Sherlock Holmes - Haunting of Sherlock Holmes

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<v Speaker 1>to doctor Watson tell us another exciting adventure he shared
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<v Speaker 1>history of America's wine. And now let's join our good friend,
<v Speaker 1>doctor Watson.
<v Speaker 2>Pete.
<v Speaker 1>Well, I see you're making the most of a wonderful
<v Speaker 1>leaving doctor.
<v Speaker 3>Oh yes, my boy, it's pleasure to sit out here
<v Speaker 3>on a summer's night with a good friend and a
<v Speaker 3>pipe bottle of wine.
<v Speaker 2>I grow self through a glasses.
<v Speaker 1>Sit down, thank you, sir, already with the night's new
<v Speaker 1>Sherlock Holmes adventure.
<v Speaker 4>Doctor it is, and a.
<v Speaker 3>Strange story it is. It was in the autumn of
<v Speaker 3>eighteen hundred and ninety nine, mister Bartell, that I decided
<v Speaker 3>both his doctor and friend, Sherlock Holmes, was in desperate
<v Speaker 3>need of a holiday.
<v Speaker 2>He had really been overdoing it. Oh my boy, it.
<v Speaker 3>Had been in a new It was really busy here,
<v Speaker 3>and at the time my story begins, Holmes were suffering
<v Speaker 3>from complete ENGROSSI so, my boy. Towards the end of
<v Speaker 3>October that year, we found ourselves in the charming city
<v Speaker 3>of Kazanlak, capital of the small Balkan kingdom of Grosnia.
<v Speaker 3>A few nights after our arrival, I remember Pavlu Krasnodar,
<v Speaker 3>Grossian minister of Police, took us to hear the singing
<v Speaker 3>of a certain young Hungarian opera star, Miss Lily.
<v Speaker 2>Raina, was then touring Europe.
<v Speaker 3>At our table was a fiorcelle charming young aristocrat, Prince Stefano,
<v Speaker 3>And it was very easy to see as he sat
<v Speaker 3>there listening to the song that the boy was head
<v Speaker 3>over heels in love. It is a haunting melody that
<v Speaker 3>she sang. Mister Bartel, I can almost cheer it up.
<v Speaker 3>You're a very lucky man, Prince Stevano. Your fiance's voice
<v Speaker 3>matches her beauty.
<v Speaker 5>Oh yes, doctor Putson, I consider myself the most fortunate
<v Speaker 5>man in.
<v Speaker 2>Gorodness a magnificent voice.
<v Speaker 4>The finance singing I can recall since square, mister, I
<v Speaker 4>was thinking of a prima donna of the Warsaw Opera
<v Speaker 4>who attained considerable success in London, Miss iring A.
<v Speaker 2>Oh my good, yes, he was a criminal, one of
<v Speaker 2>the few that out willed you. Holmes. Oh that was
<v Speaker 2>the case that we have interested you, mister Krosnoda.
<v Speaker 5>I am familiar with it, my dear Waa usually solemn Tonight, Presna,
<v Speaker 5>have a glass of wine, and I will bring Lily
<v Speaker 5>to our angel and we will toast our happiness. I
<v Speaker 5>am afraid I cannot drink to that toast, Prince Stefano.
<v Speaker 2>Why not?
<v Speaker 5>I know why you, the notorious lady kill got near
<v Speaker 5>a jealous You're in love with Lily, said Prince Stefano.
<v Speaker 5>I have sad news for you. I have come here
<v Speaker 5>tonight but for one purpose to arrest your fiance.
<v Speaker 2>Oh joke, It.
<v Speaker 6>Is far from a joke.
<v Speaker 5>At my ministry, we have evidence, conclusive evidence that missus
<v Speaker 5>Lily Raina is a spy by good law tip a
<v Speaker 5>spying in grossnew That, my friend, is why I would
<v Speaker 5>drink no toust in Krosnia. The penalty for Escianas is death.
<v Speaker 5>So I know, But Holmes, you must do something to
<v Speaker 5>say that girl. You can't just turn in for the
<v Speaker 5>night without trying to help her in some way.
<v Speaker 2>It might shoot her in the morning.
<v Speaker 4>Kasnd's no fool, since he's maybe arrest obviously as a
<v Speaker 4>water dyke case.
<v Speaker 2>Against the girl. One last pipe.
<v Speaker 3>You know, I couldn't understand her fiance's behavior. He didn't
<v Speaker 3>do a thing, just stood there in the Krasnodara rest
<v Speaker 3>the girl.
<v Speaker 4>What could he have done? Krasnodara's Commissioner of Police. There's
<v Speaker 4>no point in arguing with him until the evidence had
<v Speaker 4>been examined.
<v Speaker 3>I imagine the principle try and pull some political strings.
<v Speaker 2>After all, come in to speak to me, mister Sherlock Holmes.
<v Speaker 7>I have come to talk to you about my baby.
<v Speaker 2>My name is Martha Grigget your baby, mister Holmes, down
<v Speaker 2>my baby.
<v Speaker 7>She is twenty years old and she is flaxen haired
<v Speaker 7>and beautiful.
<v Speaker 3>Oh that's entirely different matter who if you delighted to
<v Speaker 3>help you delighted?
<v Speaker 2>She won't you? And who's behalf if you come to me?
<v Speaker 7>Poor Lily Rena.
<v Speaker 2>Lily Rena, that's the girl who's arrested tonight.
<v Speaker 7>I am only her dresser, and yet I'm Martha Greggor
<v Speaker 7>I'm her.
<v Speaker 2>Mother and father. I have toured Europe with her ever.
<v Speaker 7>Since she left Vienna.
<v Speaker 4>She sent you to me tonight.
<v Speaker 7>I suppose yes, mister Holmes, she said you would understand
<v Speaker 7>she mean Manna. I wonder she said that mister Holmes
<v Speaker 7>would take care that a talent like her should not perish.
<v Speaker 2>Just because she broke.
<v Speaker 4>In other words, she wishes me to establish her innocence
<v Speaker 4>in the same breath as she confesses her guilt. And
<v Speaker 4>I'm afraid I don't take that sort of plant.
<v Speaker 6>Good night you, mister Holmes.
<v Speaker 5>Doctor Watson, I am glad that you came to my
<v Speaker 5>office this morning. I can show you the proof of
<v Speaker 5>Miss Lily Raina's guilt. As distinguished foreigners, I should like
<v Speaker 5>you to know that though the penalty for political crimes
<v Speaker 5>is swift and severe, we are most careful that the
<v Speaker 5>incriminating evidence is beyond question.
<v Speaker 2>You see these letters.
<v Speaker 6>We found them sold into the bodies of her gown.
<v Speaker 5>There are a series of highly dangerous letters from yourself,
<v Speaker 5>the leader of the revolutionary party, with whom she is
<v Speaker 5>obviously handing love.
<v Speaker 4>Here you may examine them if you wish.
<v Speaker 2>It looks like Greek men.
<v Speaker 4>Our knowledge of the Grossnian language is far from perfect,
<v Speaker 4>because these letters certainly seem to incriminate their own beyond doubt.
<v Speaker 2>You will observe that the letters have followed her to.
<v Speaker 4>Each of the cities in which he has been singing.
<v Speaker 5>All of them ask questions as to the military garrisons
<v Speaker 5>and the chances of a successful revolution.
<v Speaker 2>She has been a dangerous fy.
<v Speaker 3>Yes, I can see that though, But even so, isn't
<v Speaker 3>the death penalty excessively severe?
<v Speaker 2>Particularly for a woman?
<v Speaker 5>Doctor Watson? The Balkan states are a hotbed of European intrigue.
<v Speaker 5>Our penalties must be severe, and we cannot make concessions
<v Speaker 5>to the sex of a culprit.
<v Speaker 4>From Joseph letter, Have you been able to find and
<v Speaker 4>trace them?
<v Speaker 2>None?
<v Speaker 4>If only we could, But we have never even seen
<v Speaker 4>the man.
<v Speaker 5>However, we are fortunate to trap his assistant and apparently
<v Speaker 5>the lady of his choice.
<v Speaker 2>Lady of his choice, but she was engaged to Prince.
<v Speaker 5>De Paru, undoubtedly a blind. In her home we found
<v Speaker 5>an unsigned love letter in English. It wasn't the same
<v Speaker 5>handwriting as these letters from Yosep.
<v Speaker 2>Are you satisfied, Watson?
<v Speaker 4>Well, obviously she's okay. There's no place for me in
<v Speaker 4>this affair, particularly when you consider that she made us
<v Speaker 4>virtual concession sending out Breser to me last night.
<v Speaker 2>I suppose you're right just the same.
<v Speaker 3>If you want to tramp this man your sup I
<v Speaker 3>should think you'd be wiser to hold the girls or hostage.
<v Speaker 2>It might bring him on the scene. If he's a friend,
<v Speaker 2>you'll talk. If you hang her, you will never find him,
<v Speaker 2>doctor Watson.
<v Speaker 5>In my country we found that front justice gets the
<v Speaker 5>best results, and for your edification, we do not hang.
<v Speaker 5>In Grosna, death penalty is exacted at the hands of
<v Speaker 5>a firing squad. Now when it's the execution to take place,
<v Speaker 5>your time, your visit, well, my friends, please to step
<v Speaker 5>onto the balcony.
<v Speaker 4>I think that answers your question.
<v Speaker 2>Mister Holmes, prid Scott against the wall, blindfold of the
<v Speaker 2>firing squad before her.
<v Speaker 4>It's lili rena Grasnian justice indeed moves swiftly, mister Krasnoda,
<v Speaker 4>it has some friends.
<v Speaker 2>I can't. I don't care what she's done. I don't
<v Speaker 2>want to see it. Oh huh, she's coming to the
<v Speaker 2>ground full little thing.
<v Speaker 4>What an artist? I have to see a woman executed,
<v Speaker 4>and if she is a.
<v Speaker 5>Spy, lay all traitors to gross near die a swiftly.
<v Speaker 5>But what a lost her beautiful voice, Yes, her beautiful voice.
<v Speaker 5>Shall we go in, gentlemen, in her homes.
<v Speaker 2>I can still see that poor girl. She crumbled before
<v Speaker 2>the firing squad.
<v Speaker 4>Seven, I old chair.
<v Speaker 2>That's her song you're playing, isn't it. Yes, the melody
<v Speaker 2>is still. Won't say you blame me, don't you'll blame
<v Speaker 2>you for what They're not preventing her death?
<v Speaker 3>Oh of course I don't blame your homes. The girls guilty.
<v Speaker 3>Rosnie in law prescribes the death penalty for her crime.
<v Speaker 3>I'll brow you've done about it?
<v Speaker 4>Nothing, absolutely nothing.
<v Speaker 2>And yep, Yet, what I wonder if she was right?
<v Speaker 4>And I wonder if ancestry is that descers. Isn't a
<v Speaker 4>greater value for you humanity than spying in any cause?
<v Speaker 2>It's not much good worrying about that, now, is it?
<v Speaker 2>The girl's dead't burried? What's what's? Did you hear that?
<v Speaker 2>I hear what I swear?
<v Speaker 4>Did I that the dead girl's voice? She was singing
<v Speaker 4>a song to my accompaniment.
<v Speaker 2>Oh really, your nurse must be in a very bad
<v Speaker 2>stagholes hearing voices. Indeed, you better turn in for the knife.
<v Speaker 4>Perhaps maybe more my conscience than my nerves.
<v Speaker 2>I'll give you a sleeping draft if you like.
<v Speaker 4>No, no, no, I'm all right.
<v Speaker 2>It's funny. I could have sworn the oh well place,
<v Speaker 2>all that tune were your holes?
<v Speaker 4>What heavens, Ah, you had it this time at Watson.
<v Speaker 2>Of course I did. It was her voice, There's no mistaking. Oh.
<v Speaker 2>I don't believe in ghosts, and yet I could swim Listen,
<v Speaker 2>good lord, it is a sh soon I let him go.
<v Speaker 2>Who are you? Where are you about?
<v Speaker 5>You?
<v Speaker 4>Strack a mat.
<v Speaker 3>Watson, strack a match like the gas gocle. Here in
<v Speaker 3>the moonlight, moving past the window. It's the figure of
<v Speaker 3>that girl shot at the mate.
<v Speaker 2>Watson.
<v Speaker 4>I got the door.
<v Speaker 2>The guesses like him, she finished old.
<v Speaker 4>Not by means of this door. They're standing in front
<v Speaker 4>of it, and there's no exit from the room.
<v Speaker 2>I don't like this. We're gabbling in the supernet.
<v Speaker 4>Stop trembling, Watson. Whatever the explanation for this may be
<v Speaker 4>one thing at least I find quite fascinating. And what's
<v Speaker 4>that It's the first time in my career that I
<v Speaker 4>had a ghost for a clant. Doctor Watson Little tell
<v Speaker 4>us the rest of his story in just a second.
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<v Speaker 1>doctor Watson, So you had a ghostly visitor calling on
<v Speaker 1>you at the hotel that night.
<v Speaker 3>Here's my boy, and I confess I was so badly
<v Speaker 3>shaken by the experience that my heart slept a wink
<v Speaker 3>all night.
<v Speaker 2>Well.
<v Speaker 3>The next morning, after an early breakfast, Holmes and I
<v Speaker 3>located the proprietor a hotel and began to question him
<v Speaker 3>as to the.
<v Speaker 2>History of the building.
<v Speaker 4>I'm not the architecture of this building ever since you,
<v Speaker 4>ever since we came here, and house of this period
<v Speaker 4>would undarkly have been built with secret passages and staticism.
<v Speaker 8>I confess that I know of one secret staircase.
<v Speaker 4>Then they will be others, indeed, and then here's the
<v Speaker 4>one you know of.
<v Speaker 2>If you wish to explore it, gentlemen, Oh very much,
<v Speaker 2>My friend and I are most interested in I think
<v Speaker 2>follow me please.
<v Speaker 8>These stairs will lead to our wine cellars. Thousands of
<v Speaker 8>feet are tramped up and down these steps. Only I see,
<v Speaker 8>like few know that behind this tapestry, here, behind this tapestry, gentlemen,
<v Speaker 8>is apparently.
<v Speaker 4>A solid wall.
<v Speaker 2>But the wall is not solid. You have a match perhaps?
<v Speaker 2>Oh yes, of course you know.
<v Speaker 8>We keep a candle here in this niche for just
<v Speaker 8>such an occasion as this, So please hold back tapestries.
<v Speaker 2>Oh, I've got it, thank you.
<v Speaker 8>Now let me see one, two, three, four, the fourth
<v Speaker 8>break up from his stair.
<v Speaker 2>I press it so and look, great gun section of
<v Speaker 2>the wall swinging.
<v Speaker 4>Up a step away behind it. Genius.
<v Speaker 8>Dear gentlemen, allow me to give you the candle.
<v Speaker 2>But aren't you going to lead the well? No, sir,
<v Speaker 2>I'm not going to lead the way, thank you.
<v Speaker 8>I have owned this hotel for thirty two years, and
<v Speaker 8>yet I have never explored this stairway. Why, sir, is
<v Speaker 8>it refuted to be halted? Yes, it is supposed to
<v Speaker 8>be haunted. The candle chans. I'm not obliged to come on, Watson,
<v Speaker 8>I should wait here.
<v Speaker 2>I don't think I care for this old, fine dark
<v Speaker 2>in here.
<v Speaker 3>Damn moody, too fat, worst landing, landing, but nothing but
<v Speaker 3>does doesn't come when a person or chap there's a
<v Speaker 3>think imprinted a woman's heel here, Oh my god. Yes,
<v Speaker 3>shoes that are gone both up and down these stairs
<v Speaker 3>in the last twentyforectly and.
<v Speaker 4>There's a first printer here. This, my dear chap, I think,
<v Speaker 4>accounts for the appearance and disappearance of our visitor last night.
<v Speaker 2>It hopes it was the singer Lily Rainer. Yet we
<v Speaker 2>saw her shop yesterday morning.
<v Speaker 4>Harbish? What's rubbish? What have we to do with walking corpses?
<v Speaker 4>Come on, old fellow, Let's see where this stairway leads
<v Speaker 4>us to.
<v Speaker 2>Over then, what did we see? We didn't see a
<v Speaker 2>ghost last.
<v Speaker 4>Night, lap, my dear chap, this is what we have
<v Speaker 4>to find out. Mm hmm, Wait a minute, staircase end, yes.
<v Speaker 2>Against the blank wall. That does make sense.
<v Speaker 4>And yet the entrance to this stairway was an apparent
<v Speaker 4>blank wall tool. Remember, let's see if the same formula
<v Speaker 4>would do the same trick here it.
<v Speaker 2>Was if one, two, three, four, four.
<v Speaker 4>Bricks up from the stair bi press so and.
<v Speaker 2>Open stool swinging back again? What do we see?
<v Speaker 4>Another tapestry, a tapestry that was very familiar.
<v Speaker 2>Well say so, this hidden door leads into your very
<v Speaker 2>own better room. Act about your chat.
<v Speaker 4>Now we know beyond doubt how the apparent ghost made
<v Speaker 4>her appearance last night.
<v Speaker 2>You suppose it must have been someone impersonating the.
<v Speaker 4>Day, my dear fellow, is a question that can only
<v Speaker 4>be answered by calling on her fiancee, Prince Stefano. Let's
<v Speaker 4>go over and see him at once, Shelby, Prince Stevano.
<v Speaker 4>I just like to intrude upon your personal tragedy, but
<v Speaker 4>I must.
<v Speaker 2>Ask you a few questions. Ask your question.
<v Speaker 4>Did your fiance have a sister, a sister who may
<v Speaker 4>have resembled her?
<v Speaker 9>No, she had no living relatives at all, mister Holmes,
<v Speaker 9>Oh tell me that who inherits her estates progress her?
<v Speaker 9>A faithful old woman by the name of Mata Gregorth,
<v Speaker 9>who looked after her for.
<v Speaker 4>Some united sy Did miss Rainer have an understudy as
<v Speaker 4>a singer? She could have no understudy. She was, if
<v Speaker 4>you please, you say, as a singer. Was she also
<v Speaker 4>an actress? She's, mister Holmes, how very unusual. The first
<v Speaker 4>time I saw her was in Tosca.
<v Speaker 9>She she was not another girl now, but the performances
<v Speaker 9>very promising one considering her age.
<v Speaker 2>In my country.
<v Speaker 9>Of course, she was not able to appear in anything
<v Speaker 9>but Oftener because because she could not speak Rosstian.
<v Speaker 4>She didn't speak Crossian. Now why have the answer?
<v Speaker 2>Do you answer?
<v Speaker 4>That's too hot to this entire story from the rest
<v Speaker 4>of your fiancee to certain strange visitations of my hotel
<v Speaker 4>last night. What do you mean, mister Home, did you
<v Speaker 4>come to my hotel room tonight? My dear Prince, I
<v Speaker 4>can safely promise to make the whole matter with you,
<v Speaker 4>and I dare go a little further. I think that
<v Speaker 4>I can even help you find consolation in your bereavement.
<v Speaker 4>A Ladies and gentlemen, I can see that you wonder
<v Speaker 4>why Dr Watson and I have asked you to come
<v Speaker 4>here to our hotel tonight.
<v Speaker 5>As Minister of Police, I should be stupid if I
<v Speaker 5>did not realize that, since your other to guess the
<v Speaker 5>Prince Stefano and Martha dreg of the dead girl's dresser,
<v Speaker 5>that this meeting has some bearing on the execution of Rainer, I.
<v Speaker 2>Should prefer to say her murder.
<v Speaker 4>Lat and gentlemen, if you please, and.
<v Speaker 2>I should like to make my own position in this matter.
<v Speaker 4>Quite two nights ago, you Mather came to me on
<v Speaker 4>behalf of miss Rainer to solicit my aid. I convinced
<v Speaker 4>that she was guilty, refused that aid. Yesterday morning, she
<v Speaker 4>died before a firing squad. Last night, her ghost appeared
<v Speaker 4>to me here in this room and asked me to
<v Speaker 4>avenge her death.
<v Speaker 2>A ghost?
<v Speaker 4>What nonsense are you talking?
<v Speaker 7>It would be no surprise to me if her poor
<v Speaker 7>murdered soul came back from the grave to ask for justice.
<v Speaker 2>Sir, I shaw, my good woman. Almost as clearly as
<v Speaker 2>I see you all, I.
<v Speaker 4>Agree with Krasna dat to talk of ghosts as the younger.
<v Speaker 2>Please, that's finish.
<v Speaker 4>When I this visitation last night, I decided to investigate
<v Speaker 4>the case thoroughly. I did so today, and I can
<v Speaker 4>assure you that miss Vrainer paid for a crime she
<v Speaker 4>did not commit. What grounds do you have for saying that, mister?
<v Speaker 4>The letters that were supposedly written to her were in
<v Speaker 4>the Grosnian language, and yet today Prince Stefano informed me
<v Speaker 4>that she could not appear in the theire here because
<v Speaker 4>she did not speak the language.
<v Speaker 2>Those letters were shown into her bodies.
<v Speaker 4>That's true, my dear fellow. And who is the only
<v Speaker 4>person who had the opportunity to do that. The same
<v Speaker 4>person who came to me two nights ago and succeeded
<v Speaker 4>in convincing me that Miss Rayner was guilty undress her
<v Speaker 4>and suppose, Franks, are you suggesting I'm not suggesting that
<v Speaker 4>you inherited her estate on her death, and that you
<v Speaker 4>would have.
<v Speaker 5>Lost that inheritance if she had married and had a
<v Speaker 5>family of her own. Well you have to say in
<v Speaker 5>answer to that, Martha, that I.
<v Speaker 4>Am among madmen.
<v Speaker 2>This stocal ghost proves it terrible.
<v Speaker 4>Then let the guests support my theories. Held me Volin,
<v Speaker 4>will you not, Colone?
<v Speaker 2>I got thank you. Now turned on the gas light.
<v Speaker 4>I'm sure that's it.
<v Speaker 2>And listen.
<v Speaker 9>Yes, that's her voice, and that's her figure standing there
<v Speaker 9>in the moonlight, even though she's dead.
<v Speaker 4>I'd say, mother, aren't you responsible for her death? If
<v Speaker 4>I ghost can sing, I'm sure I can also talk.
<v Speaker 2>I did do it.
<v Speaker 4>The letters belongs to me.
<v Speaker 2>I sacrifice my own baby before the goals may have
<v Speaker 2>enough mercy on my soul.
<v Speaker 4>A confession in front of four witnesses. Why not take
<v Speaker 4>it away, Krassnador, we'll tentify later.
<v Speaker 2>I will come with me, Martha, I chilled my complete
<v Speaker 2>I this letter die. But shall I Can I turn
<v Speaker 2>up the guest homes.
<v Speaker 4>Ask Prince Stepano, No, len I turn it up.
<v Speaker 9>I've seen heard the ghost of my beloved when the
<v Speaker 9>lights for down and I'm not afraid, please play her
<v Speaker 9>melody again, mister Holmes.
<v Speaker 2>Aren't you afraid, Prince Saparo?
<v Speaker 4>Where should I be afraid?
<v Speaker 2>Your spirit and can be no eager run. I love it,
<v Speaker 2>I loved you, living.
<v Speaker 9>The pleasure of love last, but an instant lovest regrets
<v Speaker 9>last for a lifetime.
<v Speaker 4>This is now my lifetime, brightened by your gracious cost.
<v Speaker 4>I'm sure this is a very touching scene, but it's
<v Speaker 4>getting a dreadfully mordlin. All right, Miss Rayner, you may
<v Speaker 4>come from behind the tapes to now and what's no
<v Speaker 4>chap shall up the guest light as good for But
<v Speaker 4>you are, Prince Stefano, permit me to reintroduce you to
<v Speaker 4>your far from gurst li fionce. Miss Lily Rainer really
<v Speaker 4>my beloved you?
<v Speaker 2>No, I am not bid, so I cannot see how
<v Speaker 2>shellacomstead of my secret. And there, my dear young lady,
<v Speaker 2>you're in exactly the same boat as I. Sure the
<v Speaker 2>answer is obvious.
<v Speaker 4>You gave me the key yourself, Prince Stefanily keep But
<v Speaker 4>how mister will you informed that Miss Rainer had once
<v Speaker 4>played the title role in Toscar Tosco, has I've gotta
<v Speaker 4>do with anything the plot, Watson, a minister of police
<v Speaker 4>who is very deceptible at her latest charms, arranges a
<v Speaker 4>false execution. Knowing mister Krasnadaw's weakness, Miss Rayner, you prevailed
<v Speaker 4>upon him to do likewise.
<v Speaker 3>Hu whethern the whole execution was a piece of pandomime.
<v Speaker 3>The rifles must have contained Blain.
<v Speaker 4>I have tried altern What should have heightened my suspicion
<v Speaker 4>as reign It was the fact that, at the moment,
<v Speaker 4>if you're a talent test mister Krasnodorf quoted a line
<v Speaker 4>from Toscar He said, what an artist? And I was
<v Speaker 4>not perceptive enough at the time to evaluate the mark correctly.
<v Speaker 4>I'm afraid when the simulated execution took place, you were free,
<v Speaker 4>but assume dead.
<v Speaker 2>But why should I indulge in such a trick? Fit
<v Speaker 2>the hole?
<v Speaker 4>You reason that had you come to me directly, I
<v Speaker 4>might easily have turned you over as a fugitive from justice.
<v Speaker 4>And when you decided to dramatize the situation and appear
<v Speaker 4>last night is an apalent ghost, you knew it would oil,
<v Speaker 4>at the very least stimulate my curiosity it would caused
<v Speaker 4>me to investigate the matter and possibly to learn the
<v Speaker 4>truth and clear you from suspicion.
<v Speaker 3>Yes, but hops if she's innocent, how about the love
<v Speaker 3>let in English which was in the handwriting of yourships revolutionarily?
<v Speaker 4>Now I can see only one explanation for that, you,
<v Speaker 4>Prince Pano, are that mysterious or revolutionary? Yosip final that
<v Speaker 4>is a post.
<v Speaker 2>Mister Holmes, you're a visitory in my country. I do
<v Speaker 2>not suppose you will be staying here much longer. Have
<v Speaker 2>fun all day once you received me silent, lily.
<v Speaker 9>Litle men, I hope for your own sake you will
<v Speaker 9>not be staying here much longer.
<v Speaker 4>I've been threatened by far more imposing adversities than you,
<v Speaker 4>Prince Stefanu. I just that you leave my room. It's
<v Speaker 4>none of my business dabbling in Grossnian political affairs. Your
<v Speaker 4>secret is safe in any case. I came to Grossnia
<v Speaker 4>for holiday. Goodbye, goodbye, oh my soul. If we were
<v Speaker 4>in London, you would behave in a so off henway.
<v Speaker 2>But we're in Grossnier Chap Barkley, helly the varlin.
<v Speaker 1>Will you hear?
<v Speaker 4>You know what's and not? I've only had professional dealings
<v Speaker 4>with two singers in my life. The first was I
<v Speaker 4>really Adler and she fooled me, oh so cleverly. And
<v Speaker 4>this singer tried to fool you and failed dismally. Seems
<v Speaker 4>to me the score chat.
<v Speaker 2>No, this one was not Irene Adler will always be.
<v Speaker 4>The woman. Oh well, I think that's an excitement for
<v Speaker 4>one day, don't you. I'm sure I am supposed to
<v Speaker 4>be taking a holiday.
<v Speaker 5>Doctor.
<v Speaker 2>That was a swell story.
<v Speaker 1>And I bet that you were a lot more interested
<v Speaker 1>in the beautiful lily than your story.
<v Speaker 4>And I would have us believe.
<v Speaker 2>Of course I'm interested in a beautiful woman. But then
<v Speaker 2>what managed check? But don't worry about me, mister Bartel.
<v Speaker 3>You know, in a family man, I just naturally associate
<v Speaker 3>a beautiful woman and home.
<v Speaker 2>And that makes me think of hospitality. What do you
<v Speaker 2>mean by that?
<v Speaker 3>Well, according to you, I'm interested in home life. You
<v Speaker 3>you're primarily interested in wine. Put it together, and we're
<v Speaker 3>interested in wine in the home.
<v Speaker 2>Isn't it an important part of hospitality.
<v Speaker 1>That I admit? But remember, my interest in wine is
<v Speaker 1>entirely an interest in good wine, in petrie wine, to
<v Speaker 1>be exact, Because I know all about Petrie Wine. I
<v Speaker 1>know that the Petrie family has been making wine for generations.
<v Speaker 1>With the Petrie family, the growing of perfect sun ripe
<v Speaker 1>and grapes and the art of turning those grapes into fragrant,
<v Speaker 1>delicious wine is a heritage.
<v Speaker 2>It's a heritage handed.
<v Speaker 1>Down from father to son, from father to son. The
<v Speaker 1>skills of those generations of wine making are evident in
<v Speaker 1>every drop of Petrie wine. The name Patria Bottle of
<v Speaker 1>Wine is more than a trademark. It's the personal assurance
<v Speaker 1>of Petrie family that Petrie wine is always a good wine.
<v Speaker 1>But you'll discover that for yourself. You'll learn that no
<v Speaker 1>matter what type wine you prefer, you'll like it better
<v Speaker 1>when it's a Petrie wine because Petrie took time to
<v Speaker 1>bring you good wine. Well, doctor Watson, what new Sherlock
<v Speaker 1>Holmes adventure do you have lined up for us next day,
<v Speaker 1>our next week?
<v Speaker 3>Mister Bartel, I'm going to tell you a most unusual story.
<v Speaker 3>Sherlock Holmes crossed swords with the famous frenchman, improved that
<v Speaker 3>although the English have been called a nation of shopkeepers,
<v Speaker 3>that a murder did not always.
<v Speaker 2>Prove to be a good bug.
<v Speaker 1>Tonight, Sherlock Holmes adventure was written by Dennis Pain and
<v Speaker 1>Anthony Boucher and was suggested by an incident in the
<v Speaker 1>Sir Arthur Conan Doyle's story The Sussex Vampires. Music is
<v Speaker 1>by Dean for mister Rathbone appears through the courtesy of
<v Speaker 1>Metro Goldwyn Mayer, and tonight, Doctor Watson was played by
<v Speaker 1>mister Joe Kerns, who substituted for mister Knichel Bruce. Mister
<v Speaker 1>Bruce is scheduled to return to the program next week.
<v Speaker 1>The Petryline Company of San Francisco, California invites you to
<v Speaker 1>tune in again next week, same time, same station. Sherlock
<v Speaker 1>Holmes comes to you from our Hollywood studio.
<v Speaker 2>This is Harry Bartel.
<v Speaker 1>Saying good night for the Petrie family. For a solid
<v Speaker 1>hour of exciting mythtery dramas. Listen every Monday on most
<v Speaker 1>of these same stations at eight o'clock to Michael Shane,
<v Speaker 1>followed immediately by Sherlock Holmes. This is the Mutual Broadcasting System.