Sherlock Holmes - Mazarin Stone

<v Speaker 1>From New York, the makers of clear Craft Clothes from Anna,
<v Speaker 1>and ten hundred and thirty six leading retails doors from
<v Speaker 1>Coast to Coast present the world most famous detective Sherlock Holmes.
<v Speaker 1>Our stories are based upon the character of Sherlock Holmes,
<v Speaker 1>created by Sir Arthur Conan Doyle. Sherlock Holmes is portrayed
<v Speaker 1>by John Stanley, Doctor Watson by Alfred Shirley.
<v Speaker 2>And the dramatizations are by Edith miser. Well, here we are.
<v Speaker 1>Again doctor Watson's study. We find him seated in the
<v Speaker 1>large armchair in front of a crackling fire. Good evening
<v Speaker 1>to her evening.
<v Speaker 2>Doctor Watson, Now, don't get up.
<v Speaker 1>Feel very comfortable right where you are, and from the
<v Speaker 1>rightness of your cheeks, i'd say you've had a good
<v Speaker 1>day off in the country somewhere.
<v Speaker 3>That's where you're wrong, Miss Adis. I've been doing museums
<v Speaker 3>most of the day and it's very tad in especially
<v Speaker 3>two small boys in town.
<v Speaker 1>I should think so. But why did you collect the
<v Speaker 1>kindergarten doctors?
<v Speaker 4>Oh?
<v Speaker 1>It was a basive nephews of mine. I was hoping
<v Speaker 1>along with that education. You know, it's a customer in
<v Speaker 1>my family. That the uncles must take the.
<v Speaker 3>Nephews Museum, visiting once a year. I remember as a
<v Speaker 3>boy being dragom miles.
<v Speaker 2>Of our galleries.
<v Speaker 1>But doctor, weren't you ever taken to the British Museum?
<v Speaker 2>Oh?
<v Speaker 3>Yes, and to Madatisell's. But the part of London was
<v Speaker 3>my favorite.
<v Speaker 1>The entry who took me.
<v Speaker 3>There was quite a fancier of vicious stones. He explained
<v Speaker 3>the history of every jewel in the Crown's collection.
<v Speaker 1>That must have been an education in itself, they say,
<v Speaker 1>every famous gem, he's a trail of bloodshed and higher
<v Speaker 1>adventure across the pages of history. And by the way,
<v Speaker 1>isn't your story tonight about the famous jewel?
<v Speaker 2>Oh?
<v Speaker 3>Yes, that is what the nighted is as strong my
<v Speaker 3>boyhood visits to Theatah. The famous Mazarin stone I'm going
<v Speaker 3>to tell you about had a history that would make
<v Speaker 3>your hair curl?
<v Speaker 1>Tim me a little?
<v Speaker 3>Did I think when I assoyed as.
<v Speaker 1>A boy, that would ever hold that great yellow beauty
<v Speaker 1>in marrowed hands?
<v Speaker 2>Fitchcotten? Did you?
<v Speaker 1>Doctor? Oh? Before I tell you that, mister Hardison, suppose
<v Speaker 1>I give.
<v Speaker 3>You a few moments to see a few words about
<v Speaker 3>our sponsor's most ethimable croup.
<v Speaker 1>Thank you, doctor Watson. As you put it, sir, it
<v Speaker 1>is indeed an estimable product sour steam. May I say that,
<v Speaker 1>beginning in nineteen forty eight, over one thousand leading stores
<v Speaker 1>from coast to coast are clipper craft dealers. To be exact,
<v Speaker 1>there are ten hundred thirty six such distinguished establishments. Those
<v Speaker 1>leading stores across the country are, of course, the key
<v Speaker 1>to the amazing value so unique to clipper Craft clothes.
<v Speaker 1>The ten hundred thirty six leading stores are part of
<v Speaker 1>the famous clipper Craft Plan. In this plan, their buying
<v Speaker 1>power is concentrated to affect tremendous savings in manufacturing and distribution,
<v Speaker 1>conscious savings which are all boors. That's why truly fine
<v Speaker 1>clipper Craft suits are only forty and forty five dollars,
<v Speaker 1>Why clipper craft top coats and overcoats are only forty
<v Speaker 1>dollars and sports jackets only twenty six fifty clipper Craft
<v Speaker 1>values are truly out of this world.
<v Speaker 2>Compare them with.
<v Speaker 1>Clothes selling for many dollars more. And now, doctor Watson,
<v Speaker 1>let's get back to the story of the Masterine Stone. Yes,
<v Speaker 1>let me see where was I? Oh, yes, I've been
<v Speaker 1>married some years and have resumed my practice.
<v Speaker 3>When one snowy winter afternoon one of my calls took
<v Speaker 3>me in the neighborhood of Baker Street, I couldn't resist
<v Speaker 3>the temptation to drop in and find out for myself
<v Speaker 3>what my colleagues at homes were up to. And I
<v Speaker 3>stood there in a fall in snow, waiting for someone
<v Speaker 3>box of the bell.
<v Speaker 1>I danced up at the window of his study, and
<v Speaker 1>there I saw the thin nose, saturnine.
<v Speaker 3>Features of the Greek detective. He was apparently deeply englosed
<v Speaker 3>to the book. Listenly, the doors opened, and there stood
<v Speaker 3>missus Hudson.
<v Speaker 2>Well, bless my sort of him, isn't the doctor?
<v Speaker 1>Good day to you, sir. It's a pleasant seeing you again.
<v Speaker 3>Why missus Hudson, you're looking as beautiful as ever you.
<v Speaker 1>You don't change at all.
<v Speaker 2>No you, sir, You're and your bloody And how is.
<v Speaker 1>The good man himself?
<v Speaker 2>Him?
<v Speaker 5>He's in bed asleep, I think, But I just saw
<v Speaker 5>him through the window, So that fool you too, that's
<v Speaker 5>not him.
<v Speaker 1>What do you mean?
<v Speaker 5>Just you be going upstairs and find out for yourself.
<v Speaker 5>I'm not the one who begin the secrets away least
<v Speaker 5>of all mister Holmes's secrets.
<v Speaker 1>So he's asleep in the middle of the afternoon. I
<v Speaker 1>suppose that means a case.
<v Speaker 5>Yes, sir, he's hard at it now and he's getting.
<v Speaker 1>Sinner and sinner.
<v Speaker 5>When will it be pleased to die? And mister Holmes said,
<v Speaker 5>I'll ask him seven thirty the day after tomorrow.
<v Speaker 6>He'll say.
<v Speaker 5>You know his way when he's.
<v Speaker 1>On a case. I seem to remember he's a hollering
<v Speaker 1>some one. Don't say, yes, sir.
<v Speaker 5>Yesterday he was out dressed like a workman looking.
<v Speaker 7>For a job.
<v Speaker 5>To day he was an old woman. Fair took me
<v Speaker 5>and he did, and Lord knows I ought to have
<v Speaker 5>been in his weight. By now you'll see his old
<v Speaker 5>woman's umbrella leaning up against the sofa in his study.
<v Speaker 1>Dear, mean, what is this case all about?
<v Speaker 5>Well, I don't mind telling you, sir, but mind you
<v Speaker 5>don't let it go any farther crossed my heart, missus Hudson.
<v Speaker 5>Very well, then the case of the Crown Diamond.
<v Speaker 1>What the hundred thousand pounds burdary, Yes, sir.
<v Speaker 5>And mister Holmes is getting it back for him.
<v Speaker 1>Why would you believe it?
<v Speaker 5>Yesterday we had the Prime Minister and the whole Secretary
<v Speaker 5>sitting on mister Holmes's sofa, both at the same time.
<v Speaker 1>Why hope it stood up in the stream.
<v Speaker 3>And how did the Holmes behave two such famous persons
<v Speaker 3>on the couch him?
<v Speaker 5>He was very nice to them and put them right
<v Speaker 5>at their ease.
<v Speaker 1>Indeed, yes, sir, then there was old Lord can from
<v Speaker 1>me here. Oh you know what that means?
<v Speaker 8>He is a stiff.
<v Speaker 5>And if I do say so, I can get along
<v Speaker 5>with the Prime Minister. And I'm nothing against the Home Secretary.
<v Speaker 5>He seems an obliging sort of man with a.
<v Speaker 1>Civil tongue in his here.
<v Speaker 5>But I can't buy his lordship, poor fellow, Yes, sir,
<v Speaker 5>and neither can mister Holmes.
<v Speaker 7>You see, he don't.
<v Speaker 5>Believe in mister Holmes, and he's against employing him.
<v Speaker 2>He rather he failed.
<v Speaker 1>Does Holmes know that you think?
<v Speaker 5>Yes, Thoms knows whatever there is to know.
<v Speaker 1>Oh, absolutely, But I say perhaps I had better not
<v Speaker 1>wake an Why I wish you, sir.
<v Speaker 5>He's not had a bite to eat since yesterday noon,
<v Speaker 5>and there would be a sandwich with a glass of milk.
<v Speaker 5>And I don't dare.
<v Speaker 1>Speak to him about it.
<v Speaker 5>You know what his life stir when he's busy.
<v Speaker 7>On a case.
<v Speaker 2>Who cried?
<v Speaker 1>Well, suppose I grew up and beard the lion in
<v Speaker 1>his den?
<v Speaker 7>Heh Homes, I say, Homes, are you awake?
<v Speaker 1>He must be asleep. Well are you going anyway?
<v Speaker 3>Same old place and the same old litter, scientific charts, chemicals,
<v Speaker 3>violin pipes, papers, all, there's the old boy himself losing
<v Speaker 3>the armchair in front of the window.
<v Speaker 1>I thought I saw him from the street. I could
<v Speaker 1>just go over and tweaking the air. What's come away
<v Speaker 1>from that window? Good? Gracious, Homes, you gave me a
<v Speaker 1>start away from that window.
<v Speaker 2>Value your life will.
<v Speaker 1>Dave well very well. But I suppose this is all
<v Speaker 1>very confusing here. I see you sitting in your arm chair.
<v Speaker 3>And suddenly you pop out of me from your bedroom door.
<v Speaker 3>Since when have you been twins? Yes, it is rather startling,
<v Speaker 3>like missus smith likeness. Yes, it's a waxed lidge on me.
<v Speaker 2>I'm expecting to get a bullet through it, beautiful.
<v Speaker 1>Head at any moment if you by drawing the blinds
<v Speaker 1>without exposing yourself.
<v Speaker 2>All right, it's better now.
<v Speaker 1>I can come into the room. Yes, but why all
<v Speaker 1>this hocus pocus I'm being watched from a window across
<v Speaker 1>the street by a gentleman with an unpleasantly efficient air gun. Yes, Watson,
<v Speaker 1>you've come at a critical moment. Yes, sir, I gather
<v Speaker 1>how far am I justified in allowing you to share
<v Speaker 1>this danger with me? I wonder danger? What kind of danger?
<v Speaker 1>Sudden death? I'm expecting something this evening, expecting what to
<v Speaker 1>be murdered? Watson, you are joking. Even my limitedness of
<v Speaker 1>humor could produce a better joke than that. Perhaps you
<v Speaker 1>better go while there's still.
<v Speaker 3>Time, My dear homes You couldn't get me out of
<v Speaker 3>here now at the point of a revolver.
<v Speaker 1>Good, But sit down, sit down, may as well be
<v Speaker 1>comfortable in the meantime, how about a pipe and a
<v Speaker 1>glass of brandy. They have to take the place of
<v Speaker 1>food these days. That's why not eat. The faculty has
<v Speaker 1>become refined when you starve them a rubbish? What your
<v Speaker 1>digestion gains in the way blood supply is so much
<v Speaker 1>lost the brain present.
<v Speaker 2>I'm all brain.
<v Speaker 1>But this danger hose his name is Sylvius. That are
<v Speaker 1>right down, count Negretto Sylvius, one freeze, six Moorside Gardens, Northwest, Yes, good.
<v Speaker 1>You can give it to Scotland Yard with my love
<v Speaker 1>and a parting blessing in case the murderer is successful.
<v Speaker 1>You care, Hose, I'm in all this. I had nothing
<v Speaker 1>to do for a tail or.
<v Speaker 2>Two.
<v Speaker 1>Your models don't prove, Watson. Now you've added fipping to
<v Speaker 1>your other vices. You wear every sign of the busy
<v Speaker 1>medical man.
<v Speaker 3>Oh to blaze it with them, I say, can't you
<v Speaker 3>have this fellow arrested?
<v Speaker 2>Yes?
<v Speaker 1>I can. That's why he's determan to kill me. Why
<v Speaker 1>don't you because I don't know where he's hidden the
<v Speaker 1>confined diamond.
<v Speaker 3>Oh yes, missus Hudson told me the missing Crown Duel.
<v Speaker 1>I've cast my neck, Watson, and got my fish. About
<v Speaker 1>the use of catching them? Of the jewels that pull
<v Speaker 1>my fingers? And is this Count Sylvia's one of your
<v Speaker 1>so called fish. It's the shark. The other is Sampurton Butter.
<v Speaker 1>He's the Count's tool. Sam's not a shark. He's a
<v Speaker 1>great bullheaded gudgetman. Come in, come in, ah, miss Hudson,
<v Speaker 1>What is it.
<v Speaker 5>A gentleman downstairs?
<v Speaker 2>See he says, here's.
<v Speaker 1>This card, Come negreto Sylvius. Oh, well, so the old
<v Speaker 1>shark is grasping the metal. Eh Er, that metaphor is
<v Speaker 1>a trifle mixed. Show him up, missus Hudson, when I
<v Speaker 1>ring if I'm not in the room, show him up
<v Speaker 1>all the same, that man of nerve Watson. Possibly you've
<v Speaker 1>heard of his reputation as a big game hunter. What
<v Speaker 1>a triumphant ending to his sporting record. If he succeeds
<v Speaker 1>in adding me to his bag, this is proof that
<v Speaker 1>he feels my breath uncomfortably hot on his neck, Lucia,
<v Speaker 1>why not send for the police? Not yet, not quite
<v Speaker 1>yet that take a glance out of the window, Watson,
<v Speaker 1>and see if anyone's hang about it. Yes, all right,
<v Speaker 1>there's one rough looking fellow near the bar, that fru
<v Speaker 1>Sam They fool bit fatuous, I say, look here, Oh
<v Speaker 1>this is serious. I insist I'm staying with you. But
<v Speaker 1>Jophy in the way, in his way, No, in mine? Well,
<v Speaker 1>I'm not great batch. Any Well, we'll compromise. You shall
<v Speaker 1>stay in the bedroom within call in case I need you. Yes,
<v Speaker 1>but holdong, it's essential that this room be empty when
<v Speaker 1>the Count enters it. He's come for his own purpose,
<v Speaker 1>but he may stay for mine. Hurry, I think I
<v Speaker 1>hear his step on the stairs. Oh he's not in here, sir.
<v Speaker 5>But plus you step in, I'm sure you'll be back
<v Speaker 5>in alone.
<v Speaker 1>Many thanks. So this is his damn name, his bocos
<v Speaker 1>on his tapers, and all the rest of his hopeless purpose.
<v Speaker 4>Softly, Sylvia, softly, there's old vulture himself asleep in his chair.
<v Speaker 4>I'm lucky, Soniams. One tap from my gold headed cane.
<v Speaker 1>Don't bring it, coundn't bring it? Homes you quite? I
<v Speaker 1>trust you were expecting someone else. I see you've been
<v Speaker 1>buying my wax figure. Pretty little thing, isn't it. Chardenie
<v Speaker 1>made it. He's almost as good at waxworks as your
<v Speaker 1>friend Straubn's as and air guns?
<v Speaker 2>Air guns? What do you mean? First?
<v Speaker 1>Your hat and stick on the side table?
<v Speaker 2>Thank you?
<v Speaker 1>Now, pray, take a seat. Dads, you'd like to put
<v Speaker 1>your revovard on the table too, erm No, you prefer
<v Speaker 1>to sit. Hi, pretty well, this visit is most popertune.
<v Speaker 1>I want a few minutes chat with you.
<v Speaker 2>Good, I too, wish to have some words with you.
<v Speaker 1>May I ask why all these personal attendants?
<v Speaker 2>Because you annoy me.
<v Speaker 1>You'll put your creatures on my tracks, my creatures, I
<v Speaker 1>assure you no nonsense.
<v Speaker 2>I've had them followed. Two can play that game, my friend.
<v Speaker 1>Yesterday there's a sporting old gentleman.
<v Speaker 2>Today was an elderly woman.
<v Speaker 1>You latter may count Old Baron Dawson said the fort
<v Speaker 1>he was handed that in my case, what the law
<v Speaker 1>had gained, the stage had lost.
<v Speaker 2>And now you.
<v Speaker 1>Praised my personations. Dear me, twas you you yourself quite there's
<v Speaker 1>the old lady's umbrella. You were precious enough to hand
<v Speaker 1>up to me when we collided in the minery this morning.
<v Speaker 1>If I don'ly not, I would never have seen this
<v Speaker 1>humble home again. Eh oh, well, we all have our
<v Speaker 1>neglected opportunities.
<v Speaker 2>You admit you have dubbed me why you used to
<v Speaker 2>shoot lions in Algeria? Well, but why why a spot?
<v Speaker 1>The excitement, the danger, and no doubt to free the
<v Speaker 1>country from a pest protective Well, those are my reasons
<v Speaker 1>than a nutshell. You dead, I'll show your sit down,
<v Speaker 1>sit down at once and take a hand for you,
<v Speaker 1>hipuppet better, there's another more practical reason I want that diamond.
<v Speaker 1>That's your reason in coming here is to find out
<v Speaker 1>how much I know, so you may judge how far
<v Speaker 1>my removal is necessary. Well, I shall say from your
<v Speaker 1>point of view, it's quite essential. Absolutely. In short, there's
<v Speaker 1>only one thing I do not know.
<v Speaker 2>And what is the missing fact? If I may enter,
<v Speaker 2>where is the crown diamond hidden? Dear me? So that's it?
<v Speaker 2>Suppose I don't know.
<v Speaker 1>You can't plass me your yes, your absolutely fred class,
<v Speaker 1>I can see at the very back of your mind.
<v Speaker 1>Really well, then of course you see where the diamond is.
<v Speaker 1>You know, then you admit it.
<v Speaker 2>I've been nothing.
<v Speaker 1>Oh, come, come, be reasonable, if not your threat, and
<v Speaker 1>you've talked to me about love to see this notebook.
<v Speaker 2>Surely you know what I keep in it. No, I
<v Speaker 2>don't pretend to be a mind reader. This book is you, Yes, you, every.
<v Speaker 1>Move of your fifty dangerous life, and no homes.
<v Speaker 2>There are a limit to my patience.
<v Speaker 1>Ship here all of it, the real facts in the
<v Speaker 1>depth of missus Harold left to the Plimer estate fabrication,
<v Speaker 1>the complete life history of miss MIDI wander you can't
<v Speaker 1>prove anything. And twenty more, it's the robbery and.
<v Speaker 2>The trainer looks to the Riviera.
<v Speaker 1>On February the thirteenth, eighteen ninety two, the forge check
<v Speaker 1>on the Cridillionee. No, you're on there, then I am
<v Speaker 1>right about the others. Oh, now they come.
<v Speaker 2>You're a card player. The other fellow has all the trumps.
<v Speaker 1>Time to throw in your hand. What connection is all
<v Speaker 1>this with the theft of the crown? Your patience, my
<v Speaker 1>dear fellow, patience. I have the cabman who took you
<v Speaker 1>to white Ball, the one who drove you away. I
<v Speaker 1>had the commissionaire who saw you near the case that
<v Speaker 1>proves nothing. I have Hikey Sanders. I yes, ike Sanders, who.
<v Speaker 2>Refuse to hand it up for you.
<v Speaker 1>Ikey has peaced ike Oh wait till I get If
<v Speaker 1>my back is the hand I played from only one
<v Speaker 1>card is missing the acy time, you'll never get it. No, SI,
<v Speaker 1>you're going to be locked up for twenty years. You
<v Speaker 1>want Sam, perhaps longer. What good will the diamond bet?
<v Speaker 1>None of the world. Now we don't want you, and
<v Speaker 1>we don't want Sam. We want the diamond. Give it up,
<v Speaker 1>and as far as we're concerned, you are free if
<v Speaker 1>you behave yourself in the future.
<v Speaker 9>My commission is to.
<v Speaker 2>Get the stone, not you, and.
<v Speaker 1>If I refuse, then it will be you and not
<v Speaker 1>the stone. I think it might be as well to
<v Speaker 1>have your friend Sam at this conference. He's waiting outside
<v Speaker 1>in the street because you tap on the window and
<v Speaker 1>motioned him to come up.
<v Speaker 2>Oh, missus Hudson left. Let him in.
<v Speaker 1>She's quite used to my receiving curious characters.
<v Speaker 2>Very well, he's coming. Now what are you going to do?
<v Speaker 1>I have a shark and a gudgeon in my net.
<v Speaker 1>Now I'm drawing it, and up they come together. You
<v Speaker 1>will never die in your bed homes?
<v Speaker 2>Does it matter? Very much?
<v Speaker 1>So now you're fingering your fistal, my friend, you wouldn't
<v Speaker 1>dare to use it even if I get behind to
<v Speaker 1>draw mighty than revolvers. Let us stick to air guns.
<v Speaker 1>Listen and that the fairy footstep of your friends to Murton.
<v Speaker 2>Come in, Sam, come in.
<v Speaker 1>Rather dull waiting in the street, isn't it?
<v Speaker 2>It's all up, Sam?
<v Speaker 1>Put it in the nutshell. But sis code trying to
<v Speaker 1>do be funny. I'm not in a funny mode myself, No,
<v Speaker 1>I expect not. I can promise you that you're to
<v Speaker 1>eat less tumorous in the evening progresses.
<v Speaker 2>I have a kiss self.
<v Speaker 1>Yes, I can't waste time.
<v Speaker 2>I'm going to that bedroom.
<v Speaker 1>I shall play on my violin for five minutes. At
<v Speaker 1>the end of that time, I shall return to your decision.
<v Speaker 1>We think you whether we get the stone? Now what
<v Speaker 1>ab I put my violin?
<v Speaker 2>I have said this five minutles.
<v Speaker 1>Remember blipper Craft as a great reputation for fine quality.
<v Speaker 1>That's what you go by when you choose your first
<v Speaker 1>Flippercraft suit. And once you've warn clipper Craft, you learn
<v Speaker 1>how marvelously it stands up to hardware, very comfortable you
<v Speaker 1>feel in it. The long wear comes from fine materials
<v Speaker 1>and precision workmanship. Your comfort comes from excellent fit resulting
<v Speaker 1>from skilled designing. What will amaze you is how so
<v Speaker 1>much is possible for so very little. Remember, clipper Craft
<v Speaker 1>suits are only forty and forty five dollars, clipper Craft
<v Speaker 1>top coats and overcoats are only forty dollars, and sport
<v Speaker 1>jackets only twenty six fifty. These are modest prices, indeed,
<v Speaker 1>for clothes obviously worth much more. The Great flipper Craft Plan,
<v Speaker 1>concentrating the buying power of ten hundred thirty six leading
<v Speaker 1>stores across the nation, makes these remarkable leues possible in
<v Speaker 1>your own local independent store, the store you can trust.
<v Speaker 1>Setting expensive codes at inexpensive low bass at the nation's
<v Speaker 1>finest independent stores is the great, big idea behind the
<v Speaker 1>clipper Craft plan. That's why men who know insist on
<v Speaker 1>clipper Craft clothes. So be sure to visit the clipper
<v Speaker 1>Craft store in York City.
<v Speaker 6>These leading stores in the metropolitan area are proud to
<v Speaker 6>add their names to Clippercraft in your suit, top coat,
<v Speaker 6>and overcoat. In Manhattan, John Wannamaker Men's Stores Broadway at
<v Speaker 6>eighth and sixty seven Liberty Street, Sacks thirty fourth Broadway
<v Speaker 6>at thirty fourth.
<v Speaker 1>In Brooklyn, Abraham and Strauss Intwart.
<v Speaker 6>New Jersey Boulevard Men's Shop Cresgyure, and in Jamaica the
<v Speaker 6>B and B Clothes Shop, one sixty four oh eight
<v Speaker 6>Jamaica Avenue.
<v Speaker 1>Now let's return to two twenty one B. Baker Street,
<v Speaker 1>where Count Sylvia's and his henchman Sam are discussing their
<v Speaker 1>dilemma while Sherlock Holmes Violin can still be heard in.
<v Speaker 2>The next room.
<v Speaker 1>He played pretty down, all shut up, Sam. Hey, this
<v Speaker 1>mean that he knows about a stone?
<v Speaker 2>He knows too much about it. I'm not sure he
<v Speaker 2>doesn't know everything. Good Lord, Heike sounds a split.
<v Speaker 10>Oh yes, has he do my take?
<v Speaker 1>But that's say I won't help us now to make
<v Speaker 1>up my mind. The half a mouth. He's a leary
<v Speaker 1>co what if he's listening?
<v Speaker 2>How can it be with that violin squeaking my hand?
<v Speaker 3>There he is sitting right in that chair rock.
<v Speaker 1>It's only a dummy, say strike me, madam? Is so
<v Speaker 1>etainly if what's a living spirit.
<v Speaker 9>Of dressing down?
<v Speaker 2>And know? Oh shut up? You're wasting our time and
<v Speaker 2>there is none too much.
<v Speaker 1>He can jail us over the stone, that do she can.
<v Speaker 1>But if you'll let us go, if we tell him
<v Speaker 1>where the stone is? What give our midred thousand quick?
<v Speaker 2>It's one or the other.
<v Speaker 1>He's in there a low lest doing it.
<v Speaker 2>He's armed and ready too noisy.
<v Speaker 1>I'll never get away sis likely the police have whatever evidence.
<v Speaker 2>He is collected? What was that?
<v Speaker 8>I just sworn I heard something over there in the window.
<v Speaker 9>And saddened the street how slightly.
<v Speaker 1>I'll look you company. You've cut the braes. If slugging
<v Speaker 1>snow good is up to you?
<v Speaker 2>Yes, I fool better men than he.
<v Speaker 10>The stone here in my secret pocket, I can get
<v Speaker 10>out of England to night aunt it in the four
<v Speaker 10>pieces of Amsterdam before somebody he knows nothing about. Man said,
<v Speaker 10>but that false part of night. For he must chance it,
<v Speaker 10>as it is.
<v Speaker 2>Not a moment to lose.
<v Speaker 8>As for Holmes, fool water restless. If you get the storm,
<v Speaker 8>we'll bring on the wrong track, and before he discovers
<v Speaker 8>it is wrong, it'll be in hollow and we'll be
<v Speaker 8>out of the country.
<v Speaker 1>Sounds good to me. For want here day carry.
<v Speaker 2>It will be silver.
<v Speaker 1>Let's have look. I see why, Sam, manny, I think
<v Speaker 1>I'm gonna snatch it off here. Now look here, mister,
<v Speaker 1>I'm getting fed off with you, Sam.
<v Speaker 2>We can't afford the quarrel. Are here? Hell over here
<v Speaker 2>to the window, out of the line of that keyhole,
<v Speaker 2>are there? Hold it to the light. It is a beauty. Uh,
<v Speaker 2>thank you, gentlemen, get home.
<v Speaker 1>I thought you said he was at jammy dear gain
<v Speaker 1>a very flattering of you. Can't you score you you
<v Speaker 1>feet temper, temper, no violent gentlemen. Please consider the furniture
<v Speaker 1>police are waking below. But how the deuce there is
<v Speaker 1>a second door to my bedroom behind that window curtain.
<v Speaker 1>I thought the game is up when you heard me
<v Speaker 1>displaced the man.
<v Speaker 2>You'll I believe you're the devil himself.
<v Speaker 1>You flatter me, Ah, but here are friends from scott
<v Speaker 1>and Yard.
<v Speaker 9>Take him away? Boys, sir, when I say.
<v Speaker 1>I'm a blooming feddle, is still play it quite right?
<v Speaker 2>Sam?
<v Speaker 1>Remarkable invention the gramophone?
<v Speaker 2>Let me play Hell, let's.
<v Speaker 1>All right? Wantsn't even stop that machine? Hi, I stay homes.
<v Speaker 1>I've lost at least five pounds in the last half hour.
<v Speaker 1>That it beneficial to your waistline becoming disgustingly plump.
<v Speaker 2>Look at this waste the crown. Gam Hello, what's up? Now?
<v Speaker 1>Come in?
<v Speaker 2>Come in, oh missus Hudson.
<v Speaker 9>Gang.
<v Speaker 1>Now do you ever let us alone?
<v Speaker 2>Well? Show him up?
<v Speaker 1>Well, I must say, home, you have most many people
<v Speaker 1>in your household. I ran into a group of raffiends
<v Speaker 1>as I was coming to the door. Oh, that must
<v Speaker 1>have been the fellows from Scotland Yard. It's a rather
<v Speaker 1>warm in here. May I take your old coat?
<v Speaker 2>Fit? Count?
<v Speaker 1>Oh? The more I have known tens, stay, Doctor Watson
<v Speaker 1>will assure you that these sudden changes of temperature are
<v Speaker 1>most insidio to sho your hands off my coat and tend.
<v Speaker 9>To keep it on very well.
<v Speaker 1>I came to see how your self appoints of task
<v Speaker 1>is getting on.
<v Speaker 2>It's difficult, very difficult. Yes, I suspect if you would
<v Speaker 2>find it so.
<v Speaker 1>Every man has a limitation. Yes, I've been greatly perplexed now,
<v Speaker 1>doubt especially on one point.
<v Speaker 9>But perhaps you can help me.
<v Speaker 2>You apply for my advice rather late in the day.
<v Speaker 9>Still, I'm ready to give.
<v Speaker 1>You the belements of my opinions.
<v Speaker 2>You understand, we can doubtless frame a case against.
<v Speaker 1>The actual thief, eh, once you have caught quite But
<v Speaker 1>the real question is how shall we proceed against the receiver?
<v Speaker 1>What would you regard as the final evidence against the receiver?
<v Speaker 1>The actual possession of the stone, of course, would arrest
<v Speaker 1>him on that bit. Certain In that case, my dear
<v Speaker 1>lord Cantelber, I shall be under the painful necessity of
<v Speaker 1>apprising your arrest. You forget yourself, mister Holmes, I have
<v Speaker 1>no time as its childish jokes, I may take you,
<v Speaker 1>thank desir, that I have never had any believe in
<v Speaker 1>your powers, good evening one moment actually to make up
<v Speaker 1>for the Bazarin's Stone would be even more serious to
<v Speaker 1>be found in temperative possession of it, and it is intolerable.
<v Speaker 1>Let me pass immediately. Just put your hand on the
<v Speaker 1>right hand pocket of your overcoat. What do you mean
<v Speaker 1>do as I asked? Well, I, however, see what's this
<v Speaker 1>seems to be the Mazarin.
<v Speaker 11>Spood for shame, sir, for shame. Well, bless my soul,
<v Speaker 11>harmon Thander. Well, I'll be I guardedly. However, I really
<v Speaker 11>must apologize.
<v Speaker 1>I never could resist dramatic tituition I took for the
<v Speaker 1>pity of striking the stone at your pocket and beginning
<v Speaker 1>of our interview, Well d will to say, and the
<v Speaker 1>will that is putting it mightly we are greatly in
<v Speaker 1>it to you, sir, in spite of your somewhat pervertive
<v Speaker 1>sense of humor, and I certainly withdraw any reflection I
<v Speaker 1>may have made in your amazing professional part. How pit
<v Speaker 1>the details can wait. I trust your pleasure in relaying
<v Speaker 1>you of our success will be some small atonement from
<v Speaker 1>my practical heath. Oh yes, it will, sir, it will. Indeed,
<v Speaker 1>I can hardly wait to where get the good word
<v Speaker 1>around and good day mister Holmes, Good.
<v Speaker 2>Day, Lord cantilbea Watson.
<v Speaker 1>Will you show his launch about with pleasure and tell
<v Speaker 1>missus Hudson and I should be obliged if you'd send
<v Speaker 1>up dinner for two as soon as possible. What an
<v Speaker 1>extraordinary story, doctor Watson, and what a perfect climax.
<v Speaker 2>Mister Henderson.
<v Speaker 3>Room's always had an eye with a dramatic which reminds
<v Speaker 3>me next week's story.
<v Speaker 1>Did you say that next week's story is going to
<v Speaker 1>be particularly dramatic? Doctor I didn't say, mister Harris, because
<v Speaker 1>you interrupted me, but I was going to yes. Next week,
<v Speaker 1>I'm going to tell you how the five.
<v Speaker 3>Year old racehorse Blazing Star suddenly dropped dead of old age,
<v Speaker 3>and how my my youth for passed in the game
<v Speaker 3>of rugby, saved hums and myself from a diabolical.
<v Speaker 1>Plot of our arch enemy, Professor Marioti. The makers of
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<v Speaker 1>the new series of broadcasts featuring the world's most famous detective,
<v Speaker 1>Sherlock Holmes. Sherlock Holmes is produced and directed by Basilachren,
<v Speaker 1>with special music by Albert Berman. If you don't know
<v Speaker 1>your Clippercraft dealer, write Clippercraft, two hundred.
<v Speaker 2>Fifth Avenue, New York City.
<v Speaker 1>Before to listen next week to Sherlock Holmes in the
<v Speaker 1>case of Sudden civility.
<v Speaker 2>If you'd like to attend the Sherlock Holmes.
<v Speaker 1>Broadcasts in New York, see your local clippercraft dealer and
<v Speaker 1>he'll tell you how.
<v Speaker 9>To obtain your tickets.
<v Speaker 1>K HARRIH.
<v Speaker 2>Streeting for Clifford Clack Cloak. Those are the world's bargest networks.
<v Speaker 2>Donty Ballant walk with the radio fleab.
<v Speaker 1>Here's for a broadcast teach