. I'm Jonathan Goldstein and 0:01:06.730 --> 0:01:19.930 this is Heavyweight Today episode Rachel and John. Right after 0:01:19.970 --> 0:01:20.369 the break. 0:01:25.650 --> 0:01:28.050 You ready to start? I'm ready to start. 0:01:28.130 --> 0:01:28.850 You're sitting down? 0:01:29.170 --> 0:01:33.450 Yeah, okay, your eyes closed. Anything you see where there's 0:01:33.490 --> 0:01:35.410 some feelings, that's what we're looking for. 0:01:35.730 --> 0:01:36.170 Okay. 0:01:36.650 --> 0:01:39.570 This is a therapist named Alvin in session with a 0:01:39.610 --> 0:01:41.890 patient named Ted. What are you feeling? 0:01:42.090 --> 0:01:45.729 Can you describe it? Like it's happening right now, right now. 0:01:46.090 --> 0:01:48.770 The session was recorded as a part of an educational 0:01:48.810 --> 0:01:53.050 psychotherapy video series. In the session, Alvin is helping Ted 0:01:53.170 --> 0:01:56.210 relive a memory. The time is domineering father in law 0:01:56.450 --> 0:01:57.690 was rude to his wife. 0:01:58.090 --> 0:01:59.770 Yeah, and he's all dressed up. 0:01:59.690 --> 0:02:02.450 Hi, Jenny, Yeah, oh there is and. 0:02:02.490 --> 0:02:03.730 He's Yeah, there's a formal thing. 0:02:03.770 --> 0:02:05.450 It's like, you know, good to see we have to 0:02:05.530 --> 0:02:06.970 It's like the meanute. We talk to each other, our 0:02:07.010 --> 0:02:10.730 voices drop, yeah, hi, how are you? Alvin's eyes are 0:02:10.770 --> 0:02:14.250 shut tight. His method is to try to will himself 0:02:14.290 --> 0:02:17.810 into the patient's skin to feel what the patient is feeling. 0:02:18.410 --> 0:02:19.610 I can do this better than you. 0:02:19.650 --> 0:02:21.570 Watch me. Okay, okay, okay. 0:02:21.650 --> 0:02:23.250 I'm gonna put my arms around you. 0:02:23.330 --> 0:02:25.210 I'm gonna bring you kind of clothes. 0:02:25.370 --> 0:02:27.530 I'm doing better than you. Huh yeah good. 0:02:27.690 --> 0:02:30.970 Alvin does voices and role plays, and at times the 0:02:31.010 --> 0:02:35.210 session feels like avant garde improv It's playful and honestly 0:02:35.290 --> 0:02:38.050 kind of bizarre. But the point of it all is 0:02:38.090 --> 0:02:41.090 to help the patient rehearse behavior in the office that 0:02:41.130 --> 0:02:46.730 he can then apply in real life. Toucher toucher, Oh yeah, Holder. 0:02:46.970 --> 0:02:48.810 And Jenny like so much. 0:02:49.050 --> 0:02:51.330 By the end of the session, Alvin has turned ted 0:02:51.730 --> 0:02:55.730 a meek, buttoned up patient into someone capable of expressing 0:02:55.770 --> 0:02:59.370 himself emotionally. Gonna be this way with Jenny because you 0:02:59.490 --> 0:03:00.450 rehearsed it, got it. 0:03:00.890 --> 0:03:05.450 I'm ready. 0:03:09.570 --> 0:03:14.170 We had this ability within us to become a whole 0:03:14.210 --> 0:03:14.770 new person. 0:03:15.730 --> 0:03:19.130 Alvin died in twenty fourteen, but this is Howard, a 0:03:19.170 --> 0:03:23.850 psychotherapist and one of Alvin's disciples. Howard runs Alvin's website 0:03:23.890 --> 0:03:27.530 and publishes his books. Are you talking a little hyperbolically 0:03:27.530 --> 0:03:28.770 when you say a whole new person? 0:03:28.890 --> 0:03:31.970 No, it is that radical topathon. It's to become a 0:03:32.010 --> 0:03:35.730 whole new person the term you use as an optimal person, 0:03:36.450 --> 0:03:38.370 and to discover that within yourself. 0:03:39.610 --> 0:03:43.410 According to Alvin, once you've discovered this optimal personhood, you 0:03:43.450 --> 0:03:45.890 can shake off what others want and live on your 0:03:45.890 --> 0:03:46.530 own terms. 0:03:46.930 --> 0:03:48.890 It changed my life direction. 0:03:49.290 --> 0:03:52.170 And for these kinds of radical results, Alvin was given 0:03:52.170 --> 0:03:56.690 a Lifetime Achievement Award from the American Psychological Association. One 0:03:56.730 --> 0:04:00.570 psychology textbook even goes so far as to describe Alvin 0:04:00.690 --> 0:04:14.170 as being quote as important as Freud. But this isn't 0:04:14.170 --> 0:04:17.529 a story about Alvin's professional life, his life inside the office. 0:04:18.529 --> 0:04:21.690 This is a story about Alvin's real life. 0:04:21.770 --> 0:04:23.129 He insisted, I run away. 0:04:24.130 --> 0:04:27.529 This is Rachel, Alvin's daughter, and I. 0:04:27.529 --> 0:04:32.570 Did, How old were you? I was in grade five? 0:04:34.130 --> 0:04:38.010 The year was nineteen seventy. Alvin and Rachel's mom had 0:04:38.049 --> 0:04:41.210 been locked in an ugly custody battle for eight years. 0:04:41.690 --> 0:04:45.609 Rachel's mom was poor and struggled with depression. Rachel really 0:04:45.650 --> 0:04:49.010 wanted to live with her dad, so when Alvin suggested 0:04:49.089 --> 0:04:51.689 she run away from Judy in Denver to his house 0:04:51.729 --> 0:04:54.969 in Ohio, Rachel didn't pack a bag, She didn't say 0:04:55.010 --> 0:04:57.849 goodbye to anyone. She just left. 0:04:58.130 --> 0:05:01.089 Like he set up this whole thing with his lawyer, 0:05:01.330 --> 0:05:04.089 and I just felt like I needed to do with 0:05:04.130 --> 0:05:06.089 my dad. And the lawyer told me and this was 0:05:06.130 --> 0:05:08.409 the right thing. I think, I said, I was going 0:05:08.450 --> 0:05:12.529 to the lie and somehow, I don't remember how I 0:05:12.570 --> 0:05:15.529 got to the lawyer's office, and then they took me 0:05:15.609 --> 0:05:18.289 to the airport and put me on the plane and 0:05:18.330 --> 0:05:19.330 I left. 0:05:24.409 --> 0:05:27.130 Alvin had gotten remarried to a woman with two kids, 0:05:27.409 --> 0:05:29.409 and Rachel loved feeling like she was a part of 0:05:29.450 --> 0:05:32.529 this happy family. There were dogs to play with and 0:05:32.609 --> 0:05:36.249 bikes to ride, and yet this other feeling would often 0:05:36.289 --> 0:05:36.770 creep in. 0:05:37.330 --> 0:05:40.249 I miss my mom, I miss my friends, I miss 0:05:40.330 --> 0:05:44.689 my cat. But I could never ever ever say that 0:05:44.929 --> 0:05:46.650 out loud to anybody. 0:05:47.890 --> 0:05:50.729 And there was someone else Rachel missed, missed most of all. 0:05:54.609 --> 0:05:58.889 She told us she was going to the library, and 0:06:00.089 --> 0:06:02.289 then she never came back. 0:06:03.330 --> 0:06:06.249 This is Rachel's brother John. He's two and a half 0:06:06.330 --> 0:06:09.369 years younger than Rachel and only has flashes of early 0:06:09.450 --> 0:06:13.570 childhood memory About Alvin. He recalls doing father's son things 0:06:13.609 --> 0:06:16.650 that it'd make perfect sense if the son was an adult, 0:06:17.250 --> 0:06:20.010 things like lifting weights together and smoking. 0:06:20.729 --> 0:06:23.770 He was a pipe smoker. He bought me my own 0:06:24.169 --> 0:06:27.770 little cherrywood pipe, and you know, as a four year old, 0:06:27.810 --> 0:06:30.890 he actually had me smoking, you know, tobacco in the 0:06:30.929 --> 0:06:32.049 pipe with him. 0:06:32.409 --> 0:06:35.849 It was as though Alvin couldn't distinguish between adults and children, 0:06:36.409 --> 0:06:39.049 which was why he saw John's closeness with his mom 0:06:39.450 --> 0:06:43.010 not as a child's natural maternal attachment, but rather as 0:06:43.049 --> 0:06:46.489 a personal slight and so Alvin ever asked John to 0:06:46.529 --> 0:06:50.289 run away. John was left behind in Denver with Judy. 0:06:50.929 --> 0:06:53.330 I think in his mind, I just, you know, was 0:06:53.450 --> 0:06:57.489 more a mama's boy and a chip off Judy's block, 0:06:57.609 --> 0:07:00.849 and I think he sort of gave up on me, 0:07:02.010 --> 0:07:04.409 and he was really focused on Rachel. 0:07:05.369 --> 0:07:08.529 And as the final custody hearing approached, Alvin's focus on 0:07:08.650 --> 0:07:11.929 Rachel and intensified. He wanted to prove to the court 0:07:12.010 --> 0:07:14.770 that Rachel was better off with him, So he had 0:07:14.770 --> 0:07:18.690 about a half dozen social workers and psychologists offtfare assessments, 0:07:19.250 --> 0:07:23.210 Rachel was interviewed, and Alvin's new family observed. None of 0:07:23.210 --> 0:07:27.129 the experts spoke to Judy, and the plan worked. In 0:07:27.170 --> 0:07:30.130 the autumn of nineteen seventy, a judge ruled that Rachel 0:07:30.130 --> 0:07:32.809 would be allowed to stay in Ohio with al for good, 0:07:33.450 --> 0:07:35.890 but John would remain in Denver with Judy. 0:07:36.730 --> 0:07:38.489 And we never lived together again. 0:07:46.369 --> 0:07:50.130 When you have a sibling who is just a critical 0:07:50.450 --> 0:07:53.649 part of your family and then you're separated from them, 0:07:54.090 --> 0:07:54.810 it's a wound. 0:07:55.570 --> 0:07:58.850 How uncommon was an arrangement like that? 0:07:59.690 --> 0:08:03.810 Extreme? Yeah, very very uncommon. Kids are not split up. 0:08:04.929 --> 0:08:09.170 We each grew up alone. I missed her through my 0:08:09.170 --> 0:08:13.410 my whole childhood. I missed her a lot. I mean, 0:08:13.489 --> 0:08:17.970 we were so close when we were young, and you know, 0:08:18.770 --> 0:08:21.810 she was the big sister who through all of that 0:08:21.970 --> 0:08:29.530 was looking out for me growing up from then on, 0:08:29.890 --> 0:08:33.370 just me and my mom. Grew up as an only child, 0:08:33.970 --> 0:08:39.450 and my mom just always being in pain, and she 0:08:39.570 --> 0:08:41.929 never was able to enjoy whatever it is we were 0:08:41.970 --> 0:08:44.290 doing at the moment. It was always, Oh, if only 0:08:44.690 --> 0:08:46.650 Rachel were here, we could all be together, and I'd 0:08:46.650 --> 0:08:49.130 be saying, but we're here now. 0:08:50.450 --> 0:08:53.730 When he turned thirteen, John invited Rachel to his bar Mitzvah, 0:08:54.290 --> 0:08:57.930 but Alvin wouldn't let her go. Rachel sent a poem instead. 0:08:58.650 --> 0:09:01.850 It had to do with a rubber band stretching across 0:09:01.890 --> 0:09:09.490 the distance and connecting us. 0:09:10.610 --> 0:09:13.210 For John, not only did he lose his big sister, 0:09:13.570 --> 0:09:17.050 he also lost his dad. Year after year, John tried 0:09:17.090 --> 0:09:20.130 to re enter Alvin's life, but each time he reached out, 0:09:20.370 --> 0:09:24.570 Alvin rebuked him. One time, as an adolescent, John tried 0:09:24.570 --> 0:09:25.450 scheduling a visit. 0:09:26.170 --> 0:09:30.650 Then he said, well, as long as you guys you 0:09:30.690 --> 0:09:34.610 know me and my mom required any money, any child support, 0:09:34.770 --> 0:09:38.050 there be no visit. And I said, well, it sounds 0:09:38.130 --> 0:09:40.770 like you care more about money than about me, And 0:09:41.650 --> 0:09:43.250 he said, well, I don't want it to just sound 0:09:43.330 --> 0:09:44.810 like that. That's how it is. 0:09:51.530 --> 0:09:55.210 Nevertheless, a few years later, John asked once again if 0:09:55.210 --> 0:09:58.890 he could come visit. By this point, Rachel was eighteen 0:09:59.090 --> 0:10:02.170 and no longer living with Alvin, So when Alvin refused 0:10:02.250 --> 0:10:05.250 John yet again, Rachel told her brother to come visit 0:10:05.290 --> 0:10:09.250 her instead. They hadn't seen each other in eight years. 0:10:10.090 --> 0:10:11.970 Was she the same sister that you remembered? 0:10:14.130 --> 0:10:16.610 No? I mean I knew her as a you know, 0:10:18.770 --> 0:10:21.930 six seven, eight, nine ten year old. Next time I 0:10:21.970 --> 0:10:24.570 saw her, she was an adult. 0:10:25.290 --> 0:10:27.850 In the years since that visit, Rachel and John have 0:10:27.890 --> 0:10:30.530 made a point of staying in each other's lives. They 0:10:30.570 --> 0:10:33.610 talk on the phone, celebrate holidays together, and once a 0:10:33.690 --> 0:10:36.770 year their families all take a trip. But their childhood 0:10:36.850 --> 0:10:38.570 together that's been lost. 0:10:39.290 --> 0:10:42.930 I mean, my daughter certainly watches us and thinks that 0:10:42.970 --> 0:10:48.650 we're more like cousins. She can see the disconnect because 0:10:48.690 --> 0:10:49.970 we did not grow up together. 0:10:50.930 --> 0:10:54.330 John and Rachel still have questions about their childhood, but 0:10:54.370 --> 0:10:56.610 now that their parents are both dead, they have no 0:10:56.650 --> 0:10:59.810 one to ask, so they pass through their separate memories, 0:10:59.970 --> 0:11:03.250 trying to construct a timeline, comparing moments of overlap and 0:11:03.250 --> 0:11:06.850 filling in the blanks to this end. One night, while 0:11:06.890 --> 0:11:10.170 John was visiting Rachel for Thanksgiving, he asked if they 0:11:10.170 --> 0:11:15.170 could go through Alvin's files. Alvin was an obsessive record keeper, 0:11:15.410 --> 0:11:19.130 and after he died, Rachel inherited his papers. She'd never 0:11:19.170 --> 0:11:21.530 really gone through them, keeping them stored away in a 0:11:21.570 --> 0:11:25.210 filing cabinet, but that night she pulled him out, and 0:11:25.250 --> 0:11:29.130 together John and Rachel made a series of disturbing discoveries, 0:11:29.970 --> 0:11:32.449 the first of which was the script. 0:11:34.850 --> 0:11:37.930 The script for me was like, oh my God. 0:11:38.930 --> 0:11:41.850 The script was a lengthy diatribe written by Alvin from 0:11:41.850 --> 0:11:44.730 the point of view of a child, Rachel's point of view. 0:11:45.410 --> 0:11:49.690 In it, Alvin refers to himself as Daddy, Judy, as mother, 0:11:50.010 --> 0:11:53.930 or Judy or simply she. I later asked Rachel to 0:11:53.970 --> 0:11:58.010 read some over the phone, two and. 0:11:58.010 --> 0:12:02.170 Half pages long and small psychologists, writing, Okay, so here 0:12:02.210 --> 0:12:06.810 I go. It's in my good, happy dreams. Custody is changed, 0:12:06.930 --> 0:12:11.050 and I live with Daddy. If I am forced to 0:12:11.290 --> 0:12:14.010 go back and live with mother, it will only be 0:12:14.130 --> 0:12:17.410 till the day I'm fourteen, which apparently was when you 0:12:17.450 --> 0:12:21.690 could de side. When I'm with her, I feel scared 0:12:21.730 --> 0:12:25.050 that I might get tight and angry and cold like Judy. 0:12:26.050 --> 0:12:28.770 She's not a mother, she is a keeper. She makes 0:12:28.810 --> 0:12:32.050 me feel like I'm in a prison. I can't let 0:12:32.090 --> 0:12:32.890 her touch me. 0:12:33.610 --> 0:12:36.810 It was like finding your childhood internal monologue committed to 0:12:36.850 --> 0:12:40.730 paper and written in your father's handwriting. Rachel didn't remember 0:12:40.810 --> 0:12:43.490 seeing the script as a kid, but you remembered saying 0:12:43.570 --> 0:12:47.330 those things, and she remembered thinking them. In one of 0:12:47.370 --> 0:12:51.930 Alvin's many books, a volume entitled The Manual of Optimal Behavior, 0:12:52.330 --> 0:12:55.410 He writes that behavior can be rehearsed and modified quote 0:12:55.770 --> 0:12:58.330 until you are ready and eager to go ahead and 0:12:58.410 --> 0:13:02.650 do what you have rehearsed and modified. Unbeknownst to her, 0:13:03.130 --> 0:13:05.930 Alvin was having Rachel rehearse and modify. 0:13:06.970 --> 0:13:12.650 It was so explicit. There was nothing subtle about it. 0:13:12.730 --> 0:13:14.090 You know, the whole thing was sick. 0:13:15.530 --> 0:13:18.130 The second thing discovered among the files was a letter 0:13:18.130 --> 0:13:21.530 from Rachel to her mom. In it, she begs Judy 0:13:21.610 --> 0:13:24.890 to let her live with Alvin, but there were two copies, 0:13:25.530 --> 0:13:28.930 one written in Rachel's hand and one written in Alvin's. 0:13:38.490 --> 0:13:41.930 Going through the papers, Rachel remembered, other things, how Alvin 0:13:42.010 --> 0:13:44.330 encouraged her not to smile when she was with her mom, 0:13:44.650 --> 0:13:47.410 saying if someone photographed her happy, it could be used 0:13:47.410 --> 0:13:50.850 as evidence against him in court. In every photo from 0:13:50.850 --> 0:13:53.690 that period with her mother, Rachel is wearing a frown. 0:13:54.410 --> 0:13:58.450 That's when I started questioning and started to realize that 0:13:58.570 --> 0:14:01.530 I was coached or brainwashed. 0:14:04.730 --> 0:14:08.250 It made sense. For most of her adult life, Rachel 0:14:08.290 --> 0:14:11.330 had had no memory of loving her mom. It was 0:14:11.370 --> 0:14:14.130 only after her mother's death when she found mother's day 0:14:14.170 --> 0:14:16.330 and birthday card she'd written to Judy when she was 0:14:16.450 --> 0:14:20.810 very small that Rachel realized she had I love you, mommy. 0:14:20.890 --> 0:14:24.410 She'd written I love you so much, but with Al's 0:14:24.450 --> 0:14:34.570 constant coaching, it had all been stamped out. The final 0:14:34.610 --> 0:14:37.570 thing John and Rachel found that night were those psychological 0:14:37.610 --> 0:14:40.690 reports Alvin at Rachel submit to just before the final 0:14:40.690 --> 0:14:44.810 custody hearing. In them, you see Alvin's scripting bear out. 0:14:45.450 --> 0:14:48.770 One report notes that Rachel kept repeating, quote, I want 0:14:48.810 --> 0:14:51.730 to live with my father. He loves me. My mother 0:14:51.850 --> 0:14:55.170 doesn't love me. The report notes that she said this 0:14:55.370 --> 0:15:00.850 with quote grim determination. They also uncovered one particular report 0:15:00.890 --> 0:15:03.290 that night that was longer than any of the others. 0:15:03.930 --> 0:15:06.530 It was the only one that evaluated both John and Rachel, 0:15:06.930 --> 0:15:10.410 and in this it carried the most weight and what 0:15:10.530 --> 0:15:13.530 shocked John and Rachel most of all, my dad. 0:15:13.410 --> 0:15:14.050 Clearly ed. 0:15:15.570 --> 0:15:18.770 Edited it and then she rewrote it with the edits 0:15:19.130 --> 0:15:22.450 and submitted that rewrite. 0:15:22.690 --> 0:15:24.370 Is that ethical as a social work? 0:15:24.450 --> 0:15:26.530 No no, no, no, no, no no no no it's 0:15:26.570 --> 0:15:31.650 not no oh no no no. No one should ever 0:15:31.770 --> 0:15:36.570 let anybody else, especially their client, edit their reports. No, 0:15:36.650 --> 0:15:38.170 it's it's really bad. 0:15:39.490 --> 0:15:42.730 The report was written by a social worker named Joyce. 0:15:49.410 --> 0:15:52.890 Alvin's edits to Joyce's report made the language more emphatic. 0:15:53.530 --> 0:15:56.730 For example, where Joyce had written that Rachel was hesitant 0:15:56.770 --> 0:15:59.530 when it came to judy, Alvin changed it to say 0:15:59.650 --> 0:16:03.490 she was fearful. In another spot, he added that Rachel 0:16:03.570 --> 0:16:06.450 wanted to blot out any memory of ever having been 0:16:06.450 --> 0:16:07.730 away from him. 0:16:08.490 --> 0:16:12.810 Honestly, I mean it was horrifying, you know, just to 0:16:12.850 --> 0:16:18.610 see the detailed notes, to see the edited drafts, the 0:16:18.650 --> 0:16:22.610 crossouts and his handwriting, and then the final version that 0:16:22.690 --> 0:16:26.050 was submitted to the courts with his edits in there, 0:16:27.410 --> 0:16:29.330 like there's no question in what happened. 0:16:30.810 --> 0:16:34.290 The report concludes with a recommendation, the strongest one of 0:16:34.330 --> 0:16:37.330 any report and the only recommendation of its kind. 0:16:37.890 --> 0:16:41.050 She recommended that I live with him, and that my 0:16:41.090 --> 0:16:42.970 brother lived with my mom. 0:16:44.210 --> 0:16:47.610 John and Rachel's separation came down to a decision dictated 0:16:47.690 --> 0:16:55.330 by Alvin and signed off on by Joyce. How was 0:16:55.370 --> 0:16:57.770 Alvin able to exert this kind of power over a 0:16:57.770 --> 0:17:01.170 social worker, someone who was supposed to be an impartial outsider. 0:17:02.090 --> 0:17:05.410 John and Rachel couldn't understand it. But that night, when 0:17:05.490 --> 0:17:08.889 Rachel googled Joyce, she was shocked to realize that Joyce 0:17:08.889 --> 0:17:13.409 had been an impartial outsider at all. Joyce was a 0:17:13.409 --> 0:17:18.169 family friend. Rachel recognized Joyce as the kind, dark haired 0:17:18.209 --> 0:17:21.530 woman whose house she visited as a child. Rachel would 0:17:21.530 --> 0:17:23.649 bring her cello over to play music with Joyce in 0:17:23.689 --> 0:17:27.129 her family, which means that, on top of everything else 0:17:27.169 --> 0:17:29.810 wrong with the report, Joyce should never have been the 0:17:29.810 --> 0:17:31.649 person to write it in the first place. 0:17:32.530 --> 0:17:35.650 She was like the one person in my life as 0:17:35.689 --> 0:17:40.090 a kid who could have said, Hey, I think you're 0:17:40.090 --> 0:17:43.929 coaching her and this isn't right. Why are we going 0:17:44.010 --> 0:17:47.330 to try and split these kids up? She was the 0:17:47.369 --> 0:17:50.170 one who could have said something. 0:17:51.169 --> 0:17:56.769 In nineteen seventy Joyce recommended that my sister go with 0:17:56.810 --> 0:17:58.970 my father and that I go with my mother. And 0:17:59.010 --> 0:18:05.249 that's what happened, and that dictated the course of my life. 0:18:05.490 --> 0:18:07.169 What happened? 0:18:08.290 --> 0:18:10.369 This is the question that's been nagging at John and 0:18:10.449 --> 0:18:13.850 Rachel since they found the report. How could this have happened? 0:18:14.689 --> 0:18:17.729 And so John and Rachel want to find Joyce and 0:18:17.850 --> 0:18:21.249 ask her. What I don't fully understand, though, is what 0:18:21.330 --> 0:18:24.609 I have to offer. Rachel and John are both practicing 0:18:24.649 --> 0:18:28.929 therapists themselves. They're more than capable of posing difficult questions 0:18:29.449 --> 0:18:32.449 and Although I play a mental health semi professional, semi 0:18:32.490 --> 0:18:35.770 convincingly on a podcast, I'm not actually one at all. 0:18:36.609 --> 0:18:39.170 What can I do well? 0:18:40.770 --> 0:18:40.850 So? 0:18:41.129 --> 0:18:45.209 I have had to advocate for myself my entire life 0:18:45.369 --> 0:18:49.249 from a very young age, and nobody advocated for me 0:18:49.369 --> 0:18:53.850 or my brother, and so if you could help me 0:18:53.970 --> 0:18:57.929 with this, it would be a healing piece for me 0:18:58.090 --> 0:19:00.489 that somebody else advocated for me. 0:19:06.609 --> 0:19:28.969 After the break in search of Joyce, I find Joyce 0:19:29.010 --> 0:19:32.649 the social workers facebook and email address right away, and 0:19:32.689 --> 0:19:34.969 I message to ask if she'd be willing to speak 0:19:34.970 --> 0:19:38.569 with John and Rachel about their parents' custody battle. I 0:19:38.570 --> 0:19:41.570 don't hear back for several weeks, and during this time, 0:19:41.850 --> 0:19:44.330 my thoughts keep returning to Alvin and the video of 0:19:44.369 --> 0:19:47.689 his session with Ted, the meek, buttoned up patient. 0:19:47.810 --> 0:19:49.529 Toucher toucher oh Jack. 0:19:49.929 --> 0:19:53.490 Throughout, Alvin tries to help Ted release his bottled up feelings. 0:19:53.649 --> 0:19:54.850 I can do this better than you. 0:19:54.889 --> 0:19:55.249 Watch me. 0:19:55.409 --> 0:19:57.410 Okay, right, okay, okay. 0:19:57.169 --> 0:19:58.729 What's happening inside me? 0:19:59.409 --> 0:20:00.650 Right now? 0:20:01.290 --> 0:20:02.169 Over my chest? 0:20:02.250 --> 0:20:04.090 I'm having a who It felt like a brand of 0:20:04.129 --> 0:20:07.530 extreme empathy in the first viewing, now feels like something else. 0:20:07.570 --> 0:20:09.210 I'm gonna put my arms around you. 0:20:09.369 --> 0:20:11.290 I'm doing better than you. Huh yeah. 0:20:11.730 --> 0:20:14.210 Now it feels as though Alvin is scripting the outcome. 0:20:14.490 --> 0:20:16.330 If you want to cry, go ahead, good, it's okay, 0:20:16.490 --> 0:20:16.729 go on. 0:20:17.129 --> 0:20:19.369 At one point, Alvin tells Ted to cry. 0:20:19.689 --> 0:20:22.090 Ted, it's okay, go ahead, cry, go it's all right. 0:20:22.169 --> 0:20:24.169 Ted is not anywhere close to crying. 0:20:24.330 --> 0:20:25.250 Ted, you're starting to cry. 0:20:25.250 --> 0:20:27.609 Go ahead, let yourself, let yourself go on. It's all right, 0:20:27.649 --> 0:20:30.369 go on, do it. Ted is not starting to cry, 0:20:30.970 --> 0:20:33.850 but Alvin insists, Ted, you're on the verge of crying. 0:20:34.369 --> 0:20:34.649 Do it. 0:20:34.730 --> 0:20:35.770 No, cry, go. 0:20:35.649 --> 0:20:38.929 Ahead, And then a tear appears in the corner of 0:20:38.970 --> 0:20:42.770 Ted's eye. It rolls down his cheek. It's as though 0:20:42.810 --> 0:20:46.249 Alvin has conjured it into being through sheer force of 0:20:46.250 --> 0:20:46.929 his own will. 0:20:47.250 --> 0:20:50.210 Good for you, Good for you, great, great, okay now. 0:20:53.850 --> 0:20:56.290 The video is a part of a series produced by 0:20:56.290 --> 0:21:01.769 the American Psychological Association intended to showcase prestigious psychologists in session. 0:21:02.570 --> 0:21:05.609 The way the series works is that, for privacy reasons, 0:21:05.770 --> 0:21:09.049 the patients are portrayed by actors. As the credits were, 0:21:09.449 --> 0:21:12.850 I learned that while Alvin the therapist is Alvin the therapist, 0:21:13.330 --> 0:21:16.649 Ted the patient is actually Bob the actor. 0:21:17.209 --> 0:21:19.850 It was a quick shoot. There wasn't a rehearsal per se. 0:21:19.889 --> 0:21:21.930 We just kind of went in and improvised. 0:21:22.649 --> 0:21:26.250 This is Bob, and performance wise, Bob is done at all. 0:21:26.609 --> 0:21:30.609 Chuggled swords, cracked whips, eaten fire. I've done for ten years. 0:21:30.649 --> 0:21:32.169 I did a stage hypnosis show. 0:21:32.810 --> 0:21:36.330 Bob is a regular renaissance man in that he also 0:21:36.369 --> 0:21:39.449 worked at a renaissance fair. When Bob showed up to 0:21:39.490 --> 0:21:42.210 film that day, he was asked to improvise some sort 0:21:42.250 --> 0:21:45.330 of marital problem that Alvin could help solve by bringing 0:21:45.369 --> 0:21:48.409 his method to bear. I asked Bob if he found 0:21:48.409 --> 0:21:53.169 Alvin's behavior domineering, but Bob doesn't recall much. There is 0:21:53.209 --> 0:21:56.529 one thing, though, that Bob does still recall, even thirteen 0:21:56.609 --> 0:22:00.890 years later. It seems Bob wasn't Alvin's first choice of patient. 0:22:01.490 --> 0:22:03.369 He had had someone else do it before. I think 0:22:03.369 --> 0:22:06.249 it was an African American lady and it didn't go 0:22:06.409 --> 0:22:07.609 the way it needed to do. 0:22:07.649 --> 0:22:08.210 You know what I mean? 0:22:09.689 --> 0:22:10.450 Can you elaborate? 0:22:10.770 --> 0:22:13.129 He showed it to me briefly. 0:22:13.449 --> 0:22:16.290 Bob describes the video Alvin showed him before they started 0:22:16.290 --> 0:22:19.330 filming that day. In it, the setup was the same 0:22:19.369 --> 0:22:22.409 as it was for Bob shoot. Alvin was in an armchair, 0:22:22.649 --> 0:22:25.969 his legs up on an ottoman, except this time in 0:22:26.010 --> 0:22:30.090 the armchair beside him was the actress. Like Bob, the 0:22:30.129 --> 0:22:32.090 actress in the video had been asked to come up 0:22:32.129 --> 0:22:35.609 with a marriage problem, but in doing so, the actress 0:22:35.649 --> 0:22:38.810 went to a darker place than Alvin anticipated, describing a 0:22:38.889 --> 0:22:43.369 husband who was vicious and cruel. Nonetheless, Alvin tried to 0:22:43.409 --> 0:22:44.090 offer counsel. 0:22:44.770 --> 0:22:47.530 He was saying things like when he behaves in this way, 0:22:47.609 --> 0:22:50.170 can you be playful about it? And the actress said 0:22:50.209 --> 0:22:54.050 things like when he calls me names, suggesting that he 0:22:54.169 --> 0:22:55.889 might be in some ways borderline, at the very least 0:22:56.449 --> 0:22:57.369 verbally abusive. 0:22:58.330 --> 0:23:00.369 It seemed there was the way the actress was given 0:23:00.409 --> 0:23:03.530 to talking about an abusive relationship, and then there was 0:23:03.570 --> 0:23:05.689 the way that Alvin preferred her to talk about one. 0:23:06.409 --> 0:23:09.529 And so the actress was replaced and Bob shown her 0:23:09.609 --> 0:23:12.850 video to illustrate what Alvin did not want. 0:23:12.929 --> 0:23:24.889 It's you know. I got the message, I guess. 0:23:26.330 --> 0:23:29.449 Still, not having received a response from Joyce, I decide 0:23:29.490 --> 0:23:32.050 to mail a letter, and just a few days later 0:23:32.449 --> 0:23:36.090 I find an email in my inbox. In it, Joyce 0:23:36.129 --> 0:23:38.330 tells me She's not sure how much help she can be. 0:23:38.970 --> 0:23:42.249 She reminds me that it has been fifty years, but 0:23:42.409 --> 0:23:46.490 she says she's willing to try. She concludes the email 0:23:46.530 --> 0:24:05.370 by saying, please feel free to contact me if you wish. Joyce, Hello, Hello, 0:24:05.929 --> 0:24:07.290 I think your sister's here too. 0:24:08.129 --> 0:24:09.770 Here we are well. 0:24:11.609 --> 0:24:14.530 The last time John and Rachel saw Joyce they were children. 0:24:15.010 --> 0:24:18.489 They're now in their fifties and sixties. Because of the pandemic, 0:24:18.649 --> 0:24:21.249 the meeting between Rachel, John, and Joyce will have to 0:24:21.250 --> 0:24:24.450 take place over Zoom. John and Rachel joined first from 0:24:24.490 --> 0:24:28.090 their respective homes. So how are you guys feeling today? 0:24:29.530 --> 0:24:30.450 Uh? 0:24:30.929 --> 0:24:34.689 Quite anxious? Actually, what about your brother John? 0:24:35.609 --> 0:24:37.769 I'm more nervous than I thought I would be. 0:24:38.929 --> 0:24:42.530 John is seated in a chair, his posture upright. Rachel 0:24:42.570 --> 0:24:44.970 is sitting back on a couch. Go ahead and talk 0:24:45.010 --> 0:24:46.530 a little bit. What did you have for breakfast? 0:24:47.409 --> 0:24:51.049 I had yogurt and blueberries. 0:24:51.129 --> 0:24:53.810 Yeah, me too. 0:24:56.250 --> 0:24:58.090 I can see the Joyce is in the Zoom waiting 0:24:58.169 --> 0:25:02.169 room waiting. Back in my day, a waiting room had 0:25:02.209 --> 0:25:05.129 all kinds of stuff to keep you occupied, like lukewarm 0:25:05.209 --> 0:25:07.689 water you could drink from a paper cup or a 0:25:07.730 --> 0:25:11.050 twenty year old copy of Oat. But now waiting rooms 0:25:11.050 --> 0:25:15.449 are so metaphysical there's nothing to do with them. I 0:25:15.490 --> 0:25:20.369 suggest we let Joyce in. Okay, Yeah, okay, okay, yeah, 0:25:21.250 --> 0:25:24.770 let's do it. Joyce appears on the screen wearing a 0:25:24.810 --> 0:25:27.609 bright blue sweater and a colorful ascot that gives her 0:25:27.649 --> 0:25:31.369 the affect of a fun grandmother. Standing beside Joyce is 0:25:31.369 --> 0:25:33.689 a middle aged man who I assume is her son. 0:25:34.129 --> 0:25:35.369 He's helping her get set up. 0:25:35.810 --> 0:25:36.090 Hello. 0:25:37.970 --> 0:25:41.810 Hello, Joyce and her son frown at the computer. It 0:25:41.810 --> 0:25:44.969 seems they're having sound issues. There's a long moment in 0:25:45.010 --> 0:25:48.129 which we all look at each other in silence, and 0:25:48.169 --> 0:25:55.570 then hello, Hi. Joyce settles into an armchair. Well do 0:25:56.290 --> 0:25:58.210 you all look familiar to each other? 0:25:59.330 --> 0:26:04.130 No, well it's been a long time. I'm Rachel. 0:26:04.490 --> 0:26:06.250 Hi Joyce, Hi, Rachel. 0:26:06.929 --> 0:26:07.689 Hi, I am John. 0:26:08.090 --> 0:26:13.770 You're John, So Joyce, do you uh? 0:26:13.970 --> 0:26:14.209 I know? 0:26:14.889 --> 0:26:18.930 John and Rachel are curious about just how much you remember, 0:26:19.050 --> 0:26:21.009 maybe maybe virtually nothing. 0:26:22.730 --> 0:26:25.929 So I wasn't clear what what I can do for you. 0:26:26.050 --> 0:26:30.330 I'm certainly willing to try. So. 0:26:30.649 --> 0:26:33.769 I think what we're remembering from that time, or what 0:26:33.850 --> 0:26:36.970 we know, is that my dad and my mom were 0:26:36.970 --> 0:26:38.810 in a very I don't know if you remember a 0:26:38.810 --> 0:26:45.129 bitter custody battle, and there were so many court battles, 0:26:45.609 --> 0:26:50.569 and one of the reports was done by you, So 0:26:50.609 --> 0:26:52.530 we wanted to talk to you about that and find 0:26:52.530 --> 0:26:53.969 out what you remembered about that. 0:26:55.649 --> 0:26:58.490 Joyce inhales to clenched teeth, shakes her head. 0:26:59.449 --> 0:27:03.649 Oh, I really don't know what happened. 0:27:07.490 --> 0:27:12.609 We wanna we think. I think our father influenced kind of 0:27:12.649 --> 0:27:15.210 everybody he met in a very heavy handed way. 0:27:15.810 --> 0:27:22.449 Yes, I would certainly agree with that. You know, saying 0:27:22.449 --> 0:27:25.250 al was heavy handed is an understatement. 0:27:26.770 --> 0:27:29.450 Joyce's husband at the time was a colleague of Alvin's. 0:27:29.810 --> 0:27:32.209 That's how she first came to know Alvin. He and 0:27:32.209 --> 0:27:35.770 her husband both taught in the local university psychology department. 0:27:36.449 --> 0:27:40.329 Joyce says her husband would always come home with al Stories. 0:27:40.330 --> 0:27:48.009 Acting out at meetings and shouting out inappropriate stuff. So 0:27:48.050 --> 0:27:52.889 he was very, very controlling. He took control of any situation, 0:27:52.929 --> 0:27:57.570 any social situation. One party at my house, he was 0:27:57.609 --> 0:28:01.290 a guest along with the other members of the psych department, 0:28:01.850 --> 0:28:05.729 and he just took control of the whole evening. And 0:28:05.850 --> 0:28:09.850 of course the more people drank, the more intense that 0:28:09.970 --> 0:28:14.050 God I think the focus was on people's dreams and 0:28:14.129 --> 0:28:15.409 dream analysis. 0:28:16.850 --> 0:28:21.090 For Alvin a Freudian, this meant exploring each partygoer's dream 0:28:21.209 --> 0:28:25.370 for hidden sexual desires that he Alvin could then expound 0:28:25.449 --> 0:28:33.529 upon in a room full of colleagues. Joyce relates the 0:28:33.530 --> 0:28:37.169 anecdote to illustrate the kind of guy Alvin was, but 0:28:37.250 --> 0:28:40.210 John hears something else in the story, So you all 0:28:40.250 --> 0:28:46.209 socialized well. John is trying to remind Joyce that she 0:28:46.290 --> 0:28:50.450 was Alvin's friend, that writing the report wasn't appropriate, but 0:28:50.490 --> 0:28:52.530 the implication goes over Joyce's head. 0:28:53.010 --> 0:28:58.210 The department wasn't a big one, and it was close knit, 0:28:58.370 --> 0:29:06.450 and everybody got together. They you know, Friday, what do 0:29:06.490 --> 0:29:08.930 you do? You hang out with the people that you 0:29:08.970 --> 0:29:14.930 know best, and that was in the department. What kinds 0:29:14.970 --> 0:29:18.610 of questions did you have that I can help with 0:29:18.770 --> 0:29:22.370 or that I might answer or speculate about. 0:29:24.850 --> 0:29:30.010 You don't remember evaluating us, You don't remember having that role. 0:29:30.810 --> 0:29:37.009 No, I guess I'm curious if you remember, because I 0:29:37.050 --> 0:29:39.009 would have said also, like I want to live with 0:29:39.010 --> 0:29:41.890 my dad and I love living here. But I was 0:29:41.970 --> 0:29:46.890 coached like don't smile if someone takes a picture of 0:29:46.970 --> 0:29:47.770 you with your mother. 0:29:48.530 --> 0:29:53.690 Oh, Rachel, Oh, Rachel, could you see that at all? No, 0:29:53.930 --> 0:29:55.850 I I this is all news to me. 0:29:58.130 --> 0:30:02.370 Did you do other custody evaluations? Was that a part 0:30:02.410 --> 0:30:03.969 of your practice? 0:30:06.050 --> 0:30:08.610 That may have been one of the first ones, And 0:30:08.810 --> 0:30:11.410 it was at his requests that I did that. 0:30:11.570 --> 0:30:16.250 Initially, it was at Al's request saying, oh, yeah, yeah, 0:30:18.090 --> 0:30:24.049 do you remember any thoughts or feelings that you know, 0:30:24.090 --> 0:30:27.489 maybe it's not appropriate for me to evaluate someone that 0:30:27.530 --> 0:30:28.410 I socialize. 0:30:29.450 --> 0:30:32.850 No, no, not really, because this was in the beginning 0:30:33.050 --> 0:30:37.410 of our arrival, and so we weren't really socializing at 0:30:37.410 --> 0:30:37.890 that point. 0:30:39.370 --> 0:30:42.009 At that point, Joyce and her husband had just arrived 0:30:42.050 --> 0:30:45.810 in town. While her husband taught at the university, Joyce 0:30:45.850 --> 0:30:49.050 did not. She hoped to someday, but she was still 0:30:49.090 --> 0:30:52.009 fairly young, and at the time the only women in 0:30:52.050 --> 0:30:56.250 the psych department were grad students and secretaries. So in Alvin, 0:30:56.370 --> 0:30:59.090 this larger than life figure came asking for a favor, 0:30:59.730 --> 0:31:00.810 it felt hard to say no. 0:31:01.530 --> 0:31:06.770 He was chair of that program, and you know, I 0:31:06.890 --> 0:31:13.610 was new in town. I'm a people pleaser, so I 0:31:13.650 --> 0:31:17.610 think that that added to my vulnerability to Al. 0:31:20.530 --> 0:31:20.690 Well. 0:31:20.730 --> 0:31:27.450 I want to make sure that you know that your 0:31:27.490 --> 0:31:29.529 report recommends that we're split up. 0:31:31.690 --> 0:31:34.890 Joyce takes off her glasses. She places them in her lap. 0:31:36.209 --> 0:31:46.010 Oh wow, I am sorry. I am I never would 0:31:46.050 --> 0:31:50.570 have done something like that, and hearing that I did 0:31:51.610 --> 0:31:53.850 makes makes me feel terrible. 0:31:56.250 --> 0:31:58.170 So that's a that's a surprise to you. 0:31:58.890 --> 0:32:04.930 It's total surprise, and it's totally against everything I believe. 0:32:07.250 --> 0:32:12.530 It's horrifying. I don't know what prompted it or what 0:32:12.570 --> 0:32:17.610 precipitated it. I don't know. I'm sorry. 0:32:18.890 --> 0:32:20.050 But of course there's more. 0:32:21.050 --> 0:32:25.170 You know, we can see al crossing out words and 0:32:25.209 --> 0:32:32.290 phrases that you wrote and then rewriting them in stronger language, 0:32:32.570 --> 0:32:37.650 and then it's that stronger language that's in the final report. 0:32:41.650 --> 0:32:47.170 I'm appalled by that. I hate to keep repeating myself, 0:32:47.209 --> 0:32:51.090 but I am truly sorry that that happened and had 0:32:51.170 --> 0:32:57.850 terrible consequences. I have a stomach ache. I feel terrible 0:32:58.209 --> 0:33:01.050 that it turned out that way. I feel awful that 0:33:01.130 --> 0:33:04.410 I had a pardon that or that I'm perceived to 0:33:04.690 --> 0:33:06.729 have had it. Well, I did, I mean, I can't 0:33:06.930 --> 0:33:08.249 say I didn't if I wrote it. 0:33:09.530 --> 0:33:12.370 This is something Joyce does a few times. She'll start 0:33:12.370 --> 0:33:14.850 to say something like if I did this, but then 0:33:14.890 --> 0:33:18.450 she'll correct herself. Rachel has the report standing by to 0:33:18.530 --> 0:33:20.570 hold to the camera so Joyce can see it for 0:33:20.610 --> 0:33:25.850 herself see her own signature, but that never becomes necessary. 0:33:25.930 --> 0:33:29.009 Even though she doesn't remember, Joyce believes John and Rachel, 0:33:29.530 --> 0:33:31.969 and so she doesn't cop out or quivocate. 0:33:32.810 --> 0:33:36.850 If I if I did something like that, or because 0:33:36.890 --> 0:33:40.769 I did something like that, I'm so sorry you guys. 0:33:41.610 --> 0:33:48.130 There's anything I can do to mitigate in some small way. 0:33:48.170 --> 0:33:50.969 And it means a lot that you say that. 0:33:51.370 --> 0:33:57.730 Oh yeah, yeah, And it's not just words, it's it's heartfelt. 0:33:58.370 --> 0:33:59.570 It's really heartfelt. 0:34:01.090 --> 0:34:03.370 Do you do you have any idea why he might 0:34:03.370 --> 0:34:05.410 have turned to you well. 0:34:05.290 --> 0:34:11.170 To control the outcome. I think he was more comfortable 0:34:11.170 --> 0:34:13.130 with women because he could push them around. 0:34:14.850 --> 0:34:20.450 Did you feel used by him? 0:34:20.690 --> 0:34:27.130 Well, I guess he was using me, so yeah. 0:34:25.770 --> 0:34:29.010 Joyce says. The relationship with Alvin was short lived. The 0:34:29.130 --> 0:34:31.730 end came soon after Joyce invited Alvin and a few 0:34:31.730 --> 0:34:35.130 of his psychologist friends to join her private practice. They 0:34:35.170 --> 0:34:37.770 accepted and all began working out of her office. 0:34:38.010 --> 0:34:40.969 And we did that for a while, and then they 0:34:41.090 --> 0:34:44.730 decided that it wasn't appropriate to have a social worker 0:34:44.770 --> 0:34:50.450 in the practice. So they asked me to leave, and 0:34:50.610 --> 0:34:56.530 it was at Elsin's instigation. What he said to me was, 0:34:56.610 --> 0:35:00.890 it's not that you're incompetent. It's just that I don't 0:35:00.890 --> 0:35:06.010 know that you're competent. And you know, for me to 0:35:06.050 --> 0:35:10.290 remember this fifty years later, that's a lot, doesn't it. 0:35:11.810 --> 0:35:14.850 So this was him kicking you out of the practice, 0:35:14.610 --> 0:35:18.810 My practice, my practice, your practice. 0:35:27.490 --> 0:35:30.490 I hear you like, very very very fondly. 0:35:30.970 --> 0:35:34.010 Well, you're kind, you're kind, you're kind. 0:35:34.170 --> 0:35:37.090 You are a nice lady. You're a good person. And 0:35:37.370 --> 0:35:39.890 I see that now too. I mean, I had every 0:35:39.930 --> 0:35:41.049 reason to feel that way. 0:35:42.930 --> 0:35:45.130 Rachel will later tell me that because of the way 0:35:45.170 --> 0:35:48.330 her dad brainwashed her, she often can trust her memories. 0:35:48.970 --> 0:35:51.450 So it feels good that her memory of Joyce is correct. 0:35:52.250 --> 0:35:56.050 Joyce is nice, but Rachel is nice too, and consent 0:35:56.170 --> 0:35:57.490 so badly Joyce is feeling. 0:35:58.050 --> 0:36:03.490 You know, I think my dad was so controlling, and 0:36:03.570 --> 0:36:08.810 I have to think that my dad coerced you and 0:36:09.970 --> 0:36:12.730 really pressured you to do that. 0:36:16.890 --> 0:36:23.770 Thank you. 0:36:23.770 --> 0:36:28.530 You know, hopefully you can tell Rachel and I are okay. 0:36:29.050 --> 0:36:32.810 We're really good parents. We're close to our children. We 0:36:32.850 --> 0:36:34.930 did not replicate any of this. 0:36:35.890 --> 0:36:37.970 Oh, that's wonderful. I'm so glad to hear that. 0:36:38.530 --> 0:36:42.210 And I've been with my wife thirty seven years and 0:36:43.170 --> 0:36:46.570 thankfully now you know, Rachel and I came back together 0:36:46.650 --> 0:36:49.210 on our own and I'm very close with my sister. 0:36:50.410 --> 0:36:53.410 Oh, I'm so glad. I'm so glad. 0:36:55.250 --> 0:36:58.010 Damage done to us can often become damage we do 0:36:58.050 --> 0:37:02.050 to others, and on it goes. But watching John and Rachel, 0:37:02.250 --> 0:37:04.890 I'm struck by the way they're breaking that cycle, not 0:37:04.970 --> 0:37:07.210 just in their lives, but right here in the room. 0:37:08.290 --> 0:37:09.610 Well zoom room. 0:37:10.490 --> 0:37:15.290 Just to be clear, Joyce, I really appreciate what you're saying, 0:37:15.330 --> 0:37:22.250 and really really important to me that others just own 0:37:22.370 --> 0:37:28.650 and acknowledge their role in any dynamic, in any interaction. 0:37:29.250 --> 0:37:35.690 If they do that, I'm good. And al never I 0:37:36.210 --> 0:37:44.050 tried in different ways, he would never own any culpability, responsibility, anything. 0:37:45.290 --> 0:37:48.130 When John first became a psychologist, he'd see Alvin at 0:37:48.210 --> 0:37:52.770 various conferences, where Alvin was received as a star. For John, 0:37:53.050 --> 0:37:55.290 it always occasioned a weird mix of pride in his 0:37:55.290 --> 0:38:00.610 father's career and bitterness over his personal rejection. At one conference, 0:38:00.930 --> 0:38:03.570 John attended Alvin's lecture in the hope of forcing his 0:38:03.570 --> 0:38:07.090 father to talk to him. Alvin saw John in the audience, 0:38:07.570 --> 0:38:10.290 but afterwards made him wait on along with all his 0:38:10.370 --> 0:38:15.570 adoring fans. Eventually, John grew frustrated and left. 0:38:15.810 --> 0:38:19.530 It's one of the mysteries of my life how he 0:38:19.730 --> 0:38:23.130 justified or rationalized to himself, you know, having a son 0:38:23.530 --> 0:38:29.170 and supposedly loving him and then just cutting him off 0:38:29.210 --> 0:38:33.410 and rejecting him for the rest of your life. I 0:38:33.450 --> 0:38:41.850 don't I can't fathom that at all. There was an 0:38:41.890 --> 0:38:48.730 email exchange over seven or eight months where I endeavored 0:38:48.770 --> 0:38:52.890 to answer that question, that lifelong question of you know why, 0:38:53.690 --> 0:38:57.090 and he just kept trying to sell me his books, 0:38:57.170 --> 0:39:00.009 and you know it became this refrain, have you read 0:39:00.010 --> 0:39:03.170 my book? Have you read my book? And I'd say, 0:39:04.050 --> 0:39:07.529 if you would like me to read your book, send 0:39:07.610 --> 0:39:11.010 me a copy and I will read it. No, he 0:39:11.090 --> 0:39:13.250 wants me to buy a book. He wanted me to 0:39:13.250 --> 0:39:13.850 buy a book. 0:39:21.690 --> 0:39:24.370 In his emails to John, Alvin wrote that it was 0:39:24.410 --> 0:39:27.530 a sophomoric myth that a parent should seek relationships with 0:39:27.610 --> 0:39:32.250 one's child. I do not accept silly pop psychology truisms, 0:39:32.290 --> 0:39:36.370 he wrote. Near the end of Alvin's life, John wanted 0:39:36.410 --> 0:39:38.690 to make one last effort to see his father so 0:39:38.810 --> 0:39:42.290 Alvin could meet his grandkids, but Rachel counseled John not 0:39:42.410 --> 0:39:45.250 to go. She said that Alvin would refuse to see 0:39:45.330 --> 0:39:47.490 him and was still so full of anger that he 0:39:47.570 --> 0:39:51.370 might even call the police. After his death, Alvin left 0:39:51.370 --> 0:39:53.610 behind a will with a section listing the names of 0:39:53.650 --> 0:39:56.730 those who wronged him. Each person was to receive a 0:39:56.770 --> 0:39:59.850 single dollar. Among them was John. 0:40:01.130 --> 0:40:01.330 Back. 0:40:01.330 --> 0:40:04.010 When I spoke to Al's disciple, Howard, he told me 0:40:04.010 --> 0:40:06.090 that al was bedridden at the end of his life, 0:40:06.490 --> 0:40:09.690 yet he was still focused on his therapeutic method just 0:40:09.770 --> 0:40:10.930 before he passed away. 0:40:11.610 --> 0:40:14.770 When I visited him, he said, Howard, I'm working on 0:40:14.970 --> 0:40:17.770 becoming more of an optimal person. I'm just doing it now. 0:40:17.770 --> 0:40:18.730 And he was like so. 0:40:18.690 --> 0:40:22.730 Energetic, and do you from your perspective, I mean, did 0:40:22.770 --> 0:40:25.489 he achieve that kind of like optimal personhood? 0:40:26.610 --> 0:40:28.009 She said he had. 0:40:29.490 --> 0:40:32.010 When I raised the subject of Alvin's relationship with his 0:40:32.130 --> 0:40:35.450 kids and how that connected to his optimal self, Howard 0:40:35.450 --> 0:40:38.010 says he can't really speak to that. Alvin didn't bring 0:40:38.050 --> 0:40:38.890 up his kids much. 0:40:39.490 --> 0:40:42.890 There's a lot of stuff that goes on, sometimes good 0:40:42.930 --> 0:40:48.410 and bad, and you know, that's just what happens in life. 0:40:48.770 --> 0:40:52.090 We live, and we adjust and do what we have 0:40:52.210 --> 0:40:55.370 to do. But I don't think whatever happens at a 0:40:55.370 --> 0:40:58.850 certain point in someone's life should define them for who 0:40:58.850 --> 0:41:01.970 they are as a person overall. 0:41:05.610 --> 0:41:07.410 Can you come back in a little bit, honey. 0:41:07.970 --> 0:41:11.130 A little girl barge's into Joyce's room. She's wearing a 0:41:11.210 --> 0:41:14.770 lacy blue dress that's either a nightgown or a Cinderella costume. 0:41:15.010 --> 0:41:17.250 I'll be with you in a little bit. Thank you. 0:41:18.410 --> 0:41:19.930 That's my six year old granddaughter. 0:41:20.450 --> 0:41:21.650 Thank you. 0:41:22.890 --> 0:41:24.570 We're sheltering in place together. 0:41:25.010 --> 0:41:27.090 Yeah, that's nice. 0:41:29.330 --> 0:41:36.850 I'm very lucky, Joyce. I'm so appreciative. Thank you, Yeah, 0:41:36.850 --> 0:41:37.210 thank you. 0:41:40.770 --> 0:41:43.250 One can believe one is optimal, just as one can 0:41:43.290 --> 0:41:46.370 believe one is fluent in French, a talented singer, a 0:41:46.410 --> 0:41:49.570 good therapist. But the only way to really know is 0:41:49.610 --> 0:41:52.890 through one's relationship with others, the ones who love us, 0:41:53.250 --> 0:41:56.330 who guide us, who let us know when we wandered astray. 0:41:57.450 --> 0:42:01.290 For some realizing your optimal self does not occur in 0:42:01.330 --> 0:42:06.810 spite of other people, but because of them. 0:42:06.970 --> 0:42:09.530 My son is getting married in the backyard. I'm looking 0:42:09.570 --> 0:42:10.810 at a few. 0:42:10.650 --> 0:42:13.130 Weeks and congratulations, thank you. 0:42:13.370 --> 0:42:42.010 It'll be a very small, socially distanced. 0:42:48.050 --> 0:42:57.569 Now that the furnitures returning to it's goodwill home, now 0:42:57.650 --> 0:43:02.450 that the last month's rent is skiming with the damaged 0:43:02.770 --> 0:43:05.410 po take this moment to the so. 0:43:08.250 --> 0:43:10.210 If we meant to flee. 0:43:09.890 --> 0:43:18.490 To from the last. 0:43:18.090 --> 0:43:19.170 Accident and clean. 0:43:24.250 --> 0:43:27.250 This episode of Heavyweight was produced by senior producer Khalila 0:43:27.290 --> 0:43:31.130 Holt along with Stevie Lane and me Jonathan Goldstein. Special 0:43:31.170 --> 0:43:35.050 thanks to Emily Condon, Alex Bloomberg, PJ Vote, Mohemy mcgaucher, 0:43:35.290 --> 0:43:39.450 Nabil Cholimpot, and Jackie Cohen. Bobby Lord mixed the episode 0:43:39.450 --> 0:43:42.690 with original music by Christine Fellows, John K. Samson and 0:43:42.730 --> 0:43:46.210 Bobby Lord. Additional music credits can be found on our website, 0:43:46.210 --> 0:43:50.130 Gimbletmedia dot com slash Heavyweight. Our theme song is by 0:43:50.170 --> 0:43:53.370 The Weaker Thans courtesy of Epitaph Records. Follow us on 0:43:53.410 --> 0:43:56.770 Twitter at Heavyweight or email us at Heavyweight at Gimletmedia 0:43:56.770 --> 0:43:59.930 dot com. This is the last episode of the season, 0:44:00.330 --> 0:44:02.810 but do not fear there's still more Heavyweight to come. 0:44:03.010 --> 0:44:06.490 We're doing three check in episodes in December, exclusive to Spotify, 0:44:06.730 --> 0:44:10.290 but absolutely free and very easy to access. I'll be 0:44:10.370 --> 0:44:13.050 joined by producers Khalila and Stevie. There will be a 0:44:13.090 --> 0:44:17.050 conversation with best selling writer Curtis Sittenfeld, and some segments 0:44:17.090 --> 0:44:20.210 that take advantage of the music on Spotify's platform. So 0:44:20.330 --> 0:44:22.450 these are things we couldn't do anywhere else, and we're 0:44:22.450 --> 0:44:25.130 pretty excited about that and we hope you'll find it 0:44:25.170 --> 0:44:27.370 exciting too. See you in December. 0:44:28.530 --> 0:44:35.330 Oh Son in an empty, Son in an out deal

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