#56 44 Photos

Heavyweight

One morning, Amy opened her mailbox and found a package with 44 photos inside—photos of complete strangers. Now Amy wonders: Who are they? And why were the photos sent to her?

Credits

This episode was hosted and produced by supervising producer Stevie Lane, along with Jonathan Goldstein, Phoebe Flanigan, and Mohini Madgavkar. The senior producer is Kalila Holt.

Editorial guidance from Emily Condon.

Special thanks to Alex Blumberg, Mimi O’Donnell, Lauren Silverman, Maureen Taylor, Estelle Ivory, and all the incredibly patient people over at the USPS.

The show was mixed by Bobby Lord. 

Music by Christine Fellows, John K Samson, Blue Dot Sessions, Golden Dunes, In Skies, Megatrax, Christopher Lennertz, and Bobby Lord. Our theme song is by The Weakerthans courtesy of Epitaph Records.

Heavyweight is a Spotify Original Podcast.

Amy has just written a new book, Artificial, a graphic memoir about her father’s efforts to preserve her late grandfather’s identity using AI technology. You can find it at your local bookstore.

Learn more about your ad choices. Visit podcastchoices.com/adchoices

See omnystudio.com/listener for privacy information.

2023-11-09 28 min Transcript

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Transcript

Hello, Hello, Oh Hello, Do you know who this is? Yes, Stevie, Yeah, 0:00:11.520 --> 0:00:11.960 you got me. 0:00:12.840 --> 0:00:15.000 You have a pretty recognizable voice. 0:00:15.040 --> 0:00:15.760 I have to say. 0:00:15.880 --> 0:00:19.759 It has sort of like a pleasantly deep registered wow 0:00:19.920 --> 0:00:22.240 in a nice way, but it makes your voice very distinct. 0:00:22.560 --> 0:00:26.080 It's funny you should say this because, Yeah, one time, 0:00:26.280 --> 0:00:28.680 when I was like in middle school, my friend called 0:00:28.720 --> 0:00:31.080 my house and I picked up the phone and I 0:00:31.120 --> 0:00:33.280 was like, hello, and she thought it was my dad. 0:00:33.360 --> 0:00:36.839 She was like, hi, Rob, is Stevie home? And I 0:00:37.000 --> 0:00:41.320 just pretended that, in fact, I was my father, and 0:00:41.360 --> 0:00:44.440 I was just like, uh yeah, let me get her. 0:00:44.880 --> 0:00:46.320 You didn't want to contradict your friend. 0:00:46.680 --> 0:00:49.000 I think I was just so embarrassed that I could 0:00:49.080 --> 0:00:52.240 possibly be mistaken for an old man. 0:00:52.760 --> 0:00:55.480 Well maybe with respect to your dad, he maybe he 0:00:55.560 --> 0:00:56.800 kind of sounds like little girl. 0:01:00.920 --> 0:01:03.160 Hello, Stevie Lane, stads speaking. 0:01:09.920 --> 0:01:15.840 I'm Stevie Lane, and this is Heavyweight Today's episode forty 0:01:15.880 --> 0:01:24.959 four photos. 0:01:23.160 --> 0:01:24.080 Right after the break. 0:01:31.880 --> 0:01:35.880 There are places, according to Celtic folklore, where the boundary 0:01:35.920 --> 0:01:39.440 between our physical world and the spiritual world is porous, 0:01:40.000 --> 0:01:43.320 where Earth and the otherworldly are separated. 0:01:42.840 --> 0:01:44.480 By no more than a few inches. 0:01:45.480 --> 0:01:51.280 At these places, strange unexplainable things can happen. These places 0:01:51.360 --> 0:01:55.600 are called thin places, and this is a story about 0:01:55.640 --> 0:02:03.400 one of them. A few years ago, Jordan Kissner wrote 0:02:03.440 --> 0:02:06.600 a book about thin places. She wanted to send it 0:02:06.640 --> 0:02:07.680 to her friend Amy. 0:02:08.280 --> 0:02:12.760 So it was April seventh, twenty twenty one, and I 0:02:12.840 --> 0:02:17.919 went to the USPS that was a few blocks away 0:02:18.440 --> 0:02:20.360 from my apartment at the time. 0:02:21.400 --> 0:02:24.480 Jordan bought a brown padded envelope, put her book inside, 0:02:24.680 --> 0:02:28.359 and handed it to the postal worker and that was that. 0:02:28.480 --> 0:02:32.920 It was a really uneventful post office visit on a 0:02:32.960 --> 0:02:37.400 pretty normal spring day in Vegas. 0:02:38.560 --> 0:02:42.240 It was a sunny day in April, and I walked 0:02:42.280 --> 0:02:46.480 to the mailbox. This is Jordan's friend Amy, which is 0:02:46.520 --> 0:02:49.239 a really exciting part of my day. I really like mail. 0:02:49.919 --> 0:02:54.080 And I opened the mailbox with the little key and 0:02:54.120 --> 0:02:57.120 there's something like stuffed into my box. 0:02:57.880 --> 0:03:01.440 Something Amy had been expecting the package Jordan sent her. 0:03:01.880 --> 0:03:05.160 It says, you know, to Amy from Jordan and the 0:03:05.160 --> 0:03:06.440 addresses Las Vegas. 0:03:07.160 --> 0:03:10.040 Amy brought the package back to her house and eagerly 0:03:10.120 --> 0:03:14.560 tore it open. But inside Amy did not find Jordan's book. 0:03:15.280 --> 0:03:18.920 She didn't find a book at all. Instead, she found 0:03:18.960 --> 0:03:19.840 a stack of. 0:03:19.760 --> 0:03:28.280 Photographs, and that's where the mystery begins. 0:03:29.440 --> 0:03:33.040 Amy didn't recognize anyone in the photos. There was one 0:03:33.080 --> 0:03:35.320 of a girl wearing a blue T shirt with clouds 0:03:35.320 --> 0:03:39.280 printed on it, another of three teenagers in caps and gowns. 0:03:40.080 --> 0:03:43.480 The people were of all different ages and races. Some 0:03:43.520 --> 0:03:46.000 of the photos were in black and white, some in color. 0:03:46.640 --> 0:03:50.880 One was a polaroid. Amy counted forty four photos in all, 0:03:51.680 --> 0:04:02.120 forty four photos of complete and total strangers, And yet 0:04:02.480 --> 0:04:06.000 the package was labeled to Amy, her name written in 0:04:06.000 --> 0:04:09.840 ballpoint pen Jordan's return address was scrawled in the upper 0:04:09.920 --> 0:04:13.840 left hand corner. Struggling to come up with an explanation, 0:04:14.240 --> 0:04:15.520 Amy wondered. 0:04:15.640 --> 0:04:18.120 Maybe Jordan sent these by accident. 0:04:19.000 --> 0:04:22.880 So Amy texted Jordan, telling her she received her package, 0:04:23.040 --> 0:04:27.280 but rather than a book, found forty four photographs inside. 0:04:27.440 --> 0:04:30.880 And I was completely confused. 0:04:31.600 --> 0:04:32.720 I just couldn't. 0:04:32.800 --> 0:04:35.760 I actually felt like I couldn't totally comprehend the message 0:04:35.839 --> 0:04:36.600 she was sending me. 0:04:37.320 --> 0:04:39.280 So Jordan texted Amy back. 0:04:39.560 --> 0:04:43.280 Wait, Comma, what with two question marks? 0:04:43.640 --> 0:04:44.360 Two? 0:04:44.480 --> 0:04:44.880 Yeah? Two? 0:04:45.120 --> 0:04:47.120 And then photos question mark. 0:04:48.160 --> 0:04:50.760 Amy sent Jordan a picture of the package and all 0:04:50.800 --> 0:04:54.040 forty four photographs spread out on her kitchen counter. 0:04:54.279 --> 0:04:57.479 And she said, what in all caps? I have no 0:04:57.600 --> 0:05:00.200 idea what those photos are. I don't even I know 0:05:00.200 --> 0:05:03.960 those people, but that's my handwriting on the package. 0:05:08.920 --> 0:05:10.520 It was hard to know what to make of the 0:05:10.560 --> 0:05:13.920 whole thing. It's like Amy expected a book about thin 0:05:14.040 --> 0:05:19.960 places but got an actual thin place experience instead. Amy 0:05:20.040 --> 0:05:22.960 can't bring herself to just throw the photos away, so 0:05:23.080 --> 0:05:25.960 for an entire year now she's kept them by her desk, 0:05:26.560 --> 0:05:30.039 and for an entire year she's been studying them. There's 0:05:30.080 --> 0:05:32.839 the one of a new baby sucking on someone's finger. 0:05:33.400 --> 0:05:36.440 There's a little girl in glasses and a cheerleader's outfit, 0:05:36.839 --> 0:05:39.840 holding her leg up and smiling confidently into the camera. 0:05:40.920 --> 0:05:43.520 The more Amy looks at the photos, the more she 0:05:43.640 --> 0:05:47.039 thinks about the family that's missing them. These people in 0:05:47.080 --> 0:05:51.000 the photos are nobody's to Amy, but they are somebody's 0:05:51.080 --> 0:05:51.760 to somebody. 0:05:52.480 --> 0:05:54.640 Is there a way to find any of these people? 0:05:55.920 --> 0:05:56.000 Like? 0:05:56.080 --> 0:05:59.880 Who are they? Do they want their photographs back? Because 0:05:59.920 --> 0:06:03.200 I would like the photographs to be returned to the family. 0:06:04.200 --> 0:06:06.480 I feel like people should have their things. 0:06:07.800 --> 0:06:11.200 A year ago, when Amy first received the package, she 0:06:11.400 --> 0:06:14.160 and Jordan tried opening a case file on the mysterious 0:06:14.200 --> 0:06:17.480 photos hoping the USPS could shed light on where they 0:06:17.520 --> 0:06:19.599 came from, but nothing ever came of it. 0:06:20.160 --> 0:06:24.200 The mail system, we feel like we understand it, but 0:06:24.279 --> 0:06:26.960 then when you really think about it, it is this 0:06:27.120 --> 0:06:30.159 complete mystery. It's like a void into which we send 0:06:30.240 --> 0:06:33.440 stuff and from which that stuff emerges again. But then 0:06:33.440 --> 0:06:35.359 when it doesn't emerge, you're like, wait a second, but 0:06:35.480 --> 0:06:38.080 what is where is it going? 0:06:38.120 --> 0:06:40.720 What is this system? What don't we know about it? 0:06:41.680 --> 0:06:44.080 There's a lot that I don't know about it, but 0:06:44.200 --> 0:06:47.320 Amy and Jordan want my help figuring out how Amy 0:06:47.400 --> 0:06:50.640 ended up with the photographs and how to return to sender. 0:06:52.080 --> 0:06:54.200 To get to the bottom of it, I'll have to 0:06:54.279 --> 0:06:59.360 navigate a mysterious, little understood world that exists alongside our own, 0:07:00.240 --> 0:07:03.960 a world separated only by an inches wide slot in 0:07:04.000 --> 0:07:09.320 a metal box. And so I step over the boundary 0:07:10.240 --> 0:07:13.400 into the world of the United States Postal Service. 0:07:20.520 --> 0:07:21.160 I start with a. 0:07:21.200 --> 0:07:23.840 Theory that Jordan, Amy and I discussed on the phone. 0:07:24.760 --> 0:07:27.560 Jordan had sent Amy the book via media mail, a 0:07:27.600 --> 0:07:31.720 discounted rate for sending things like books and CDs. From 0:07:31.720 --> 0:07:34.320 what I read online, it sounds like the Post Office 0:07:34.360 --> 0:07:38.120 searches media mail packages to prevent people from sending anything 0:07:38.120 --> 0:07:41.680 they want on the cheap and in fact, Amy noticed 0:07:41.720 --> 0:07:43.880 that the package had been taped up as though it 0:07:43.880 --> 0:07:48.200 had been resealed en route. Maybe Jordan's package and the 0:07:48.200 --> 0:07:52.440 package with the photos were both searched and then accidentally swapped. 0:07:55.240 --> 0:07:58.840 To test this theory, I call the Postal Inspection Service. 0:07:59.440 --> 0:08:01.680 It turns out out the post Office as a whole 0:08:01.680 --> 0:08:03.040 department of inspectors. 0:08:03.480 --> 0:08:05.520 Are you sort of like the James Bond of the 0:08:05.560 --> 0:08:06.360 mail service? 0:08:06.680 --> 0:08:09.720 Actually, it's funny you mentioned that my badge number was 0:08:09.800 --> 0:08:10.600 double O seven. 0:08:11.720 --> 0:08:22.240 No really, really, his name is me Halco, Dan Mihalko. 0:08:23.000 --> 0:08:26.680 He's a US Postal inspector. And what does he inspect? 0:08:27.080 --> 0:08:31.320 Postal crimes? Theft of mail, mail fraud, prohibited items in 0:08:31.360 --> 0:08:38.480 the mail such as bombs, narcotics, anthrax, attacks, pornography. 0:08:40.200 --> 0:08:41.480 I put my theory to Dan. 0:08:42.160 --> 0:08:46.320 Might the Postal Inspection Service have opened and examined Jordan's package? 0:08:46.880 --> 0:08:49.840 No, No, we don't do anything like that. The only 0:08:49.880 --> 0:08:52.080 time would ever inspect mail is if we had a 0:08:52.120 --> 0:08:56.400 search warrant so that we can't just open up mail. Huh, 0:08:56.600 --> 0:08:58.719 nobody in a postal service has that. 0:08:58.960 --> 0:09:05.480 Authority, Dan says, USPS investigators don't inspect packages without probable cause. 0:09:06.120 --> 0:09:08.960 Here's what it sounds like may have happened. 0:09:10.040 --> 0:09:14.040 So Dan guesses that somewhere along the way, Jordan's package 0:09:14.040 --> 0:09:15.120 got damaged and the. 0:09:15.080 --> 0:09:15.880 Book fell out. 0:09:16.640 --> 0:09:20.200 Another package carrying the bundle of photos could have also 0:09:20.320 --> 0:09:23.840 broken open. A postal worker might have seen the loose 0:09:23.840 --> 0:09:27.480 bundle of photos, thought they belonged to Jordan's envelope, and 0:09:27.559 --> 0:09:31.920 accidentally switched the packaging. And here's where that switch might 0:09:31.960 --> 0:09:32.480 have occurred. 0:09:32.840 --> 0:09:35.760 It used to be commonly referred to as a dead 0:09:35.840 --> 0:09:39.720 letter office, but now it's I think it's Mail Recovery Center. 0:09:40.640 --> 0:09:45.360 The Mail Recovery Center, or MRC, is located in Atlanta, Georgia. 0:09:45.960 --> 0:09:49.520 It's where all undeliverable mail winds up. Some of the 0:09:49.520 --> 0:09:53.720 stuff they receive is truly strange. An alligator skull still 0:09:53.760 --> 0:09:58.680 covered in flesh cremation boxes Tom Nissalke's nineteen seventy one 0:09:58.880 --> 0:10:02.800 NBA championship, which had been stolen from him twelve years before, 0:10:02.840 --> 0:10:05.720 showing up at the MRC. I don't know who Tom 0:10:05.800 --> 0:10:10.559 Desalk is, but listeners might. The MRC is also one 0:10:10.559 --> 0:10:13.720 of the few places where postal workers are actually allowed 0:10:13.760 --> 0:10:16.360 to open mail to help them look for clues as 0:10:16.400 --> 0:10:19.800 to where the items or letters belong. Dan says that 0:10:19.840 --> 0:10:23.080 it's the job in part of the MRC employees to 0:10:23.160 --> 0:10:25.840 make their best guess about what belongs with what and 0:10:25.920 --> 0:10:26.920 send it on its way. 0:10:27.480 --> 0:10:30.240 They have to try to put pieces together. You know, 0:10:30.280 --> 0:10:34.400 they're kind of sluice in their own way. 0:10:34.480 --> 0:10:40.160 In their own way, don't condescend to the MRC agent Mihalko. 0:10:41.320 --> 0:10:42.559 If Dan is right, the. 0:10:42.559 --> 0:10:46.120 Original package, the photos came in with the original address 0:10:46.559 --> 0:10:49.600 might still be sitting somewhere at the MRC. So I 0:10:49.679 --> 0:10:51.720 phone up the person in charge. 0:10:51.280 --> 0:10:56.120 To ask, this is a manager. 0:10:56.160 --> 0:10:59.760 Lionel snow, Oh high, Lionel, my name is Stevie Lane 0:10:59.800 --> 0:11:02.040 and I'm a radio journalist. Do you have a moment 0:11:02.400 --> 0:11:04.000 so I can tell you why I'm calling? 0:11:06.640 --> 0:11:06.760 Uh? 0:11:07.280 --> 0:11:09.600 Not really, I mean I don't have a lot of 0:11:09.600 --> 0:11:13.920 conversation time to falup with customers. 0:11:17.320 --> 0:11:19.640 Nevertheless, I tell him about the mix up. 0:11:20.000 --> 0:11:21.960 Anything could have happened, Anything could have happened. 0:11:22.000 --> 0:11:23.000 I mean, I can tell you. 0:11:23.840 --> 0:11:27.920 Lionel tells me that, contrary to Dan Mihalko's theory, Jordan's 0:11:27.920 --> 0:11:31.600 package likely never made it to the MRC. If it had, 0:11:31.840 --> 0:11:34.560 it would probably have a special stamp on it, which 0:11:34.679 --> 0:11:38.360 Jordan's package doesn't. I ask if he has any other guesses, 0:11:38.760 --> 0:11:41.680 but he just keeps sweeping out his favorite phrase. 0:11:41.720 --> 0:11:44.040 Anything could have happened, Anything could have happened. I can 0:11:44.080 --> 0:11:45.440 make an educated guess or or not. 0:11:46.280 --> 0:11:49.360 When I press, the answer is or not. 0:11:50.000 --> 0:11:51.000 Anything could have happened. 0:11:55.559 --> 0:11:59.000 Jordan had likened the mail system to avoid into which 0:11:59.000 --> 0:12:02.640 we send stuff and from which that stuff emerges. But 0:12:02.679 --> 0:12:05.440 it appears it's also a void into which I send 0:12:05.440 --> 0:12:09.920 my questions and from which nothing emerges. Over a number 0:12:09.920 --> 0:12:13.000 of weeks, I reach out to more people at the USPS, 0:12:13.320 --> 0:12:17.800 in the Communications Department, the Historian's office, even the Postal Museum. 0:12:18.160 --> 0:12:19.240 It is a mystery. 0:12:19.400 --> 0:12:20.439 I can't really guess. 0:12:20.520 --> 0:12:23.760 You have one hundred and sixty million addresses in the US. 0:12:24.120 --> 0:12:26.160 It could have come from any one of them. 0:12:26.520 --> 0:12:27.839 Nobody is able to help. 0:12:32.840 --> 0:12:35.600 I've hit a dead end with the post Office, so 0:12:35.640 --> 0:12:38.160 I turn to the only other information that I have, 0:12:38.920 --> 0:12:42.480 the photos themselves. Is there a way to identify the 0:12:42.559 --> 0:12:46.800 people in these photographs? There's a photo of someone's pet cat, 0:12:46.960 --> 0:12:48.280 but it doesn't have a collar. 0:12:48.080 --> 0:12:48.720 With a tag. 0:12:49.280 --> 0:12:51.880 There's a graduation, but it doesn't show the name of 0:12:51.920 --> 0:12:55.120 the school. There's one photo of a man sitting in 0:12:55.160 --> 0:12:58.080 a restaurant pulling up a signed headshot of what looks 0:12:58.120 --> 0:13:01.800 like a younger version of himself. The headshot is signed 0:13:02.120 --> 0:13:07.439 doctor Pedro something MD, but after hours of photoshop sharpening, 0:13:07.800 --> 0:13:12.680 I still can't read what that something is. For every photo, 0:13:12.960 --> 0:13:16.360 I'm just one small piece of information away from cracking 0:13:16.400 --> 0:13:23.280 the case. Every photo except for one. The photo is 0:13:23.320 --> 0:13:26.640 the oldest in the bunch, a creased and faded polaroid. 0:13:27.360 --> 0:13:30.640 In it, a man crouches in the grass supporting a 0:13:30.640 --> 0:13:34.720 baby in plaid overalls, barely old enough to walk. The 0:13:34.800 --> 0:13:37.720 baby is looking down at a dog rolling over on 0:13:37.760 --> 0:13:41.679 its back playfully while the man pets its stomach. No 0:13:41.720 --> 0:13:44.560 one is aware of the camera. It seems to be 0:13:44.640 --> 0:13:48.200 capturing a private moment. And when you flip the photo 0:13:48.280 --> 0:13:53.360 over there's something written on the back Dalln Kelly and Queenye. 0:13:53.520 --> 0:13:59.160 It says, in all caps at grandparents Coxes Kelly nine 0:13:59.160 --> 0:14:26.320 and a half months Dallen Kelly and Queenee grandparents Coxes. 0:14:27.320 --> 0:14:30.640 After googling around, I find a number for a Dallon 0:14:30.760 --> 0:14:32.120 Cox in California. 0:14:35.440 --> 0:14:40.400 Hello, Hi, is this Jalon I'd called a few days 0:14:40.400 --> 0:14:41.760 before and left a message. 0:14:42.040 --> 0:14:45.120 I'm just really curious what this is all about. Honestly, 0:14:45.240 --> 0:14:49.040 I have no idea how to be involved in anything 0:14:49.120 --> 0:14:50.880 that you would be looking into. 0:14:51.680 --> 0:14:55.280 So I explain about the package of photos Amy received, 0:14:55.640 --> 0:14:58.760 about one in particular of a man with a child 0:14:58.800 --> 0:15:02.000 and a dog with a inscription on the back, and 0:15:02.080 --> 0:15:08.320 it says Dallan, Kelly and queenye At grandparents Coxes Kelly 0:15:08.880 --> 0:15:11.840 nine and a half months. 0:15:11.160 --> 0:15:13.040 Definitely, that's crazy. 0:15:13.120 --> 0:15:13.800 Yeah, that's crazy. 0:15:13.800 --> 0:15:14.760 That would be my dad. 0:15:14.880 --> 0:15:18.120 Yeah, huh, yeah, it sounds like it might be of 0:15:18.240 --> 0:15:19.840 my dad and my sister Kelly. 0:15:20.920 --> 0:15:22.920 Dallan's dad is Dalan Senior. 0:15:23.600 --> 0:15:26.280 Dallan suggests I give him a call to see if 0:15:26.320 --> 0:15:30.440 the photo belongs to him. 0:15:30.640 --> 0:15:31.080 Hello. 0:15:31.920 --> 0:15:34.760 I tell Dalan Senior all about the photo of him 0:15:34.760 --> 0:15:38.000 and his daughter Kelly. Then I texted over to him, 0:15:38.440 --> 0:15:41.480 all right, here it comes. 0:15:42.240 --> 0:15:46.360 Yeah, I'm a beet daughter. Wow. 0:15:46.840 --> 0:15:50.280 That would have been from nineteen sixty seven, probably sixty eight. 0:15:51.080 --> 0:15:53.080 She'd have been about nine months old, I would say 0:15:53.080 --> 0:15:56.800 at that time obviously is standing up a little bit, 0:15:56.880 --> 0:16:00.960 but she walked at early age like that, So yeah, 0:16:00.960 --> 0:16:01.880 that's really something. 0:16:02.120 --> 0:16:04.200 No, I don't have that picture in my collection. In fact, 0:16:04.240 --> 0:16:08.960 I don't recall ever having seen it before. Kelly was 0:16:09.000 --> 0:16:12.400 born in sixty seven, in June of sixty seven, and 0:16:12.520 --> 0:16:14.960 she actually she passed away in March of last year. 0:16:21.560 --> 0:16:25.880 Kelly died on March thirtieth, twenty twenty one. The package 0:16:25.880 --> 0:16:30.000 with Kelly's photo was postmarked April seventh, twenty twenty one, 0:16:31.000 --> 0:16:33.880 just one week after she died, so. 0:16:33.880 --> 0:16:36.160 That just makes it really strange. 0:16:39.200 --> 0:16:42.400 Kelly died unexpectedly of heart failure at the age of 0:16:42.400 --> 0:16:42.960 fifty three. 0:16:43.680 --> 0:16:45.080 It was a shock to her family. 0:16:46.120 --> 0:16:47.480 Everybody loved her laugh. 0:16:47.520 --> 0:16:52.840 When she laughed, it was just really unique, an enthusiastic laugh, 0:16:53.120 --> 0:17:01.120 you know. I remember taking her with me to like 0:17:01.680 --> 0:17:04.280 one weekend and she learned the water ski and she 0:17:04.400 --> 0:17:11.840 was having a ball. My dad used to take Kelly 0:17:11.880 --> 0:17:13.800 at that age, when she was about a year old, 0:17:14.400 --> 0:17:17.040 down to the lake and they would feed the ducks. 0:17:17.359 --> 0:17:19.359 He'd take breadcrumbs and they'd throw them to the ducks, 0:17:19.359 --> 0:17:21.919 and she got so excited to do that. 0:17:21.920 --> 0:17:23.160 That was her favorite thing to do. 0:17:35.000 --> 0:17:38.159 Dyllan Senior doesn't recognize the handwriting on the back of 0:17:38.160 --> 0:17:41.720 the photograph, but he wonders if it belongs to Kelly's mother, 0:17:42.280 --> 0:17:46.040 his ex wife, Betty. Betty had been sick and unable 0:17:46.080 --> 0:17:48.760 to make it to Kelly's funeral. Maybe she put it 0:17:48.800 --> 0:17:51.120 in the mail, hoping it would arrive for the service. 0:17:52.359 --> 0:17:55.439 When I phoned Betty, she doesn't remember the photo, but 0:17:55.520 --> 0:17:57.960 she tells me that she did indeed mail a package 0:17:57.960 --> 0:18:03.359 of photos to her granddaughter, Devin. Devin is Kelly's daughter. 0:18:06.320 --> 0:18:07.080 This is Devin. 0:18:07.640 --> 0:18:08.600 So I called. 0:18:08.280 --> 0:18:11.040 Devan to see if I ended up with the photos 0:18:11.080 --> 0:18:12.600 that her grandma tried to send her. 0:18:13.359 --> 0:18:17.480 No, I did get a package of photos from my grandmother. 0:18:18.320 --> 0:18:19.359 Huh. 0:18:19.800 --> 0:18:22.600 Devin got the photos from Betty in a package that 0:18:22.680 --> 0:18:25.720 was firmly sealed, and the photo of Kelly and Dallen 0:18:26.400 --> 0:18:29.840 that one wasn't in there. Devin says she's never seen 0:18:29.840 --> 0:18:34.320 it before. As for the rest of the photographs Amy received. 0:18:34.480 --> 0:18:38.200 I don't recognize any of the people, none of them. 0:18:38.320 --> 0:18:38.919 Huh. 0:18:39.400 --> 0:18:39.640 No. 0:18:41.080 --> 0:18:44.320 Dallan Junior, Dalan Senior, and Betty all said the same 0:18:44.400 --> 0:18:48.199 thing when I sent them the photos. Somehow, then it 0:18:48.240 --> 0:18:52.080 seems this photograph, along its journey through the mail, wound 0:18:52.160 --> 0:18:55.880 up with forty three other images of other random families. 0:18:56.920 --> 0:19:00.639 Devin can't tell me anything about those other families, but 0:19:00.680 --> 0:19:04.200 she does tell me about her own. Her mom, Kelly, 0:19:04.359 --> 0:19:07.439 got pregnant with her when she was in college. Kelly 0:19:07.480 --> 0:19:09.960 wasn't prepared to take care of a child, and soon 0:19:09.960 --> 0:19:14.600 after Devan was born, Dallan Senior, Devin's grandfather, took Devon 0:19:14.640 --> 0:19:16.439 in and raised her as his daughter. 0:19:17.040 --> 0:19:21.000 I know that my mom had mental health issues, and 0:19:23.119 --> 0:19:27.640 it took over my mom's life in many ways. There 0:19:27.640 --> 0:19:31.359 were many instances in my mom's life where she didn't 0:19:31.359 --> 0:19:34.959 have the power to take care of me. And there 0:19:35.000 --> 0:19:39.199 were many years that passed by and I had nothing 0:19:39.240 --> 0:19:41.720 to do with my mom, Like I didn't know where 0:19:41.760 --> 0:19:46.120 she was. I didn't hear from her. I was unsure 0:19:46.280 --> 0:19:50.720 if she was even alive. So I've had a hard 0:19:50.760 --> 0:19:57.919 time growing up believing that my mom loved me. 0:20:01.240 --> 0:20:03.840 But Devin tells me in the last seven or eight 0:20:03.920 --> 0:20:08.280 years before her mom's death, that changed. Devin was in 0:20:08.280 --> 0:20:13.280 her mid twenties, and without explanation, seemingly overnight, Kelly started 0:20:13.320 --> 0:20:16.440 reaching out more. She would come over to help Devin 0:20:16.480 --> 0:20:20.160 with projects around the house, like painting cabinets. The two 0:20:20.160 --> 0:20:24.520 of them spent hours sitting together on the couch, playing Zelda, and. 0:20:24.880 --> 0:20:28.080 I felt like I had my mom. I finally had 0:20:28.080 --> 0:20:31.080 my mom. I was an adult, but at least I 0:20:31.200 --> 0:20:41.920 had my mom. Two weeks before she passed, my mom 0:20:42.040 --> 0:20:43.800 just out of the blue said do you want to 0:20:43.840 --> 0:20:46.399 go out and go do something together? And I was like, 0:20:46.800 --> 0:20:49.480 I don't know where do you want to go? And 0:20:49.600 --> 0:20:52.359 she's like, what about that place that has mini golf 0:20:52.400 --> 0:20:55.040 and go carts? And I was like, okay, then let's go. 0:20:56.760 --> 0:21:05.760 And I hang on to that moment. Somehow, I feel 0:21:05.760 --> 0:21:08.520 like she knew that she wasn't going to be around 0:21:08.560 --> 0:21:12.040 for very long, and she was trying to spend more 0:21:12.080 --> 0:21:14.280 time with me and trying to do things with me. 0:21:17.600 --> 0:21:21.760 As for the photograph and the strange circumstances of its appearance, 0:21:22.520 --> 0:21:23.040 I don't. 0:21:22.920 --> 0:21:28.560 Feel like it's weird. I just think that it fits 0:21:28.600 --> 0:21:31.480 my mom's personality to do something like that. 0:21:32.080 --> 0:21:34.199 How do you mean it fits her personality to do 0:21:34.240 --> 0:21:34.760 something like. 0:21:34.920 --> 0:21:41.560 She believed that there's something beyond death. And I've never 0:21:41.640 --> 0:21:47.000 believed in ghosts or anything or anything after you passed, 0:21:47.720 --> 0:21:51.600 but if there is something there, my mom would definitely 0:21:51.640 --> 0:21:52.480 do something like this. 0:21:53.720 --> 0:21:56.800 See you think that this is almost like a missive 0:21:57.040 --> 0:21:58.160 from your mom. 0:21:58.560 --> 0:22:02.080 Yeah, I think that's possible, and I feel like this 0:22:02.240 --> 0:22:05.040 is her trying to say I'm still here. 0:22:12.960 --> 0:22:17.280 In Jordan's book, she writes that in thin places quote 0:22:17.600 --> 0:22:21.880 invisible things like music or love or dead people might 0:22:21.920 --> 0:22:25.879 become visible, or if they don't become visible, they become 0:22:25.880 --> 0:22:28.720 so present and tangible that it doesn't matter. 0:22:30.400 --> 0:22:31.680 Like Devon, I'm not. 0:22:31.680 --> 0:22:35.600 One to believe in ghosts, Yet after talking with everyone, 0:22:35.960 --> 0:22:38.639 I still don't know where the photo of Kelly came from. 0:22:39.359 --> 0:22:42.320 No one in Kelly's family can account for it, so 0:22:42.440 --> 0:22:45.880 after months of searching, the origins of this photo are 0:22:45.920 --> 0:22:49.520 still a mystery. But in what I see as a 0:22:49.600 --> 0:22:53.320 series of unexplainable events that began with Jordan sending a 0:22:53.320 --> 0:22:58.000 book and ended up here, Devin sees her mother, and 0:22:58.080 --> 0:23:01.600 it's precisely the unlikeliness of the that she points to 0:23:01.800 --> 0:23:02.399 as proof. 0:23:03.400 --> 0:23:05.439 I just think, if you look at all of the 0:23:05.480 --> 0:23:10.520 little pieces of how this happened, not just anybody would 0:23:10.520 --> 0:23:12.560 have reached out and tried to find the owner of 0:23:12.600 --> 0:23:15.679 a photo, I think it would have been tossed in 0:23:15.720 --> 0:23:18.920 the trash or pushed aside. 0:23:18.080 --> 0:23:19.760 I feel like. 0:23:21.359 --> 0:23:22.760 It's like a treasure. 0:23:22.600 --> 0:23:23.240 From my mom. 0:23:24.160 --> 0:23:28.040 That's how I feel huh, like my mom placed it 0:23:28.040 --> 0:23:31.200 there on purpose and got it into the right hands 0:23:31.240 --> 0:23:32.800 that would reach out to me. 0:23:35.119 --> 0:23:37.680 I'd been thinking of this as a story about male 0:23:37.800 --> 0:23:41.240 going to the wrong place, but listening to Devn, I 0:23:41.320 --> 0:23:43.760 wonder if it's actually a story about it going to 0:23:43.800 --> 0:23:48.919 the right one to Amy. And yet because the photo 0:23:48.960 --> 0:23:51.879 wound up in Amy's hands, Devin didn't get it for 0:23:51.920 --> 0:23:56.480 an entire year after Kelly's death. If Kelly wanted Devin 0:23:56.560 --> 0:23:59.680 to have the photo, why deliver it a year late? 0:24:00.440 --> 0:24:00.720 Why? 0:24:00.800 --> 0:24:01.040 Now? 0:24:02.080 --> 0:24:05.199 There have been times where I've really needed somebody to 0:24:05.280 --> 0:24:09.480 be in my house with me, and out of everybody 0:24:09.520 --> 0:24:12.399 in my family and out of all of my friends, 0:24:13.880 --> 0:24:18.600 my mom would drop anything to come and support me. 0:24:20.040 --> 0:24:24.960 And when she passed, I didn't have that safety net anymore. 0:24:26.040 --> 0:24:29.159 I had trouble at my job and I had to 0:24:29.200 --> 0:24:36.560 take extra time off. But if she's still here, that 0:24:36.600 --> 0:24:37.440 makes a difference. 0:24:41.320 --> 0:24:47.400 It's not easy losing a mom, so having this feeling 0:24:47.440 --> 0:24:50.359 that she's still here and she's still with me is 0:24:52.840 --> 0:24:53.520 is amazing. 0:24:58.080 --> 0:25:00.520 Right after a loss, there are a lot of people 0:25:00.560 --> 0:25:04.359 to lean on, but as time passes and people return 0:25:04.440 --> 0:25:07.199 to their lives, you begin to feel that loss in 0:25:07.240 --> 0:25:11.600 a new way. Houses get cleaned out, clothes get donated, 0:25:12.359 --> 0:25:17.639 and all evidence of the person fades away with the photo. 0:25:17.720 --> 0:25:22.000 Though Kelly has come back to Devon a year late, 0:25:22.880 --> 0:25:32.800 but perhaps right on time. Devin's grandfather, Dallan Senior, is 0:25:32.840 --> 0:25:36.680 turning seventy five soon. Devon told me that they're throwing 0:25:36.760 --> 0:25:39.680 him a big party. She's been working on his birthday 0:25:39.680 --> 0:25:44.119 present for months, a new family photo album, and along 0:25:44.160 --> 0:25:47.760 with all the photographs she's collected, she wants to include 0:25:47.760 --> 0:25:52.080 this one safe among the other smiling faces of Kelly's 0:25:52.080 --> 0:26:40.280 family members, where surely it won't be lost again. Now 0:26:40.400 --> 0:26:40.840 that the. 0:26:41.000 --> 0:26:45.560 Fern atures rip turned into its good will. 0:26:45.520 --> 0:26:53.359 Home, now that the last month's rant is skiming with 0:26:53.640 --> 0:26:58.199 the damage to post, take this moment to dessert. 0:27:00.240 --> 0:27:05.800 If we mentioned if we trash Feld for. 0:27:09.400 --> 0:27:11.200 Things as dan Lee. 0:27:13.200 --> 0:27:13.440 Zero. 0:27:16.359 --> 0:27:19.479 This episode of Heavyweight was produced by me Stevie Lane, 0:27:19.520 --> 0:27:23.520 along with Jonathan Goldstein, Phoebe Flanagan, and Mohemi mcgouger. Our 0:27:23.560 --> 0:27:27.320 Senior producer is Khaleila Holt. Special thanks to Alex Bloomberg, 0:27:27.440 --> 0:27:31.520 mime O'Donnell, Laurence Silverman, Maureene Taylor, Estelle Ivory and all 0:27:31.560 --> 0:27:35.880 The Incredibly Patient People over at the USPS editorial guidance 0:27:35.880 --> 0:27:38.959 from Emily Condon. Bobby Lord mixed the episode with original 0:27:39.040 --> 0:27:42.360 music by Christine Fellows, John K. Sampson, Blue Dot Sessions, 0:27:42.480 --> 0:27:45.879 John Jacoby, and Bobby Lord. Additional music credits can be 0:27:45.920 --> 0:27:49.840 found on our website gimlimedia dot com slash Heavyweight. Our 0:27:49.880 --> 0:27:53.000 theme song is by The Weaker Thens, courtesy of Epitaph Records. 0:27:53.440 --> 0:27:55.080 Amy has just written a new. 0:27:54.920 --> 0:27:58.560 Book, Artificial, a graphic memoir about her father's efforts to 0:27:58.600 --> 0:28:02.720 preserve her late grandfather's life identity using AI technology. You 0:28:02.760 --> 0:28:05.639 can find it at your local bookstore. Heavyweight is a 0:28:05.680 --> 0:28:09.679 Spotify original podcast. Follow us on Twitter at Heavyweight, on 0:28:09.800 --> 0:28:13.520 Instagram at Heavyweight podcast, or email us at Heavyweight at 0:28:13.520 --> 0:28:16.680 gimlipmedia dot com. You can follow our show on Spotify 0:28:16.800 --> 0:28:20.480 and tap the bell to receive notifications when new episodes. 0:28:20.080 --> 0:28:23.360 Drop, and one will drop next week. 0:28:41.760 --> 0:28:43.640 Hello Stevie's dad speaking. 0:28:44.480 --> 0:28:47.600 Oh that was nice, okay, great Estelle, Thank you so much. 0:28:47.880 --> 0:28:49.400 What is your school about anyway,

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