Episode 117 | The Blokes Get Wet In London ft. Shelly FKA DRAM

00:00:00
Speaker 1: Hey you at Aliens. This is Rory and Mall and we are coming to Atlanta November thirteenth, center Stage and we hope to see you all day. Get your tickets now so we can have a lot of fun. We love Atlanta. We always have a lot of fun with it. Aliens.

00:00:13
Speaker 2: Now I feel like New Yorkers are the Aliens.

00:00:15
Speaker 1: Yes, New York. New Yorker's are the Aliens. Atlanta took over everything, Yeah they did. But we'll be there November thirteenth. Hope you get your tickets now so we can have a great night in Atlanta. Hopefully some special guests to come out, some of our friends in the city. Absolutely, we'll have fun. See you soon.

00:00:28
Speaker 3: And clean g At play make him at Cheap when I got filthy chucks, some things, whatever sounds to the crowd that I bring make a good drink. That's great because they.

00:00:39
Speaker 1: Welcome to a new episode, a special episode the podcast for the Man. Yes, I am All and we are back with a special episode. We had an episode earlier, well last week where you know, we just felt like it was it was only fitting. We didn't really want to talk about much, uh after you know, unfortunate passing of takeoff resh apeace Yeah to Kershnick uh and uh prais and condolences to his family.

00:01:13
Speaker 4: Uh.

00:01:13
Speaker 1: So we cut the episode short last week only because nothing else really uh we didn't really feel like speaking on anything after that. It wasn't nothing that we care to even talk on. It was just still kind of just you know, a real down and sad time. And it still is. Uh yeah, unfortunately, but you know, as always as it will forever be, life must move forward, and we must move forward, even in grief, even in sadness, even in you know, traumatic times. So we are in London, Yes we are. We are in London. Came to see the beautiful people in London.

00:01:47
Speaker 2: Uh in an undisclosed basement, undisclosed basement, and undisclosed flat.

00:01:51
Speaker 1: And underscodes flat, an undisclosed friend of the pod. So we are here.

00:01:59
Speaker 2: It's safe to say we're international because we have friends.

00:02:01
Speaker 1: I think, so, man, I gotta, I gotta, I gotta stamp up my passport. Ory was mad because customs has changed a little bit now everything is automated there to even give it into the rid of the custom agents.

00:02:09
Speaker 2: First of all, was I corny for feeling that way? Because I thought a little bit.

00:02:14
Speaker 1: I understand that you want to get your passport stamped up, like Lil Wayne said or Drake Wayne.

00:02:20
Speaker 2: Jay said, you don't have enough stamps in your passport for young hl and one.

00:02:24
Speaker 5: I don't And this wouldn't have made it able to fuck with him.

00:02:27
Speaker 1: But one is not going to change promise you that.

00:02:30
Speaker 2: I was just upset, like, which is crazy because I fucking hate customs so much. Yeah, and it was the easiest, quickest customs ever, like it feels like they're fixing ship.

00:02:38
Speaker 5: But then I was pissed. I would have waited in line for my state.

00:02:40
Speaker 1: World is changing now you always have to do scan your passports, scan your face.

00:02:45
Speaker 2: My face for my ticket on the plane. I'd never seen that my life.

00:02:47
Speaker 1: Yeah, when we bought it. The plane, you don't even have to show your board and pass. You don't have to show your passport. Is literally just look at the.

00:02:52
Speaker 2: Camera, fucking elon man.

00:02:53
Speaker 4: Yeah.

00:02:54
Speaker 1: So I mean, but that's anything to do with but that that goes back to something that had said during the pandemic, when we all knew that this was just information that they were trying to just gathering data. When you get off the plane, remember that they had, like the soldiers that had just signed up, and they made them like you have to sign and you have to you have to give them your email. And it's like, bro, I literally booked a flight. They have all my information. Just get the manifest of the fucking flight log info and you will have the info of every passenger. Like why am I filling out this paper after I got off this flight?

00:03:22
Speaker 2: You know that person that they hire to like just stand in front of the block street when construction is happening.

00:03:27
Speaker 1: Yeah, they literally, that's what it is.

00:03:28
Speaker 2: They do nothing. They used to treat the US soldiers like that. They would stand out of a flight and we all walked past them and they'd be like, yo, do the survey or whatever.

00:03:37
Speaker 1: Yeah, you have to fill us up. Those are the ones that just signed.

00:03:39
Speaker 2: It just kept more.

00:03:40
Speaker 1: That's them, that's them trying to.

00:03:41
Speaker 5: Get some skin in the National Guards.

00:03:42
Speaker 1: Yeah, yeah, like yo, just send them to the airport and let them just get information from every passenger. But so, yes, things change. We just got to the But I don't know why. I think it's still kind of racist that I got asked to see the agent like scan my passport and they saw not black face and said go see an agent.

00:03:57
Speaker 4: Yeah.

00:03:57
Speaker 1: I was like, oh the irishman. Because we're an hour flight from Dublin, he gets to just scan his face and they're like, oh, yes he's.

00:04:04
Speaker 2: One of the right this way, mister fire.

00:04:06
Speaker 1: I feel safe, my black ass. I had to go talk to an agent show my work visa old kind of shit.

00:04:10
Speaker 2: Well that's because the English on us, so they had already put a stamp on me when I arrived, like, oh, my property, he has returned. Finally, where were.

00:04:21
Speaker 6: You return to Cender.

00:04:23
Speaker 1: Yeah, that's exactly what happened. So we're in London.

00:04:26
Speaker 2: We were doing the BBC Radio which is a bit well, it's aired already by the time you're hearing.

00:04:32
Speaker 1: This, as well as our live show.

00:04:34
Speaker 5: Do you think that they cut our live show is aired.

00:04:37
Speaker 2: Yes, you've already seen our live show and it went incredible.

00:04:41
Speaker 1: It was a special, amazing show.

00:04:42
Speaker 2: Ever, do you think they'll cut out my compliment of London?

00:04:47
Speaker 1: Yes, I did not make the floor bump that.

00:04:52
Speaker 6: Was supposed to be what ten, They'll probably go live with seven.

00:04:55
Speaker 2: I mean I thought it was great. Why I love London is because as a straight white Irish American, it's the only place I'm allowed to fee oppressed. I don't know, but the only the only oppression that's happened here, Like.

00:05:09
Speaker 1: Yes, this is this country has a pressed.

00:05:11
Speaker 2: It's the only time I'm only allowed to complain in this country.

00:05:13
Speaker 1: Yeah. So we had we had sat down with DJ Ace Yeah at one BBC Radio for the R and B Show.

00:05:21
Speaker 2: Do you think they cut out us screaming where's Pierce Morgan?

00:05:24
Speaker 1: Absolutely? Yes, none of that made promise you none of that is in.

00:05:28
Speaker 6: Queen jokes too.

00:05:29
Speaker 2: Yeah, for sure, the Royal family jokes definitely didn't make it. I felt bad because all Ace wanted to talk about was R and B and we just started screaming about where's the queen bone to pick with her?

00:05:40
Speaker 1: That's what I mean?

00:05:40
Speaker 7: What else?

00:05:41
Speaker 1: What are we supposed to do? We got to have fun? So yeah, we our live show happened Saturda last Saturday. Yes, and uh we are back to talk about what is new, what is current, what is going on in the culture, and uh, I guess the biggest news would be the Drake twenty one Savage Her Loss project.

00:05:59
Speaker 2: Yeah, but let's let's before we get into that. Before we get into that, let's get into everyone's London SWAGM.

00:06:04
Speaker 1: Okay, well London. Well we're filming, we're recording this and our swag isn't over it.

00:06:08
Speaker 2: I know, but it's only but we've been twenty four hours in London. I think it was a out the gate. Everyone pretty much established what their London swag was by day one. Fuck ed, it's cool. We were the ones that we stayed to the side. We were on the side lines. You thought he's.

00:06:26
Speaker 6: From Box in the Box.

00:06:28
Speaker 2: Oh so yeah, yeah, so part two from Charlotte to the Box. So we just christ But if we had, don't just skip over to Drake. No no, no, no, you were getting pissed on last night.

00:06:37
Speaker 1: Oh definitely to get pissed on, we would We.

00:06:39
Speaker 6: Were way outside the splash zone.

00:06:41
Speaker 1: Yeah, we were definitely didn't weren't in the splash you know, so we went out. So uh, we went out to dinner.

00:06:45
Speaker 2: Do they have a line like which tables absolutely got absolutely? Is that like certain comedy shows, you don't want to sit up front who get heckled. It's the same thing.

00:06:52
Speaker 6: Don want to get pissed anything the stage right here.

00:06:54
Speaker 1: You don't want these tables that are.

00:06:56
Speaker 2: Right in front of this did you wear this raincoach?

00:06:57
Speaker 1: Just no, I had another raincoat. I had another rain code on just the case, not this one. So we we went out to dinner last night. We was at the short Ditch House and uh, my new home. We decided we was like, yo, you know what, let's let's go see. Let's go to the box. We keep hating about the box, the box, the box, the box. I've been handed about it for a lady looks to you guys. Yeah, so I've been here about it for years. I'm like, okay, let's let's check it out. Let me see what this is all about. Because every time somebody know It comes to London, it keeps saying you got to go to the box, like it's a show. It's a sex show that you know, some some wild sexy, kinky shit going on, but it's it's it's entertainment.

00:07:31
Speaker 2: Yes.

00:07:32
Speaker 1: So I was like, okay, I'm not you know none of that. No, I don't select shame, I don't sex shame. Whatever you're into, that's your prerogative. So I'm like, okay, let me let's go let's figure it out and hang out with Eddin. I'm not you know, I don't judge him. Yeah, so I thought that we were all going to go. But obviously, you know, people, you were tired Benner. Everybody understood it.

00:07:51
Speaker 2: I was like, it was I saying I was tired or tired of Benner or both.

00:07:57
Speaker 6: You ended up with ben Yeah, that's very true.

00:08:00
Speaker 2: Shake thought, he's going to the box.

00:08:02
Speaker 1: So Julian uh and Lloyon and myself with some other friends, we all went to the box.

00:08:08
Speaker 2: The man that controls our finances, you took.

00:08:10
Speaker 1: We're gonna get no, no, no, no, we're gonna get into that because we're gonna have another account club. I promise you we're gonna have from what us saw last night, we're gonna have a serious account.

00:08:18
Speaker 2: We need to check the books again on ourselves.

00:08:20
Speaker 1: I promise, promise. So we go to the box and were outside and it's from the from the time we got there, I already knew. I said, okay, this is the spot. It was packed outside people, you know, the same New York thing, trying to talk to the girl at the door, talk to the bouncer, trying to get in. So then a young lady comes out and she's talking to one of the girls that we were with they live here, they know her, they're like and one of them is a DJ, so she you know, she's known. So it's like, okay, come on in. So we walk in. From the time we walked in and I looked at Julian and I was like, we have to get a.

00:08:54
Speaker 2: Camera, but having the plug at the box is hilarious, Like, oh, they don't even stop me at the door in the box we be doing in your time to get a rep like that.

00:09:02
Speaker 8: Yeah, I did mention that to Ma because when we walked up it was in a tight little alleyway.

00:09:06
Speaker 6: It's raining. It's heavy rain, Like it's not like I feel like a Batman movie you did. It was a Gotham alleyway.

00:09:11
Speaker 8: And when we walk in, I was like, this is kind of a red flag that She was like buddy buddy with everyone at the door.

00:09:18
Speaker 6: So we got escorted to that's a green flag to me.

00:09:20
Speaker 1: Yeah, no, we got to wave to that.

00:09:22
Speaker 2: Table, wave that freak flag as as you can.

00:09:24
Speaker 1: As soon as we walked in, I said, okay, I know what this is. The way it's set up, the way the table's positioned alongside the wall and things like that. The stage is right there, I'm like, okay, I get it.

00:09:36
Speaker 5: Which which girl was?

00:09:37
Speaker 2: It was the one you had saw the night before or the one you yes, okay, Yeah, she looks like I've never been to the box obviously, but she looks like she would be welcomed with open on even that first night.

00:09:47
Speaker 6: Everywhere we went, she knew everyone.

00:09:49
Speaker 2: Yeah, I mean, I'm not. I'm sure her transitions are great, but that's not what I'm referring.

00:09:52
Speaker 1: What she was just giving me on the party scene. Would know people at clubs if you're a djail Yeah right, I'll clean it up. I'm just saying, No, I don't want to put the perception.

00:10:02
Speaker 2: We don't even said her name.

00:10:03
Speaker 1: No, I know that, but I still don't want his character. I still don't want to paint the wrong picture. But she she obviously knows people.

00:10:08
Speaker 6: Already, apologized last episode to Woman Center month.

00:10:12
Speaker 1: Yeah so she's sure you're amazing.

00:10:14
Speaker 6: She's not one of us.

00:10:15
Speaker 1: Yeah, no, No, she's super And that was the one thing me and Julian said all night, like yo, super cool, super hospitable, Like the they laid out, They're like, yo, listen, like dead, we're good here, We're good here. It was just a good a good night. We didn't have to really like spend too much time shitting outside. Everything was dope. Get in. Music is good. First thing, Julian says, Yo, the sound system is crazy.

00:10:36
Speaker 2: How do they warm you guys up? What type of music are they playing?

00:10:38
Speaker 1: It was a little bit of everything.

00:10:39
Speaker 2: Little Kim they played a little They had a little mix of Lady.

00:10:43
Speaker 1: Mama techno from hip hop.

00:10:45
Speaker 6: It started more with the house.

00:10:46
Speaker 1: Yeahtle yeah, it was. It was, but it was a mix. It wasn't like you know sometimes you go to clubs and you like it's too much of this. Yeah, it wasn't like that. It was like a cool and then it was us. We were talking and having conversations. So then one of the waitress, the waitress comes around, she says, yo, the show is going to start in ten minutes.

00:11:04
Speaker 5: To drink minimum.

00:11:05
Speaker 1: No, no, we got a table, but we gotta we gotta table. So she came around. She was like, the show's gonna start. She was letting us know, like, so if you got to go to the bathroom, go now.

00:11:15
Speaker 2: Because the show they're going because they're going to go to.

00:11:16
Speaker 1: The bathrooea, They're going to go to the bathroom. And everything.

00:11:18
Speaker 2: It's the only time that the bathroom is available.

00:11:21
Speaker 1: The bathroom, Yeah, the bathroom is closed. No lines, now's your chant, now's your chair. So I was like, you know what, cool, me and Julian run the bathroom.

00:11:28
Speaker 4: Come back.

00:11:29
Speaker 1: Yeah, show starts.

00:11:31
Speaker 5: Urinals are just like the floor was just.

00:11:33
Speaker 1: No, it's a clean bathroom. You'rein those toilets. Come back. So then a lady comes out and it's like, oh, this is like a burlesque. Yeah, this is like a real show type of thing. And the show.

00:11:49
Speaker 5: Went on a nice, nice ratio.

00:11:51
Speaker 6: Yeah, great, it was.

00:11:52
Speaker 1: It was a good mixing. It was a good, really real good crowd.

00:11:55
Speaker 2: I just wouldn't want to be around like a bunch of dudes.

00:11:58
Speaker 8: No, no, no, there was the MC and she was incredible.

00:12:02
Speaker 1: Yes, she was an amazing, amazing singer. So she came out and she she sang some songs and had the girls on stage dancing, and you know, then they started taking clothes off and it was okay, the show is starting, and we knew kind of sort of what to expect. But it's one of those things that you can hear about it, you can hear about it, but you have to be there. To experience it and like, oh, okay, I get it. We were expecting the most absolute, craziest, wildest ship, but it was like, Okay, lady comes out singing some background, some girls dancing on stage, take their tops off.

00:12:36
Speaker 6: Okay, yeah, this is nice.

00:12:39
Speaker 1: It's not that it's.

00:12:40
Speaker 2: Nice cool right lgbt Q. Yeah, friendly friendly.

00:12:44
Speaker 1: Super friendly, super friendly space right.

00:12:46
Speaker 2: I love that women are able to.

00:12:48
Speaker 8: The second act was even better from all Okay.

00:12:52
Speaker 1: Wait, I don't remember which the second.

00:12:53
Speaker 6: Act Kitty kitty Cat.

00:12:55
Speaker 1: Oh man, so this is this lovely girl. He's a lovely girl named kitty cat. You know, we love dance her name, but yeah, in her name. You know, we didn't see an id, but across the pond her name was kitty Cat. And she comes out and she's we immediately established that she's very bendy, flexible. Yeah, very flexible. Yeah, nice shape, yeah, if you will. She and she has I don't know if it was whole milk, skim milk, oat milk. She had a container of milk. And you know she was kitty cat. So you know, you say cats love milk whatever, I.

00:13:26
Speaker 5: Mean, cats usually Yeah, I think whole milk is of the cats.

00:13:30
Speaker 1: Maybe lactose. But whatever. So she starts pouring milk and she clearly wasn't Kitty Cat clearly was not lack lasers.

00:13:39
Speaker 8: And she was you know in like the old movies where the people are ducking lasers and to go steal the diamonds.

00:13:46
Speaker 1: Yeah, she's doing she's doing all that.

00:13:48
Speaker 6: That whole grabs the leader of milk with her foot and then.

00:13:52
Speaker 1: Just pours it on herself, like oh god, it was it was great. It was like, okay, this is.

00:13:57
Speaker 2: So someone like Danny Ocean should have recruited her.

00:13:59
Speaker 6: Actually he could, absolutely, he would be.

00:14:01
Speaker 1: And so Kitty Cat does her number, pour smoke on her all on the stage. She's spinning around.

00:14:07
Speaker 2: That's her hit record, doing broke Dancing.

00:14:09
Speaker 6: She spit, she like projectile spit all over the crowd.

00:14:13
Speaker 1: Okay, people were thirsty in the front. Whatever tongues are out. So then the curtains closed on that, on that on that.

00:14:19
Speaker 2: Captain crunch everywhere.

00:14:20
Speaker 1: Yeah, curtains close on that act boom and.

00:14:23
Speaker 5: Then standing ovation.

00:14:25
Speaker 2: Oh god, me and Julie were side yourself.

00:14:29
Speaker 1: I've been in so many shows I've never seen him, know, this was like, this was like I had to close I'm gonna need her. She's an artist. I was like, we need Kitty Cat out all night. She needs the longest set. I didn't like the fact that they gave us such a small set. I was like, no, she needs more time on the main stage.

00:14:44
Speaker 2: She's paying produced, starting out as an opener.

00:14:46
Speaker 1: I get it. They're putting nothing to rank.

00:14:48
Speaker 5: She'll get to that gallon of milk eventually.

00:14:50
Speaker 1: And then Julian's favorite act of the night, Rosewood.

00:14:54
Speaker 2: I don't even know. I'm gonna leave that one alone.

00:14:56
Speaker 1: And that to me, so rose is a is a is a? I don't want to.

00:15:04
Speaker 2: Before before is this regular Julian or Jullian off the.

00:15:08
Speaker 4: I don't know.

00:15:09
Speaker 1: Was he pricked up first? We'll asking me that it's crazy, but I don't know. It's just Julie. But uh, the entertainer Rosewood is uh. I don't want what trans?

00:15:18
Speaker 4: Is it? Trans woman? Trans man?

00:15:20
Speaker 1: I think born a man, born.

00:15:22
Speaker 8: Man but has implanted brass, trans woman but still has a penis so not full of trans woman?

00:15:31
Speaker 6: Trans woman?

00:15:32
Speaker 1: A trans woman? Okay, So a trans woman entertainer named Rosewood comes out. Julian immediately looks at me, and I'm just like Okay, this this, this set is not the same. Bring we can bring Kitty Cat back out right now, like I'm cool with kitty Cat.

00:15:44
Speaker 2: Was was Rosewood off the chew?

00:15:46
Speaker 8: He no, no, no, no, he comes So he came out, she came out dress.

00:15:51
Speaker 6: Let's just say Rosie came out, Rosie.

00:15:54
Speaker 2: Rosie Rosi Wood just because we're not exactly what she identifies as.

00:16:01
Speaker 6: Rosie came out.

00:16:02
Speaker 1: And then the thing is we didn't even well, yes you knew because of the build, but then you've seen obviously the fake boob, so I'm like, okay.

00:16:08
Speaker 6: And then it was like William just be a dude that likes wait wait, William the phone. It was like William Dafoe as the Green Goblin. It was that type of build.

00:16:17
Speaker 5: Okay, gotcha, big yeah, but like.

00:16:21
Speaker 2: Car large, like with the right trainer, could have went to the league, pulled an a clad do this instead. Gotcha?

00:16:30
Speaker 1: And we, uh, you know, Rosewood came out, did her thing.

00:16:34
Speaker 6: Now you can't say that you got to say what she did.

00:16:37
Speaker 1: I don't remember what the first you know, Yeah, like I don't remember it because.

00:16:40
Speaker 6: I can't mall didn't really watch, yeah, protected experience.

00:16:45
Speaker 1: It's just that I was still. I was still so you know, just like living in a kiddy cat moment. Yeah that I was just like, you know, I was just wish she would come back out and just getting oat milk.

00:16:54
Speaker 4: Like.

00:16:56
Speaker 6: Just wanted her to go through all the milks, go through all the.

00:16:58
Speaker 1: Milks, like do all my milk, you smoothie, Like bring kitty cat back out and let her do that with oat milk and almond milk. Like that's all I was focused on. But Rosewood had to set, and I didn't really I wasn't really looking, but Julian got it.

00:17:12
Speaker 8: So okay, Rose's first set, Rosie comes out and immediately turns, puts her back to the stage, and I noticed a string dangling between her legs. Cool, so there's something stuck somewhere. Gosh, it's like a half a foot string. It looked like a little light light shade.

00:17:32
Speaker 2: A tampon string.

00:17:33
Speaker 6: Yeah, well, you know, not quite.

00:17:35
Speaker 8: So she does a number, She ends up stripping and then takes a piece of paper, covers the paper in lipstick. First puts lipstick all over the tits, the mouth. That's really like, you know, just like if you gave a kid a lipstick or whatever, you go crazy. So the body was the canv get the comparison? Just a weird one in the scope. Let's carry on, You're not, it's only getting weirder. So she she takes this sheet and puts it on over her ass, covered her ass, so it looked like her ass was in fact a vagina.

00:18:11
Speaker 1: Yeah, okay, it was also that was it was like hair on it.

00:18:14
Speaker 8: And yeah, exactly, she she drew some hair like in it in the crack would represent the physical slit as vagina.

00:18:21
Speaker 6: So it is very artistic.

00:18:22
Speaker 1: Yeah, all right.

00:18:24
Speaker 8: Some man comes out, sits on the couch and is like throwing money at Rosie as if this is a private show and it's just the two of them in the club. He's throwing these fake bills, which at her as she's prancing around.

00:18:34
Speaker 2: Immediately makes you, guys, the voyeurs of the situation without even consent.

00:18:39
Speaker 4: Welcome to the club.

00:18:40
Speaker 2: Well we signed up, did you guys understand editing?

00:18:43
Speaker 4: Now?

00:18:44
Speaker 8: Yeah, we were the edands. Yeah, so anyway, I'll speed this up. So the we noticed that she now has a I would say, is it a bussy?

00:18:52
Speaker 4: Pussy?

00:18:53
Speaker 6: But bussy?

00:18:56
Speaker 8: Then? So then that boy puts it she starts tugging on the string and then out comes like a six or seven inch It looks like you know.

00:19:06
Speaker 6: Those firecracker popsicles when you were a kid.

00:19:09
Speaker 8: I'm a lot of kids like the red white and yeah, a lot of this was reminded it of a childhood moment. So she pulls out this thing and it's it's it's white to look like a tampon, but the end of it is soaked in some red juice to make it look like blood. And then she like swings it and throws that in the show nice. She's sorry, pardon me, step back. She sucks it first and then throws it in the c.

00:19:32
Speaker 2: A fan left with a nice souvenir.

00:19:33
Speaker 4: Yeah.

00:19:34
Speaker 2: Absolutely, I love shows when you you know she's sanity. It's like keeping a foul ball at the game. Keeping a foul ball, it's nothing like keeping its the towel.

00:19:44
Speaker 6: It's like, oh keep how much would that sell for?

00:19:50
Speaker 1: No, you take that to back?

00:19:53
Speaker 2: You are judges.

00:19:55
Speaker 1: Definitely give given tampon back here. I think you left this.

00:20:00
Speaker 8: She does that, and then ultimately there's a champagne bottle on the on the table.

00:20:05
Speaker 6: In the fake club scenario, she sits on it. There's there's liquid in the bottle. We're hoping it's not champing.

00:20:12
Speaker 1: Because you never finished the whole body. Take it home and you.

00:20:14
Speaker 2: Would go crazy.

00:20:15
Speaker 8: And Rikers, oh they would love, Oh my god. Every night would be the box Rikers.

00:20:21
Speaker 1: Sneak something about that, sneak a tablet in there.

00:20:29
Speaker 2: She could single fix all the problems at Rikers right now and bring all prisoner awareness that we need.

00:20:36
Speaker 1: No but but you know, it was just the experience of just being in the club and seeing things that you just wouldn't expect.

00:20:42
Speaker 9: To see at a nightclub, wouldn't be in your squats on the bottle and then stands up and then sprays whatever liquid was in the bottle from her ass and then walks off to a rounding applause.

00:20:53
Speaker 6: Yeah all, and just was elated. I think he asked for an encore.

00:20:59
Speaker 1: To think the thing you have to expect the entertainers and the performers, Like somebody that puts on a live show, I can appreciate when somebody is performing, like you know, given you're all, yeah, you're all, which is what Rosie did, and you're like, you know, the least you can do is clap, so it's like, yeah.

00:21:16
Speaker 6: Pause, dick was on medium the whole time like she was. It was out. Yeah, like it wasn't it wasn't bricked.

00:21:22
Speaker 2: But that, by the way, that takes confidence, right, Yeah, I mean, like, how long does it take until Shorty sees you?

00:21:29
Speaker 1: Yeah, years before you like completely walk around naked in front of the girl and you have no blood flowing to your Dick's a level of years. That's just years. Like you're just not letting the girl she.

00:21:41
Speaker 2: Like that, like she can fart in front of me before.

00:21:44
Speaker 1: Oh absolutely, I walk around.

00:21:46
Speaker 2: Absolutely.

00:21:47
Speaker 1: So Rosewood came out did did did her thing, and then the other girls came back out and did like a whole routine dance thing like.

00:21:55
Speaker 2: So that went in family friendly.

00:21:57
Speaker 4: Yeah.

00:21:57
Speaker 1: That went on for like for maybe like four minutes, and then they go off music back on for like another hour and a half party and then they get into another set.

00:22:07
Speaker 6: What they ramped up on the second set.

00:22:09
Speaker 1: Yeah, this fire like a man came out was blowing fire things like that.

00:22:13
Speaker 6: That was a cool one.

00:22:14
Speaker 1: It was it was a show. It was it was one hundred entertainment. It was a show or less sex type of thing, you know. It was it was a great experience though, like you know, it's not for everybody though, Like if you're one of those guys that, you know, the weird guys, what is that Like if you one of those type of guys, Charlott would have hated it. Yeah, don't go to the box like you.

00:22:33
Speaker 2: Can't the city of Charlotte.

00:22:35
Speaker 1: Yeah, Charlotte, you have to be from those type of city from New York, Like I see this on the subway.

00:22:40
Speaker 2: I want this person.

00:22:41
Speaker 1: Yeah, this is I see this on the subway every day.

00:22:43
Speaker 6: Yeah, this is just a yeah this city.

00:22:45
Speaker 1: This is the A train in Manhattan. This is nothing. But if you're from a city that's kind of not as forward progressive, and I'm not going to do that.

00:22:54
Speaker 6: The next name.

00:22:56
Speaker 1: The Red States.

00:23:00
Speaker 2: I think I think Atlanta's with some of that ship definitely. Yeah, but when their wives aren't around, it was.

00:23:09
Speaker 4: Wait.

00:23:09
Speaker 6: I do want to mention the Rosie's final act.

00:23:12
Speaker 5: Oh she came back to the stage.

00:23:14
Speaker 1: Believe she hasn't done.

00:23:15
Speaker 6: She was the bad bunny.

00:23:16
Speaker 5: It was you got the Corey No no.

00:23:19
Speaker 1: No, no, I was I was yelling for Kitty Cat for the rest of the night.

00:23:22
Speaker 6: By the way, she never came back she.

00:23:23
Speaker 1: Never tell you was so mad. I was so mad. I was like, there's more milks to go through, like.

00:23:30
Speaker 6: Almost super eating a gallon of milk.

00:23:34
Speaker 1: Almost almost else is DELI. Yeah, I was like, wait a minute, Kitty Cat can't be done for the night. That was only skim milk, right, we have to go through Khalifa. We have to go through the almond milk. Yeah, like we have to go through all the milks. What are we doing here?

00:23:48
Speaker 2: So it has his own milk.

00:23:50
Speaker 6: That's an oreo commercial.

00:23:54
Speaker 2: That's taking man, That's how you become a billionaire. It's not the.

00:23:58
Speaker 1: Music because you know where is somewhere high and he was eating cookies. He was like you know what.

00:24:09
Speaker 2: You know, whiz of mixing up his protein shaking at the boxing.

00:24:14
Speaker 1: No, we gotta we gotta wiz enough. In the culture, we don't salut wiz enough. But it was definitely a great experience. I wish I would have would have been there just to experience it with us. And then the most amazing performer of the night by far was our count Loyon.

00:24:30
Speaker 6: Wait wait before the last Rosie last time? Yeah, Roses side real real quote with the paint Okay, she she sits on another.

00:24:39
Speaker 8: Ultimately, the show ends up her getting back to shoving ship in her ass, and naturally she sits on what looks like a bowling pin that's.

00:24:47
Speaker 6: Blue, but you think the bowling pin is blue, but it's in fact clear, Like it looks like a crash.

00:24:51
Speaker 1: It's just blue paint in it.

00:24:52
Speaker 6: And there's paint. So the craft slips out of the ass and then.

00:24:56
Speaker 5: All of a sudden, when that happens.

00:24:57
Speaker 6: All the blue is gone. You're like, where'd the blue go?

00:24:59
Speaker 8: Yeah, she's stands fully on stage right and just bends over and just projectile ship squirts blew across all the way left stage and then like kind of turns into the crowd.

00:25:12
Speaker 1: It's like a sprinkler. It was like that type of thing.

00:25:18
Speaker 2: Have you ever left a concert and just saw all the trash and ship everywhere? Like, damn, I feel for the person that's to clean up. Yeah, we never talk about the janitor at the box. No, that's that's water based paint that comes right, was also in someone's ass.

00:25:34
Speaker 1: Well, hopefully Rosie took an enema and flushed her ass and you know the proproducing. Yeah, she definitely preps for well.

00:25:42
Speaker 2: What's crazy? About this entire thing of what I'm hearing is I've talked about on this podcast and podcasting period for years that I've never seen mal be impressed or amazed by anything in his life. We've experienced some moments, we've seen some ship together where I was beside myself, like this is incredible, no reaction, it's completely fine.

00:26:09
Speaker 1: And so then our lovely account and Loyon, uh he we look at him. He's sweating profusely, He's.

00:26:16
Speaker 2: Dancing these he wasn't just checking the receipt throwing ass.

00:26:20
Speaker 1: He's getting low to the floor. I'm looking at you like, no, no, no, you don't you see you don't understand. No, no, very.

00:26:26
Speaker 6: Long he goes, that's why he's got magnes.

00:26:28
Speaker 1: So that's why we have to check the books. There's no way our account should have need It's no way he should have knees like that. I'm looking at Julian like an, we got to get out of here. He's just you know, having a ball. We're like, all right, cool. At the end of the night, he was talking to some girls. She just left. We're looking at Loyon like, what happened you with? Dance with her all night?

00:26:48
Speaker 6: Curling.

00:26:48
Speaker 1: He's looking at us like, I don't know.

00:26:51
Speaker 2: Is that Is that a London dance that I don't know about.

00:26:54
Speaker 1: That's when you pick up your your your bride on your honeymoon and walk across the threshold of the hotel room when y'all got have yeah amazing strangers. Yeah, like, well apparently lore he just was picking up like that.

00:27:08
Speaker 4: Yeah.

00:27:09
Speaker 1: I was like, all right, cool whatever. And then at the end of the night, I was still mad because Kitty Cat never came out for acre. She didn't.

00:27:15
Speaker 2: She didnt have like a meet and repackage.

00:27:16
Speaker 1: I wish, I wish, I wish she did. I would have been backstage, But.

00:27:21
Speaker 2: I like, should we follow?

00:27:22
Speaker 1: I have no idea.

00:27:23
Speaker 2: We have our live show.

00:27:25
Speaker 6: Oh she's more than welcome.

00:27:26
Speaker 1: Oh she's listen. I will buy every milk in the city.

00:27:32
Speaker 2: But look, we have to compete with and.

00:27:34
Speaker 1: Will buy every carton the milk in London.

00:27:36
Speaker 2: If Kitty Cat comes out and you have to marry a couple on stage tomorrow like this, we have to compete.

00:27:41
Speaker 1: Yeah, we got to keep it up. We got to keep up what was going on with the box. But overall, great.

00:27:47
Speaker 2: Married something.

00:27:48
Speaker 1: It was a great experience. If you're ever in London and you can, you know, get the opportunity to go to The Box, I would say go if you're open to that type of just experience of just why out, you know, no sex, shame, kink shame type of thing. The music was great, the waitresses were great, the people that were good looking people, good looking people, good looking, proud. It was, it was it was a it was a fun night. It was definitely a fun night, great experience. I don't regret it. I'm glad I got to finally experience The Box because I heard so much about it. We have the Box in New York, but this one is completely different. This is a completely different experience.

00:28:23
Speaker 2: I Mean there's a lot of careers that I wonder like how people got into them, you know, outside of like just not construction, maybe like terrorism. Wondered like what guy did you meet that brought you to that catapath? I think the same thing when this par less, like who did you meet and were like, I think my asshole could handle that.

00:28:41
Speaker 1: It's I think it's just people that just are into that type of thing anyway, and they are into performing those type of acts in some capacity and on some stage somewhere and the box is probably like, Okay, this is where we ultimately want to end up because this is the spot. This is one of the hottest clubs in London. Everybody knows about it. But it was a dope experience, dope experience. I definitely want to go back, just so you guys can experience it. I definitely, yeah, baby, Yeah, of the night. Yeah, so that was me and Julian's night. What did you guys do?

00:29:12
Speaker 6: I got home at five am? By the way, what time.

00:29:15
Speaker 1: Did the show in the club closed? That four? We left out of the.

00:29:20
Speaker 6: Yeah, and we took it uber back to the hotel.

00:29:22
Speaker 2: Got you, but just to y'all, Yeah, of course, yeah, of course absolutely. But nowyer we left, he left, he's still at the box to this day.

00:29:31
Speaker 1: He might be. He might be in a box.

00:29:34
Speaker 2: He's locked up.

00:29:35
Speaker 1: Yeah we left. I was like, yo, Julian, we getting the out of his time to go. Great night though, great spot.

00:29:41
Speaker 6: We had sex workers involved in our evening, Yes, did you well?

00:29:44
Speaker 2: One by accident?

00:29:46
Speaker 1: Okay, So it's funny how sex workers always end up around you by accident.

00:29:50
Speaker 2: It's the first profession ever, yeah, is it not?

00:29:54
Speaker 4: Yeah?

00:29:54
Speaker 2: First correctly pussy.

00:29:55
Speaker 6: Was absolutely yeah, there's nothing else to sell.

00:29:57
Speaker 2: Yeah, trade.

00:29:59
Speaker 1: Adam actually gave even Apple's payment for them.

00:30:02
Speaker 2: They were related and never forget it anyways. So my cousin, who I have not seen since nineteen ninety seven.

00:30:09
Speaker 6: That's a horrible way to start that really bad.

00:30:11
Speaker 2: Oh my cousin's not a sex worker.

00:30:13
Speaker 4: Oh.

00:30:13
Speaker 1: I was about to say, this is the pot I've been waiting. I met my cousin that I haven't seen since ninety nine seven, and she's selling pussy in London now matter like yo.

00:30:22
Speaker 2: I was in the market to buy and I said, aren't we related? Running into the same thing. Adam said to Eve.

00:30:28
Speaker 1: Run it to your cousin by accident that sells pussy and you was about to buy it is fucking wild. That's a Netflix series. Netflix Netflix series.

00:30:38
Speaker 2: So my cousin, who I have not seen since nineteen nine seven, she grew up in Dublin but now lives in London, was like, hey, let's let's grab a drink after we had all left, uh, you know demands them sol house. What's it called shag shortage house?

00:30:51
Speaker 4: All right?

00:30:53
Speaker 2: So I was like, oh, eddon better, you know they they can come with meet the family. So I run up to my hotel room because like everything was closing. We're trying to find a spot. So I dropped some shit off and Ednon and Benner waited in the lobby while I was upstairs to then wait for the uber to go to the bar.

00:31:10
Speaker 5: I would let Eddin take it from here because I was not there.

00:31:14
Speaker 6: Okay, So he went upstairs. I went to go take a seat.

00:31:17
Speaker 10: Way to get that shoe, Yeah, to get that shoe I was looking. I was just chilling around on the couch and everything. Benner appears out of nowhere, and this lady shows up and I see Benner, and Benner just points at her. He's like, I think that's an Asian woman.

00:31:35
Speaker 2: Right, He thought that was Rory's cousin, my Irish cousin from Dublin.

00:31:38
Speaker 1: Yes, Asian.

00:31:39
Speaker 10: Yes, That's the only reason why I mentioned she's agent, because I was just like, Rory has an Asian Irish cousin.

00:31:45
Speaker 1: Asian Irish?

00:31:46
Speaker 6: Interesting?

00:31:48
Speaker 1: Yeah?

00:31:49
Speaker 6: Interesting?

00:31:50
Speaker 4: Why not? Right? Yeah?

00:31:52
Speaker 6: Maybe she was adopted. You don't know, So I go, oh, gotcha, go up to Benner.

00:31:57
Speaker 2: The Irish are not like millionaires in the States. They just don't adopt Asians.

00:32:02
Speaker 6: Red hair.

00:32:04
Speaker 10: I go up to Better and her and Benner's like hi, says hi to her and she's like oh you are.

00:32:11
Speaker 6: Like no for no actual sentence.

00:32:14
Speaker 2: I want to hear the accident.

00:32:14
Speaker 10: Good no, no, there was no no. She was about you. No, she just owe you. And he's like, oh, Rory's cousin. She's like yeah, yeah right, she said yeah. She said yeah, okay. We're like, oh okay, I put my hand on on earthing. I'm like hi, I'm at it. She's like oh okay, and then she goes YouTube. I was like, I'm sorry YouTube three fifty. I was like, wait, what.

00:32:39
Speaker 2: Is in the lobby of our hotel.

00:32:41
Speaker 6: Our hotel room?

00:32:42
Speaker 4: What?

00:32:42
Speaker 10: Yes, okay yeah, and then then Better looks at me just gives.

00:32:46
Speaker 2: Me like no, never mind, never mind.

00:32:49
Speaker 10: He's like He's like no, no, like or won running my pockets.

00:32:56
Speaker 6: Put on the company card.

00:32:57
Speaker 1: That's a deal. Yeah, two three fifty what.

00:33:00
Speaker 2: I don't know what. I'm more offended at that or confused about that. Eddon Beer would think my cousin is an Asian woman from Ireland. I was or better that she was a prostitute, or that they with it. It was gonna go through we can't figure out which one bothers me more?

00:33:18
Speaker 1: Yo, yo dog?

00:33:21
Speaker 2: What that the two of them were going to beat together like she gave us it was a bundle deal.

00:33:27
Speaker 6: Was like, what do you mean both of us?

00:33:29
Speaker 8: Oh?

00:33:30
Speaker 4: No?

00:33:30
Speaker 10: And then fifty for two not each total three fifty total or total?

00:33:35
Speaker 1: That is bundle package.

00:33:37
Speaker 6: If I that's heavy, that's less.

00:33:38
Speaker 1: Did that come with a hoodie? No, that's insane. Was she attractive though?

00:33:49
Speaker 2: No, that's what she's working on that. I'll point her out.

00:33:52
Speaker 10: A lot of say that that's where the three fifty was like, yeah, three, I'll give you three two.

00:33:57
Speaker 2: Yeah, funny.

00:33:59
Speaker 5: It is like and we want out the hotel.

00:34:02
Speaker 2: But you know there's certain like four seasons hotels where you could tell where there's girls working and they do it subtly. Shorty was what was there in front of like no one else there? She's just like three fifty.

00:34:13
Speaker 4: Bro.

00:34:13
Speaker 10: That wasn't the only person that just kind of walked into her hotel. We'll say that it wasn't.

00:34:17
Speaker 5: Even like some subtle prostituted she was.

00:34:20
Speaker 2: She was like at the front desk, like you want to fuck like yo, long story shirt.

00:34:24
Speaker 10: She had a whatsappen? The whatsappen it was like pictures and stuff like that. Some dude comes up.

00:34:28
Speaker 2: Is like that you guys got into a WhatsApp situation.

00:34:30
Speaker 10: No, like she like showed us her phone. She's like are you Like she didn't really say oh, she was like are you And I'm like no, no, no, no, no, no, okay yeah, and then.

00:34:39
Speaker 1: Some guy just kind of so she was obviously there for somebody that somebody at the hotel.

00:34:42
Speaker 6: Guy up later.

00:34:43
Speaker 2: Well, now I want to know what that guy said to her, because when Edden said, are you Rory's cousin, she said, yeah.

00:34:47
Speaker 10: Yeah, yeah, I don't know. I guess she really. I feel like some people really don't understand that sometimes.

00:34:52
Speaker 1: Yeah, she knew she was did to meet somebody and that's all she and you obviously walk up to her. So she's like, yeah, it's me, like give me I'm ready to make this money and get out of here. But well, I'm glad that wasn't your cousin.

00:35:01
Speaker 10: I blame because I always that's always blamed.

00:35:05
Speaker 4: He might have.

00:35:05
Speaker 6: I thought he knew and I was like, oh, is she Asian? I didn't think that would all right?

00:35:09
Speaker 4: Cool? You know, So that was.

00:35:11
Speaker 2: I'm glad that stereotypes can help.

00:35:13
Speaker 1: Absolutely in that case, they should have definitely read the room. But I'm glad that wasn't your cousin that was selling sex in a hotel.

00:35:19
Speaker 2: Yes, so to your cousin actually made all the chairs we were sitting in at uh So House and that no fucking, no fucking idea interior architecture. Then, yeah, she did all those chairs. I was like, what the fu come to my crib?

00:35:35
Speaker 1: Your grandfather built the bridges in Manhattan and New York.

00:35:38
Speaker 2: City, and my cousin has made every chair you've sat at. And so look.

00:35:43
Speaker 6: At you, Look at you making music?

00:35:46
Speaker 1: Yeah, they get they get shipped done. You can sit cross and dance if you come fuck with this family.

00:36:00
Speaker 2: Great Grandpa parall be proud. Yeah.

00:36:03
Speaker 1: Well I'm glad. So you met your cousin she makes the chairs at at Shoreditch house? Yeah? And how was the conversation? Like, did I catch up on the family? Yeah, she had kids.

00:36:15
Speaker 2: We haven't really talked in a really long time. But it's funny how family shit is universal, Like no matter what, you could not speak to someone for twenty years and pick right back up with like he's still a piece of shit, isn't.

00:36:28
Speaker 1: Yeah, yeah, that's family. That's family forever.

00:36:31
Speaker 5: Oh, at least you're talking to my dad.

00:36:32
Speaker 1: I was like, fuck, did she come out. We're filming this on the day before the show, so she's coming to the show.

00:36:37
Speaker 2: She bought tickets to the show?

00:36:38
Speaker 4: Oh wow? Yeah.

00:36:39
Speaker 1: I was like, fuck, why would you let's do do that? I respect that, though I thought it was that's kind of like when we were in Charlotte and my cousin that I didn't know was my cousin. At the end I started talking, it was like, yo, we're cousins, and I was like yeah, yeah, and she bought I didn't know she was coming.

00:36:53
Speaker 4: She bought her.

00:36:53
Speaker 5: Tickets and we didn't talk.

00:36:56
Speaker 2: Actually after no, we did it you nasty?

00:37:00
Speaker 1: No, no, no, no, I didn't do anything.

00:37:02
Speaker 2: You're lucky. I forgot it just hit me. Goddamn tied in his prostitution story a little bit better when we're leaving, you know, you know, ubers are kind of hard to get it. It was pouring rain to a little group with us. No, not only that, he said, Hannah, I'll get your uber. Who's Hannah my cousin's cousin. Not the prostitutor.

00:37:25
Speaker 1: You to move on it.

00:37:28
Speaker 6: Take a bus back home. We can't let a woman take a bus back or is her.

00:37:32
Speaker 1: Rich cousin if he was gonna let it take a bus.

00:37:34
Speaker 2: So sheld you no, mind you when she said I'm taking the bus, like, I'm not letting you take the bus, I'll call you a uber and.

00:37:39
Speaker 6: You stepped in.

00:37:40
Speaker 2: I'll take it, my cousin. I'll make sure you get home.

00:37:51
Speaker 1: You can't do it.

00:37:52
Speaker 2: I don't worry about it. I got it from here.

00:37:54
Speaker 6: It was like, there better be two stops in that uber. I was like, I'm not going with her. That's what he got. I was gonna go with her in the car with her.

00:38:02
Speaker 1: No, just called her over.

00:38:03
Speaker 6: I just called her.

00:38:04
Speaker 4: That's it.

00:38:04
Speaker 6: Okay, you have her dress?

00:38:06
Speaker 4: That's what? Yeah you got?

00:38:09
Speaker 1: Oh yes, yes, yeah. He's like, oh, I mean I didn't look at it. I didn't look at it. I gave the guy four stars and that was it.

00:38:14
Speaker 2: She texted me when she got home. I was like, did you double lock the door? Like the top God, because that nasty camera man knows where you're living.

00:38:21
Speaker 1: At He's outside your winning right now with the camera with the camera. Yeah, like what is he doing?

00:38:27
Speaker 4: But no, it was.

00:38:28
Speaker 2: It was cool to catch up with him and I'm glad then and Benner got to Fish to meet her as well. And Benner knows my pop so that was also cool because she was like, oh, do you know Jake, And once Benner heard that, they had a great conversation.

00:38:41
Speaker 1: That's dope. I like stories like that. So we that was. That was the night. That was our first night and the.

00:38:46
Speaker 2: First twenty four hours, the first in London.

00:38:49
Speaker 1: It's a whirlwind. So we woke up today. I kind of everybody kind of slept in, which I thought I knew was not ha. It like we just fucking tired, jet lag and bodies on a whole different clock. But I woke up and I decided to download the Drake album.

00:39:02
Speaker 2: Yeah what a decision?

00:39:04
Speaker 1: Well only because I felt like everybody was texting me about certain songs and bars and lines and things like that, and I didn't know what the fuck they were talking about. I said, I haven't heard a single song off the album. I'm in London. I'm just waking up. It's fucking eleven thirty here, which means it's seven thirty back home, which means it's four thirty in California. So I was just like, no, I'm just literally waking up. So I listened to the album, turned it on.

00:39:29
Speaker 2: Yes, Her Loss, Her Loss.

00:39:31
Speaker 1: It was Drake and Savage twenty one. Let's just talk about the all of the marketing and stuff leading up to the album. Drake is his camp. I don't know who's responsible for that, but it was genius moves. I thought it was super hilarious, super funny, super like just like a play on. Like everybody wanted to sit down and talk to people and interview people and things like that, and it's like, Okay, I'm going to talk to press, but I'm not talking to y'all. It's a press run, but it's not a press run. Like I didn't leave like my studio. I did all of this in the same fucking studio Green Screen did whatever. It was just a real, real, like dope way to say, here's our album. We're not gonna come and shit with everybody. We're not gonna come and do interviews with everybody, but we're gonna look like we're running around doing like the deep fake tiny des shit was genius. So that's because when I first saw that, I was like yo, for Drake to do tiny desk is super ill.

00:40:25
Speaker 2: We were recording when that clip dropped, yea, so we didn't like fully, you know, it's kind of one of those like oh shit, that's cool. I was actually excited when I first saw it, before I realized it was fake. I was like, yeah, man, that actually does make sense. It's time for Drake to do a tiny desk.

00:40:40
Speaker 4: Yeah.

00:40:41
Speaker 2: Then I really watched the clip after we recorded, and I was like, an acoustic guitar and a bass guitar, not a drumming site for the Drake and twenty one Savage tiny desk, not rolling stone.

00:40:52
Speaker 1: This fake is Funno. When I when I when I when I when I saw the Howard's Thurn thing, I said, oh, okay, this is interesting for a number of reasons. Right now, everything that's going on very interesting. But when he answered the question, we like, you know, just heavy top like just whatever was like the best tops like that's what I was like, this can't be.

00:41:15
Speaker 2: I mean, no way, Drake said, but the O G Howard Stern show appropriate answer.

00:41:19
Speaker 1: Oh absolutely, but that's why it made sense. But I'm just like, Drake isn't doing that. He's not He's not really going to.

00:41:25
Speaker 2: Say that, and that'd be the like the clip that they used. There's no way with such convictions. I was like, yo, I think he's the top is probably.

00:41:31
Speaker 1: And that's when you told me. You was like, nah, all of it is fake. I said, no, this is genius ship. So shout out to the whole team behind that for the for the album, I thought that was super dope.

00:41:41
Speaker 6: But now the music, yeah, well we jumped in.

00:41:44
Speaker 8: We did a fake interview and convinced quite a few people that that was actually happening.

00:41:50
Speaker 1: Did we Yeah, it worked. You didn't know.

00:41:51
Speaker 2: He just pged the photo shops on my couch.

00:41:54
Speaker 6: We decided when we were at the bar together, you just rolled in with it. So we had.

00:41:58
Speaker 1: People, oh yeah this that.

00:42:00
Speaker 2: Even we tweeted out like, oh I hope Drake and twenty one one fake do our podcast, And then it was mad people, you fucking cloud chasers. I'm like, I know I want them to fake do our podcast.

00:42:10
Speaker 1: Yeah, then I might not really do it.

00:42:12
Speaker 8: We put out the fake image and people were like, of course, Rory's not sitting next to Drake.

00:42:16
Speaker 4: Lmao, lmao.

00:42:18
Speaker 1: Even like when we're it's knowing that it's a fake, like, yeah, you.

00:42:21
Speaker 6: Made it, posted it.

00:42:23
Speaker 2: Peach p wh does incredible photoshop wasn't his best work. It looked fake as.

00:42:26
Speaker 1: Fun, but that's why I was doing it didn't even look real. That's why when I saw the picture, I laughed at it because I was like, I'm glad it doesn't look.

00:42:33
Speaker 5: Oh no, I'm glad.

00:42:34
Speaker 2: Peach purposely didn't make it look very rare because it was like, all right, this is.

00:42:38
Speaker 1: I thought you meant like we did a fake interview, like that would be picture. Yeah, but I thought about, say, wait, I didn't see this video. Why is it out? And I didn't see it?

00:42:45
Speaker 5: But did he sub any yours?

00:42:47
Speaker 2: So that's what I was listening for. Everyone else was looking for, like the messy like what he said about Meg and Kanye. I was like, which one of these which was one of these songs about one of my bities?

00:42:56
Speaker 1: No, No, that's great, that's crazy, Like you know that's what rappers think that other rappers for sure.

00:43:05
Speaker 2: I mean even he even said it on the album. He said rappers asked me if did Drake fuck? Of course he did.

00:43:11
Speaker 1: No, I'm not gonna lie. He had one ball in there.

00:43:14
Speaker 4: I was in.

00:43:15
Speaker 1: I was in the bathroom, was brushing my teeth and he said what he said. He said, uh, like a like a cup holded dim stick to me, some ship like a cup hold of the doms always.

00:43:26
Speaker 6: Stick to me.

00:43:27
Speaker 2: It's pretty good.

00:43:27
Speaker 4: Long.

00:43:27
Speaker 1: I was like, that's a clever, clever bar.

00:43:31
Speaker 4: Bro.

00:43:32
Speaker 1: Yeah, like that, that's very clever. That's like he's he's he's he's on another like he's thinking differently. Like because you get that as soon as you hear it, and no rapper has ever.

00:43:42
Speaker 2: You're gonna get killed for loving that bar. But I also love that bar. I'm just I don't give rap nerds are gonna be like, I don't care who loved that bar. Big else said that it'd be the greatest hip hop no that time. Something so simple, That's what I'm saying.

00:43:54
Speaker 1: It is so simple, but nobody has ever said it.

00:43:57
Speaker 8: And you know, every card Drake has been in the last ten year does not have a sticky cup hole.

00:44:01
Speaker 7: So the fact that he that he reached back into that exactly, That's why I'm like, he's still when still talks about coke like it's.

00:44:09
Speaker 1: Yeah, it's muscle memory, it's muscleman. And then who has it. Who doesn't know? Is sticky cup hold.

00:44:15
Speaker 2: Matter how your car?

00:44:16
Speaker 1: It's like, yo, why is this? Why is it always sticky?

00:44:18
Speaker 2: Why has two sticky cup holders? Even that little area with the dashed thinging that you put stuff is a sticky Yeah no, that was the premieer car washes. Cannot get the stick and get it.

00:44:28
Speaker 1: That's what line was exactly.

00:44:30
Speaker 2: I only drink water.

00:44:32
Speaker 1: That's why that bar was so was so like I said, Okay, I said, that's a slick, that's a club ball.

00:44:37
Speaker 4: I like that bar.

00:44:37
Speaker 1: But the music sounds good. I only listened to the went through the album one time.

00:44:40
Speaker 2: Yea for those resting this ship literally just yeah.

00:44:42
Speaker 1: We're recording this on Fridays. This is coming out Tuesday. We recorded this on Friday in London. So that was just that was the album. The music sounds good, the hooks sound good. I only listen to it once, so I'm not trying to go too deep into it. I see the bars that people are talking about online with the whole Uh, she's lying about getting shot, but she's still a style, you know that.

00:45:04
Speaker 2: That was the number one thing I saw.

00:45:05
Speaker 1: I saw that bar. I heard I've seen people talking about that bar, and I was like, Okay, we talked about it amongst ourselves, and I was like, I think he's teethering the line. It could be lying about shots, line about get her as.

00:45:18
Speaker 5: Done, understand the bar, but let's come on.

00:45:23
Speaker 2: Drake is one of the more calculated people we've ever seen. He chooses his words very carefully, right, yes, and he knows what he's saying, even with I know chicks live about getting as shots, Like, yeah, we could tell that, but we know you saying that it's going to appear logically that you are saying that Meg is lying about being shot.

00:45:44
Speaker 5: The only let's let's call this space.

00:45:46
Speaker 2: Yeah, but Drake can I'm always once but he knows what that was gonna do.

00:45:50
Speaker 1: And that's what I'm saying. I'm always calling the spade of spade. But the only thing is I've never seen, or that I can remember, I've never seen Drake take a definitive side on anything that was such big news in our culture. True, So that's why I have to say he's teetering the line, he's playing on words. He obviously sees what people are saying publicly about the trial or the situation that's coming up he sees all of that, he reads all of that. So that's why I'm saying, I think he's teething. He's playing with that line and that the emotions that are out there about that, is she lying or whatever whatever. I've never seen Drake take a definitive like shot and stance like that, especially towards another artist or woman.

00:46:33
Speaker 2: But you do know what that puts out to her story as far as perception. Absolutely, and this is a no way saying with my opinion on that I was not fucking there.

00:46:44
Speaker 6: I do not know.

00:46:47
Speaker 2: I don't know if that means I don't believe women. I just wasn't sucking there. I don't know. Let's see what happens in the trial wheneverone tells the story.

00:46:51
Speaker 1: Right.

00:46:52
Speaker 2: That's where I'm at with the shit. Drake brand is probably what the most important brand.

00:47:00
Speaker 1: And in hip hop, one of absolutely one of the.

00:47:02
Speaker 2: Most protected, pretty squeaky clean if we get down to down to it at the end of the day, for the type of artist that he.

00:47:09
Speaker 1: Is, which is why I don't think he would too.

00:47:14
Speaker 5: Say that.

00:47:15
Speaker 2: That is now saying by perception Meg's line, Why would an artist compromise his whole brand to say a woman that was shot is line. So you could see that the line. But Drake knows what he was saying in that regard and what that looks like in Meg's.

00:47:35
Speaker 1: Story in her defense, No, no, no.

00:47:38
Speaker 2: Artists of Drake's stature, rapper or not, would risk their brand to take any type of It's not even saying that. He's kind of insinuating. He said it.

00:47:49
Speaker 6: He said it, he said, took a defintance.

00:47:52
Speaker 1: Yes, so it's just the first one.

00:47:54
Speaker 6: He said.

00:47:54
Speaker 8: There's another line too that I wanted to read where he said it's on the same song.

00:47:58
Speaker 4: He said.

00:47:59
Speaker 8: Surety says she graduated, she ain't learned enough player album track one k I heard enough, So that was People are saying that's in the reference to her going back finishing her degree at t s U and then you know, obviously continue with her career.

00:48:11
Speaker 6: And he's like, yeah, I'm good on your music.

00:48:13
Speaker 2: What what is the Meg? Is there a Meg Drake thing we don't know about? Find the scenes with Tory?

00:48:19
Speaker 4: Uh.

00:48:20
Speaker 6: There was a picture of him recently.

00:48:21
Speaker 2: With They're cool. How close is this artists?

00:48:24
Speaker 4: Really? I don't know how I'm.

00:48:26
Speaker 8: Saying it seems close enough or at least he knows enough about the situation to choose his side.

00:48:30
Speaker 1: All right, No I'm not going But no, that's what I'm saying.

00:48:33
Speaker 2: What does he know? Drake wouldn't He's not gonna takem if I'm Drake and Tory just tells me a story behind the scenes.

00:48:40
Speaker 1: He's not sho.

00:48:43
Speaker 5: Is not taking the word.

00:48:44
Speaker 2: Of somebody to make a stance on that, which is also even weirder to me because Drake wasn't there.

00:48:50
Speaker 1: Well, what is known, it's it's some people that are They're upset about the ball. They're looking at it like Dan, that was whack. You know, that was corny, Like you shouldn't have did that, you shouldn't have said that, or whatever. And I mean, you know, listen, if one thing we know where we know now you could say things and nothing is out of bounds. I keep telling y'all, we living in the simulation whatever we thought was like out.

00:49:10
Speaker 2: Of bounds, which not having ever is out of bounds, but not you can't say anything, but every.

00:49:16
Speaker 1: Day, every day Toun there, every every day the new it's a new out of bounds.

00:49:19
Speaker 2: You can't say ship, but everything's being said exactly.

00:49:21
Speaker 1: So you know, I guess this is what he wants. You want people to sit and talk about it. Is he taking the side? Is he taking a stance? And who he believes in this whole situation. You know, Like I said, people are saying, oh, he's alluding to chicks line about getting their as shots, but you're still stay like you still think Yeah, listen, man, chop it up.

00:49:39
Speaker 6: That bar was corny?

00:49:40
Speaker 1: Huh?

00:49:40
Speaker 6: Do y'all think that bar was corny?

00:49:42
Speaker 1: I didn't like it timing wise, yeah, I didn't like that. It was a bad time. I thought it was a bad taste.

00:49:46
Speaker 2: Rapper bar rap genius the way if you want to put it down.

00:49:50
Speaker 1: Yeah, yeah, okay, and not and and and and not that I don't like it because I believe Meg. I don't want to put that out there. I'm just saying I don't like it because this you do, this is something that's still going on. This is a trial is coming up. So it's like, that's why I don't believe. I don't We've never seen Drake just put a draw line of sense like I'm here with this, you know. I mean, it's always like he just doesn't address it. It's like whatever, like it's not.

00:50:18
Speaker 6: That doing that it's going to have a lot more people jumping on that.

00:50:21
Speaker 1: Absolutely not. And that's why people and that's why, and that's why people don't like the.

00:50:26
Speaker 2: Back with a brand like that would risk it over something that he wasn't one hundred percent positive about. That's what I'm saying. What it looks like, yea perception and you do believe Meg, because I want to make sure it sounded like you were saying you want to say you don't believe Meg.

00:50:40
Speaker 1: No, no, no, I'm saying I just don't want you to. No, no, no, I'm not saying something. I'm not saying I don't believe Meg. I'm just saying, like people know from the from the time it happened, it was the crazy shit we've ever heard a male artist that was huge, had everything going for him at the moment, insane shot allegedly shot a female art artists We've never and then we've never seen a woman lie about being shot before.

00:51:05
Speaker 4: I don't.

00:51:05
Speaker 1: I'm talking about in life, not just celebrity artists. In life, I have never seen a woman lie about being shot.

00:51:13
Speaker 2: And that interesting lie.

00:51:14
Speaker 1: This is what I'm saying. So it's like the whole situation is just odd, it's unfortunate. It's it's like just something we've never seen so.

00:51:23
Speaker 2: Well, allegedly who shot her rather because shot yes, allegedly fact who shot her?

00:51:30
Speaker 1: Right, So the bar didn't like it. I was like, ah, because we know what it can do that it pushes perception, it does all of these things, and that's why a lot of people also don't like it. A lot of women don't like it. They felt like it was distasteful with Drake to put out there. But whatever, that's what that's what music is supposed to do. We debate it, we chop it up, we take from it what we take from it. We like what we don't like, We dislike this, we like that. That's what this is all.

00:51:54
Speaker 2: About, just as a consumer. And I don't want to harp too much on the Meg shit, but we've had convers stations.

00:52:00
Speaker 5: Off Mike where you've made amazing like Meg would.

00:52:03
Speaker 2: Never lie about that, like her career, Why would you lie about that?

00:52:07
Speaker 1: I was very vocal and behind the scenes about that like that. It would it will be, and it is absolute career suicide. If she is in fact lying about that, it's career suicide. There's no other way about it. It is career. She's committing career suicide if she is lying about.

00:52:26
Speaker 5: Like, let's take the feelings out of it.

00:52:27
Speaker 1: Yeah, yeah, feeling you know, it's unfortunate what happen all the way around. But if she's lying, it's Carist.

00:52:32
Speaker 2: Every time you said that, it's put it in perspecting me. I'm like, yeah, if Meg lied about that would be insane.

00:52:38
Speaker 1: Yeah, it's Carist. We've never seen them.

00:52:40
Speaker 4: Now.

00:52:40
Speaker 2: I'm just as confused because I think Drake's brand would never even allude to taking allude to even though I think it's a side let's just say even a lude or like make a little play with comment.

00:52:53
Speaker 5: I agree without knowing.

00:52:55
Speaker 2: One hundred percent that she was lying. So that's where I'm I'm I did what was going on? Yeah, no, it isn't really my fucking business.

00:53:02
Speaker 1: Well, the trial is coming up, so you know, no matter who drops a line and who makes a slick, witty bar, the trial is coming. It will be sorted out. So another uh, Like, with're dissecting this album and it just came.

00:53:13
Speaker 2: Out, we're not. We're just talking about the gossipy bars. It just came out. I can't wait to really talk about this album once. Yeah, but listen off the ship.

00:53:21
Speaker 1: Yeah, because from what I did here, it's a it's a lot of ship in there, a lot of a lot of music, a lot of interesting saying.

00:53:27
Speaker 2: I liked it off first listen.

00:53:30
Speaker 1: I'm talking about just the music. The music sounded good. Uh, the samples that were there, obviously some some of the slick, witty lines and things like that. On another line that people seem to be dissecting is the Serena Williams the shot quote unquote shot at Serena Williams husband.

00:53:48
Speaker 2: I guess no, he said no disrespect before it.

00:53:50
Speaker 1: That means it's not a shot. You know, we got to put the Yeah. Yeah, So Julie, what was the line?

00:53:58
Speaker 2: It was no disrespect him, but your husband is a groopie.

00:54:02
Speaker 1: That's exactly what he said. No, that's not what he said. I swear to God, no disrespect Serena. But your husband's a groupie? Yes? Am I wrong?

00:54:08
Speaker 4: Julian? Yo?

00:54:10
Speaker 1: What is wrong with Drake?

00:54:12
Speaker 2: When I heard that straight, That's where I'm at, right, I was like, all right, man, Drake.

00:54:17
Speaker 1: Drake, Drake, what's up?

00:54:18
Speaker 4: Man? What you doing?

00:54:19
Speaker 1: Though? Like you can't you can't call Serena Williams's husband a group and then okay, I said the same. Here's the next ship is he calling? Is he calling him a Groupiefore here's the line, Serena or group before him?

00:54:31
Speaker 8: He said, sidebar, Serena, your husband is a groupie. He claimed, We don't got no problem, but no boo, is it like you coming for sushi?

00:54:39
Speaker 6: Look at the double on time?

00:54:41
Speaker 1: Sorry? Like no, So he's alluding the fact that he took Serena the Noble one night.

00:54:46
Speaker 6: And sushi fans went crazy over the bar.

00:54:49
Speaker 2: He didn't say, well, they had a.

00:54:50
Speaker 1: Great yellow yellow tale sushi there. So I mean the Halloween your yellow tailers to die for, and you.

00:54:57
Speaker 2: Think maybe it was a callback to what it's time to be alive. When Future said noble, noble.

00:55:01
Speaker 1: Noble, noble, noble, there was a bar in it, he said, and he loved that. Future.

00:55:07
Speaker 2: That's one of your favorite Future bars, the no on that album that's like your what No Drake.

00:55:12
Speaker 1: Got a bar on this album that passed that bar. He was like me, and you are eight words fu fuck you, fuck you fuck you like fuck you, fuck you, fuck you, fuck you. I was like, yo, dog, this nigga is really crazy.

00:55:24
Speaker 5: I mean, listen, as Wayne, who I considered one of the goos.

00:55:26
Speaker 2: I think he changed everything when he said I could just get paid by the letter and then just did the alphabet eight.

00:55:34
Speaker 4: Uh.

00:55:34
Speaker 8: This is of course alluding to the date that he took her on in twenty fifteen. Oh my gosh, when they had the sushi date.

00:55:42
Speaker 1: So they had a sushi Who know who remembers these things?

00:55:45
Speaker 6: That's the evidence.

00:55:46
Speaker 2: Oh my god, how did Drake remember that?

00:55:49
Speaker 1: I'm not saying why it's TMZ's.

00:55:51
Speaker 2: Job now that ship, but how would Drake?

00:55:52
Speaker 8: You had a one off date with millions? I forget the fuck also calculated, Drake, Oh for.

00:55:58
Speaker 2: Sure, But I remember this.

00:56:00
Speaker 5: I'm saying to put that.

00:56:01
Speaker 2: To put that into a bar directed at her husband, I guess this is really worth.

00:56:04
Speaker 1: So Serena's husband, I guess, responded to the bar. Uh well, seemingly responded to the bar with tweet. He says, the reason I stay winning is because I'm relentless about being the absolute best at whatever I do, including being the best groupie for my wife and daughter. It's a picture of him with their daughter in the stands looking at Serena on the court playing as a horrible.

00:56:29
Speaker 4: No man.

00:56:31
Speaker 6: He needed, he needed to give shots back.

00:56:33
Speaker 1: I mean he kept it.

00:56:34
Speaker 4: He kept him.

00:56:34
Speaker 1: He did with a husband with sposed the picture of the baby and his loving wife that's arguably the greatest athlete ever at work that well.

00:56:43
Speaker 2: I think if you're the greatest athlete of all time and you're the husband of that woman, I'm just gonna be quiet. It's hard not I'm not replying to that.

00:56:50
Speaker 1: It's hard not to be. And again, I maybe Drake is saying that her husband is a groupie for him.

00:56:55
Speaker 2: I thought he was saying that he's a Drake.

00:56:58
Speaker 1: Because Colin, first of all, calling a girl a lady's husband a groupie for her is the funniest ship the world. Like you tell somebody like, yo, you married, Yo, you're a groupie because I'm married Serena, Like she loves me, I love her, we're married, like we kid together.

00:57:14
Speaker 2: It was like it was like when it's like when you were when you were young and anytime you showed like affection to your girl in front of your boys, like you mad gay when you're a girl like no, like like my girl, Yeah, Like that's mad gay.

00:57:28
Speaker 1: Like that's what I'm saying, like, so, now if one of y'all get married, y'all gonna be mad if I call y'all groupie, Like you got married? Yeah, you're a groupie.

00:57:34
Speaker 6: Yeah, what can put a ring on it?

00:57:37
Speaker 1: You put a ring on your group?

00:57:39
Speaker 2: Now your group after going to the reception, like, yo, I gotta get away from.

00:57:42
Speaker 1: These group Yeah. He got a suit on his yo, and he got his groupy homies with him. They all wearing suits.

00:57:47
Speaker 2: Like they matched. Some whole ship. All y'all matched, yo, he wrote, He wrote.

00:57:52
Speaker 1: Bows, yo, Yo, you told how much you yo? You're a groupie your group like what, I don't know. It's crazy, I don't, I don't know.

00:58:00
Speaker 5: I mean, and I do find it funny.

00:58:03
Speaker 1: I guess you know that Rich that's why you insult people. Now you're a groupie for your wife.

00:58:07
Speaker 2: I just think it's also funny. And I know I'm within Strake and ib felt like his music, like him, he's cool. When you invented being a groupie for groupies, you can't call nobody a groupie.

00:58:19
Speaker 1: But when you invented being a groupie for groupies, so you're saying Drake is a groupie for groupies.

00:58:24
Speaker 2: He invented shouting out the groupies on by name on songs.

00:58:31
Speaker 1: Oh okay, so you're.

00:58:31
Speaker 2: Saying he invented talking about the groupies by name, making the groupies who they are.

00:58:37
Speaker 4: He made it.

00:58:38
Speaker 1: He made it a thing to do.

00:58:39
Speaker 5: In the rap groupies were anonymous.

00:58:40
Speaker 2: It was the groupies. Besides Superhead, it was nobody.

00:58:44
Speaker 1: Well, I'm about to say before before it.

00:58:45
Speaker 5: Was it was a bunch of nameless boxes.

00:58:48
Speaker 1: But before Drake, we know that.

00:58:50
Speaker 2: Government's social Security number, everything, so you cannot call nobody a groupie.

00:58:54
Speaker 5: I'm not saying Drake actually was a groupie for the groupies he made, but.

00:58:57
Speaker 2: He invented that.

00:58:58
Speaker 5: Part of I Don't want to see You was name dropping groupies.

00:59:01
Speaker 1: I'm not gonna say he invented it because.

00:59:03
Speaker 2: Well Wayne did at some point. Yeah, I think Wayne. Wayne did, Like once was like I'm gonna make this my style.

00:59:08
Speaker 1: I think No, I think I think what Drake made popular was in naming the song titles after the groupies.

00:59:15
Speaker 2: Well I don't think, come on, he met Bria at at Macy's. I don't think. But I'm just I don't think Bria was a groupie. No, I'm not think that was like.

00:59:22
Speaker 1: No, no, no, I'm not saying I'm just saying this others.

00:59:24
Speaker 2: We're gonna apologize to to Bria. The same have to do with love, love Bria.

00:59:27
Speaker 1: That's my people, and I'm just saying, like I love saying he made I think he made that a thing though.

00:59:31
Speaker 2: I'm not rapping about the Okay, to me, that's like that was his exes, like this was his girls.

00:59:37
Speaker 1: Clearly he doesn't. But come on, we know and married.

00:59:40
Speaker 2: He was shouting out.

00:59:43
Speaker 1: He definitely, he definitely was was was shouting out.

00:59:45
Speaker 6: The girls from Hooters on Peatree.

00:59:47
Speaker 1: I see.

00:59:48
Speaker 5: I think she was respectable woman. That was maybe his girlfriend.

00:59:51
Speaker 2: I'm not saying that par we know the names man.

00:59:53
Speaker 6: The one that he needed. She was the piece to complete him.

00:59:58
Speaker 2: He said. Someone called China tell her on fire tonight.

01:00:02
Speaker 1: Oh Malaia, yeah yeah, I'm on fire.

01:00:07
Speaker 2: I'm on fire tonight.

01:00:08
Speaker 4: Yeah.

01:00:09
Speaker 1: That means come get this money because I feel like throwing about one hundred thousand hit tonight.

01:00:13
Speaker 2: Well that's actually an entrepreneur, that's not a group. Was just he was on fire. So that's the stakes getting paid from Drake right now.

01:00:20
Speaker 1: That's another bar that I guess. People were in arms and talking about whatever. And then there was another bar that I guess people caught or or y'all put me onto that I didn't catch at the moment. Uh the bar in regards to the whole Shelley fka drum yeah, or drum f k a Shelley a homie drum Shelley that's family, alluding to the whole cha cha bar cha cha slide record that uh you know hotline bling was intended to be the cha cha slide remix in my correcting scenes.

01:00:59
Speaker 8: Yes, I have the lyric, Okay, he said, tried to bring the drama to me. He ain't know how we cha cha slide.

01:01:07
Speaker 2: So here's the thing. When I heard that bar, I did not I just thought it was wordplay. I didn't take it as a shot at drama at all. I just thought that was like a cool bar. Then I saw that that Shelley had gotten on Twitter and you know, set his piece.

01:01:23
Speaker 5: I've been there before when I've been upset and just.

01:01:27
Speaker 2: Did some shit, I think, and I would tell tell him this as a friend. I think he overreacted until he started explaining the situation. I've had a lot of really private, intimate talks with Shelley about certain industry stuffs, stuff pertaining to Drake Hotline Bling that entire era.

01:01:48
Speaker 5: He's always held that story down.

01:01:50
Speaker 2: I had no idea there was actually some type of altercation at all, and he's told me some shit that I'll take to the grave about a lot of stuff.

01:01:56
Speaker 5: He really held that story down. So when I heard that.

01:01:59
Speaker 2: I didn't think anything of it. I was just like, Oh, it's just the bar. Now that that's there, I can see to some degree how Shelley be like, all right, bro, there was an actual altercation, so maybe I would feel a way when I first heard it, even though in information I know more about that situation than he's ever put out. I was just like, Oh, it's just a funny bar. What are you do in that situation? Do you just let that shit go? Because no one knows that story but the two of y'all.

01:02:31
Speaker 1: I don't think you let it go, only because I feel like Drum you know, has been holding in a lot obviously. Yeah, in regards to the whole said hot Line Bling record things about you know off of his Chachaw slide hit record and hot Line Bling basically supposed to be the remix to that how Lon Bling ended up being probably Drake's biggest record today maybe second, God's All, God's Playing still number one. So obviously, you know, as we know creative, that type of things happen and it causes a little energy shift between artists, like that was fucked up, that was shady, but okay, and then now everything else that you're saying happened around that. I had no idea about it. I didn't know nothing about it, sitting down and we sat down and we talked with Drum. We talked with Drum about a few things about his next project and just catching up with him and him getting into the cannabis game, and and he we had some discussion around that whole situation because I literally was on the outside of that. I didn't know anything about that situation. And then so Drake drops the bar and then Drom goes on, uh, excuse me, Shelley goes on social media in response to the bar. I guess because he was holding in so much for so long about.

01:03:48
Speaker 2: It, I'm situation. So they're like, yo, you know what, I'm probably still in that situation now. Maybe that's why, that's why, maybe why I watched that that clip of drom going off like I know that feeling. Yeah, like you've been dead quiet about a lot of even when you've been talking. You've held bro u shit now like you would not believe to this day off people that don't even fuck with you. You don't fuck bro Listen, I saw myself and that like yop yo, come on, man, I've been chilling.

01:04:18
Speaker 1: Listen, man, I know how that feeling is. I've I've been a victim of responding, well not a victim. I've been uh, you know, on the side of responding. I've been on the side of not responding, shutting up and just letting things you know, just if we respond halfway responding not really wanted to go and on the side of I could really go to a whole different level. And you know, it's just like ultimately for what like what are we talking about? You know what I mean. It's so it's like it's so you just take things you learn from them. Yeah, it's a fucked up situation. Yeah, it's whacked that it happened and things like that. But you know, however you decide to deal with it, you got to stand on it, and you got to just you know, you gotta just be a man with it, so he responded. However, he responded, I didn't see the Twitter clib. I heard that he's going on TMZ Live.

01:05:09
Speaker 2: Yeah, I guess, But he was suggesting that that he had went and approached Drake about the Hotline bling Chaschat slide situation and that Drake's security guards had stepped in and that it wasn't Drake didn't do anything, and that's why Drama was so upset, Like, you can't say that bar, you didn't do anything. Your security came in and did that shit, and he als said, if you want to fight one on one, we could do that type of energy. Well, which of course we know't won't happen. Yeah, but I'm curious because we sat down with him a few weeks ago and discussed not that situation, but the hotline Blink situation, and he had nothing but great things to say about Drake. So I am curious now that we're going to put that interview, which was already planned. It's weird how that worked out, Like I want to talk to Shelley and figure this out and kind of have him help transition this interview that we're attaching to the end of this episode, because it's a drastically different energy.

01:06:11
Speaker 5: Than it was different.

01:06:12
Speaker 2: Was super respectful towards Drake because and I think that's kind of his point in that Twitter video, like I've been nothing but kind to you. I really have been quiet about those situation. I could have been that dude that just ran around talking about how y'all stole my ship and made it the.

01:06:27
Speaker 1: Hot That's a the position to be in, because you know when you do win in exactly, you came nuts the biggest artists or one of the bigges artists in the world, and you know, you're Shelley Drom who's had big records, had success, obviously not to the level of a Drake, but you've you've carved a way for yourself and your name, and you had a huge record in Chasha Slide and then incomes Hotline Bling in that same vein. So I do understand Shelley his feelings around that. But we did sit and talk with him, and his energy wasn't it wasn't combative, it wasn't negative. It was just like it was more like, it's whacked that that happened, you know what?

01:07:03
Speaker 2: Kind And I hope whoever who chops this and thinks it's a drum response. I almost want to put a date on our footage, but actually let's do that, because let's put a date on it, because I don't want that to be his official reply.

01:07:15
Speaker 6: He was about two weeks ago.

01:07:17
Speaker 2: So yeah, because I know, regardless, you know, obviously that picked up a lot of traffic when when Dramas said that and he's doing the Teams ship. I don't want people to think for his sake because that's family that this is his reply to that entire It's it's.

01:07:34
Speaker 5: What was happening before.

01:07:35
Speaker 2: It's kind of why he replied the way he did today. It's because he's been so respectful and quiet about the ship.

01:07:41
Speaker 1: Yeah, so versus hotline blinks. It's a beef. We didn't know what's happening.

01:07:47
Speaker 2: I mean behind the scenes. You Kanna was like, no know that song.

01:07:51
Speaker 1: No absolutely, I'm just I'm just making jokes. But yeah, but yeah, Shelley had some some you know, we didn't have no negative things to say about.

01:07:58
Speaker 2: It's just a quick part of part of the interview.

01:08:00
Speaker 1: Like most like you want to you know, just like yo, you don't feel like at least you at least owe me just a conversation, like you know that type of energy, like we at least got to just have a conversation about it. Like so, yeah, so we talked to Drum a f k A.

01:08:15
Speaker 2: Shelley and weird timing that this was coming. The interview is coming with what the fun just happened?

01:08:21
Speaker 1: Yeah?

01:08:21
Speaker 2: That ended up odd, but it is with.

01:08:24
Speaker 1: All right, so you want to you want to get into that, Yes, what's going on with family? Are you feeling?

01:08:34
Speaker 4: Oh?

01:08:34
Speaker 1: I know how you feeling. You ain't got it's all over your face. You ain't got to tell me how you feeling. I know how you feeling.

01:08:39
Speaker 2: Are we gonna get high on all this episode?

01:08:42
Speaker 1: So draw he first? Or am I calling you drama?

01:08:44
Speaker 4: Shelley calling me drum? You call me like? But I answered to whatever?

01:08:49
Speaker 1: But what you want me to call you?

01:08:51
Speaker 2: What's it gonna say on the album?

01:08:53
Speaker 1: All right?

01:08:53
Speaker 2: So drum?

01:08:55
Speaker 1: So Drum came in here with all this ship, bags and bags and bags of some good smoke, lobster butter and and candy paint.

01:09:03
Speaker 2: There's lobster butter weed, you know. Yeah, this is it's I'm an outside of You're not from Joe Biden's legal.

01:09:11
Speaker 1: I got me a cone because you know, we was talking. I don't do the I don't do the blunt. I'm a I'm a paper guy. So I got into some candy paint. So I'm gonna hit this candy paint because you know we like to. Everybody got pretty weed and it's smelled good and gas.

01:09:23
Speaker 4: But what it smoked like?

01:09:25
Speaker 1: So you came in here with the candy paint. I said, this is probably the best looking one you got. So I'm gonna smoke some of this candy paint and we're gonna have a great conversation.

01:09:31
Speaker 2: As a vegan. Can you smoke the lobster fisk?

01:09:35
Speaker 1: We've butter?

01:09:37
Speaker 4: Look, we're gonna we're gonna we're gonna back cross that shippster this Hey, you coined it, listen coined it.

01:09:43
Speaker 1: Yeah, it's not the name. It's not really.

01:09:46
Speaker 2: It's not lobster in the No, there's no lobster butter too that you can't do that.

01:09:50
Speaker 1: It's no actual butter and the it's just it's probably the smell a little bit module a little lobster butter. So I'm gonna smoke this candy candy paint and we're gonna have a great conversation.

01:09:59
Speaker 2: What's the weed business? It's like, I'm asking, business is booming.

01:10:09
Speaker 4: They just.

01:10:11
Speaker 2: You get out of jail for free. Now, according to Biden five minutes.

01:10:14
Speaker 4: Ago, let's fucking go.

01:10:19
Speaker 2: Well, I do think it's it's amazing but kind of fucked up. All right, So all people that have federal charges for weed right now officially get out. But the weed business is already being taken over by people that were not federally federally incriminated by it. So you locked everybody up, took their business, made it legal. Then it was like, hey, you're out, but we took your business.

01:10:38
Speaker 1: Yeah, well that's how it goes. Whenever the government figures out, figures out how to how to put their tax on it, and how to make their money off of it, it's it's legal alcohol.

01:10:46
Speaker 2: Now we could free everyone that was a genius.

01:10:48
Speaker 1: Yeah, alcohol was once illegal, you know, but once they found out how to tax that and make their money, they were able to legalize it. So I mean, it's it's long overdue. So so you know, I guess salute to President Biden for now officially pardoning all federal marijuana.

01:11:07
Speaker 4: Hey, yo's fucking up.

01:11:09
Speaker 2: Yo, I mean Luckily you weren't federally prosecuted prior to so you should be good. But what made you want to get into we business outside of and weed?

01:11:20
Speaker 4: I mean, I feel like ever since the first day I smoked weed when I was sixteen, right there on Chesapeake Ass it was like match.

01:11:32
Speaker 1: It was one of the matches you knew you wasn't turning back.

01:11:35
Speaker 4: I was never turning back.

01:11:36
Speaker 2: You remember your first time you smoked weed.

01:11:38
Speaker 1: The first time I smoked weed, I was definitely in high school and we snuck in the staircase and smoked some bunk. It was some bullshit bunk that we just thought was the greatest at the time. But I didn't really really start smoking until I was like well into my twenties, Like like I didn't really like a lot of people like really, I'm like, yeah, I didn't really start smoking til I was almost like thirty.

01:11:59
Speaker 2: I was eleven the first time I smoked weed. That was because I hung out with older kids. I didn't heal, but I was just pure pressure is not a real thing, but it is a real thing. No one said, YO smoked this, but it was in the air, yeah, like I had when it was pasted I had to. Like, no one was like, yo, smoke this unless you're not cool, Like that never happened. But if you wanted to be in that circle, it was being passed around. I didn't inhale at all. I think the first time I got high was probably fourteen, but eleven was the first time that I tried it. And through high school I smoked, and then college they tested us with track, so I stopped and then I just kind of on and off with that. But a high school I was getting high all the fucking time.

01:12:36
Speaker 4: I was a dead kid up until I smoked.

01:12:38
Speaker 1: Was a dead kid.

01:12:40
Speaker 4: Yeah, like for real.

01:12:41
Speaker 2: All the kids in high school that had to do the DARE program were doing community service because they got caught with weed.

01:12:45
Speaker 1: Yeah, it was all hot.

01:12:47
Speaker 4: Ten years old, they had the whole fifth grade go to the Hampton Coliseum. They had the DARE John and it was doing like kids renditions. It was like DMX and shit, I'm.

01:12:58
Speaker 2: Like a nothing but a g think it was rocking, you know what I mean?

01:13:02
Speaker 4: The energy.

01:13:03
Speaker 2: Yeah, I feel like you said a real come out. We have to find the kids boy version of those Really did you ever have to? He told the Their program was more our era. I feel like, yeah, you guys were the reason the their program existed.

01:13:16
Speaker 4: Y'all had y'all had Smoky the bed.

01:13:18
Speaker 2: Yeah, he wasn't for Horace Fires.

01:13:20
Speaker 4: Hold on, hold on, listen, I'm not Scruff McGruff Chicago, Illinois, six o six five two.

01:13:26
Speaker 7: Yeah, because y'all trying to make me sound old as fuck right now, like he was Smoky to bed, I'm.

01:13:33
Speaker 4: Thirty four, just the rectorstry. Yeah, I feel like we're that far off.

01:13:38
Speaker 1: I'm forty one.

01:13:39
Speaker 2: Damn black CROs That's great.

01:13:43
Speaker 4: Like, yeah, I'm saying that's fine, bro D, my own wish dropped.

01:13:47
Speaker 7: I don't know if I like the damn though, Like the damn into the couch. Lean was like you thought, I told.

01:13:52
Speaker 4: You you look, you look really really saying you.

01:13:57
Speaker 2: If you would guess who's thirty two and who's forty one out of the two of us, but would you guess?

01:14:02
Speaker 4: Yeah, it's like that. It's like cuz, just like cuz, you know what I'm saying, Like, you never know forty one, man, But you can run them mound. You can still run the mound.

01:14:13
Speaker 1: Still run. I don't know how fast I can run that ship, but you can make it to the finish line.

01:14:16
Speaker 4: Yeah, oh no.

01:14:18
Speaker 2: In the game, Like, man, what dramed? I was their program? You was crack as whack era and your crack.

01:14:23
Speaker 4: As whack you had? Uh did you fracking wife? Nancy?

01:14:27
Speaker 2: Yeah?

01:14:27
Speaker 4: You know what I'm saying. She was all up there telling you about it.

01:14:30
Speaker 1: They had to skill it with the egg that she's your brain on drugs, and I was like, that looks like breakfast. How do you.

01:14:34
Speaker 2: Feel like that looks delicious?

01:14:37
Speaker 1: My brain could be that too, Yeah, that's breakfast.

01:14:41
Speaker 4: Yeah.

01:14:41
Speaker 2: Did you feel like her advice was like really helpful to you as a youth of just saying no, Like, did you never look at it that way until she said it?

01:14:48
Speaker 4: Well?

01:14:49
Speaker 1: Yeah, I never wanted to try crack.

01:14:51
Speaker 2: Till Nancy was like, nah no, I never wanted to.

01:14:54
Speaker 1: Even if she didn't say it, I was like not fucking with that. But looking back at those campaigns, you know, it's like you understand what they're trying to do, but it's like, man.

01:15:04
Speaker 2: We from the melting into the couch there, yeah ship or like I'm straight so high, I'm gonna shoot so high, I'm.

01:15:12
Speaker 1: Straight Like skill it on the stove with the two eggs, like that's my drug.

01:15:17
Speaker 2: Oh, they took it higher with us. It was I'm so high, let me go find my dad's gun and kill myself after gun claw.

01:15:23
Speaker 1: I've never been that high. I never wanted to somebody, never never hurt me. Yeah, they gave weed such a bad stigma to it, like they made we marijuana seem like it was the most terrible thing to do.

01:15:37
Speaker 2: Now it's taxed, and now it will care cancer.

01:15:39
Speaker 1: And now it's medicinal purposes, and now it's it's it's they're finding out that it does help with a different type of you know, illnesses and ailments, and they're actually letting athletes smoke it as a recovery to now and things like that. So I mean, listen, man, you.

01:15:55
Speaker 2: Know I never understood like when they kicked Ricky Williams out the league, like he's not a steroids the biggest.

01:16:03
Speaker 4: Yo, y'all. Owe him the biggest bag, y'all.

01:16:06
Speaker 1: That's why.

01:16:06
Speaker 4: That's why I like, you know what I'm saying, Like I ain't even gonna hold you. You know what I'm saying, Like it's like kind of a giving goal for that full support. I remember every year, every season growing up and ship like that's we was watching football. That's bogus. Y'all, y'all owe him a big bag yo.

01:16:22
Speaker 1: At least y'all owe him a check for something not.

01:16:24
Speaker 4: As good as two k big facts.

01:16:28
Speaker 2: Right, Yeah, yeah, because Ricky Williams wasn't in that ship. No, because everyone's doing steroids at that time. That was the whole epidemic. Riggy Williams smoked some weed in the tent and they was like, get him the funk out of here.

01:16:40
Speaker 1: But it's crazy when you go back and really think about, like how they really outed him for smoking marijuana, Like no.

01:16:45
Speaker 4: No, he was selected for something else, Like you know, you know what I'm saying, very very example said at.

01:16:52
Speaker 2: The time, the Dreads ship hadn't even hit the NFL yet, Like he looked like an image that they didn't really want in the NFL. He might have been one of the first I think stars to have dreads. He was, And I know that sounds nuts now, but at the time, it was like he has dreads. Yeah, get yes.

01:17:09
Speaker 4: That's that's quite accurate.

01:17:10
Speaker 1: It was the imagery, It was, it was everything around it, the energy to look and then it was like the whole stigma with marijuana, and they didn't want that to become a part of the NFL brand and all of these things. And now look right, it's like they don't even test for it anymore, Like you know what I mean, shit, they will test for It's like, yeah, we know y'all smoke gad. But it's good to see you.

01:17:29
Speaker 4: Man, Good to see.

01:17:32
Speaker 1: I feel like we got a lot to talk about. First and foremost, I want to know what is your what is your life like now after all of the success as far as like your day to day what has changed that you missed like you like, damn, I can't do that anymore? Or has everything remained the same?

01:17:54
Speaker 4: You know? It's it's it's kind of like a uh, she saw you know what I'm saying, Like you never really know a coin flip, like stepping outside, because not at the points where it's like yo, I can't step out doors or it's curtains. Yeah, And it's not to that point where it's like what type shit, like you know what I mean, Like it's very very so much in in the middle, like you just gotta like, like bro, I just I just roll around and stay safe. I gotta I gotta get to certain things. You know what I'm saying, like fully independent, I'm saying like, like you know, boss, my own them man, and you know, just keep my ecosystem breathing, you know what I'm saying.

01:18:34
Speaker 2: Well, to Ma's point there, I guess let's start because you and I've had a lot of conversations in the studio about past ship that I feel should have been talked about publicly and never just because you kind of keep to yourself. No one's ever been like, Yo, talk about it to the public because you're not on that type of bullshit. I'm on that type of bullshit today, and I want you to talk to your shit.

01:18:55
Speaker 1: You could drop you really you really, you really a humble a humble uh, a humble guy. But you've had you've had a lot of success, and you've done some pretty amazing things as an artist.

01:19:09
Speaker 2: So let's let's go. Let's start at Broccoli. We're gonna get to this album that's that's out now, coming out now, but let's start at Broccoli.

01:19:18
Speaker 1: Started bro What.

01:19:20
Speaker 2: Was Broccoli an intentional? I'm looking for a hit? No, I didn't think so that.

01:19:27
Speaker 4: Was supposed to be cool for SoundCloud bro Like hmm, like I swear to God, bro, like like, you know what I'm saying, Like, uh, shout out to Rick. I'm saying Rick Rubin.

01:19:37
Speaker 1: Yeah.

01:19:37
Speaker 4: I mean a couple of months before that, you know what I'm saying. Uh, I had like a retreat there and he was bringing you know a few people through. He said, Yo, litt yady. You know it's like hell yeah, bro, like Yo, it's ship hard. People trying to tell me Like like Yo, you had told him Bro. I'm like, bro, like whatever whatever he came through, we vibed out, we played each other music or whatever. It's very very you know, business type or whatever. Like you know my my, my people's at the time. Was there his you know, well whatever a couple of months ago by my man Haji. You know what I'm saying, who uh you know, uh did a lot of a lot of camera work or whatever. Like he's he's he's killing shit now. But like he was doing uh, you know, hot ship for Yati or whatever. I'm like, Okay, you know what I'm saying, see that or whatever I tell him. I'm like, Yo, you know what I'm saying. I see what whatever got his line? I mean in LA, I see that he was out there one day with whatever. So I hit him like, Yo, come through the studio or whatever. Da da da and ship like I mean, I mean this is early early, early on. You know what I'm saying. I'm like, yo, And then had him pull up or whatever he was with Perry, you know what I'm saying. Like, and we had we had the thing going with whatever, you know what I'm saying, Like, Uh, we were sitting there stumped on the on the beat or whatever. You know, I mean, like everybody was just sitting around. It was a boom boom boom. I was like, I just needs something. I said, Rose, you know what I'm saying. I said, give me flu lu lu lu lu lu lu lulu flu lu lu lu lu lulu lu lulu. You know what I'm saying. And we were so locked in bro like like you know what I'm saying, Like the way the way me and Roj was like, I would give him melodies and he was just lay them ships right out or whatever. And then everybody all jumped in with whatever. Then you know, a couple of my homegirls stepped in or whatever, you know, attractive young ladies or whatever. Then everybody got their ship together I see pads come out, niggas start writing and ship like that by the first line like like that that that's real ship. And I'm like, okay, boom and boom, we got some ship going. So I'm like, yo, what we're gonna do. I just got in the booth. I was like fucking uh in the middle, you know what I'm saying, Like, just like off the top one take whereever nigga stepped out, I was like, oh, ship and I was like, Okay, cuckle cool or whatever. We was hype about it. But I was like, I'm gonna come in the next day. I'm gonna write my verse. That's why I was like so kind of like complex, yeah, compared to the zany just loopiness and ship. When we came out with directing and ship, uh, like the paperwork started to happen and it became an all out war and I'm like, what the fuck is this for? It's just about to be some soundclouds. They knew the powers to be new. Like I'm talking about it's a nigga that was sitting in the room who thought he was too good for the fucking session cause niggas gonna bring in Yeah, he got he gotta Grammy off of submission. He's gonna sit in the room he got. He ended up working some percentage out of the motherfucking thing.

01:22:40
Speaker 2: Just just just yo.

01:22:41
Speaker 4: It was some bogus as ship. You know you are. That's really bogus, damn. But anyways, you know what I'm saying. We had to keep the ball rolling because it was just so much the game.

01:22:50
Speaker 1: Yeah, yeah, whatever, whatever.

01:22:52
Speaker 4: I had no idea at first. I'm saying, at.

01:22:54
Speaker 2: This point, are you on Empire or you?

01:22:57
Speaker 4: Yeah, bro, I was with Empire, like from from Jump. I'm saying, since well, like February twenty fifteen, whatever, okay, chat chat video, blah blah blah. I'm saying, got upstream to Atlantic and they had an agreement. Yeah, yo, we're gonna take your best scouts if we want. Yeah.

01:23:14
Speaker 2: Right, they did it once cha cha hits and goes m hm. There happened to be a Meek Mill and Drake beef.

01:23:24
Speaker 4: Ah.

01:23:25
Speaker 2: That happened. Yeah, and Drake got into defense mode after some tweets and put out three records on SoundCloud, charged up being the main one. I forgot what the other one was. I think it was a remix to another song, and then there was this low Sea side not even b side hotline tune called Hotline Blaze.

01:23:48
Speaker 1: I still can't believe Drake put that out in the middle of a beef that's not crazy nuts like yo I could do.

01:23:55
Speaker 2: That ends up being arguably the biggest record of his entire career outside of maybe God's Plan. Maybe that's a direct bite of Cha Cha.

01:24:07
Speaker 4: Yeah it was.

01:24:09
Speaker 2: But where are you at in the crib in the middle of listening to the Drake and Meek beef, because that's what that pack was about.

01:24:16
Speaker 5: It was charged up.

01:24:17
Speaker 2: Was at the top of that that was the single. There was just this other ship over here that's a remix of the drum Chaw Chaw record that we love. Where was you at when you click that SoundCloud? Like, oh shit, Drake remixed my ship man.

01:24:31
Speaker 4: I was in the I think it was in Virginia. I was in Virginia, And you know, it was just a little shocking because it came out as like the Cha Cha remix, you know what I'm saying, as it is.

01:24:46
Speaker 2: Not really Hotline blank at the time. At the time it was remix two weeks.

01:24:52
Speaker 4: So, m I don't know, it's just really weird. I ain't getting no reach y'all know nothing or whatever, and uh, I don't know, kind of fucked with me for a long time until like, yeah, you know what I'm saying, Like that was my my.

01:25:10
Speaker 2: Record and it started it legitimately started out as the remixes.

01:25:14
Speaker 4: But to be honest, to be frank, bro, Like, bro, that's so long ago for me, Like I don't even know, like like what what I even had that that that anngst to to to do it? Broccoli? You know what I'm saying, Like you know what I'm saying. I mean, like Queen Queen by Due, like like what I'm saying, fucking with me, Like what I'm saying Beyonce Queen, you know what I'm saying, Like like her her putting on child with whatever, like bro, like that opened the doors for all of the corporate sides or whatever everybody was, you know, sucking dick. You know what I'm saying basically what I'm saying. And then it's like what she did on the back end, bro, how she she tapped me in with diplos, She tapped me in with she told the writers of writers, Yo, y'all need.

01:25:57
Speaker 1: To watch out for drum for his pen in ability.

01:26:00
Speaker 4: People thought it was like a remixed type thing. It was bro like, it was it was depend how about that.

01:26:09
Speaker 2: And the melody which is paying.

01:26:12
Speaker 4: For everything or whatever like, And once I was able to just like see past that ship, it's just like, come on, man, like, you know that's that's one of those things that's just like man, No.

01:26:22
Speaker 1: But I mean I understand that, and I and and just me knowing you somewhat personally, I know what your energy is like, and you one of those you know, you know you just kind of let ship go high.

01:26:34
Speaker 6: It's gonna go.

01:26:34
Speaker 1: But that is something that I feel like, you know, it's fucked up, and you know it's as black men, as artists especially, we got to always keep a certain level of just morals and ethics respect. So has has has has a conversation with you and Drake even happened.

01:26:58
Speaker 4: It looks like a little whatever like some years ago or whatever. It's one of them I'm saying, but you know what I mean.

01:27:08
Speaker 2: Yeah, But I mean I think it speaks to the SoundCloud era so much of how like these records that are just meant to be thrown out almost come in post mixtape era, like, let's just do some shit and throw it out, and then they turn out to be the biggest hit records ever. There's no real business in them.

01:27:26
Speaker 4: Shit.

01:27:26
Speaker 2: So it's like Drake at the time thinking everyone is going to go off charged up. It's like, let me remix this shit now. Yeah, it becomes the biggest record of his career and there's no real business as if it would have been a single because now you got to add in his pen that's publishing. You have to add in the producers that he worked with on the ship, and then you get producer Beef because if I remember correctly, there was producer Beef with that entire thing. Because who's credited on Hotline Blank? Is it eighty five? I believe who's the family Love eighty five? But I know there was something.

01:27:59
Speaker 4: Yeah, to keep it a band. You know what I'm saying. You gotta you know, at the end of the day, as a man, your word is your word, right if it ain't no words kind of not really you know what I'm saying. I get overstand that. But that ship, that's bro yo life. Let's get into what we got going now. You know what I'm saying, That bro like you know what I'm saying. All that shit is.

01:28:25
Speaker 2: Just old passion. I understand you're not.

01:28:27
Speaker 1: We understand that, but you know, it's just things that happen and you gotta have, you know, kind of make sure that they don't happen again, so you learn from it. It's all about learning shit. Like yo, we learn from it, like we we know now this is how we gotta move, this is how we gotta do ship. So that's just important for you know, artists just in general to understand that story and just know how to how to forward.

01:28:47
Speaker 2: More so, not even harping on the old bullshit. I do want you to get your flowers with so much of the melodic rap ship that exists right now because Broccoli became a blueprint for I think how rap is even delivered at this point now. I even just watched Drake on What's the Playlist album that he has? He tried to make seven Broccolis on that album, which one the playlist one no no, the other one more likely, which I like. But there's there's three or four attempts to try to remake up Broccoli that point.

01:29:20
Speaker 4: I wouldn't I wouldn't have even known and caught that like even when like like records that like yo, that that sounds like it's like bro like I don't even that shit ain't even like I don't know, like to go from, like you know, records that were like so oh to go from, Like records that were so like night and day, like clear copy. You know what I'm saying, Like, yeah, you know what I'm saying, Like records that I heard like had to sample get resampled.

01:29:44
Speaker 6: Like three times.

01:29:45
Speaker 4: Yeah, you know, like you're dancing on the lines of infringement like that.

01:29:48
Speaker 2: I'm gonna say, even Delivery and the melodic ship that came from Broccoli and on top of a business level, because I remember looking at Broccoli when it came out and I was like, wait, that's an independent song.

01:29:59
Speaker 5: And now Empire, who I.

01:30:01
Speaker 2: Think does amazing business and has has changed rat for the better. I think Broccoli was the proving ground for people to go to Empire. You could be a number one artist and be on Empire right now. It kind of made it solidified, not a like we know no limits to be independent, we know all that shit, but Empire had not been solidified and no one had a number one record. I think that was that Empire's first number.

01:30:26
Speaker 4: One, yo, bro like pep game. When I had taught to Ghazi like a couple of years after the record or whatever, and he had told me that Atlantic, Like I guess without really telling me or anybody around or you know, I didn't get the word that they had put me back just on Empire after the cha cha record got like you know, eighting up like that. Yeah, and when Broccoli came out and then they blew it the fuck up. Atlantic took it back for their year in numbers, and it's just like.

01:30:57
Speaker 1: Damn, that's that's that's.

01:30:59
Speaker 4: A wild game. And it's like it's crazy, you know what I'm saying, like just to get ahead for the you know what I'm saying. And then it's like I noticed they didn't have my picture on the wall until like shit was like charting that shit with I was like, oh damn, oh yo, I'm kind of like as soon as.

01:31:16
Speaker 1: You walk in the middle thing like, oh that's what you got.

01:31:18
Speaker 4: Me kind of up up near some shit, you know what I'm saying. But I overstand that it's a transactional world that we live in, in this music world, you know what I'm saying, Like I am I am now like like you know, walking into this light or whatever, Like even though you know, learning from lessons, you know firsthand, I'm not going to treat my people in my business matters this way. You know what I'm saying. It's just giving me the you know, the fire, the fuel to drive in the right direction.

01:31:53
Speaker 2: Yeah, I feel that so was going full R and B always the plan, just despite any success any That's what I wanted.

01:32:01
Speaker 4: To like, That's what I felt like like at the time. And it was also it was also very much so like kind of like a cores kind of like a suggested kind of thing like this, that's just what'll do it, you know what I'm saying, like kind of spaghetti at the wall. But like I always wanted this, you know, I wanted to show advancement and what I did, you know what I'm saying, And it ended up being like a full R and B thing, Like the album name was just supposed to be Shelley, you know what I'm saying, Like like what I'm saying, who wouldn't like to be still called? Like you know what I'm saying. But it's like, yo, all right, if you're going full on R and b you know what I'm saying, like, you know, switching like, Okay, I got it, Shelley f K A tromp like, but at the time, it was just it just wasn't.

01:32:48
Speaker 1: It wasn't even.

01:32:51
Speaker 4: So that's my government too.

01:32:53
Speaker 1: That's just that's why.

01:32:54
Speaker 4: That's why I'm like, that's why I'm like, why would I be really mad at that? You know what I'm saying, Like, why would not really would it?

01:33:00
Speaker 2: And I like the FKA drawn shit, I thought I thought that was a hard full name. I'm not mad paired with that album and that sound, it made sense to me as a consumer.

01:33:10
Speaker 4: I was like, well, and I appreciate it, you know what I'm saying. And you know, the powers to have been you know clearly, you know. But at the end of the day, when I got into this process making this album, and it was I don't know, like like damn, Like the album started like two weeks before, yeah, like two weeks before my mother passed. I'm not even gonna hold you like, and it might look like the second album was you know, around that, but my album was done for two years. It was done in November twenty nineteen. You know what I'm saying. It was just you know, pandemic, politics, all of this shit whatever. So when I'm recording, I'm just saying, Atlanta, you know, during a music camp or whatever, I'm working this bitch out or whatever, I'm living like care free. You know, Atlanta was free from the pandemic apparently, you know what I'm saying. Shit was open, Like damn, I was just in in LA for the whole time, like you know what I'm saying, having the best time of my life. And I don't know, like yeah, a few weeks later, yeah, and it's still so fucked up, you know what I'm saying. And I don't know, so me making music like it was it was. Really it's been like a real like kind of like dark and like I can't even really say, you know, in a sense or whatever. It has a different kind of feel to it because I feel like a the hugest chunk of my my inner joy was knowing like just what me and my mommy went through to even get to this point, you know what I'm saying. So a lot of shit sad on that project. It wasn't until I made Wham. It just happened like bro like like it was every we all talk about it, like I'm saying, shout out to my boy spif, shout out to my boy hero. You know what I'm saying, Like my cousin was in there. You know what I'm saying, shout out to. I'm saying, my boy Cole was engineering. It was an energy in there that night, and something happened to where I was able to like break free from yeah, like like just even that approach, just what what I wanted to hear sonically before I even said a word saying a word, and I had fun. But it's still got that. It got that, it's got that darkness in it, but it's like always it's backed up and it's like yo, like drama is read like yo, I ain't you know what I'm saying. All my people like dramas like yo, yeah yeah yeah or whatever, like you know all my lady friends, you know, Shelley, you know what I'm saying, Like.

01:36:15
Speaker 1: Yeah, yeah, yeah, yeah, yeah, I'm not mad at that, but.

01:36:18
Speaker 2: Like, well, how do you balance grief in music where everything doesn't sound dark all the time or you're still trying to figure that out, or.

01:36:27
Speaker 1: As an artist, do you just go with the real emotion that's.

01:36:30
Speaker 4: Pure and you just go you just go with it, and I feel like being around other people who can help you get free from just in your head. Like I'm saying, like this is just what I'm thinking about. I'm thinking about how you won't there for me, bitch when I needed you the most. How y'all niggas did me dirty bro? Like you know what I'm saying, Like, oh, you know, I can't get over the fact, like I just just missed you so much, you know what I'm saying, Like you know, just down or down or down or down, you know what I'm saying. And it's just like nah, like bro, like that ain't that That's definitely not what what what? You know? That's that's that's not the whole equation. That's not what she would even want, you know what I'm saying, Like, Yeah, it's it's it's it feels sur real even talking about it right now, Like I can't even.

01:37:21
Speaker 2: But I think to even get to that next point, you got to get everything else out first, because instead of just using other people's subject matter, maybe working with music where you want to be like I'm sad you wasn't there for me. These people to be dirty, it's my mother stuff. And you get around other people to help you other things and that subject matter, but you got to get that ship out first before anything else.

01:37:45
Speaker 4: One thing is for certain. I've written one hundred percent of all of them.

01:37:47
Speaker 2: Oh no, I'm talking about subject matter of like getting at a studio.

01:37:50
Speaker 6: No, that's not about.

01:37:54
Speaker 7: Got right from my bag, like clear, yeah, yeah, okay, Yeah, the subject matter of maybe you wanting to walk in the studio and talk about something specifically, and you get in a room it's like, oh, we're on this vibe.

01:38:07
Speaker 2: I know I could do this type of thing. That's helpful, but you still have to get everything else out first.

01:38:13
Speaker 4: That's why I'm so grateful for this album, for this opportunity to be set up this way and to drop, you know, such a raw and emotional project that has all of those things that I've been battling with, you know, and still still dealing with, but just feel like this time around, like you know, like like you know, embracing the people that still hear from me, that's still in my corner right and building with them and building business within my own infrastructure. Is it's like a new it's a new outlook. On things I'm saying like you know, a new new new reason to you know, to make her proud, Like I know.

01:38:56
Speaker 1: Right right, that's a fact. So as far as being an artist, what is your your your your true like strong point as far as like being a writer, like do you love writing for others because you get to like jump into different perspectives, jump into different point of views, or do you like really really enjoy just writing for what you know is yours? Like this is mine? Which which one? Which which which point of view? Which way of writing is more enjoyable writing for someone else? Or it's strictly like what's for for Shelley.

01:39:38
Speaker 4: I think it's a balance of understanding the assignment. You know what I'm saying, like if I'm here for you, for your ship and what you got going on? Okay, I catch the vibe even in music speaking to me, this is what it's saying with whatever, like we make a language and when it's for me, when it's for me, it's like the am like whatever I'm feeling for for me. I literally once when once I recorded Wham, I have not written a single bar since I just go in and blackout. I call it the A way I do it anyway. I'm saying fun fact ciss just like in she jumped in like that or work, yeah, bro, I even know. I'm like, Yo, that's that's so crazy, you know what I'm saying. Like make I'm saying and be like, oh damn, bro, like that's how it's just all connected or whatever. But I feel like with the way that I make records, it's almost like a muscle memory. You know what I'm saying. I'm not writing it down, but I know the structure of how I write songs. You know what I'm saying. And then I and I can say incredibly zaney ship like oh damn, I just said that. That's funny as fun but like that's keep that you know what I'm saying, Like it's fun. It's a whole new way of recording and releasing music. I say about six of the records on a new album wasn't written. When what's the start of that? And and I and I acord it like five records that just beat out all the like like you know other records or whatever. You know what I'm saying, And man, it's just crazy. Oh when when I get this out, you know, just I will not be confined, like whatever I want to do. You know what I'm saying. If I find that Jay Diller beat and I got something that I want to say, I said, you know what I'm saying on some if we turn ship, you know what I'm saying, I'm linking with everybody. I'm jumping on everybody ship. If you dope, I'm jumping on your ship. Like it don't matter where you at with your ship or whatever. Like know what I'm saying, I'm back outside. You know what I'm saying.

01:41:36
Speaker 2: I don't know if people know Drun could rap not broccoli, no, he could rap No, but he can rap. Right.

01:41:42
Speaker 1: But that's the thing when you're a writer, when you're a pin pusher, it's like, you know, you know how to get into different modes and different emotions and things like that. What it like some of the things that you're into that people would never even think you knew thing about, Like what some of your things that you like? Your people knew that I was really like doing this type of shit, They'll be like, Yo, he's.

01:42:07
Speaker 4: I don't even think I can.

01:42:12
Speaker 1: Shit, Like you know what I'm saying, Like if they knew that you was a dude, that just like like you just enjoyed like cutting lawns like grass and ship like that, like you had a real joy.

01:42:25
Speaker 4: And think some of the people that like follow me or whatever, like they know, like over the pandemic, I started cooking, you know what I'm saying, Like like like really really got nasty with that ship too, Like like I'm type of you know what I mean, but like I haven't been on it as much, you know, outside open up or whatever and the working out and ship, bro, like I had lost like I don't know, like what I'm saying. The lowest signing got down to it was like one ninety eight or some shit. But I was looking kind of out sharped in me when he was dancing out. It sounds like I don't like that all the ship.

01:42:57
Speaker 2: Yeah, just a big ass head.

01:42:59
Speaker 4: Put a little bit more waiting. I can run them out, no problem, probably too, what I'm saying. Not a few by.

01:43:08
Speaker 1: Yeah, yeah, yeah, it's all good.

01:43:14
Speaker 2: Put the Jimmy on.

01:43:18
Speaker 4: I said, hat got it, got it. That's why that's look got it.

01:43:25
Speaker 2: Favorite part of our dr troop.

01:43:29
Speaker 4: I snucked them shrooms. I snuck a couple of chocolates. How hold you.

01:43:33
Speaker 1: Oh you had the chocolate though. Yeah, you can't fucking around with I know.

01:43:36
Speaker 4: I fucked with shrooms, like like if it comes from the earth, you're good. You know I'm saying, I'm fucking with You know what I'm saying. I fucked with the weed. I fucked with the shrooms. You know what I'm saying. Shout out to the Bakery Boys. You know what I'm saying, all all all our records that that was kind of look for for better concept. After I finished the album and I did the mixing master session with my boy Louis Louis Mask, like literally two weeks later, I booked another block of time, you know what I'm saying, And I have my boys, Bakery Boys, come down, said, bro, I gotta keep going, you know what I'm saying. We had two four day sessions or whatever. We recorded like thirty seven songs like straight straight, like I mean old, like damn. Like what I'm saying, you're giving me. You know I'm saying. One epic summer vise. You know what I'm saying. Just fun, fun, fun, melodic, you know what I'm saying, Like trap the fuck out, like real real that language. Yeah, you know what I'm saying, but it's it's so real to me. Yeah, he walked in on on one of the most I'm like, god, damn, why this one?

01:44:34
Speaker 2: You know what I'm saying, Like what I walk in was like, oh, I'm not welcome. I wanted I wanted to be, like I said here, I was like all I wanted.

01:44:42
Speaker 4: To be like, Yo, stop the presses, y'all play Billy Go, please play, Billy Go, play anything.

01:44:50
Speaker 2: I liked what I was playing. I could just see the vibe that I was on. I was like, it's a lot of people in here. It's a lot of smoke. I see where y'all are going. Yeah, I'm just grab my over.

01:44:58
Speaker 1: I'm gonna just go lay down.

01:45:00
Speaker 4: But nah, you know, I appreciate like every time one thing about Rory since me and him connected out in dr every time he's in the city or every time I'm in the city, like we we make a very very good point to link up.

01:45:14
Speaker 2: Even if it's not music related.

01:45:16
Speaker 4: Like you know what I'm saying, Bro, I've I've crashed on this very couch. I ain't going to hold you know what I'm saying, Like, so to be doing this, you know what I'm saying it's fine because it's like you know what I'm saying, like we were cool as fun, but like that that's that doesn't Yeah, it doesn't getting away in the integrative what you guys got going on right here?

01:45:34
Speaker 1: No, So I told I told Ry, I said, yo, man, I like I like him. Man. When I first link when I was in Atlanta for the uh the lv R in writing camp, my people's that was yeah, having on peoples down there so she could write and ship. And I told Rory I was like, y'all fuck with him. So he walked into studios automatic like yo, what's up? Like y'all with you? Like, nah, fuck with you? You know what I'm saying, smoke whatever outside chilling, then music come on drama like Yo, we need to get a mic going around. Let's just start scatting something. And just so when I saw that, I'm like, Okay, I see he's all the way like yo, like we're doing this wrong, Like let's catch a vibe, like somebody got something to say, let's lay it down.

01:46:14
Speaker 2: I mean shit, I just knew.

01:46:15
Speaker 1: I was like, yeah, fuck with him. I just like this energy. Loved your energy. From day one. I was like he's one.

01:46:19
Speaker 2: He's solid, bro, He's solid, and this could get into like some nerves studio shit. That is why I think Drama I connected in the studio so quickly, because he does the scat mic shit, and that's how we've done everything prior to him. He's like, Yo, let me just scap Mike and just start mumbling some melodies and try to get some shiit. We'll feel the words like, oh great, he works exactly how the fun I work. Let's find our vibe and this ship because.

01:46:41
Speaker 1: It ain't gonna be perfect.

01:46:42
Speaker 2: We could sit there and write everything all day, there will be no real feeling to anything unless we start crooning on this motherfucking scap.

01:46:48
Speaker 1: Yeah, exactly, exactly like I mean.

01:46:50
Speaker 4: So my process has pretty much been like that since since I started with whatever. You know, a lot of my hooks, a lot of my bridges and things like that, they're they're really off the top, you know what I'm saying, like ideas and things like that, and the verses was kind of like fleshed out, you know, more so or whatever, And I don't know, it's just like reorganizing this ship, you know what I'm saying. Yeah, reorganizing this ship and you know, being way more open to just like really lock in with whoever for the greater good of the record and things like that, These bakery board sessions like I'm looking I'm talking about I'm talking about that when I need to be talking about like that ship too. You know what I'm saying. But you know, we got this, We got this R and B album, but it got some it got some words up there, I got some says, I got a few.

01:47:45
Speaker 2: What was your favorite moment or favorite session in creating this album.

01:47:49
Speaker 4: The WAM session. I swear to god, damn h that was that was unforgettable. That's for the rafters what uh wait? But but that's in with Vibe of the Year, the intro. It was conceived and Uptown Newport News at my boy Gary's house. You know what I'm saying, Like you know what I'm saying. Yeah, yeah, but like that's Uptown new News, Like damn there for Houstons, okay, whatever, not the bad you know what I'm saying, respectfully, Like no, no, but you know what I'm saying, Gabe is there, my boy Mike Mizzle, you know what I'm saying, Like and and me and him like that was like maybe the first time we really like linked like that, because you know, when he was coming around in the fold, I was like traveling and ship like that. I will only see him around and I'm like, Yo, this nigga's cold. Bro. What I'm saying Like, Bro, I had these micro dose uh these micro swom ships or whatever. Like know what I'm saying, Just take it. I'm like, man, fucking overload you what I'm saying. Like what I'm saying, bust down, like like twelve of them ships, like we fucking with them ships. I'm like, yo, like this shit's going crazy. I'm like, Yo, we need like some like shot ey vibes, like some fucking st hell and that ship is the craziest ship. Every time I look into you, I said, I'm not gonna sing. I'm not gonna because every song, every song I've sang, I like sang. You know what I'm saying. I either did that yeah yeah yeah, or I like really like got on my knees and like you know what I'm saying, but like that smooth like like straight face, like you know, I mean like really locked into you know, my relationship with woman, you know, what I'm saying, like that kind of vibe. You know what I'm saying, That shit get you in touch with your relationship with woman. You know what I'm saying. And it's like, Yo, girl, Hey Yo, what the fuck I was? I want to play that day Yo, that ship Yo. I'll be playing that shit on my live. I ain't even gonna hold you like, you know what I'm saying. That's that's one of the ones. It's it's it's you know what I'm saying. It's a hell of an intro. I recorded it in Atlanta, but it was conceived in uptown Nepreneurs, Virginia. Shout out to Mike Mizzle and I love you forever, Gabe. You know what I'm saying. You my fucking brother.

01:50:00
Speaker 2: Like the most frustrating moment creating this album.

01:50:09
Speaker 4: I ain't going to do that. Uh damn. I think. I think, I think when it's when it when it's about just the clerical parts of this thing and how how how uh we forget about how simple you would think that you know, once it's outside of your hands. I've done everything. I dealt with all my problems, anything I did, I took it on a chain. I don't paid that bill. I didnet took that tab. But when I give it to you as my baby and you dropping on his head, you know what I'm saying, I really want to like pull up the fuck.

01:50:49
Speaker 1: And that's something that you know. I'm glad you said that because a lot of the times we forget that part of it. In the create it's like, oh yeah, we having fun. It's real vibe. By the way.

01:50:59
Speaker 2: I think you should get that. When you're creating, you have to you have. But then that's the ass bro. I did my job, I passed it to y'all, and then now all of a sudden, it's a whole fucking argument.

01:51:10
Speaker 4: Because everything my whole my whole platform is set up like like my whole business platform is set up on accountability. It's things like if I have to be there, and well whatever if I'm not there. If I'm there, I fucked up. I fucked up with whatever I'm saying. I do what I need to do. Da da da. I'm saying, we all make sure be on ship or whatever. Like you know, set director straight. I have a whole brand new operation. You know what I'm saying. Shout out to Benner shout out to Alex. You know what I'm saying, like, thank thank you know what I'm saying.

01:51:40
Speaker 2: That the whole family.

01:51:41
Speaker 4: It's so circling, yo, big homie, Nigel. You know what I'm saying, Like I love you forever, my big bro, my uncle, all that. You know what I'm saying, like from day one and bro like like I'm saying, type of man to help you really reconstruct your career without wanting really any fucking thing. You know what I'm saying, The.

01:52:01
Speaker 1: Right things happened to me.

01:52:02
Speaker 4: You know what I'm saying. Out of love, you know what I'm saying. And for everyone that's no longer with the ship. The time was good when it.

01:52:10
Speaker 2: Was good, which is that's life. Though we ain't.

01:52:12
Speaker 4: Gonna be on this hour hour since because life is sweet. Life is sweet. Listen and family. Jewelers fuck with me. Oh that's what you wouldn't know. I'm a jeweler. You know what I'm saying. Put together by me, big babes. No, no ball cap, she's gonna run you though. No, no, no, that's not our best prices.

01:52:34
Speaker 10: Bro.

01:52:35
Speaker 4: Like we can get into a whole I'm gonna do it. We gotta do a series.

01:52:38
Speaker 1: We gotta this is just because our.

01:52:42
Speaker 4: Society is broken. When I get money black society, know what I'm saying. Even truckers, you know what I'm saying. They're gonna they gonna get that bus down. Football players the third round pick, who're gonna get that? You know what I'm saying.

01:52:54
Speaker 1: You don't even know they put them yellow yellow, like you know.

01:52:59
Speaker 4: I don't got so Yeah, family, jewelers, please fuck with us. You know what I'm saying. You'll see what I'm saying. Shout out to the people that that have what I'm saying. My boy Sunny Digital, you know what I'm saying, like he supported me, got a couple of rings. Okay, you know what I mean.

01:53:12
Speaker 1: We gotta come see what you're working with.

01:53:13
Speaker 4: Oh yeah, yeah, I see Okay, I see you. I've never been like a jewelry guy until it because I was like, Yo, it's gotta be a it's a catch. Get out the catch. I'm like, okay, and I can work my move. I'm gonna do all right. When I tell you my numbers, your eye is gonna drop. He's like, damn, but I'm gonna be all right. Just trust me.

01:53:35
Speaker 2: But most jeweler is the asset like, you got to move your money real quick, might as well wear it in the meantime, right facts and then turn it back in to get your money back. Yeah yeah, Bro, but that's a whole other conversation. Yeah you can, you can, Hi, you can hide some of your money and jewelry for the I R s.

01:53:50
Speaker 4: Oh yeah, hey hey, hey.

01:53:53
Speaker 6: Hey legal.

01:53:57
Speaker 2: Legally put your money in jewelry and then get it back after text time.

01:54:04
Speaker 1: I ain't met at that.

01:54:05
Speaker 4: That's see. That's why me and Bro because it'd be a lot of moments where he says something is already locked down. I said, just get to laughing. You know what I said, We do that laugh. You'll say you got that, yo. You gotta hear Kates laugh. He got a wheeze. Trying to include man, I love Gates all right.

01:54:26
Speaker 2: Name of the album when it's coming out all the plug ship.

01:54:28
Speaker 4: What happened was dot dot dot That's the name of the album. I'm addressing things artistically. What I'm saying, it's not in a pamphlet. Read between the lines. I hope that you can connect to it and that you can feel it. Shout out to this event tonight. You know what I'm saying, New York City, select few. You know, y'all gonna hear this Astra Club Shout out to Astra Club. You're gonna be smoke up the walls and carpets. You know what I'm saying, Like for real, Virginia, it was just as grand, like it was crazy, bro, Like I love you seven five seven. You know you have my heart.

01:55:07
Speaker 1: You know what I'm saying, Like drum seems happier.

01:55:09
Speaker 4: Yeah, yes, bro, yes, bro, yeah, yes that's good stuff.

01:55:14
Speaker 1: Process but no, no, it's gonna always be a process. But you seem a lot happier. You seem like you like the way things are headed, the direction. You seem like you have a new energy, a new a new spirit, new motivation. And you know, I know the type of guy you. I know you only use that for your passions and whatever that may be. You know what I'm saying, Like you're gonna always create because you're a creator. You're gonna write, You're a writer. So yeah, man, I'm just I'm excited to sit back and watch your watch all your shit take off.

01:55:43
Speaker 4: Man, Big Baby's Bakery Family Jewelers, Bakery. Boys. You know what I'm saying, Ellis Quinn Ran Danna. You know what I'm saying, Trip, you know what I'm saying, all the all the guys, you know what I'm saying, Cuz you know what I'm saying. Mass what you say. You know what I'm saying, Boopy. I love you through the same. I love you, I love you, my baby, I love you, and I love y'all. Bro, I love it. I like it.

01:56:05
Speaker 2: Yeah, all right, we'll close out here. We'll be there tonight. If we don't have to record seven episodes after this.

01:56:12
Speaker 1: You know I want to. I'm definitely gonna come out, come, fuck with you, smoke some more. I love the candy paint, Leek Cash.

01:56:18
Speaker 4: You know what I'm saying, Big Don thirty.

01:56:23
Speaker 2: Where can people get the weeds legally?

01:56:24
Speaker 4: And all that ship like to be continued?

01:56:27
Speaker 2: Yeah, yeah, yeah, I wasn't sure if that was set up we could cut all this. I just want to make sure you could plug where you could buy the weed. Once that gets moving, all.

01:56:35
Speaker 1: Right, So we were here with on Boy, I got drum. I'm call you Shelley.

01:56:40
Speaker 4: I just like Shelley, call me Shell because on this album, I feel like people are gonna have to decide and decipher what was a drawm back and what's a Shelley bag. And drama is to be interpreted different ways, because if you fucked with Caretaker and Wi Fi and Swuper Virginia Breeze, you you see drama differently anyway. You know what I'm saying, it's more so in my opinion subject matter.

01:57:04
Speaker 1: Okay, all right, so you.

01:57:07
Speaker 2: Just go back and forth, Shelley.

01:57:08
Speaker 4: Yeah, yeah, yeah, yeah, Look, we're gonna figure it all out.

01:57:14
Speaker 2: I got rocket with the same spot.

01:57:17
Speaker 1: You come to me, that's all boy, Shelley Man look out for the new album.

01:57:23
Speaker 4: What had happened was Babe's back drawing back. I'm saying, you know what I'm saying, Let's go.

01:57:28
Speaker 2: How's the play?

01:57:29
Speaker 4: Oh, isn't it? He's He's good and bad. I'm saying, the smartest dog yet. I'm mad and I love you. Bear Bear Bear is my side kicks. That's my girl dogs. He's he loved me more than more than stinking feel like. But it is so cool, you know what I'm saying. He just he's he reminded me of me so much, like you know, he wanted to be up under you. So he wanted to get away, begin saying.

01:57:56
Speaker 1: I saw Rory post something the other day said, yo, you coddle with you all walk into the bedroom and put them down and dog just walks out the room.

01:58:02
Speaker 2: Yeah, felt portrayal, Yeah, like for real, especially when they are puppy, they just be up under you all the time. And now basis like of age where she got thing.

01:58:14
Speaker 4: Right now, like yeah that growing up, Like.

01:58:17
Speaker 2: No, it really offends me. Like she used to follow literally and I could walk to the most random corner of the house and she would follow me, like what you're doing?

01:58:24
Speaker 1: Yeah, now we're going to.

01:58:25
Speaker 2: Like it's time to lay down through the movie and basically like what's going on the liverd you have some nerve you bitch?

01:58:31
Speaker 4: Yo? That's that?

01:58:35
Speaker 6: Is that?

01:58:35
Speaker 2: Not the proper names.

01:58:38
Speaker 4: Used?

01:58:39
Speaker 1: The word might stop the dogs might he's a female dog, The dogs might cancel the dogs might.

01:58:47
Speaker 4: I ain't endorsement, I ain't endorsing minus that subtract equals me got love everybody, e everybody love everybody.

01:58:57
Speaker 1: That's a fact.

01:58:58
Speaker 2: I call it basically a human and they got mad at me. They try to cancel me because I'm in it.

01:59:05
Speaker 4: I look saying in this so and it's so cute.

01:59:09
Speaker 2: I can't she is she a dog? I can't say bitch because she actually is by definition of female dog, And like, nah, based my human, that's my daughter? Like how dare you call that your daughter?

01:59:20
Speaker 6: She's not?

01:59:20
Speaker 2: Are you saying women are dogs? I'm like, yes, welcome to the internet.

01:59:27
Speaker 7: Oh boy, that I ain't got that.

01:59:31
Speaker 2: I just want to love my puppy.

01:59:33
Speaker 1: I just want to love my I just want to love my dog.

01:59:36
Speaker 4: I love my dog.

01:59:37
Speaker 1: All right, Well we're going, all right, some more of this ship with Shelley Man and what's your name with the candy paint.

01:59:44
Speaker 4: Let's go. I said we won for four. You know what I'm saying.

01:59:47
Speaker 1: I came through with four flavors.

01:59:52
Speaker 4: I gotta get I'm seven out of ten with my wink. You know what I'm saying. But when I get it right, you better not be using that.

01:59:59
Speaker 2: How do you get to eight out of ten? Practice muscle memory?

02:00:03
Speaker 4: You know what I'm saying?

02:00:04
Speaker 1: Just like, is it a cheat?

02:00:05
Speaker 2: Aforehead ratio?

02:00:06
Speaker 4: How does it get like if I go a little to the side and give a little Clint Eastwood, like what I'm saying, Like mystique, you know what I'm saying, like and then and then I can't, I can't, I can latch.

02:00:20
Speaker 1: All right, this is another episode of New Rory and Mall. But I got our brother Shelley get that album. What had happened was when it's available.

02:00:27
Speaker 2: Breaking down the Wing Game is hilarious. Yeah, seven out of ten.

02:00:33
Speaker 1: No,