Episode 22: Sarah Sedwick, Part 2
This is part 2 of my conversation with Sarah Sedwick. You’ll learn about different types of edges and how to use them to make more interesting paintings. You’ll discover how to make highlights that sing and the power of a good critique.
2020-12-14
32 min
12 chapters
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Chapters
1. What Sedwick needs for her underpainting
2. Creating systems that allow you to not be precious
3. Where in Sedwick’s process she figures out edges
4. Degrees of soft edges
5. A hierarchy of a painting
6. Benefits of learning online vs in person
7. Physical interactions of paint
8. How Sedwick physically approaches edges (hard, soft, lost)
9. Advice on how to get better at painting
10. Losing and finding momentum
11. The importance of critique
12. How critique helps you find your personal style
What Sedwick needs for her underpainting
65.0s
Creating systems that allow you to not be precious
270.0s
Where in Sedwick’s process she figures out edges
356.0s
Degrees of soft edges
499.0s
A hierarchy of a painting
567.0s
Benefits of learning online vs in person
654.0s
Physical interactions of paint
783.0s
How Sedwick physically approaches edges (hard, soft, lost)
967.0s
Advice on how to get better at painting
1120.0s
Losing and finding momentum
1257.0s
The importance of critique
1416.0s
How critique helps you find your personal style
1600.0s