Stacy and Clinton Break Down the Style of Wednesday

[SPEAKER_01]: Have we ever been in bed together before?
[SPEAKER_03]: Aside from the private dates.
[SPEAKER_01]: Well, we're in bed watching television shows and movies from a style perspective.
[SPEAKER_01]: And today, I thought it would be fun if we did an episode of Wednesday, the Netflix series.
[SPEAKER_01]: And because we both like Lady Gaga, love Gaga.
[SPEAKER_01]: So let's watch Wednesday, season two, episode six, it's called WoW thyself, directed by Angela Robinson, and the costume design was by Colleen Atwood and Mark Sutherland.
[SPEAKER_03]: Colleen Atwood is one of the most famous costumes stylists in the world, I'm pretty sure.
[SPEAKER_01]: Oh, it's so-
[SPEAKER_01]: Well, we have a cold open here that is unlike any other episode, right?
[SPEAKER_01]: Because we see Wednesday wearing color.
[SPEAKER_01]: She's got bright blue eyeshadow.
[SPEAKER_01]: She's got red lipstick.
[SPEAKER_03]: She's dancing around.
[SPEAKER_03]: She's got a happy capture.
[SPEAKER_01]: She's got a mohair sweater or something like that.
[SPEAKER_01]: That's like an on-brain.
[SPEAKER_01]: Look at that goes from a cool-aid red to pink to blue and white.
[SPEAKER_01]: And she's got her sparkly sneakers on.
[SPEAKER_01]: And the whole world is like, what the fuck is up with Wednesday Adam?
[SPEAKER_01]: Why is Wednesday wearing so much color?
[SPEAKER_01]: And I really like her outfit.
[SPEAKER_01]: I think it's adorable.
[SPEAKER_01]: Do you like it?
[SPEAKER_03]: I do.
[SPEAKER_03]: And I think it's very sweet.
[SPEAKER_03]: The cheese so happy.
[SPEAKER_03]: But you're like, that's not Wednesday.
[SPEAKER_01]: That's not Wednesday.
[SPEAKER_01]: Right off the bat, the wardrobe is telling us something's not right here.
[SPEAKER_01]: And there we go.
[SPEAKER_03]: 16 hours earlier, look at her.
[SPEAKER_03]: She's in black and gray.
[SPEAKER_03]: Look number two.
[SPEAKER_01]: Okay, so then this is interesting, right?
[SPEAKER_01]: Because Larissa shows up.
[SPEAKER_03]: All right, so now Larissa died.
[SPEAKER_01]: Oh, by the way, spoiler alert.
[SPEAKER_01]: If you haven't seen Larissa's dead.
[SPEAKER_03]: And she wears fabulous suits.
[SPEAKER_03]: This one in particular, I love, you know what I mean?
[SPEAKER_01]: Oh, we're allowed to disagree.
[SPEAKER_03]: Thank you for telling me, but I do like the pop of the collar on the jacket.
[SPEAKER_01]: I feel like it's just adds There's something very retro about her looks like all kind of almost 40s inspired I feel like sometimes adventures into like mother of the bride territory for me like if it is a school woman I know yeah
[SPEAKER_01]: She's a spirit guide, she's dead, which means to me that in the afterlife, she should have access to the best tailors possible.
[SPEAKER_03]: Well, that's fair.
[SPEAKER_01]: Yeah, and see, like, here, it's not terrible.
[SPEAKER_01]: I just wish, I wish this fabric had a little stretch in it.
[SPEAKER_01]: That's what I'm getting to at, okay?
[SPEAKER_01]: Because it doesn't have any stretch.
[SPEAKER_03]: It looks like a tropical wool.
[SPEAKER_01]: Yes.
[SPEAKER_01]: And because of that, it doesn't look like it fits her as perfectly as some of the other costumes in the show.
[SPEAKER_03]: But I think it's interesting about this is that really does look like they should have done a sideband, almost with the blazer, like almost treat it more like a tunet.
[SPEAKER_03]: And then the scorch should have been shorter or longer.
[SPEAKER_03]: But that length is so unflattering.
[SPEAKER_01]: It's so unflattering for her, right?
[SPEAKER_01]: And that kick pleat, I don't think it's doing anything.
[SPEAKER_01]: Obviously she probably needs it to move.
[SPEAKER_03]: Exactly, but the kick-lead on the side, why wouldn't you have the kick-lead in the back?
[SPEAKER_01]: I know, yeah.
[SPEAKER_01]: I just, yeah, there's something about it.
[SPEAKER_01]: Like if this, imagine this exact silhouette done in a fabric that had a little bit of stretch, it would be snatched and it would be snatched.
[SPEAKER_03]: And if it was blue or, yes, you know, some other, this oyster color is not for her, but I, but she has a, she is dead.
[SPEAKER_03]: She is dead.
[SPEAKER_03]: I do maintain that this the color of this jacket.
[SPEAKER_03]: I think books so divine on her and I love the food Lord print underneath.
[SPEAKER_03]: Yeah, but I do see in the full length what you're saying.
[SPEAKER_03]: Yeah, like there is something it almost looks like the skirt's turned around.
[SPEAKER_01]: It does right it's it for me.
[SPEAKER_01]: It's a it's an 8.5 out of 10.
[SPEAKER_01]: Not that we're not that we give ratings on things.
[SPEAKER_01]: Right.
[SPEAKER_01]: Maybe it's because she's a tall woman they have to make this from scratch for her.
[SPEAKER_01]: It's like shoot, they didn't buy this off the rack, but they probably don't write by any of the stuff off the rack.
[SPEAKER_03]: Oh, but is this a deliberate choice about the character, right?
[SPEAKER_03]: Is she a little bit from B?
[SPEAKER_03]: Is she supposed to feel this way?
[SPEAKER_03]: Maybe that's why the fabric doesn't give.
[SPEAKER_00]: Yeah, but I agree with the pop collar.
[SPEAKER_00]: I love the, the, the, the, the, the, the, the, the, the, the, the, the, the gloves, the gloves.
[SPEAKER_03]: I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I
[SPEAKER_03]: You got to love the school uniform, this purple and black.
[SPEAKER_01]: I don't love it.
[SPEAKER_03]: Oh.
[SPEAKER_01]: No, I don't like it.
[SPEAKER_01]: I would not go to that school because of the uniform.
[SPEAKER_03]: Wait, wait, wait, what?
[SPEAKER_03]: Why not?
[SPEAKER_03]: No, not to, I don't like it.
[SPEAKER_03]: You don't like a vertical straight?
[SPEAKER_01]: I don't like purple.
[SPEAKER_01]: I went to Northwestern for grad school.
[SPEAKER_01]: And I never wear any Northwestern merch because I just don't really like purple.
[SPEAKER_01]: It's nothing against Northwestern.
[SPEAKER_01]: It was a great school.
[SPEAKER_01]: It changed my life.
[SPEAKER_03]: Everything you don't like turns into a humble brag.
[SPEAKER_01]: That is all right.
[SPEAKER_03]: Has anybody else noticed?
[SPEAKER_01]: That is a lot.
[SPEAKER_03]: I've met two Bethlehem's a couple of times.
[SPEAKER_03]: I met two Bethlehem.
[SPEAKER_03]: Oh, did I two?
[SPEAKER_03]: I met Craig T. Nelson.
[SPEAKER_03]: And I taught him about poltergeist.
[SPEAKER_03]: I know Olivia Newton, John.
[SPEAKER_03]: She was my best friend.
[SPEAKER_01]: She wasn't like that.
[SPEAKER_03]: I hate purple.
[SPEAKER_03]: I went to North Wester.
[SPEAKER_03]: There's a lot of purple at North Wester Newton.
[SPEAKER_00]: It's true.
[SPEAKER_00]: It's the school collar.
[SPEAKER_03]: I mean, personally, I love the purple.
[SPEAKER_03]: I love all the stripes.
[SPEAKER_03]: I think the purple and black is chic.
[SPEAKER_03]: I feel like it's very funny because if you were colorblind, you wouldn't be able to necessarily distinguish it from the black and the gray, which is kind of interesting.
[SPEAKER_01]: Yeah, I particularly like when Pugsley here has the contrasting,
[SPEAKER_03]: black and white.
[SPEAKER_01]: Black and white, a horizontal stripe.
[SPEAKER_01]: I think that that's really fun and it works.
[SPEAKER_01]: It's just me.
[SPEAKER_01]: I just don't love, there's really not much in my life that's purple.
[SPEAKER_01]: I don't know why I have an aversion to it.
[SPEAKER_01]: 100% works for the show.
[SPEAKER_03]: 100% work on you.
[SPEAKER_01]: No, it would not.
[SPEAKER_01]: I've tried purple on it just as not working.
[SPEAKER_03]: I have, I have been with you in purple.
[SPEAKER_03]: You have not that Elvis jacket that broke a jacket that you had that we called the Elvis jacket that wasn't purple Oh, and you know, I baked that velvet, right.
[SPEAKER_01]: Oh, I did have a purple velvet jacket.
[SPEAKER_01]: Just tell me to shut the fuck up.
[SPEAKER_01]: Shut the fuck up So stupid
[SPEAKER_01]: Let's talk about Hester here.
[SPEAKER_01]: Hester is fabulous.
[SPEAKER_01]: She's amazing from Macy's, this shooting look here.
[SPEAKER_01]: So I think that this look is phenomenal.
[SPEAKER_01]: Look at, I mean, we know Joanne Lumbly is a woman of a certain age, right?
[SPEAKER_01]: She and these boots up to the knee.
[SPEAKER_01]: I mean, it's like, I can't tell if they're laces, because that's very gentle.
[SPEAKER_03]: Oh, yeah, no, no, it looks like laces and granites.
[SPEAKER_01]: Yeah, laces and granites, right?
[SPEAKER_03]: I was like, you know, like a real combat boot.
[SPEAKER_01]: the hair.
[SPEAKER_03]: Yep.
[SPEAKER_01]: Okay.
[SPEAKER_01]: I think we could work your hair toward this as a goal.
[SPEAKER_03]: If we can and get me in this outfit, I am 100% all for you.
[SPEAKER_01]: You would 100% rock this outfit.
[SPEAKER_03]: And I love Wednesday's coat.
[SPEAKER_03]: Like to me, that's a shooting coat because it's, you know, it's like with the shotgun, it really is.
[SPEAKER_01]: I feel like the headless horsemen would wear that exact coat, right?
[SPEAKER_03]: Exactly.
[SPEAKER_03]: It's a bad cream.
[SPEAKER_03]: Exactly.
[SPEAKER_03]: And I love this framing of the shot.
[SPEAKER_03]: I know this has nothing to do with anything, but I think it's so chic.
[SPEAKER_03]: The way they have the, what do we call that a permula, what are we calling that the huffa?
[SPEAKER_03]: The huffa?
[SPEAKER_03]: Where's the glass in front of the, you know, mansion, like the way that it's a very West Anderson shot.
[SPEAKER_01]: It really is.
[SPEAKER_01]: That's a beautiful shot.
[SPEAKER_01]: All right.
[SPEAKER_01]: So take in the winged eyeliner just for a moment because it's really the most perfect wing.
[SPEAKER_01]: I think I've ever seen on the look at that look at that to the whist it's a whisp and it's done so well look at the brow arch.
[SPEAKER_03]: I mean right on the lip line.
[SPEAKER_01]: Oh, the hair and the makeup in the shot are exclusive.
[SPEAKER_03]: And she's not, do we?
[SPEAKER_01]: Yeah.
[SPEAKER_03]: She's not going for that.
[SPEAKER_01]: Do you both it?
[SPEAKER_03]: Just, but perfect powder, perfectly matte, not.
[SPEAKER_03]: It doesn't look cakey, or skin looks like luminescent.
[SPEAKER_01]: and the jacket has all this tone on tone black detail to it, which just adds layers and layers of interest without screaming like this is a costume.
[SPEAKER_01]: This is a look, right?
[SPEAKER_03]: That's also, I think Colleen Atwood has incredible mastery of kind of like dramatic imagery, like really look at the contrast of the black on black against what they're shooting.
[SPEAKER_03]: Yeah.
[SPEAKER_03]: The floral.
[SPEAKER_01]: So good.
[SPEAKER_03]: look number four.
[SPEAKER_01]: Okay, so Gaga is in this episode for about three minutes to roll, right?
[SPEAKER_01]: Yeah, like I can't but Colleen, what is going to come at me?
[SPEAKER_01]: I don't, this doesn't really do it for me.
[SPEAKER_03]: Like, really Gaga as a specter doesn't work.
[SPEAKER_03]: I mean, what makes me laugh is it looks like when we freeze it, it looks like she's super close onto the screen.
[SPEAKER_03]: In this weird white dress, like, and she looks
[SPEAKER_01]: I don't, I don't, I guess I don't want to say that why the mermaid hem, right?
[SPEAKER_01]: Yeah.
[SPEAKER_01]: That's very morticious silhouette.
[SPEAKER_01]: Um, and so is she the anti-mortition?
[SPEAKER_01]: Because she's doing this, this basic silhouette in white.
[SPEAKER_01]: Watch when she lands here.
[SPEAKER_01]: Oh, she takes off the veil.
[SPEAKER_01]: Do it the dramatic reveal.
[SPEAKER_01]: Ah.
[SPEAKER_01]: It's Donna Teller, Versace.
[SPEAKER_03]: Well, she'll play Donna Teller when Donna Teller dies.
[SPEAKER_01]: Okay, so we've got some interesting neck detail here that's sort of like k-fold over neckline and a cape, but other than that, like that's it, calling out what I think you're a genius a genius, but I don't know, I'm a little bit underwhelmed, but Okay, what would you be looking for the let's think about this?
[SPEAKER_03]: I mean, there's no jewelry really here.
[SPEAKER_03]: There's no accessories, right?
[SPEAKER_03]: She's a specter.
[SPEAKER_03]: Yes, but, but
[SPEAKER_03]: But what would you like to see?
[SPEAKER_03]: Is it color?
[SPEAKER_03]: Is it shape?
[SPEAKER_03]: What bothers you?
[SPEAKER_01]: I just want, I think I want more.
[SPEAKER_01]: I want more of something, and I'm not sure what it is.
[SPEAKER_01]: Like, it's fine.
[SPEAKER_01]: Like, you're a ghost, a specter.
[SPEAKER_01]: OK.
[SPEAKER_01]: maybe you don't care about clothes in the afterlife.
[SPEAKER_03]: But we'll never know until we get there.
[SPEAKER_01]: Right.
[SPEAKER_01]: I mean, but you made a choice to do a mermaid silhouette.
[SPEAKER_01]: So why nothing else?
[SPEAKER_01]: Why not a drop earring here?
[SPEAKER_03]: I don't know.
[SPEAKER_03]: I feel like put your some crystals and crown would be nice.
[SPEAKER_03]: I don't know.
[SPEAKER_03]: A day time tiara.
[SPEAKER_01]: Think about all the shit that we used to say on what not to wear.
[SPEAKER_01]: Color texture pattern shine.
[SPEAKER_01]: Well, where is it?
[SPEAKER_01]: There's no color, there's no texture, there's no pattern.
[SPEAKER_01]: He's got me.
[SPEAKER_01]: Oh, that's... That's CGI.
[SPEAKER_03]: That's CGI, but he's, at least, he meets one of our four criteria.
[SPEAKER_01]: I guess.
[SPEAKER_01]: There is, like, a frayed unfinished edge.
[SPEAKER_03]: I mean, I do wonder if that's just because they just cut a bolt of fabric and put it around our shoulders and said,
[SPEAKER_03]: That's interesting.
[SPEAKER_01]: Well, I think you're touching on what I think happened.
[SPEAKER_01]: I think they were like, oh, Lady Gaga, that doesn't have time for a fitting.
[SPEAKER_01]: Right.
[SPEAKER_01]: I wonder if they had the seven wardrobe fittings that they probably do for everyone else.
[SPEAKER_01]: You know, maybe not seven.
[SPEAKER_01]: But like, I don't think Lady Gaga went in, gave them a long time.
[SPEAKER_03]: She got short-change, or they short-change.
[SPEAKER_01]: She got short-change.
[SPEAKER_01]: I feel like somebody got short-change.
[SPEAKER_01]: Like we might have here.
[SPEAKER_01]: Oh, God.
[SPEAKER_01]: People are gonna come at me.
[SPEAKER_01]: Put in the comments, because I don't read them in.
[SPEAKER_03]: Put in the comments, because he doesn't care.
[SPEAKER_03]: Look number five.
[SPEAKER_01]: Okay, look at the air brushing.
[SPEAKER_01]: This is for now.
[SPEAKER_03]: This is for now.
[SPEAKER_03]: This is for now.
[SPEAKER_03]: This looks a little bit like animation.
[SPEAKER_01]: like the dress coming down like Lady Gaga coming down.
[SPEAKER_03]: Yeah, like a specter.
[SPEAKER_01]: Yeah, like a specter.
[SPEAKER_03]: People were so cruel about her on the red carpet.
[SPEAKER_03]: And you've got to wonder, is it because that's the way she looks in real life and people are expecting this, which is lip and CGI manipulated and all of the other things?
[SPEAKER_01]: I know.
[SPEAKER_01]: I don't think people can tell the different street reality and fancy anymore, because the lines have been so blurred that you don't know what you're seeing is actually real or not.
[SPEAKER_03]: Right.
[SPEAKER_03]: I mean, Zeta Jones is gorgeous now then on camera off camera in between, I mean, shut the fuck up.
[SPEAKER_03]: Like, I'm sorry.
[SPEAKER_03]: I really hate when women are braided for looking their age.
[SPEAKER_03]: As if it's some sort of feet to be old and not look your age.
[SPEAKER_03]: That just takes a lot of money and a lot of knives.
[SPEAKER_01]: Exactly.
[SPEAKER_01]: And even when you have the money in the knives, I always say like, what do you look like when you just got out of the shower?
[SPEAKER_01]: You know, it's like so many people you see on the red car.
[SPEAKER_01]: I look wet.
[SPEAKER_01]: You look wet.
[SPEAKER_01]: And it's like, from the neck down out of the shower with your hair dot done and you make up off like, can you look at yourself in the mirror and be happy with it?
[SPEAKER_01]: I don't know if you can, great.
[SPEAKER_01]: It's like, I don't care.
[SPEAKER_03]: I do believe that you should be able to do what you want with your body.
[SPEAKER_03]: And I will continue to eat Doritos with caviar.
[SPEAKER_01]: That feels like a real waste of caviar.
[SPEAKER_03]: It's fabulous.
[SPEAKER_01]: Oh, no.
[SPEAKER_03]: Look, number six.
[SPEAKER_01]: So a lot of stuff happens.
[SPEAKER_01]: And there's not a lot of style stuff that happens.
[SPEAKER_03]: There's a lot of plots that happen here.
[SPEAKER_03]: We are at least with it's Gwendolyn Christie is the actress.
[SPEAKER_01]: She plays Larissa.
[SPEAKER_01]: So let's talk about this outfit now on Larissa.
[SPEAKER_01]: This is the second outfit.
[SPEAKER_01]: I don't know.
[SPEAKER_01]: there's something about like I get it this popped the pop color is really the only thing I like here I know and I'm not even a hundred percent sure that I like this particular shade of green It's like a pistachio and a praying mantis had a baby and that's you know that's the color of the baby
[SPEAKER_03]: I am in my ugly green face.
[SPEAKER_03]: Both in clothing, interiors, you name it.
[SPEAKER_03]: I'm like the uglier the green, the more I wanna lay it on top of another ugly green.
[SPEAKER_03]: So that's just a weird preference at the moment.
[SPEAKER_03]: So I'm very much into the green.
[SPEAKER_01]: I feel like if it didn't have this collar, let's imagine that this silhouette just had a ton more sheen.
[SPEAKER_01]: It wasn't like a silk dupe-ony.
[SPEAKER_01]: It was more like a silk satin.
[SPEAKER_01]: Silk satin.
[SPEAKER_01]: It would be a mother of the bride jacket.
[SPEAKER_01]: You know, I don't know.
[SPEAKER_03]: I just- And it does look like they just tacked that green fabric on there.
[SPEAKER_01]: Doesn't it?
[SPEAKER_03]: It doesn't look like that is sewn on.
[SPEAKER_03]: I mean, it is very weird that they put her in the same jacket style, except this one does not.
[SPEAKER_03]: I mean, she's not wearing a blouse underneath it.
[SPEAKER_03]: Really, it looks like mesh or something.
[SPEAKER_01]: I wonder if you're going to put an actor in the same exact silhouette over and over with teeny tiny variations in the fabric and the color, like, why bother?
[SPEAKER_01]: Just keep her in the same outfit the whole time.
[SPEAKER_03]: But it is funny because they are essentially all doing that.
[SPEAKER_03]: They're all wearing one outfit with tiny variations in terms of, like, more tissue looses the neck and its bare.
[SPEAKER_03]: Or, you know, they're in the school uniform or some other version of the school uniform.
[SPEAKER_03]: It's kind of interesting.
[SPEAKER_01]: So now she's got a cape in the same fabric.
[SPEAKER_03]: Is it a suit or is this a dress?
[SPEAKER_01]: I think it's a dress.
[SPEAKER_01]: Right.
[SPEAKER_01]: And she's got a belt that's got like a lot of charms on it.
[SPEAKER_01]: Like I'm, oh, it's just like Melanie Griffith's charm bracelet in the beginning of working girl.
[SPEAKER_03]: And they both have to be Hendron here.
[SPEAKER_01]: Right?
[SPEAKER_01]: It all comes back to Tippy.
[SPEAKER_03]: It all comes back to Tippy.
[SPEAKER_01]: Yeah, it's a solid look as a character.
[SPEAKER_03]: I think it is a solid look as a character, but it really is a character, right?
[SPEAKER_03]: It is both school-marimish and kind of witchy.
[SPEAKER_03]: It's got the cape.
[SPEAKER_03]: It's got the point detail.
[SPEAKER_03]: There are things about it that like speak to something caricature-ish without going full-cost it.
[SPEAKER_01]: Exactly.
[SPEAKER_01]: And the pop collar with the contrasting green gives it a little bit of a sinister vibe to it.
[SPEAKER_01]: My character is not the nicest person in the world.
[SPEAKER_01]: No, she's really not.
[SPEAKER_01]: She's really not.
[SPEAKER_01]: So this gives her it's like a little touch of venom.
[SPEAKER_03]: Look, number seven, they switch back, oh, thank God.
[SPEAKER_03]: I mean, it was too much.
[SPEAKER_03]: It was very, very nerve-wracking to have Wednesday be in it and in it be Wednesday.
[SPEAKER_01]: Well, I will say, though, that they gave the two actresses a great opportunity to have some fun.
[SPEAKER_01]: Yeah, pretending to be the other person.
[SPEAKER_03]: Exactly.
[SPEAKER_03]: Oh, my God.
[SPEAKER_03]: It would be so much fun.
[SPEAKER_03]: I wish I could get away with pretending to be you for a day.
[SPEAKER_01]: A whole day of being in thoughts.
[SPEAKER_03]: It would be amazing.
[SPEAKER_01]: Okay, so maybe we should talk about Enid's final tube dress because it's literally the last new look in the show.
[SPEAKER_03]: It's very Chanel-coded.
[SPEAKER_03]: Is it?
[SPEAKER_03]: Don't you think?
[SPEAKER_03]: Oh my god, I think it had double seas and it was like a double-breasted dress.
[SPEAKER_03]: Don't you feel like you were just finishing it?
[SPEAKER_01]: Yeah, I mean, now that I'm sort of pausing on it, I like it a little bit more.
[SPEAKER_01]: Final thoughts.
[SPEAKER_01]: I guess we should rate this.
[SPEAKER_03]: I get this four out of five bangs.
[SPEAKER_01]: But... My bangs.
[SPEAKER_01]: My hamster's bangs.
[SPEAKER_01]: Oh, bangs.
[SPEAKER_01]: I don't even know like a bang, like... Like a bang?
[SPEAKER_03]: No, I'm giving it four out of five fringe.
[SPEAKER_01]: I give this on a seven day, a week calendar, a Wednesday.
[SPEAKER_03]: Wow, you were really tough on Wednesday.
[SPEAKER_03]: Oh, I'm so excited.
[SPEAKER_03]: You were tough on these costumes.
[SPEAKER_01]: I have the utmost respect for the costume designers.
[SPEAKER_01]: Don't get me wrong.
[SPEAKER_03]: I don't get you wrong.
[SPEAKER_01]: And maybe it's just because I'm not like a Wednesday head.
[SPEAKER_01]: You know what I mean?
[SPEAKER_01]: It's just like, this isn't my, it's not my, you know?
[SPEAKER_03]: I don't think you, I, I think you make valid points.
[SPEAKER_03]: Well, and I think that when you do, I like to be valid.
[SPEAKER_01]: I like to be valid for you.
[SPEAKER_03]: Yes, I think we should continue with some other episode.
[SPEAKER_03]: Some other time, maybe in season three, and hope that Gaga gets better.
[SPEAKER_03]: I mean, her outfit.
[SPEAKER_03]: and somebody cares more about what one's going Christy is wearing it all times, but you know, but I just be curious to see if you still feel the same way or if maybe there's another episode where you're at here.
[SPEAKER_01]: If you're, I think it might be justice for the tall girls.
[SPEAKER_01]: I want justice for the tall girls.
[SPEAKER_03]: Just as you can tell the world, that's no joke.
[SPEAKER_03]: Okay, I am a proud five six, which is tall for a girl as you know, and Tallish for a girl as you know and The problem that I have found will you already know about my arms, but it's my limbs generally speaking I have like a short torso and tall legs, so nothing is ever long enough funding
[SPEAKER_01]: Oh my god, you sound like a whatnot-so-wear contributor.
[SPEAKER_01]: I've got a short torso.
[SPEAKER_01]: Oh, shut the fuck up, we used to say, like, you're halfway, you're like, but look at Barbie, she's got a short torso, too.
[SPEAKER_03]: Right, I'm not complaining.
[SPEAKER_03]: Okay.
[SPEAKER_03]: I'm just saying it's impossible for me to find pants that go to the ground unless I get like a 34-in scene.
[SPEAKER_01]: Well, if you weren't eating all that caviar with Doritos, you can buy some custom-made fucking pants.
[SPEAKER_03]: Listen.
[SPEAKER_03]: I'm going to pick my battles where I choose.
[SPEAKER_03]: I'm going to complain about the length of my pants and I'm going to eat all the fucking caviar I want.
[SPEAKER_03]: If it gets me tired, you're real.
[SPEAKER_01]: Well, we need to help out because of the sitting.
[SPEAKER_03]: Yeah, I did have found it.
[SPEAKER_03]: You just sit on the pan until that half pound is gone.
[SPEAKER_03]: It's amazing, because you can eat a half of pound and lose a pound.
[UNKNOWN]: Ha ha.
[SPEAKER_01]: Caviar Nature's Diarratic.
[SPEAKER_02]: Ha ha ha ha.
[SPEAKER_01]: Why didn't we have that?
[SPEAKER_02]: Why didn't we have that?
[SPEAKER_04]: Thanks for watching.
[SPEAKER_04]: A special thank you to our sponsor, the Nicaracur Hotel.
[SPEAKER_04]: Find out more and explore all our shows at all2.com.
[SPEAKER_04]: And as always, keep asking.
[SPEAKER_04]: Why can't we wear that?