Writing Tightly on a Scene Level & Keeping Your Characters in Motion
In today’s Books with Hooks, Carly and CeCe critique two queries each, in the process discussing the pros and cons of epistolary novels; the #ownvoices term being retired; baiting the reader in the opening pages; having too much character description and not enough plot in the query; linguistic calibration and earned emotionality; problems with omniscient POV and breaking the fourth wall; vulnerability in unlikable characters; and having a compelling ending to a chapter.
After which CeCe chats with Caitlin Barasch, author of A Novel Obsession, about her query letter and how she got her agent; how the editing process worked after the book deal; writing unlikable female characters; how suspense can live in the psychology of the story; writing tightly on a scene level; constantly keeping your character in motion on some level to keep the story moving forward; continually escalating things for the MC; writing “pause pebbles”; and how to find the heart of your story.
Find us on our socials:
Twitter: @TSNOTYAW @BiancaM_author @carlywatters @ceciliaclyra
Instagram: @biancamarais_author @carlywatters @cece_lyra_agent @ the_shit_about_writing
Facebook: @tsnotyaw
Websites: www.theshitaboutwriting, www.biancamarais.com and www.carlywatters.com
Caitlin can be found at www.caitlinbarasch.com, on Twitter at @CatilinBarasch and on Instagram at @soembarasched
Our Sponsors:
* Check out Chime: https://chime.com/TSNOTYAW
* Check out Quince: https://quince.com/tsnotyaw
* Check out Rosetta Stone and use my code TODAY for a great deal: https://www.rosettastone.com
* Check out Wayfair: https://www.wayfair.com
Advertising Inquiries: https://redcircle.com/brands
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In today’s Books with Hooks, Carly and CeCe critique two queries each, in the process discussing the pros and cons of epistolary novels; the #ownvoices term being retired; baiting the reader in the opening pages; having too much character description and not enough plot in the query; linguistic calibration and earned emotionality; problems with omniscient POV and breaking the fourth wall; vulnerability in unlikable characters; and having a compelling ending to a chapter.
After which CeCe chats with Caitlin Barasch, author of A Novel Obsession, about her query letter and how she got her agent; how the editing process worked after the book deal; writing unlikable female characters; how suspense can live in the psychology of the story; writing tightly on a scene level; constantly keeping your character in motion on some level to keep the story moving forward; continually escalating things for the MC; writing “pause pebbles”; and how to find the heart of your story.
Find us on our socials:
Twitter: @TSNOTYAW @BiancaM_author @carlywatters @ceciliaclyra
Instagram: @biancamarais_author @carlywatters @cece_lyra_agent @ the_shit_about_writing
Facebook: @tsnotyaw
Websites: www.theshitaboutwriting, www.biancamarais.com and www.carlywatters.com
Caitlin can be found at www.caitlinbarasch.com, on Twitter at @CatilinBarasch and on Instagram at @soembarasched
Our Sponsors:
* Check out Chime: https://chime.com/TSNOTYAW
* Check out Quince: https://quince.com/tsnotyaw
* Check out Rosetta Stone and use my code TODAY for a great deal: https://www.rosettastone.com
* Check out Wayfair: https://www.wayfair.com
Advertising Inquiries: https://redcircle.com/brands
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