DaBaby on surviving controversies, putting Charlotte on the map & Joe's robbing the gym story

00:00:00
Speaker 1: I heard about when you rob the whole gym. I do this story. I did the baby.

00:00:04
Speaker 2: That's why I like you because you're a real white you know you said show the whole Jim, and they helped me with the walkmans in the gi.

00:00:13
Speaker 1: Tell your.

00:00:27
Speaker 2: Yeah, yeah, what up y'allist Joe cracked the dog, your boy Jada?

00:00:32
Speaker 3: You know what it is? Did Joe and Jada show every show? Legendary, every show?

00:00:36
Speaker 4: I you know what I mean today is I'm not having the best of days, but I think it all. I think we're gonna finish up strong. That's you know what I mean.

00:00:48
Speaker 1: That's right.

00:00:49
Speaker 4: Well, you think of today's guests, You think of bars, You think of hit songs, You think of stadium.

00:00:58
Speaker 1: Shakers, You think of consciverse.

00:01:04
Speaker 4: Think it's somebody able to overcome conscivers, get back to the back.

00:01:10
Speaker 1: You think of a great father. You know what I mean.

00:01:13
Speaker 4: That's never leave that out because they always tend to leave that out. Think of a great father. You think of a great cook, a great chef. Get busy in the kitchen, right.

00:01:26
Speaker 3: You think of somebody you probably would have never thought that skills behind the camera, to the direct and create visuals. That he wants to bring to life for to make him a jack of all trades. Ladies and gentleman, make some noise for my brother to baby.

00:01:50
Speaker 1: That's the introduction of the Senil more No. I got a lay no, I got a lak. I appreciation for sure. It's a pleasure to be here.

00:01:59
Speaker 2: Watch the show. He don't give everybody them type. It's not that one. That was a roll out. That was extendo clip sweet.

00:02:06
Speaker 1: He deserves you know what I mean, gott to get that blood. Many of us left. We gotta hold each other. Now, come on, you know that.

00:02:15
Speaker 2: You know I was with you and I had just left you in the airport and a month into the guy what's the guy all? He was jerking off on the plane. What's friend? It was the same thing in the airport, brother.

00:02:41
Speaker 1: Jesus Christ.

00:02:42
Speaker 5: I got a confirmation on the way out that he was on the same flight. You was on the safe not the one y'all fight that one.

00:02:53
Speaker 1: I was in the airport. I said, what's up to you, y'all?

00:02:57
Speaker 2: The state flight overseas with somewhere Yeah, I think Duke buy us somebody I don't know, but I buked into him.

00:03:03
Speaker 1: Pend depend dependent and the next thing I get.

00:03:06
Speaker 2: Home, I see him on the news ship jerk yon diy one on once.

00:03:11
Speaker 1: Dependent dependence, y'all. I'm gonna leave him, never gonna let him live.

00:03:18
Speaker 5: That man alone.

00:03:21
Speaker 1: Man, he got caught in the moment. Man, you gotta let him. You gotta leave him alone sooner than later.

00:03:31
Speaker 4: You gotta give him.

00:03:32
Speaker 1: You gotta give a break. Right, that's the last one. I'm not going to get back on it right now.

00:03:37
Speaker 2: He dropped a nice record, Get greater later. Yeah, he dropped the nice record beacently too. So I got nothing but love for him. Oh the baby up in here.

00:03:48
Speaker 1: You know me.

00:03:49
Speaker 2: I always say he's uncancellable. It's almost like Dave Chappelle when they say he can't. So I'm like, hell, you know what, it's certain people. You can't throw that ship on. Certain people, you can't. Guy's a real guy. You know, he ain't a rat. You you could try to call him a rat, but don't nobody really believe it. Guys you throw certain dirt at them, a guy like me looking like, nah, that shit ain't real. And and so when they want you to fall to the noise, to the cancel and all that, Yeah, uh, so you in there. I watched it live, so me and my daughter was watching on the thing and I seen it and I didn't know it was gonna be as big as it was, But it turned into did you know it was gonna.

00:04:38
Speaker 1: Be that big? When you are absolutely not caught left field? You know what I'm saying?

00:04:43
Speaker 2: Big time though, right, that's a nami. That's how you're on the beach and the aunami shiit come? That shit is no inter I don't really like swimming in the ocean.

00:04:54
Speaker 1: I'm cool. I asked for my life jacket on the boat. You know what I'm saying.

00:04:58
Speaker 5: Definitely, you know, call a nigga left Fiel. But you know, shit happened stronger than that, you know what I'm saying.

00:05:05
Speaker 2: That up I heard you say, y'all, did fifty encourage you to stay rapping and stay focused?

00:05:12
Speaker 1: Stay?

00:05:12
Speaker 5: It was another nigga too, like you you ain't you ain't never shy away from like you know, just recognizing, like you know, just this ship the nigga stood for and just the fact that on the other show you had you had going on at the time, but it was it was a clip. Did I want to I'm gonna have to hogh let you because I wanted to put that on my documentary. We gonna need to be whatever I did you set, I was ready for yeah that one. So yeah, no, it was It was a niggas like y'all. You know, I always got loved from the ogs, the niggas that I you know what I'm saying, my you know what I'm saying growing up and niggas did everybody I looked up to and fucked with as a young and all the niggas fuck me.

00:05:53
Speaker 2: You know what happened to me is when I got in the rap game, I left the shoots and all and by hooker, by crook. I was determined to make it in this business. Like I was just like, yo, there's no there's nothing else to me, you know. And so I don't know your situation, but when you was going through it, when when I would talk to you, I'm just letting you know, like, yo, fuck what they said, you talented, Get back on that bike and fuck all a lot, like keep going in and you catch one and then you know, should it get better?

00:06:29
Speaker 1: And right now you got the biggest ship out there right now? What that feel like? All right? What that feel like when they telling you crazy, they telling you it's over, and now I know it.

00:06:41
Speaker 2: You don't feel you know, you had a couple of joints after that that popped off.

00:06:46
Speaker 5: With this one, this one, this is a smoker. What does that feel like? Feel like I was supposed to feel. I mean, I ain't forgot how to do nothing, you know what I'm saying. At the end of the day of anything, nigga, just you know, hey, I ain't got the difference, the difference in it is like I'm back just you know, having fun with this ship and I ain't looking I ain't looking for that in particular. And then that's when the ship just it's gonna go ahead, go regardless, you know what I'm saying. So it feels good to be you know, the have motherfucker's favorite, their favorite song all the ship everybody own.

00:07:20
Speaker 1: Yeah, that's why I'm supposed to now that bitch down. That ship came.

00:07:23
Speaker 2: That ship was the smoker on frint one. Listen they sent it to me. I say, oh no, this ship out it. I knew what it was and it's gonna be good though.

00:07:33
Speaker 4: From your journey, for sure, your journey, you know what I mean, whenever you whenever you got, whenever you nice, is it inevitable for your number to play in this particular game for some reason? Whenever, whenever you your first attempt at like yo, I'm one of them, and they and they give you a little pushback, you always get the fucking laugh lasting for sure. For sure, And the show I respect you feel like because you some dudes break after a couple of doors.

00:08:09
Speaker 5: Closed on them and get like that, they go, they gonna find another straight up. They switched major, straight up stuck it out, you know what I mean, And then all I loved.

00:08:20
Speaker 1: You because you ain't never been pussy. Let me tell you something that's a whole nother like nah, that's the whole we don't want to that's a whole break on that. You know what I'm saying. The baby ain't pushed, man. Let me get over there and get out of that, you know what I mean. I know what it gets about to do. I know when they get.

00:08:37
Speaker 2: Out the Charlotte, North Carolina?

00:08:41
Speaker 1: What did you have out there to inspire you? Yeah?

00:08:45
Speaker 2: What theever artist that came from Charlotte? I know, Pete problem, he ain't.

00:08:50
Speaker 1: Push me from Charlotte. But he from I've been, No, I've been.

00:08:55
Speaker 2: I got down with Pete Popo physical form being he gets twenty third do he's not what he did North Carolina, Right, that's what it is.

00:09:03
Speaker 5: So Peter Popler, who else about it? Jake Cole from there, Yeah, for sure, they bille North Carolina if he got Charlotte pretty much on his back he got that's the honey.

00:09:16
Speaker 1: Literally what he didn't. I didn't give a fuck. But I was in North Carolina. Yeah.

00:09:21
Speaker 2: So when at the height of the hate for you, you're fucking town, the radio, they stood by you two a billion percent. I was in North Charlotte, North Carolina, and I'm listening to the radio and they acting like, ain't no cancel here, We're playing this motherfucker, this motherfucker the baby.

00:09:40
Speaker 1: So your town, how do you feel with your town? I mean, I'm still there.

00:09:45
Speaker 5: I ain't win nowhere, but you know when to come in sell it like it wasn't no examples for sure of Like I was the first nigga.

00:09:54
Speaker 1: The ball. I'm saying, the first nigga, you know what I mean?

00:09:57
Speaker 5: We got we got a couple of niggas right there at that threshold right now, like ps my nigga shut out to him other than that like ahead of me, like I really had.

00:10:09
Speaker 1: To kick the dow down, you know what I mean.

00:10:10
Speaker 5: So that's what, that's what having in condition to be able to navigate through whatever in the industry, because it ain't it ain't nothing sweet, you know what I'm saying.

00:10:18
Speaker 1: It's Charlotte Like if you.

00:10:19
Speaker 5: Get up out of there, you get up out of there, you can got damn you can go anywhere. Let me tell you something.

00:10:26
Speaker 2: Every time I go to Charlotte Highway, I feel like stealing the trees.

00:10:33
Speaker 1: Yeah, we ain't got no trees. Y'all got cherry blossoms, and all of the Highway got the trees.

00:10:38
Speaker 2: I mean, you know, I should come down here with you all, steal all these ships and bring them back to my back. And they got the expensive trees on the highway with all the colors and all that ship shout out the Greensboro. Yeah, every year I go out the Greensboro in the summer, the Soulful Joint, you know, the soul food Jointed out there right or they give you pepto bismo with the food man.

00:11:02
Speaker 1: They know they're about the full.

00:11:05
Speaker 2: Bisos on the stand you walk in, they got beto bismo.

00:11:09
Speaker 1: Understand. You know you're gonna go to the toilet. Let yeah yeah, yeah yeah, So good over there, man.

00:11:16
Speaker 2: You know I went to uh or this this this so my experience in North Carolinas.

00:11:21
Speaker 1: To North Carolinas.

00:11:22
Speaker 2: Okay people, no no, no, no, no no, I'm gonna tell you right now.

00:11:28
Speaker 1: I'm gonna tell you right now.

00:11:31
Speaker 2: In North Carolina they are the nicest, sweetest people in the world.

00:11:37
Speaker 1: And racism is real.

00:11:40
Speaker 2: So I go one day to Ruth Chris because you always want me to fucking step on ship borrow. I went to Ruth Chris and I was dressed up like this and they was letting white people in with tank tops and fucking slippers on there.

00:11:55
Speaker 1: It was like, yo, you don't meet the dress. I said, what it was like you in there?

00:11:59
Speaker 2: And I had some hevone chi shit on, some flysh I'm like, They was like not to just code now the racism.

00:12:06
Speaker 1: You know, I get racism every day. I told you.

00:12:08
Speaker 2: They told me the other day that the prisoner is over here. I get racism all the time. I just handle it, keep it mold. But my driving he took so offense. He starts screaming on him crazy. So when I get back in the car, he said, I should have told you. Let me take you to the Soulful Joy where they want to see you. These people full of shit here they racist this this day, he took me to the SOFO. Every year, I've been going back to that Solfo Friday, Saturday sun like, I've been going there.

00:12:38
Speaker 1: You know what I'm saying. And I'm not a sewer. You know what I mean. I could have sued you. I'm not a sewer. I could have sued the air But he told me.

00:12:45
Speaker 2: I said, the call been crumped in one second, right now, motherfucker.

00:12:49
Speaker 1: Come. I was last week. I'm in the airport. The dude where where was at Phoenix? Phoenix.

00:12:54
Speaker 2: The dude is like, prisoner is over there. I have my security with me. He's like, huh, he's like prisoner on that line. I guess that's prison what you're doing. Prison is over there. And then he doubled down on it. I said, prison is over there.

00:13:11
Speaker 1: It looked like Bud Bundy is one of them, dude, like ow Bundy is some ship. He said, I should have been. Elizabeth Lady came. She was like Yo, I hear you had an incident. This is this.

00:13:25
Speaker 2: I was like, nah, I'm good. She was like you sure, he said that's what I think. What K said you should have said, right.

00:13:30
Speaker 1: Damn well, my trauma's coming back crying.

00:13:35
Speaker 2: Yo, this ship out of control. I just gonna work for mines man. This ship, Yo, How hard is it navigating? Because this is your prime, this is your error, this is your age group, this is your time. How is it just waking up looking at social media every day like nothing to do with.

00:13:54
Speaker 1: You, just looking at all the crazy ship going. Yo? This ship is crazy. Gizzy. I think I'm gonna start smoking weed or something I've been learning. I got weed. Now I'm gonna do it.

00:14:05
Speaker 2: I'm gonna do it. That's it, guys. I don't want nobody get mad at me. I'm gonna start smoking weeds at least gummies and some ship. I can't take it. Motherfucker's on the Instagram. Do y'all see what I see?

00:14:16
Speaker 1: Yeah? Wold, I don't know. You gotta he got a different algorithm, That's what it is. So you know I don't have my age. You know I'm one of the fly so o gena never seen in the universe. You know what I'm saying. I walk up.

00:14:29
Speaker 2: It's almost like I think I'm twenty eight. And one day I put up that Yo Chris. One day I threw on that Instagram. One day my algorithm the Young Fly Ship. I threw it up and they were like, did it in niggas just break dancing? The next voice hip graffiti, the next nigga was singing to the hip hot. They was like, basically my Instagram. The algorithm was like, yo, I.

00:14:54
Speaker 1: Can age nigga, this is what you was.

00:14:56
Speaker 2: I was like, no, I thought I was in the nightmare on it. I started liking all the young Ship, like Yo, get back, yeah, get back. I can't do that ship.

00:15:08
Speaker 1: How important are visuals for you? Because you're visit you.

00:15:13
Speaker 4: Might have took the new bust the slot of your videos of you take it down.

00:15:19
Speaker 1: On the video.

00:15:21
Speaker 5: I mean when it comes to me like and the ship to be going on in my head, brou videos important?

00:15:25
Speaker 1: Like I really didn't didn't didn't train.

00:15:28
Speaker 5: My audience to like expect some ship you feel me like. So that's the thing like with the with the song, I got going crazy right now, like it went up through that without the video normally I come with the video off the rip and it got damn do that. So when that bitch took off before the video even came out, I already knew what time it was and just had to make sure the video. You know what I'm saying, at the standards of what motherfuckers expect, but some shits super important.

00:15:53
Speaker 1: Brother, answer you a question like I gotta paint that picture, you know what I mean.

00:15:57
Speaker 5: And that's why I'm so hands on with that ship too, because it ain't too many motherfuckers that can, you know what I'm saying, paint my picture better than me. So yeah, that's what got a nigga head first into like the director and.

00:16:09
Speaker 4: All them stages too. Hi, I see you love you love you love touching them stage.

00:16:15
Speaker 5: Yeah, performance was that hadn't always been like one of my favorite parts of this ship, that dude doing the videos and ship, being hands on in the videos performing.

00:16:24
Speaker 1: Then my favorite parts of this ship all that other ship. It's it's too.

00:16:29
Speaker 5: Much, you know what I'm saying, it ain't it's too much to you know what I mean, to figure out with the rest of that ship.

00:16:33
Speaker 1: I got that ship figured out. That's that ship you.

00:16:35
Speaker 5: Can't fabricate like I'm right here in front of you know what I'm saying. So you know anything I'm saying, anything I'm doing, you know, live performance, that ship, that's it, the live show killer. So I'm ready to get out here on this tour, you know what I mean. I go on tour next week. Yeah, get back in front of you. Somebody else. So I got jeeddi Will on their JEDDI Will, a couple of new artists head Man that's free. Yeah, a younger girl, she from She's from the d m V area. So you know, I definitely wanted to snatch up the younger, the younger people, the upcoming people. That's so I wanted to go out with you know what I'm saying and let them turn up, you know what i mean. So it's gonna be one big ass.

00:17:13
Speaker 1: Partty When it started next week.

00:17:17
Speaker 5: Yeah, first stop Houston, first stop tickets that record, Houston.

00:17:25
Speaker 4: Right on time, spring break still right on, be crazy, right on time.

00:17:30
Speaker 5: You said, let me tell you something, man, I would see Houston in trouble job today in Trouble Joe and this girl, I.

00:17:36
Speaker 2: See the Kingdom, the Kingdom of Houston. I went to a strip club. This girl ran up on me. She had a rock, this big on ship. This one Scott stought was the man. She was like, look, your man brought me this thing. I said, my man, I want to rob the bitch. I'm like, yo, he bought you what? She was like, yeah, your man, Me and him, we and j She's shaking the ass and the ship. I'm looking like y'all, man, let me tell you that Houston about uh make you lose your mind. Many got out to Houston, man, and everybody out there. I used to go to Houston all the time back in the day, like back in the bust Love Dare. I used to just hang out there. I used to hang out there with a bunch of Mexicans.

00:18:21
Speaker 1: Yeah.

00:18:22
Speaker 2: In Houston, man, they would turn the Dina into the strip club. Like it was not legal whatever they were doing. But not They're come in this fucking store and turn that bits into a strip but barber shop.

00:18:37
Speaker 1: Hey, coach you crazy. Nah.

00:18:38
Speaker 2: They had to club anywhere out there and coach you crazy.

00:18:42
Speaker 1: I full with Houston.

00:18:44
Speaker 4: Yeah a twenty three tracks on this twenty three But man, you're allowed to say, had been a minute?

00:18:50
Speaker 1: Yeah, yeah, been a minute? You know?

00:18:53
Speaker 5: And not only that, like I wanted to, I wanted to check every box. I wanted to get into the lyrical ship. I wanted to do do something all that, you know what I'm saying. Definitely had to get I had to get back in tune with my with my ladies, with the lady audience, you know what I'm saying. So I had to I had to do them right. I had to god damn demonstrate you know, the lyricism and ship. I had to put the balls on there, and I had to put the hits on there, and I just had to have that raw energy that turn up ship. So I wanted to make sure I checked every box on this motherfucker. I ain't leading nothing off. And then the song that's going crazy right, and that's the last one I did. I did that one right before. That's it, and I'm like, all right, I got all the mother sister checked. I need that one, you know what I mean. My producer sent me to beat. I'm like, yeah, that's her, that's her. That's all she wrote.

00:19:37
Speaker 2: Tell you something. I need you on the song. I gotta play you after this.

00:19:40
Speaker 1: I can't wait, come on with it.

00:19:43
Speaker 2: I need that pain, you know, what I'm saying the all the time. I heard this ship. That's a damn.

00:19:47
Speaker 1: I need the baby on this ship second, Birse. You know what, man, I can't wait run it.

00:19:52
Speaker 4: What's your process in the studio, Like, what's your what's your necessity?

00:19:56
Speaker 1: Just cential.

00:19:58
Speaker 5: I don't need nothing but the music and the microp phone for real, real. I want it outside the booth.

00:20:04
Speaker 1: You know what I'm saying.

00:20:05
Speaker 5: I want it outside the booth right there. I want to sit down. I ain't trying to stand up. And that's it, you know what I'm saying, Like it's with me, it's just play the music, the music. Don't catch me off the rip like a nigga come in, Like should the producer come in?

00:20:21
Speaker 1: Like I got that, Like I'm not one of them.

00:20:22
Speaker 5: Niggas that let a nigga play some ship for like, yeah, you know, play another, play another one because I'm an know off the rip. You know what I'm saying, when just catch me it's loaded up the music. Talk to you one hundred percent.

00:20:37
Speaker 1: Yeah, let the music. God damn, you know what I'm saying.

00:20:39
Speaker 5: Talk to me and I tell you do the rapping you said you did you Yeah, one hundred percent. It's gonna bring out with it, bring out you know what I'm saying, And I do me.

00:20:46
Speaker 2: I give them a little a little more courtesy like that, like like I'll listen to the beat, even though I'm not sure, I'll be like all right, then I'll be like all right, I don't want that. But you know I got one of them is well, you can't bullshit me, motherfucker. Yeah I got Let me tell you something. Let me tell you one thing. Kiss, I got one of the greatest ears in hip hop history. Come on, I know how to hear a beat. I know how to hear a hit. I know how to I just know how to do it. And so I'll listen. You can't fake me out. Guys used to come to my studio this real talk. So back in the days, the way it was, I don't know, rough riders, y'all definitely had this right. So when Terror Squad pawned everything, the number one producers were staying online. Like Alchemist said, come in there, players five, ten, So this is the number one guys. They leave the next number one guy. It was like, and they come up in there and they play some good beats. But it was close for Nogard and I'd be like, yo, let me actually send it. I said, what you got for jay z Bo? That's a different Studs that's over year in my my dad, can you play me that? They'll place some ship out of this world? And I'd be like, yo, I need that fucking beat. You know what I'm saying that Remy's conceited that was that was Missy's beat. I had to put crazy pressure Scott. I'm like, yo, I need that for Remy. He was like, yo, but Missy I think she cut vocals toward this. I was like, yo, I'm sorry that, say, Scott. We need that right there.

00:22:27
Speaker 1: Shouldn't have played it for me, man, that's ship too crazy. And then Remy did. She did everything from there all I could see it everything, but the beat.

00:22:36
Speaker 2: Got stores played that ship for Yeah. I was like, I'm I need that for Remy. That ship is crazy and and so that's how I go, like, you knew this last joy, you knew.

00:22:46
Speaker 1: That was a hit for sure. I ain't back, but I was scared to write to that ship for like a whole month. That's up knocking ship.

00:22:59
Speaker 2: So not that I was scared, the right I was driving around. I'm driving around town, just listening to the instrumental through the whole New York's.

00:23:10
Speaker 1: No.

00:23:10
Speaker 2: The problem I had was a problem that most artists get.

00:23:14
Speaker 1: When you get a hit record. You think that you're laning.

00:23:19
Speaker 2: So my only hit record before that that was really a hit was What's Love. So I'm listening to Lean Back, even though this ship is dumb hard core, and I keep thinking, I'm a flipping for girls.

00:23:30
Speaker 1: I'm a flipping for girls.

00:23:32
Speaker 2: And one night I remember I never forget, I was in forty second Street, the Westside Highway whatever that is, and man, I just said, fuck it, I'm going street on this bitch.

00:23:43
Speaker 1: I'm going hard core.

00:23:44
Speaker 2: And it was the best decision I made in my life. You could imagine.

00:23:47
Speaker 1: I was trying to turn lean Back into it. What stuff? Baby? I love you? Just that that, Yo, that's what it was gonna be.

00:23:55
Speaker 2: I was fighting that shit, fighting the power because the only hit I had that one, number one.

00:24:00
Speaker 1: Was What's Love?

00:24:01
Speaker 2: So I'm thinking, Yo, they want me to make girls songs with the beat was too knocking. And then thank god, I never forget what I was just like, all, fuck it, I'm going hard body on it.

00:24:12
Speaker 1: And the hook was like you know the hook. You know a lot of artists can't make a hook. That's in Yo. There is layers too, making hit records and all that.

00:24:25
Speaker 2: Like a lot of artists they could be the number one rappers, they can't make a hook. So I take pride in, you know, in my crew D I, T. C. Every time we work together, I'd be like, yo, let me do the hook like I like metha Man.

00:24:43
Speaker 1: Right.

00:24:43
Speaker 2: They use metha Man a lot boo tank for them hooks, and I would be like, yo, I'm like the methad Man of the crew.

00:24:50
Speaker 1: I'm gonna make a hook. Don't worry, I'm gonna do it.

00:24:53
Speaker 2: And so you know, but I noticed, by working with so many different artists that that's probably the hard shit.

00:25:02
Speaker 5: To do with make a hook on just a hit. But you know that lean back came like that. That hook came like water.

00:25:15
Speaker 6: Can I tell her my friends at hard rock? Bet?

00:25:20
Speaker 7: My wife looks at me the other night and she goes, why are you rooting so hard for Arkansas?

00:25:25
Speaker 6: You would have thought that coach cow was my dad.

00:25:27
Speaker 7: I said, fifty to one, I got the razorbacks to make a freaking run.

00:25:32
Speaker 6: Duke bring it on Baby today.

00:25:35
Speaker 7: She's like, why are you rooting so hard for the Johnnies, I said, Rick Pattino, that's my guy.

00:25:41
Speaker 6: Let's make a run. Gotta take down some one seeds.

00:25:43
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00:26:47
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00:27:07
Speaker 1: In Virginia. What you been up to, my brother?

00:27:13
Speaker 4: Man?

00:27:14
Speaker 1: What's life like? Man?

00:27:16
Speaker 5: A little taking care of the kids, grinding, hustling, getting back on their ass.

00:27:21
Speaker 1: Coach y'all.

00:27:21
Speaker 5: You know what I'm saying, Getting back on the ass man, sell toll, find this ship for them for the next generation coming up under me.

00:27:29
Speaker 1: In the kitchen? How you I know you going on? I thought the number one.

00:27:37
Speaker 2: I thought the number one cook and himp hoppers, trick Daddy with the trick hold off.

00:27:43
Speaker 1: I've eaten trick Daddy's food.

00:27:45
Speaker 5: Trick I fuck with, Yo said, you want to look cookie man, have him cooked?

00:27:52
Speaker 1: Yo, that's a great idea. You have to line it up. Now, I haven't we been lining it up? Cook on og? I fuck with you, but this is no knife, no knife different. That's just that's his name and what I'm saying, what's wrong. I can't no knights, can't cook.

00:28:17
Speaker 5: Toks, you can't come from New York, can't cook if its good it was you have to cook toes for I can't even cook.

00:28:26
Speaker 2: Can't cook. If I did, I would funk it up. That's what I'm trying.

00:28:31
Speaker 1: I am. You got mass toasting. I'll tell you one thing.

00:28:39
Speaker 2: I went with my daughter and she'd be cooking all the time, and she gets busy. But I said, mommy, make me something. And you know I don't eat carbs no more. So she went and made me scramble a ship like eleven o'clock.

00:28:53
Speaker 1: They wasn't like my scramble a She said, I did it. I did it healthy. I didn't do it.

00:29:01
Speaker 2: I said, no, if I make scramble legs, it's gonna be a mountain of butter on that beach. Okay, geez, heavy cholesterol on the scramble legs.

00:29:11
Speaker 1: How you like your scramble legs? Not with a.

00:29:17
Speaker 2: Mountain is scramble legs with with butter scrambl.

00:29:26
Speaker 1: Like you gotta you gotta check.

00:29:30
Speaker 5: I know he doesn't telling me lunch trick Daddy nice man man trick with you know my man Cool.

00:29:38
Speaker 2: From Cool and Drake nice too. It gotta be hip of the niggas. You think you better than trick.

00:29:46
Speaker 1: I'm not trying to start your trick. Glasses off all on.

00:29:51
Speaker 5: Oh gee, look I this ain't got nothing to do with you. I don't funk around the nigga. No knife differ. We can go whatever you want to go with your favorite dish to make all all love Joe, he last one of them. You know what I just ate, you know, the last asked me the last thing, the very last thing I made, the last thing you made jerk lamb shops stuff Sammon stuff with with your colored crab.

00:30:21
Speaker 1: Yeah crab, you got finished cream cheese. You got Danny to Beato loving that ship.

00:30:27
Speaker 2: He looking like busy motherfucker looked like Farrell forcet brother.

00:30:31
Speaker 1: You see that head with garlic but.

00:30:35
Speaker 5: Different garlic butter breast brios thros. I go Craig, garlic butter brust garlic butter brusted.

00:30:43
Speaker 1: Me keto free. I'm not.

00:30:46
Speaker 5: You know with colls, I haven't been eating no calls with no rice, no potato, no pasta. You could have no bread, you could just yeah, you just don't don't eat the bread, you know what I mean?

00:30:59
Speaker 1: Yeah, gosh, Noah forgetting squash where you told them. I'm trying to live with yea.

00:31:08
Speaker 2: With seafood lost the scallopy, this ship. You fucking inqudible wit that ship.

00:31:14
Speaker 1: I can't. I got it.

00:31:15
Speaker 5: Sugar make the most ye just having Glizzy and Nascar, that's a different No ket it.

00:31:26
Speaker 1: Glizzy. You see I look to doctor the ball. You look a good. They take my blood. I'm definitely like about thirty thirty to twenty eight.

00:31:36
Speaker 4: If you come back to twenty eight, we're going to get staken lobster.

00:31:40
Speaker 1: You Diama twelve back.

00:31:45
Speaker 5: You don't want to, Hey man, you fat Joe the Thursday, let me take you. You gotta get I've been diabetic since I'm fourteen. They got the ship a patch.

00:31:57
Speaker 2: Now I'm real disciplined in everything in life life, I'm really disciplined. I was always scared to get the patch because the patch will tell you if your sugar high low.

00:32:08
Speaker 1: Because I knew I'm fucked. Once I get this, I'm not gonna cheat. Like if I didn't have.

00:32:13
Speaker 2: The patch, I would sit down with you eat the callic brand.

00:32:18
Speaker 1: Who gives a fuck? What mean that I got the patch? Me?

00:32:22
Speaker 5: Me, me, like that should have let you know your yeah wild like everybody get ahead, yeah.

00:32:29
Speaker 2: Kind of like kind of like play yourself. It's almost like handicaps the phone.

00:32:35
Speaker 5: Give you a little thing, me, me, me, and let you know your sugar high you wild out.

00:32:39
Speaker 1: I'll tell you the Jamaican ship.

00:32:41
Speaker 5: I hate the Jamaican spot in Miami, and I at no corps.

00:32:45
Speaker 1: What the cook I hate?

00:32:48
Speaker 2: No, no, no, I'm a real deal oxtail. I hate oxtail. I ate h not collar greens some mother kind of greens.

00:32:57
Speaker 1: Who gives a fuck?

00:32:58
Speaker 5: My ship went shot high? No rice, no potato, no bread, no nuting.

00:33:03
Speaker 1: Huh me up. So you know you gotta think about it.

00:33:11
Speaker 2: You gotta think about it when you go outside to a restaurant and eat this waist to cheat.

00:33:15
Speaker 1: I just tell you, I eat.

00:33:17
Speaker 2: I make a mean scramble as with some extra butter, butter butter. You know what you think they do when you go to the pizza shop and you say this ship good. They sprinkle sugar on that sauce. People cheat, like when you go to these restaurants, they cheap for that extra They're not doing what you're doing.

00:33:35
Speaker 1: You make.

00:33:39
Speaker 2: Restaurants cheat like they throw extra ship on it that we're addicted to, that we'll love. Say you ever been a piece of shop where the pizza is incredible but it's sweet? No, hell, I'm telling you they did. I'm telling you, well did Jamaica Spot. I've been eating keto just so you could understand for three months. The alarm ain't go off for three months. The alarm ain't go off. Out of states, lops all type.

00:34:08
Speaker 1: Of ship stocks forget.

00:34:10
Speaker 2: You know, you go to Houston like no, no, no, no no, you go to shirt the Ons. You go to Houstons. You get your little fucking wine, eat the fucking the state. You eat the little spinnish ship. Got no sugar?

00:34:26
Speaker 4: Get that kick me out of Hellstones the other day.

00:34:33
Speaker 1: Houston is another racist Westerner. They they races and I manage it well, he said. Smell like man. One listen if you ain't got the hair like him.

00:34:43
Speaker 4: Teddy Sabot would walk around the block in the funk out of it.

00:34:47
Speaker 1: They told you to do what in front of that old don't kiss. I know you're a superstar, you can't black trees. I didn't blow. I didn't blow.

00:35:00
Speaker 2: I wanted it was too oh, I didn't I didn't blow.

00:35:05
Speaker 1: Smoke. I'm sorry. I didn't smoke. I didn't blow.

00:35:10
Speaker 5: You know what spread when I catch him got him? You know, houstles is what they did to me. I want that Atlanta.

00:35:22
Speaker 1: You don't eat that. It's small ship.

00:35:25
Speaker 2: No, once you had Atlanta and they fronted on me and they was looked at. What's craziest It was the black people working. It was funting on me. No, I'm telling you the truth. It was the craziest ship. So I'm sitting there, I'm like, hon, They're like, oh, well, you know, uh, no reservations.

00:35:46
Speaker 1: Than everybody did that.

00:35:50
Speaker 2: They did the black car, black cop, black cop, black car, killing on your head.

00:35:56
Speaker 1: Then I'm all in there. I couldn't believe it.

00:35:58
Speaker 2: Then this guy runs from behind from from the end that the manager, Hey Joe and waat, white dude know you from Miami.

00:36:06
Speaker 1: You come inside? How many of you are four or five? Not if? I'm like, yo, what kind of ship is this?

00:36:11
Speaker 4: That that reverse races.

00:36:16
Speaker 1: What's crazy?

00:36:16
Speaker 2: As I sat down and everybody was like, yo, this is when I went around cause you know, shit happened to me. I talk a lot, so I started telling everybody. I go, yo you They be like, yo, we don't funk with it. We know what it is.

00:36:30
Speaker 1: That ship like that all the time. Apparently it's like that. I ain't going back. I'm good off.

00:36:37
Speaker 5: You're not going back to the spinish tip, no, or the shrimp cocktail.

00:36:45
Speaker 1: I tell you some crazy shit.

00:36:46
Speaker 2: I used to go to this Italian restaurant in South Beach. It was the best Italian restaurant on South Beach. This nigga was dead nice. It was incredible. I put jalo onto I put people. It was quiet. You're gonna no, no, listen, I'm.

00:37:01
Speaker 1: Saying, yeah. In the car ups they got that Oh no, no, I'm talking about back in the day. But let me tell you you're gonna end up back.

00:37:09
Speaker 6: Yeah.

00:37:09
Speaker 2: I took my man and I'm say his name. I took my man, my man. Stand you know what I'm saying from my end, it's my nigga, So stand, I take him in there, we eat whatever the owner says, Hi, this snack Stan goes back and they dis racist ship to them, but they didn't let him in.

00:37:27
Speaker 1: They skipping everybody again. You know what's going on? Right? So Stan comes back, He says, Yo, you know your restaurant over there. Man, they handled me wrong. They did me.

00:37:37
Speaker 2: I said, I'll never step foot in that bitch. You get fuck that place. About a month later, I couldn't help it. I went back for the.

00:37:50
Speaker 1: Stand up with them.

00:37:55
Speaker 2: I have that them like a year lady. I said, your standing you know the boycott. You know I stopped.

00:38:01
Speaker 1: That food was so good that ship was lunching that I couldn't hold my end of the bar.

00:38:10
Speaker 4: How important this family, kids, is the most important family.

00:38:15
Speaker 1: It's the most important thing. I see.

00:38:16
Speaker 5: You got your son in hell with you know what I'm saying. But that's my that's my favorite favorite thing to do. You know what I'm saying. My kids, father, you know what I'm saying. Hold it down for my masters and my nephew and then my kids.

00:38:28
Speaker 1: They turned.

00:38:28
Speaker 5: Man, they yeah, they the truth.

00:38:32
Speaker 1: I ain't nothing. I ain't fucking with them. They know who you is.

00:38:36
Speaker 5: Yeah, they know machine Remy's daughter went to ten thousand areenas with.

00:38:43
Speaker 1: Us and didn't know who he was, even though for me, they don't know their little kids. Yeah, they don't know. What difference is that?

00:38:50
Speaker 2: I think it finally kicked it. She be like telling Remy, like Papa, that's the song.

00:38:56
Speaker 1: Right.

00:38:57
Speaker 2: She hit me with a video one day, lital She no fucking clue. She's on stage with us. Hey, bring out and everything. They know who you is?

00:39:05
Speaker 1: Yeah, for sure, for sure. Far for the baby wrapper word rapp it you fucking around think they wrote it? How about your parents?

00:39:14
Speaker 5: Yeah, mom, dukes, my pops passed twenty nineteen. Mom do stuff. She's living it up. She yeah, living the least you gotta make. She said, well, she's got to answering you was about to say that, Yeah, I just I just about forty acres, so I'm about oh yeah, noise for that.

00:39:32
Speaker 2: That's jowish ship forty a Listen, if we buy a crackhouse, here's five million this No, yeah, I don't giving a fuck who.

00:39:42
Speaker 1: You don't know, nobody with no agre in New York. No it ain't.

00:39:45
Speaker 2: Nobody got no acre in New York. It's small acres, fucking crackhouses. A crackhouse out here, trap house, of course, you're a million dollars. You can't get ship out of here.

00:39:57
Speaker 1: They like, we think you blew up. Got a one in one you know, one bedroom.

00:40:02
Speaker 5: One bathroom like that, living lights, even the hotel rooms them bitches be about dead's small. Right, But in North Carolina, right, I walked in that bitch and tripped over the bed.

00:40:15
Speaker 1: Yeah, he was right right in front of the door.

00:40:19
Speaker 2: And if you want the room, and if you're the rest of the room, you got the fucking man. I might be the biggest, biggest flex you walk in somebody hotel room in York.

00:40:31
Speaker 1: They got a little room and their suitcase can fit on the floor. Right, ship you can open it up or whatever. That ship man even motherfucker you know you pay it.

00:40:41
Speaker 5: Have you got my clothes out the suitcase? South the heavy d recipe peace.

00:40:44
Speaker 2: I went to see him one time in it in the hotel.

00:40:47
Speaker 1: Yes, big you had the man over the fucking you had.

00:40:53
Speaker 5: No, no, no, no, you always been my idy, you know, said you had.

00:40:59
Speaker 2: And the man had the big ship before it was over Central Park. I don't even want to see the Trump Hotel back in the days. But the ship he had ship overlooking the whole Central park and I was just sitting there and was like, damn and heavy D, heavy D living a life, you know what I'm saying. But that's what I'm about living. You know, life too short?

00:41:24
Speaker 1: No, I'm telling you the other day. I went to your funeral the other day, shout out the power from Wu Tank. I pulled up.

00:41:35
Speaker 2: And it made me realize. I mean, I lost my mom, my father. I don't want to make this depressed. And I lost my moms, my father, and my brother senior year last year, I've been through some ship. I've never been in a funeral and made me realize, like, yo, life is short, like powers. I'm sitting there seeing all the guys I came in the industry with everybody looking the old kiss.

00:41:59
Speaker 1: Everybody look at the like everybody.

00:42:02
Speaker 2: I came in the game where I'm sitting there and I'm looking and they're like, yo, you know you once you get diagnosed this. It just made me realize, like this ship could be super over, so we might as well just blow the bag faster and just spinish. Spend that ship, just have your fun, spend that ship, make sure the kids good. They got forty acres. Pay that bitch off if you could, they'll have yo. My thing is this, yo. If we leave you some ship, we ain't get shipped. Now we're in the South Bronk, the projects across the street.

00:42:35
Speaker 1: We didn't have ship.

00:42:37
Speaker 5: We give you something, perhaps something.

00:42:41
Speaker 1: For the notes.

00:42:43
Speaker 2: No, No, I'm just saying like now, it's on you, yo. I tell my family all the time. I tell them all the time. Yo, something happens to me, they're gonna give you some money.

00:42:58
Speaker 1: It's a fact. They're gonna to give you some money.

00:43:01
Speaker 2: If you blow that ship like Fat Joe's still here right now, that's on you. If you want to be the laughing stop, like yo, fat Joe died. We gotta sell a mansion. We gotta go in the Flyes townhouse, seven million dollar timehouse.

00:43:16
Speaker 1: We don't need no shit. Ten million.

00:43:18
Speaker 2: Well, you you're not performing right, you're not doing none of that ship.

00:43:22
Speaker 1: Yeah, you can't make no money, fat Yo, were go on the weekend. You were going the weekend. You were going a weekend. Come back with the bag, yo, we're good. Fat y'are not animal.

00:43:31
Speaker 2: So there's no reason for you to be sitting in a ten million dollar mansion and get your PC off that too, besides the money you got downside the Flyes townhouse.

00:43:43
Speaker 8: You ever see get an elevator, get morbile all over it, but it's a million dollars. You gotta start license elevator. No sounds phenomenon because guess what. Nobody gave me a croissant. No motherfucker give me something.

00:44:03
Speaker 1: I heard when you rob the whole gym. I did this. I did the baby. That's why I like you, because.

00:44:09
Speaker 2: You're a real white You said show the whole him, and they helped me with the walkmans in the gacket.

00:44:16
Speaker 1: I tell you something. I stuck up. This kid wants to around here.

00:44:20
Speaker 3: Cor don't get right around here.

00:44:24
Speaker 1: Let me tell you something. I'll tell you a funny story your kiss. You stopped me if I said it.

00:44:30
Speaker 2: I'm not gonna I'm robbing everybody different.

00:44:36
Speaker 1: I don't trust nobody.

00:44:37
Speaker 2: When I call home, I go a different way when I just this and that, do everything, because I know I robbed everything.

00:44:43
Speaker 1: I know what this is from every level to this day.

00:44:47
Speaker 2: It's gonna be very off for you to rob me to this day because I've seen everything. You gotta be a I some ship, right, So I go like this, I said, I'm robbing everybody.

00:44:58
Speaker 1: I can't even.

00:44:59
Speaker 2: Fit the stuff. There's no fly, fat, No, you're not understanding. I'm sticking people.

00:45:07
Speaker 1: And get it tailor. It wasn't no tailors. It was very hard.

00:45:14
Speaker 2: One of my wife's biggest jokes is fat nigga with the discus T shirt.

00:45:19
Speaker 1: There was nothing fly for fat niggas. There was no gear.

00:45:23
Speaker 2: It didn't exist right. So I would rob guys and give it to my man. They were skinny. My man sasty from across the street. He doing He caught three bodies right across the street. He been up there for you. Cops beat him up so many times he got steal in his chest. I'm not bullshitting my man to Montana.

00:45:41
Speaker 5: So I was sticking nigga up and give it to my man because I can't even fit the ship.

00:45:46
Speaker 1: One day, a fat dude walks into school. He got that talk. Surely God, I have it. That shit is immediate, like yo, my man, Yo, my man, come up.

00:45:56
Speaker 2: Off the ship now and there's one hot second and it was his first day in school.

00:46:01
Speaker 1: Now, yo, my man, run that in the way.

00:46:04
Speaker 2: Nothing to talk about. My nigga, come up off the ship now, Now I throw the ship on. But check this out. I always tell a story. They called me the best storyteller. That's the only problem on that. I go back to the block. I got the chalk, miss Shirlin. I'm telling you, I was a bump right. I got the chalk show. I finally stole something from me. I'm upstairs. I heard a car go. I heard another one go, another one going number one go like ten earth my man, Opie Megachaw, come out the car. I guess I'm upstanding, yo, Joe. Look out the window. It's about a honey, get grown men, gainst niggas. Niggas bed somebody. His brother was the biggest nigga in the universe. So Opie calls me. Opie must have been like, I.

00:46:58
Speaker 1: Know I'm jail, please dancy a kid. This this Joe? Yo? What up from out the window? And shit yeah from the project.

00:47:09
Speaker 2: Yoall come down, yo, and bring to Shirley h the one victory I have had. I come down with the Shirlott You nigga was like, yo, man, he said, that's my little brother.

00:47:27
Speaker 5: Uh.

00:47:28
Speaker 2: He was a drug dealer from out here, the biggest he said, Yo. He got killed too.

00:47:32
Speaker 1: But he said this is my brother from now on, you make sure he's good. I said, no problem. His brother will walk past me with a little.

00:47:39
Speaker 2: Smirk in the school and all like you're saying to know what time it is? Like he know what it is, but you know it's the one time I had with something that fits me.

00:47:48
Speaker 1: I couldn't get it off. He had an hour with the brown with the chocolate Cherylan good hour.

00:48:02
Speaker 2: The fucked up shit in life is when you go through the struggle and you're like.

00:48:07
Speaker 1: Why and b why God, why I gotta go through this?

00:48:11
Speaker 2: And shit is fucked up, and the other niggas is flying their parents can get them shit this and this and that.

00:48:17
Speaker 1: And then once you.

00:48:18
Speaker 2: Get it, you realize that the journey was worth everything to be high school the niggas, oh, they finished. But that's not what I'm saying. What I am saying is it's like you appreciate it so much, you.

00:48:34
Speaker 1: Know what I mean.

00:48:35
Speaker 2: That's what I meant by when I asked you, how does it feel to have a hit right now?

00:48:40
Speaker 1: After all the shit you went through?

00:48:42
Speaker 2: You know you could sit back and look, you know me, they took all my money, They took all my money. I went to jail for taxes. They took millions of dollars rich so called rich for good ten fifteen years. Privy planes wilding out, kept looking at the bank accountship, saying two three five million.

00:49:00
Speaker 1: I'm good to me.

00:49:04
Speaker 2: Man, they took all that shit right. And let me tell you something. Motherfuckers wasn't coming to see me. Nobody helped me. Nobody can't be a dollar, nobody did nothing. Everybody thought it was over just this this. So it was beyond the learning experience, so that when all the way up came out and the shit blew, I knew how to act with niggas and I knew what it was. But let me tell you something. It happened to me three times in my life. I was very successful number one, then I felt, then I became number one, then I felt the third time.

00:49:39
Speaker 1: And let me tell you something.

00:49:40
Speaker 2: In this hood, I used to drive around with twenty nine dudes following me, and they all had the same truck, paid for cash every single night's taking lobster every single night, bat every single night. Like I was treating these dudes like you know, motherfucker, get locked up.

00:49:56
Speaker 1: They'd be like, yeah, fifty thousand dollars we want them out.

00:50:00
Speaker 2: I'm in the middle of the Bronx court making a movie. We want them out now. I got my man Iron to bellbombs with me. Get him out right, you know, to only find out none of the niggas was low you.

00:50:13
Speaker 1: Right, And then I put out all the way up being Remy. They give us.

00:50:19
Speaker 2: They say, yo, come they had a number one club out here, Asis and they say, yo, do the single release. We go, think a the fucking club is on till everybody you name is in that motherfucker. It's just ran packed. The walls is sweat, the mirrors was sweaty, right. So I'm up in there with Remy and I get to my section. There's a hundred dudes in there already there. God, we made it, my brother, we made it. Oh shit, geez fours again Yo, this this that? So I turned around, I perform. I'm walking out the door. The lights is on me, right.

00:51:00
Speaker 1: I turn around and I go, you you whore you were starting to him two older niggas with me. I never want to see you niggas in my life. You said it like that like that, never in my life. Come around me.

00:51:25
Speaker 2: I'm letty said, Yo, you heard what more. I couldn't have done the nerve of dudes, right. You don't call a dude the dude went to jail. You didn't write him a letter, you didn't say sorry, you didn't care, you didn't bring me an ice cream.

00:51:45
Speaker 1: You ain't doing nothing.

00:51:47
Speaker 2: I put out a miracle that all the way up was a fucking miracle, and you're gonna be sitting in the section thinking like it's forgiveness.

00:51:56
Speaker 1: Yeah, they never hung out with me again in my life up. That was all the way up. The new album, what's the name of it? More grateful? Be more grateful? With to be more grateful.

00:52:10
Speaker 4: Make sure you get your tickets, make sure you taping with brit One.

00:52:13
Speaker 1: Come on, man, what I'm saying the baby who you got on the album? I went light on the features.

00:52:18
Speaker 5: I got my daughter, my favorite feature on me So with my daughter, I got a Hunt Show, Coiler Ray and an other than that, getting nothing but baby, no doubt baby inside of I like coler Ray now for sure.

00:52:33
Speaker 1: Yeah, daughter, go out there and get that album.

00:52:38
Speaker 4: Grateful is the favorite title I heard in a long time.

00:52:41
Speaker 1: Come on, that's where I met with it. Be more grateful, niggas, be more grateful. Everybody need to be more grateful. You like, that's how I feel having record right now.

00:52:51
Speaker 5: I feel grateful, my nigga. What must feel like a miracle. Come on, I'm grateful you got that number one joint. You don't want to got that.

00:52:59
Speaker 1: You ain't everything.

00:53:00
Speaker 5: I you went to do the ship too, and you turned around and you were surprised.

00:53:05
Speaker 1: You was like, oh, I.

00:53:06
Speaker 2: Thought everybody was like, come on now, family, I thought everybody was one hundred. I thought everybody was this and that crazy is you probably had a friend that was still putting hits out the park.

00:53:18
Speaker 1: They could have just threw you a verse. It gets you where you need to be and.

00:53:21
Speaker 2: You're like, damn, they're not coming in my line or not a dog a bone. Listen, this ain't that piece of piece of bread with some garlic butter brushed on.

00:53:32
Speaker 1: Callic butter bro know about that. Let's hear something, man, where you gonna play that? What speaker? Oh this is.

00:53:49
Speaker 5: Make sure it sound quality is right? You got the crackheads speaker. Oh damn, it is a little We could do it, if Ruby could do it. Now, you can play that on any side, speaking definitely that.

00:54:05
Speaker 1: You can play that on. We know the pop that didn't nothing new. We ain't got no songs new. I got this start.

00:54:14
Speaker 5: You know, man, you go when we go to the note and my phone sell you something the strip clop must be crazy that that's somebody man, you know, that's it we released.

00:54:27
Speaker 2: My man was in Magic City last like two days ago. They was doing this shit up in the ceiling. I said, God, damn, I ain't been outside in the sure s that popped this ship. That ship must be going crazy in the strip club going. I ain't even been in the strip club since the drop. We've been the strip. It's gonna cost you.

00:54:48
Speaker 5: A lot exactly. Ring they got it. Oh yeah, I won't.

00:54:54
Speaker 2: Walk in the club they go.

00:54:57
Speaker 1: Through the spotlight on me.

00:54:58
Speaker 6: No ring man, let it clap, let the clap bright you are.

00:55:02
Speaker 1: Let's go random.

00:55:03
Speaker 9: Let me see that shake that thanks you get it on down.

00:55:09
Speaker 10: Your face on the floor to your law.

00:55:12
Speaker 9: Break big with the water in the here, letting clap, letter clap, Let me see that shake that. But do you want to control than it?

00:55:22
Speaker 1: On down the water.

00:55:27
Speaker 5: It's got the world in her hands. Hung should make it twelve when you dance. Yeah, I got the world on my hands. I got your girl on my plants. Yeah, you know, I love the where you move.

00:55:35
Speaker 1: I do you with your girl? Days cool for you.

00:55:37
Speaker 4: I ain't got but.

00:55:40
Speaker 1: I'm gonna learning right down in that pocket. Just let me let them be, letting them be doing. And that's the word.

00:55:47
Speaker 5: Gang trying exactly like to shoot it. But he's not reached. Nigga, I become a moo yak spot.

00:55:51
Speaker 1: It's simple.

00:55:51
Speaker 5: I ain't gonna do the ship that I do for you about was just trying to do it for thot.

00:55:54
Speaker 1: So let it clap, Let it clap, Brad, you are you sit on my yeah, random, let me see that bread that ship. You know what I'm saying.

00:56:01
Speaker 5: You know, dances your right right right right right right right, your bar out exactly.

00:56:14
Speaker 1: Got that.

00:56:17
Speaker 9: On the.

00:56:21
Speaker 1: Water.

00:56:23
Speaker 5: She got the world in her hands, so she make a twelve when she dance. Yeah, I got the world in my hands. I got your girl on my pants. You know I love the way you move. I do you with your girl to day is cool for you. I ain't got no problem waiting on my turn. Teach me how to tell you to my band. I'm learn said, put your hands on the meat ride my dick to your legs, giving me put your legs on the head board byby make a mess.

00:56:41
Speaker 1: Let me see if you can spread on the sheets top that ship.

00:56:43
Speaker 5: Maybe said it in your brain, send my government into the neighbor's number name with.

00:56:46
Speaker 1: The jimi on yell the bracelet in the chains h let it clap, let it clap. That was it worked. That works.

00:57:00
Speaker 10: The random that you control.

00:57:12
Speaker 9: And it don't help thee.

00:57:18
Speaker 1: Yo how to make the hit dot com man pop that thing out right? Sure, make this nigga make the motherfuck you try read the rock. I try to geez.

00:57:28
Speaker 2: That's a super duper duper duper duper gratulations you sey, This ain't that that ain't this is cracky kiss makes supers.

00:57:38
Speaker 3: For the baby nigga one of the most.

00:57:48
Speaker 1: Let not just let it happen.

00:57:49
Speaker 2: Yeah, you gotta let them hits breathe gotta let them fend that. I've been trying to tell people all the time, the hits, why Jada is the daughter to that?

00:57:59
Speaker 1: Why now that when they're not like, you can't you ain't gotta force it. You just gotta left the track free that the bitch happen. Oh this shit, thank you, My brother,