Jeff Bergman (Looney Tunes, Hanna Barbera)

How you doing out there. It's me Tigger, Duc Wayne Duck. It's
me Bunkers Deep Bobcat. All right, y'all, did it great? Your
favorite firefly you desire hold the old knock guy. My name is Jim Cummings
and welcome to tuned In. Want me clap and you can give the intro?
Sure thing? All right? We always clap. I don't know why.
Hello, and welcome back everybody to another episode of Tuned In with Jim
Cummings. Today we are joined by none other than Jeff Bergman. Thank you
so much. You know him as the voice of Bugs Bunny all your life.
How are you doing today, sir, Thank you so much. Thank
you Jackson, thanks for being there. Pal, my god, thank you
for having me. Honor my goh my gosh. Well this is good stuff.
This is good stuff in your natural habitat. Yeah, in front of
a bucrophone three inches Yeah there you go. Okay, good night, everybody.
Yeah, yeah, I see look at that. I see. It's
gotta be great for you to carry on the legacy of the great mel Blanc.
I mean, I have a I have this much of it, but
you've got yeah, I mean. And then we haven't even gone to bedrock
yet, so uh should we run down? Can you give you know what,
give us some medley of your greatest guys. Prepare. I hope strap
In this is good stuff. Well it's two Doc, I'm a rabbit,
all right. Oh I think I should have taken that left ton doc at
Alba Cookie well, always a bride made, never a bride, daffy doc
b left foot for and fuck attached. I'm not gonna hurt you, you
little yellow bird. I'm just gonna hit you tat. Oh what a booty
for? Man? Oh, what a beauty for day Oh? Yogi.
If I were you, I wouldn't touch that picnic basket. Yogi, You're
gonna get in a lot of trouble. Fred Flinstone and Bunny Rubble. I'm
exhausted. Okay, we're done. I mean that's amazing. All right,
Ladies and gentlemen, come on. I know you're out there. I know
you're clapping. Give this guy that is dosemoocho now, Jim. I'm thinking
about the first time we worked together, and it was on a fruity Pebble's
spy. But I don't even think you might even know you've done so much
work in your body of work. I was doing Barney and you did the
Santa Claus for the Christmas spot remember it? And people have come and said,
who did Santa for that? I said, that is Jim Gum.
I remember it. Beautiful. It was like like her buzzes or waves.
Yes, one of those old school recording studios. Yeah, well, well
that sounded like Reagan. Sorry, oh that was that's my Santa. Yeah.
I always oh my Santa Claus. Whenever I've done that, they come
off a little like Ed McMahon. Oh oh, I think it's just funny
now he Johnny Santa. Yeah. Well, sometimes they do blend together,
the voices, right, you feel that, I mean they sure do.
Someone can't keep straight in my head. Yeah, well, you've got enough
in there. We've got a lot of occupants behind that forehead, right,
a lot of people inside of me. Yeah. Well, let's I always
tell people that stuff. You just get me kicked out of class and yeah,
now ye seemed to have worked out right. Well. I mean,
you know, I used to get in trouble like we all probably did.
But I had one voice that wasn't a voice, and no one knew and
it was the heartbeat. Oh I did that one too, right, I
mean, how do I explain how to do that? That's crazy. I
can't believe you did that too. Wow, I really did it because and
then the trick is right while you're doing it, then you look around.
Then the kid behind you gets in trouble. He's getting whacked in your laughing.
You had a success, you know, anytime you can barve it off
on whoever is behind you. And then system Mary Excruciata comes up and waxed
the good kid with the ruler he was being you know. Anyway, So
I went to Sunday School. I didn't go to Catholic school, so yeah,
yeah, they probably be tough on you. Yeah, yeah, that's
subsided. So I made it through. And now I get to hang out
with you and have all this good fun. That's great. And we're here
at another world famous convention, and uh I just love going to these things
because, uh well, I get to hang out with folks like you,
and we get to meet a lot of people out there. Right, It's
amazing. I mean the fans. This is my only my second one that
I've ever done. Oh wow, I've never done a fan x bow before.
So I'm people are emotional about this. Yeah, yeah, I mean
I see people come up to you and like some of them are like in
tears. I mean, I know, very sweet, yeah, very sweet.
And it's very touching. And it's nice to know that you're doing something
that can be meaningful to people. Because I've said it before. We're in
these recording studios and most of the time we're alone, you know, most
of the time, so you don't know, you trust them they're going to
do something with it and it'll come out meaningful in the end. And when
people come up to you at these conventions and say, oh, well,
you know the one about the little bird when you saved the bird and Winnie
the Pooh went Kessie and it made my whole day and uh and I once
found a pigeon it was and it's like, oh you too, huh.
And there's these little bonds and it's so rewarding sweet. It really is,
it really really is now when you do I'm curious, when you do a
legacy character like Tigger and Pooh, do you I mean, is it so
natural for you that you warm into it so quickly? I mean, I
feel like I have to know that yeah, well, you know, I
don't know if it's natural, but I'm what I would do just coming up
as a kid. I've told this before, but we'll be playing Monopoly and
uh, you know who would say, I think that I shall buy park
place and hey, I'm gonna get this railroad over there, and uh.
And I wasn't thinking of it at the time, because who thinks you're going
to grow up and be when at the time there was one you know,
that's an incredible story. You got the ones that you didn't think you were
gone to get. Yeah, oh well that's true. Yeah, that's yeah.
And then when I did grow up, and when the poop came back,
like twenty years later, I thought I was making a good e yor
I've said this before and I didn't get any or but I struggled through with
poo and tigers and I'm sure you're the same, right, Well, you
know I wanted task, but no, I don't know how you do that.
I'm not gonna start thinking about it. I'll lose it. Yeah,
because I would burke when I would do that voice, Yeah, I would
burp, and they said, no, no, we can't have it.
You gotta do another take again, bur while you're doing it. But I
I grew up with Jack Benny, the Jack Ben too. And that's and
when you said that, you that's where you saw mel mel blank. Yeah,
I didn't know. I couldn't make the distinction. Wait a minute,
that's the guy that does bugs Bunny. I was so little when my dad
Jack Benny program, he said, that's the guy that does bugs Bunny.
That's like, how can he's not doing the voice? Yeah? Yeah,
And you know I I never met him. You never met him, but
I had a I all most did. And oh gosh, I don't think
I've told the story, so I'm gonna tell the story. It's kind of
cool. I worked at a video store in Anaheim Hills Video Depot, and
uh, that was my entry into showbiz. But it was way back in
the day, in the in the eighties and early eighties and mid eighties,
and a fellow came in and his name was Ralph Russo and he was he
was his talent agent. And he would book I mean, he would book
clown acts for parties. He would the people who show up and do balloon
ties for this and that, and he was my big show be his connection.
And apparently he had a office down the hall from Mel Blank on Sunset
Boulevard. And I made a demo tape. And I said, gosh,
wait, you know, Mel Blank, you're kidding me. He goes,
yeah, yeah, you know. And I said, well, can you
play this tape for him? Can you give him a tape? Because I
made a demo tape. That's what you do when you first start out.
You make a demo and hopefully you don't suck, and you do all these
characters and some of you make up some of you. And I wrote my
whole thing, and and I said, boy, if you could just you
know, get a critique or whatever, and so he said, sure,
I'll give it a toie. So so he was there and he saw mil
come down the hall and he goes, hey, now you got a minute.
And he says, yeah, kid, what's up? You know you?
And uh and he said, well, I got a kid here,
got his tape. He says he wants to be you, And he goes,
does he well, I've never heard that before. All right, plays
tape. So he puts my tape on and his play and mel this is
the way he described it. He said, he said, there and he
looked back like this, and then he went and he smiled for two minutes
and then he and at the end of it, he goes tell the kid
he's got it and he left the room. Wow, yes, I gives
me goose. I can't believe I still goosebump at that story, but yeah,
I guess I do. So that was. That was That was my
big meeting that I didn't have with mel Specialty. Yeah, that's a good
one. That's well, did you do impersonations on that? Yeah? He
did some. Yeah, I mean it was but it was like Elliott Nasa,
you know, Robert Stack on The Untouchables and uh Desi on nas you
know, Lucy and Dosi. So see, because I met him in college.
He was doing a performance lecture in college, and I found out he
was staying at a motel on campus, and so I knocked on his door
at ten o'clock at night. Cool, and I went just a jiffy and
I went, oh, God, that voice, I know that voice.
Yeah yeah, And then he opens the door and he's in a cordiv in
bathrobe and I said, mister blank, I'm not going to hurt It wasn't
That was no they had gold chains and bracelets. Yeah, and I said,
I saw your lecture at PITT. I said, you were amazing.
Can I just have three minutes with you? And he said are you Jewish
or Italian? And I like, well, what's going to get me in?
You know, I said Jewish. He said, all right, come
on it. So we sat down for maybe forty five minutes in talk and
I did voices for him because he asked me, not because I was being
pushy, and so I did like George Burns and I did Jack Benny.
And I said, and he says, those are great, but do your
own voices, create your own voice. Of course I didn't listen to it.
Yeah, well, well his will do for now. I would think,
right, yeah, gos. But you know, when you meet somebody
like that, I mean, he's the godfather of voice of animation, sure
you. I don't even like I can't. I couldn't process it at the
time. And it was only maybe a few months after that that I started
to work on the voices, very much, very different than Bob Bergen,
who just you know, he was so laser focused, wanted to do porky,
you know, you know that's true. And I never thought about doing
animated voices. It never occurred to me. Wow, you've changed that.
I mean that that was the watershed moment that changed the whole trajectory of everything
for me. Sure, it was as though I was possessed to do those
characters, and it's like I couldn't stop myself. Well, we're all glad
you did. This seems to be working out. Yes, I mean there
was like it's like I had no choice. I didn't know why I was
doing it. Yeah, that's interesting. That's a good way to put it.
I had no choice because I don't think I did either. I mean
I tried a lot of other things, and I was not good at a
lot of other things. And so I said, well, well I can
do that. And again I go back to my dad and go, yeah,
yeah, I know, but what are you going to do for a
living? Yeah? Okay, yeah, I get it. I get fine
now, And you're gonna make him a living? How? And I said,
no, I'm really going to do that, and he goes Jesus Christ,
okay, you know. And and at the time, I was working
in a steel mill, so I kind of get it. That's I never
knew that about you. Yeah, I wasn't there for long. It was
like in Youngstown, you know, six months on six months you're laid off.
So my god, you might as well have been in the army.
I went to school in Titusville. Titus to Pennsylvania. I mean that's like
it's closed it. Well, no, that's close to Youngsville, I think,
oh, young Youngstown, yeown. Yeah, we're the really good one.
That's the great place to be from. See. I thought you were
a drummer. I am you are, okay, because you would come to
the session over here or where. No, actually I think Peggy has them
now, but yeah, I am. I do. I annoy people.
Well, I used to get a kick out of it when I would see
you with it, because I started out on the drums as a kid,
and I loved my teacher so much that when he would come to give me
lessons, obviously you play, you play, I mean see, and my
father would say, well can you do can you do anything? And I
would say, I'm working on it. Yeah, I never got good.
Yeah. Yeah, Well I love drums, you know, I've always had
a set of drums up and I and if not, I'll have some congas
and bongos and something that makes noise. But see that's very that's so rhythmic,
and it's that's all part of like right, I think you're right about
that. Yeah, And I you know, I think the best impression people
who do impressions of people pick up on the rhythm of and the musicality.
Yeah, you know, there's no question about it. I've often I've always
thought of it as sort of a jazzy thing whenever you're doing an impression of
somebody. Yeah, oh completely, like I got I never got good at
the drums, but scatting for some reason. Yeah, that's right. Yeah,
it just there was something like was I like somebody else in another lifetime
because I'm so attracted in that sound. Yeah, well I've often thought of
it that like, for instance, you know, take a just a bag
of wait a minute, you kids can't get me in here, get out
of here. That's better. That better that you know, and and and
if you have that in your head, I think it's a little edge I
speak so too. Yeah, like George Benson, you would watch him play
guitar and as he was, Yeah that's a good one. We go with
it, and very cool. How's he doing that that that was pretty that
was innovative too. Yeah, I Betty did good voiceover. I don't know,
did you ever do like rapping and that kind of thing? You never
did well for fruit Loops? Did I was the wrapping rhino. My name
is DJ Rhino. I've been looking left and right for a cereal that won't
bore me, but there isn't one in sight. And Marie goes rapping rhino,
So I was. That's what we had to do with pebbles. That's
got to be the nineties, right, because it was all the rap.
Yeah, yeah, to do that as Barney, Yeah, the wrapping rhinoinger
and you're doing rapping? Yeah? Sure? Why not paid the bill that
day? Oh yeah? Oh yeah, we know how that was? We
do? And did you have a ton of crazy jobs working up to this
one? M like prior to doing bugs? Well, I was in New
York for many years. I've only been here sixteen years in La so I
spent seventeen sixteen, eight teen years in New York and doing a lot of
advertising, so I I you know my I think Bob Bob Bob, Caliban,
Steve Roland, Peter Thomas, those were all the announcers that I work
with. But then it was I don't know. I got to be like
around two thousand and I said I want to do animation, and nobody was
doing it in New York. Yeah, that's people said, because it was
very film commercial work, right, Yeah, I did commercials. I was
I was the voice of Punchy. Hey, how about a nice Hawaiian punch,
bro j There's seven kinds of fruit in Hawaiian punch. Seven kinds of
fruit in Hawaiian punch. Yeah, so I mean they are red, green,
yellow, blue, and orange something like that. Something like that.
Yeah, well that's pretty good. I didn't know that. Yeah, but
there was no animation. You had to go to California and they would not
even accept New York auditions, so you you know, I mean it was
I'm just gonna move out there, and then it was it was tough.
In two thousand and eight we had the stock market crash and then O nine
they started auditioning for Looney Tune Show. That was the start of it for
me. That's great to get back. Who was your first Warner Brother Warner
Brother's character, Well, I first started to delanel Mel's voice because if you
do Mel. Yeah, probably because you their voices too as well. That's
great. Yeah, so that's really good. That was sounded like Mel blank
y'all, just in case you didn't know, and I do. Yeah.
I mean I think bugs. I think because like if you do bugs,
then you can kind of work to Porky and Tweety. I mean they're different
souls kind of, you know. I mean it was really tricky with with
with Daffy because Daffy was sped up. Mel did it, and I think
they sped him up, like Noel said, they sped him up fifteen twenty.
Yeah, I think that I needed it, and they don't do that
because otherwise it turns out it gets into Sylvester Sylvester right range. So today
it's like if you're working with the director, they are referencing something they've seen
on YouTube and they want you to sound like that, but it's sped up
and they use their tube mics and so it just sounded very different. And
they recorded Mel in the fully stage a lot, so you know, they
had that thunderous sound, yes, and we've got to replicate that. Yeah.
And it's funny because when you watch those old cartoons, because we're so
used to like, this room is padded, yeah, you know, as
are all of the recording studios. But boy, when you see those old
Looney Tunes and bugs is yelling, you can hear the whole mezzanine. You
can hear. They might as well be in a marble a glasshouse or something
because you can hear it. Yeah, And they wouldn't do that, They
wouldn't never let that happen nowadays. No, exact me. No, I
mean the older recordings that I did in the nineties, they actually sound better
because it's analog recording as opposed to digital. Yeah, and I find it
really hard on the ears to hear digital recording. It's brittle the sound,
yeah, I think. So it's a little flatter, it doesn't have as
much gland. Yeah, it's have personality to it. Technical term there for
you, but yeah, technically those audio people more gland. Okay, so
you're you're on the road finally into this comic circuit. Oh my god,
I don't know how you do this. Whoa, I do it very well.
It's yeah, I guess you do. I mean, the suitcase is
going to stay open because I'm in Telford. Yes, for everyone out there,
I'll be in Telford at the Midlands Comic Con into England next week,
yes, or this week, I should say. Yeah, so I don't
know what that's going to be like, but hopefully it'll be great. Yeah,
very hope, so very good. Yeah, get some fish and chips,
right, absolutely, got a few places we can recommend, wait,
Midlands, Midlands. Yeah, I don't think I've ever been there in Telford.
Yeah, it's like three hours from London, I think. Okay,
North try the Bangers, the Bangers, Bangers and Bash. Yeah, I
don't know what that ish. Peace. I think those are hot dogs of
some sort. Exhausage Yeah right, yeah, yes, do that, yeah,
have more? Have one on me. Well that sounds like fun,
man, Yeah, I'm looking forward to it. Yeah yeah, getting your
feet wet in this. It's a fun, fun gig. These comics they're
amazing. I mean I just see you and Frank, I mean he was
exhausted about Frank Welker. Yes, Frank Welker, in case you didn't know,
we're going to work on getting him on this podcast too one of these
days. M h. Now, Now I'll tell him that you recommended him.
I will, Frank, you have to do the podcast. Okay,
it's done now, thank you. If you're a fan of everything we do
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Well, hey man, I don't want to keep you all because I kind
of could. Oh, but we have work to do. We're at a
convention and your lovely wife is oh, thank you Jim. If we do
this again, let's talk about Hannah Barbera next time. Maybe okay, yeah,
if you want to Yeah, well we can sneak something now, yes,
yes, quick story, Let's see the Jetson's the movie mel Blank had
passed away? And who is mistress Basely and Georgia Hanlin who was George Jetson
he had passed away. Yes, and so they're holding auditions. Amazingly,
I got to do both George and spacely for the film, and mel and
Georgia Hanlin hadn't finished the film. And so who do you think was direct
to me? And Hannah Barbarian? I mean, you worked with these people,
would have to be Gordon Gordon, right, you would think, or
Joe Barbara right or right? No, it was Bill Hannah that day.
Oh, and I was in half of Hannah Barbara, Yes. And he
was sitting in the front and he said, I'm doing again. Doesn't sound
like George to me. And that went on for about three hours. Oh,
that was maybe one of my scariest sessions. I would think, so
far, if I get through this, wow, it'll be okay. Yeah,
you know, I sang as I didn't get the job as George Jesson,
but they decided I sounded like him when I sang Oh so, I
sang a song the Brotherhood of Man. I can't remember a long time ago,
but yeah, I sang a theme song for that. Oh my god,
that's incredible. Yeah. I can't believe. I don't think they used
it. It might have stuck up the room. But you know though,
but it makes sense because Henry Cordon, who I got to be very close
with. Henry did all of Alan Reid singing. Because Allan, as you
know, was the original Fred Flinch. He could get a ten year he
couldn't sing apparently, So Henry was a great singer. Oh no, kid,
Yeah, yeah. I worked with him when he did Fred Flintstone for
Fruity Pebble's Eye to My Barney Rebel. We had to sing all the time.
Yeah, yeah. And did you know how Smith House? I didn't,
but I wanted to meet him, so, oh my god. He
he's so special. He was Otis Campbell on The Andy Griffith Show, and
then he did a lot for Head of Barbara and I think I think was
a don't I don't think he was Boo Boo, but I think it was
Barney for a year. You're right. He was the original first Barney.
You're right. And then somebody was I don't know if somebody else was Fred
maybe, and it might have been Alan. That was usually Fred. Yeah,
but yeah, I mean Hal Smith, what a sweet, sweet sweet
guy. Yeah. Yeah. He was in Winnie the Pooh and he was
in the first show I ever did was Dumbo's Circus and he played fair Dinkham,
the Australian Koala Bear, and that's how I got to meet him.
Oh my god. And I'll never forget. My younger brother came and brought
one of his friends. My brother Terry came and brought his friend Dave to
the session, and of course they got to meet Hal and I was just
proud of punch that he knew my name and everything else. And I'll never
forget my brother's friend Dave said, you know, I don't want to offend
you. The last thing I want to do is offending you. See like
some nice old dude, but you know, you remind me of the drug
on Andie griffith Man. And he goes as as I am, and he
oh, and he just melted into the floor and I said, I'm really
sorry about that. I'm really He's from Younkstown too, you know. And
so that was my sad little story. Did you meet Sterling Holloway? No,
I never did. I have I almost have a story about that,
but no, I never did. My friend Tony he was in there at
a studio called Waves, and my friend Tony was the engineer there and he
had a video he had his video camera with him back then, and he
said hello Outleiah to me, and that was it so cool. I'll never
forget. Eons before I was in the business, I was there and I
was in a little cafe down in Lagun and a gal and you hear this
little voice come up from the side booth. You couldn't see who was in
there. Waitress walks officays are we are we ready to order yet? And
he said, I believe I shall have the Childer And I went, you
know, the boot. So I was very stealthy and I got up and
I got some salt and pepper off the one table and looked over and there
was Sterling Halloween sitting there there his cool self, and he looked like an
albino crow. He had all this white hair going up all over. Yeah.
And I didn't say a word to him. Oh yeah, I was
like, what are you? What do you do? Walk up? Yeah,
you know, because that's what I would have kind of felt like that,
you're really cool and everything and uh. And I remembered seeing him in
a couple of TV shows back back in the day too. He was on
Superman the George Reeves Superman and uh yes, he was a professor. Yeah,
yeah something and he threw the regular ball on the floor and it broke
and it yeah, so a mad professor. Why they picked him, I'll
never know. He was perfect, he was he was that guy that he
was that guy. Oh my gosh, that's right, good old Hannahbarb there,
it's right. Yeah, I miss it, I do. Yeah.
And that building's not even there anymore for us. It should have been on
the thirty four. Yeah, yeah, yeah, well that's where we did
the Jetsons that I remember walking in thinking, oh my god, it's gonna
be like Disneyland, and it was actually very underwhelming. There's some big old
place yeah yeah, with padded walls. Yeah okay, yeah, you know
we did swat Cats there and oh you did a number of you know,
some of the Scoobies, the originals. Oh wow, the original couple of
ancillary characters in there, you know. So that was fun. Now,
did you ever get to work with anybody where you're watching them and you get
lost in the scene. They tell you never to do that. Oh you
know, you're like, for one second, I was watching you in an
episode. I believe it was New Looney Tune Show and you were doing Jacques,
oh Jaques, black Jack black, and I was looking, all right,
I was looking at you in Lumberjack. Yeah, and I almost missed
my cue, and I'm like, Jeff, you don't do that. Yeah,
don't get lost in somebody else's performance. You got to be ready.
Oh that's funny. Well, I'm glad I was distracting. I've been just
very distracted my entire life, and I'm glad to know I've still got it.
You have it, you do Jem. But that was a lot of
fun. Yeah, that's a neat character. He's one of my favorite characters.
You know, I forget about him. He's not that big. But
maybe I'll include him in my montage. You should because that Mel that was
a great character, and you kind of I think, expanded it. Yeah,
yeah, no, no, you haven't known to do that. It's
great take it and stretch it too far. I was told that and by
the great reader Morenos Moreno, who said, don't be a name dropper.
But she said, she said, I love doing this. I love doing
She did a bunch of Bunkers episodes and played the character she goes you can't
overact. I've been overacting my whole life. They've been telling me to calm
down, easy, calm down, you know this, And so I'm I'm
pulling it back and you can't overact here, And I said, that's true.
She goes, I love this, and she was like all over it,
and then she h that she did as much as she could. Goes,
can he give us a little more? No, I'm kidding, but
but that was that was great. That's great advice. She's right too.
Yeah, she's totally right. More is better that you can always pull you
back. They can always pull you back, but it's hard to add on
if you ain't got it. M m, yeah, it's so true.
Gosh, we gotta do that. We got the old game. You know
what time it is. That's true. We do a voicewop thing and you
do one of your characters with a with a line, and then I have
to do it as say, Winnie the Pooh or dark Wing. Oh my
god. So and then I'll do one of my characters Winning Pooh, dark
Wing. Then you have to do it in one of your characters. Oh
good lord, oh my god. Okay, are you ready to go?
Okay? Okay, Eddie, and you get to pick who which character.
But this will be dark wing dark. I am the terror that flaps in
the night. I it would be I'm the terror that day. It would
be a bit flaps in the night. You sound just like yourself. That's
awesome. Okay, Now give me one of your characters, maybe another one,
and then I have to do it as maybe pooh, how's that?
Oh? You a card sarn engine varnment? Okay, no, you carn
sarn engine varment? What kind of mint is a varment? O? Sweet?
Don't try that at home. I forget was I supposed to be ticker?
Too late? Sullied the whole thing? Well, thanks, man,
I think we're good. That's pretty one more back and forth. All right,
your choice, dealer's choice. Okay, let's do, let's do,
let's do uh and say nae girl, but she reminds me of a highway
between Fort Worth and Dallars. No curls now, who should who should do
that? Oh? How about tigger? Do we have about Hondo Hondo?
Okay, okay, Hondo from Star Wars. This will be priven nice,
I say, nice, nice girl, I say, But she reminds me
of the highway between ford Worth and Dallas straight with new cuves. Oh,
it was like it was like fog hm was in the room. I say,
I say, I say, folks, you're never going to hear this
anywhere else. No, how about we do tiggering bugs? Oh okay,
I like that. Well, you know, the wonderful thing about tiggers is
tiggers are wonderful things. Wow, that's really amazing tiger. Now do you
think that Disney is okay with us being disclosed in proximity? It's too late,
m Rogie Rabbit's coming gone, so we're safe. The wonderful thing about
ticket is tickets a wonderful thing. There we go. Oh, thanks buddy,
Thank you ladies and gentlemen. The crowd went mild. Take us home,
Chris, all right, thank you so much for watching. That was
another episode of Tuned In with Jim Cummings. Today we were joined by Jeff
Bergman. Thank you so much for being here. Don't forget to leave a
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Oh my god, yay.