Episode 22: Sarah Sedwick, Part 1
This week, I’m talking with oil painter Sarah Sedwick. This interview will be in two parts with Part 2 (a bonus episode of sorts) coming your way, Dec. 14
In part 1, you’ll discover how premixing frees you up to make looser paintings. You’ll learn how to paint those shadows and explore different types of palettes. Plus a whole lot more.
2020-11-23
46 min
24 chapters
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Chapters
1. How Sarah Sedwick got into art
2. The point she decided to get serious about painting
3. The struggle to get back into art after art school
4. Materials: What Sedwick uses to paint
5. What she likes about oils that other mediums don’t give her
6. What solvent and mediums she uses
7. Using a palette knife for mixing
8. Sedwick’s process overview
9. The challenge of “how did I mix that?!”
10. Biggest challenge she sees her students facing with color
11. Different types of color palettes
12. Black
13. Using three colors to mix
14. Oooh Phthalo
15. How she creates her set palette
16. Approach to palette
17. Creating a basecamp
18. Portrait or still life painter?
19. Fundamentals that still life teaches you
20. The importance of setting up a still life
21. What thinking she does in her still life
22. Where in her process she does design and composition thinking
23. Figuring out value structure in the real world
24. Notans and deciding value
How Sarah Sedwick got into art
66.0s
The point she decided to get serious about painting
92.0s
The struggle to get back into art after art school
154.0s
Materials: What Sedwick uses to paint
433.0s
What she likes about oils that other mediums don’t give her
453.0s
What solvent and mediums she uses
620.0s
Using a palette knife for mixing
709.0s
Sedwick’s process overview
781.0s
The challenge of “how did I mix that?!”
879.0s
Biggest challenge she sees her students facing with color
935.0s
Different types of color palettes
1030.0s
Black
1165.0s
Using three colors to mix
1243.0s
Oooh Phthalo
1382.0s
How she creates her set palette
1420.0s
Approach to palette
1578.0s
Creating a basecamp
1693.0s
Portrait or still life painter?
1884.0s
Fundamentals that still life teaches you
2001.0s
The importance of setting up a still life
2051.0s
What thinking she does in her still life
2177.0s
Where in her process she does design and composition thinking
2369.0s
Figuring out value structure in the real world
2529.0s
Notans and deciding value
2645.0s