#533 - Jay Renshaw AKA Chit from TikTok on the Origin Story Behind the Character + Why He Was a Late Cut in Curb Your Enthusiasm + Top Beefs in Country Music + Bobby Recalls all of His Beefs

00:00:06
Speaker 1: Welcome to episode five point thirty three of The Bobbycast with Jay Rinshaw.

00:00:10
Speaker 2: Who Jay is Chit? Jay created this character.

00:00:14
Speaker 1: I guess he's not the only one. He talks about his partner, but Jay is the person who plays Chit, So Chit gets all the credit. Now, Chit is somebody that I saw on TikTok and Eddie and I were sending clips back and forth, and now he doesn't put a video out that doesn't get millions and millions of views.

00:00:31
Speaker 2: Mike, do you watch Chit?

00:00:32
Speaker 3: Yeah? Stuff gets millions.

00:00:33
Speaker 1: Instantly, instantly. Here is a clip of Chit from the Is it the Chit Show? Yeah, it is called the Chit Show like that Blank show has got to play on that.

00:00:44
Speaker 2: Okay, here we go. Here's a clip of Chit.

00:00:45
Speaker 4: I said, is there a black person here?

00:00:47
Speaker 5: Do you have a question?

00:00:49
Speaker 2: Yeah?

00:00:50
Speaker 4: Yeah, is there a black person here?

00:00:52
Speaker 6: Chit? Why are you asking that?

00:00:53
Speaker 4: Jane said there was one in here? Can bit check there's a white person here too. I don't need one of those.

00:01:00
Speaker 6: Please stop what you're doing.

00:01:02
Speaker 4: Watch the big Dan. I'm just trying to find the black person here. Well you found her, Okay, you got had today? Okay, can me see, let me set my spark. Then down, Oh here it is?

00:01:10
Speaker 2: Got it?

00:01:11
Speaker 6: Shit? Are you saying? Is there a black purse in here?

00:01:16
Speaker 4: Yeah? Success?

00:01:20
Speaker 2: So here he is.

00:01:21
Speaker 1: We talked about that, and then afterward we'll get into because I've been watching now it's Charlie Crockett and Gavin Atcock fighting with each other. There's a lot of like funny beefs happening right now. And one of the things that I get asked about most like what about this beef you had with this person? So I'm just gonna go down the list of people I've had beefs with and talk about how it happened and where it is now.

00:01:43
Speaker 2: So okay, here we go with the episode. Here is Jay Renshaw. Hey Jay, good to see.

00:01:47
Speaker 6: You, man, Hey, good to see you too.

00:01:49
Speaker 1: We all we do all day is yeah, yeah, all day, like for months. It doesn't matter where we are, that's all we do. We come in and we do chit and we're like going along.

00:02:02
Speaker 2: Johns.

00:02:02
Speaker 1: I mean, it has consumed us in ways that I never thought I would have imagined. So, first of all, congratulations because you have It's I have a lot of questions about, like very granular questions about your success with this character in.

00:02:17
Speaker 2: That how long did you have Chit?

00:02:20
Speaker 1: But how long ago did you create the first episode and what was the expectation before you put it out?

00:02:27
Speaker 6: Yeah, the first episode was created like two and a half months ago now, and there was no expectation that it would do anything close to what it did. It was meant to be a one off. Kyle and I the co creator of the show, Kyle Kennedy, we filmed it just kind of a fun at Groundlings, which is where we're both main company members, and the response was nice enough that we did another one and then it snowballed from there into what has become a full time commitment, but one that we're grateful for.

00:02:57
Speaker 1: So the first episode, at least the one that we all should and I'm assuming is the black first episode?

00:03:02
Speaker 2: Is there black person here? Is that the first one?

00:03:05
Speaker 6: That's actually the seventh episode?

00:03:07
Speaker 2: Wow? Yeah, okay, what was the very first one?

00:03:11
Speaker 6: The very first one was me in the office as Chit, of course, and I was typing nonsense into word. I was just typing like gibberish, and Kyle was kind of spying on me as my coworker, and he said, what are you doing, and I said, working on the budget. And it was a simple first one. I threw out Subway too, like I wanted to go to Subway for lunch, which became a recurring joke. But yeah, that laid the groundwork for a character who thought that he was being helpful, he was being a good employee, when really maybe that wasn't the case.

00:03:47
Speaker 2: So was the Black Purse episode the one that took it to a different level?

00:03:52
Speaker 6: Totally? Totally? Yeah. We had gained some traction with the first six videos, like people were liking the character obviously enough that Kyle and I decided to keep making them, and then Black Purse took it to like the stratosphere of like, oh okay, this is what a meme is, and they're like, okay, So that's how most people found us. And it's funny that most people think that's the first episode. There's comments on that video multiple that'd say the one that started it all, it's funny because it's not, but it's for many people it was the start of their journey with chit.

00:04:26
Speaker 1: So was that, to you, guys the funniest one or were you surprised that that's the one that people gravitated to uh.

00:04:34
Speaker 6: We thought that it was funny for sure. I remember when I saw the final cut of it, I was like, I think we did this the right way. I think I think we hit it just right because it's a little iffy. Of course, I mean, that's what makes it so eral or titillating, is because it's a little edgy. It's right on that sort of line. But I was like, I think we I think we got this just right, and sure enough it it seemed to resonate with p people. But I think the funniest for us sometimes are actually the ones that are slightly more character based. Black Persons is very funny, and you see plenty of Chit's character, but it's really it's really the bit of the wordplay in that one that that works so well. But some of the ones that I think we like the most are the ones that showed Hit in his truest form.

00:05:24
Speaker 1: The one that I was super surprised by because I have questions about you specifically too, but the one I was surprised by was you hanging from the bar and just your abs like ripped.

00:05:33
Speaker 2: Like people had to be so surprised that Chit was ripped.

00:05:38
Speaker 6: They were. We were hopeful that that would be the case because we wanted to play up at chits like duality. There's two sides to him, and those two sides are what keep people on their toes. You never really know what he's going to do next, but there's a strange capability to what seems like his relative ineptitude. He actually is quite capable and actually excels in a lot of areas you wouldn't expect, which I think makes them exciting.

00:06:10
Speaker 1: I talk to a lot of artists and even myself included, like why I moved to Nashville. I'm not from Nashville, but you kind of have to move to this hub in order to have a hub and a like a community, a like minded community, a creative community. And so what is your what is your story? Where did you grow up? And I'm not sure if you if you grew up in LA or not? And then if not, why did why did you move? You did move to live in La?

00:06:31
Speaker 2: You grew up in La?

00:06:33
Speaker 6: I did not grow up in La. No, I lived in I grew up in Indiana.

00:06:36
Speaker 2: Okay, So so what's your La what's your moved to LA story?

00:06:41
Speaker 6: I moved to La when I was eighteen to pursue acting and it's about as simple as that.

00:06:46
Speaker 1: And did you have any because I've looked and I've seen some of the things, mostly just on TikTok, when it's like Jay Rinshaw in real life, like that's always the bottom thing.

00:06:54
Speaker 2: It's like clicking.

00:06:55
Speaker 1: And I watched like little like appearances you had of all different levels. Did you get yeah to doing what you wanted to do ever, like on a massive scale and it just didn't work out? Or did you have certain things that you were like I'm so passionate about this. I only want to write and create my own thing until I get it.

00:07:13
Speaker 6: I mean, I don't think I ever reached the level of not I don't want to say fame at all, but of awareness of me that people might have now before this moment. There is some fun mini successes I will say along the way, like getting roles in certain shows, very small roles albeit but still you know, great fun. But no, this is by far and away the most attention I've received since moving to LA And I'm just hoping, Oh, go ahead.

00:07:45
Speaker 2: No, I'm sorry, I'm sorry, I'll just keep going.

00:07:48
Speaker 6: Oh. I was just saying that you know, hopefully I can translate to chit to other avenues as well, not like I mean, I say, step away from the character a little bit. Also keep pursuing projects as myself or you know, as other roles, other characters I might create, or other roles I might play.

00:08:08
Speaker 1: Have you had companies come to you and just offer you money now to put on a streaming service?

00:08:13
Speaker 6: There have been some exciting offers, but nothing is final and nothing is for certain. Right now, we're just all I shouldn't even say offers. Really, it's been more discussions so that the talks alone are thrilling enough for us to even have the possibility of that to happen. But right now, we're still so happy with the online audience that we have because they're so interactive and they they have such great comments and thoughts about the characters, and we love seeing that in real time as we create the show.

00:08:51
Speaker 1: Yeah, we share every video, but for different reasons. Even the video that wasn't a written as a sketch when you're driving listening.

00:08:59
Speaker 2: Yeah yeah, yeah, Like even that one has.

00:09:02
Speaker 1: Been shared so many times, like within our group, are you worried? And again I only think I think that's and asked this question because you just said it. Are you're not worried about being like Erkled?

00:09:11
Speaker 2: Are you? Were you people only know you as Jit?

00:09:14
Speaker 6: I mean, I think it's a distinct possibility, But I think I'm trying to differentiate myself is from the character as much as possible, and also in terms of like interviews like this, where I do do it as myself or you know, as opposed to the pee wee Herman, where I would do it and completely in character. But I could only be so lucky to be like ewe Herman at the same time. So it's kind of it's a win win, you know, it's But ideally, no, I will be able to also pursue other projects as a version closer to myself.

00:09:50
Speaker 2: Were you a theater kid in high school?

00:09:53
Speaker 6: No, not at all. No. I actually didn't pursue acting of any kind until eighteen when I moved to LA So.

00:10:00
Speaker 1: Why would you all of a sudden want to act? Where did that come from?

00:10:05
Speaker 6: I wish I knew. I wish I knew. It was kind of just like this weird inkling urge that I had at eighteen because I was going to go to college. I was enrolled but I withdrew my enrollment the week before, a week before orientation, and I just said, I gotta go to LA and try this acting thing. So random, I know, but I'm glad I did it.

00:10:31
Speaker 1: So how long were you in California before you actually had work as an artist and did you have to have another job in order to supplement your income?

00:10:41
Speaker 6: Yeah? I had several jobs, actually, but I never think I don't think I ever hit a job, an acting job, large enough to stop me from working other jobs. But yeah, I worked at Starbucks early on, worked at I worked as like the assistant in this furniture showroom that then after working there for several years, they kind of transitioned me into the marketing side, which was great. I love that company. They're so nice. But yeah, just odd jobs that didn't really align with any passion per se that I had, but that were convenient or they worked around the acting schedule of going to random auditions or Groundlings classes, which became more and more dominant in my life as the years went on.

00:11:34
Speaker 1: Yeah, how did you start there? Did you start and just enroll and then work your way up? How long did that take?

00:11:40
Speaker 6: Yeah? I started at Groundings in twenty thirteen. You auditioned to take classes there, which sounds so daunting, but the audition is really just a good gauge of where you're currently at so they know where best to place you. And I went through that whole program, which does take a while. I finished the main track before Sunday Company, which I know you won't know what that is, but it's a performance group at the end of the schooling that is a new show every Sunday that you do. You write and perform a new show every Sunday, So it gets pretty tiring because you're just constantly churning out material. But it's that type of training that has prepared me and all of the other Groundlings for situations like this where suddenly there's a very real demand for creative output and luckily we have the training to meet it.

00:12:36
Speaker 2: Did you do Chit like Pee Wee did, where his was a stage show?

00:12:40
Speaker 1: Obviously it was a sketch and turned into a stage show before it turned into anything else. Were you doing Chit as a character as part of that or did it come after.

00:12:48
Speaker 6: Chit never had his own stage show, but he definitely was a character that I brought into several sketches throughout my time at Groundlings. I've mentioned before that the do it Ladies do it Ladies. One of the phrases that it has that has become relatively viral was a sketch that I did in Sunday Company, the program that I was just talking about. It was a birthday card signing. There were only two people in the sketch, so it was just me and another person, And I think what made the chit version partially so successful was that there were more people to come on board and agree with him that that it was a fun.

00:13:27
Speaker 2: Saying what was your first paying job? In California, LA.

00:13:32
Speaker 6: I worked at a workshop studio for casting director workshops where a casting director would come and meet with about thirty actors, give them advice, and then usually they would see them perform a prepared piece of their choice. And I was the reader at one of those, so I would read with people with the audition sides that they brought in for the casting director and it was very fun. I mean, I got some FaceTime with casting directors. But ultimately I think those places came under some legal trouble because people viewed it as a little too much like pay to play, so I think those were kind of disbanded, and then I moved on to Starbucks.

00:14:20
Speaker 2: What about audios were at Starbucks? What was the first audition that you actually got.

00:14:25
Speaker 6: Oh, the very first one. The very first one was for a student film. Oh, actually it was also a student film, but I'm thinking of a different one. But yeah, I did a high school production. Even though I was graduated from high school. I had moved to LA I was eighteen, thinking like, Okay, I'm going to be a serious actor, and the first thing I got was a high school production of Raaldall's The land Lady. But I will say that these high schoolers, it was a specifically arts high school that was focused on film production, and they had it together. They it was actually exciting, especially also being in their age group, to just work with people that were so inspired and so ready to produce. So it was really fun. It was a lot of fun to do that, even though it was a high school.

00:15:20
Speaker 7: Let's take a quick pause for a message from our sponsor, and we're back on the Bobby cast.

00:15:34
Speaker 1: I was looking at some of your IMDb and curb your enthusiasm. What was your role there?

00:15:40
Speaker 6: Yeah, so my curb your enthusiasm. Role was I will say cut a little bit, unfortunately from the final product, because I did have a fun little part that didn't see a light of day, sadly, but I am the juror in the final trial that Larry goes two for the finale, the season or series finale, and uh yeah, I don't know how much I can say about about the role that like wasn't shown, but all I'll say is there was there was more to it that I was pretty heartbroken was cut. So I ended up being a little bit of a glorified extra there. But you know, I'll take it for curb your enthusiasm.

00:16:20
Speaker 1: So how much of your week now is dedicated to it feels like you're doing the Sunday Show, but like three times a week now like you have you've constantly created.

00:16:28
Speaker 6: Yeah, yeah, no, it's one hundred percent of the time.

00:16:32
Speaker 7: It is.

00:16:33
Speaker 6: And then and like I said, we're so grateful for it. It's such a creatively fulfilling thing. But yeah, it's a it's churn, it's a grind.

00:16:41
Speaker 2: As they say, what about the wig, is it is it the same wig? Did you make the wig?

00:16:46
Speaker 6: What wig?

00:16:47
Speaker 2: Exactly? Yes, that's that's not really your hair is it?

00:16:53
Speaker 6: No?

00:16:53
Speaker 2: No, okay, and then I started to feel like I insulted you. I was like, dude, my bad enough. You just combed it forward, Okay, go ahead.

00:17:00
Speaker 6: No, that's very much a wig. But it's a great wig, and it was given to me by a friend who actually now has his own social media following as Bistro Hoodie, which is wildly popular. Drew Talbert. He gave me that wig in like twenty eighteen, twenty nineteen, and it was just for a show at Groundings. I don't even think at that point it was meant for my Chit character. I think I was using it for this other thing. I had styled it differently. But I also I say he gave it to me, but I think initially it was the understanding was that I would give it back, and then once COVID happened, it was like, this is my wig now, right. But I'm glad I held on to it because I ended up using it a ton throughout my other shows at Groundlings, and then of course it solidified itself as the Chit wig, and it's not altered in any way. That is how the week came. It looks like I would cut it myself, which is how we came with the backstory for it. But yeah, that's the leg.

00:18:04
Speaker 1: Are you guys gritting out ideas and then eliminadeing them each week? Like, what's the what's the process of a single episode? I'm imagining though too, you're doing many episodes at once, like different different stages.

00:18:16
Speaker 6: Yeah. So we usually write, edit, and film two episodes a week. So that's not to say it's the same episode that we're writing and then filming that week. Sometimes it is. Sometimes we decide that we like, we want to insert this storyline piece into the narrative that we have growing, so we do write and then film it like say the next day or something. But most often we've worked a little bit ahead that we're like filming things that we've written the week prior, writing things for the next week, editing things for the day the next like upload day.

00:18:51
Speaker 1: Whenever you introduce a character like the wrestler, which she's you know, Chit's girlfriend, Yeah, do you have to go and find someone specific like cast that spot within your group or they're just friends or like peers that you bring in to do it.

00:19:06
Speaker 6: Yeah, Well that's where we're so lucky to be in the Groundling's main company because we truly have our pick of some of the most talented comedic actors in the world. I would say, I mean, these people have had so much training to do exactly this, so we can pick from any of the I think there's thirty two of us in the main company now, and we know that they're going to deliver because they just get it. They understand what we're going for. And they are friends as well because we work so closely together. But even if they weren't, I think that they would get the role anyway because they're all so right on with what they do. Their comedic instincts are so sharp.

00:19:50
Speaker 1: What's been a thing about Chit that has resonated that you didn't expect to like it? Maybe it was a throwaway, but people have kind of gravitated to it.

00:19:59
Speaker 6: I will say, typically, like the line success, I was not expecting to uh hit so hard. I'm glad did, but it was just that was to me. It was a throwaway in Black Purse where I was like six Hans and it it has like latched onto people, and that's become one of his catchphrases, which I love. Now I'm trying to think if there's anything on like a larger scale, less like line oriented. I also, I don't know, I think what's oh so go ahead?

00:20:31
Speaker 2: No sorry?

00:20:32
Speaker 1: I think that zoom delay causes to bump in each other a little bit. But I also wonder like whenever you pick things like red lobster or Subway, there has to be conversations about why that's the perfect place for that character, like how did you how did you land on those places?

00:20:48
Speaker 6: Yeah, I mean it's like a it's just like a comedic rhythm. I think to the word like there's and also just like the the public unders standing of what the perception of that place is. It all just kind of like both rhythmically and conceptually fits the mundanity of that character. So if like, there's something about Subway to me that seems so like regular life and not in a bad way. I think a lot of people love Subway, but there is something that seems like it's just part of a routine by nature, And I think chit's life in the office. Although he's had kind of an illustrious past, maybe his life in the office seems so routine, but it's the routine that he's thrilled by. It's the everyday pedestrian things that actually thrill him that he that's why he loves his life and loves going to work. So I think that's what we're aiming for when we pick those slightly boring perhaps details about his life, it's to show that he actually finds great enjoyment in them, as you should do.

00:22:07
Speaker 1: You have something that you've written or some project that you are super proud of that you're hoping gives you the ability or the leverage for someone to read it or to take it into production.

00:22:19
Speaker 6: I have ideas. I have ideas. I don't think there's one like other show that I or like episode like pilot. I guess you would call it that I've finished, but that's not ready for any any eyes yet. But there are ideas. There are other ideas that I have that I'm like, oh, you know, down the line, when I have maybe a moment to think about something else, I can flush that out a little bit more.

00:22:45
Speaker 1: I've got two more questions than my buddy Eddie here, who we always quote hit.

00:22:48
Speaker 2: He's got a question or two. So great with with chit. When you shoot the show, is it much longer? And you edit it down or do you?

00:22:58
Speaker 1: And is it all scripted and how much do people just you know, get to try stuff out.

00:23:04
Speaker 6: We always leave a little room for improv because that's what we do at Groundlings. But the show is scripted, and Kyle and I will write the episode beforehand. It's usually around three to five pages anywhere in there. And yeah, there's some minor deviation from the script at points, but there's also some pretty tight like obviously punchline or like joke rhythms that we do make sure that we hit, especially in those awkward pauses that are pervasive throughout the series. Those are all like very intentional and almost like timed to a t because it's just the right level of cringe, I guess, the right level of awkward office interaction. Yes, they're scripted, and I forget the other part of your question. I'm sorry.

00:23:53
Speaker 2: Are they much longer and you edit out some of the parts?

00:23:56
Speaker 6: Oh? No, no, they are. They're scripted to what they almost always ended up being. There's a very occasion we've cut like a joke at the top or the bottom of the sketch if it's not needed, like or like the blackout of the sketch. Gets shortened a little bit, but otherwise, so far at least we've shot what we've written and uploaded what we've shot.

00:24:19
Speaker 1: My final question is is there an expiration in mind of either a number of episodes or how long you want to do the series?

00:24:28
Speaker 6: Nothing definitive right now. I think, you know, it depends what kind of keeps happening behind the scenes with like other larger scale production ideas for the show, you know, we might have to balance a little bit better what we can do online as well. But right now we're working on I guess what some people might call like a season one if you will, and we're approaching this I think pretty exciting narrative arc that that some people might view as like a conclusion of the season. But who knows. I mean, they are all such short episodes it's hard to even call them episodes. But in the online world, it feels like we are, you know, getting close to what might be a fun Daniel Mont, I guess for the first season, we'll see the audience might be like whatever, this feels the same, but we've we've put a lot of effort behind it.

00:25:30
Speaker 8: Yeah, this is more of a jay.

00:25:32
Speaker 4: How's it going.

00:25:32
Speaker 8: I'm ready more of a technical question of you guys do a great job of making it look like it's just a cell phone and you're just shooting it. Yeah, you know, back and forth it is. That's my question. Is it just a cell phone?

00:25:47
Speaker 6: Yep, that's Kyle's phone, and he has some like apps that he uses to improve the production quality. And Kyle has gotten like better and better at like the sort of tech aspect of it and also just the actual filming. I mean that is it's an art in itself, the way that he's gotten so good at pacing his like whippans and all of that. We do try and like beat those out before we start filming because we know we need to capture certain expressions. But even then, the actual act of doing it is a talent that he is really cultivated in this process.

00:26:23
Speaker 8: And he's actually talking while he's filming, yeah.

00:26:27
Speaker 6: Which makes it all the more impressive because he has to remember his lines, he has to remember the exact blocking of what other people are going to do to be able to catch it. And yeah, he's a multitasker for sure.

00:26:40
Speaker 8: What about your eyes, Like the glasses that you wear, like they make your eyes look so big? Does it hurt shooting a segment after you're done.

00:26:49
Speaker 6: You like you were the first person actually to ask that, which is so funny because they do a little bit they at first, I will say, it was more noticeable to me, like I would take them off after and I'd be like, oh, well, I probably should have had some breaks there. But now I'm a little bit more conscious of taking them off once cut is called, just to give my eyes constant breaks. But I will say the concerting thing is that I don't notice the difference anymore, which when I first put them on at the beginning, I'd be like, oh, everything's blurry, and now it's not very blurry when I put the glasses on, which I think.

00:27:25
Speaker 1: Is a bad size.

00:27:26
Speaker 6: Yeah, I think that means my eyes are changing. But anything for comedy.

00:27:33
Speaker 1: So final before we let you go, But did you ever did you think about doing a chit channel and not putting on Jay Renshaw TikTok? Or was it always you were just going to do it on yours?

00:27:44
Speaker 6: You know? I wish I could say there was that much forethought, but no one, none of us expected it to do what it did, So there wasn't the anticipation really that there would ever be a chit show like there is now, so putting it on Mine or Kyle putting it on his Instagram, we just thought, let's just get this out there. And now it might seem like it a smarter plan to have it be like on like a chit show platform, but it's on Mine for whatever, for whatever time it's going now, so I think we're prioritizing the consistency for viewers of like it's been here, it's staying here. You don't have to worry about finding it somewhere else, at least for the time being.

00:28:30
Speaker 1: Well, congratulations, it's super inspiring to creatives to see you just make something, put it and let it organically be seen and found because it is quality work. I think a lot of people at times will feel like that can't happen because there's a system that's against them, and I think you have proven otherwise that if it's good, it can be found, and if it's good and done consistently, it can blow up.

00:28:53
Speaker 2: So it's very inspiring. So congratulations, Well.

00:28:55
Speaker 6: Thank you so much. Yeah. I was off of social media for the last decade and it was only Kyle that convinced me to come back. On and shoot a few videos with him, and thank god he dance.

00:29:05
Speaker 1: Well we're big fans, yay, So yeah, thank you, and you've also given us something new to quote because it was borat like twenty years. We finally get to do something else. So yeah, Jay, have a great day, good luck. Can't wait to see what the future holds for you. Man, super talented and thanks for the time.

00:29:20
Speaker 6: Thank you so much. It was great talking to you.

00:29:22
Speaker 2: All right, Jca, buddy, all right, I'll see you.

00:29:25
Speaker 9: The Bobby Cast will be right back. This is the Bobby Cast.

00:29:39
Speaker 2: Okay.

00:29:39
Speaker 1: I wanted to spend a few minutes talking about beefs and country music because I love them. I think they're hilarious because they really don't matter. It's just something fun to look at. The one right now that has me laughing is Gavin Adcock in the world. I'll say this about Gavin Adcock that I've met Gavin I Cock a couple times. I'm as parents really nice guys going off on everybody, just in like real life and human life. Really nice guy, kind guy like yes sir, yes, ma'am. His parents were as normal as could be. Because of my experiences with Gavin Adcock, I like Gavin Adcock. Yeah, like his music fine, but as a person because I only know how he treats the people that are around when I'm there. Uh So I like Gavin Adcock. I don't know the people mostly he's been fighting with, but Gavin Adcock and Charlie Charlie Crockett. Recently they've been added a little bit. Gavin Adcock and Beyonce and Beyonce's fans, they've.

00:30:41
Speaker 2: Been at a little bit.

00:30:42
Speaker 1: Gavin ad Cock and Nickelbacks Sound Guy been out of Gavin ad Cock is up for a fight, and a lot of people are like, well, it's publicity. I do think that's a big part of it, but it's working. So when you insult something and go he's only doing it for publicity, Yet he's getting all the publicity. It's working.

00:31:01
Speaker 2: You have to understand.

00:31:02
Speaker 1: I've been in so many of these in different ways at different levels that I just think they're funny.

00:31:07
Speaker 2: And I think if you were to put any of these two humans together in the same.

00:31:09
Speaker 1: Room, they're going to be like nah, yeah, they're not actually going to come to blows with each other because it's theatrics.

00:31:16
Speaker 2: It really is just theatrics. You may be irritated, because I've been irritated in.

00:31:20
Speaker 1: Some of these that I've been in, although I'm not in any now like active beefs, which is why I felt like it would be a good time to talk about some of these. So I've not gone over this with Mike or with Brandon, who are here but Mike when I say beefs or over the years, I've been in random fights with a lot of people who what comes to mind first?

00:31:39
Speaker 3: Number one Florida Georgia Line.

00:31:40
Speaker 2: Okay, I'll go to Florida Georgia Line first.

00:31:43
Speaker 1: And here's a little picture of them on the screen in case you've never not seen what these guys look like. This is my recollection of my fight with Florida Georgia Line.

00:31:53
Speaker 2: One day I was living downtown. I'm running.

00:31:57
Speaker 1: This is at a very brief period in my life where I ran I'm running and my phone gets like three text messages going, Florida Georgia Line's talking about you on satellite radio, and I thought, oh, that's cool. I'd only been in Nashville for five years, and that's a long time, but at this point I've been here for twelve and I was like, well, that's interesting.

00:32:18
Speaker 2: I wonder what they're saying, and so I hit one of my back I was like, what's going on.

00:32:21
Speaker 1: They said, well, Tyler Hubbard is talking about you, and I think saying like you're a liar and that you put the signs up downtown. And I was like, well, that's interesting because I did put the signs up. And if we do a quick reversal here A long time ago, when I first started in Nashville, it was going horribly because I was so different than anything else that had existed here in the media space. And then I was put on all these markets all over the country and so they removed other shows and it was just a lot of negativity. So it was all negative, and I thought, what can I do strategically to change the negativity?

00:32:59
Speaker 2: And I and you can look this up online.

00:33:01
Speaker 1: I bought these massive billboards in Nashville and didn't tell anybody I was buying them, and the signs just said go away, Bobby Bones.

00:33:07
Speaker 2: And it worked in.

00:33:10
Speaker 1: That new started to cover it, My company started.

00:33:12
Speaker 2: To cover it. Nobody on the show knew that I bought them.

00:33:14
Speaker 1: I learned how to create like a basically a shell company to buy them. So it couldn't be tracked back to me. And what happened with those signs? You had people see the signs and go one.

00:33:24
Speaker 2: Who is Bobby Bones?

00:33:26
Speaker 1: Like that was a big part of it, because you see a random sign where no one's taking credit for it and says, go away, Bobby Bones.

00:33:32
Speaker 2: You're like, who is?

00:33:32
Speaker 1: If you didn't know who I was, and a lot of people didn't, it's like, who is Bobby Bones? The other one is a group of people going why are they being mean to him? And the other one was like, I agree, go away Bobby Bones. So he had these three groups of people. And I never admitted that I put the signs up, because had I admitted I put the signs up, nobody would have cared. It had been stunt, and I love a good pr stunt.

00:33:56
Speaker 2: Now, I later admitted it.

00:33:57
Speaker 1: When I put it in my book, bare admitted it. I just told the story about it, and the New York No, the Washington Post read the book early and wrote a story about it saying and that was fine because it wasn't the book. And I gave them the book saying that I was the one responsible for it, and everyone's pissed, like my company was pissed because they were trying to figure out who had put the billboards up, like there were thoughts off its a record label, it was different artists.

00:34:23
Speaker 2: But I did it all. It's awesome.

00:34:25
Speaker 1: I'm still so proud of that because I was able to keep it quiet for so long, like all of like the stuff that's happened in the awards or whatever, that's all fun and it's awesome. But that's one of the things I'm most proud of is pulling that off because I had to do multiple things.

00:34:39
Speaker 2: I had to learn a lot to do it.

00:34:41
Speaker 1: And then I don't tell secrets, and it was my secret, and if I told one person, it could have snuck little mice, little mice just feeding it to people, so that gets out. I was responsible for it getting out, even in the end, so I didn't have any problem with people talking about it because I'm the one that did it. I'm the one that put it out. So apparently they go on satellite radio and they're like, Bobby Man, he's jerk, he puts up that sign. I had no beef with these guys, and so I was like, all right, I'll mix it up. This is free press. So I go on the show, and I don't even remember I like called him out. I think I just started making fun of them a lot, which was pretty easy to do at the time because they had gotten so famous.

00:35:22
Speaker 2: You could do easy characters of them.

00:35:24
Speaker 1: Anybody that gets wildly famous, it's easy to do characters because they're everywhere and whatever they're doing that's working is now it's so existent that it's easy to mock, like the you know, you get so big that there ends up being hate. That's coldplay, that's nickelback, that's you can go down the line.

00:35:40
Speaker 2: And it was Florida Georgia Line.

00:35:41
Speaker 1: Because they got so famous, so it was easy. But they came at me first, and it was a gift. It was a little basket. It was the front door. Open it up like one of the baskets sometimes it's a baby in there. It was not. It was a gift of Florida Georgia Line coming at me and so forever for a couple of years, it's just like, give me the opportunity.

00:35:59
Speaker 2: I'm gonna take a shot him on the air.

00:36:00
Speaker 1: Once they had taken a couple of shots at me, and it was just fun to me because it wasn't personal. But i'd put him on the spot and made him donate to charity. I don't remember what the charity was, but I remember doing that and they were like, yeah, we're in. They came on to like I remember once Brian Kelly brought a picture he painted, like squashing the Beef to Vague.

00:36:18
Speaker 2: I don't even know where that painting is. I didn't think I ever brought it home.

00:36:21
Speaker 3: I don'd to charity. I don't know.

00:36:24
Speaker 2: I don't know, but it's it's all a cartoon to me.

00:36:27
Speaker 1: So we have this fight and then it's like I got tired of it because you can only like beat on the same drum for so long till people get tired of the sound. And also it wasn't that interesting to me anymore. And then they like broke up and I had a couple good experiences with Tyler after that.

00:36:42
Speaker 2: And so it was all good.

00:36:45
Speaker 1: And then Tyler comes on the Bobby Cast this podcast, and he was going solo at the time, like right before maybe he'd had a song out, but it was new in that.

00:36:58
Speaker 2: He's saying some.

00:36:59
Speaker 1: Stuff about his role in Florida Georgia line, and I think Brian Kelly got low upset by it. So Brian Kelly, the other guy that the guy that doesn't sing, calls Mike and is like, I want to come on the podcast, calls me, called me from Summer Slam at I remember him calling. I can barely hear him on the phone because he's at Summer Slam in the stadium. Yeah, and it's like people yelling, and he's like, I want to come on tell my side. And I'm like, well, we're gonna leave town, but if you want to come and do this, I will stay in for like six eight hours extra, We'll do studio and then I'll leave. He's like yeah, and then he gets on the phone calls me that night and tells me everything that I'm like save for the interview, but he was talking we hated each other.

00:37:45
Speaker 2: We would go walk to fist fight down a dirt road.

00:37:47
Speaker 1: It was all this stuff, and I'm like, dude, just say it on a microphone because in real life, like, I don't care.

00:37:54
Speaker 2: I don't have any interest in being other people's business.

00:37:58
Speaker 1: So it's day of and Mike and I I have like totally altered our schedule, ready to go.

00:38:03
Speaker 2: He is at and then he calls Mike, day up and says what.

00:38:06
Speaker 3: He'd like to wait until he puts that new music.

00:38:08
Speaker 2: I don't want to do what you want to do new music.

00:38:09
Speaker 1: And I'm like, dude, that's the biggest crock of crap because I told you we were staying, we were going to do this just for you.

00:38:14
Speaker 2: You had called to do it.

00:38:16
Speaker 1: And then he just quits and at least say you have COVID or something. I don't even know I have COVID existed yet.

00:38:20
Speaker 3: Then I think, so, yeah.

00:38:22
Speaker 1: Just say something, don't be like you know what, I want to wait for a better promotional opportunity.

00:38:25
Speaker 3: I got diarrhea or something bad move.

00:38:28
Speaker 1: So I was pissed, almost like you had me stay here, we set up the studio, we block other things out, and then you canceled day of with it. So I just went on the air and told that story. And it was right around the time that I was doing some stand up shows, getting ready to go out on tour, and I was doing this thing where if I like hosted the CMAS, what my h well, my jokes would have been roast. And I did a joke about Fudruck. I did a joke sau Florida, Georgia line if you're big fans of them, you can see Tyler Hubbardy's out opening with Keith Urban looking for Brian Kelly.

00:39:01
Speaker 2: He's a Fuddruckers something like that, something like that.

00:39:05
Speaker 1: So he goes on social media and it's and decides to like come back at me, and then he calls me back and he goes, you know who always hated you? Tyler Hubb throws Tyler back under the bus. He goes, Tyler Hubbard was the one that was always talking crap about you, And I'm like.

00:39:19
Speaker 2: Dude, I don't care anymore.

00:39:22
Speaker 1: And also, you screwed us, you cost me time man money and then you and so yeah, like I'm not really angry. It's I have no beef with Tyler. I don't have any beef with BKA either. I'm not gonna do anything with them. But he tried to throw Tyler under the bus again to get whatever weirdness was with.

00:39:40
Speaker 2: Us to go away.

00:39:42
Speaker 1: It was like he was trading that, I'll give you some news on Tyler Hubbard. Yeah yeah, so yeah, that was that one. That's a fun one. That's a fun one. That makes me laugh.

00:39:53
Speaker 3: He fitsts fighting down a dirt road. I want that.

00:39:57
Speaker 1: Because he for sure was like telling me everything. And I had him on speakerphone because I was just sitting there, and you know how somebody just keeps talking. You put on speaker on you're like, oh my god, and my wife walks up while he's on speaker and it's like, what are you doing?

00:40:07
Speaker 2: I hit on mute.

00:40:07
Speaker 1: I was like, BK's talking all.

00:40:09
Speaker 2: This crap about Tyler Hubbard, Like I care, like, do it on them? And she was like, okay, good luck. All right. So there's that one.

00:40:15
Speaker 1: So FGLBK, there's one. Do you have another one you want to know about?

00:40:20
Speaker 3: Yeah?

00:40:21
Speaker 1: I don't care.

00:40:22
Speaker 3: Oh, Casey Musgraves, good one.

00:40:24
Speaker 2: This one's my.

00:40:25
Speaker 1: Fault, and i'd like to I am a massive case mus Graves fan, like one of my favorite artists of all time.

00:40:35
Speaker 2: It all went back to.

00:40:37
Speaker 1: A CMA or ACM radio.

00:40:44
Speaker 2: We set up on like a radio row, and all these artists come by. Now.

00:40:48
Speaker 1: I mentioned earlier that it was brutal for me the first couple of years because I was different than anything else that this city in this format had ever seen, because I refused to wear a cowboy hat and a belt buckle. And there are different version of country. I was trailer trash country. I was white guy trailer park country. I wasn't cowboy country, and I didn't fake it. And also I have a lot of hip hop, a lot of alternative, a lot of country influences in my life, Like I grew up in the country and listen to country talking about where I was from. But how I felt being like an angsty teen was more alternative space.

00:41:18
Speaker 2: And I was a big hip hop guy.

00:41:19
Speaker 1: I went to a school that wasn't all white, so also had digital music like Napster existed. So I had all these influences on me, and I didn't care to come in and fake it, which is what everybody wanted me to do, but I wouldn't do it.

00:41:32
Speaker 2: And it was so anti me.

00:41:34
Speaker 1: I felt so attacked in so many ways from the industry, from a certain sect of artists that I then put the razor blades up, and anybody that even was having like a slightly bad day, I thought they were being disrespectful and just shot their head off.

00:41:48
Speaker 2: This is like the first three years.

00:41:51
Speaker 1: And so what I like about Casey a lot is also I think what got us into the fight is that I'm hyper sensitive because there like articles and like radio trade magazines talking garbage. I'll never make it. And at the time, ratings weren't great the first couple of years. How it was a mistake, how record labels are trying to get me pushed out on on and so Casey's nobs and again that's one of my favorite things about her, Like she is and she wasn't fake, and she wasn't like over the top nice.

00:42:26
Speaker 2: So I took that as.

00:42:28
Speaker 1: All right, you're being mean, blades up and it was a bad mix that day, and so I just got pissed off about it on the air, and I was like, you treat people bad. But I was completely at fault because had I not been wildly triggered by the Nashville we'll call it.

00:42:47
Speaker 2: The machine, I think it just would have been amazing. So that's on me.

00:42:52
Speaker 1: I also didn't know that Casey was nobs. She was kind of a new artist, but it didn't matter.

00:42:57
Speaker 2: That's on me. But yeah, anybody that came near.

00:43:01
Speaker 1: Me at that time bowl in a china shop, I'm about to run through you because.

00:43:05
Speaker 2: I don't want you, boy, take I don't.

00:43:06
Speaker 1: I was so triggered and so sensitive about everything at that time, so there's that one.

00:43:10
Speaker 2: Boom.

00:43:11
Speaker 7: Let's take a quick pause for a message from our sponsor, and we're back on the Bobby Cast.

00:43:26
Speaker 2: I got into a fight once with Craig Campbell. Really you don't remember that one?

00:43:32
Speaker 3: No, I don't remember that.

00:43:34
Speaker 1: It's very short lived and we've been way cool since. But Craig Campbell has that song Keith Them Kisses Coming. I like Craig a lot now. I liked Craig a lot then, but we were doing like covers and Eddie and I were playing on these covers and we did Craig Campbell featuring the Raging Idiots It will Never be Royal, Yeah, Lord Royals, and Craig covered it, and I thought it'd be a super interesting cover because he's so country, and so we did it and put it out, and like TMZ had this very brief thing where they had a Nashville office and they would go down and try to like get all the country starts. And they went to Craig Campbell and they were like your song Royals, great job, and He's like, yeah, I just thought we'd do it one day.

00:44:15
Speaker 2: And I got so offended that he didn't credit me, because.

00:44:17
Speaker 1: I'm the one that was like, dude, let's do this song. I'll record it again. It lasted like one day because I went on the air.

00:44:24
Speaker 2: I was like, he didn't come up with the idea, and.

00:44:27
Speaker 1: Then he was like, yeah, my bad. I should have said you guys came up with it. They got in my face and I reacted. So that that was a brief blip. I had a blip with Caine, really well Caine that I got into a big Twitter fight on the air one morning, way early.

00:44:39
Speaker 2: And I think Cain is actually a friend now Kane Brown.

00:44:42
Speaker 1: Caane Brown is my friend, but when Caane Brown started, we were both much younger.

00:44:49
Speaker 2: He's far younger.

00:44:51
Speaker 1: I didn't know Kane and I think we were doing like a Christmas show or something, and Caine came in and there was like no room for anybody to do like this charity show. We were playing like a bar or something, and I think we were like arguing over who got what chair. It was something so stupid like that that I took it to air. I think it was slicking for someone to talk about and Kane started tweeting back at me and we kind of got into it online and then we were both like and I got a shoutut kanecause he's much younger than I am and much more more sure than I am. So but Kane and I got into it for just a minute. But love Kane now. But also I can get over some of these too. That's what I like to say Aaron Watson.

00:45:31
Speaker 3: I remember that.

00:45:32
Speaker 1: Yeah, So Aaron Watson who I do like now. And Aaron Watson does a great job on social media now, especially on TikTok. He does like Tailgate Talks, funny guy, big Texas country artist came by the studio one day. Some of this is gonna be blurred to me. I remember he called our producer sweetheart. I don't know if I wasn't there, or if we were doing the show and he didn't get in. I don't know what the deal was, but she was so offended that he was like, here's my seat, sweetheart. This was one of those times where I just had the people on my team and she was so offended by it.

00:46:05
Speaker 2: All Right, I'm in, then I gotta defend you.

00:46:09
Speaker 1: Even though I knew where his heart was, and his heart wasn't at a bad place.

00:46:12
Speaker 2: His heart was grew up in a small Texas town and called women's sweetheart.

00:46:19
Speaker 1: Now that's not my vernacular to call women, but it was a Leana ar Old producer, and he were like, here's my CD suite. And she was so offended that I was like fine, and so I just went on her team. I would I don't think I would do that today. And I don't think he had any any hate in his heart or any insulting in his mind when he said that, do you.

00:46:41
Speaker 3: No, I don't think so.

00:46:42
Speaker 2: I think that was one that I.

00:46:43
Speaker 1: Just blew up because one I wanted her to felt like she was being defended, and two I was probably low on content that day.

00:46:53
Speaker 3: I mean that blew up.

00:46:54
Speaker 1: It blew up, It blew up. And Aaron and I are cool now for sure, but that one blew up pretty good. But I liked it. I liked it that it blew up.

00:47:01
Speaker 3: I'd say, worthy of the making it a big deal.

00:47:04
Speaker 2: Say that again, it's worthy to making a big deal.

00:47:07
Speaker 3: What all happened from it?

00:47:08
Speaker 1: Oh?

00:47:08
Speaker 2: Yeah, yeah, I know it. It was worth it. Another one's Neil Patrick Harris.

00:47:14
Speaker 3: No idea about this one.

00:47:15
Speaker 2: After I went Dancing with the Stars, he dm me like, you you're you suck. You didn't deserve to win what out of nowhere?

00:47:26
Speaker 3: And I was like, doogie howser DMed you?

00:47:28
Speaker 1: He did, And so I went on the air with it and I was like, Neil Patrick Harris was coming at me for winning Dancing with the Stars. Apparently he was friends with one of the people that was also on the show and was just taking it out on me.

00:47:40
Speaker 2: And so I replied back and I was nice, and I was like, are you for real?

00:47:43
Speaker 1: It's like a joke.

00:47:43
Speaker 2: Are you doing a bit?

00:47:44
Speaker 3: Thank you?

00:47:45
Speaker 2: Yeah? And it was a back and forth for a second.

00:47:48
Speaker 1: Then he ended up replying to that little back and forth like three weeks later. I was like, hey, sorry about that. I was just a little little upset that my friend lost.

00:47:57
Speaker 3: You think it's one of those things where he typed in his phone not meeting to say.

00:48:00
Speaker 1: And then actually, I don't know, but I thought it was so funny that Neil Patrick Harris was so affected by Dancing with the Stars. But then I realized that one of the people that he knew was on it. But even then, like, I didn't do anything to win except do what you're supposed to do to win. It wasn't like I manipulated anything, you cheated yeah.

00:48:19
Speaker 3: So, but yeah, no, he broke someone's leg or something.

00:48:23
Speaker 2: The Neil Patrick Harris one's kind of funny. That's one.

00:48:27
Speaker 1: A recent one's with Dasha. Oh yeah, very BK, like very BK like where it was an interview set up. She canceled day of like right before and we're like, hey, don't you don't want to do this interview this day?

00:48:40
Speaker 2: You don't want to do it.

00:48:40
Speaker 1: You don't want to do it?

00:48:41
Speaker 2: Yeah, yeah, yeah, you don't want to do it.

00:48:43
Speaker 1: The thing is about this one is I have somebody on the inside I don't want to say who it is, and somebody in the inside hit me up before the cancel cancelation. It was like, hey, Dasha was going to cancel and she's not sick and she just doesn't want to do it today, but.

00:48:54
Speaker 2: They're gonna make it thing.

00:48:55
Speaker 1: And then Mike kids me up an hour later, Hey Dash is sick, and I was like I just got a call going she's gonna.

00:49:00
Speaker 2: Do this and she's not sick.

00:49:01
Speaker 1: So hmmm. I don't like it. I don't like how made me feel. I think there could have been better ways to do it. But what is your what has your had?

00:49:15
Speaker 5: That all lines up because we actually moved that one twice. That was the second time we had moved it. Yeah, so it kind of lines up with what I know and yeah, another like wait till new music type things.

00:49:24
Speaker 1: Yeah, and you know what, when she doesn't need me, nobody needs me.

00:49:28
Speaker 2: I know that.

00:49:28
Speaker 1: I think it can be advantageous to come on to the radio show where this podcast. I think it could be as advantageous anything else. But nobody needs me, so I don't have that. So she doesn't need me. I don't need her, and I don't like that relationship. I don't like being lied to.

00:49:44
Speaker 2: So we're good.

00:49:47
Speaker 5: But the annoying part for me is they reached out to me about having her on and even I was like I don't know about this, and I was like, you know what, it might be good to have her on and let's see what she says.

00:49:56
Speaker 2: The second time.

00:49:56
Speaker 5: Yeah, And I was like, okay, like I'll see what happens here. And then for them of that, it's like we didn't even ask for.

00:50:02
Speaker 3: Her to come on.

00:50:02
Speaker 1: I know, then I gotta but I got a call before the backout though was the hard part.

00:50:06
Speaker 2: Hard part, like she's gonna cancel, she's gonna say she's sick.

00:50:08
Speaker 1: She's not sick, just so you know, because I know this is the second time you booked it. And then I thought maybe she won't like hey man, Dash's out?

00:50:15
Speaker 2: Oh is she.

00:50:18
Speaker 1: Dash? She doesn't need me.

00:50:19
Speaker 2: I don't need Dasha.

00:50:20
Speaker 1: The world's fine without our union. I think the world is just fine without our union. Another one is Mojo the radio guy.

00:50:29
Speaker 3: Oh yeah, this.

00:50:30
Speaker 1: One still pisses me off, just because it's about Saint Jude and cancer kids.

00:50:37
Speaker 2: Well, I don't know three four years ago.

00:50:39
Speaker 5: I don't remember many years ago more than that you think, so I say it was pre COVID.

00:50:42
Speaker 2: Do you know why he came at me for this, because I do not.

00:50:46
Speaker 1: I don't know what the motivation was other than jealousy.

00:50:49
Speaker 3: I think it came out of nowhere.

00:50:50
Speaker 2: Really, all I know.

00:50:52
Speaker 1: Is this dude named Mojo who does radio and Detroit was on saying I only work with Saint Jude so I can get the credit for it. And that's tough to hear because I don't wear that on my sleeve. I'm not the Saint Jude guy who goes around talking about it all the time whenever it's time to talk about it.

00:51:10
Speaker 2: Because here's the reason. One.

00:51:14
Speaker 1: I was in the hospital a bunch as a kid, and without the help of freaking medicaid or government help.

00:51:22
Speaker 2: Is that Medicare or Medicare, it's medicaid.

00:51:24
Speaker 3: Right, Medicare, Medicaid, yeah.

00:51:26
Speaker 2: Whatever, whichever one.

00:51:28
Speaker 1: And then like people at church, like people taking care of me. I wouldn't have been able to be in the hospital and get it paid for and get out and it can. Almost died when I was a kid, So that was it. I know what it's like to be in the hospital and depend on other people, and that's what Saint Jude does.

00:51:41
Speaker 2: Two, I've been there. It's pretty close, and they take kids from all over.

00:51:47
Speaker 1: And there was already a relationship with country music, and so I kind of jumped in on that and grew it from that.

00:51:53
Speaker 2: So it was all these things combined.

00:51:55
Speaker 1: But I'm never the guy who's like, celebrate me because of what I've done with hospital and to hear that, because I purposefully don't do that. Also, there are a few organizations we work with and I really separate them out because if I'm talking about three things at once, nobody hears one single thing. You hear nothing, So it's like there are specific times where I'm doing military stuff, where I'm doing Saint Jude, where I'm doing animals, those like the three things that I do the most, and so yeah, Mojo is like he only I remember being shocked by that because there are reasons where I think it's okay for people not to like me because I have bold opinions or I've just created a bold opinion because I need some content for that day. But this was out of nowhere, and so I went right at him and I was like you, And I don't know if he ever apologized, I don't know.

00:52:42
Speaker 2: I thought it was such a.

00:52:43
Speaker 1: Low class move that if he did, I don't think that I would have been like, oh, I get it, man. I just have been like, you know, we're probably better. This union is probably better not being created.

00:52:55
Speaker 2: But that's what I.

00:52:56
Speaker 1: Remember about it, is not even being hurt by it, because I'm not hurt because I know why I do what I do, so I'm not hurt by it. But I was like, why would somebody even do it? Was there are eighty four things to attack me over that is not one.

00:53:10
Speaker 3: It's not like you have it in like your Instagram.

00:53:11
Speaker 1: I don't like you don't have anything.

00:53:13
Speaker 2: You have nothing.

00:53:14
Speaker 1: You can't even find it unless you go on like Google search it and it. Yeah, that one, that's the only one that I think kind of pissed me off because I did not understand where it was coming from, and it was something that was like such a sensitive thing to like create drama over. I like the people on a show, I know them, they're great. I got no use for him, but I thought that was dirt dirt ball.

00:53:40
Speaker 2: I think that's the most dirt ball of all of them.

00:53:42
Speaker 1: So that being said, if we go back to our original concept here of beefs are funny, I think Gavin Icock fighting with everybody is hilarious. There was a scene in Commando back in the day, I don't know that on Swartzenegger where he's in them all and he's fighting everybody off on like eight guards get on him and he's he's underneath them and he.

00:54:01
Speaker 2: Throws them all off of him.

00:54:02
Speaker 1: That's how I've picked her Gavin Adcock right now. I'm not even saying he's right or he's wrong.

00:54:06
Speaker 2: I don't care. It's all theatrics and it's hilarious.

00:54:10
Speaker 1: So that's up.

00:54:11
Speaker 2: That's what's up. Thought I would address the beefs here on this.

00:54:13
Speaker 3: This version, we'll have a Commando reference.

00:54:15
Speaker 2: That's a good one.

00:54:17
Speaker 1: And also when I do one of those Q and a's where it's like ask me anything, everybody's always like, what's the who's the beef with? And so I can just point him to this episode. Now, there are people that I in country that I am fighting with now, but it's like personal, so it's not even a beef. It's like real things happen in real life, so that's not even a beef.

00:54:39
Speaker 2: So if it's not known, it's not a beef, right.

00:54:42
Speaker 3: Yeah, yeah.

00:54:43
Speaker 1: Otherwise it's like a friend you fight with. All Right, that's it now. I thank you guys for being here. Please share this with your friends on your Instagram story.

00:54:52
Speaker 2: It helps us a ton. I hope you have a great rest of the week.

00:54:55
Speaker 1: Next week on the podcast, we have Dirk Spentley coming up Tuesday, excellent. We did an hour with Dirks and then on Thursday or Friday Friday Friday, the ting Tings and the teen Things were in Spain when I talked to them, and ting Tings have the first song shut Up and let Me Go, But the real one is they call me say danam they call me stay. See that's not my name, Dantam, that's not my name. So ten tings next week. Thank you guys, and we will see you guys soon.

00:55:23
Speaker 7: Bye Blady, Thanks for listening to a Bobby Cast production.