Stacy and Clinton Break Down the Style of One Battle After Another
In this episode of Why’d They Wear That?, Stacy London and Clinton Kelly break down the style of One Battle After Another through eight key looks. From Teyana Taylor’s instantly iconic revolutionary wardrobe to the thrifted, lived in realism of the supporting cast, they unpack how the costume design builds character without ever pulling focus.
Along the way, they talk subtle styling, class signals, camouflage, denim, boots, political archetypes, and why Colleen Atwood’s work here is so impressive precisely because it feels so invisible.
Produced by Simple Alien → https://www.simplealien.com/
Camera, Audio and Crew provided by TV Boy → https://tvboynyc.com/
About Why'd They Wear That?: A pop-culture and fashion commentary show where Stacy London and Clinton Kelly break down the on-screen looks that sparked trends, started debates and occasionally made audiences ask, "Why'd They Wear THAT?"
→ https://www.whydtheywearthat.com/
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[SPEAKER_02]: All right, Clinton. [SPEAKER_00]: Hello. [SPEAKER_02]: I am Stacey London and you are Clinton Kelly. [SPEAKER_02]: Exactly, beautiful weeks to work together on a wonderful show that I can't remember the name I'm because I was so lucky. [SPEAKER_00]: What not to wiser? [SPEAKER_00]: Oh, thank you. [SPEAKER_02]: What not to wiser? [SPEAKER_02]: But we are here now here to talk about some of our favorite films. [SPEAKER_02]: So I thought it would be really fun to do one that isn't like from our youth or formative years, but maybe something that's a little bit more modern. [SPEAKER_02]: for people who don't know. [SPEAKER_00]: For people who don't know. [SPEAKER_02]: For people who weren't alive when we were watching movies. [SPEAKER_02]: So I thought it might be interesting to do one battle after another. [SPEAKER_02]: Okay. [SPEAKER_01]: One battle after another. [SPEAKER_01]: And eight looks. [SPEAKER_00]: All right. [SPEAKER_00]: So can we just say off the bat when you told me that you want to do this? [SPEAKER_00]: I was like, I was like, I was a little bit like, oh shit. [SPEAKER_00]: I know because it's a three hour movie. [SPEAKER_00]: I don't have that kind of attention. [SPEAKER_02]: Nobody does. [SPEAKER_00]: And why? [SPEAKER_02]: It's why we're doing this. [SPEAKER_00]: I know, right? [SPEAKER_00]: And it's short format. [SPEAKER_00]: This movie for me is a little bit of a slog to get through. [SPEAKER_02]: I listen, I don't disagree, but I do think it would be interesting to look at a kind of complicated movie pretty much through a style lens, because I think there were some amazing casting choices here. [SPEAKER_02]: I agree. [SPEAKER_02]: Really deliberate style choices. [SPEAKER_02]: I think the overall star of this movie is Tiana Taylor. [SPEAKER_02]: She plays perfidia Beverly Hills, a revolutionary from a line of revolutionaries and she is revolutionary in the role. [SPEAKER_02]: but she kind of disappears pretty early on in the movie which is why it's funny I felt it really hard to get into this movie like I kept it felt like we were dropped in the middle of it so actually let's just start it let's do it look number one [SPEAKER_02]: just take a look. [SPEAKER_02]: This is really how the movie starts. [SPEAKER_02]: Perfidia Beverly Hills is walking down a highway. [SPEAKER_02]: But look at this outfit. [SPEAKER_00]: Right away, we know who this character is. [SPEAKER_02]: The military pants, but the craft shirt. [SPEAKER_02]: I mean, immediately, you know that this bitch is tough. [SPEAKER_00]: Right. [SPEAKER_00]: She's tough. [SPEAKER_00]: She's in shape. [SPEAKER_00]: She's going to kick some ass any minute now. [SPEAKER_00]: look number two. [SPEAKER_00]: Should we talk about perfidia's choice of camo? [SPEAKER_00]: I mean because it's camo without an orange element. [SPEAKER_02]: Yes. [SPEAKER_00]: Yes. [SPEAKER_02]: We're safety orange, which is kind of interesting because it's like, it's not really camo. [SPEAKER_02]: Yeah. [SPEAKER_02]: It's a safety art. [SPEAKER_00]: Definitely not. [SPEAKER_00]: Definitely not, but it still has that same vibe. [SPEAKER_00]: It's like, I got a gun. [SPEAKER_02]: Right. [SPEAKER_02]: I got it definitely says I got a good energy. [SPEAKER_02]: I mean the tats all of it. [SPEAKER_02]: Like that makes me very very happy. [SPEAKER_02]: I do love the fact that we can see her stomach muscles in every shot. [SPEAKER_00]: Right. [SPEAKER_00]: I'm sure I'm sure calling that web is like, wow, we got to use a character. [SPEAKER_02]: We got to make the abs work. [SPEAKER_00]: Yeah. [SPEAKER_00]: I mean, it's, I will say, I got to give major props to calling that would in this movie because the, the wardrobing is so intentional. [SPEAKER_00]: Yeah. [SPEAKER_00]: But also does not try to steal the show at all. [SPEAKER_00]: It's invisible. [SPEAKER_00]: And it just, it's, um, it supports every character every time. [SPEAKER_02]: Completely. [SPEAKER_02]: Every time. [SPEAKER_02]: completely agree. [SPEAKER_02]: I think that's actually the genius of this. [SPEAKER_02]: I don't know who now I'm forgetting who the architect was to build the new mama. [SPEAKER_02]: But when he went to the board, he said, you know, I can build you a beautiful building for $70 million, but for $120 million, I can make you a beautiful building that disappears. [SPEAKER_02]: And that's sort of what I felt about the style here. [SPEAKER_02]: is that it is in support of the characters. [SPEAKER_02]: It does not overtake the characters. [SPEAKER_02]: It's not a separate character. [SPEAKER_02]: It is almost like a whisper, not a screen. [SPEAKER_00]: Right. [SPEAKER_00]: And it never takes us out of the moment. [SPEAKER_00]: Right. [SPEAKER_00]: Like in a Tarantino film a lot of times, you be like, really, is she really wearing that? [SPEAKER_02]: Like men and women. [SPEAKER_02]: Really wearing that whole body suit? [SPEAKER_00]: Is that right? [SPEAKER_00]: And it takes you out of the movie for just a second. [SPEAKER_00]: You know, and it's in fantasy land. [SPEAKER_00]: But here, like this feels so f and real, so real. [SPEAKER_02]: I wonder if that's part of it. [SPEAKER_02]: I wonder if that's why it's harder to get into. [SPEAKER_02]: I wonder if it's because it's, I know, it sounds crazy, but like a handheld instead of a steady cam, right? [SPEAKER_02]: Like when you're bouncing around a lot in the beginning of a movie, I'm always like, oh, no. [SPEAKER_01]: Yeah, good. [SPEAKER_01]: It's nauseous. [SPEAKER_01]: Yeah. [SPEAKER_01]: Look number three. [SPEAKER_02]: All right. [SPEAKER_02]: Here we are. [SPEAKER_02]: This might be my favorite look of the movie. [SPEAKER_02]: I mean, talk about like everything that woman kind in habits. [SPEAKER_02]: Yes, we the bake babies and we are also angry. [SPEAKER_00]: Ready, buddy. [SPEAKER_00]: You might be just listening. [SPEAKER_00]: This is a buffalo. [SPEAKER_00]: Plad, Jack Jack it. [SPEAKER_00]: She's wearing a black beany and she's got her military pants of a buttoned underneath. [SPEAKER_00]: for a gigantic pregnancy belly. [SPEAKER_02]: Nine month belly and she's wearing combat boots and that is, what kind of, right? [SPEAKER_02]: What kind of, is it a semi-automatic? [SPEAKER_02]: Is it a machine? [SPEAKER_00]: I think it's a machine gun, right? [SPEAKER_00]: I don't know, I don't know, my artillery. [SPEAKER_00]: But I will say this is, this has become an iconic look, right? [SPEAKER_00]: This is like the stuff that Halloween costumes are made of. [SPEAKER_02]: I mean, honestly, this is what I'm doing this year. [SPEAKER_02]: Now that I'm looking at it, I'm like, there is nothing about this outfit that does not appeal to me, including the gun. [SPEAKER_02]: Oh, I'm gonna go, and then she says, I feel just like Tony Montana. [SPEAKER_00]: My only issue with this look is what it's, it's not even an issue really, but like, [SPEAKER_00]: I mean, how those pants stay up? [SPEAKER_00]: Like, they're literally defying gravity. [SPEAKER_02]: I mean, I'm gonna say that it's gotta be, look, look at the belt. [SPEAKER_02]: It's literally underneath the bump. [SPEAKER_02]: It's like just there. [SPEAKER_02]: It's like, it's amazing. [SPEAKER_02]: But that's the only thing holding it up. [SPEAKER_00]: Again, it's a movie, and it's an awesome scene. [SPEAKER_00]: But like, I feel like she could use one of those pregnancy bands, little maternity bands, and do they make military pants with a maternity band? [SPEAKER_02]: Listen, that's a really good question. [SPEAKER_02]: I don't think you're out on the front lines. [SPEAKER_02]: If you're nine months pregnant, I know if you're allowed. [SPEAKER_02]: probably not but you know what it would be interesting to see if we could cut military pants and put some sort of like human stretch in them just a panel just to see if it would work look number four oh okay jungle pussy jungle pussy so can we talk about this for two seconds I mean if I was gonna rob a bank I gotta tell you I would do it and I'll look like this [SPEAKER_00]: This bank robbing scene is one of the best bank robbing scenes ever in the history of Hollywood. [SPEAKER_02]: Of all time. [SPEAKER_00]: Yeah. [SPEAKER_02]: I mean, it reminds me a little bit, sorry, Paul Thomas, of Quentin Tarantino. [SPEAKER_02]: When Tim Roth gets on the table during pulp fiction in the diner. [SPEAKER_00]: Yep. [SPEAKER_00]: So good. [SPEAKER_00]: But I mean, let's talk about what jungle pussy is wearing right now. [SPEAKER_00]: I never thought that that sense would come out of my mouth. [SPEAKER_00]: Let's talk about what jungle pussy is wearing right now. [SPEAKER_00]: So she's got a tube dress in a... [SPEAKER_02]: It's almost like a misony print. [SPEAKER_00]: Yeah, like a misony print. [SPEAKER_00]: It's a horizontal stripe, multi-color print. [SPEAKER_00]: And she's top that with a sweater. [SPEAKER_00]: Looks like a cardigan or the hoodie? [SPEAKER_02]: It looks like it could be a sweater or like a baseball jacket. [SPEAKER_00]: And it's in a sort of an abstract floral. [SPEAKER_00]: It's only got two colors. [SPEAKER_00]: It's got the beautiful through blue. [SPEAKER_00]: Oh, wait. [SPEAKER_02]: It's just black now. [SPEAKER_00]: Yeah, turquoise. [SPEAKER_00]: I actually think it's got cutouts. [SPEAKER_00]: I think it's a leather cutout on top of, yes, that is a blue. [SPEAKER_00]: We call it a leather jacket on top of a black knit. [SPEAKER_00]: Look. [SPEAKER_00]: See it? [SPEAKER_00]: See the way it's attached. [SPEAKER_02]: Yes, it's attached. [SPEAKER_02]: It's attached. [SPEAKER_00]: Oh, it's like, it's a lace. [SPEAKER_00]: It's a, it's a turquoise lace leather jacket. [SPEAKER_00]: Wow. [SPEAKER_02]: Now, now I'm really curious because that actually looks incredibly modern to me. [SPEAKER_02]: Whereas originally, I felt like the outfit was a little retro. [SPEAKER_00]: Yeah. [SPEAKER_02]: That's not retro at all. [SPEAKER_02]: What I thought was so cool was that you don't think that they really bow on together or go together, but they look so good on her that it doesn't matter. [SPEAKER_02]: It's like the clash makes the look. [SPEAKER_00]: Totally. [SPEAKER_00]: These characters not spend money on clothes. [SPEAKER_00]: They're not going into sex, Vavenu, and drop in five K at a time. [SPEAKER_02]: No, they're going to rainbow. [SPEAKER_00]: They're going to rainbow, or they're going to, like, goodwill, or something. [SPEAKER_00]: Right. [SPEAKER_00]: These characters would be the type of characters who go to goodwill to find some cool clothes. [SPEAKER_02]: Dumpster diving, also fun stuff. [SPEAKER_00]: Dumpster diving. [SPEAKER_00]: So I feel like jungle pussy did a little dumpster diving or went to goodwill and found some fucking hot pieces and put them together and created a lot of thinking about it. [SPEAKER_02]: And let's not forget that these guns really do make good accessories for these ladies. [SPEAKER_02]: OK, not in real life, but I'm just saying a gun really is kind of a sexy look. [SPEAKER_00]: Right. [SPEAKER_00]: Could you imagine if you were in that bank and the cops are like, well, what was the assailant wearing? [SPEAKER_00]: You'd be like, well, OK, it was very good. [SPEAKER_02]: No, Blake, yeah. [SPEAKER_00]: Totally hot. [SPEAKER_02]: I mean, it's really something this one. [SPEAKER_00]: This look is really something. [SPEAKER_01]: Look, number five. [SPEAKER_02]: here is the love between a dad and a daughter he is so protective so he really does play Bob Ferguson very well he's a total stoner paranoid and you know has all these rules with his daughter who is played by Jason Pinnity about what she can and can't wear what she can and can't say because they're undercover on the run. [SPEAKER_02]: you know, ex-political activists. [SPEAKER_02]: She doesn't understand it because she was a baby when her mom gets arrested, taken away, and disappears. [SPEAKER_02]: And thinks that, you know, for all intents and purposes, Leonardo DiCaprio is her dad. [SPEAKER_02]: Right. [SPEAKER_00]: And he is styled perfectly for the washed up stone or that he is. [SPEAKER_00]: Yeah. [SPEAKER_00]: I say washed up sort of in quotes because, uh, it was not even mean, you know, like I got. [SPEAKER_02]: He's not a revolutionary. [SPEAKER_02]: He's washed up, he doesn't make bombs in here. [SPEAKER_00]: He's a washed up bomb maker. [SPEAKER_00]: Exactly. [SPEAKER_00]: And now he's like a stay at home dad who spokes way too much weed. [SPEAKER_00]: Exactly. [SPEAKER_02]: He's like, did you just what would have happened to the Unibobber essentially if we left him alone? [SPEAKER_00]: Right. [SPEAKER_00]: So this bathrobe look, I think what I hate to like use the word iconic, but it's become an iconic look as for this character. [SPEAKER_00]: Almost as much as the bathrobe in the Big Lebowski, right? [SPEAKER_02]: A thousand percent this whole outfit. [SPEAKER_02]: It to me the bathroom everything about it. [SPEAKER_02]: The sunglasses that he sells the black beanie that I wonder if it that's for fitting Oh, yeah, she might have left the bat. [SPEAKER_00]: Right. [SPEAKER_00]: The black beanie. [SPEAKER_00]: Yeah, she probably did of course. [SPEAKER_00]: She did [SPEAKER_00]: How did you think that the wardrobe helped support him as a sympathetic character at all, or is it work against it? [SPEAKER_02]: You know, that is such a good question. [SPEAKER_02]: I think the wardrobe supports us being sympathetic towards him. [SPEAKER_02]: I still find it hard to be sympathetic towards him because you're like, you're such an idiot. [SPEAKER_02]: You know, I mean, like, get it together. [SPEAKER_02]: This is your daughter. [SPEAKER_00]: First of all, you can just looking at this still. [SPEAKER_00]: You can smell them. [SPEAKER_00]: You can literally smell the guy from across that telephone booth. [SPEAKER_00]: Like you know exactly what he's doing. [SPEAKER_00]: So the weeds and weed and cheese and just the general funk. [SPEAKER_00]: And that's coming, literally coming through the screen, right? [SPEAKER_00]: But it's like this guy, he's the guy that I feel like we've all sort of met in our lives where you just want to shake him. [SPEAKER_00]: You're like getting off your fucking couch. [SPEAKER_02]: Exactly, it's the failure to launch dude as a grown up, right? [SPEAKER_02]: But he did stay when, you know, the mother of his child, what? [SPEAKER_02]: Yeah. [SPEAKER_02]: And he did raise this girl. [SPEAKER_02]: So like, we're sympathetic to the fact that like, he didn't leave the child, right? [SPEAKER_02]: Even if he was a scaredy cat, even if he wasn't a front line revolutionary. [SPEAKER_00]: Yeah, he did do the right thing. [SPEAKER_00]: I mean, or whatever that is, he didn't put her up for a doctor and like that and didn't leave himself. [SPEAKER_00]: He's trying to try and the best he can, but he's just clueless. [SPEAKER_01]: Look, number six. [SPEAKER_02]: Venetio Del Toro also, I think he was nominated for a bunch of things for this role. [SPEAKER_02]: He plays sensei Sergio. [SPEAKER_00]: Yes. [SPEAKER_00]: And he does this so well. [SPEAKER_02]: He does this so well. [SPEAKER_02]: This, this like, okay, let me show you what I got. [SPEAKER_02]: First of all, he used to be a bean stock. [SPEAKER_02]: Totally wasn't he like a super super skinny guy and he like filled out and became like a grown man He does look like a grown man now. [SPEAKER_00]: Yes. [SPEAKER_00]: I love the fact that the costume designer is kept in his sense in his sense a karate pants, right? [SPEAKER_00]: Courage Bob courage Bob and it's interesting where the like the the self belt of the karate pad is hitting [SPEAKER_00]: Dad, dad, tell me. [SPEAKER_00]: Yeah, little dad, tell me there. [SPEAKER_03]: Little dad, bud. [SPEAKER_00]: Yes, and this denim jacket isn't just your average denim jacket. [SPEAKER_00]: When they sort of zoom in to his face for the close-up, you can see that the denim jacket has a lot of interesting details sewn into it. [SPEAKER_02]: Wait, I did not know. [SPEAKER_02]: It's that's what I thought I thought this was an amazing scene because he's wearing his sensei outfit. [SPEAKER_02]: And because he's like, [SPEAKER_00]: Well, Colleen, we could have chosen a regular old denim jacket, but she's given him one that's got a little bit of room in the sleeve, right? [SPEAKER_00]: And then a slightly sloped shoulder, slightly sloped shoulder, like, yeah, exactly. [SPEAKER_00]: And look at all this detail sewn into the shoulder area there. [SPEAKER_00]: Wow, there's like a chevron, right? [SPEAKER_02]: Yeah, because stitching it, it looks like a, oh, no, even a Navajo photo. [SPEAKER_02]: Yeah, like a Navajo picture. [SPEAKER_00]: Yeah, yeah. [SPEAKER_02]: This looks like it could have come from a thrift store. [SPEAKER_02]: It looks like it could have been something that you bought. [SPEAKER_02]: Like you saw $0.20 on a rack and you pulled it. [SPEAKER_02]: You know what I mean? [SPEAKER_02]: Like everything about this looks like it's the lived-in part of somebody's life. [SPEAKER_00]: Mm-hmm. [SPEAKER_00]: And it's the little details like this that go such a long way. [SPEAKER_00]: They create a texture that you're not even aware that you're absorbing. [SPEAKER_00]: Yeah. [SPEAKER_00]: So, I mean, I hope she wins an Academy Award for this. [SPEAKER_00]: She's fantastic. [SPEAKER_02]: see, but that's so funny. [SPEAKER_02]: Now, this is where I get confused, right? [SPEAKER_02]: Because when you you really have to understand style, costume design, cut, fit, everything to really understand when when wardrobe disappears the way we're talking about how that is as hard, if not harder, then creating a wardrobe that stands out. [SPEAKER_02]: Right. [SPEAKER_00]: and not making them boring, you know what I mean? [SPEAKER_00]: So if, like, I think people's default would be like, oh, we don't want the wardrobe to stand out. [SPEAKER_00]: So let's make it as boring as possible. [SPEAKER_00]: No, these are not boring pieces. [SPEAKER_02]: And they have real detail to them. [SPEAKER_00]: And they have history to them. [SPEAKER_02]: Yeah, I really think the camouflage that perfidia was wearing that you were talking about, the camouflage with the orange is such an interesting combination of danger and safety. [SPEAKER_03]: Right? [SPEAKER_02]: It's lean, are you really thinking on this level? [SPEAKER_00]: Right, I mean, think about camo and safety orange. [SPEAKER_00]: They literally do the opposite things. [SPEAKER_00]: Right, so therefore you've got this dichotomy, you know, in one garment worn by one woman, who's got a lot of shit going on in her head. [SPEAKER_02]: and dope jeans and dope jeans, you know how you used to say all the time jeans are just there to make your ass look good She proves the point. [SPEAKER_02]: Okay, she's the reason we made the rule. [SPEAKER_00]: There you have it right there Yes, if your ass does not look good in pair of jeans do not buy them. [SPEAKER_02]: Do not buy them not that your ass will ever look like Tiana's like you can try. [SPEAKER_00]: No, she's she's genetically gifted isn't she she's really so it's her daughter. [UNKNOWN]: Yeah [SPEAKER_02]: And I love this movie for the fact that we can talk about it in this subtle way, right? [SPEAKER_02]: Like, I really struggled with how long this movie was. [SPEAKER_02]: I struggled with the fact that we don't know whether Willa is actually Bob's daughter or Lockdown's daughter, because Lockdown helps perfidia save her from getting sent to jail. [SPEAKER_02]: And then she leaves him when he sets her up in a house to kind of trap her because he's in love with her. [SPEAKER_00]: Yes, he's in love with her. [SPEAKER_00]: That's sexy in that they had. [SPEAKER_00]: What is he, did she stick the gun up his butt? [SPEAKER_02]: Yeah, I think so. [SPEAKER_00]: Yeah, I think she does. [SPEAKER_02]: Yeah, I think she's just one of those bad ass bitches, who's like, I'm gonna peg your ass. [SPEAKER_00]: Yeah, that's a lot. [SPEAKER_00]: That's a lot. [SPEAKER_01]: I've done some amazing shit, but it's really not that bad. [SPEAKER_01]: Look, number seven. [SPEAKER_00]: So are we going to talk about the wardrobe design of the white supremacists? [SPEAKER_00]: Oh, my God. [SPEAKER_02]: Because I thought those iconic, like, white male looks were Sony Goldwyn, plays one of the Christmas Day club members. [SPEAKER_02]: OK. [SPEAKER_00]: Oh, first of all, Tony Goldman in this Tuxedo man, well, I'll have what he has had. [SPEAKER_00]: Exactly. [SPEAKER_00]: He looks so fucking good in his character who is, you know, evil. [SPEAKER_00]: Evil. [SPEAKER_00]: It looks so, where's the Tuxedo so well? [SPEAKER_02]: But do you think that's part of it? [SPEAKER_02]: He plays evil really well because he's so good looking. [SPEAKER_02]: Is that it? [SPEAKER_02]: Well, I feel like it's too easy to make him a good guy. [SPEAKER_02]: He's better off being that under the radar, like, really, like, just, under the radar. [SPEAKER_02]: Oh, love, love, love, love, love. [SPEAKER_00]: I just feel like the, at the round table of the, what's the Christmas day of the Christmas day club? [SPEAKER_00]: Yeah. [SPEAKER_00]: These looks are so telling about, you know, they're really like, um, archetypes. [SPEAKER_00]: Absolutely. [SPEAKER_02]: A straight white male of the, the five straight white males who have all the money. [SPEAKER_00]: Yeah. [SPEAKER_00]: Right. [SPEAKER_00]: Yeah. [SPEAKER_00]: You see these looks a lot in like, yeah, the pajamas in the car. [SPEAKER_02]: Southern Connecticut, you know, uh, the patio going to, the, yeah. [SPEAKER_02]: How to go to your best. [SPEAKER_00]: right it's like it's not to the tech broke thing right my god boy is it not to the tech broke yeah it's it's so well done it's like you just you believe that all of these guys are white supremacy and like I just I just want to be right I want to be very clear that not every straight white man as a white supremacized I feel like you have to say that I do not believe that at all but what's happening right here is that like you were just getting that far [SPEAKER_00]: this bad guy the one in the in the vest who looks a little tech bro. [SPEAKER_00]: Yeah. [SPEAKER_00]: He has the same sort of hairline that I do and I'm sort of thinking that I might go with that. [SPEAKER_00]: I'm sort of going with that right now and English to let it grow out a little bit on the sides. [SPEAKER_00]: See that? [SPEAKER_00]: Don't we look a little bit alike? [SPEAKER_02]: Yeah, definitely. [SPEAKER_00]: I mean, I feel like when you have a high forehead like we do, he and I, like you only have so many options. [SPEAKER_00]: Yeah, I can push it forward or just go back with that on up. [SPEAKER_02]: Yes. [SPEAKER_00]: Okay. [SPEAKER_00]: I'm just taking a style note. [SPEAKER_02]: And just, true, take the temperature. [SPEAKER_02]: Let's take the temperature. [SPEAKER_00]: I don't want to be him, I just like his hair pack for me. [SPEAKER_02]: Absolutely, at this in all the style tips that we can get for ourselves from critiquing these movies, why not? [SPEAKER_00]: Let's make all these movies about us. [SPEAKER_02]: But I could get away with wearing that pink dress that Kelly brought. [SPEAKER_00]: Kelly Rockwater, where it's science, yeah. [SPEAKER_02]: Okay, so finally, the one outfit that we see will it in, aside from her karate dojo, look, is kind of tiered, like a faux petty coat, you know, but a little bit punky because she's wearing it with a leather jacket and combat boots. [SPEAKER_02]: And it's very cute. [SPEAKER_02]: One thing I've noticed, just [SPEAKER_02]: to big long bags come back into style because that's something I noticed on her that I'm like have I seen more of this lately the oversized like flap over bag oh yeah like crossbody right yeah you know I think what's done right here about the school dances is [SPEAKER_00]: it's not like the school dance scenes we've seen in so many movies where it's like the suburban kids of the upper middle class stuff and the course of right and their parents have spent thousands of dollars on this prom look or whatever the fuck like she and her friends are putting together outfits that they think are cool what I like about that her outfit too is that it's like [SPEAKER_00]: We've seen it before, so she's obviously taking cues from, probably, like, you too. [SPEAKER_00]: The 90's, you see, right? [SPEAKER_00]: Exactly. [SPEAKER_00]: Yeah, so I think that that's pretty cool. [SPEAKER_00]: Also, I love that the skirt has a little bit of movement to it, so when she's, usually that would be the kind of, like, a tool fabric, right? [SPEAKER_00]: Right. [SPEAKER_02]: And it might be, it's funny. [SPEAKER_02]: It looks like it could be the outer layer, it could be tool, or, you know, something artificial, but it definitely has that poofiness. [SPEAKER_02]: Yeah. [SPEAKER_02]: Which interestingly enough is, you know, basically the vibe [SPEAKER_02]: Is it really, now what I also like about this is that the t-shirt is shorter than the first raffle. [SPEAKER_02]: Yeah. [SPEAKER_00]: First tier. [SPEAKER_02]: That makes it work. [SPEAKER_02]: It makes it work. [SPEAKER_02]: If you're not tucking in a t-shirt here with the volume on this skirt, the crop of this jacket and the length of the t-shirt are actually quite important and they really work here. [SPEAKER_01]: Final thought. [SPEAKER_00]: You know what? [SPEAKER_00]: I will tell you this. [SPEAKER_00]: As I said, the beginning of our little episode here, this movie is a little bit of a slog for me, but rewatching it with that eye towards style that we're doing and why they wear that. [SPEAKER_00]: It's really given me such an even greater respect for calling at wood. [SPEAKER_02]: I really agree. [SPEAKER_02]: I think the the entire enterprise in this movie was one of [SPEAKER_00]: I give this. [SPEAKER_00]: Oh, okay. [SPEAKER_00]: I give this six forearm veins. [SPEAKER_02]: Oh, that's so funny. [SPEAKER_02]: I was going to do bicep. [SPEAKER_00]: Well, I give the costume design six forearm veins out of six. [SPEAKER_02]: Yeah, I do. [SPEAKER_02]: You're going to say. [SPEAKER_00]: Yeah. [SPEAKER_00]: I give the movie itself six forearm veins out of ten forearm veins. [SPEAKER_02]: Oh, I want ten six out of ten. [SPEAKER_02]: Okay. [SPEAKER_02]: I am going with. [SPEAKER_02]: four out of five for camouflage vest in terms of the movie. [SPEAKER_02]: And then I would say I would give the cost dooming five out of five gay Christian Nationals. [SPEAKER_02]: What do you think? [SPEAKER_00]: I love it. [SPEAKER_00]: Yeah. [SPEAKER_00]: Yeah. [SPEAKER_00]: Thanks for watching. [SPEAKER_00]: Why do you wear that? [SPEAKER_01]: Thanks for watching. [SPEAKER_01]: A special thank you to our sponsor, the Nicaracur Hotel. [SPEAKER_01]: Find out more and explore all our shows at all2.com. [SPEAKER_01]: And as always, keep asking. [SPEAKER_01]: Why can't we wear that?