Prey (2022) Everything you need to know - SPOILER FREE!

Surely You Can't Be Serious Podcast

35 years after the original Predator, Dan Trachtenberg gives us the prequel to the franchise. The reaction to this Hulu movie has been overwhelmingly positive, but does it really hold up to the hype? Join us as we discuss how this movie came to be and all the incredible, crazy, and hilarious stories about the cast, crew, music composer, and production of the film. And, finally, our judgment about where this movie ranks among to all the other Predator movies. Do it! Do it NOW!#preymovie #prey #predator #comanche #ambermidthunder #dantrachtenberg #hulu #sarahschachner
2022-08-12 51 min Transcript

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<v Speaker 1>This is a podcast from Minute Media. I'm not with
<v Speaker 1>gu ne'sa de grave and that is all the commandchies
<v Speaker 1>that I have for you today. Ladies and gentlemen, thank
<v Speaker 1>you very much for joining us on the Shirley You
<v Speaker 1>Can't Be Serious podcast. I am here with my co
<v Speaker 1>host and friend, mister Jason Colvin.
<v Speaker 2>How's everybody doing. I was gonna try Comanche, but I
<v Speaker 2>have no chance.
<v Speaker 1>Yeah, it's all good. You went to the museum before
<v Speaker 1>you went to see the movie, so that is quality enough.
<v Speaker 1>Ladies and gentlemen. We are here to talk to you
<v Speaker 1>today as a special bonus episode about the new Predator
<v Speaker 1>movie called Prey. Jason and I just finished up with
<v Speaker 1>our summer of nineteen eighty seven matchup of Predator versus RoboCop,
<v Speaker 1>and as a nice little coincidence it seems to always
<v Speaker 1>happen with us, thirty five years later, they released no
<v Speaker 1>with installment for Predator which is called Prey, and we
<v Speaker 1>both watched it and we both love it.
<v Speaker 2>I barely knew that this was on the like, this
<v Speaker 2>was not really on my radar at all, right, and
<v Speaker 2>then we did RoboCop and Predator and it was like
<v Speaker 2>there's a new Predator movie.
<v Speaker 1>What yeah, I mean in our research on Predator, I
<v Speaker 1>came across, Oh, hey, they're making another one. It's due
<v Speaker 1>out in just a couple of weeks. I had no
<v Speaker 1>idea about it. And then even as I was like
<v Speaker 1>driving over as we were doing one of the episodes,
<v Speaker 1>it pops up as a preview and I'm like, oh, wait,
<v Speaker 1>this actually looks really good. Like it was the preview
<v Speaker 1>lead you in, not letting you know what's going on
<v Speaker 1>until you're three quarters in, and I could hit skipped ad,
<v Speaker 1>but I didn't. I was like, this looks good, And
<v Speaker 1>all of a sudden, whenever the Predator lifts the Grizzly
<v Speaker 1>Bear up in the air, I was like, Oh, this
<v Speaker 1>is it. Yeah, this is the new one. I really
<v Speaker 1>want to see it, And man, I'm glad I did.
<v Speaker 2>Okay, so this is the fifth Predator movie.
<v Speaker 1>Yeah.
<v Speaker 2>The First Woman came out in nineteen eighty seven. As
<v Speaker 2>we've talked about July of nineteen eighty seven. It was great, Yeah,
<v Speaker 2>eighties iconic. We both loved it.
<v Speaker 1>We discussed Predator and RoboCop in our past two episodes.
<v Speaker 1>If this is your first time to listen to the
<v Speaker 1>Shirley you can't be serious podcasts. Go back and check
<v Speaker 1>those out. If this is what you're listening to before
<v Speaker 1>you watch the movie Prey. I can tell you that
<v Speaker 1>you don't have to watch the other movies, but you
<v Speaker 1>will be best served if you at least watch part
<v Speaker 1>one and part two. Predator and Predator two both are
<v Speaker 1>key movies that have not necessarily Easter eggs, but lead
<v Speaker 1>ins in this movie.
<v Speaker 2>I would call them easter eggs. Man. There are some
<v Speaker 2>really really cool throwbacks that I didn't get the first
<v Speaker 2>time through. And when you were telling me, he like, hey,
<v Speaker 2>what do you know about this or what's this thing?
<v Speaker 1>I was like, what, yeah, I saw before you did,
<v Speaker 1>and you were like you were engaged.
<v Speaker 2>I think, So this is how much I was in
<v Speaker 2>to this movie. Okay, barely registered on my radar. And
<v Speaker 2>then you're like, hey, man, Preditor movie coming out on Hulu,
<v Speaker 2>and I was like, well, crap, I need to watch this.
<v Speaker 2>So I jumped on Hulu. I was on a you know,
<v Speaker 2>adults only, you know, weekend away with my wife and
<v Speaker 2>I made her watch this because I was so excited
<v Speaker 2>to watch it.
<v Speaker 1>Well, and she's native American as well, she's Cherokee, and
<v Speaker 1>the Friday.
<v Speaker 2>So we did a we did it two night right
<v Speaker 2>Friday night, Saturday night, comeback Sunday, you know. And on
<v Speaker 2>Friday in Oklahoma City, there is a what they call
<v Speaker 2>the First Americans Museum, and it's in downtown unplomas. I've
<v Speaker 2>seen it for a while. I just we had never visited,
<v Speaker 2>and so we went on Friday afternoon. So my wife's Indian,
<v Speaker 2>of course, my kids are Indian, and then I go
<v Speaker 2>to this museum. I was like primed for this movie.
<v Speaker 2>I didn't even know it at the time, but I was.
<v Speaker 2>It got me ready, really ready to watch this movie.
<v Speaker 1>Yeah, I am super glad that this coincided so nicely.
<v Speaker 1>We're about to give you a spoiler free review and
<v Speaker 1>talk like we normally do on our podcasts about this movie.
<v Speaker 1>I'm gonna tell you some things to know from prior
<v Speaker 1>movies so that you could be prepared for some of
<v Speaker 1>those throwbacks and those Easter eggs. But I'm not going
<v Speaker 1>to spoil anything.
<v Speaker 2>Before you get into the development story here. I was
<v Speaker 2>just gonna say, this is the fifth Predator movie. Yes, okay,
<v Speaker 2>that means that three other Predator movies sucked. So there,
<v Speaker 2>I am stuck in grink two stud right, it doesn't
<v Speaker 2>necessarily mean that. But Predator to Predator versus aliens, and
<v Speaker 2>then the other Predator versus aliens, they all let me
<v Speaker 2>down disappointed.
<v Speaker 1>Well, you had you also had predators, you also had
<v Speaker 1>the Predator.
<v Speaker 2>Oh that's right.
<v Speaker 1>So, like I don't know about the aliens crossovers, if
<v Speaker 1>those are even considered. I think that the five if
<v Speaker 1>you will, our predator, Predator to Predators. The Predator, which
<v Speaker 1>is we talked about in our last episode, is the
<v Speaker 1>one that Shane Black, who was Hawkins in the original
<v Speaker 1>and writer of Lethal Weapon, and his buddy from college
<v Speaker 1>who wrote RoboCop three, they got together and they created
<v Speaker 1>The Predator, which did not do very well at all,
<v Speaker 1>not good. And it was actually during that one that
<v Speaker 1>this one basically got realized.
<v Speaker 2>So I loved the nineteen eighty seven versions so much
<v Speaker 2>that I can't say no to any Predator sequel. Okay,
<v Speaker 2>I can't say no, right, yeah, no, I understand. So
<v Speaker 2>I did see Predator two in the theater. I was
<v Speaker 2>pumped for alien versus Predator. I did see predators, I
<v Speaker 2>did see the Predator, and I, to varying degrees, was down.
<v Speaker 1>By all of them. Obviously, Predator one is the is
<v Speaker 1>the favorite.
<v Speaker 2>It's the gold standard guy.
<v Speaker 1>And then it's kind of between Predator two and Predators
<v Speaker 1>as to which one is finished as second.
<v Speaker 2>Amongst those both have moments.
<v Speaker 1>Yeah, amongst the pre prey movies. Okay, so our story begins.
<v Speaker 1>Dan Krackenberg, yes, is in third grade when this movie
<v Speaker 1>comes out. He's born in eighty one. He's in third grade,
<v Speaker 1>and like me, he was not allowed to watch RATEDAR movies,
<v Speaker 1>and like me, he didn't get to watch it. One day,
<v Speaker 1>he's going to a karate tournament with a bunch of
<v Speaker 1>sixth graders and they start talking about the movie, and
<v Speaker 1>they start talking about the billy fighting the Predator scene,
<v Speaker 1>you know, and the billy cutting himself with a knife.
<v Speaker 1>And then they tell him like, they go and have
<v Speaker 1>this epic fight across this bridge that's going over a waterfall, and.
<v Speaker 2>He was like, this sounds incredible.
<v Speaker 1>And then finally when he's old enough to finally see
<v Speaker 1>the movie, that seems not in it.
<v Speaker 2>Yeah, they made it up. The Mandela effect we talked.
<v Speaker 1>About, right, Yeah, so a bunch of sixth graders, by
<v Speaker 1>over zealously telling what they thought the story was to
<v Speaker 1>little Dan Krackenberg inadvertently say in motion the inception of
<v Speaker 1>this movie, that is awesome thirty five years ago, thirty
<v Speaker 1>something years ago.
<v Speaker 2>Yeah, that kill totally happens off screen too. I mean, yeah,
<v Speaker 2>you're here and Billy screaming. That's it.
<v Speaker 1>Yeah, I mean everybody knows. You don't get to see
<v Speaker 1>the Billy fight. It's a disappointment. Everybody wanted to see
<v Speaker 1>the Billy fight, but they don't. But as long as
<v Speaker 1>we're throwing in the throwbacks in the Easter Eggs, there's
<v Speaker 1>a moment I won't tell you what happens, but what
<v Speaker 1>happens to Billy right before he dies. There's a throwback
<v Speaker 1>to this in the movie.
<v Speaker 2>Are we not talking about the Easter eggs? Because that's
<v Speaker 2>what I really want to talk Tell you.
<v Speaker 1>What here, let's do this. We will save the Easter
<v Speaker 1>eggs until the end, and we'll say, okay, folks, we're
<v Speaker 1>not gonna spoil it for you, but here are some
<v Speaker 1>Easter eggs to kind of keep an eye out for
<v Speaker 1>when you do watch them.
<v Speaker 2>Okay, sounds good.
<v Speaker 1>Okay, So young Dan Trackenberg gets this idea of how
<v Speaker 1>awesome Predator is going to be. Ultimately he sees it
<v Speaker 1>and is disappointed that this scene is missing, but he thinks,
<v Speaker 1>man a Native American fighting the predator sounds like a
<v Speaker 1>great story idea. And then he goes on to become
<v Speaker 1>a podcaster.
<v Speaker 2>How awesomere hero right.
<v Speaker 1>Yeah, so he was part of a few different podcast
<v Speaker 1>conceptions from quite a while back. He was a former
<v Speaker 1>host of geekdrome dot com. He was a former host
<v Speaker 1>of The Totally Rad Show. And I sent you a video.
<v Speaker 1>I mean it's it's guys in a small room with
<v Speaker 1>bad film making horrible jokes. I mean, it's not high
<v Speaker 1>quality stuff, but it's just funny that somebody who started
<v Speaker 1>there is now making the what is arguably one of
<v Speaker 1>the best predator movies of all time.
<v Speaker 2>Well, which I would say is one of the very
<v Speaker 2>reasons why this movie is so good is because it's
<v Speaker 2>made with love.
<v Speaker 1>Yeah, And I gotta say I love doing podcasts because
<v Speaker 1>it allows us to dive in and learn about these
<v Speaker 1>people and where they come from, and it makes them
<v Speaker 1>real and it gives me inspiration to go, hey, let's
<v Speaker 1>keep learning about this and let's keep doing stuff so
<v Speaker 1>that we can be one of these guys. Someday this
<v Speaker 1>stuff will make you a sexual Tyrannosaurce just like so
<v Speaker 1>this movie geek like us finds his way into the
<v Speaker 1>real movie business, and a year after Amber mid Thunder
<v Speaker 1>is born, he gets his first real job in a
<v Speaker 1>real movie. He is the key grip for Fantasm for Oblivion.
<v Speaker 2>Wow.
<v Speaker 1>If you don't remember Phantasm for Oblivion, you're probably not alone.
<v Speaker 1>But they did use the ivy in the middle of
<v Speaker 1>Oblivion for their little Roman numeral for Eventually, he directs
<v Speaker 1>his own short films. He does some commercials for Lexus
<v Speaker 1>and Nike and Coca Cola, so he's kind of moving
<v Speaker 1>up the ladder. Does an episode for a TV series
<v Speaker 1>called black Box TV, and then he directs this short
<v Speaker 1>which is based on a video game called Portal Okay,
<v Speaker 1>And the short is called Portal No Escape And it's awesome.
<v Speaker 1>I send it to you. It's this woman trapped in
<v Speaker 1>a room and there's no dialogue. She's trying to seems
<v Speaker 1>to have no memory of why she's there. And this
<v Speaker 1>video on YouTube has gotten twenty seven million views at
<v Speaker 1>this point, right, So it kind of starts opening some
<v Speaker 1>doors for him, and he gets to direct his first
<v Speaker 1>movie called ten Cloverfield Lane. Yeah, now that name Cloverfield
<v Speaker 1>might be familiar to you. Yes, it is the second
<v Speaker 1>installment of the Cloverfield series. First clover Field movie was
<v Speaker 1>by Matt Reeves, who we talked about when we did
<v Speaker 1>our show on The Batman. Go check that one out right,
<v Speaker 1>ten Cloverfield Lane. I haven't seen it yet. I've been
<v Speaker 1>trying to see it, but it's not available free yet.
<v Speaker 1>But it's well received. It's a seven point two on IMDb.
<v Speaker 2>Called the first one, but I don't think I saw
<v Speaker 2>the second one.
<v Speaker 1>So I'm looking on IMDb. I see he's done an
<v Speaker 1>episode of Black Mirror. I've seen like two or three
<v Speaker 1>of those. I've seen that he's done an episode of
<v Speaker 1>The Boys. I watched the first one of those. I'm like, okay,
<v Speaker 1>let's see which one he did. The first one he did,
<v Speaker 1>the first one of the Boys, which blew my mind.
<v Speaker 1>I mean, dude, check out the first episode because it's fantastic.
<v Speaker 1>And then Black Mirror one of the two episodes I
<v Speaker 1>saw he did, and it is one that still haunts
<v Speaker 1>me to this day. It's like, okay, virtual reality that
<v Speaker 1>is connected to your brain at the brain stem in
<v Speaker 1>the back of your neck. Whole storyline there, it's frightening,
<v Speaker 1>it's awesome. Go check it out. Right. That episode is
<v Speaker 1>episode two of season three and it is called Playtest,
<v Speaker 1>Terrifying and awesome. Okay, So in between directing those two
<v Speaker 1>TV episodes, he manages to get a hold of John Davis,
<v Speaker 1>who we talked about in our last episode, one of
<v Speaker 1>the producers for Predator, right, all of the Predators, right,
<v Speaker 1>including the most recent one, the Predator. And so he
<v Speaker 1>and this guy named Patrick Ason, who has been a
<v Speaker 1>writer for TV also did an episode of Jack Ryan,
<v Speaker 1>an episode of Treadstone. But they are like, we've got
<v Speaker 1>this story idea, what do you think? And he says,
<v Speaker 1>I think it sounds fantastic.
<v Speaker 2>Okay, wait a minute, wait a minute, just for clarification.
<v Speaker 2>So he contacted one of the original producers of the
<v Speaker 2>Predator movie and just said, hey, I've got this idea.
<v Speaker 1>What do you think?
<v Speaker 2>Yeah, and that guy was like, sounds awesome.
<v Speaker 1>Yeah, that's I mean, who knows how complicated it actually
<v Speaker 1>was to get a hold of him, but I mean
<v Speaker 1>he had had those director and credits under his belt,
<v Speaker 1>he'd done two great TV episodes, he had done ten
<v Speaker 1>Cloverfield Lane, which it's not that he's a nobody. He's
<v Speaker 1>got some mojo, if you will. Sure, But honestly, looking
<v Speaker 1>at these you're looking at a guy who's written a
<v Speaker 1>few TV episodes. You're looking at a guy who's done
<v Speaker 1>a couple of TV episodes and one movie, and you're
<v Speaker 1>going to entrust them with the Predator IP. That's a
<v Speaker 1>pretty big deal. But I guess was so good. I mean,
<v Speaker 1>not only did Davis buy in, but Emma Watts, who
<v Speaker 1>was at that time the president of twenty Century Studios,
<v Speaker 1>she put it on the fast track. She's like, this
<v Speaker 1>is great, let's get this undone. Yeah. And so this
<v Speaker 1>was about twenty eighteen, So this four years ago, and
<v Speaker 1>they had been they had started writing the story together
<v Speaker 1>in twenty sixteen, and so it gets on the fast track.
<v Speaker 1>Dan's going to direct, and they got to pick somebody
<v Speaker 1>to act in it. And the person that they pick
<v Speaker 1>is a young early twenties girl named Amber Midthunder.
<v Speaker 2>She was incredible. I loved it.
<v Speaker 1>She makes this movie and she has to make this movie.
<v Speaker 1>And she realized at the time, She's like, you know,
<v Speaker 1>this is not just a movie where I got to
<v Speaker 1>carry the movie and it's gonna just be a movie.
<v Speaker 1>This is the first time that you have got a
<v Speaker 1>indigenous woman not only as the main character, but the
<v Speaker 1>main character in a movie that is almost exclusively indigenous people.
<v Speaker 1>It's about them, right, and so that's a lot of
<v Speaker 1>weight for her to carry. But she, I mean, she
<v Speaker 1>does a fantastic job in this movie. She is so good.
<v Speaker 1>She's so communicative. I mean, if you just watch the trailer,
<v Speaker 1>If you just watch the trailer and you look at
<v Speaker 1>her and see the fear in her face as the
<v Speaker 1>predator lifts the grizzly bear above his head, and then
<v Speaker 1>you think she's not actually looking at anything, right, this
<v Speaker 1>is all just acting. You're like, oh my gosh. She's
<v Speaker 1>so good, so expressive, very skilled physically. And another interesting
<v Speaker 1>thing about this to me is they non sexualized her
<v Speaker 1>as much as you could possibly do in this movie,
<v Speaker 1>Like there's virtually no skin. There's far more skin from
<v Speaker 1>the male characters than there is from her, and it's
<v Speaker 1>not tight fitting clothes. It's all very true to the
<v Speaker 1>time period and not immodest in any way, shape or form.
<v Speaker 2>Watching her do this role, she's like, why ching a
<v Speaker 2>woman athlete plays soccer or something like that. Yeah, she's sweaty,
<v Speaker 2>and she's dirty and muddy and grassy, and you look
<v Speaker 2>at it and you think that's a beautiful woman who's
<v Speaker 2>very sweaty and gross and dirty, you know what I mean.
<v Speaker 1>Yeah, Yeah, she's Native American. She's on the rolls for
<v Speaker 1>Fort Peck Indian Reserve out of Montana, which is a
<v Speaker 1>Lakota tribe. Her dad has been in a ton of stuff.
<v Speaker 1>His name is David Midthunder. He was in Commanche Moon,
<v Speaker 1>he was in Longmire, which she was also in as
<v Speaker 1>a little kid, Westworld Hostiles. He's been in a ton
<v Speaker 1>of stuff. And then her mother is a casting director
<v Speaker 1>who has been an actor before, but she has. She's
<v Speaker 1>been nominated for an Emmy and an Aritos nomination for
<v Speaker 1>her casting work. She casted Captain Fantastic. Her name is
<v Speaker 1>Angelique mid Thunder. But it's in the blood of this
<v Speaker 1>girl and she what you probably if you've seen her before,
<v Speaker 1>you've probably seen her in either Legion, where she's been
<v Speaker 1>in about twenty seven different episodes, or Roswell, New Mexico.
<v Speaker 1>She's also in Hell or High Water. But if there's
<v Speaker 1>a breakout role, this is it.
<v Speaker 2>She's got a very scorny weaver type of quality. I
<v Speaker 2>think there's a lot of aliens feel with this, you know.
<v Speaker 1>Yeah, I mean she's the underdog.
<v Speaker 2>I mean she is the underdog. She's not a dominating presence.
<v Speaker 2>She's like the little sister who will not be denied.
<v Speaker 1>And by the way, she has got a lot of
<v Speaker 1>different cultures in her heritage. Okay, mid Thunder although it
<v Speaker 1>does sound Native American, yes, it's actually Norwegian. It was
<v Speaker 1>originally mid Thunder.
<v Speaker 2>Wow. Now that crazy shocks me.
<v Speaker 1>Yes.
<v Speaker 2>By the way, my wife, as you know, is Jerkie,
<v Speaker 2>which we talked about, really enjoyed the performance of this
<v Speaker 2>girl as well.
<v Speaker 1>She does an amazing job. So let's talk about some
<v Speaker 1>of the other actors in the movie.
<v Speaker 2>Okay, Okay, there's about five of them, so should be
<v Speaker 2>a short time, right. Are we talking about the dog first?
<v Speaker 2>Are we waiting on the dog? So the dog is great,
<v Speaker 2>The dog is awesome. Here is the shocking thing about
<v Speaker 2>the dog. Okay, normally you have a trained dog they
<v Speaker 2>bring to set, right, That's not the way it worked
<v Speaker 2>with this one. So they deliberately found a dog that
<v Speaker 2>looked like what a Comanche Indian would.
<v Speaker 1>Have as their dog. Okay, and rescue that dog okay,
<v Speaker 1>and then trained it for two months like that's it.
<v Speaker 1>Like they said, okay, we need a dog for the movie.
<v Speaker 1>We don't like any of the trained dogs for this movie,
<v Speaker 1>so we're gonna go find a dog, rescue it, and
<v Speaker 1>train it ourselves.
<v Speaker 2>Well as I understand it, there's a part in the
<v Speaker 2>movie where the dog runs off and she's like, where
<v Speaker 2>are you going? That was legit, Like that really happened
<v Speaker 2>at that moment.
<v Speaker 1>Yeah, it actually probably happened pretty frequently. And you know,
<v Speaker 1>they say don't work with kids or animals, there's a
<v Speaker 1>reason for that. But when the dog is on, the
<v Speaker 1>dog is really on. I mean I bought in. And
<v Speaker 1>as you watch the movie, as you can expect, you're
<v Speaker 1>constantly like, oh my gosh, there's something gonna happened to
<v Speaker 1>the dog, right, because that's what always happens when you're
<v Speaker 1>when you have a thriller horror movie, you've you're like, oh,
<v Speaker 1>what's gonna happen with the dog.
<v Speaker 2>I was prepping myself. I was like, if this predator
<v Speaker 2>pulls the spine out of this dog, I'm going to
<v Speaker 2>have a problem.
<v Speaker 1>Right right, Well, don't spoil it, okay, Okay, So Amber
<v Speaker 1>mid Thunder is playing nardou in r u is pronounced nardu.
<v Speaker 2>Do you say so, dude? Okay, you watched the movie.
<v Speaker 2>And then we have sounds like they roll that r
<v Speaker 2>a little bit.
<v Speaker 1>That's the sound. Is that that follow up?
<v Speaker 2>D okay?
<v Speaker 1>Yeah, okay, Nardo. And then we have for her brother Tabe,
<v Speaker 1>we have Dakota Beavers. Yes, this is his acting debut,
<v Speaker 1>and I think he does a great job for having
<v Speaker 1>no experience whatsoever.
<v Speaker 2>Just to kind of expand on that a little bit, Yeah,
<v Speaker 2>he has this air about him without words. Yes, this
<v Speaker 2>sense of confidence, the sense of superiority of an older brother.
<v Speaker 2>But he's actually three years younger than here is understanding.
<v Speaker 1>Yeah, that's right. So we should talk about the Predator.
<v Speaker 2>Dane Deliillerco.
<v Speaker 1>You want to do that one again?
<v Speaker 2>As you can tell, I'm a linguist.
<v Speaker 1>Right, Dane Dileegro, Dilierragro. He's from Massachusetts, so who knows
<v Speaker 1>how they pronounce it up there. His dad is actually Italian,
<v Speaker 1>but he was, as you can imagine, a basketball player,
<v Speaker 1>played professionally over in Italy and Israel, I believe, and
<v Speaker 1>then decided to come back and be an actor. He
<v Speaker 1>had a YouTube series a few years ago called Adventure Monday,
<v Speaker 1>where he would go and like do it was like
<v Speaker 1>a culinary show where he was visiting food producers and hit.
<v Speaker 1>One of his best received episodes was the ten best
<v Speaker 1>Taco Trucks in LA that You've never heard of? Wow,
<v Speaker 1>I really want to go check those.
<v Speaker 2>I like to hang out with this guy.
<v Speaker 1>Yeah.
<v Speaker 2>Now, the original Predator Kevin Peter.
<v Speaker 1>Hall, also a basketball player.
<v Speaker 2>He was seven foot two, right, Dane did deliergro You
<v Speaker 2>want to do it again? Not really Dandelier gro all right?
<v Speaker 2>He was six foot nine. Yeah, shrimp. He does a
<v Speaker 2>good job. Man. He looks imposing to me.
<v Speaker 1>Okay, So here's the thing with him, right, Yeah, the mask,
<v Speaker 1>the head piece that he had to wear as the actor. Yes,
<v Speaker 1>they they wanted a slimmer actor. He's a slimmer guy.
<v Speaker 1>He's more spelt more like swimmer, right, Because they were
<v Speaker 1>getting a little top heavy. They looked a little bobbleheady
<v Speaker 1>with our you know, Rastafarian monster. Well, so they they
<v Speaker 1>hitched Bobbleheady. Yes, they used practical effects still on this,
<v Speaker 1>which is great.
<v Speaker 2>We are all four practical effects exactly.
<v Speaker 1>But the practical effects were all electronics that were inside
<v Speaker 1>of his head piece, and they were so big that
<v Speaker 1>he literally had to look at his feet the entire
<v Speaker 1>time that he was performing. Wow. So everything that you
<v Speaker 1>see him do. You know, once you go back and
<v Speaker 1>watch the movie for the second time, everything you see
<v Speaker 1>him do, You're going, oh, my gosh, how did this
<v Speaker 1>guy do this without being able to see? Like he
<v Speaker 1>told he told to go to Beaver's At some point
<v Speaker 1>during their fight sequence, He's like, listen, man, I'm just
<v Speaker 1>gonna swing.
<v Speaker 2>Okay, you just got to get out of the way.
<v Speaker 2>I feel like there's one guy we need to mention
<v Speaker 2>as well. Then Itt Taylor plays Raphael and Olini.
<v Speaker 1>Yes, okay, don't say any more than that. Yes, that's all.
<v Speaker 1>We'll say. He does a great job. I think he
<v Speaker 1>does a great job. Did you have more to say?
<v Speaker 2>I have tons more to say about here, but I'm
<v Speaker 2>not going to You're gonna save it until the end
<v Speaker 2>so that we can give people a little bit of
<v Speaker 2>a spoiler warning, right right, Okay, all right, So we've
<v Speaker 2>got Amber mid Thunder, We've got Dakota Beavers, We've got
<v Speaker 2>Dane de Leage grow, We've got Coco the Dog, and
<v Speaker 2>those are the key actors. In the movie, right right,
<v Speaker 2>So we've got this together. They had one woman that
<v Speaker 2>they use in the writing of the script who passed
<v Speaker 2>away in the process to help them keep this as
<v Speaker 2>authentically Commanche as they could, right, okay. And then they
<v Speaker 2>had another woman named Jane Myers, who has been a
<v Speaker 2>production consultant for many Native American movies and she was
<v Speaker 2>key in this one. And the first thing.
<v Speaker 1>That she said when she read the script was there
<v Speaker 1>are no horses. Yeah, And they were like no. She's like,
<v Speaker 1>you cannot have a Commanche tribe and no horses. There
<v Speaker 1>have to be horses, okay. And there are some beautiful
<v Speaker 1>horses in this one, paint horses, which you would expect,
<v Speaker 1>and there is a great horse riding scene sequence they delivered.
<v Speaker 1>She said, this needs to happen, and they delivered.
<v Speaker 2>That's interesting. That's a good insight right there. And there
<v Speaker 2>was even a good little sort of mention in the
<v Speaker 2>movie about that where he's like, I gotta get me
<v Speaker 2>a horse.
<v Speaker 1>So, just to kind of dive into what they were
<v Speaker 1>doing with this movie, you see at the beginning the
<v Speaker 1>movie takes place in seventeen nineteen. Movies that have come
<v Speaker 1>out have been very influential. Dan Trackenberg said that Fury
<v Speaker 1>Road was one of the movies that he said, Wow,
<v Speaker 1>you can almost have an entire movie that is telling
<v Speaker 1>the story with action only, and so he was kind
<v Speaker 1>of looking for that in this storyline. Let's tell a
<v Speaker 1>story that you don't need a whole bunch of dialogue,
<v Speaker 1>and there's not a whole bunch in this one, right.
<v Speaker 1>But another movie that was super influential for a lot
<v Speaker 1>of people is a movie called Searchers, And in that movie,
<v Speaker 1>it's John Wayne movie The Searchers. The Searchers, Yeah, it
<v Speaker 1>does not paint the Native Americans in a good light
<v Speaker 1>at all. Right, it's horrible. If you see the movie,
<v Speaker 1>there are some key moments from the Searchers, just cinematically speaking,
<v Speaker 1>that they borrowed from okay and made their own. And
<v Speaker 1>I'm just that's all I'm gonna say about that. But
<v Speaker 1>if you're familiar with The Searchers, and it's cinematic awesome,
<v Speaker 1>it's john Ford movie, fantastically shot and done. But they
<v Speaker 1>borrow some ideas from there and make it their own
<v Speaker 1>and do a fantastic job with it.
<v Speaker 2>Let me just say this about the scenery and kind
<v Speaker 2>of the setting of this movie. Yeah, it's gorgeous. Yeah.
<v Speaker 1>Our cinematographer for this one is a guy named Jeff Cutter.
<v Speaker 1>And Jeff has done a ton of movies, a ton
<v Speaker 1>of movies. He worked with Dan on Tin Cloverfield Lane
<v Speaker 1>and some of the TV episodes that he did. He's
<v Speaker 1>made a beautiful movie with this one, right.
<v Speaker 2>It really is.
<v Speaker 1>I told you, I'm like watching this movie and I'm thinking,
<v Speaker 1>somebody said Last of the Mohicans meets Predator, and somebody
<v Speaker 1>else said, that's a brilliant idea. I hear that, and
<v Speaker 1>I'm gonna like what. But man, they nailed it.
<v Speaker 2>You know this movie was shot in Calgary, ye, and
<v Speaker 2>you really feel like that's like a character in the movie.
<v Speaker 2>The mountains and the streams and the trees and all
<v Speaker 2>this stuff plays a big part in what's happening.
<v Speaker 1>It is absolutely gorgeous.
<v Speaker 2>I watched it on a laptop.
<v Speaker 1>Oh, I'm sorry, I watched that laptop and.
<v Speaker 2>I'm like, what are we doing here? This needs to
<v Speaker 2>be on the big screen. Why did this not get
<v Speaker 2>a big after what Maverick did?
<v Speaker 1>Yeah, after what Maverick.
<v Speaker 2>Did at the theater, this totally they should have been like,
<v Speaker 2>we got to get this on the big screen, people
<v Speaker 2>will go see nostalgic movies that are good.
<v Speaker 1>Yes, I don't know if there's been any push to
<v Speaker 1>have them display this on a full Imax big screen,
<v Speaker 1>but if they did, I'd go watch it.
<v Speaker 2>I feel like they've got to.
<v Speaker 1>Okay. So they had the actors go through four weeks
<v Speaker 1>of weapons training for this, which is interesting because they
<v Speaker 1>had the other actors and the original Predator go through
<v Speaker 1>training as well. That's true, entirely different type of history. Right.
<v Speaker 1>You don't have any Gatland guns with Jesse the body
<v Speaker 1>of Entur carrying them around.
<v Speaker 2>Right, Just to come in on that. Yeah, if you
<v Speaker 2>handed me a modern gun, I can figure out how
<v Speaker 2>to shoot it. Yeah, it doesn't matter. I can figure
<v Speaker 2>out where the safety is. I can figure out how
<v Speaker 2>to load it, fire it. You give me a flint lock,
<v Speaker 2>I'm like, I don't know how to How does this.
<v Speaker 1>Thing work exactly? Okay. So they've got their script, they've
<v Speaker 1>got their money, they've got the fast track from the studio,
<v Speaker 1>they've got a producer who knows the commandchee Ways who's
<v Speaker 1>guiding them through this process, and so they are ready
<v Speaker 1>to go up to Canada to shoot the movie. They
<v Speaker 1>shoot it in sixty three days. Yeah, it was just
<v Speaker 1>last summer. Yeah, which to me, I'm just thinking that
<v Speaker 1>seems really fast. To the actors, it was like, I
<v Speaker 1>don't think I'm ever going to leave this place. Because
<v Speaker 1>you got to keep in mind, they're out in the
<v Speaker 1>wilderness every day shooting this stuff. Their day to day
<v Speaker 1>job is going out in the cold Canada mountains and
<v Speaker 1>shooting this stuff. And not to get into spoilers, there's
<v Speaker 1>some scenes that are yucky. You don't want to be
<v Speaker 1>doing what they're doing in the scene, and certainly not
<v Speaker 1>for day after day after day.
<v Speaker 2>I want to talk about the yucky bog, but we'll
<v Speaker 2>save that for.
<v Speaker 1>We'll save that for spoiler time, right, Okay.
<v Speaker 2>So let's compare that to Maverick for just a second.
<v Speaker 1>Okay.
<v Speaker 2>Yeah, this movie was shot in summer of twenty twenty one,
<v Speaker 2>released in summer of twenty twenty two. Maverick was shot
<v Speaker 2>twenty eighteen. This was a great movie, but this is
<v Speaker 2>made post twenty twenty, post pandemic.
<v Speaker 1>Interestingly, like The Batman, they did have to communicate with
<v Speaker 1>Dane through his head piece, you know, on the as
<v Speaker 1>the predator talking to him in his ear, same type
<v Speaker 1>of thing. I got interesting story for that, So okay,
<v Speaker 1>this won't spoil anything, Okay, okay. So at some point
<v Speaker 1>they're shooting a scene and he's they've been shooting days
<v Speaker 1>in and days out, and he said, and I noticed,
<v Speaker 1>you know, I always hear the mc cannics of the
<v Speaker 1>head piece going on. I hear the electric current going on. Yeah,
<v Speaker 1>and he says, and then they'll say cut and then
<v Speaker 1>the noise stops, right, And so this time I'm shooting
<v Speaker 1>this scene and all of a sudden, the noise in
<v Speaker 1>the head piece stops, but they haven't said cut yet,
<v Speaker 1>and I'm like, huh, okay, well, I'll just keep going
<v Speaker 1>and then eventually they you'll cut. And He's like, all
<v Speaker 1>of a sudden, I feel like I'm getting stung, like
<v Speaker 1>their bees in here. What's going on? And all of
<v Speaker 1>a sudden I hear in the head piece is he
<v Speaker 1>on fire? So he had it was his fault, he says,
<v Speaker 1>my fault. He goes the way that I had thrown
<v Speaker 1>the punch over and over again. I had rubbed the
<v Speaker 1>wires raw, and literally my head piece can of fire
<v Speaker 1>and I'm bolted in. Oh yeah, So they're running over
<v Speaker 1>there trying to unbolt him. No significant burns occurred, but wow,
<v Speaker 1>at one point the monster was on fire.
<v Speaker 2>The shark is not working. The predator is on fire.
<v Speaker 1>Can you imagine hearing that? Is he on fire?
<v Speaker 2>That's awesome.
<v Speaker 1>Okay, so they make the movie, Yep, they release it.
<v Speaker 1>The reception is fantastic. I haven't heard anybody say negative
<v Speaker 1>work worried about it.
<v Speaker 2>It's it's somewhere in the nines on Rotten Tomatoes. It's
<v Speaker 2>ninety three percent. Yeah, you know something like that.
<v Speaker 1>Without spoiling it, I can I can tell you all
<v Speaker 1>that they went back to the original formula. They went
<v Speaker 1>back to this is an action movie that becomes a
<v Speaker 1>thriller horror movie. Right, it's right, it's good.
<v Speaker 2>Well, let's go back to what you originally said.
<v Speaker 1>Simple story.
<v Speaker 2>The original Predator was like the Dirty Dozen collides with
<v Speaker 2>the movie Alien. Right, Yes, so you have this one
<v Speaker 2>story that's happening and then all of a sudden it's
<v Speaker 2>invaded by this alien. Yeah, it really is like dances
<v Speaker 2>with wolves and it lides with an alien. I mean,
<v Speaker 2>it's what an interesting idea.
<v Speaker 1>Yeah, and here we are.
<v Speaker 2>Instead of aliens versus Predator erecly On, which is total garbage,
<v Speaker 2>but okay.
<v Speaker 1>Right, okay, So they had these guys at Comic Con.
<v Speaker 1>They showed this at Comic Con last month in July, okay,
<v Speaker 1>and then they had them as a panel after the movie.
<v Speaker 1>Those people got to see it on the big screen.
<v Speaker 1>And so at some point they ask all of the
<v Speaker 1>actors who their favorite characters were from the original Predator. Okay,
<v Speaker 1>and so of course Amber mid Thunder says Dutch, of course,
<v Speaker 1>and of course Dakota Beavers says Billy.
<v Speaker 2>Of course.
<v Speaker 1>And then Dane Dilerego says, I like the helicopter pilot.
<v Speaker 2>That's great.
<v Speaker 1>And if you don't get that joke, go back and
<v Speaker 1>check out our previous episodes on the Predator to hear
<v Speaker 1>why that's funny?
<v Speaker 2>Right, that's brilliant.
<v Speaker 1>And then Jane Myers, the producer, said, I like the
<v Speaker 1>guy who told dirty jokes.
<v Speaker 2>Hawkins, why'd you say that twice? I didn't. There's an
<v Speaker 2>I count.
<v Speaker 1>Oh my god.
<v Speaker 2>Hey, let's talk real quick about the CGI. Okay, okay,
<v Speaker 2>So first of all, right out of the gate, you
<v Speaker 2>and I are practical effects guys. Yes, even if they
<v Speaker 2>look a little hokey. We prefer practical effects to CG.
<v Speaker 2>They did use CGI. All the animals in this movie
<v Speaker 2>are CGI.
<v Speaker 1>Well, they did a neat thing. And I think if
<v Speaker 1>you're gonna have CGI, it should be practical followed by
<v Speaker 1>CGI followed by practical. And I think they did a
<v Speaker 1>really good job of that with the animals. I think
<v Speaker 1>there's some real animal footage in here, and there's some
<v Speaker 1>some CGI that you can say that's CGI, but they
<v Speaker 1>do it so quickly and they put in real footage
<v Speaker 1>to sandwich it together that it's it's pretty well done.
<v Speaker 1>It's not perfectly done, but it's pretty well done.
<v Speaker 2>What do you think, Well, I think they did a
<v Speaker 2>very good job. And it's it's not the entire focus
<v Speaker 2>of the movie, right, right, And so the you know,
<v Speaker 2>there's a wolf, and then there's a rabbit, and there's
<v Speaker 2>a mountain lion. They all look about as good as
<v Speaker 2>it can looked. Yeah, you know, there's a grizzly bear
<v Speaker 2>and then I yeah, how can you forget the bear?
<v Speaker 1>Right?
<v Speaker 2>And of course the predator.
<v Speaker 1>Yeah, now the predator.
<v Speaker 2>They use the invisibility cloak and do some other stuff.
<v Speaker 1>And that's fine. I mean that looks computers.
<v Speaker 2>That's great.
<v Speaker 1>Yeah, but it's supposed to look computerized. It's okay, right,
<v Speaker 1>that one is. The Predator effects are flawless. There there
<v Speaker 1>is no point that I went, uh when I was
<v Speaker 1>watching the Predator stuff. I kind of had that moment
<v Speaker 1>with the mountain Lion, and I kind of had that
<v Speaker 1>moment with the grizzly bear.
<v Speaker 2>Right.
<v Speaker 1>But definitely, as far as the whole is concerned, minor
<v Speaker 1>minor criticisms looks good. Yeah, and but yeah, the Predator himself,
<v Speaker 1>they kept it practical. And then the the invisibility, which
<v Speaker 1>you expect, it looks on point.
<v Speaker 2>Yeah.
<v Speaker 1>So interestingly, they had initially planned for this movie to
<v Speaker 1>be completely in Comanche I know, right, I mean what yeah,
<v Speaker 1>that and that would have been cool. I mean I
<v Speaker 1>love the Passion, which was all in ancient Aramaic. I
<v Speaker 1>mean that's hard.
<v Speaker 2>That did not detract from the enjoyment of that movie, right.
<v Speaker 1>I have not checked out the Comanche version yet, but
<v Speaker 1>ultimately they made the decision we're gonna shoot this in English,
<v Speaker 1>and then they toyed with an idea that they called
<v Speaker 1>the Hunt for October. Question.
<v Speaker 2>Yeah, so at the beginning of Hunt for October, all
<v Speaker 2>the Russian characters speak in Russian and they get to
<v Speaker 2>a point in the movie and then they switch to English.
<v Speaker 1>Yeah, but it's.
<v Speaker 2>Good for the viewer because you understand, these guys are Russian.
<v Speaker 2>They're talking Russian to each other. I get all that.
<v Speaker 2>They switched to English to help me, thank you very much.
<v Speaker 2>And the producers of this movie were like, well, maybe
<v Speaker 2>we could do the Hunt for October thing.
<v Speaker 1>Yeah. Well, what they ultimately decided was, no, We're going
<v Speaker 1>to film the whole thing in English except for the
<v Speaker 1>French speaking parts. Did you have subtitles for the French No?
<v Speaker 2>Okay, so no, But I thought that was good.
<v Speaker 1>Yeah. I enjoyed not knowing what they were saying, because
<v Speaker 1>it put me in the position of the character that
<v Speaker 1>they wouldn't know what they were saying, Like you were
<v Speaker 1>having to guess by the action of the movie what
<v Speaker 1>those guys were talking about. Apparently, if you put the
<v Speaker 1>I think if you put the English subtitles on, it
<v Speaker 1>will translate the rich into English.
<v Speaker 2>Yes, okay.
<v Speaker 1>I planned to watch it again and this is what
<v Speaker 1>I was going to get to. They shot it in English,
<v Speaker 1>but then they had all of the actors come back
<v Speaker 1>and do voiceover work in Comanche, so that you can
<v Speaker 1>watch the entire thing in the Comanche language.
<v Speaker 2>I do know a couple of things. Yeah, okay, So
<v Speaker 2>I think that's a homage to the original Predator movie.
<v Speaker 2>If you'll remember when Pancho is speaking Spanish to Anna
<v Speaker 2>in the jungle.
<v Speaker 1>Yeah, you don't.
<v Speaker 2>Get any subtitles there or any translation.
<v Speaker 1>No, that's true.
<v Speaker 2>He's you know, he's speaking to her aggressively, and you
<v Speaker 2>understand that he's pumping her for information, but I don't
<v Speaker 2>understand what he's saying.
<v Speaker 1>Yeah, yeah, and then he translates and basically says.
<v Speaker 2>He says, well, she says the jungle it came alive
<v Speaker 2>and it took him. And Carl Weathers says, that's not
<v Speaker 2>what she said. Well, we as the audience, I'm like, well,
<v Speaker 2>what did she say?
<v Speaker 1>Right right?
<v Speaker 2>We never really get that answer.
<v Speaker 1>Yeah.
<v Speaker 2>Unless you speak Spanish, you really don't understand what she's saying.
<v Speaker 2>So I think that that's an homage to the original Predator.
<v Speaker 2>They're speaking French. We don't understand. We understand what's going on,
<v Speaker 2>but we don't understand the words that are coming out
<v Speaker 2>of their mouth, so to speak.
<v Speaker 1>So the original idea that they had for the soundtrack
<v Speaker 1>for this movie was much more subdued and kind of
<v Speaker 1>ethereal than what they got they had. If you've seen Cecario,
<v Speaker 1>yes it's they had that as an idea very minimally
<v Speaker 1>kind of soundtrack to go along with this movie. But
<v Speaker 1>I'm so glad that that's not what they did. They
<v Speaker 1>ended up getting a composer named Sarah Satcher. Okay, she
<v Speaker 1>is not a big time movie composer. Okay. She has
<v Speaker 1>worked with Brian Tyler on Transformers, which is one of
<v Speaker 1>my I have a couple of those songs on my
<v Speaker 1>workout playlist. I love Brian Tyler's Transformer soundtrack. And she's
<v Speaker 1>done arrangements for Iron Man three and The Expendables too
<v Speaker 1>and now you see me. So she's got some experience
<v Speaker 1>in the movie field, but where her main composing experience
<v Speaker 1>is is with video games. And she has done Call
<v Speaker 1>of Duty several of them, you know, like Modern Warfare
<v Speaker 1>and Origins. And she has done the Assassin's Creed soundtrack,
<v Speaker 1>which is I mean, it's awesome, But the music in this,
<v Speaker 1>I mean it did a perfect job of taking the
<v Speaker 1>sound of like The Last Mohicans, which is a fantastic soundtrack,
<v Speaker 1>and then bringing in the style of the original Predator
<v Speaker 1>by Alan Selvestri and kind of letting you, like leading
<v Speaker 1>you in that hey, I'm about to hear it. I'm
<v Speaker 1>about to hear the Silvestri music, but really just leading
<v Speaker 1>with that last of the Mohican style of music. And
<v Speaker 1>of course it's got her own, you know, her own
<v Speaker 1>special SARAHS. Sachner feel to it. It is a great soundtrack.
<v Speaker 1>I've listened to it from beginning to end. It's over
<v Speaker 1>forty five minutes of music. I mean, that's that's an
<v Speaker 1>incredible feat to accomplish in such a short amount of
<v Speaker 1>time that she had. But it helps make this movie
<v Speaker 1>as good as it is. Listen this movie, as I
<v Speaker 1>was trying to alludes to earlier, you have got a
<v Speaker 1>bunch of people that you would think they're gonna put
<v Speaker 1>out a B movie because it's not any well known
<v Speaker 1>names at all. The writer's not, the director's not, the
<v Speaker 1>composer is not. They are all people who are working.
<v Speaker 1>The main character in the movie, the actress is not
<v Speaker 1>a super well known name. But they I gotta say,
<v Speaker 1>they've got to be our up and comers. They from this.
<v Speaker 1>I see this as the breakout for all of those
<v Speaker 1>folks that they have big things in store for them.
<v Speaker 2>Never heard of any of these people, of course, I'd
<v Speaker 2>never heard of anybody when I went to see Star
<v Speaker 2>Wars for the first time exactly.
<v Speaker 1>So yeah, it's like they said, you know that Mark
<v Speaker 1>Hamill had never seen a single Star Wars movie before
<v Speaker 1>he made a.
<v Speaker 2>New Hope, that's good. Can we can we can we
<v Speaker 2>talk about Okay?
<v Speaker 1>All right, all right, all right, so, dear listener, we've
<v Speaker 1>we've said this is going to be spoiler free, and
<v Speaker 1>we've done our best to keep it spoiler free. But
<v Speaker 1>right now we're going to start talking Easter eggs, and
<v Speaker 1>we may let some spoilers slip out. World try not to,
<v Speaker 1>but I'm going to tell you there are some things
<v Speaker 1>that if you know it before you go and watch
<v Speaker 1>the movie, you will appreciate it when it comes up
<v Speaker 1>in the movie, starting with the gun.
<v Speaker 2>The gun, the gun. Okay, so you sent this to me.
<v Speaker 2>I didn't catch it the first time I had seen
<v Speaker 2>Predator two. But at the very end of Predator to
<v Speaker 2>Danny Glover's character Mike, I can't remember his last name,
<v Speaker 2>Mike defeats the.
<v Speaker 1>Predator on his own ship.
<v Speaker 2>On his own ship. Yes, with his predator's buddies.
<v Speaker 1>Hanging around, Yeah, watching in silence.
<v Speaker 2>In silence, And when he defeats that predator, huh, they
<v Speaker 2>give him a gift.
<v Speaker 1>Yeah. Before that scene happens, as he gets on the ship,
<v Speaker 1>this is the memorable moment where you see the skulls
<v Speaker 1>like they've got that. He's got the collection of skulls,
<v Speaker 1>including human skulls and also including a xenomorph the skull.
<v Speaker 2>Can xenomorph skull.
<v Speaker 1>Yes, and that was mind blowing. It's not subtle at all.
<v Speaker 1>It is not remotely subtle. So it's the predator. People
<v Speaker 1>from Predator two were saying, yeah, Predator and alien fought
<v Speaker 1>and Predator one and now has alien skull, which doesn't
<v Speaker 1>make any sense anyway because it's a freaking exoskeleton. Well whatever.
<v Speaker 2>For the record, that's the coolest moment of all the
<v Speaker 2>Alien Predator movies.
<v Speaker 1>So, after he ultimately defeats the predator, other predators show
<v Speaker 1>up and it's this little panic moment of Okay, I write,
<v Speaker 1>you know they killed yeah, about killed myself fighting one
<v Speaker 1>and now here's five in front of me, right yep.
<v Speaker 1>But it turns out they're just showing up to take
<v Speaker 1>their fallen comrade away and they acknowledge him as like
<v Speaker 1>a worthy opponent.
<v Speaker 2>That's right. It's like they respect him, and out of respect,
<v Speaker 2>one of them tosses him a pistol that has engraved.
<v Speaker 1>On it Raphael Adelini and it says seventeen fifteen on it,
<v Speaker 1>seventeen fifteen, right, as a reminder, the very beginning of Prey,
<v Speaker 1>it tells you location and date, and the date is
<v Speaker 1>seventeen nineteen.
<v Speaker 2>Pretty close.
<v Speaker 1>Yeah, So keep that in mind, keep that scene in
<v Speaker 1>mind as you watch this movie, because that is absolutely
<v Speaker 1>the biggest one that you have on this one. Okay,
<v Speaker 1>So a couple of throwbacks, you know, just so that
<v Speaker 1>you know from Predator one, the line if it bleeds,
<v Speaker 1>we can kill it.
<v Speaker 2>When they drop that, I stood up. I was like,
<v Speaker 2>what all my.
<v Speaker 1>Slow clap, let's go right. I mean, it's this wonderful
<v Speaker 1>moment where she's talking to him, trying to tell her
<v Speaker 1>brother about this thing that they've never encountered before, and
<v Speaker 1>she's like, I don't think that you can kill this thing.
<v Speaker 2>And he says, if it bleeds, we can kill it.
<v Speaker 1>Yep.
<v Speaker 2>And the thing is about that line when you're watching
<v Speaker 2>the movie, if you've never seen the original Predator movie,
<v Speaker 2>it makes total sense. It absolutely fits the moment. It's
<v Speaker 2>a great line. But if you've seen and are familiar
<v Speaker 2>with Predator nineteen eighty seven, yep, you're like, if it bleeds,
<v Speaker 2>we can kill it. You know. I'm like, there's that
<v Speaker 2>line right there.
<v Speaker 1>Yep. So there are a few more lines like that
<v Speaker 1>that you need to be aware of. From Predator one,
<v Speaker 1>do it? Do it now? Would remember that?
<v Speaker 2>Now?
<v Speaker 1>Remember the mud from Predator one. That is a key
<v Speaker 1>factor as well.
<v Speaker 2>Yep.
<v Speaker 1>The cut chest when Billy cuts his chest, that is
<v Speaker 1>a key scene. Sonny Lanham does that. I mean, it's
<v Speaker 1>a very memorable I'm about to go sacrimffice myself fighting
<v Speaker 1>this guy if I have to, and he cuts his
<v Speaker 1>chest and that is a key moment in this movie
<v Speaker 1>as well. Yes, which as we know, I mean, it
<v Speaker 1>was the inspiration for the story crazy back when Dan
<v Speaker 1>Trackenberg was a little kid.
<v Speaker 2>Right.
<v Speaker 1>And then finally, finally Bill Duke can't get left out
<v Speaker 1>right And it's not a line, it's a sh it's
<v Speaker 1>there too, baby, And they do. They do a great
<v Speaker 1>job plugging those every single one of those things in
<v Speaker 1>They had to ask the question over and over like
<v Speaker 1>how much do we want to do?
<v Speaker 2>Sure?
<v Speaker 1>And Dan Trackenberg said we even considered having a horse
<v Speaker 1>named Chopper. Great, but he was like, that would have
<v Speaker 1>been too far. That would have been pushing it too far.
<v Speaker 2>Well, you know, there's one other thing. I think there's
<v Speaker 2>some other things that they do. There's a moment where
<v Speaker 2>she picks up a cigar that one of the trappers
<v Speaker 2>has smoked, and I think that might be an homage
<v Speaker 2>to Dutch maybe yep.
<v Speaker 1>And this one, the predator is wearing a different face mask.
<v Speaker 1>It is not the metal mask that you've seen in
<v Speaker 1>the other movies. It is a more like a bone mask.
<v Speaker 1>I saw somebody I think it was on IMDb referred
<v Speaker 1>to it as the river ghosts from Predators.
<v Speaker 2>Comes from one of the animals and Predators.
<v Speaker 1>When I looked at that, I don't see the similarity.
<v Speaker 1>I don't know if I agree with them on that one. Okay,
<v Speaker 1>but it's got it. It is definitely more bony. It
<v Speaker 1>almost looks like a tortoise shell, except oblong. But despite
<v Speaker 1>the fact that it is more primitive looking, it still
<v Speaker 1>has the technology. You still have the lasers.
<v Speaker 2>Yes, he doesn't have the little the shoulder cannon right
<v Speaker 2>that he has. But they does you know the three
<v Speaker 2>red dots, you know, which is interesting because in nineteen
<v Speaker 2>eighty seven those guys understand what lasers are and how
<v Speaker 2>you know those are you know, aiming devices, and when
<v Speaker 2>when the commanding people and first come into contact with it,
<v Speaker 2>they're like, what is this weird red dot on her
<v Speaker 2>chest here?
<v Speaker 1>Right?
<v Speaker 2>They have no idea what it is?
<v Speaker 1>Absolute mystery.
<v Speaker 2>Absolutely, yeah, so okay.
<v Speaker 1>And then I mentioned the mudpit. There is a key
<v Speaker 1>scene which she's in the mudpit and if you see it,
<v Speaker 1>being a predator fan, you're like, Okay, I know what
<v Speaker 1>this is going to come up later. Well, it does
<v Speaker 1>come up later, but they they maneuver it very well
<v Speaker 1>to where you're surprised with how it gets it ends
<v Speaker 1>up getting used. And she said that was the worst
<v Speaker 1>part of filming because that mud pit, the Pete Moss
<v Speaker 1>mud pit, smelled horrible. Apparently, however, it did not smell
<v Speaker 1>bad until humans got in it, so it was actually
<v Speaker 1>something in the human skin that made it smell bad.
<v Speaker 1>But Dane de Leegros was like, okay, imagine raw human
<v Speaker 1>sewage multiplied by ten and then you have a fraction
<v Speaker 1>of how bad.
<v Speaker 2>That stuff smelled wow.
<v Speaker 1>So she had to do that, I mean for several yeah,
<v Speaker 1>several days of filming to get that, and she's in
<v Speaker 1>it up to her ears.
<v Speaker 2>I will tell you this, that scene where she's got
<v Speaker 2>that tomahawk, she's got a tomahawk at and she's got
<v Speaker 2>it roped to her wrist and she is like sinking
<v Speaker 2>in quicksand which you know, as the seventies kid, we
<v Speaker 2>were always worried about that.
<v Speaker 1>Yeah, it's a tray you and the never ending story.
<v Speaker 2>That's exactly. And she is going down and she realizes
<v Speaker 2>I'm in trouble.
<v Speaker 1>Okay, So let me ask you this. Anything you you
<v Speaker 1>love the movie? Correct?
<v Speaker 2>Yes?
<v Speaker 1>I did? Okay, anything that you didn't like about the movie?
<v Speaker 2>No, I got no problems with it, no complaints, no complaints.
<v Speaker 2>I think the CGI could have been a little bit better. No,
<v Speaker 2>I got no complaints. I thought it was excellent.
<v Speaker 1>Yeah.
<v Speaker 2>I think it was like Maverick. I mean, what am
<v Speaker 2>I going to complain about on Maverick? It it wasn't
<v Speaker 2>Top Gun. Well, I mean, crap, it was.
<v Speaker 1>It was great right well, And I still think that
<v Speaker 1>that Maverick was better than Top Gun. And I think
<v Speaker 1>that we've had kind of a resounding. A whole lot
<v Speaker 1>of people are on my same page. When that one,
<v Speaker 1>I realized, you can't get past the nostalgia. But I'm
<v Speaker 1>very nostalgic, right, But I agree with you. I think
<v Speaker 1>that there were there were moments where the CGI took
<v Speaker 1>me out of the moment because it was like, that
<v Speaker 1>doesn't look like a real lion right now. But they
<v Speaker 1>were so small and so it happened so fast that
<v Speaker 1>it didn't have time to mess the movie up for me.
<v Speaker 1>And then, as I said, Amber mid Thunder as an
<v Speaker 1>actor is so good that when she's in a scene
<v Speaker 1>with other actors, I couldn't help but think they're really
<v Speaker 1>not up to her level. They're not bad actors, they're
<v Speaker 1>just not sell on the scene as much as she was. Yeah,
<v Speaker 1>but overall, those those are minor, minor, minor, minor criticisms.
<v Speaker 1>This is a fantastic movie. And I'll present you with
<v Speaker 1>the question, just like I did with Top Gun, Maverick,
<v Speaker 1>are you picking this movie or are you picking Original Predator?
<v Speaker 2>Okay, so this is an easy call for me because
<v Speaker 2>I am so nostalgic. It's going to take a lot
<v Speaker 2>to you know, dissuade me from Arnold's bulging biceps. So
<v Speaker 2>I am going with the nineteen eighty seven version as
<v Speaker 2>the first overall Predator. I do love that movie so much,
<v Speaker 2>but this was really really good and it's a close second.
<v Speaker 2>It far far better. It's far better than Predator two,
<v Speaker 2>or In the Predator or Predators any of those other ones.
<v Speaker 2>Predator two has some moments that are pretty good, but
<v Speaker 2>it is not even close to this one. So this
<v Speaker 2>is clearly the second best out of all those movies. Yeah.
<v Speaker 1>Well, as you can expect. Since I didn't pick Predator
<v Speaker 1>in our previous matchup and I'm obviously gushing over this movie,
<v Speaker 1>I definitely picked this one over the area. I think
<v Speaker 1>this is a far better movie. I enjoyed watching Predator.
<v Speaker 1>It's fun, it's popcorn. This movie had me more engaged,
<v Speaker 1>more concerned for the characters. I thought it was much
<v Speaker 1>more beautiful. I mean, it's just gorgeous. All of the
<v Speaker 1>cinematography and the acting is on point. The guys in
<v Speaker 1>Predator were good actors. This young actress in this movie
<v Speaker 1>is a She's great. She is great.
<v Speaker 2>She did a great job. Yeah, interesting love it.
<v Speaker 1>Okay, Okay, fans tell us your opinion, pray or predator.
<v Speaker 1>Hit us up on Twitter at Shirley Podcast, on Facebook
<v Speaker 1>at Shirley Podcasts, or if you want to email us,
<v Speaker 1>you can hit us up at Shirley podcast at gmail
<v Speaker 1>dot com.
<v Speaker 2>Hey, check us out on Patreon. We've got a cool
<v Speaker 2>Patreon page. We've got bonus episodes over there. We've got
<v Speaker 2>uh we're gonna ready to record our fourth third Patreon.
<v Speaker 2>We're getting ready to record our third Patreon episode today.
<v Speaker 2>It's one hit Wonders of the eighties and nineties and
<v Speaker 2>it's really cool. Today we're doing Nothing Compares to You
<v Speaker 2>by shenand O'Connor, which is a fantastic song.
<v Speaker 1>Okay, guys, thanks so much, look forward to seeing you
<v Speaker 1>next week.
<v Speaker 2>Bye, guys. Starting with the gun, the gun, the gun, okay,
<v Speaker 2>and out of respect, one of them tosses him a
<v Speaker 2>pistol that has engraved on it. Now we can't tell
<v Speaker 2>him what happens, can't discuss it.
<v Speaker 1>Do you really want to discuss it?
<v Speaker 2>Yes?
<v Speaker 1>Okay, then go ahead?
<v Speaker 2>Well okay, I mean obviously if you know that going
<v Speaker 2>in amber min thunder Nahu, she has to arm herself
<v Speaker 2>and the guy has to teach her how to use
<v Speaker 2>this flintlock pistol, and that is the exact same pistol
<v Speaker 2>that the Predator gives to Danny Glover's character and Predator
<v Speaker 2>to right.
<v Speaker 1>The question is, okay, wait a minute. If she has
<v Speaker 1>the gun, right, how do the predators get the gun? Well, okay,
<v Speaker 1>I told you. You watch the end credits and there's
<v Speaker 1>an animation that's going on, and the animation is like
<v Speaker 1>a kind of Native American style cartoon type of thing,
<v Speaker 1>stick figures reenacting the entire movie from beginning to end
<v Speaker 1>right seen by scene, a storyboard of the movie. And
<v Speaker 1>then you get to the end and unlike the end
<v Speaker 1>of the movie, there's a little bit more. And the
<v Speaker 1>little bit more is three spaceships show up in the sky.
<v Speaker 1>So I think that this doesn't mean that the you know,
<v Speaker 1>the predators come to wipe out the try. I think
<v Speaker 1>it's going to be the same. It's the same as
<v Speaker 1>Predator too. They show up and take their fallen comrade away.
<v Speaker 1>They acknowledge her as a worthy opponent, and maybe she
<v Speaker 1>decides at that point to hand the flintlock pistol to
<v Speaker 1>We'll go with the predators. I think that's got to be.
<v Speaker 1>So then the other question, of course, is if I'm right,
<v Speaker 1>if they determine that she's a worthy opponent, and we
<v Speaker 1>know that Danny Glover got a gift for his worthiness. Yes,
<v Speaker 1>what gift did she get?
<v Speaker 2>What did she get?
<v Speaker 1>I don't know. That's a great that that may be
<v Speaker 1>the thing that leads us into our you know, next
<v Speaker 1>installment in the series, which this movie resurrects in my opinion, Okay,
<v Speaker 1>that's really cool.

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