Sherlock Holmes - Hound of the Baskervilles Part2

<v Speaker 1>This is bitter wing Watson's head. Now, where was that answering?
<v Speaker 2>Like you think I heard up as your show by
<v Speaker 2>a nearlytic hot circle, good hymns.
<v Speaker 1>But Dad Watson', I don't know. I heard it once before.
<v Speaker 1>It's it's a sound they have on the world, Watson.
<v Speaker 2>It was the cry of a hound, the hound of
<v Speaker 2>the basketballs. Even to this day I tremble and I
<v Speaker 2>recall these words. My name is Watson, doctor Watson, and
<v Speaker 2>it was my privilege to share the adventures of Sherlock Holmes.
<v Speaker 2>Just refresh your memory on events so far, then we'll
<v Speaker 2>tell you what happened next concerning the Hound of the Basketballs.
<v Speaker 2>When Doctor Mortimer had finished his strange story of the
<v Speaker 2>Hound of the baskyvill and how said Charles admit his death,
<v Speaker 2>my friend Sharlock Holmes persuaded Doctor Mortimer and Lee to
<v Speaker 2>accompany Sir Henry Baskerville to the ancestral home.
<v Speaker 1>On dotmoll Well. Holmes remained behind in Baker Street.
<v Speaker 2>We soon found ourselves driving across the moor to Baskerville Hall.
<v Speaker 1>Wonderful country in the dotta soble, there's autumn in the hell?
<v Speaker 3>Hello, what is.
<v Speaker 4>Not there?
<v Speaker 5>On the skyline, a man on horside with a rifle.
<v Speaker 1>There's a convict escape from the prisons. Oh be out, there's.
<v Speaker 5>Three days now, the borders of westing.
<v Speaker 1>Every road and that nose had a yet farmers five
<v Speaker 1>years don't like you for at the time.
<v Speaker 3>But who is he?
<v Speaker 2>Then? Sol murderers and he's somewhere out there hiding in
<v Speaker 2>a burrow like a wild piece. It's all this more needs, gentlemen.
<v Speaker 2>I don't know if it's my imagination, but it's getting
<v Speaker 2>mighty cool. Welcome, say welcome to Baskerville Hall.
<v Speaker 1>Thank you you are Barrymore, I say it. I am
<v Speaker 1>sir Henry. I see doctor. Will you stay for dinner?
<v Speaker 5>No, thank you?
<v Speaker 2>If you don't mind, my wife could be expectedly I
<v Speaker 2>stay to sure you will in the house.
<v Speaker 1>But Barrymore will be a better guy than I.
<v Speaker 2>Oh well, turkans Burgon's take Dr Mortimer m with you
<v Speaker 2>or a wilent doctor.
<v Speaker 4>And thank you for all the help, oh doctor.
<v Speaker 2>Just as I matter this drafters, oak, panelings, tags, heads,
<v Speaker 2>coats of arms.
<v Speaker 1>Isn't it the very picture of an old family home?
<v Speaker 2>And my people have lived here for five hundred years?
<v Speaker 2>Excuse me, sir, yes, mama, sir, huh, my wife and
<v Speaker 2>I will be happy to stay with you until he's
<v Speaker 2>made fresh arrangements. Fresh arrangements doing your wife and you
<v Speaker 2>want to leave only when it's quite convenient to use her, well,
<v Speaker 2>i'd uh, I'd be sorry to start my life here
<v Speaker 2>by breaking an old family connection. I feel that to sir,
<v Speaker 2>and so does my wife. Then what's the trouble to
<v Speaker 2>tell the truth, sir? We were both very much attached
<v Speaker 2>to Sir Charles, and his death gave us a shock
<v Speaker 2>and made these surroundings very painful to us. I'm afraid
<v Speaker 2>we could never be easy in our minds at Basketville Hall. Again,
<v Speaker 2>what do your plan to do?
<v Speaker 5>Well?
<v Speaker 2>I've no doubt, sir, we will succeed in establishing ourselves
<v Speaker 2>in some business. Sir Charles's generosity has given us the
<v Speaker 2>means to do it.
<v Speaker 6>And now, Sir, perhaps i'd better show you to your room.
<v Speaker 2>Good morning, doctor Watson, Oh morning, say Henry, did you
<v Speaker 2>only hear someone sobbing in the night?
<v Speaker 1>Well, that's curious. I thought it was all a dream.
<v Speaker 1>I very quite distinct that a woman sobbing.
<v Speaker 2>Good morning, gentlemen. Oh, now I'm on it's by good breakfast.
<v Speaker 2>I told me we both thought we heard a woman
<v Speaker 2>crying in the night. Do you know anything about it? No,
<v Speaker 2>sir Henry, there are only two women here at night.
<v Speaker 2>One is the scullery maid who sleeps in the west wing,
<v Speaker 2>and the other here is my wife. It certainly wasn't her.
<v Speaker 2>Can I bring you more coffee?
<v Speaker 1>Sir? No, faker very good, saying I don't believe him.
<v Speaker 1>Why not?
<v Speaker 2>Now? I passed missus Barramore on my way downstairs. Her
<v Speaker 2>eyes were red and swelling. It must have been her.
<v Speaker 2>Do you think it was him following me in that
<v Speaker 2>cabin Regent Street? When we left you walked to lunch
<v Speaker 2>in London home senter telegram to Bartimore.
<v Speaker 1>With strict instructions that it was to.
<v Speaker 2>Be delivered personally to Battermore. All returned. I thought i'd
<v Speaker 2>walk over to the groom from post office and have
<v Speaker 2>a word of the person mostter. It'll give me something
<v Speaker 2>to report the homes if you ever walk.
<v Speaker 1>No, no, no, I've got a lot of papers to
<v Speaker 1>attend to here. You're going around. I'll see you back
<v Speaker 1>here for a lunch. You watched her queerly, and so
<v Speaker 1>my boy took the telegram and gave it to missus.
<v Speaker 2>Barrymore, why not to mister Balimore himself instructed?
<v Speaker 1>He was up in the laughter at the time.
<v Speaker 5>You didn't see who by Shirley.
<v Speaker 1>His wife got to know where he is. He got
<v Speaker 1>the telegram, didn't he? It is any mistake.
<v Speaker 2>It's a mister Ballymodica play. Excuse me, but isn't this
<v Speaker 2>Dr Watts? Well, yes, but I don't think I allow
<v Speaker 2>me to introduce myself a Stapleton Medipit House.
<v Speaker 1>Oh how do you do that? I hope sir Henry
<v Speaker 1>is none the worse for his journey. You the well,
<v Speaker 1>thank you excellent.
<v Speaker 2>If you're going back to Baskerville Hall now, doctor, and
<v Speaker 2>that was my intention, then our roads lie together. And
<v Speaker 2>just over there you can see the proof of smoke
<v Speaker 2>from here. And that's where I live, the Menipit House.
<v Speaker 2>It's only a moderate work from word pass. If the
<v Speaker 2>who minutes to spare, I should appreciate the honor of
<v Speaker 2>introducing you to my sister.
<v Speaker 5>I should be delighted.
<v Speaker 1>Don't come along.
<v Speaker 2>Then.
<v Speaker 1>It's a wonderful place to the board.
<v Speaker 2>You'll never tire of it. You can't think what secrets
<v Speaker 2>it contains. You know it well, and I didn't there
<v Speaker 2>two years. The residents call me a newcomer and put
<v Speaker 2>my case slavely to explore every part of the country
<v Speaker 2>round and you can see I'm a naturalist.
<v Speaker 1>And some of the locals laugh at my butterfly net.
<v Speaker 2>And this tin I always carrying the love it up,
<v Speaker 2>or that I even recently come here. I shoot things
<v Speaker 2>for a few men who know the more better than
<v Speaker 2>I do. But it is it's so hard, very hard.
<v Speaker 2>But this is You've see that great plain to the
<v Speaker 2>north with the hills behind it. That is the great
<v Speaker 2>group a mile a full step downs death to man
<v Speaker 2>or beast. It's dangerous to cross, even in the dry
<v Speaker 2>seatings that after these autumn rains. It's an awful place,
<v Speaker 2>is I can find my way to the very heart
<v Speaker 2>of it, and you come back and lie otherwise you
<v Speaker 2>want to go to that a dreadful place.
<v Speaker 1>You'll see the hills beyond.
<v Speaker 2>There are real islands cut off on all sides by
<v Speaker 2>the mile, and there's a crawl round in.
<v Speaker 1>The course of years.
<v Speaker 2>Death is where the rare plants and butterflies are. But
<v Speaker 2>one of two paths was an active man to take. Well,
<v Speaker 2>I'm trying out some days, for God's sake, puts such
<v Speaker 2>an idea out of your mind.
<v Speaker 1>Wouldn't have a.
<v Speaker 2>Chance it So anybody remembering very conflicts landmarks.
<v Speaker 4>That I can do it?
<v Speaker 5>Good Heavens, what was that?
<v Speaker 1>We are placed? More? What is it? Man?
<v Speaker 2>The peasants say, it's the hundreds of basket bills calling
<v Speaker 2>for its prey.
<v Speaker 1>So weirdest thing I ever earned my life?
<v Speaker 2>Leave me an indo, rob, I canny playing together? Look
<v Speaker 2>at that hillside?
<v Speaker 1>What do you make of those.
<v Speaker 2>Circular wings of stone? What I see tells no? There
<v Speaker 2>the homes of our worthy ancestors.
<v Speaker 1>If it's quite a town?
<v Speaker 5>Where was it inhabited?
<v Speaker 1>Neolithic? Man? No date?
<v Speaker 2>Oh excuse me? Do you see that butterfly? Into psychophagies?
<v Speaker 2>Biy rack you scarcely over see.
<v Speaker 1>Them in the autumn. I must try and dainty.
<v Speaker 5>I dare necessarily let me care hole.
<v Speaker 1>You'll tell me how Dave is it? Because he knows
<v Speaker 1>what he's doing.
<v Speaker 7>Good Heavens, don't constraight that to London?
<v Speaker 1>Why Why should I do?
<v Speaker 7>I can't explain? But would God's sake do what I ask?
<v Speaker 8>You?
<v Speaker 7>Go back and never set foot on them all again.
<v Speaker 5>I'd rather come back. It's not a word of what
<v Speaker 5>I think. Would you mind getting that orchid among the
<v Speaker 5>mad jails? Were they origin orchids on them all? Or
<v Speaker 5>they it's getting rather wait.
<v Speaker 1>For them devil introduced yourselves.
<v Speaker 7>I see, yes, I was telling to Himry that the
<v Speaker 7>orchids are nearly over.
<v Speaker 1>That's not Sir Henry Baskerville. Come and I'm his friend,
<v Speaker 1>Dr Watson.
<v Speaker 7>And we've been talking of cross curtains.
<v Speaker 1>Why you haven't very much time to talk?
<v Speaker 7>I talked to if Dr.
<v Speaker 5>Watson were a redident instead of just.
<v Speaker 8>Ability, it can't matter to him who has the return
<v Speaker 8>early for orchids? Never mind, don't please come and see
<v Speaker 8>Merkith House doctor.
<v Speaker 1>No, really, thank you, I I promise Sir Henry. It
<v Speaker 1>must be a pleasure at the third or Why Dr Watson?
<v Speaker 1>I waited until it to night to finish this letter
<v Speaker 1>to yours.
<v Speaker 2>I did not wish to arouse Uh Henry's curiosity alarm,
<v Speaker 2>and mentioned to him that I had met the Stapletons,
<v Speaker 2>but not that she had whispered to me this strange warning,
<v Speaker 2>even that I was, Sir Henry myself Stapleton Lands, the
<v Speaker 2>school I st in the north, whose school was running
<v Speaker 2>world and an epidemic que field the boys, and it
<v Speaker 2>never recovered from the blow.
<v Speaker 1>Sir Henry's in excellent spirits.
<v Speaker 2>We've been sitting over the fire and talking with the
<v Speaker 2>portraits of Bascoville ancestors, looking down as.
<v Speaker 1>The faday two o'clock in the morning. Who was that, ah,
<v Speaker 1>Sir Henry, any wrong? I'm not sure there was a
<v Speaker 1>creature in a passage outside. I saw a candle and
<v Speaker 1>a shadow. Yes, there you are.
<v Speaker 4>Yeah, I liked him, one of those.
<v Speaker 1>Wrongs ad anymore?
<v Speaker 5>What's he doing?
<v Speaker 1>Seems to be secret that.
<v Speaker 5>The candle I should think of staring out on the moor.
<v Speaker 2>And there Helms a little more of consequence to report
<v Speaker 2>this morning. No more nocturnal wanderings. And today mister Stapleton
<v Speaker 2>and he is handsome sister returning us for luncheon, Doctor Mortimer.
<v Speaker 1>Evening. There Helm's a new complication. If we had not.
<v Speaker 2>Enough, Sir Henry, turning off this attachment to mister Stepleton's sister.
<v Speaker 2>This was clear enough at our first luncheon about her
<v Speaker 2>that I wrote to earlier, And equally clear.
<v Speaker 1>Was mister Stapleton's hostility. Now the thing has moved further
<v Speaker 1>and meeting on the moors.
<v Speaker 2>Between Sir Henry and the sister interrupted with angry words
<v Speaker 2>that the jealous mister sticked otherwise nothing which we listen
<v Speaker 2>every night for better order to repeat his strange behavior.
<v Speaker 1>Yes, he's gone to that room again.
<v Speaker 5>I'm going to challenge him.
<v Speaker 1>P r a father, what are you doing here? He
<v Speaker 1>must have been holding that candle as a signal.
<v Speaker 5>You you mean that it's not a signals?
<v Speaker 1>Hur you need that candle? Now let us see if
<v Speaker 1>there's any answer.
<v Speaker 5>Yeah, sir, it is by Joe Les Rascal.
<v Speaker 1>He seldom has a signal. It's my business, not yours,
<v Speaker 1>but advice and lead. Play it in the morning. Come
<v Speaker 1>what's in me and worry about that. I'm going to
<v Speaker 1>take that man out there, whoever he may be.
<v Speaker 5>This is Cliverer Will Watson. Now where was that answering?
<v Speaker 5>Let you say?
<v Speaker 1>The hod on that here show about a near little
<v Speaker 1>hut circle.
<v Speaker 2>Got him?
<v Speaker 1>I said, wasn't. I don't know. I heard it once before.
<v Speaker 1>I said, it's a sound they have on the moor, Watson.
<v Speaker 1>It was the cry of a hound, the hounds of
<v Speaker 1>the masters now barn lay. To whom were you signaling?
<v Speaker 5>Dr Watson and I go out.
<v Speaker 1>Unto the moor and find some firthy remnants of food
<v Speaker 1>and shelter?
<v Speaker 5>Who left them there?
<v Speaker 1>Don't ask me? So then he don't ask me.
<v Speaker 5>I give you my word, so it's not my secret trial.
<v Speaker 1>Aar, I sh yourself.
<v Speaker 5>Your family has lived with mine under this roof.
<v Speaker 2>Over a hundred years, and here I find you deep
<v Speaker 2>in some plot against me.
<v Speaker 8>No, no, sir, not.
<v Speaker 1>Against you with the dermo.
<v Speaker 3>Why as you can let me speak, it's my daring,
<v Speaker 3>Sir Henry. He's done nothing except for my sake. I
<v Speaker 3>asked him to do it.
<v Speaker 1>Well, speak up? Then what does it mean?
<v Speaker 5>My brother is starving out there on the moon.
<v Speaker 1>Your brother, I can't let him paint it on very.
<v Speaker 5>Gate, Sir.
<v Speaker 1>Our light is a.
<v Speaker 5>Signal we have food for him.
<v Speaker 1>Then your brother is the escaped convict, Sir, seldom the
<v Speaker 1>criminal is well ms certainly every word ll.
<v Speaker 2>I can't blame you for standing by your own wife,
<v Speaker 2>but you must see a man's a public dager. In
<v Speaker 2>a very few days there you'll be on his way
<v Speaker 2>to South America. If you can only lie quiet till
<v Speaker 2>the ship's ready for him.
<v Speaker 5>I beg you not to let the police know he's
<v Speaker 5>still on the little room.
<v Speaker 2>What do you say, Watson, Well, if you were safe
<v Speaker 2>here of the country and would read the textpairer of
<v Speaker 2>the burden, that's true.
<v Speaker 1>I suppose. I guess we're aiding and a betting, a felony,
<v Speaker 1>and what's all the same?
<v Speaker 2>I I I don't fail now, I can get the
<v Speaker 2>man out, and that's an embery, sir, certainly, Yes, what
<v Speaker 2>is it not? You've been so kind to a sir
<v Speaker 2>that I I should like to do the best I
<v Speaker 2>can in return.
<v Speaker 1>I I know something. What do you mean it's about
<v Speaker 1>poor Sir Charles's death?
<v Speaker 5>Sir?
<v Speaker 1>What do you know how he died? Oh, sir, I
<v Speaker 1>don't know that or what? Then? I know why he
<v Speaker 1>was at the gate? Why meet a woman?
<v Speaker 5>Yes, sir, what was her name?
<v Speaker 1>I can't give you that, sir, But I can't give
<v Speaker 1>you our initials. They were l L.
<v Speaker 2>How do you know that?
<v Speaker 1>Well, sir, you're on card a letter that morning. It
<v Speaker 1>was from Coon.
<v Speaker 2>Tracy and addressed in a woman's anty. How I thought,
<v Speaker 2>no more a matter, sir. The other day my wife
<v Speaker 2>was cleaned out Sir Charles's study and she found the
<v Speaker 2>ashes of a burned letter in the back of the grate.
<v Speaker 2>Most of it was Charles and pieces, but there was
<v Speaker 2>just one slip you could still read.
<v Speaker 1>What did it say?
<v Speaker 3>It said, please, please, as you are a gentleman, burn
<v Speaker 3>this letter and be at the gate by ten o'clock.
<v Speaker 5>And the initials were l L.
<v Speaker 1>And you have no idea who l L is? Noser
<v Speaker 1>m Burger, barnon you and your wife migirl. Thank you, sir,
<v Speaker 1>Thank God, bless you, sir, Ill Oday, dontelle a dork
<v Speaker 1>moniwer Hello, be take walk. Yes, I've been right around
<v Speaker 1>the back torm. Oh let me g go in atone then?
<v Speaker 5>Oh, thank you.
<v Speaker 1>Yeah, I'm very upset.
<v Speaker 5>Doctor, once my spaniel has disappeared.
<v Speaker 1>Oh years, little curly head Chap wandered off into the
<v Speaker 1>moor and never came back.
<v Speaker 5>Oh I'm sorry, any use of your alcome there?
<v Speaker 1>Who he acknowledges my reports? You doesn't say much?
<v Speaker 4>Who wrought him?
<v Speaker 1>Man?
<v Speaker 5>You know he's a little.
<v Speaker 1>Woman leaving around the held Inchol's l L not that
<v Speaker 1>I know of?
<v Speaker 4>Ill Bell.
<v Speaker 2>Oh wait a minute, yes, of course there is Laura
<v Speaker 2>and lions of Queen Tracy. Okay, oh married some artist fellow.
<v Speaker 1>Called lions who came sketching on the moors. He walked
<v Speaker 1>out on her, And now the poor.
<v Speaker 5>Girl hasn't a penny?
<v Speaker 1>How do you live?
<v Speaker 5>Several us have helped her Stapletons or Charles, so have I.
<v Speaker 1>She's managed to start a little typewriting business. Why do
<v Speaker 1>you ask?
<v Speaker 9>Oh, just curiosity, missus Lars I do mister uh doctor
<v Speaker 9>doctor Watson?
<v Speaker 4>Oh how do you do?
<v Speaker 1>How do you do? If you the late Sir Charles
<v Speaker 1>Basketville that I've come to see you?
<v Speaker 3>What can I tell you about him?
<v Speaker 2>You'll know him, John, Yes, I are a great deal
<v Speaker 2>to his kindness. Did you correspond with him?
<v Speaker 5>What is the object of this interrogation to avoid a
<v Speaker 5>public scandal?
<v Speaker 2>Yes?
<v Speaker 5>I did write once or twice to Sir Charles to
<v Speaker 5>acknowledge his generosity.
<v Speaker 1>How did you know nothing about your affairs to be
<v Speaker 1>able to help you?
<v Speaker 5>So, my friend, mister Stapleton, did you want to write.
<v Speaker 1>Sir Charles asking him to meet you?
<v Speaker 5>I certainly not, not one of any day of.
<v Speaker 1>Sir Charles's death. No, surely I'll never interceive you. Didn't
<v Speaker 1>you write? Please please burn this letter and be at
<v Speaker 1>the gate by ten o'clock.
<v Speaker 5>Yes, I believed that if I could see him, I
<v Speaker 5>could gain his help.
<v Speaker 1>Well, what haven't ready got there? I never.
<v Speaker 10>I swear it on all I hold sacred. Something intervened
<v Speaker 10>to prevent my going. What you probably know that I
<v Speaker 10>made a rash marriage, and I've had reason to regret.
<v Speaker 1>I heard something of the kind my husband has made.
<v Speaker 5>My life one in certant persecutor. I'd learned that there was.
<v Speaker 7>A possibility of regaining my freedom if.
<v Speaker 3>Certain expenses could be met.
<v Speaker 5>And I thought that if Sir Charles heard the story
<v Speaker 5>for my own lips, he might help me.
<v Speaker 1>Then why didn't you go?
<v Speaker 7>Because I received help from the interval from another sort?
<v Speaker 1>Then why didn't you write as a Charles?
<v Speaker 5>And then the next morning I heard that he'd died.
<v Speaker 1>I thought, you got lost on the moors along your lunch.
<v Speaker 1>She's waiting for him, thank you. No, no, no, no,
<v Speaker 1>I didn't get lost.
<v Speaker 2>I was driving back from missus Lands and Mortimer stopped
<v Speaker 2>me say he'd forgotten to tell me that he has
<v Speaker 2>observed the boy go up every day towards those stone
<v Speaker 2>huts on the hill. Regular stockword, that's odd, oh banon,
<v Speaker 2>that's what's he's here on very good, Oh and baramon,
<v Speaker 2>do you know anything about a boy going up on
<v Speaker 2>the moors?
<v Speaker 1>Is here anything to do with that precious relation of yours? No, sir,
<v Speaker 1>I think he takes food to that other man. Another man,
<v Speaker 1>and I don't know, sir. So one says he's got
<v Speaker 1>a convict.
<v Speaker 2>He says he's living in one of those throne huts,
<v Speaker 2>and the boy brings him up food from one of
<v Speaker 2>the villages.
<v Speaker 1>But he doesn't know who he is. No, sir, he
<v Speaker 1>doesn't like it, Sir, I can tell you waiting for something.
<v Speaker 1>He seems to be his foul play somewhere he was serious.
<v Speaker 1>What else can it be?
<v Speaker 5>Do you think he's that same fellow who has following your.
<v Speaker 1>Body in London? I met a sender, a proper tell you, no,
<v Speaker 1>I'll wasn't this. I'll go up on to the moors evening.
<v Speaker 1>I'll come with you. No, I can't pliment it. That
<v Speaker 1>which owns his last word to me keep him off
<v Speaker 1>the wall, especially after dark. And because I'm dark with
<v Speaker 1>then I get that fellow. Don't worry, don't worry. I'll
<v Speaker 1>take more of volver I can look after hisself.
<v Speaker 2>Do you realize saying this fellow may be the key
<v Speaker 2>to the whole mystery. He gave us the slipping.
<v Speaker 5>Region's feet past to his handsome cab.
<v Speaker 1>Well, you won't do it up there? Who knows?
<v Speaker 5>For once I may succeed.
<v Speaker 1>While eating homes. That's paper the tingling nerves.
<v Speaker 5>I sat in the dark processes of ut and waited.
<v Speaker 1>For the coming of its tenant. Then at last, why
<v Speaker 1>uh last lost? It's so lovely you'd be up.
<v Speaker 2>I really think you a big more comfortable outside of
<v Speaker 2>the house hors and please be careful with that Provola.
<v Speaker 1>Oh nice, Josh, I'm livermore and that's any one in
<v Speaker 1>my life. How did you know? I was seen? That
<v Speaker 1>wats some If you see this, the divis supplies me.
<v Speaker 1>You must change our tobacconis.
<v Speaker 5>Oh my sim yes, do you throw it down the doctor.
<v Speaker 1>That's supreme moment.
<v Speaker 2>When you charged into the empty house, but help was coming,
<v Speaker 2>the nag of funder did you get here?
<v Speaker 5>I sure you wouldn't think of street working on that.
<v Speaker 5>Ta's a blackmailing.
<v Speaker 1>That was what I wished to I'd been able to
<v Speaker 1>see her, missus.
<v Speaker 2>Laura lawns coom Tracy, Well, we've obviously been working on
<v Speaker 2>Palalale lines.
<v Speaker 1>What did you learn? But she made an appointment mister
<v Speaker 1>Charles at the gates. She admits that she wanted money
<v Speaker 1>to help her the wark, but I never went.
<v Speaker 5>Something happened to make her change her mind, but she.
<v Speaker 1>Wouldn't tell me what. She also said that she pressed
<v Speaker 1>got intus with Sir Charles through Stapleson.
<v Speaker 6>Ah.
<v Speaker 1>Now that's important. It bridges the gap. You're aware. I
<v Speaker 1>suppose that there's a close intimacy between the lady and Stapleton.
<v Speaker 1>I didn't learn. There's no doubt about it.
<v Speaker 2>Now this puts a very powerful weapon into my hand,
<v Speaker 2>if I can only use it to the test. Stapleton's
<v Speaker 2>wife his wife? Why yes, the lady who passes for
<v Speaker 2>his sister is his wife?
<v Speaker 5>Good?
<v Speaker 2>Heaven's why the eleverage deception? Because he foresaw that she'd
<v Speaker 2>been more use to him as a free woman.
<v Speaker 5>Then is he her enemy?
<v Speaker 1>Was he he who dogged us in London? So I
<v Speaker 1>read the riddle and the warning letter that must have
<v Speaker 1>come from.
<v Speaker 2>Her exactly, Holmes, how do you know this woman who's worfe?
<v Speaker 2>Because he so far forgot himself as to give you
<v Speaker 2>a true piece of autobiography When he first met you.
<v Speaker 1>There's no one easier to trace than the school. Must
<v Speaker 1>then once April than after.
<v Speaker 2>It is murder, once refined, cold blooded, deliberate murder.
<v Speaker 1>My god, what's that? The hounds three hounds of Wak
<v Speaker 1>who lay loss some God.
<v Speaker 11>The hundreds of Askamdals is one of the most famous
<v Speaker 11>stories of Sherlock Holmes, from the inspired pennel Sir Arthur
<v Speaker 11>Conan Doyle.
<v Speaker 1>We are presenting it in three parts, and you have
<v Speaker 1>just heard two.
<v Speaker 2>My name in real life is Norman Shell, my old
<v Speaker 2>colleague House and Hobbs Bayed Sherlock Holmes, and I was
<v Speaker 2>doctor Watson Phoenix.
<v Speaker 11>Felson wrote the script for this BBC production from London.
<v Speaker 11>I look forward to the pleasure of your company again
<v Speaker 11>very soon
<v Speaker 1>For part three of The Hound of the bastelas