TLFX-Games FINAL FOUR: Best of Lapsed Nash

<v Speaker 1>Games Final four. Hey, hey, hey, keV, Dude, I'm coming
<v Speaker 1>New York. Brother. You know a good place to say, dude, yeah, yeah,
<v Speaker 1>fuck you. You know what the Ramana in fucking you know.
<v Speaker 1>It's on the corner of forty eighth and a a
<v Speaker 1>little bit north of the Mid City Gym. You know,
<v Speaker 1>a couple of bars around there. And I think that
<v Speaker 1>there's a Friday it's about two boys down.
<v Speaker 2>So ninety eight comes around and the Disciple comes in
<v Speaker 2>and Nash is Eves dropping on Hulk and at Leslie's conversation,
<v Speaker 2>and he hears Terry say something about remember back in
<v Speaker 2>ninety three, brother, when I drove all the way from
<v Speaker 2>Venice Beach to Manhattan. It's to avenge your your beatdown brother.
<v Speaker 2>What a trip that was?
<v Speaker 1>Man?
<v Speaker 2>Oh I saw all kinds of weather, all kinds of highways, brother,
<v Speaker 2>and Nash absolutely whoa, whoa, whoa, pulls up a chair.
<v Speaker 2>He says, Terry, tell me everything. What highway?
<v Speaker 1>You know? What you know? What you know? What? What
<v Speaker 1>would you do? Man? I mean, he wrote from the
<v Speaker 1>fucking cross country. What was your route? Brother? Respond? I
<v Speaker 1>just want to know how you went, man. I'm just
<v Speaker 1>wondering if I could have told you a better way
<v Speaker 1>to go.
<v Speaker 2>He's uh, he's kind of mad that he didn't get
<v Speaker 2>the chance.
<v Speaker 1>You know, brother, I'm just saying, keV, you know, this
<v Speaker 1>was a ninety three brothers five years ago. Yeah, I know,
<v Speaker 1>but I'm just you know, if that ever happens, against
<v Speaker 1>God for bid there, bro, I'm just saying, you know,
<v Speaker 1>maybe coming from all the way back over a motorcycle,
<v Speaker 1>I got some you know, I know a couple of
<v Speaker 1>back back road passageways beneficial probably cut off above. I
<v Speaker 1>don't know to six hours.
<v Speaker 2>Terror you got triple A.
<v Speaker 1>I've never been, never been to Mexico, dude. Still, if
<v Speaker 1>you drove eight hours a day, you could get there
<v Speaker 1>and in four days. So I got on the eye.
<v Speaker 1>I got on the eye tent, you know, so I
<v Speaker 1>got on the tent whatever. You know. Coming from Venice Beach,
<v Speaker 1>first of all, you want to get on the one
<v Speaker 1>oh five all.
<v Speaker 2>Right from there, Yes, it says right, you're gonna take
<v Speaker 2>You want to take the fifty to the seventy to
<v Speaker 2>the seventy six.
<v Speaker 1>Yeah, that's right, and then you get on the ten,
<v Speaker 1>take the ten all the way. Man, Just keep on
<v Speaker 1>fucking going. You know, you're gonna go past the Riverside
<v Speaker 1>San Bernardino, the whole fucking thing.
<v Speaker 2>There's a Friday's hook to a Lakita's. Once you pass that,
<v Speaker 2>you go.
<v Speaker 1>If you want to stop in Riverside. I know good places,
<v Speaker 1>a good.
<v Speaker 2>Good uh habachi.
<v Speaker 1>It's a there's a really good Hiboschi place. Yeah, get
<v Speaker 1>the get the chicken fried rice the next stay.
<v Speaker 2>Right, everyone goes for the beef and it's it's not
<v Speaker 2>They don't realize that part of the country. They don't
<v Speaker 2>get the fresh imported beef.
<v Speaker 1>The chicken there, man, I'm throwing chickens.
<v Speaker 2>Fried rice is fucking I think they called the polio.
<v Speaker 1>I think get the fried rice. So you not the bistecca. Okay,
<v Speaker 1>you did it. You hit it.
<v Speaker 2>That's it.
<v Speaker 1>You said Besteka. That's all that.
<v Speaker 2>Well, Manhattan, you take eggsit uh. You take the eggs
<v Speaker 2>to a forty second street uptown theater district.
<v Speaker 1>You know, hey, just remember they're all one way, all right,
<v Speaker 1>they go flipping flopping, all right. You gotta be careful
<v Speaker 1>with that ship these although forty second is a two
<v Speaker 1>way street. But if you're gonna park, you know the uh,
<v Speaker 1>there's a there's a parking garage there. You gotta be
<v Speaker 1>careful how you get it, and you can't take a
<v Speaker 1>left turn off forty second because it's double yellow.
<v Speaker 2>He's literally giving him directions on navigating Manhattan, like he
<v Speaker 2>gets that detailed, Like keV. Once I get to New York,
<v Speaker 2>you've done your You've done your job. No, no, man,
<v Speaker 2>You've only just begun Terry.
<v Speaker 1>It's a fucking television show. It's about entertaining fans. It's
<v Speaker 1>not about which wrestler is your favorite. He's got to
<v Speaker 1>go over. No, no, no, no, It's about it's about selling merchandise.
<v Speaker 1>It's about selling tickets, it's about it's about selling commercials
<v Speaker 1>in between the matches.
<v Speaker 2>Well, and of course it is about that, but is
<v Speaker 2>it not also about, you know, looking good in the
<v Speaker 2>ring and having good matches? And look, you know what.
<v Speaker 1>This is the difference between me and everybody else, Scott
<v Speaker 1>and I. You know, we just we used to do
<v Speaker 1>this backstage. You could beat us any day of the week.
<v Speaker 1>But because we on our worst day were better than
<v Speaker 1>anybody else on their best day on the mic, we
<v Speaker 1>could stay over. You could beat us a million times
<v Speaker 1>and would still be over.
<v Speaker 2>Well, then I'm about Mattress. If that were true, why
<v Speaker 2>didn't people beat you all the time? Then why did
<v Speaker 2>you always have to fucking win? If you were so teflon.
<v Speaker 1>Against talking to me like I had this kind of
<v Speaker 1>magical control over who wrote and booked the matches.
<v Speaker 2>Yes, yes I am. That's exactly what I'm doing. With
<v Speaker 2>the exception of Hogan, that's exactly what you managed to do,
<v Speaker 2>and it was to no one's benefit but your own.
<v Speaker 1>I didn't start booking the matches until February of ninety nine.
<v Speaker 1>We're gonna keep doing this. We're gonna do this, go
<v Speaker 1>around on the circles like we're on a fucking carousel. Yeah,
<v Speaker 1>is that how you want to spend your money? Yeah?
<v Speaker 2>I do feel like I'm in a carnival. I do.
<v Speaker 2>And I'm in the carousel and I'm getting spun. I'm
<v Speaker 2>in the fucking spin cycle right now?
<v Speaker 1>Okay, you can I get a grip, buddy?
<v Speaker 2>Yeah? Well, you know, WCW kind of died because you're sitting.
<v Speaker 1>Here, You're in my house and you're fucking yelling at me.
<v Speaker 2>Okay, flow right up, all right, So let's talk about
<v Speaker 2>this then. When Chris Benoit and Eddie Guerrero when the
<v Speaker 2>titles at WrestleMania twenty.
<v Speaker 1>Say that guy's a fucking murderer. Rest in hell.
<v Speaker 2>Too, cha toche, Okay, you win that one. When they
<v Speaker 2>hug at WrestleMania twenty after having won the belts, you
<v Speaker 2>called it at one point the end of the business.
<v Speaker 2>You say that, you know that, And I always wanted
<v Speaker 2>to ask you, by the end of the business, do
<v Speaker 2>you mean healthier houses and pay per view revenue than
<v Speaker 2>you were able to do when you were on top
<v Speaker 2>of the WWF.
<v Speaker 1>I mean, look, we've all had our down periods. I
<v Speaker 1>admit that. Look I wasn't. I didn't I didn't have
<v Speaker 1>I didn't sell a lot of house shows, all right,
<v Speaker 1>I wasn't making a lot of money. So I went
<v Speaker 1>over and changed my fortune. I'm telling you right now,
<v Speaker 1>you get to have got Look when I broke into
<v Speaker 1>the business, all right, when I was there, you got
<v Speaker 1>these guys three hundred pounds, all right, you know, I'm
<v Speaker 1>my first day on the job. I went there, I
<v Speaker 1>went inside the building, in the locker room and get
<v Speaker 1>fucking Harley Race over in the corner, lacing his boots
<v Speaker 1>saying that's the whole fucking ball game, you know, smoking
<v Speaker 1>a cigarette with a fucking ash longer than my dick.
<v Speaker 2>Is that the end of your answer. No, I'm still going, okay, okay,
<v Speaker 2>pardon me.
<v Speaker 1>And I'm saying and look at and that's what you
<v Speaker 1>look for. You look for guys who were larger than life.
<v Speaker 1>That's what that's what sold tickets, Guys who went over
<v Speaker 1>the top personalities. Wrestling isn't over the top business. Wrestling
<v Speaker 1>is a business that is that is so big. You know,
<v Speaker 1>you got to have matching personalities.
<v Speaker 2>But what about when guys without those outsize personalities cell
<v Speaker 2>tickets and pay per views too? What about then?
<v Speaker 1>Look at the numbers?
<v Speaker 2>Yeah I did?
<v Speaker 1>How did they do? How did they do? How did
<v Speaker 1>Ben Wad do? After he won the belt? This has
<v Speaker 1>never been the same, It's gone down since then. You're
<v Speaker 1>not looking at since when Ben done Guerrero won, When Ben,
<v Speaker 1>when Ben Wah and Guerrero won the titles that year,
<v Speaker 1>did it come close to the selling the same kind
<v Speaker 1>of money that the that the Austin era did, or
<v Speaker 1>Hogan's era, the nWo.
<v Speaker 2>No, nobody's are arguing their stars on parment. You put
<v Speaker 2>two through Jewish Champion mister Nash that's my point.
<v Speaker 1>They didn't draw. Shit.
<v Speaker 2>Oh, let's talk about your WW front. Let's do it,
<v Speaker 2>and how you can possibly have any reputation as a
<v Speaker 2>draw after your run in New York.
<v Speaker 1>I don't, look, I said before my run in New
<v Speaker 1>York wasn't the best.
<v Speaker 2>Your average house show attendance when your time is champed
<v Speaker 2>twenty nine and sixty one, that's more than any other
<v Speaker 2>champ dating back to Hogan before you, if you don't
<v Speaker 2>count Bob Backland's three day rain. Mm hmm, what gifts?
<v Speaker 2>How are you regarded? As I just said, huge draw?
<v Speaker 1>Man? Look, I just said I wasn't. I obviously wasn't
<v Speaker 1>a huge draw. They took the belt off me. That
<v Speaker 1>was it. They took away my edge. All right, you
<v Speaker 1>know you're talking about it. They didn't let me be me.
<v Speaker 1>Oh all right, Vince says, no, no, no, no, no,
<v Speaker 1>we want you to be Hogan. We want you to
<v Speaker 1>hulk up, all right. I don't think it's going to
<v Speaker 1>sell tickets, Vince. I don't think it's going to be
<v Speaker 1>I said. I said to Vince. I said, look, I
<v Speaker 1>think the thing is you got to look around. I said,
<v Speaker 1>did you see the movie Heat with Al Pacino and
<v Speaker 1>Robert de Niro. Yeah, I said, who did you root for?
<v Speaker 1>I want to root for the bad guy? I said, yeah,
<v Speaker 1>that's right, We're coming to an age of an anti hero.
<v Speaker 1>He didn't listen to me with me, but look who
<v Speaker 1>came after me, Steve Austin.
<v Speaker 2>Don't. Don't you call yourself the prototype for Steve Austin.
<v Speaker 1>Don't. I'm not saying I'm a prototype for nobody. I'm
<v Speaker 1>telling him. I'm telling you, Steve Austin, because I put
<v Speaker 1>the idea in mis mc mahon's mind.
<v Speaker 2>Finally, I want to read you, Kevin, a quote from
<v Speaker 2>a recent k FABE Commentaries Shoot interview that you did.
<v Speaker 2>And I think we've already heard a taste of this
<v Speaker 2>here in this interview, but I wanted to repeat it
<v Speaker 2>back to you. Quote. No matter what you could do,
<v Speaker 2>Scott and I could dice you up with a microphone,
<v Speaker 2>make you look like an idiot, and then you could
<v Speaker 2>pin us and it wouldn't matter. So when it came
<v Speaker 2>to Goldberg, Kevin, why couldn't you have just put this
<v Speaker 2>fucking theory to the test.
<v Speaker 1>The guy couldn't talk, Oh he couldn't.
<v Speaker 2>This is a new one.
<v Speaker 1>Look, the guy couldn't say anything. He couldn't have saved
<v Speaker 1>his ass. You know, I don't, I don't know what
<v Speaker 1>what what are you asking?
<v Speaker 2>I'm asking if it didn't matter one iota to your
<v Speaker 2>ability to be over and stay over, if you lost
<v Speaker 2>because of your ability on the stick, why didn't you
<v Speaker 2>just fucking lose to Goldberg?
<v Speaker 1>Then because I was trying to give him something the
<v Speaker 1>one loss. That's exactly what I'm saying right there, is
<v Speaker 1>that if he was so good as a as a,
<v Speaker 1>as a, as an all around performer, he could have
<v Speaker 1>taken the loss, come back, shot me down, avenge the loss,
<v Speaker 1>and gone back on track. He didn't do it. He
<v Speaker 1>couldn't cut the mustard.
<v Speaker 2>My closing statement, Kevin, looking back on all your contributions
<v Speaker 2>to World Championship Wrestling, to the World Wrestling Federation, and
<v Speaker 2>to the professional whistling industry, just let me say thanks
<v Speaker 2>for nothing.
<v Speaker 1>Yeah, well, thanks for your two thousand dollars. There is
<v Speaker 1>a succeeding. Preceeding is a production of the Labs Entertainment Group.
<v Speaker 1>Its content is intended for reven use only.
<v Speaker 2>Sorry, we want