Keith David (Gargoyles, Spawn, The Princess and The Frog)
This week we're visited by our friends on the other side, since the legendary Keith David stops by to talk about his iconic voice acting roles including Goliath in "Gargoyles", Dr. Facilier in "The Princess and the Frog" among others.
Plus, he and Jim discuss his love of singing, THAT role in "There's Something About Mary" and more.
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Order a cameo from Jim at cameo.com/toondinjimcummings
CHECK OUT FOUR FINGER DISCOUNT'S OTHER PODCASTS:
Four Finger Discount (Simpsons) - spreaker.com/show/four-finger-discount-simpsons-podcast
Goin' Down To South Park - spreaker.com/show/goin-down-to-south-park
The One About Friends - spreaker.com/show/the-one-about-friends-podcast
SpeaKing Of The Hill - spreaker.com/show/speaking-of-the-hill-a-king-of-the-hill-
Talking Seinfeld - spreaker.com/show/talking-seinfeld
Become a supporter of this podcast: https://www.spreaker.com/podcast/toon-d-in-with-jim-cummings--5863067/support.
Plus, he and Jim discuss his love of singing, THAT role in "There's Something About Mary" and more.
Support Jim on Patreon for EXCLUSIVE CONTENT including EARLY & AD-FREE ACCESS, DISNEY AUDIO COMMENTARIES, PRIZE DRAWS and more by joining the Toon'd In! family today at patreon.com/jimcummingspodcast
Order a cameo from Jim at cameo.com/toondinjimcummings
CHECK OUT FOUR FINGER DISCOUNT'S OTHER PODCASTS:
Four Finger Discount (Simpsons) - spreaker.com/show/four-finger-discount-simpsons-podcast
Goin' Down To South Park - spreaker.com/show/goin-down-to-south-park
The One About Friends - spreaker.com/show/the-one-about-friends-podcast
SpeaKing Of The Hill - spreaker.com/show/speaking-of-the-hill-a-king-of-the-hill-
Talking Seinfeld - spreaker.com/show/talking-seinfeld
Become a supporter of this podcast: https://www.spreaker.com/podcast/toon-d-in-with-jim-cummings--5863067/support.
2024-10-07
84 min
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<v Speaker 1>How you doing out there? It's me Tigger. I am <v Speaker 1>Duc Winging Duck. It's me Bunkers Keith, Bobcat. All right, y'all, <v Speaker 1>did it ring your favorite firefly you desire? Hold the <v Speaker 1>old knock gud. My name is Jim Cummings and welcome <v Speaker 1>to tuned In. <v Speaker 2>Welcome back to everybody to another episode of Tuned In <v Speaker 2>with Jim Cummings. Today we have a very special guest, <v Speaker 2>you know him, Award winning actor, voice actor, just all <v Speaker 2>around incredible person, Keith David. <v Speaker 3>Thanks for being here today, amen. <v Speaker 1>I am happy to be here. Thank you very very <v Speaker 1>much for being here today. We're worried about it was <v Speaker 1>touch and go then I just just for what it's worth. <v Speaker 1>We were kind of doing a little work here earlier. Today, <v Speaker 1>I'm wearing the same shirt. Oh well uh, and I thought, wow, <v Speaker 1>that's too bad, Keith not look Keith's here. So it <v Speaker 1>was like I was. It was Christmas man. I'm so <v Speaker 1>glad you're here. Thanks, amen. You know, timing is everything, Yeah, <v Speaker 1>so yeah, well a lot of timed out. Yeah. I've <v Speaker 1>been going through your resume in my head and I'm <v Speaker 1>trying to think the first thing that I saw you <v Speaker 1>in because you've done so many incredible roles over the years. Man, <v Speaker 1>And I think it was the thing. The thing was <v Speaker 1>my first movie that explains it. <v Speaker 4>That's a good callow really. Yeah, I had. I had <v Speaker 4>prior to the thing when they were shooting Roots to <v Speaker 4>the Second Generation. Yes, I came out to audition for <v Speaker 4>Alex Haley before. <v Speaker 1>James L. Jones became ant. Yes I didn't get it. <v Speaker 4>No, yeah, but they you know, Ruben Cannon, he liked me, <v Speaker 4>and so he kept me on as one of Professor <v Speaker 4>Haley's students. You do, so you you you know. I <v Speaker 4>know I was in the scene because I know what <v Speaker 4>I did. The only the only thing you see of <v Speaker 4>me in that movie is from the neck to the <v Speaker 4>waist wipe the camera, so. <v Speaker 1>From the neck up, but from the next way, No, <v Speaker 1>that was you. It was so funny because all my <v Speaker 1>mother's friends were like. <v Speaker 4>I saw you, I saw you, you know, And I'm like, no, <v Speaker 4>you didn't, you know, because I don't even think. I <v Speaker 4>don't even think I made it in the wide m damn, <v Speaker 4>because the way they cut it, I might have been <v Speaker 4>in a wide shot, but I think that they you know. <v Speaker 4>But but like I said, I know it was me, <v Speaker 4>because when the students were being dismissed, I do get <v Speaker 4>to say like something like Professor Haley, but that's happening <v Speaker 4>in the background as. <v Speaker 1>People are sweeping past. So and I know that was me. Yeah, <v Speaker 1>that's right. <v Speaker 4>But you know, listen, you know what was great about it? <v Speaker 4>It had to be it had to be a Friday <v Speaker 4>because first of it, they put me in a single banger, <v Speaker 4>so I had my whole trailer to myself and I <v Speaker 4>was just I was just a guest offer that my <v Speaker 4>first job, and that afternoon for lunch was shrimp and <v Speaker 4>lobster and steak. <v Speaker 1>Oh my god, I'm like, okay, I want to do <v Speaker 1>this all the time. Yeah, that's what I was just thinking. <v Speaker 1>We could do this again. <v Speaker 4>You now, I could also count on the fingers of <v Speaker 4>one hand how many times that happened again. <v Speaker 1>Yeah. Similar. <v Speaker 4>But you know, hey, you know it's so funny because <v Speaker 4>I can't think of his name right this second, but <v Speaker 4>he Steven Spielberg. It was a great, great, great actor <v Speaker 4>that I had great admiration for. <v Speaker 1>And he had one leg. <v Speaker 4>I wasn't Captain Hook, No, he was. He was on <v Speaker 4>a movie with me and he and they were in it. <v Speaker 4>They were in him and a couple other guys were <v Speaker 4>in a triple banger, and I thought, you know, that <v Speaker 4>seems incongruous. But you know, you take the job. You <v Speaker 4>do what you do. Sometimes it comes with the deal. <v Speaker 4>I mean, you know, if you're fortunate enough, if you <v Speaker 4>know to get the same thing all the time and <v Speaker 4>get that single thing, that's well, that's your business. That's <v Speaker 4>your deal. But the work is the most important thing. <v Speaker 4>And you know, first of all, how much time do <v Speaker 4>you spend in there anyways? <v Speaker 1>Yeah? <v Speaker 4>Minimum, Yeah, it's all just so it's not it's not <v Speaker 4>really about that. <v Speaker 1>Yeah, it's just about the level of respect and such <v Speaker 1>as that. <v Speaker 4>And you know, I mean, yeah, yes, you know, I've <v Speaker 4>seen that. It's like it's like when you go and <v Speaker 4>I'm sure you've had the experience where you know actors <v Speaker 4>who you've admired your whole life and suddenly you're at <v Speaker 4>an audition and they're there and it's like, what am <v Speaker 4>I doing? Why am I here? Because I know if <v Speaker 4>he's up for the gig, I ain't getting this job, <v Speaker 4>you know. <v Speaker 1>But sometimes you do, Yeah, you know, sometimes you do. <v Speaker 1>Sometimes you do. I mean, I I you know, I <v Speaker 1>was Norman Rose. I don't know if you remember who <v Speaker 1>he is. <v Speaker 4>Was one of my teachers and and he was one <v Speaker 4>of the things you said is I'm training you, guys <v Speaker 4>to one of these days, I'm going to see you <v Speaker 4>at an audition and you better be good. And uh uh, <v Speaker 4>that's pretty good. <v Speaker 1>One of the one of. <v Speaker 4>The one of the greatest compliments that I ever got <v Speaker 4>in life. I was doing. It was my first real <v Speaker 4>big animated gig. Gargoyles. Oh yes, Goliath, Goliath and Ed, <v Speaker 4>that's my main guy. Ed and Norman Rose were best friends. <v Speaker 4>And I told him that I that I studied with <v Speaker 4>Norman and one day he walked up to me and <v Speaker 4>he says, Norman would be proudly. <v Speaker 1>Oh you know, I'm like, you know, that's nothing. I mean, <v Speaker 1>that's okay. Yeah, take that to the bank, as they say, right, yeah, yeah, <v Speaker 1>good old Ed. Yeah. He was an old buddy of mine. <v Speaker 1>He was cantankeris fella great dude, I mean, yeah, I <v Speaker 1>remember we we did. He he played Santa Claus and <v Speaker 1>and over the years, while you sing so you get it, <v Speaker 1>a lot of times they'll ask me to pinch hit <v Speaker 1>for somebody in their character because well, you know, he <v Speaker 1>doesn't really sing. He's a credible actor, crazy act. He <v Speaker 1>didn't really sing. I want to know if you sing <v Speaker 1>for him? Oh well he does. Oh yeah, oh I didn't. <v Speaker 1>He didn't mention that the other day. But yeah, sure <v Speaker 1>of course I would love to, you know, I mean <v Speaker 1>being asked like that. And so I go in the <v Speaker 1>next day and I do Santa song whatever the Santa. <v Speaker 1>I can't even remember how it went. But like a <v Speaker 1>week or two later, running Dead, we're going to do <v Speaker 1>some pickups on the session and he goes, well, hello, sadta, hey, <v Speaker 1>I know that. What's happening. Well, I heard you had <v Speaker 1>a good time singing the other day, Santa, and I said, oh, <v Speaker 1>wait a minute. They told me that you wanted me <v Speaker 1>to do that because you didn't feel good about singing <v Speaker 1>and just get commings to do it, and so that's <v Speaker 1>why I did it. He goes, those pastards told you <v Speaker 1>that I'll be right back, you know, And so some <v Speaker 1>of us getting losing their head, he said anything like that, <v Speaker 1>because they let him go through it and they recorded it, <v Speaker 1>and he thought he was in and that's so that's <v Speaker 1>that's a little extu. That's a rough Yeah. Yeah, that's <v Speaker 1>how they do, but well not with me or you. <v Speaker 1>And I meant that to rhyme. All right, So that's <v Speaker 1>good to have you man, Yeah, because you're are people <v Speaker 1>surprised because I was, you know, I mean I've known <v Speaker 1>of you know, your your career for eons. But then <v Speaker 1>Prince and the Frog came along and I was like, <v Speaker 1>this dude's singing his ass off. I mean, and those <v Speaker 1>are cool songs. Randy Newman singing Randy Newman. I mean, <v Speaker 1>you know, please sign me up. Yeah. <v Speaker 4>We did a thing called Swinging the Mouse and I <v Speaker 4>got to sing another Randy Newman. <v Speaker 1>Oh okay, I won't go sailing no More. I won't <v Speaker 1>go sailing. I will go Sailing no More from Toy Story. <v Speaker 1>Yeah it's a great song. Yeah. Yeah, well that's great. Yeah, yeah, <v Speaker 1>that's cool. Well I love singing, Oh my goodness, anytime listen. <v Speaker 4>You know, I wish I could get paid singing as <v Speaker 4>much as I get paid acting. <v Speaker 1>Yeah, yeah, I would, I would. I would do it tomorrow, <v Speaker 1>yeah tonight on the way home. <v Speaker 4>You know, I had a you know, I had I <v Speaker 4>had a uh music manager for a while, and I <v Speaker 4>told him that I said, you know, if I could <v Speaker 4>sing more, I would stop acting. <v Speaker 1>He said, keep your day job. Yeah, well he never <v Speaker 1>heard you sing. <v Speaker 4>Yeah, I get it. But in addition to well, you know, <v Speaker 4>it's you know, it's an equally hard profession to to <v Speaker 4>to you know, make a living act and and and <v Speaker 4>you know, be prolific, you know, I am. I mean, <v Speaker 4>I mean, that is the truth of the matter. I <v Speaker 4>would sing more if I could. But you know, it <v Speaker 4>just happened that as I began my career, got to <v Speaker 4>do more acting than I got to do singing. And <v Speaker 4>and for the first few years, every time I'd line <v Speaker 4>up a good singing job, I'd get a great acting <v Speaker 4>job and have to cancel. I mean I'm talking about <v Speaker 4>sometimes sometimes symphony gigs. <v Speaker 1>You know. <v Speaker 4>I had cancel a symphony gig. And then to really <v Speaker 4>put a cherry on it, uh, I was doing a <v Speaker 4>series and it was the last episode that was going <v Speaker 4>to interfere with the date of the kid hmm. And <v Speaker 4>at first I was like, well the last episode. Yeah, <v Speaker 4>I said to my do you think I can get <v Speaker 4>them to write me out? He said, well, you know, <v Speaker 4>you're starring in the thing that you don't want to be. <v Speaker 4>Is that smart to be written? So that wasn't a <v Speaker 4>great idea, so I said, okay, so. <v Speaker 1>And it was. <v Speaker 4>It was a couple of months in advance, but Symphonies <v Speaker 4>book a year in advance, and they I don't think <v Speaker 4>they ever forgave me for it because I never got <v Speaker 4>offered them again. <v Speaker 1>And that. <v Speaker 4>But to add to add insult to injury or the <v Speaker 4>cherry on top of the however you want to look <v Speaker 4>at it, they canceled my show up to ten episodes, <v Speaker 4>so then I was free. <v Speaker 1>Perfect, So the universe was just in there. Take that. <v Speaker 1>He go, oh there you go. Thanks, you know, no <v Speaker 1>complaints and no regrets. Yeah, you know that's right, you <v Speaker 1>just you know, yes, it does. So I mean it's <v Speaker 1>all good, yes, indeed, yeah, well I know all about <v Speaker 1>life goes on. Ray got yeah, got his own star. <v Speaker 1>Yeah yeah, so I'm with you. I'm a big fan. <v Speaker 1>You know. You know what I love about that. <v Speaker 4>Right before, before my grandmother died, I got her a star, <v Speaker 4>her name at the Star Register. And I don't remember <v Speaker 4>how that came, you know, how it came to me <v Speaker 4>to do that. <v Speaker 1>Oh that's funny. But by the time, you know, Princess Kima, <v Speaker 1>I was like, yeah, you know, I did that in <v Speaker 1>my dad's name before a long time, many many many <v Speaker 1>moons ago. Yeah, that wasn't recently, was it? That was <v Speaker 1>a while ago? Two thousand? Yeah, yeah, I was going <v Speaker 1>to say like twenty something. Yeah, yeah, I must have <v Speaker 1>been going around. I did that too. Oh man, Yeah, <v Speaker 1>I wonder if I wonder if they know each other? <v Speaker 1>It could be, could be. <v Speaker 2>So was singing your first passion? Is that what you <v Speaker 2>absolutely really going after? <v Speaker 1>Absolutely? <v Speaker 4>I went to the high School Performing Arts, okay where <v Speaker 4>in New York, New York, you know, and the sister <v Speaker 4>school was Music and Art and uh and and my <v Speaker 4>grandmother lived on one hundred and forty first Street, Music, <v Speaker 4>and I was one hundred and thirty fifth Street, and <v Speaker 4>I was two years in p A studying acting downtown <v Speaker 4>on forty sixth Street before my aunt, you know, and <v Speaker 4>my grandmother that my father's mother realized, you know. <v Speaker 1>This boy is going to school for acting. What the <v Speaker 1>hell is he doing that for? You know? So, but <v Speaker 1>what are you going to do for a living? Well? <v Speaker 1>That was you know, that was the question. <v Speaker 4>Was That was the That was the big thing I remember, <v Speaker 4>you know, you know that's we called her n that <v Speaker 4>was you know, she was you know, another one of <v Speaker 4>my favorite people, and of course great. <v Speaker 1>Support. You know. <v Speaker 4>At first, after I graduated from high school, I got <v Speaker 4>accepted at Purchase, which is soon he had purchased to <v Speaker 4>be an actor in New York. And I was all excited, <v Speaker 4>and I came to announce with my family and she said, <v Speaker 4>acting acting, You better study science and be a doctor <v Speaker 4>and do that acting thing on the side. <v Speaker 1>Yes, and yeah we've had that advice there was, you know, <v Speaker 1>they were kind of upset about it. Yeah, oh yeah, yeah. <v Speaker 1>I remember my dad, you know, I was telling him, well, <v Speaker 1>you know, here's what I'm going to do, and uh, <v Speaker 1>he's wait, what you know? And I said, well, you know, <v Speaker 1>like mel blank does all these character voices. Yeah, well <v Speaker 1>I want to be like him. Okay, but what are <v Speaker 1>you gonna do for a living? That was? That was <v Speaker 1>because he was very practical, you know, steel Mill Town. <v Speaker 1>You know, Okay, that's fine. Do they have a union <v Speaker 1>for that? Yeah? They do, actually believe it or not. <v Speaker 1>It's a pretty good one, all right, But what are <v Speaker 1>you gonna how are you gonna eat again? You know, well, <v Speaker 1>this job perhaps will lead to another one, and then <v Speaker 1>I'll get another one after that, and then I start <v Speaker 1>stacking years up, maybe decades, and you know, I'll do something. <v Speaker 1>If I have to go back to selling pots and pans, <v Speaker 1>then I'll do that. But for the time being, until <v Speaker 1>they say no and stay home, I'm gonna I'm gonna <v Speaker 1>work this sucker, you know, and and it you know, <v Speaker 1>not one wherever. Okay, I can't find anyone. But so far, <v Speaker 1>so good, And now I get to hang out with you, man, <v Speaker 1>So so that ain't. <v Speaker 4>Bad, blessed and highly favored. I mean, yeah, you know, <v Speaker 4>on on and this is this is how I like <v Speaker 4>to think of it. What we do for a living, <v Speaker 4>this job is we get to bring a little joy <v Speaker 4>into somebody's life every day, every every opportunity we have <v Speaker 4>to work that. Ultimately what we get to do. So <v Speaker 4>on my worst day, mm hmm, I'm still living my dream. <v Speaker 4>I've this is what I wanted to do. I dreamt <v Speaker 4>of it when I was a child, of being an actor, <v Speaker 4>making my living as an actor, when. <v Speaker 1>I you know, and just keep and keep you do <v Speaker 1>it until the wheel fall. And you were and you <v Speaker 1>were a child when you can you remember when you <v Speaker 1>first said you know what I was. <v Speaker 4>I was in the in the second grade, man, and <v Speaker 4>I remember the yeah, we had a talent contest. <v Speaker 1>Oh, here we go. <v Speaker 4>Now, I never experienced stage fright, you know, criippling stage. <v Speaker 4>But I watched one of the kids before me. I <v Speaker 4>mean a stage fright. I just got out there, froze <v Speaker 4>and oh you know, I had to be taken off, <v Speaker 4>you know, even as a kid. I'm like, I'm like, <v Speaker 4>I never experienced that. Now I had. <v Speaker 1>We had. <v Speaker 4>I remember two talent shows we had. The first one <v Speaker 4>I was, you know, it was really good. <v Speaker 1>I was. <v Speaker 4>I had this this girl sitting on my lap and <v Speaker 4>I was doing a ventriloquist. <v Speaker 1>Oh that's great, you know. <v Speaker 4>So I said, you know, Harry, say hello to the people, <v Speaker 4>Hello people, Hello people. <v Speaker 1>You know. <v Speaker 4>Yeah, suddenly and when suddenly you know, like that, you know, <v Speaker 4>and suddenly now when you talk about you know, getting <v Speaker 4>hot in your temperature changing, Suddenly she's sitting on my <v Speaker 4>lap and I can feel the heat. I could feel <v Speaker 4>heat suddenly begin to emanate from where she was sitting <v Speaker 4>on my lap. <v Speaker 1>Was this moist heath? I thought I thought it was. <v Speaker 1>I thought it was and I was so afraid of that. <v Speaker 1>I said, Okay, that's it, that's it. Yeah, yeah, I look, <v Speaker 1>you know, I'm like, okay. <v Speaker 4>But man, it scared the Jesus, it really did. And <v Speaker 4>then the next time and she was just nervous, she <v Speaker 4>was just yeah. And the next time we had a contest, <v Speaker 4>I faigned the stage fright, and I remember, you know, <v Speaker 4>just just imitating the kid. And I just stood up <v Speaker 4>there and I looked and I saw the sea of people. <v Speaker 4>I just went like, I can't move, and I just <v Speaker 4>want to see what it felt like, you know, to <v Speaker 4>be escorted off to the stage, you know. <v Speaker 1>And I was like, you know, singing is better, you know, <v Speaker 1>Come on, my baby, Come on, my hunter. Remember that <v Speaker 1>Michigan j Frog, Michigan top hat. Yeah, came man. <v Speaker 5>If you're a fan of everything we do here at <v Speaker 5>tuned In with Jim Cummings, you could support the show <v Speaker 5>for as little as just two dollars per month on Patreon, <v Speaker 5>where supporters not only get early and add free access <v Speaker 5>to the show, but you'll also get bonus podcasts, including <v Speaker 5>audio commentaries of classic Disney shows hosted by Jim and <v Speaker 5>his various characters. So go ahead and support the show <v Speaker 5>today at patreon dot com. Slash gym Commings podcast link <v Speaker 5>is in the description of this show. <v Speaker 1>So that I can't believe that I nailed it. The <v Speaker 1>thing was the first one. Yeah, because it felt I mean, <v Speaker 1>it feels like that you've been around forever, but exactly <v Speaker 1>what Yeah? Wow, really shit, we're getting old. <v Speaker 4>I'm telling you. If you live long enough, that happens. <v Speaker 1>Yeah. Yeah, you know, I'd rather have a ship ton <v Speaker 1>of birthdays and just one funeral. Yeah, you have to <v Speaker 1>worry about any more birthdays? So yeah, well dot com <v Speaker 1>we'll take it right, Yeah, every day? Yeah? Yeah? What's <v Speaker 1>is there anything that you're dying to talk about or <v Speaker 1>that you can't because usually at the time you have <v Speaker 1>to send those non disclosures. Well me, I think here's <v Speaker 1>You're going to be invited to narrate the Second Coming <v Speaker 1>of the Lord, but you're not allowed to tell anybody. <v Speaker 1>Oh yeah, well why would I want to tell people <v Speaker 1>about that? You know? And that's always something really good? <v Speaker 1>Well next time I can't. Yeah. I do have one <v Speaker 1>of those right this minute. <v Speaker 4>But that something just dropped that is going to be <v Speaker 4>pretty wonderful, going to be pretty wonderful. <v Speaker 1>Stay tuned, Yeah, jake it out steal. <v Speaker 4>But that's that's that's you know, that's another one of <v Speaker 4>those you know, God shots. <v Speaker 1>There's another gift. <v Speaker 4>You know, if you if you don't get discouraged by <v Speaker 4>the stuff around the work, m eventually you'll get to work. <v Speaker 1>That's good. <v Speaker 4>What do you mean by that, Well, it's called show business. <v Speaker 4>It ain't called show show. And the business of show <v Speaker 4>can be daunting. It can be brutal, it can be ugly, <v Speaker 4>it can be a whole lot of things that really <v Speaker 4>have nothing to do with the work itself. The work <v Speaker 4>itself is usually pretty yeah good, Yeah, that's that's the <v Speaker 4>fun part, you know, that's that's really the fun part. <v Speaker 4>But you but you can't have that much fun if <v Speaker 4>you don't take care of business. Because I've been in <v Speaker 4>those circumstances where you know people, you expect people to <v Speaker 4>be straight up and up on the up and up, <v Speaker 4>and they make you a promise or you know, give <v Speaker 4>your worried about something and then. <v Speaker 1>You know, like. <v Speaker 4>Just a loose example, you know, I had a contract <v Speaker 4>that that needed an amendment mm hm, and so you know, <v Speaker 4>you know, you know, SAG has that rule if you <v Speaker 4>know you didn't you can't really get paid until you <v Speaker 4>signed the contract. In those days, it was very enforceable. <v Speaker 4>So my first day of work was coming up, like, <v Speaker 4>are you going to fix the contract? I said, no, <v Speaker 4>don don't worry about it. And then finally it got <v Speaker 4>to listen, just sign the contract, you'll get paid and <v Speaker 4>I'll fix it, you know, you know, later on fix it. <v Speaker 4>So when I got the contract back, it wasn't fixed. <v Speaker 4>And I said, you promised me that you were going <v Speaker 4>to put that clause back in the contract so that <v Speaker 4>you know I've been going to be able to participate. <v Speaker 4>Blah blah blah. He goes, you signed the contract, oh <v Speaker 4>in my face, And I'm like, he said it, Wow. <v Speaker 1>So that's it. <v Speaker 3>Huh wow, Yeah, that's dirty. <v Speaker 1>Well you know, it's a man, the man. It didn't <v Speaker 1>mean a thing. Man, it didn't mean shit, you know <v Speaker 1>I mean. And I was like, so that's you. Huh okay. Wow. <v Speaker 4>I've never seen him again. I don't know what he's doing. <v Speaker 4>He's probably functioning in his own world. <v Speaker 1>But it's it's a handshake. I wouldn't. I would not, <v Speaker 1>you know, and I don't. <v Speaker 4>I don't really hold grudges, you know, I try. I <v Speaker 4>don't forget, but I don't forget them. It's like, you know, <v Speaker 4>you're you're you're you're not trustworthy yeah, I mean you're <v Speaker 4>you know, I mean there are words for it. I <v Speaker 4>won't use those kinds of words here. But you know, <v Speaker 4>why do I even want to talk to you? And <v Speaker 4>and I was before I came in here. I was <v Speaker 4>just thinking about because of things like that, how it <v Speaker 4>behooves you not to forget but to be forgiven, mostly <v Speaker 4>of myself for being naive, m and and the other <v Speaker 4>person for listen, I can't have no responsibility for who <v Speaker 4>you are, only the way I take you. <v Speaker 1>And what I do with that, you know. <v Speaker 4>So I you know, I'm like I said, I'd have <v Speaker 4>a problem shaking his hand, but I wouldn't stop him <v Speaker 4>from saying hello, you know, and walking away, because I <v Speaker 4>have nothing else to say to you but hello. But <v Speaker 4>my mama taught me when I walk into a room <v Speaker 4>and I'm not the first one in the room, you <v Speaker 4>say hello. So hello, that's right, but you know, I <v Speaker 4>don't have to engage with you. <v Speaker 1>And by the way, goodbye. Right, while we're on the subject, right, <v Speaker 1>I have a city. Yeah, Oh that's good man. Oh, <v Speaker 1>So which do you get a bigger kick out of her? <v Speaker 1>Planning the bad guy or planning a good guy? Because <v Speaker 1>I've often wondered. You know, some people like Lee van Cleef, <v Speaker 1>he can't answer that because he's never been a good guy, <v Speaker 1>you know, but you have I get I get a <v Speaker 1>kick out of working. Yeah, just period, you know, Yeah, <v Speaker 1>that's a good answer. <v Speaker 4>Well, you know because even even the baddest guy and <v Speaker 4>I just you know, I'm working in a movie now again. <v Speaker 1>I can't ms good guy, bag guy. I'm I'm a <v Speaker 1>ruthless ruthless. <v Speaker 4>But I don't think he's. I think he's he's got <v Speaker 4>a sense of humor. I mean, those are the best <v Speaker 4>because you know, you know, there's there's one speech I <v Speaker 4>have when I said, you know when I'm like, you know, <v Speaker 4>I know what you did, and I'm gonna get you. <v Speaker 4>Don't worry. I'm going to get you. I know why <v Speaker 4>why you think you're getting away with it. I'm gonna <v Speaker 4>catch you. <v Speaker 1>It's it's really that's tasty. It's very tasty. It's very <v Speaker 1>tasty to have that have that position, that power. <v Speaker 4>But you know, I mean, you know, the thing I <v Speaker 4>loved about like Sopranos, m hmm, you can be the <v Speaker 4>baddest cat in town. You don't talk to your mama <v Speaker 4>like that. You can talk to your Wifeli not if <v Speaker 4>you're gonna keep her around, you know, yeah so so <v Speaker 4>so you gotta you know, every every bad guy has <v Speaker 4>a as a mama, and and somewhere finds humor in <v Speaker 4>something mm hm you and and and every every funny <v Speaker 4>guy has a moment of. <v Speaker 1>Villainy well or or or. <v Speaker 4>At least a moment of right here, right now reality, <v Speaker 4>which is not always so funny. <v Speaker 1>Don't have to be. It doesn't have to be funny. <v Speaker 1>Yeah yeah, well it's not so, but it will. <v Speaker 4>But but it will, it will highlight when it is <v Speaker 4>and when it's not, you know, contrastingly, you know what <v Speaker 4>I mean. So finding finding those moments are a good <v Speaker 4>I like you have moves on the back of that. Yeah, <v Speaker 4>this brings us to another movie. <v Speaker 2>When did what was your first voice acting role? When <v Speaker 2>did acting transition into voice acting for you? <v Speaker 4>Hmmm, well for a long time when I was growing up. <v Speaker 4>You know, Marlon Perkins it was his name. Oh yeah, yeah, <v Speaker 4>mutual of Omaha. <v Speaker 1>Here we she that have all? Yeah, I used to <v Speaker 1>love that stuff. <v Speaker 4>Lauren Green was one of my favorite narrators. Lauren Green, <v Speaker 4>William Forsythe Bill, Conrad, Percy Rodriguez, you know these guys, <v Speaker 4>I just you know, you listen to them do it <v Speaker 4>do a nation, and it's like, wow, I want to <v Speaker 4>know more about that. <v Speaker 1>Yeah, yeah, yeah, you know, I mean it's just there <v Speaker 1>was was very engaging. He had a warmth, a warmth <v Speaker 1>that just you know, it was like storytelling. You know. <v Speaker 4>It's like you remember when commercials went from just the <v Speaker 4>announcer guy in here by Tide and it's your next <v Speaker 4>wash will be very clean, and then it then it <v Speaker 4>then it went to yea, suddenly it was brigis meritith. <v Speaker 1>If you want your clothes clean, go by Tide. Your <v Speaker 1>clothes will be white too. <v Speaker 4>You know, and it, you know, became more actor oriented. <v Speaker 1>And that's true, that's right, that's right. And I remember <v Speaker 1>that distinction really clearly. Yeah, you know, yeah, that's kind <v Speaker 1>of when I started, they were transitioning. Yeah. And and. <v Speaker 4>When I first started, if you were a TV actor, <v Speaker 4>you were a TV actor, that's right. They didn't do <v Speaker 4>a lot of movies. I write a whole lot of <v Speaker 4>TV actors who did movies. You were a commercial distinction. Yeah, <v Speaker 4>if you did commercials, you did commercial Well, I mean <v Speaker 4>that that was a little bit different because a lot <v Speaker 4>of stage actors did commercials, but movie actors didn't do commercials. <v Speaker 1>And it was right around that transition then suddenly. <v Speaker 4>Actors are doing commercials, you know, voice of commercials, and <v Speaker 4>then suddenly on camera commercial and so it began, you know, <v Speaker 4>and and back in the eighties that was that was <v Speaker 4>pretty hi. <v Speaker 1>Yeah, And I remember when when the distinction was that <v Speaker 1>if you were ever in a big TV show, you're <v Speaker 1>never going to be in a big movie, right, you know, <v Speaker 1>And if you were ever in a big movie, you <v Speaker 1>cannot condescend to go and do Bonanza or some some <v Speaker 1>TV show. Couldn't do it. And that's gone away. <v Speaker 4>Not true anymore, that's right. Yeah, yeah, well and thank god, <v Speaker 4>you know, because yeah, yeah, actings acting is acting. I mean, <v Speaker 4>Shatner was in a couple of Twilight zones. I think <v Speaker 4>Robert Redford was in. Robert Redford was in one too. <v Speaker 4>I think it was a Twilight Zone, wasn't it. Yeah, So, <v Speaker 4>you know, and they used to do they don't even <v Speaker 4>show it anymore, something theater fifty four, Oh, theater fifty <v Speaker 4>four for fifty two. <v Speaker 1>Or something like that. Yeah. <v Speaker 4>Back, yeah, we live TV broadcasts because they did, I remember, <v Speaker 4>I think it was Nancy Marshaan. I think it was <v Speaker 4>Nancy Marshawan and his name just went out of my head. <v Speaker 4>Who Rod Steiger who did a TV version of Marty <v Speaker 4>oh Ernest Borgneah, Yeah, yeah, yeah, Marty. <v Speaker 1>I remember that. I'm almost sure that it was Rod <v Speaker 1>Steiger did it TV. Well, everybody is all over the <v Speaker 1>map now, so that's kind of that. That's cool, that's <v Speaker 1>kind of cool. Yeah, I agree. I mean people on <v Speaker 1>get famous on YouTube. How do you know that? That's <v Speaker 1>another that's enough, that's yeah, it's like, no, you're not <v Speaker 1>you're not allowed to be well, you know, because they're <v Speaker 1>you know the difference between you know, they do have celebrity. <v Speaker 4>Oh yeah, but that's right, but they're not actors and <v Speaker 4>they're not artists, you know, and you know, except where <v Speaker 4>they are, except. <v Speaker 1>If you are, except if you are. That's fair. <v Speaker 4>There are some of them who are, and that's you know, <v Speaker 4>especially younger, and most of them who are not, you know, <v Speaker 4>but most of them who are not. Yeah, and you know, <v Speaker 4>and and again the business of show, you you'll see <v Speaker 4>people getting jobs from actors because they. <v Speaker 1>Have follow followers. Yeah, I remember at an audition. It's <v Speaker 1>got to be twenty some years ago. But this guy <v Speaker 1>walks out and he goes said, we have followers. Do <v Speaker 1>you have a follow Do you have a following? And no, <v Speaker 1>I don't think so. You know some people who are <v Speaker 1>like me, But does that count? He goes, no. I <v Speaker 1>mean they're asking like if you have an Instagram, if <v Speaker 1>you have a tic talk or what was it back then? <v Speaker 1>X was something else? Facebook or MySpace all that. I mean, <v Speaker 1>it was all this old shit. I was like, no, <v Speaker 1>I don't I don't care about that, you know, blah <v Speaker 1>blah blah. They go, wow, well they said, you know, <v Speaker 1>major just verified that they were going to be asking <v Speaker 1>me this, and they did. And I don't think I'm <v Speaker 1>getting the job because I had to go I don't <v Speaker 1>really have any Oh so you don't have any blah <v Speaker 1>blah internet presence and no, okay, well thanks for coming, <v Speaker 1>you know, And it was very subtle, but it was <v Speaker 1>also there, you ain't getting this gig. You know, you <v Speaker 1>got to bring your audience with you. <v Speaker 4>Yeah, well, I mean and now we get to play <v Speaker 4>the game, you know, you know, you know, you got <v Speaker 4>to know how to participate in. <v Speaker 2>You know, Brandon Rodgers, how's been a hotel with yeah, <v Speaker 2>co star with you. He came from YouTube. Correct, Yeah, <v Speaker 2>he was doing his social media thing and that's kind <v Speaker 2>of he was on the show not too long ago, <v Speaker 2>and he is telling us that's how he got the <v Speaker 2>opportunity even to you know that for that. <v Speaker 4>That's what I'm saying is like, it's a it's a <v Speaker 4>new kind of marketing. We used to we used to <v Speaker 4>have to like advertise and show business or backstage put <v Speaker 4>an article out. <v Speaker 1>That's right, you could. <v Speaker 4>You can advertise yourself the variety nowadays. I mean, if <v Speaker 4>if you know how to navigate the Internet and use <v Speaker 4>it to your advantage like that, well more power to you. <v Speaker 1>I mean. <v Speaker 4>The thing that I was talking about was, uh, you know, <v Speaker 4>bringing up other people who absolutely really don't have much <v Speaker 4>talent except to uh, you. <v Speaker 1>Know, accept in marketing what they have. <v Speaker 4>You know, I don't know, I mean, and I'm not <v Speaker 4>belittling anybody's you know way of doing them doing you <v Speaker 4>you do you Uh, It's I'm just saying that it <v Speaker 4>ain't the same as somebody who is, you know, doing <v Speaker 4>the work. And that's right, you know, because you know, <v Speaker 4>the the thing about you know, you know, America's got <v Speaker 4>talented you know, oh, yeah, yeah, yeah, a lot of <v Speaker 4>them have great talent, but most of them have been <v Speaker 4>doing this most of their lives. You know, I think <v Speaker 4>it's a misnoma to say that you can sleep on <v Speaker 4>the cement for eighteen hours, get an audition and become <v Speaker 4>a star. <v Speaker 1>That don't happen. <v Speaker 4>Yeah, you know, I don't think even I even you know, <v Speaker 4>even back in the old days in Hollywood when it <v Speaker 4>was it was a. <v Speaker 1>Schwabs right right, yeah, and many directors came in, Hey <v Speaker 1>you come here. It was Atlanta Turner discovered there somebody <v Speaker 1>like that. <v Speaker 4>And I think that that I means certainly that can <v Speaker 4>happen exception not rule, you know, well, that's for sure. <v Speaker 2>And I heard that Coaches going Back to has been hotel. <v Speaker 2>I heard that you were offered that show and then <v Speaker 2>you said the only way I'm going to be a <v Speaker 2>part of it is if I get to sing. <v Speaker 3>Is that true? <v Speaker 1>Yeah? <v Speaker 4>Because I heard I had some they had some singing, <v Speaker 4>and so like, if I get to sing on something, yeah, <v Speaker 4>And then I. <v Speaker 1>Mean, I really I love the writing, yeah, And the <v Speaker 1>music is fantastic. <v Speaker 4>Yeah, it's really clever. Well, it's like it's like doing <v Speaker 4>an animated Broadway show. I mean, you know, that's that's <v Speaker 4>what it feels like to me. Yeah, I just I <v Speaker 4>just have such a great time doing it. And it's <v Speaker 4>it's smart, it's so smart. <v Speaker 1>Yeah, yeah, that counts. Yeah. Okay, now I want to Okay, <v Speaker 1>can you get me a gig on that show? I'm ready, <v Speaker 1>I'm ready. That's great, that's good stuff. Well there's not <v Speaker 1>a lot of super fresh things happening out there, you know, well, <v Speaker 1>you know, not not an animation anyway. <v Speaker 4>It's so funny again, and you know, you know, one <v Speaker 4>one company does does something, and then you get all <v Speaker 4>these copycasts. <v Speaker 1>Oh you know, you know sometimes it ain't bad sometimes, <v Speaker 1>you know, but you know, you look at I don't know. <v Speaker 4>If you've ever wanted to do a project, and you know, <v Speaker 4>you can't get arrested. I mean, you can't get anybody <v Speaker 4>even engage the idea. And then you see something and <v Speaker 4>you go and opinions you know how they are. But <v Speaker 4>you know, I mean, I know my idea. <v Speaker 1>Was better than that. Yes, yes, how did that happen? <v Speaker 4>But you know, again, I cannot I do not want <v Speaker 4>to begrudge anybody their opportunity, you know, right, so you know, <v Speaker 4>and it's no it is no small feet getting anything done, <v Speaker 4>animated motion period, getting it if you get if, if <v Speaker 4>you got the wordwithal to get it done. Hey, my <v Speaker 4>hat's off to you because it is not easy, and <v Speaker 4>especially and especially as the business paradigm continues to shift. <v Speaker 4>Beat the folk who can navigate that and keep that, <v Speaker 4>you know, keep that. <v Speaker 1>Yeah, it's a weird world out there now. It's it's <v Speaker 1>much different than ever before. Nothing's quite the same as <v Speaker 1>it used to be, and on some you know, in <v Speaker 1>some instances it shouldn't be. Yeah, yeah, it was necessary <v Speaker 1>to change if it's progressed, if it's progress. <v Speaker 4>You know, now we're you know, facing change again. So <v Speaker 4>you know, you just got to be ready to go <v Speaker 4>with the flow. When I grow up, I want to <v Speaker 4>be a bamboo not an oak tree. <v Speaker 1>Mm hmmm. Yeah, that's a good way to put it. <v Speaker 2>Do you have a preference to doing voiceover or on <v Speaker 2>camera work? <v Speaker 1>No? I like working? Yeah, you know, I mean, good <v Speaker 1>job is a good job? <v Speaker 3>Is there one you enjoy more? <v Speaker 4>I mean the thing about going into the booth. I <v Speaker 4>do get up and brush my teeth every day. But <v Speaker 4>if I didn't have but if I didn't want to, <v Speaker 4>I didn't you know, I get in that booth them <v Speaker 4>by myself. You know, sometimes you don't even have to <v Speaker 4>make any contact during the pandemic we have, you know, <v Speaker 4>you know, you don't need to come in the same entrance. <v Speaker 1>As other people. <v Speaker 4>Right, that was, you know, a different you know, I'm <v Speaker 4>sure it cost the studios a lot of money buying <v Speaker 4>earphones and you know, uh mic covers and all that <v Speaker 4>kind of stuff. <v Speaker 1>But life went on. <v Speaker 4>I mean, you know, I know it was very difficult <v Speaker 4>for a lot of folk. And you know, and I still, <v Speaker 4>you know, say my prayers for these, you know, for <v Speaker 4>those people who are struggling and continue to struggle. I <v Speaker 4>chose deliberately, and I was extremely fortunate. I have a <v Speaker 4>fantastic wife and a wonderful family who was very supportive, <v Speaker 4>and we like each other. So the fact that we <v Speaker 4>had to be hunker down, hunker down and be together, okay, okay, <v Speaker 4>you know, I mean moments, the moments as as will <v Speaker 4>happen when you get a little don't you have something <v Speaker 4>to do? <v Speaker 1>Want you do it? In there? You know? Yeah, yeah, <v Speaker 1>we have a big enough house that we can go. Okay, <v Speaker 1>I'm going in mind yeah, yeah, yeah, I'll be there. <v Speaker 1>But you know. <v Speaker 4>Also, I just you know, I took it as a <v Speaker 4>unscheduled spiritual retreat. <v Speaker 1>There you go, you know, I you know that glass <v Speaker 1>definitely have full listen, I do you know. <v Speaker 4>I mean it's like complaining about it and bitching and <v Speaker 4>moaning about it. <v Speaker 1>What was that going to change? It doesn't do anything. <v Speaker 1>And people walking through. <v Speaker 4>The airport with the mask half down and angry if <v Speaker 4>you know, looking at your scancer if you say, can <v Speaker 4>you or you know, social distancing. <v Speaker 1>I was glad to stand away from people. Yeah back, <v Speaker 1>Why do you want to be that I don't know you? Yeah, <v Speaker 1>that's right. Why do you want to be so close <v Speaker 1>to me? Yeah? I didn't see you at any family reunions. <v Speaker 4>My mama wouldn't stand that close to me, you know, yeah, <v Speaker 4>yeah back, Yeah, my wife got you know, a little <v Speaker 4>miffed with me because I said. <v Speaker 1>I'm going to get a jacket made. Stand back. I <v Speaker 1>might have COVID, yeah you know what I mean, or <v Speaker 1>maybe even nice big fat ass buttons. Right, you know <v Speaker 1>what I mean. I got my COVID. Would you like <v Speaker 1>it too? But I don't worry. I share, but you <v Speaker 1>you know. <v Speaker 4>That I mean, yeah, first time I was on a <v Speaker 4>plane posts post COVID and there's a guy across the <v Speaker 4>aisle for me. <v Speaker 1>I'm perfect. Oh that's good mask. Yeah, and he's doing <v Speaker 1>it onto his hand and then you know, not even <v Speaker 1>like doing the dracula. Yeah, you know which they tell <v Speaker 1>you that the dracula. <v Speaker 3>That's funny, that's what they call. <v Speaker 1>Yes. Absolutely. <v Speaker 5>If you're a fan of everything we do here at <v Speaker 5>Tuned In with Jim Cummings, you can support the show <v Speaker 5>for as little as just two dollars per month on Patreon, <v Speaker 5>where supporters not only get early and add free access <v Speaker 5>to the show, but you'll also get bonus podcasts, including <v Speaker 5>audio commentaries of classic Disney shows hosted by Jim and <v Speaker 5>his various characters. So go ahead and support the show <v Speaker 5>today at patreon dot com. Slash Jim Cummings podcast link <v Speaker 5>is in the description of this show. <v Speaker 2>What was the most challenging point in your either your <v Speaker 2>life or your career. <v Speaker 1>Sometimes they were inseparable, you know, because. <v Speaker 4>My career is around you know, they are a bit <v Speaker 4>around each other life and my life revolved around you know. <v Speaker 4>There are many many occasions family, you know, reunions or <v Speaker 4>gatherings that I missed because I had to go to <v Speaker 4>work there, and then and then and you know, and <v Speaker 4>and and then it comes a shift in the action <v Speaker 4>when you know, my life is my work. But now <v Speaker 4>I have to I have to pick and choose differently <v Speaker 4>because a jeopardizing my family dynamic. This job is not <v Speaker 4>worth it. It's just a job, you know. I mean, <v Speaker 4>even if it's a million dollars, it's like, you know, <v Speaker 4>but what does that mean? Now? <v Speaker 1>Is going to cost me? <v Speaker 4>I have the taxes and commissions, and then then I've <v Speaker 4>spend that time at the shrink, you know, or or <v Speaker 4>some other kind of therapy because I'm not well and <v Speaker 4>and long before became a pandemic issue my spiritual fitness <v Speaker 4>and my. <v Speaker 1>Know, my. <v Speaker 4>Mental well being. This is far too important to me <v Speaker 4>to not pay attention, you know. So there were times <v Speaker 4>when my wife said, no, you can't take that. It's <v Speaker 4>too long and I want you know, so a few <v Speaker 4>times you gotta be kidding me, Yeah, okay, And then <v Speaker 4>once you make the decision and you forget about it. <v Speaker 4>Now did it takes me years to learn how to <v Speaker 4>do that? To let it go? The job you didn't get, <v Speaker 4>you know, I get. <v Speaker 2>It, is there one on your mind right now that <v Speaker 2>you're thinking of that you really wanted and just didn't <v Speaker 2>pan out. <v Speaker 4>Oh God, if I went down that rabbit hole there <v Speaker 4>several But when I think about my blessings and the <v Speaker 4>god shots that I have had, that mostly center around <v Speaker 4>the jobs I got, of course mostly, but now I <v Speaker 4>deeply appreciate the jobs I didn't get because I don't <v Speaker 4>know what God was sparing me from mm hmm. And <v Speaker 4>the things that I got to do in instead. <v Speaker 1>Sometimes are pretty wonderful. They weren't the same, sometimes wasn't. <v Speaker 4>The same, but but it was more than comparable, and <v Speaker 4>in respect that I was able to maintain my own <v Speaker 4>self respect. <v Speaker 1>I got to eat, yeah, feed fat, always a good sign, <v Speaker 1>you know, kept a roof over my head. <v Speaker 4>So I mean, I mean when I say no complaints <v Speaker 4>and no regrets, I mean it from the souls of <v Speaker 4>my fate. <v Speaker 1>That's awesome, that's good, you know. I mean, at the <v Speaker 1>end of the what is it going to do? That's right? <v Speaker 1>Because like anybody who complains about old age. <v Speaker 4>Consider the alternative. Yeah, yeah, yeah, you know, I'd. <v Speaker 1>Rather have a whole mess of birthdays and one stinking funeral. <v Speaker 1>I've said that a main time. <v Speaker 4>I mean, it's like I mean, dude, I mean, and <v Speaker 4>the quality of your old. <v Speaker 1>Age is going to be characterized by what you did <v Speaker 1>yesterday so and what you're doing tomorrow. <v Speaker 4>And right you know, and what you're doing today. I mean, so, <v Speaker 4>I mean I try not to, you know, I try <v Speaker 4>to narrow down. <v Speaker 1>To minimize. <v Speaker 4>That those sort of scroogey and things that will come <v Speaker 4>back to haunt me. <v Speaker 1>Mm hm. Well, I've always said that you the biggest <v Speaker 1>regrets are the things that you didn't do. You know, wosh, <v Speaker 1>you know what I really should? Oh yeah, you know, <v Speaker 1>the things you don't do. Those are the big regrets <v Speaker 1>for me. You know, it's all seemed that way, but <v Speaker 1>so you got to you gotta, you know, And I <v Speaker 1>tell people if you really because you know, you do <v Speaker 1>these conventions and kids will ask you, well, how did <v Speaker 1>you know? How did you how did you blah blah blah, <v Speaker 1>And for me, uh, it's like I say, you only <v Speaker 1>regret the things you don't do, and if you can, <v Speaker 1>if you have a dream of it. And now I <v Speaker 1>found out later that this was some kind of a <v Speaker 1>positive attitude thing that's like acceptable to ram Das and <v Speaker 1>all these gurus and everything. But if you just imagine <v Speaker 1>yourself doing it already. Imagine what it would be like <v Speaker 1>getting up and going to work and going to a <v Speaker 1>studio and singing a song or doing a cartoon character <v Speaker 1>and everything. And if you can see it, if you <v Speaker 1>can imagine it, then you probably can pull it off. <v Speaker 1>Oh yeah, you know, you could probably pull it off. <v Speaker 1>And I'm I'm from you Euxtown, Ohio. Used to work <v Speaker 1>in a steel mill, you know. And then I was <v Speaker 1>moved to New Orleans. I worked on a riverboat, but <v Speaker 1>I still knew. But I wasn't a steel mail worker. <v Speaker 1>I was a guy who worked in a steel there <v Speaker 1>you go, you know, so who you're going to be? Yeah, <v Speaker 1>and that and that there's nothing wrong with the guys <v Speaker 1>in the steel mill. <v Speaker 4>Listen, guys lesson and there a whole bunch of guys <v Speaker 4>and I have nothing against them. That's what they want <v Speaker 4>to do. Yeah, you want to do that. It's a study, paycheck, <v Speaker 4>you make your money. <v Speaker 1>Union, take your hospitalization, you know. <v Speaker 4>I mean, that's a wonderful thing. Was that there's a <v Speaker 4>bunch of guys who don't want to accept that kind <v Speaker 4>of and who don't you know, I mean, you know, <v Speaker 4>they didn't call them dead beats. <v Speaker 1>For nothing. Yeah. <v Speaker 4>Yeah, but not everybody is the dead beat. You know, <v Speaker 4>it doesn't have the same ambition as you. <v Speaker 1>Well, I knew buddy mine one hundred years ago. He said. Well, <v Speaker 1>I went down, I was that auditioning, applying for this job, <v Speaker 1>and they got it. You know what, they want to <v Speaker 1>pay seven bucks. I go, well, it's not too a <v Speaker 1>long time ago, and I ain't working for seven bucks. <v Speaker 1>I said, well, then you ain't working. You're also not working. <v Speaker 1>You're also not eating. Okay, so seven bucks an hour <v Speaker 1>wasn't enough for you. Okay, So what are you gonna <v Speaker 1>do now? Tap dance? You know, going to Jackson Square <v Speaker 1>and you know, good luck? Oh man, what and give <v Speaker 1>up showbiz? Yeah? That's crazy. <v Speaker 4>I mean, you know, I mean, and I feel you. <v Speaker 4>I mean, I understand that. I mean, the idea of <v Speaker 4>it sounds more insulting than getting kicked out of your apartment. <v Speaker 1>Yeah, that's a little that's a little. <v Speaker 4>Harsh, but you know, I mean, not to get to <v Speaker 4>for a field in that in this area. But it's <v Speaker 4>also you know, why we are in the climate we're <v Speaker 4>in today, because you know, as much wealth as that <v Speaker 4>exists in this country, just this country alone, I mean, <v Speaker 4>A man shouldn't have to work for subpar wages. A woman, man, <v Speaker 4>woman child should not have to wait work for subpar <v Speaker 4>wages so that you know, you know, I can't enjoy it. <v Speaker 4>You know, some dessert with your meal, Go to the <v Speaker 4>movies every once while, take out your friend if you <v Speaker 4>want to. I mean, that's and that's that's really that <v Speaker 4>that's not a lot to ask. <v Speaker 1>It really is not a lot to ask, especially while <v Speaker 1>you know. <v Speaker 4>The robber barons are making money hand over fist and <v Speaker 4>you know, I mean, no, we don't let him eat cake. <v Speaker 4>Let them have a meal and then some cakes dessert. <v Speaker 1>Yeah, yeah, yeah, well I remember, I think it's James Red. <v Speaker 1>I don't want nobody to give me nothing. You just <v Speaker 1>open up the door. I'll get it myself, you know, <v Speaker 1>that's all you need, that's all. Do I have a <v Speaker 1>shot at doing this? Yes, here's your shot. Okay, that's <v Speaker 1>that's all. You know, I'll take it, you know, if <v Speaker 1>you if you've got a shot at what you want <v Speaker 1>to do. I mean I think that we're still like <v Speaker 1>the only probably the only country in the world that <v Speaker 1>you can actually do that, you know, be poor as <v Speaker 1>hell as a church mouse. And then grow up and <v Speaker 1>be a judge, you know, knock on wood. Not that <v Speaker 1>I want to be a judge, but anyway, Yeah, no. <v Speaker 3>Kidding, I'm fine with being a judge. <v Speaker 1>Yeah, that's right. But that's his last name. So he's cheating. <v Speaker 1>He's cheating. He's cheating a bit. Yeah, what else? <v Speaker 3>Should we do? Some voice swaps? You want to? I <v Speaker 3>want to have a little, a little voice swap game. <v Speaker 1>Yes, it's a it's pretty pretty ridiculously fun, and it's basically, <v Speaker 1>I'll do one of my characters and uh, you know, <v Speaker 1>like fig or Winnie the Pooh, dark Wing Duck, and <v Speaker 1>then you pick one of your impressions one of your guys, <v Speaker 1>and you repeat it in his voice, and then you <v Speaker 1>give me an expression of yours in character, and then <v Speaker 1>I have to do it as Winnie the Pooh or <v Speaker 1>dark Wing Duck or Tasmanian Devil, you know, one of <v Speaker 1>my guys. So what do you say? <v Speaker 3>Are your game? <v Speaker 1>Why not? Okay, let's see, I wasn't gonna do a <v Speaker 1>facilly a line, but that would go in my world <v Speaker 1>now not your world. Un but I can't see it <v Speaker 1>as well as you, so I won't be doing that. <v Speaker 1>We can edit that out right. Let's see. Okay, you know, <v Speaker 1>I guess we could do it Princess and the Frog Groove. <v Speaker 1>I think I got it, Sweet Evangelie. Yeah, well okay, <v Speaker 1>here we go. Here, here's Ray. Well, you know something, <v Speaker 1>The women love a man with a big poach. Now <v Speaker 1>I have to do it. <v Speaker 3>Yeah, yeah, how about you do it as Facilia then? <v Speaker 4>Yes, a tip of the hat from doctor Facilier. You <v Speaker 4>know a woman loves a man with a big back porch. <v Speaker 1>Yes, how can you make that sound sort of evil? Yeah, <v Speaker 1>it's kind of evil. I didn't want to go sit <v Speaker 1>on the back porch. I'm staying here. Oh wow, okay, <v Speaker 1>I love that. Yeah. <v Speaker 2>I have a request for you. I love Rick and Morty. <v Speaker 2>Can you do the president? <v Speaker 4>I'm the President of the goddamn the United States of America. <v Speaker 1>I believe you. Okay, So who should that be? How <v Speaker 1>about dark wing? <v Speaker 3>How about robotic? <v Speaker 1>Oh? I'm the president the goddamn United States of America. <v Speaker 1>Get that head up there? You go, nice, calm, laid <v Speaker 1>back way to segue into the sunset. <v Speaker 2>Before we do another one, I just have to ask <v Speaker 2>you for personal curiosity. How did you get mixed up <v Speaker 2>with Justin Royland? And Dan Harmon and the whole Rick <v Speaker 2>and Morty crew community community community. <v Speaker 4>Of course, I did the community and then Dad asked <v Speaker 4>me to come in and my first character on the <v Speaker 4>show was reverse your. <v Speaker 1>Reverse giraffe, reverse giraffe. Yeah, he's got short legs and <v Speaker 1>along then. <v Speaker 6>Oh wow, okay, okay, yeah, yeah, yeah, I don't want <v Speaker 6>to adopt one of those. <v Speaker 3>Community was a good show too, It was a good show. <v Speaker 1>I had a ball. <v Speaker 3>Yeah, I had a ball. <v Speaker 4>You know, I mean yeah, yeah, those guys are clever. Yeah, <v Speaker 4>that's and and that's the kind of comedy that I <v Speaker 4>really like. It's like, this is really smart stuff. I <v Speaker 4>mean it's not. <v Speaker 1>It's fun, but it's really smart. Yeah. Yeah that helps. Yeah, Yeah, <v Speaker 1>I like that too. That's the icing on the cake. Yeah. <v Speaker 1>It works on two levels, you know, nothing like a <v Speaker 1>double edged sword. Yeah. Oh, ain't that's the truth. <v Speaker 2>All right, Sorry I have I had to interrupt there. <v Speaker 2>Well let's do one more. Let's do one more back <v Speaker 2>and forth? Okay, maybe dark Wing Duck, good old dark Wing. <v Speaker 1>Yeah. I am the terror the flaps in the night. <v Speaker 1>I at duck Wing Duck as Goliath would be good. <v Speaker 1>I am the terror that flaps in the night. I <v Speaker 1>am dark wing duck. It's pretty good because you know <v Speaker 1>what Goliath actually does, flap in the night. Yes, now <v Speaker 1>that you think about. <v Speaker 2>It, your voice is so incredible to me, like you <v Speaker 2>can change the whole atmosphere of a room just with <v Speaker 2>your voice. <v Speaker 1>Yeah, that's true. That's true. <v Speaker 2>I'm sure you know that obviously. But it's such an <v Speaker 2>incredible talent. <v Speaker 1>And and it's and it's interesting because you can go <v Speaker 1>from commanding the room and attracting the room to you <v Speaker 1>with bumb bast and then cementing them in so they <v Speaker 1>can't wait for the next word. You whisper. That's tasty. <v Speaker 1>That's that's when you have everybody right there, right there, <v Speaker 1>That's what that is. Indeed, that's good stuff. Oh man, <v Speaker 1>thank you so so much for being here. <v Speaker 2>Man, wait, no, I have I have to I have <v Speaker 2>to ask ask one more. I have to ask one more. <v Speaker 1>I'm sorry. There you go. <v Speaker 3>I'm sorry, Keith. <v Speaker 1>I love you, man. <v Speaker 2>So the first time I ever saw you in anything, <v Speaker 2>you know, I'm aging myself here. I guess the opposite way, <v Speaker 2>but was There's something about Mary and I thought you <v Speaker 2>were just hilarious, you know, the stern Dad and I <v Speaker 2>just want to know what it was like working with <v Speaker 2>Cameron Diaz and Ben Stiller. <v Speaker 4>I mean, it's so funny you asked that because for <v Speaker 4>some reason, I was talking to somebody who lived in <v Speaker 4>Miami the time that we were shooting, and so, you know, <v Speaker 4>it's got just reliving that whole pre It was. It <v Speaker 4>was such fun, It was such a good time. And <v Speaker 4>that said was you know if you remember the you know, <v Speaker 4>the famous you know, you know zipper shop, Yes, yes, <v Speaker 4>and you know, I what I what I like about <v Speaker 4>the opportunity to play comedy and improvised. I had an <v Speaker 4>aunt and one of her favorite catchphrases was oh forgotten <v Speaker 4>Heaven's sake, you know, and so and for some reason, <v Speaker 4>every time she said, you know, oh forgotten, so I. <v Speaker 1>Got to use it in that scene. Oh forgotten. Oh <v Speaker 1>that's great, that's great. Wow, that's great. <v Speaker 4>So, I mean, you know, it was just it was, <v Speaker 4>it was a wonderful time. Some of the out the outtakes, <v Speaker 4>like I came to the door, you know, what do <v Speaker 4>you want? And then and Ben's got the teeth. <v Speaker 1>Kept forgotten Heaven's sake? Were you floss. <v Speaker 2>That that reaction and then your face what you said <v Speaker 2>how did you get the beans above the Frank, I'll <v Speaker 2>never forget that face like burned into my memory. When <v Speaker 2>I first saw that, I just thought it was the <v Speaker 2>funniest thing. <v Speaker 4>If you ever remember getting caught, that's burned into my memory, <v Speaker 4>you know, I mean, if you, if any any man <v Speaker 4>above seven years old knows what that's like. Yeah, oh yeah, <v Speaker 4>you know you're talking about no fun at all, you know. <v Speaker 3>I mean I don't know about that to a degree, but. <v Speaker 1>No, I mean that's a bit extreme. <v Speaker 4>But I do you know between you know, your neck <v Speaker 4>and oh yeah jackets that, yeah, and you know your <v Speaker 4>test is when you know, when you got you know, <v Speaker 4>you know, I don't even want to move, you know, <v Speaker 4>how do you how do you maneuver this? Because going <v Speaker 4>up is not going to work? And going down yeah, <v Speaker 4>there's no there's no there's no escaping. <v Speaker 1>This blood will be shipped you. Yeah, yeah, past the butter. <v Speaker 3>You're in battle. <v Speaker 1>Just a good measure, just this greased things up. Oh god, <v Speaker 1>you guys are taking notes on this, I hope, just <v Speaker 1>in case you don't want to be prepared like a <v Speaker 1>boy scout like scar That pretty bad, yeah, my lion king, buddy. Yeah, <v Speaker 1>so yeah, singing and and I mean that's it's so <v Speaker 1>great because I always like it when the character sings <v Speaker 1>and and that. <v Speaker 4>Apparently that's what's icing on the cake. Yeah, that is <v Speaker 4>that is icing on the cake. I love that. Yeah, yeah, yeah, yeah. <v Speaker 4>And when you get to find you know, you know, <v Speaker 4>the voice of that character, you know, mm hmm. <v Speaker 1>That's a yeah. And singing takes it to a whole <v Speaker 1>other level. <v Speaker 4>Yeah, you know, I always love that aspect of of musicals, <v Speaker 4>when the situation becomes so heightened, suddenly I can't talk <v Speaker 4>about this anymore. <v Speaker 1>I have to sing, you know. Yeah, yeah, yeah, yeah. <v Speaker 3>Are you that's true? Are you a Thespian? Do you <v Speaker 3>go to a lot of plays. <v Speaker 4>As much as possible? Yeah? In fact that I wanted <v Speaker 4>to go tonight, but it's not playing tonight. <v Speaker 3>Have you ever see a Book of Mormon? <v Speaker 1>Oh? Yeah, you like that play. That is a funny play. <v Speaker 3>I think that's one of the funniest players I ever seen. <v Speaker 1>Yeah, spam a lot, that's another one. Yeah, mm hmmm. <v Speaker 1>Were you a big python fan of that English humor? <v Speaker 1>Sort of after the fact, mm hmm. <v Speaker 4>I had friends when we were growing up who loved it, <v Speaker 4>and I found it. <v Speaker 1>You know, it was pretty humor. Is pretty humor. Yeah, <v Speaker 1>it's pretty humor. Yeah, I mean I got I had <v Speaker 1>I had more fun with what was his name? That <v Speaker 1>came on? Michael palin No used to dress up. <v Speaker 4>He had a hit a drag character he dressed up on. <v Speaker 4>But it was really he played multiple characters. <v Speaker 1>Not Madam, oh gosh, British yeah, the British guy. Yeah, <v Speaker 1>and he. <v Speaker 7>Was yes, oh god, just and he stayed on. <v Speaker 1>It was on for a long time. Yeah. Yeah, I <v Speaker 1>think it started on PBS maybe. I think I think <v Speaker 1>Hello Possums, the Little Possums. I think that's that's the one. <v Speaker 1>What was his name? Everybody's watching this one? It's yeah, <v Speaker 1>And I couldn't pull it out. <v Speaker 2>Oh man, wow, I have something else to ask you. <v Speaker 2>I'm sorry, just these questions. <v Speaker 3>That's good to me. So you're from an era. <v Speaker 2>My dad is around your age, and he's also a <v Speaker 2>black man, and there was kind of like, as far <v Speaker 2>as he describes it, like almost like two lanes for <v Speaker 2>black actors. And he says that in La at the <v Speaker 2>time in the eighties, there was like a black casting director. <v Speaker 2>It was like you go to them and they cast <v Speaker 2>you for whatever. It was kind of you got funneled <v Speaker 2>into that lane spread out. It seems like in your <v Speaker 2>career you've kind of like all never really been put <v Speaker 2>into that like blackbuster Pool or anything like that. Were <v Speaker 2>you aware of that when it was happening. <v Speaker 4>Yeah, of course, Uh, there were. There was a casting <v Speaker 4>director in New York. His name I won't mention, but. <v Speaker 1>And she said one time, Oh, Keith David, he can't <v Speaker 1>sound black. And I'm like, what, you know, you know, <v Speaker 1>what's that mean? Even? <v Speaker 4>What does that mean? What does that even mean? So, <v Speaker 4>you know, you let them suffer their own delusions until <v Speaker 4>until one day they get smacked into reality by reality, <v Speaker 4>you know, I mean, you know you they're like today, <v Speaker 4>that kind of statement would cancel you, you know, and <v Speaker 4>and rightly so, because it's stinking thinking. It's like what <v Speaker 4>kind of you know? And listen, nobody will arrest you <v Speaker 4>for what you think. But you shouldn't say anything you think. Yeah, no, <v Speaker 4>you know, I mean, And and to have no idea <v Speaker 4>that that might be insulting you in some way, you know, <v Speaker 4>And and when I. <v Speaker 1>And but there's a pretty tone death. <v Speaker 4>The truth of the matter is, when I first started, <v Speaker 4>I got a lot of the you know, crossover work <v Speaker 4>where it didn't you didn't have to be it didn't <v Speaker 4>have to be black, it didn't you know, didn't it <v Speaker 4>didn't really matter. <v Speaker 1>It didn't matter if it was or not. Uh. <v Speaker 4>And more so than today, there was there was us <v Speaker 4>certainly uh an idea of what they thought black people <v Speaker 4>sounded like. And and and they would get those voices <v Speaker 4>that would do that. You know, nowadays it's very you know, <v Speaker 4>it's it's it's very difficult to discern always well, that's <v Speaker 4>a black man, that's a black woman, that's a that's <v Speaker 4>a you know, you know, regional even even in regionalism, <v Speaker 4>because if you hear some of the Brits, you know, <v Speaker 4>when they start being you know, talking cognate or whenever, <v Speaker 4>you don't know who it could be. And you know, <v Speaker 4>I mean and and you know, just get the best <v Speaker 4>person for the job. But you know, I mean, I say, <v Speaker 4>I mean, I say that, but that's not always the <v Speaker 4>most immediate. <v Speaker 1>Reality, you know. <v Speaker 4>Yeah, but you know the thing, you know, you know, <v Speaker 4>I just don't be discouraged by anything or anyone. <v Speaker 3>And that's how you approach that. <v Speaker 4>I mean, it's like it's like I'm not letting your <v Speaker 4>opinion of me, stop me what I'm trying to that's right, <v Speaker 4>you know. I mean, if I don't get this job, <v Speaker 4>I'll get another one, you know, eventually. And you got <v Speaker 4>to stay in it. I mean, the race is not <v Speaker 4>for the swift, but for those who can endure. And <v Speaker 4>I don't mean to sound cliche, but that it's a marathon, <v Speaker 4>it's not a sprint, you know. And because you see, <v Speaker 4>you see sprinters all the time, you know, and depending <v Speaker 4>on their work ethic and attitude, how long they stay <v Speaker 4>in there because you see them burned down, you'll see <v Speaker 4>a wonderful performance and you think, oh, that there's some <v Speaker 4>nice potential there. <v Speaker 1>You know, what. <v Speaker 4>Happened to them, right, Either they didn't have a work <v Speaker 4>ethic or they they they begin to emulate the ethic <v Speaker 4>of someone that they were around. And that's not what <v Speaker 4>you should have been paying attention to. <v Speaker 2>Not that behavior like you mean as far as like <v Speaker 2>a bad influence. <v Speaker 4>Well, I mean my opinion would be my opinion about <v Speaker 4>what's you know, you know, decent and work related behavior. <v Speaker 4>But you know, professionalism. You know, technically, if you get paid, <v Speaker 4>you can be called a professional, but professionalism is an attitude. <v Speaker 4>Is the manner in which you approach you absolutely, you know, <v Speaker 4>that's what that's what's to be emulated. Look how they <v Speaker 4>you know, I mean, look look how they approach the work, <v Speaker 4>you know, I mean, yeah, you know that the workspace <v Speaker 4>is sacred. <v Speaker 2>Who would you say is one of the hardest working <v Speaker 2>people you've met? <v Speaker 4>You know, I got a good buddy, Ruben Santiago Hudson. <v Speaker 4>He's one of the hardest working people I've ever met. <v Speaker 4>He does a whole bunch of stuff. <v Speaker 1>You know. <v Speaker 4>He's a wonderful, wonderful director, great actor, great writer, m <v Speaker 4>you know. And but what I what I admire most <v Speaker 4>about him is his work ethic. Yes, he is about <v Speaker 4>the work, and he has an integrity that is admirable, <v Speaker 4>m you know, and unwavering and and I just I <v Speaker 4>love that about. <v Speaker 1>It, you know, I mean, you know, yeah, easy to admire. <v Speaker 4>Yeah, a fellow has that great line, thou hast such <v Speaker 4>a noble sense of thy friends, wrong, thou teachest me, <v Speaker 4>or thou instructest to me something like that, you know. <v Speaker 4>And that's that's what we're not gonna think about him. <v Speaker 4>That's what I think about. <v Speaker 2>What about you, Jim, same question for you. Somebody who <v Speaker 2>stands out for their work ethic that you've either worked <v Speaker 2>with or known in your life. <v Speaker 1>Yeah, well, gosh, what good old Corey Burton. He's a <v Speaker 1>Disney voice guy. He does. He's Grumpy and the Seven Dwarfs, <v Speaker 1>and he's Chip and Chip and Dale and Zipper and <v Speaker 1>Chip and Dale. And I've worked with him tons of <v Speaker 1>times on goof Troop and he he he's a real historian. <v Speaker 1>He's a Disney voice historian. He knows everybody who did <v Speaker 1>every ancillary character. And he's got the microphone that they used. Now, <v Speaker 1>this one is the one that Paul Freeze used when <v Speaker 1>he was recording for the Beware of Hitchhiking Strangers, you know, <v Speaker 1>Pirates of the Caribbean, you know, And and he knows <v Speaker 1>all about that, and it's got that warm tape feeling <v Speaker 1>and I go, okay, you know, and I get a <v Speaker 1>kick out of that. I admire that. That's you know, <v Speaker 1>he teaches. He treats it like an art form, like art, <v Speaker 1>and because it is, you know, it's just fun art. <v Speaker 1>And you know, I always my joke is it's it's <v Speaker 1>stuff used to get me kicked out of class, so <v Speaker 1>I did better in the hall, you know, so but yeah, Corey, <v Speaker 1>Corey comes to mind. He's got it going on. I <v Speaker 1>have to get him on here in one of these days. <v Speaker 1>But yeah, but yeah, but he's no Keith David. I'll <v Speaker 1>tell you what. <v Speaker 4>But that's all Freeze. I love remember him? Yeah, you <v Speaker 4>know you know who? The voice I used to love <v Speaker 4>to was Alfred Drake. That guy could sing. I can't <v Speaker 4>think well when you when you get a chance, google <v Speaker 4>him singing so in love? <v Speaker 1>Oh is we troul No? No, no, no, no, no, <v Speaker 1>mm hmmm strange do you? But true? Do you when <v Speaker 1>I'm close to you? <v Speaker 5>If you're a fan of everything we do here at <v Speaker 5>tuned In with Jim Cummings, you could support the show <v Speaker 5>for as little as just two dollars per month on Patreon, <v Speaker 5>where supporters not only get early and add free access <v Speaker 5>to the show, but you'll also get bonus podcasts, including <v Speaker 5>audio commentaries of classic Disney shows, hosted by Jim and <v Speaker 5>his various characters. So go ahead and support the show <v Speaker 5>today at patreon dot com. Slash gym Commings podcast link <v Speaker 5>is in the description of this show. <v Speaker 1>Now, who is back in the day like from the <v Speaker 1>forties and the fifties? Who are you who are some <v Speaker 1>of your favorite singers or bands or Billy Eckstein. Yeah, <v Speaker 1>oh yeah, sure, sure. <v Speaker 4>You know that very stylized call was a was a <v Speaker 4>was a great favorite of mine. But you know, and <v Speaker 4>in fact, this I can talk about. I'm working on <v Speaker 4>a show about Joe Joel Williams, and Joe Joe was <v Speaker 4>a great. <v Speaker 1>Hero of mine. <v Speaker 4>I have, you know, working on this show especially, I <v Speaker 4>have come to. <v Speaker 1>Love Joe Williams. Yeah, I mean he was a classic guy. <v Speaker 1>He's a classic guy. <v Speaker 4>A work ethic he talks about, you know, he talks <v Speaker 4>about one of the things that he learned working with <v Speaker 4>the Basic Band, with these men who who cared about <v Speaker 4>their about their work and strove every night, you know, <v Speaker 4>to get the music right. You know, they were treated <v Speaker 4>like artists, and so they acted like artists, you know, <v Speaker 4>striving for excellence and perfection each and every night, like <v Speaker 4>they played every night like they were playing Carnegie Hall. <v Speaker 4>You know, that's the key that you know that you know, <v Speaker 4>and and Joe talks about you know that, you know, <v Speaker 4>the show he would give for his audiences, you know, <v Speaker 4>sometimes sometimes be crowded over crowded audience, and sometimes he'd <v Speaker 4>be a player club and because of the weather, there'd <v Speaker 4>be three or four people, and they gave the same show, <v Speaker 4>the same show. They got the same show as if <v Speaker 4>it was a. <v Speaker 1>Yeah, well that's like a tenant. That's a show business <v Speaker 1>gotta be. <v Speaker 4>I remember doing a thing in school and we were <v Speaker 4>doing we were doing a dance program. I'm was the teacher, <v Speaker 4>and we had done all this great avant garde uh <v Speaker 4>choreography to Edgar Allan Poe. Of course, she said, we're <v Speaker 4>going to do the same. We're going to do this <v Speaker 4>show whether there's two people or seventy people who were <v Speaker 4>in this audience, and we're gonna and we're gonna start <v Speaker 4>a long time. So if you missed the beginning, you <v Speaker 4>missed the beginning and the first and that first show, <v Speaker 4>you know, it were scanty. It was a scanty crowd. <v Speaker 4>But we treated it like like a dress rehearsal, you know, <v Speaker 4>and you just get something out of it, you know, <v Speaker 4>you know, you know, I mean, and you know when <v Speaker 4>I when I'm you my students, I always say, you know, <v Speaker 4>don't work in a vacuum. Don't just do it just <v Speaker 4>to be doing it by road. Always have something in <v Speaker 4>your mind, because, believe me, one can hear. <v Speaker 1>When you don't have. <v Speaker 4>A thought in your head, all you are doing is <v Speaker 4>regurgitating a line. I could have read it for what <v Speaker 4>I got from you, you know, Well. <v Speaker 1>That's some stage. <v Speaker 4>Well the point of view if even if it's wrong, <v Speaker 4>you learn something, you know, you learn, well that wasn't that? <v Speaker 1>That was? Now you know what not to now you <v Speaker 1>know what not to do. <v Speaker 4>But if you don't do something, you know, make a choice, <v Speaker 4>nothing ventured, nothing gain, you know, I means and listen, <v Speaker 4>you know, you know you don't always, you know, spend <v Speaker 4>hours of time thinking about every line. But you should <v Speaker 4>spend some time with yeah, you know you should. You <v Speaker 4>should have some idea, don't don't come to the table. <v Speaker 1>Yeah nothing, Yeah you know, yeah, it sure is, you know. <v Speaker 1>And I used to one of my problems that I've <v Speaker 1>always had. I used to be in plays all the time, <v Speaker 1>I mean even as a kid. But I just I <v Speaker 1>don't know what it is. I don't have a good memory. <v Speaker 1>And I mean not just like recently, I mean like <v Speaker 1>when I was ten, you know. So so what accidentally <v Speaker 1>kind of happened is I ended up being a pretty <v Speaker 1>good ad liver because I would keep it because I knew, well, <v Speaker 1>I knew it was something about going out there and <v Speaker 1>slopping the hogs and doing something over there, and then <v Speaker 1>then there were cows involved. I remember there was in <v Speaker 1>a show called Crazy Cricket Farm, and I couldn't think <v Speaker 1>of it, and I heard the dialogue leading up to it, <v Speaker 1>leading up to it, and I blurted out something, well, <v Speaker 1>we gotta go out there. I'm gonna go milk the <v Speaker 1>chickens and oh wait, no, we can't shit. I mean sorry, <v Speaker 1>I'm gonna go, you know, And I just walked up <v Speaker 1>the st age and it was dead silence anyways going <v Speaker 1>did that ten year old just say? Ship, there's something <v Speaker 1>you know? So you know, what are you gonna do? Yeah? <v Speaker 1>I left town up and left. I just left. <v Speaker 2>Can't show your face anymore? Oh god, ten year old failure. <v Speaker 1>Yeah, that wasn't a good farm hand. <v Speaker 3>That's funny, that's funny, painful. <v Speaker 1>So is there anything did I ask you this? Did <v Speaker 1>we have anything to look up? Look forward to? You <v Speaker 1>you're going to, whether it's conventions. <v Speaker 4>Or oh I am going to be can you talk <v Speaker 4>about something? I am to a convention in Utah this <v Speaker 4>coming Thursday, Okay, Thursday through Saturday, Salt Lake City, Salt <v Speaker 4>Lake City, I've heard of it, and then the next one, <v Speaker 4>I'm I'm going to one in Dallas, I think. <v Speaker 1>In a couple of weeks. Yeah, Now, which of your characters, <v Speaker 1>whether animated or on screen or what have which, Especially <v Speaker 1>when you go to conventions like that, who do they <v Speaker 1>jump on? Who do they glom onto? It all depends, <v Speaker 1>you know. <v Speaker 4>You know, this is the fortieth anniversary of the thing, <v Speaker 4>mm hmm. And so the last couple of conventions, I <v Speaker 4>got a lot of Childs, a lot of things, and <v Speaker 4>and a lot of Goliath because this is thirtieth anniversary <v Speaker 4>of Oh wow, so that was that was a quick <v Speaker 4>forty years, h right, And I think it's around it's <v Speaker 4>around thirty years for In fact, it's definitely thirty years <v Speaker 4>for Mary. <v Speaker 1>Oh yeah, and mm hmm. May work. Yeah, that's great. <v Speaker 4>So, I mean, you know, for some reason, they've been <v Speaker 4>cropping up a lot, like but. <v Speaker 1>I get I also get a lot of Platoon m <v Speaker 1>oh yeah, oh yeah, I would think some milestones there, man. <v Speaker 4>Yeah, listen that no complaints and no regrets, you know, <v Speaker 4>and it's like, you know this, nobody nobody promised you <v Speaker 4>anything in this life, the fact that you can. You know, <v Speaker 4>one of my teachers used to say that I cannot <v Speaker 4>guarantee that you will be rich and you can believe <v Speaker 4>all that stuff you know, you see in the papers, <v Speaker 4>but if you work hard, you can make a living. <v Speaker 4>And and sometimes that's not always true. I mean, you know, <v Speaker 4>you know, but one of my ambitions used to be <v Speaker 4>to work in the regions. I used to want to <v Speaker 4>work all over the country and different you know, uh. <v Speaker 1>That didn't fruition, like the Catskills and all that I <v Speaker 1>think I. <v Speaker 4>Was, you know, I just wanted just out of curiosity, <v Speaker 4>but I want, you know, like, but an opportunity just <v Speaker 4>came up and that I might be able to play <v Speaker 4>the Guthrie. <v Speaker 1>A year or so. <v Speaker 4>That'd be very nice, you know, some of the some <v Speaker 4>of the you know, more reputable regional theaters, you know. <v Speaker 4>I mean, but again, I've been I've been lucky at <v Speaker 4>touring plays all over the country and some wonderful cities <v Speaker 4>around the world. You know, I've got you know what <v Speaker 4>I mean, Like I said, it ain't no Booby prize. <v Speaker 4>When when I finally get to meet Saint Peter, I'm <v Speaker 4>just I'm just gonna say thank you. I had a <v Speaker 4>great time, really really good time. So whatever happens after this, <v Speaker 4>that's okay too. <v Speaker 3>That's a great philosophy. <v Speaker 1>That's great. Well, you know, that's perfect. <v Speaker 4>You know, if you know, we you know, we make <v Speaker 4>so much out of what's a Christian ethic, whether versus <v Speaker 4>Muslim ethic, ethic or Jewish ethic. Basically, I mean, in <v Speaker 4>every in every spiritual practice I have ever come across, <v Speaker 4>it basically says, be good to your fellow man mm hm. <v Speaker 4>Treat your neighbor as you would yourself, you know, be <v Speaker 4>good to people, love your mother, love your father, you know, <v Speaker 4>and honor God, the God of your understanding, whoever you <v Speaker 4>think God is. And I mean, you know, the one <v Speaker 4>of thing I love about you know, Islam is the <v Speaker 4>you know, the God and me he greets the God. <v Speaker 1>And you you. <v Speaker 4>Know, you know I heard that one. Yeah, oh yeah, <v Speaker 4>you know it's a it's no, it's a great way <v Speaker 4>to look at the world. I mean, if you if <v Speaker 4>you think that, if you think that we are all <v Speaker 4>fingers on the hand of God, all of us like <v Speaker 4>like drops in the ocean of God. And why do <v Speaker 4>I want to be nasty to you? <v Speaker 1>Well? Made it of the same stuff. I don't. I <v Speaker 1>don't have to like you. I'm not gonna like it. <v Speaker 4>But but but I don't have to go I can <v Speaker 4>I can respect you as as just as as another <v Speaker 4>human being on the planet, you know. <v Speaker 1>I mean, I got to interact with you. <v Speaker 4>I don't to have lunch with you, you know, but <v Speaker 4>I can say good morning to you and go about <v Speaker 4>my way and everyone you know, and and there's nothing <v Speaker 4>that keeps me from you know, perhaps I just want <v Speaker 4>to smile saying how are you? You know, I mean, <v Speaker 4>you know, I don't know if you've had that experience, <v Speaker 4>but I know that that there are times when Bill <v Speaker 4>Willis got that great song. A smile from you might <v Speaker 4>make these blues go away. You know, I don't have <v Speaker 4>to know you to get there. You know something, you know, <v Speaker 4>somebody smiled at me just now. <v Speaker 1>For me. <v Speaker 4>I take that again as a god shot, because usually <v Speaker 4>that happens when I'm having a particularly low moment and <v Speaker 4>I'm feeling less than an. <v Speaker 1>Unworried and then you know, somebody up there noticed. You know. Yeah, <v Speaker 1>I'll send you a little bonemark. <v Speaker 4>You know that movie A Double Life Ronald Coleman. Mm hmm, <v Speaker 4>that's about an actor who plays a fellow. Finally, as <v Speaker 4>he's dying, he says, funny the things that goes through <v Speaker 4>one head. <v Speaker 1>Just don't let him say I was a bad actor. <v Speaker 1>Don't let him other than that, that's a great line. Wow. Yeah, <v Speaker 1>well that's like, yeah, not that, it's it's an actor's joking. <v Speaker 1>And he says the guy says to it's like, he goes, yeah, <v Speaker 1>I know, I get it. I get the whole assassination thing. <v Speaker 1>But other than that, how did you like the show? <v Speaker 1>Missus Lincoln? Okay, I get the bet with that one part, <v Speaker 1>but how was I jesus, Oh that's incredible. Yeah, well <v Speaker 1>thanks for being here. <v Speaker 3>Man, Yeah, thank you very much. That was a fun time. <v Speaker 1>Soat talking to you so great. <v Speaker 3>Yeah, I'm glad you could make it too. <v Speaker 1>Yeah. Yeah, that was a great surprise. Yeah. I was <v Speaker 1>relegating myself to damn well, next week maybe you know whatever, <v Speaker 1>we'll see what happens. Walk out near there. I go, oh, hell, okay, <v Speaker 1>let's do that. <v Speaker 4>Yes, indeed, all right, and you guys are right down <v Speaker 4>the block. I live right down the blo oh perfect. <v Speaker 1>Oh wow. <v Speaker 2>Well that was another episode of Tuned In with Jim Cummings, <v Speaker 2>thank you all so much for watching today. We had <v Speaker 2>Keith David joining us. Thank you again, sir for being here. <v Speaker 2>I really appreciate it, and don't forget to like and subscribe. <v Speaker 2>We are so close to one hundred thousand subscribers and <v Speaker 2>we thank you all for it on YouTube. We really <v Speaker 2>appreciate it. This podcast could not have it without you. <v Speaker 2>Really leave that it's really true, So we thank you <v Speaker 2>all for that, and thank you to our patrons. On Patreon, <v Speaker 2>that was terrible, and thank you and thank you to <v Speaker 2>our patrons. You can find bonus content on Patreon for <v Speaker 2>those of you who don't know. There's additional interviews, bonus <v Speaker 2>contents and all that good stuff. So until the next time, <v Speaker 2>we'll see you in the next one. This is tuned <v Speaker 2>in with Jim Cummings. Thank you very much. <v Speaker 1>Bet the deva nice
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