The Real Report - Millyz on Jadakiss co-sign, Eminem inspiration, & almost being ABDUCTED in Haiti for $6,000

Transcript

00:00:00 Speaker 1: You had the good budd so the food was hitting. They have smoked duck for breakfast dead Paris look, Paris looks. I'm gonna tell you I don't want fail. I'll tell you all the time, murder what I'll tell you, I don't want to. 00:00:13 Speaker 2: Feel like fifty. 00:00:15 Speaker 3: Yo, how many like smoked duck they got you unanimous with that on it and how many times like that's just like a repeat man like McDonald's time. 00:00:24 Speaker 2: It's just not it's not that in Morocco. 00:00:28 Speaker 3: He's a one person famous for smoked duck. Like that's revenue. 00:00:33 Speaker 2: Biggs, Tyme. 00:00:40 Speaker 1: Frock, Yes, the motherfucking real rapport with turbulance. 00:00:53 Speaker 2: Tony's the boy live Jet Lenny. 00:00:57 Speaker 3: You are Boston King right now, Man, Cambridge's finest man. See him be Blanco Man, Mellie. 00:01:04 Speaker 1: You know the vibe man, Man, yeh, you know, I appreciate you man coming through. 00:01:12 Speaker 3: Man, I appreciate you. 00:01:15 Speaker 1: You got the biggest coach sne from one of the best rappers on the planet. 00:01:19 Speaker 2: Yeah, Jada kiss and that like gave you the ultimate respect you could spit. Also, you one of. 00:01:23 Speaker 4: The best s brothers. 00:01:25 Speaker 1: You know, when you get a coach sine from a like Kiss, I felt like the whole streets loved you after that, like from Boston and New York, Connecticut, talk about that. 00:01:34 Speaker 2: How did you meet Kiss? And how did all that happen? 00:01:37 Speaker 4: Man? 00:01:37 Speaker 3: I met Kiss? Uh Soul. My manager at the time was a guy named Seth Free. He started and one mixtapes and ship like that, and he saw a vision in me. And he had family like his wife's Kate Ridy, and so he knew about the area and mass in Boston like that, and he brought me out to New York and I was trying to get a feature for a song. I had a song called The Plug at the time, and he was going through his rollerdextra rappers. He went from Ray Kwan to a few different rappers and then he's like, you know what I know, I know Jada Kiss. I'm like, yeah, no, no, fuck it, Jada. So we in the Bronx at the time, and he's like, let me call him, let me just see how it go. He's just calling through his phone and connects. He called Kiss, pick up, Yo, Free what's up. He's like, uh, Freeze like Yo, I'm in the Bronx right now. And Kiss like Yo, I'm in the Bronx. I just picked up my man, Kate Rosewood, and I got to drop him to the halfway house. This is the day kiss right hand man got out, so he had he had to take him to the halfway house in the Bronx. So it just happened like through God that when Kiss is calling him, were in the same neighborhood in the Bronx. So they pulled up ten minutes later, met me, heard my ship, and it was kind of on from there. And then you know, I was just rocking with him, like a regular relationship with Ice. Picked Jay who passed on. I picked j found out like I could sing and do a little more and rap. And then he really brought it to the table like nah, Kiss, you need to take him, take him serious and ship and you know, I just grinded after that with that stamp. That's all I needed was the stamp just to move around. 00:03:13 Speaker 5: So I'd be wondering you as you signed the kiss or It's just like it was more of a stamp a homie throwing. 00:03:18 Speaker 4: Was it actual business done? Yeah? 00:03:20 Speaker 3: No, it was an actual business. Okay, sure, actual actual We broke Brad multiple times. 00:03:25 Speaker 4: Sure, that's dope, that's stupid. 00:03:29 Speaker 2: It's all coming out of Boston. 00:03:30 Speaker 1: Because we was talking earlier about was it made men and Benzino back in the days. That was more like the biggest thing we knew from Boston at that time. And it's like right now, you you just like, yeah. 00:03:40 Speaker 3: Well I came in and on some Massachusetts shit. So I'm boring in Boston, but I'm raising Cambridge is right across the bridge, you. 00:03:46 Speaker 4: Know what I mean. 00:03:46 Speaker 3: And so when I came in, that was kind of my philosophy, like, Yo, we gotta utilize the whole Massachusetts as a whole. We gotta use Lauren when I'm pulling up, I'm pulling up with it. The Minigans from Lawrence, we come over, motherfuckers from you know, Matti pen were coming with people from Brocking just utilizing the whole mass type shit. So I feel like that's one of the things that propelled me out there too, you know what I mean. 00:04:14 Speaker 2: Talk about this new EP you got out right now. 00:04:16 Speaker 3: Man, man, Rhythm and pain, R and P. You know, I'd be singing and shit, So I just wanted to be on my time P shit. 00:04:24 Speaker 4: So you're singing on this whole project, right here. 00:04:26 Speaker 3: Yeah, alto all melodic, man, because I've been having records where it's like I rap and then I sing, and I got singing records that was doing millions. But I think because my freestyles that went so viral, people just kept putting me in that box like you just a rapper. But I'm like, no, I'm all around artists. And my streaming shit is doing just as good as it would have been if I dropped the rap album. Right now, off the melodics is so very ecstatic, and you know, I feel amazing about that. 00:04:53 Speaker 1: Shit definitely because people know you for the bars of course, and then like I said, you get. 00:04:57 Speaker 3: Yeah the bars with staying to like coming through New York and having the even having that coach sign from kids, I felt extra pressure like I got to show nice like but now. 00:05:09 Speaker 4: I got you on the project and we got a video. 00:05:13 Speaker 3: That was amazing to man, and I don't know how none of my music gets into mass state prisons, but that was one of the murdered Ship hit the tablet fast, and that's one of the joints he got, the real plug he. 00:05:26 Speaker 2: Got, I got GHUYSI. 00:05:30 Speaker 3: I'm on Empire Publishing to need Ship in the joint like you have for murders, because it was like in a week, man, that's what the ones to. 00:05:40 Speaker 2: Man, you get a lot of bags. 00:05:42 Speaker 3: Well I'm I'm on I'm on the publishing side, but yeah, fu with Ghzi. That's my man. Yeah, Gouts, he's sturdy. 00:05:50 Speaker 4: That's the fact man. 00:05:51 Speaker 3: That was let to be on your project though, Bro, I definitely came up watching both of y'all. 00:05:56 Speaker 4: I appreciate it. 00:05:56 Speaker 3: Yeah, you you wanted the ones that like you got the shock fact to all your shit, even you with the punchlines with the G Unit mixtapes, you was always looking for you always have not punchlines, but like haymakers and ship you know what I mean. You come up with them ships and that kind of inffluence my rap style in the sense of like, all right, I'm gonna say a couple of ships and then I'm gonna give you a haymaker something that's shocking. You can't just be giving them, you know. You got haymakers in. 00:06:21 Speaker 2: The mixtape days. 00:06:23 Speaker 1: Like I tell every New York artist, you got New York, you got some spots of steak, you got C. T. Shouter CT always pushed G Unit and then you got Boston. I always love Boston. You got the beautiful Kate Verdion women out there shouting them. 00:06:35 Speaker 2: Know what you know about that, but shelter my Africans out there. It's just Boston. 00:06:40 Speaker 1: Just feel like I don't know when we came there, it was just always love. Remember we had to it was one mixtape. I think we had the celt we used to do the show we came out. 00:06:49 Speaker 2: With Shipped on. 00:06:50 Speaker 4: It was just great. 00:06:51 Speaker 2: Find that picture, classic, classic, you got. 00:06:55 Speaker 3: Somebody find that picture, man, that picture. 00:06:57 Speaker 1: Because up there's no different than New York. It's a big city. You know, y'all love youall. 00:07:02 Speaker 3: Teams, you know, Yeah, no, it's different though it's different in the sense like we probably like sports come first in Massachusetts in general, like when you're a kid, they're gonna they're gonna be telling you in fourth grade and ship like, you know, the restaurants. 00:07:18 Speaker 2: Like it's really big sports. 00:07:21 Speaker 3: We really come from sports culture. Like if you're in mass like, you have to be you kind of weird if you're not into sports culture and mass like that's all. That's what our ship is based on. Where I feel like New York is kind of based on sports but I feel entertainment override sports a little bit. I know, the Knicks is the biggest ship in the world, and the Yankees and ship, but y'all got so much bigger artists that came from here, you know what I mean, all the way from Hoh the fifty to Frank Sinatra right. 00:07:47 Speaker 2: He from here, right Frank Sinatra DMX. 00:07:51 Speaker 3: Now of course you know the lineage is crazy. 00:07:53 Speaker 5: Yeah, they don't stop the Listen how you be feeling when your freestyles go viable like the act? You feel like I'm getting my respect, man, because you know, it be hard everybody to be feeling like, oh, he can't talk that shit or you know the complexity. They'd be like he why he ain't talking that shit like that. But then when you see the streets doing brace you that shit be feeling, man. 00:08:13 Speaker 3: Man, that that shit felt good, like you know, I really I think New York is one of the last places where you still got to lead with scale. People still respect bars from the from the from the ogs to even the young drill rappers. You'd be surprised that k flocks generation like they still give it up like bars like I still meet little young drill rappers and dudes, kids that's really in the street and they're in tune with bars. I still meet an eighteen year old to break down ball and it's probably one of the only places that's really like that. So I love New York for that, just the mecca of this shit. So it felt real good to get the validation here because I remember being there for five years and nobody knew me, and then one day that shit just started changing and I was like, oh, they recognized me in New York. New York love is different. 00:08:56 Speaker 2: To think about this though. When you get that coach sign from kids, it's almost like a slim dunk. 00:09:03 Speaker 1: Because it's like, you gotta you gotta say you spit some ship to make they still got to go out and earn it. No, no, I'm not saying no, I'm not saying that. I'm saying, when he spits, if he could impress Jada kiss niggas know he's fit for for what he's doing, got you you know what I'm saying? 00:09:19 Speaker 3: Yeah, hell yeah, but you still it's still big big feet to how you say, big shoes to step in and ship like that. So yeah, you know, you gotta put that ship all on the line. But it worked out with the bars and ship and that's what guy. I didn't because I didn't get any industry real colsons besides kiss. It was just kiss and then just putting it out like labels were like, I don't see it. All the labels that I don't see it none of that. By the time they saw it was because my data line was going up, you know what I mean, like my streaming like undeniable numbers realistically and statistically, like because. 00:09:53 Speaker 2: You don't have Fly by Night fins. That's one thing I got. Yeah, you got people that you have a core fan base. What's the kid Russell? Like, what's the kid Rustled with the long hill? I think his name russ shut Us Like, I don't know. 00:10:07 Speaker 1: Sometimes I think it's better for artist to have like like g Unit, we had a core fan base. 00:10:12 Speaker 2: Like people, yeah, the whole twenty But you know what I'm saying. 00:10:18 Speaker 1: When I look at your career because it's early, Like you know, I look at your career, I'm like, he got a core fan base of people that really love balls and love what he do. That's why I know you. What's your favorite part of Europe? I know you hit Europe. I know they love you out there because they love balls. 00:10:34 Speaker 3: I'm gonna say London because I get a lot of love in London, Like yeah, London is like one of my main markets. Like when I look at the streaming data and ship like that, like heavy in London. 00:10:43 Speaker 5: So you ain't worried about being that you so respected for balls right now, right, you ain't worried aboudy on this new project going with the. 00:10:50 Speaker 4: Whole singing shit. 00:10:52 Speaker 5: You don't think people going like you're gonna throw some of your fans off a little bit. 00:10:55 Speaker 3: I was bro but I just had to do what was in my heart, you know what I mean. I had to I had to go with my passion like I'm gonna go with I gotta go with my move and what I feel is God's move because I feel like music is spiritual. Like you ever put a beat on in the words just come to your mind. 00:11:10 Speaker 2: It's just you and that beat about that in fact, but it's the beat. 00:11:14 Speaker 3: But God's just giving you the instrumental and He's given you, yo, my son, this is your talent right here. Go get crazy. So if God's given me, when I'm in when I'm doing them, singing songs. I'm doing them sitting like in a minute, two minutes, just it's like unconscious, like a stream of consciousness. So I know, like this is what I'm supposed to be doing through God like, and that's how I feel. I can't go against that to try to push the ship. That might sell a little more, you know, but I'm gonna still come back with hits and rappit hits and ship like that. But yeah, I'm in this eraror right now trying to show people them all around artists. 00:11:52 Speaker 4: You know. 00:11:53 Speaker 2: So what gives you the drive though? 00:11:54 Speaker 1: Like for you, you got the balls and ship like when you started, Like what motivated I know you're g in it back in the days because you're still young. I know, Like what motivated you when you started getting in the booth. 00:12:05 Speaker 3: Like young I started, I started really battle rapping and shit, like just around the neighborhood. I'd be like the kid. It was like, you know, I was a kid you could take to a different neighborhood and just be like, Yo, this little white boy can rap, go ahead, rap right. Motherfuckers did that to me nine million times to like to now when that should probably happened, like five years ago, somebody just told me, oh you rap rapper, and nah, it ain't that no more? Like yeah, that was when I was thirteen, fourteen, fifteen, all the way probably up to like eighteen type shit. But I just always had to drive bro. I felt like this was my purpose. Before I made any money from this shit, I was like, this is my purpose, what I'm here for, Like this is my gift. Even though I got lost and doing other shit for a while, I always knew like rap was my shit. I practiced rapping in the elevator, like to elevator music. 00:12:54 Speaker 4: You know what I mean. 00:12:54 Speaker 3: You ever hear a boring ass beat like you get in the elevator? They playing with me, I'll see how I could catch the elevator beat, like I see any beat that come on TV. 00:13:02 Speaker 4: The phone. 00:13:03 Speaker 3: You ever called the Giant, It's like they give you the phone music while you're on hold and ship. I'm rapping to this ship like I'm trying to catch any type of beat that's out there. So sometime I think in raps man, like sometime like a. 00:13:13 Speaker 1: Bank, you go to the studio and do ten records like I might do two, You're gonna do ten? 00:13:19 Speaker 2: You like that. I know you like yeah, but I don't. 00:13:21 Speaker 3: I won't record for like a while though, Like I might record every you know, two three weeks and then lock in like I'm not in the studio every night because I gotta live a little. I gotta you know, I gotta live like the podcast. 00:13:35 Speaker 2: I thought she was in the studio every day. 00:13:36 Speaker 3: No, I just went I lock and I lock it tough, I lock and I lock that tough Man. 00:13:42 Speaker 2: Sixteen talk about that. 00:13:45 Speaker 3: That was that was crazy because that was all you went crazy on that one. Yeah, I knew, I knew I had the plug to get in there, and I would just wait every day for wait every day and hope that they'd have a slot for me because I couldn't get know everybody in there at the major label. Uh pr agent me. I'm just in that ship and they're just telling me, yo, if somebody don't show up, you could be a replacement. 00:14:09 Speaker 4: Man. 00:14:10 Speaker 3: I was there for it, and I took the opportunity, and I took the opportunity. The guy who helped me was named Yomi. He's at Apple Music right now. And that just been one of my solid connects. That's been one of my real solid connects, and I never had a lot of connects in the industry. But I didn't need a lot, you know. I just needed the people that I needed for real but not That was some validation, but it still took four years after that to really start getting my ship cranking. The pandemic was when everything started to be like, all right, I can make money off this ship. 00:14:38 Speaker 5: I noticed you're with the ladies a lot. I know you with the twins. Make sure you get a picture to him with the twins, the twins. That was the twins, tins, which ones, That's how many twins it was you was with It was the twins. 00:14:50 Speaker 2: Double those twins. 00:14:52 Speaker 3: I've been with the Double Dose. 00:14:54 Speaker 2: He always have the girls in the video. 00:14:55 Speaker 5: I always got the girls in the video out of the Double Dose after them A lot of women. You hang out with the women a lot. Was that like a strategy of yours? 00:15:03 Speaker 3: Like the I just think, you know, bro, I came from standing on a on the same street for fucking ten years just surrounding our dudes man forever, like, so we gotta switch up the energy. I'm in this shit. If they want to be around, we gotta balance it out, Like we could go out rather us go out right now and it be twenty girls and shit, and we just gotta add one person that can destroy anyone. Shit like that. Like, but man, we gotta balance out the energy, keep that feminine energy around. Like, if it's all dudes in the club, the club's gonna get shot up. It's it's gonna go on like you had the females there. Shit is cool, you know. So yeah, I'll just be trying to enjoy life, man. 00:15:43 Speaker 5: And I take it that's the motivation for the new project. You just see you singing to the ladies like fuck that I'm talking to y'all. 00:15:49 Speaker 3: Yeah, yeah, yeah, Because I feel like sometimes even when you're rapping, I'm gonna rap about your mind goes to the most extreme shit you've been through. Now, Actually, whatever is the extreme shit? I feel like that's what you're not going to just rap about going to the corner store and getting a sandwich, Like you're gonna rap about the time when you was banging out with police or whatever the fuck was going on. Whatever was the extreme city in life, that's what's gonna hit your mind first. But I'm like, I'm gonna just go through some extreme love and heartbreak with some vibes and that's gonna be the extreme ship instead of rapping about street shit, I'm gonna swap it out and I'm gonna start, you know, falling in love with some vibes and getting my heart broke a little bit, and that's gonna give me music. And it did you know allegedly. 00:16:34 Speaker 5: Allegedly he said you ain't break my heart. I'm just like, don't think you broke my heart. 00:16:40 Speaker 3: Never think that, but ever think that I used you for the material? 00:16:45 Speaker 2: Definitely. 00:16:46 Speaker 1: I mean you're getting out your shell. You know, everybody know you for balls, so now you're doing them a lot. 00:16:51 Speaker 2: Shit. 00:16:51 Speaker 3: Yeah, for sure. I feel like that's just staying the touch of time too. You know, rap beats changed already like six months and ship like, what's what's the new ship it? That's that singing ship man. You could go straight over a guitar and get busy. 00:17:04 Speaker 1: I know you're getting a big bag shelter and probably, you know, partly probably send me a bag too. But independent versus major label, like what made you go to independent route? 00:17:19 Speaker 2: Like what made you want to? 00:17:20 Speaker 3: I didn't want to. I would have signed to death Cham for twenty thousand dollars and they could have had my contract and perpetuity. Yeah, like you know, they just they just didn't see it because at the time, Bro, I. 00:17:33 Speaker 1: Always laugh at murder and I have to cut you off about this ten thousand dollars. 00:17:36 Speaker 2: Deal, see my man, But he said, you know real. 00:17:41 Speaker 5: Look exactly, and I tell him when I signed for ten thousand dollars on top of that, Mills, I was on the run for shooting somebody. Shout out to my god D from rough Riders and he saw me at the time. He respected my situation. He was like, where'd you on the run for shooting somebody? 00:17:54 Speaker 4: And he still gave. 00:17:55 Speaker 5: Me the deal in the bag of bag of hims, right and the bag of guns on top after D. 00:18:02 Speaker 4: That's my brother, Millman. 00:18:04 Speaker 2: A lot of twenty death jam. 00:18:06 Speaker 3: For PEG for twenty man at a certain point, because I had been out in New York. This is out of the sight for I'm trying to I just want to say I did something with my life, bro, and nobody's showing interest. I'm just like, man, whatever, just to say I have a deal. I just wanted to go back home and pop it, like yeah, I'm fucking sign the death jam like out of a gangst out of did it for twenty thousand dollars maybe ten bro, they could have walked me down, like. 00:18:34 Speaker 1: You know, you're hip hop because for every rapper at a time, it was a time where everybody wanted to be on death jam record. 00:18:39 Speaker 3: So so I say that to say like, I went independent by default, and I ended up getting obviously way bigger numbers than that and still owning the music. And by the time I dropped the tape, I started catching motion. In twenty twenty one, I dropped the tape and then I got a check after the tape. They had gave me twenty five mands for the tape, which was a lot at the time. That was my biggest deal. Then I got like a forty fifty thousand dollars check after I was like, what's this for another album? And they're like, no, this is like your ship recoup the twenty and now you have made fifty bands or whatever it was he was like, and I was like, Oh, that's independence. 00:19:13 Speaker 2: I get it all right, and they're like, what's this for I made this? 00:19:18 Speaker 3: Oh yeah, And then I started just you know, dropping like that. So I never had the machine to like make me super famous and ship. But I had the will power in the Internet to make myself get a little niche fan base to the point where I could. I could eat off this ship, but I still want to, you know, I still want to swing for the fences and ship I would take. I would take the right major deal if it was right. But the independence ship is what God wanted me to do for sure. 00:19:45 Speaker 2: More money. 00:19:46 Speaker 5: You know what record I felt like really put like people like in your world for real. I feel like the record you did with LBL and Free Leaf War. I feel like once that record came out, I feel like it was. 00:19:56 Speaker 3: Like Ristakers, I'm not gonna I'm not gonna lie. I' gonna keep it. I'm gonna keep it. I'm gonna keep it a buck like Risk Takers is the hardest record to come out the East Coast and last ten something years, Like just as a posse cut, there's no hook on it. It's four and a half minutes and the ship is twenty million streams away from gold when no money put into that, just we dig the ship, shot the ship in treacherous ass areas and uploaded the video, and that motherfucker's going and it's streaming and it's that and Leaf ain't never been here to push it with us. He took the whole time, free Leaf war, free Leaf wood Man. He's the best rapper in the world under thirty. 00:20:36 Speaker 1: Let me tell you if you from the streets and you got that whole body, karate bars, Uncle Murder, gonna put you on first. He put me on about albi Ale. Look, he put me on about Alby Ale when he was like still locked up type shit like niggas in jail, No niggas in jail about his ship. 00:20:55 Speaker 2: He goes, he's gone jails. He was out of your tell. 00:21:00 Speaker 1: He's definitely one of my favorite new rappers out of Jersey. 00:21:04 Speaker 2: Feel I feel like he's we New York. 00:21:06 Speaker 1: We want him to is fact, you know what I mean, straight gangster everybody know he yeah, yeah, yeah. 00:21:11 Speaker 3: I got tape coming with Alby. We've been tape coming with him and hopefully some of hopefully Leaf get home and time to give us a versus because. 00:21:20 Speaker 2: That's what we want. And Leaf put me on. Gotta get Leaf to Leaf forward. 00:21:26 Speaker 1: Now I know Philly rappers because niggas from mass and Boston spit. 00:21:30 Speaker 2: Niggas from Philly cand spit New York. 00:21:32 Speaker 1: You just know he put me on the leaf Forward bro, and you know we be in Miami bumping that ship. 00:21:38 Speaker 3: We'd be overseas leaf Ward saying we don't talk to twelve. We don't even speak at many nights, and he's saying, so calm. 00:21:46 Speaker 1: My ship is mistakers, mab music, mall music. Know that's my sh Like. I feel like if Meek Mills would have signed certain niggas, our dream chases would have been out of here for me. 00:21:58 Speaker 3: When you think about it, it's so much talent and Philly and Philly. The talent is out the roof. I'm not gonna lie like. 00:22:04 Speaker 4: I feel like I came together with you, him and LB. 00:22:07 Speaker 3: You know I originally had that ship. I named that ship my realist Friend because at the end, I said my mother about yeah, man, That's what's what I told my mother every time she found that gun, I said, I don't see my homie eyes rolling back right in front of me. It's what I told my mother every time she found that gun on me to told her this my realist friend when everybody go to run on me. So the song was my realist friend, and I had down Q and Alby. Those were the people I wanted, Yeah, because Alby had just came home. Then I put somehow I got in touch with leaf Ward. 00:22:39 Speaker 2: It just worked. 00:22:39 Speaker 3: I'm like, all I need my homie. Nip Too was telling me like, yo, leif got the streets and that. 00:22:44 Speaker 2: Chogo, we can't wait till he gets home. 00:22:47 Speaker 3: It was harder to track him down, like you know, for the video and ship, but he knew he's seen the play and the visually I pulled up in Philly. He really didn't know I was coming there. I'm like, I'm coming there tomorrow. We're just gonna shoot the video. 00:22:56 Speaker 2: Bro. 00:22:56 Speaker 3: Come on, Bro, I got Alby's part done. Let's do it. 00:22:59 Speaker 4: Bro. 00:22:59 Speaker 3: The song gonna do twenty million. That was our goal at the time. He's like, all right, I get out to Philly. It's like, damn, you're really here. Bro. 00:23:07 Speaker 4: Look at that. 00:23:07 Speaker 3: It's like, all right, let me let me throw some ship on and we went to some we was we was in some sort of war zone our Philian Yeah that. 00:23:16 Speaker 2: It came out Star Wars shooting. 00:23:19 Speaker 3: Yeah, pull up. 00:23:20 Speaker 5: He pulled that man Brooklyn pulled shot the video. 00:23:23 Speaker 3: Hey, Haiti, bro, Haiti, Bro, you went to I went to Haiti. Bro this nigga. I ain't never even been to Haiti. I was treacherous, treacherous I was. I was in Haiti, and I was in Haiti in twenty eighteen, twenty nineteen, and that's when they snatching bodies. But I'm not knowing because I'm so locked in with the those I grew up with all those. And my Man's like, yo, come to Haiti. And I made the decision. Within twenty four hours. I bought the ticket. By the time I'm telling people like my moms and different people, They're like, you sure, but I'm so fried. 00:23:59 Speaker 2: I already booked. 00:24:01 Speaker 3: And for me, I'm in the I'm in the I'm in the airport, I'm at the gate. Now I see now it's it's people walking around. Now there's no more white people. It's over for that. I get on the plane, it's definitely over fall, no more white people. I'm like, all right, we're going to Haiti for real. And I should have knew something because the camera man who was coming out there is my man's cameraman. But he was on my flight and before we bought at the plane, he was like, yo, I don't know about this bro, and I'm like, wi me, I'm not I haven't read the news lately, so yo I told him, I'm like, what you mean, what you mean you don't know about this bro? Like we're sturdy and he goes. My aunt is telling me like really, don't go there, like and I'm like, bro, you straight, bro, come on, bro, we get out there, we land and put a prince man. That's the most aggressive airport. I'm gonna tell you good ship about Haiti too, Like I ain't just gonna say, you know what I mean, but you get your beautiful incredible ship. We get out there and the airport is just superggressive, like if you got suitcases. 00:25:02 Speaker 4: Motherfuckers like this out of the way, like you know what I mean. 00:25:05 Speaker 3: It's just you gotta be sturdy, you know in New York, how you gotta walk fast and ship like Haiti's really like that. And then when we got out, Man, when you get out, it's the motherfuckers. The motherfucker's on the chain link fence looking at you like food type shit. We got oh we wasn't no, no, we had we had the army, like we got all the the parties from our city. And then we got real zolds with us. We got sticks, but it's still like they don't really care that much. So we get in ship, were driving and it's just every man for themselves. It's like this big ass street but there's no real lanes to it, but everybody's just doing their thing. Again through six people on the mopad shit going on. But then we got to the we got to the we got to the we got to the hotel. Though, we get to the hotel Kawbe and once you passed the doors to Kawebe, they got the sticks out there. But once you're in there, that shit is paradise. And then I started seeing wild white people in there too, from like other countries and ship and I was like, oh no, Haiti's like it's not like how they said it is. Yeah, you got to make it to that spot. And we went to the club and some of the relationship of my life happened to me at the club. But yeah, like we started, we had it. But it's serious though. Haiti's one of them places. 00:26:23 Speaker 1: We were supposed to go to Haiti Me fifty holds you in the banks. Everybody was supposed to go to Haiti. And this is when I think the earthquake happened and we were supposed to go with the White Cliff shout the why cliff, you know what I mean? And Wycliffe got shot in the hand. Trip kept canceled after that. 00:26:40 Speaker 3: Nigga, yeah, you know what. 00:26:44 Speaker 2: I'm trying to explain it because he's like, I've never I want to go to Haiti. 00:26:47 Speaker 4: My mom's just take a trip breaking on your own. 00:26:49 Speaker 2: Nigga's not like that. 00:26:50 Speaker 4: Bro. 00:26:51 Speaker 3: You could get your body snatched though, But I ain't gonna lie. But they don't listen. 00:26:54 Speaker 2: I'm down with fifty. 00:26:57 Speaker 1: Yeah, fifty gonna pay that random might think about that she ain't worth that two million. I don't have time to negotiate with my with me kidding this guy, I know you ain't putting up no big coins out. 00:27:13 Speaker 3: You ain't got nothing. 00:27:14 Speaker 4: I have a big coin for you. 00:27:15 Speaker 2: But I put him a big squall a barbecue. 00:27:18 Speaker 3: Ain't got nothing up, yeah, barbecue dollar. You know what's so crazy? I fuck with this rap out there named kater G. I bumped into him. He shot out the kter G man doing your ship out there? And I locked in with him. They real serious people, but my men, you know, my manager Haitian. He on the phone with kter G and Ship and he's saying something to him like when you come into Haiti, my man is just like, yeah, you know, it's kind of crazy with barbecue. Kate G's like, no, that's my gang. You're straight, bro, you know what I'm saying. So barbecue fuck. 00:27:48 Speaker 4: With the people too. 00:27:49 Speaker 2: It's like with the people, shout out the barbecue. 00:27:52 Speaker 4: Man, you got to go to Haiti. 00:27:54 Speaker 2: Yeah, you know, it's not like we ain't smoked duck out there. 00:27:57 Speaker 3: No no, no, no, no no, but they got they got the best food. I ain't gonna lie. You just gotta make it to that motherfucking resort. You make it to the resort. It's amazing. And I'm sure there's a lot of beaches and people are super nice and it was amazing. But yeah, we went through some real ship just going to the club and Haiti. Like we went to the club and there's dudes who hang out outside of the club. They're like young, probably like eighteen, maybe like fourteen to twenty four, like, but they pressed us but with like love outside of the club. But it was but it was love. Check it out though, no, check it out. Check it out. Listen, I'm gonna tell you some real shit. So we get we get to the club. I walk in and give me that I got real love Fahaitians like more than probably any other nationality because I grew up with them. 00:28:43 Speaker 2: Blown. It is fucking real with me, right and so and so, I don't want to say. I don't want to side. 00:28:58 Speaker 3: Man, you know what's going on. So we walk into the club. As we walking in, there was meet me your millies. They had to drop on me. They're like your millies? 00:29:06 Speaker 2: What's up? 00:29:07 Speaker 4: Bro? 00:29:07 Speaker 2: Like I fuck with you? 00:29:07 Speaker 3: I'm like, yeah, fuck with you too. 00:29:10 Speaker 2: I go in to the club. 00:29:11 Speaker 3: Man, they blowing fire in the club like bad bitches. No, no bad bitches though, like bad bitch is dancing, blowing fire in the club, all type of crazy shit. The club is lit. Some DJ named Tony Mix, Tony Max, Tony Mix, one of them. He was like DJ Drama out there some shit like he was out this world. The club's so crazy. 00:29:30 Speaker 2: We walk out. 00:29:31 Speaker 3: The same kids who met us out there. Now he come and dap me again and he's talking. But how they talk, it's just real serious and aggressive. Anyways, So one of my men who I'm with he's like one because we had a lot of people deported from our city to there. So one of my men's grab him on his wrists. Once that happened, he looked at the dude grabbing his wrists and shit just started going sideways. So they're like, come on, males. They start rushing me, like into the car type ship shaking. 00:30:03 Speaker 2: See this is how I talk about the trip to Haiti. 00:30:06 Speaker 3: Kind of right, kind of mind. Let me set the stage. Let me set the stage. Let me set the stage. 00:30:12 Speaker 4: Though. 00:30:13 Speaker 3: We're out there. When we pulled up to the club, we was in twenty s u vs. Sticks. Every car got a stick in it. I'm feeling real sturdy. We parked in a in a little gravel parking area space at the time, there's no gate in front of it. So when we come out and we walk out and now they meet us for the second time, I'm showing him love. I'm telling people, no, I'm chopping with all of them. 00:30:39 Speaker 1: Right now. 00:30:41 Speaker 3: My man grabs him, shit goes left. Everyone's like, come on, come on. We start pushing to the parking lot. So we go into the parking lot. But now the parking lot I was in with no gate Now this shit got a whole steel gate. So now we're just in there and there was like this back door to get into the. 00:30:57 Speaker 2: Sticks. 00:30:58 Speaker 3: So we got sticks. We got stick in the car. But the problem is we only got we had we had we had twenty cars though, but each one went to a different place, so we only got we only got three cars. Now right now, all of the kids listen different now listen, now listen all of it, all, all of the kids. That was kind of pressing us out. I don't want to say pressing because I feel like they were showing love. 00:31:26 Speaker 2: I don't know, it's not my you know, it's crazy. They just even go to Haiti like just but it's love. 00:31:32 Speaker 4: Though. 00:31:32 Speaker 3: I move with gods, so it's good. Like but we walk into the getting in the parking lot, we get in the truck. I'm not I'm still not thinking nothing because I have seen so many people yelling at each other and creole and ship. I'm just like, this is some regular ship. I'm really looking at Instagram. Now I kind of look up. Man, it's people surrounding our truck like for real, and now they banging on the windows and ship like this. So I'm still I'm still thinking it's regular. I mean worse than I mean way worse than belly though you don't knocking on the car those little kids. Yeah, like this, I said, So I asked my man, my man is real, calm, shout out to Blaze, shout out to Blade. No, hey, hey, will Robs Hey, he's gone got some ship coming. But my man Blazes in the car is a very calm individual. And when he looked up and he said, what's going on, man, I said, oh ship, that's when everything just shot it For me. I'm like, oh, we're in a bad predicament. 00:32:30 Speaker 2: Right now for real. 00:32:32 Speaker 3: And now our driver, our driver. He's the one I thought was square. He's my Man's older brother. My Man Mango swerves older brother. I thought he was square the whole trip they had me and Haiti. Yeah, lie, if it was man, if I can't have people in Haiti, they can't have me though. But so my Man Mango Swerves brother, I always thought he was real, just squad hasting guy. But he's showing teeth like a like the wolves is dead and he's barking back at him like I'm telling you all, bro, but they're not scared of the guns. Bro, and and they and they relate it and them, and I tell him, I'm like, Yo, what are they saying to us? 00:33:14 Speaker 4: Bro? 00:33:14 Speaker 3: Just give me the basics of what they're saying. 00:33:16 Speaker 4: Bro. 00:33:16 Speaker 3: And he's like, Yo, they want six thousand dollars American for us to leave this parking lot. So I'm like, I'm like, damn, this kind of crazy. But I still I'll be having so much favor in God. Like I'm like, you see why I'm starting. But my yo, my my driver is still showing like aggression, Like Jude is still showing aggression to them. It's just a lot of aggression types. 00:33:38 Speaker 4: They wanted to six thousand because the way your man grabbed no Bro, it was. 00:33:42 Speaker 3: Just an extortion all kind of fucker O ship. This is our watch belly, y'all, y'all rappers from America. 00:33:50 Speaker 2: Kick up this, kick up this breech six thousand American. Like a nigga kidnapped. 00:33:55 Speaker 4: Yo. 00:33:55 Speaker 2: Imagine we go out. 00:33:56 Speaker 1: There, you got your jewelry or your jewelry, give us a million, two million dollars. Niggas are stuck like Chuck Boyce. 00:34:06 Speaker 4: So that what happened. So so we in there. 00:34:11 Speaker 3: Shit just keep going on. And then somebody with like a fake sort of swat vest, like you don't know if the police is the police or they cook it, whatever it is. Somebody with some sort of swat vest come in and he's like, hey, everybody, get out the this shit now. In that time, one of the people we was with in the car behind us run popped the gate, opened the gate. As soon as we open the gate, my driver just floored that shit. We almost hit some kids getting out of there, and he did about seven. He did about seventy and these is backstreets. He's doing like seven. You know, that's fast on like little backstreets that ain't lit. He did seventy. Back to the hotel, call Web. Once I passed that gun line with the security, I sat there. I'm like, oh, I ain't safe here, Like this is crazy. 00:34:59 Speaker 4: Yeah. 00:35:00 Speaker 2: The next day nobody. 00:35:03 Speaker 3: Now the next day. Now, the next day they tell me, yeah, people's getting their body snatched out here, like so people, And I'm like, what you mean, like they're getting their body snatched like people? Is uh, they're getting kidnapped out here, And I'm like kidnapped. This is some ship, Like I'm thinking, like just treacherous shit. But I'm not thinking kidnapped. So the next day, like I kind of play close to the hotel. Still we still we still had to go out though. But now I'm just sturdy, like I'm standing against cars and make because event could drop by and they could just take your body. I'm like one sixty five or some ship, you know what I mean. Like man, but uh, long story show up. By the time I got to the airport, I felt real blessed. But I'm glad I went out there, and I say that that's that's a yeah, that's a that's a dramatic story. To go nigga, that's a dramatic story. But there was a lot of love out there. Amazing food, was a lot of love. It's just you gotta move super sturdy and when they do fix it up because you know, American all them been robbing these motherfuckers for everything they've been keeping Haiti down because Haiti independently freed itself in eighteen o four. And then like why is there no eighteen o four movie though? With Tucson Preach, Saint Lauren and all of that. Tucson man, like you, yeah, this should be an eighteen o four just like this the ship with Russell Crowe Gladiator. Why why we can't see them killing nineteen million French people? That's too crazy. But that's why they try to hold Haiti down. But once, once the fucker he gets over with, Haiti's gonna rise back because there's no more beautiful beaches, beautiful women, beautiful amazing food. 00:36:40 Speaker 2: It's all set up for the wind. It's all set up for the wind. 00:36:43 Speaker 5: It's the matter you telling me something. You've never been there yet. Brother, I'm not let my man tell me that been there. You know what I'm saying. 00:36:49 Speaker 2: Tell what he got out of there is beautiful. He got out of the six If we went do fifty, what you think is gonna happen with us? 00:37:03 Speaker 4: When fifty we're. 00:37:03 Speaker 2: Gonna have fucking thousands. 00:37:07 Speaker 1: We went fifty fifty good me and you go there, dude, that's fifty in the kidnapped them. Now we went barbecue, getting barbecue. 00:37:20 Speaker 4: Yeah, I can't fuck with this day. 00:37:22 Speaker 3: Barbecue you meaning barbecue, love you, We love you. 00:37:28 Speaker 2: Mann. Niggas are crazy. 00:37:31 Speaker 1: They're not trying to Hey, I ain't gonna lie you tell that niggas six thousand the parkas. 00:37:35 Speaker 3: Bro I'm gonna keep it a buck. I call that Haitian power, bro. I really believe like Haitian's got a different type of power. You gotta understand. They overthrew the French army with like extracting poison from blower fishes and thinking and just having more heart and will power. Like I'm trying to tell you, bro something, and that's why. And when I pushed into the game that they. 00:37:57 Speaker 2: Was used to the army US. 00:38:00 Speaker 1: When they hit him, they hit him at like a certain kind of season where they knew they was gonna be fucked up in Haiti. Like Haitians both my parents made I never met like every Haitian I met. Its crazy like our parents is like we was trained like military as little don't go in the figuretta, you go to somebody else. Take h's off, you know what I mean. Curfew, curfew, my mom. 00:38:23 Speaker 3: Yeah, I pushed into the when I came into the game. 00:38:29 Speaker 4: We grew up. 00:38:30 Speaker 3: That's who the fuck I pushed in with because I grew up with all of th olds. So I'm pushing in with Dominicans and Haitians for real, Like, and that's what made my sh different. You know, It's never been a white boy in the history a rap to move around. I got Haitian power. 00:38:46 Speaker 1: To ship back in the days when niggas were getting like gum bees and like parts and all that ship. No no, no, like you know, like you can get a hook though half loon, you can get this ship. 00:38:57 Speaker 2: We couldn't have no fun friends over no friends. Don't say. 00:39:04 Speaker 1: Everything was strict because Haitians they'll give you tough love. 00:39:08 Speaker 2: So my mom's way of love was not I love you. I'm going to what that's it. Nigga used to joke on me. Beans and rice every day, chicken yo, beans and rice every day. 00:39:20 Speaker 1: You know what I'm saying. But nigga, we had a strict lifestyle. We got in trouble. It was all hell break loose. 00:39:26 Speaker 2: It's a drug deal. Every Haitian parent wants you to be a doctor, nigga, doctor lawyer. Niggas was drunk, y'all. 00:39:34 Speaker 4: Niggas is street nigga, y'all. Niggas ain't no doctors, man, y'all. 00:39:38 Speaker 2: Niggas don't look like no parents. 00:39:39 Speaker 3: You know, I ain't gonna lie my man. We don't look like we're from the We're from the same street. And I love I love his mom's to death. She was so strict when I was, I was scared of her. I'm like, man, I want no problems God. 00:39:52 Speaker 2: And everybody crib got raided. It's sat out. My mama love sat because I couldn't have company, niggas. Everyone crib got raided. My man around the corner. Crib got raided. You know his crib never get nigga. My mom's no company, no comany of my punch. They know what I'm saying. The word. 00:40:18 Speaker 3: I learned all the curse if I if I was smart, I would have learned like the real I learned all the curse words and ship, so I know. I tell the motherfucker like, man, you know what I mean? Jeu my cock, motherfucking suit said lamb. Where I know all? I know all the worst ship to say. 00:40:34 Speaker 4: Yeah, he no more fail than you. 00:40:35 Speaker 2: Somebody he might do he do? 00:40:37 Speaker 4: Yeah he do he do. I wouldn't hear you say something right now? 00:40:40 Speaker 2: Cock ship cock ship you piece of ship? What he just said, call your pieces? 00:40:46 Speaker 4: And he called me. 00:40:48 Speaker 3: I know the curses because my mom just to curse me out the curse. 00:40:55 Speaker 1: Before rang with the Zoe's. I told you our parents never told us, I love you. They go to work and that ship. Niggas not parents, Haitian parents are gonna tell you they love. It's just like Jamaicans like that Haitians and we from queens. So that's all I came up with is around Jamaicans Haitians Guyannese. Well that was my like every I knew niggas that tough Guyanese niggas, tough trining niggas, don't Haitian niggas. You know what I'm saying. Tough Jamaican niggas. Niggas pull out them old school knobs that flip around. 00:41:27 Speaker 2: And ship like back in the day, butterfly like some ship that with a little hend on it. Niggas all drop wild. 00:41:36 Speaker 4: Man. 00:41:36 Speaker 2: You know that Jamaicans had the weed spots, don't luck. 00:41:41 Speaker 4: But want some more drinks. 00:41:42 Speaker 5: So this so this, so this project you got dropping who you got on it with some of the feet all. Do you got any features on this project? 00:41:48 Speaker 4: Yeah? 00:41:48 Speaker 3: I got my mayor, Richie Rose. I got him on a big song on and and then I got a Honcho, you know Honcho super stamps. 00:41:58 Speaker 2: With the girls. 00:41:59 Speaker 3: That's helping my record go up with the with the you know bad bench community. 00:42:04 Speaker 4: Okay, okay, we need you to show Yeah, we need you to pull up over here. Man is lit. 00:42:14 Speaker 2: Man, if we're working, consistency is the key. And you know we got people like you on the show. Man. 00:42:20 Speaker 3: Yeah, I gotta go to Morocco with you though, man, smoke duck. 00:42:23 Speaker 2: Yeah, what's your favorite spot overseas? 00:42:27 Speaker 3: I see the ship you be saying is real extravagant. I don't think I reached that level. Like I'm trying. I'm trying to think like London, Paris is cool, Paris a little boogie. 00:42:38 Speaker 2: And ship and see the Mona Lisa, you know ship like that? 00:42:43 Speaker 3: No, I would, but I don't know who I got. I gotta get the plug for thats the loop. 00:42:48 Speaker 2: No, you can just go to the loop security. 00:42:52 Speaker 3: I'm gonna go to loot one day. But I like like self. I like like d R and SHIP. I like to go to d R and go to Lakapi. 00:43:00 Speaker 4: THI, man, we know what's going on in d but I go there. 00:43:03 Speaker 3: I'm going to DR a different way. Man, I'm tapping in like you know, we got many d R and mass. You ever heard of Lawrence? 00:43:10 Speaker 4: No? 00:43:11 Speaker 2: You heard a Lawrence in DR? 00:43:14 Speaker 4: No? 00:43:15 Speaker 3: It's many dr in Massachusetts, but it's the town. It's all Dominicans type ship like it's a city in mass all Dominicans. 00:43:23 Speaker 4: Though. 00:43:23 Speaker 3: So, how y'all got the Washington Heights Okay, dykeman and ship like that? We got that in a major, major, major, major, major way. So when I go to La Copi chald they already know me because you know, we just tapped in from so many people coming back and forth from Boston and. 00:43:40 Speaker 2: Shit, so so you be knowing the Spanish music too, niggas. 00:43:44 Speaker 3: I love a little bit. I got to spend the song with TV guns and ship, but yeah, you know, I fucked with some of the dimbo and ship like that. 00:43:53 Speaker 2: How the Cape Verdians get to Boston always wanted. 00:43:55 Speaker 3: That, I don't know. I don't know. I think like nine percent of them. They got black sand beaches. 00:44:01 Speaker 2: I heard Kate Verdie. 00:44:03 Speaker 3: Yeah, black sand beaches. They got Katrooper. You know what Katrooper is? What's that's that's like their famous dish and ship. I don't want to get it wrong. 00:44:13 Speaker 2: He got cap Verdian girlfriends, you know about all that? 00:44:16 Speaker 3: Definitely, I definitely had Kate Verdie and girlfriends for sure. 00:44:19 Speaker 1: Because y'all know, y'all used to the Kate Verdian women out there. That's one thing y'all got. 00:44:23 Speaker 4: It's just a. 00:44:24 Speaker 2: Mixture, you know a lot. 00:44:25 Speaker 3: They're like a national treasure. When I move around with everybody telling me rappers, basketball player, y'all got Kate Verdi and women. 00:44:31 Speaker 1: No, because Kate Verdi. I always knew Boston for that, Like you you, they have beautiful women. We used to go on the Mix state tours and they'd be like, oh see, we're from kate Verdier and I'm like, I'm like, with's Cape Verdier And they be like Africa, so you know seev right, So you'd be like, damn, chicks is bad. So I always wondered, like why everybody in Boston is Kate Verdian because we don't have We don't have too much Kate Verdians in New York. 00:44:53 Speaker 3: I think we got nations. We got we got ninety ninety percent of the population. If I'm not, if I'm not, you know one of them, shiit eighty ninety. It came to Massachusetts and Rhode Island, like Providence and all that. 00:45:05 Speaker 2: Like I never met a girl from New York from from Cape Verdie me neither. 00:45:11 Speaker 5: So you said you got a project with a yeah when you when you're gonna when y'all dropping. I know the street's gonna be looking forward to that summertime we don't put. 00:45:17 Speaker 3: That yeah, yeah, yeah, we're gonna try to get it. He got he got me boring off, he got me boring off. So okay, I'm gonna do that and I'm gonna drop again. Continue to drop, man, that's the name of the game with this ship for me, like this volume, man, I gotta just drop, drop, drop, And one of the ships that it hurts you as an artist is feeling like, damn, this is a song that should blow up. You're gonna drop about ten of them and be like, then what happened? Nothing happened with it? That was my baby, you know what I mean. But you gotta just keep going. And I look at my mind like a factory in Columbia, peruvial where they make the cocaine and ship like I got an unlimited amount of this ship in my mind. So I usually, like, you know, in that manner. 00:45:55 Speaker 5: You feel like that, I know, you feel like a record posted dude like Bigger, like he's supposed to do more numbers. 00:46:03 Speaker 3: Yeah, I sick a fuck you up. That's a fucking confidence up for real. But I feel like it's just the key to just keep dropping and look at it like I can make a million of these, like that's not my best, So you can never look at it like fall in love with the record. Yeah, you don't fall in love with the record like that. 00:46:16 Speaker 4: I think. 00:46:17 Speaker 2: I think artists don't know what the hit is. 00:46:20 Speaker 3: You don't. 00:46:20 Speaker 2: You just it's just gonna come to you naturally. 00:46:22 Speaker 3: It just comes, and the people going to tell you what's to hit too. 00:46:25 Speaker 2: To you never know what the h is in your mind. It could be your favorite exactly. 00:46:30 Speaker 3: I had to try to learn to separate myself from that because one of my distro deals was a way bigger deal and we blew like seventy five thousand on this record that I like, in my mind, I was like, this shit record and that record is not even in my top one hundred stream songs and I blew seventy five thousand on it, So that was your face. Yeah, Then the record that I put nothing on a million times better than that, So it's like, yeah, you can't really fall in love with the records an artist with. 00:47:00 Speaker 5: That tort you though right there, Like, damn, I put all this money behind this record. It ain't do too much but record that I just ain't really even have to put that much. 00:47:09 Speaker 3: Yeah, that's that's why I'm looking now for like the organic reactions, like what goes like organically, That's the only way I'm gonna spend money. I gotta put this ship out now, see what what's people fucking with? And then put put it back on. 00:47:21 Speaker 4: I mean, this went okay, this one is grabbing the people attention. 00:47:24 Speaker 3: Yeah, like even re SACas we put it out. But at the same time I was putting out man other ship, that was the one that went. If I knew, like I knew, now how to you know what I mean, really try to put a bag on it? Because it just went natural. 00:47:34 Speaker 2: I think you never know what's gonna be the record though, you don't. You just don't know. 00:47:40 Speaker 4: This guy helped fifty pick many man. Fifty ain't even like he hated that record. 00:47:44 Speaker 2: Impossible tool Now you're serious to. 00:47:49 Speaker 4: Slow damn Well, I'm like it was too slow. 00:47:53 Speaker 1: I mean the record was done already, so but he just didn't like the record like that, and I'm like, you're fucking and that that record? 00:47:59 Speaker 3: Is it? Yeah, that's one of these means. 00:48:01 Speaker 1: You know, that's why a lot of people sleep on fifty. But I'm like, if we go back Ge and the mixtape, we'll kill everybody. 00:48:09 Speaker 3: You know, man to talk all that shit, like nah, one hundred percent, one hundred percent. 00:48:14 Speaker 2: Shot of getting shot talking that ship. 00:48:16 Speaker 3: Now that tvds in the CDs, I used to be so inspired. 00:48:20 Speaker 1: Always nobody's ever holding you down if you got the pistol too, Like, if we all three got the pistol, who's holding who down? 00:48:29 Speaker 2: If I ain't got the pistol? Yeah, you holding me down because I ain't got it? 00:48:33 Speaker 3: Give it you just around you are? 00:48:34 Speaker 1: Actually everybody got the pistol. Ain't nobody holding fifty down? So niggas like I was holding him down? How are you holding somebody down that got the pistol too. 00:48:43 Speaker 3: I'm gonna keep it a buck, that's the thing. And rap though. I feel like dudes get around and then they be feeling like they might hang around you for three or whatever it is, three months, three years and feel in their mind like I was protecting you, bro, if you never did nothing actively to protect me though, like you like, nothing happened. What the fuck was you optical security? You don't like you know what I mean? You you stood there and looked tough, Bro, I could contract not the average guy outside is looking tough right now, and I could have brought him with me for that, Like you ain't protect me or push the line for this ship. And that's why I had to Really, That's why I be with all girls too now man, because they're not going to be like Millis. I was protecting you know what I mean? It was me feeling and titled because they came around and yeah, I was in them spots and we m up. But I go out every night and day and risk my life. So what happened all the other times I made it through was you protecting me in spirit? 00:49:38 Speaker 2: Then you hate me on the whim. I know you go everywhere you do. 00:49:43 Speaker 4: So how so dealing with there we in social media? Ever? Now? 00:49:48 Speaker 5: How you deal with the hate that the negative comments? Like we were just talking earlier niggas. 00:49:53 Speaker 2: Nigga Billion Red he told on his brother, how. 00:49:56 Speaker 4: You deal with that? Ship? 00:49:57 Speaker 5: Man? 00:49:58 Speaker 3: That was the first time I have seen some proper again, I said, Oh, I got proper ganda pages about me. 00:50:02 Speaker 4: I'm doing good. 00:50:03 Speaker 3: I'm successful, you know what I mean. But I think now when I when I make a post, if I don't see no hate under the post, I'm like, oh, this post ain't about to do nothing. If it's just if it's just all fire emojis, I'm like, chalk this one up. It's not gonna do nothing. You need that hate because the hate drives the algorithm type shit. So you want to keep a balance, though you don't just want to just do some of motherfuckers just jump out there to look at it like. 00:50:26 Speaker 1: This, guys, right, instead of the hater is the people will hate on me and you, and instead of them being the street taking lives or selling drugs, they can hate on us and make ten fifteen grand in a month. 00:50:38 Speaker 2: We not mad at you, Yeah, everybody. That's how you got to look at it. 00:50:42 Speaker 1: A person is making money off your likeness because once you sign that line, you are public property. 00:50:50 Speaker 2: Yeah, sign that deal, Yo'm uncle. 00:50:52 Speaker 3: Murder as soon as soon as you put out a song. 00:50:55 Speaker 2: Property And Nigga could say what he want to say or make up any story. 00:50:58 Speaker 3: But that's why I say that, That's why certain people be scared of success and they won't pop out because they scared to deal with you know, shit like that. But you can't have one without the other. This is life. Yeah. Yeah, people terrify to post a picture sometimes, you know what I mean. So it's like, shit, man, I'm putting myself out there, like, of course, everybody's not supposed to like this shit. I wouldn't expect you to like this shit if you haven't lived my life or walked in my shoes or been through none of my experiences. Like what have you been through that qualifies you to like me? Anyway? That's how I feel, you know, as far as when it comes to the music, like you're not supposed to get it, it's not for you. For the people who don't get it, you know, That's why it's different type of motherfuckers in the world. 00:51:42 Speaker 1: I think balls are always going to be relevant with guys like you J Cole, you know what I'm saying. 00:51:46 Speaker 2: The list goes on and on. Thinks like, I think. 00:51:49 Speaker 1: Balls is gonna always be relevant because niggas want to hit balls niggas. Sometimes it's like microwave music. Sometimes niggas is out of it because you gotta think all the classic music. It's really old head niggas right now. Niggas that's touring fifty could do Live Nation one hundred and three dates. J could do Yankee Stadium, he could do dates on all the old niggas could still tour. Eminem could pop out right now and get ten millions. 00:52:17 Speaker 3: Just to chill, yo, what's up with the free Ao shirts? 00:52:20 Speaker 2: I get him back popping mess. 00:52:24 Speaker 3: You know why that's so hard to because that that that wasn't that was like Eminem such a rabbit. I said, damn there a double entantra because it was free Ao. But then the also just be taking his life. 00:52:35 Speaker 4: Believe Yeah, you know what I'm saying. 00:52:37 Speaker 3: Free Ao in free Yo, and we got free Yo. Because we're pumping this ship out right now. 00:52:42 Speaker 4: Nobody listen. 00:52:43 Speaker 1: And that's why nobody could ever say something bad about Eminem, not only because of that, because I feel like he's one of the best in seeds of all time. 00:52:51 Speaker 3: Of course that's my goal, and I feel like genuine and. 00:52:54 Speaker 2: Signing with Eminem and Doctor Dre was the best. 00:52:57 Speaker 3: Bro. Y'all, don't under you don't understand how that shit fell. As a kid watching that ship and M's like and was the only relatable, like super relatable rapper to me because I'm like, he says shit like you can't miss me, I'm blind, blue, I'm blind, I'm blind here and blue eyes on my noses pointy. He was saying, I'm like, oh, that's me right there, like you know what I'm saying, like like, and he was talking that ship for and he was showing the crazy side of white people and I was jacking it, and you know, he was such a lyricist. And then I'm listening to fifty. I'm so in tune with the mixtapte, but I'm in tune power of a dollar. I'm in tune with all that shit. So when them shit's merged. You know, this was before social media. You could do a post like how Yo got he signed his artist with wild money on the thing. There wasn't nothing to really confirm it. It was a real rumor. And then I heard that I don't think I won't hit you because I'm popular, I gotta do And I said, oh, he's really It sounds like it's stamped. And then it was like levels to know and that shit was really stamped. And once it was stamped, I was like, damn, this is like my favorite rapper and my favorite rapper going crazy easy. And I never seen no ship like that in hip hop except maybe y'all Knowthern're gonna lie because em is a juggernaut bro Am like am like the Celtics with Bill Russell when they won eleven in a row. 00:54:13 Speaker 1: Let me tell you ill, it's experienced in life. The tours I've been on, like because I'm the book will come soon, y'all, It's gonna be amazing. 00:54:25 Speaker 2: Look my life like being on Anger. 00:54:28 Speaker 1: Management Tour with m and his proms crazy fifty in his proms crazy not arena stadiums, crazy Lions Stadium, this stadium like Detroit Stadium. Like that was a movie twenty tour. Bunches. 00:54:42 Speaker 3: Wait, so when y'all did that? Get rid of that? 00:54:44 Speaker 2: Tryan was out, get rich. 00:54:46 Speaker 3: This ship was full. 00:54:47 Speaker 2: This ship was full. 00:54:48 Speaker 3: Flight that mom, I've been patiently waiting for it. That was out at the time. 00:54:52 Speaker 2: Everything was that it was a movie. 00:54:54 Speaker 1: Inger Management Tour was crazy with eminem bro Man tour. Buses went in everywhere. It was no it was stadiums sick. I remember fucking was it? Did half fall through it? 00:55:07 Speaker 2: I remember you know, because you know the state this was stadiums Arenas is crazy. 00:55:11 Speaker 1: The stage was so big. I think, I think Havoc. They was performing in Detroit Stadium, and I say it was crazy. You know how I got the drop box? That nigga, motherfucking Havoc just fell through that. See my life flying through the paper box. Nigga fell through that, Yo, Where that nigga go? 00:55:26 Speaker 2: Where the nigga go? 00:55:27 Speaker 1: He fell in the ship, the box, the drop box. You know they be telling you to watch that. That tour right there was the illess tour in my life. 00:55:35 Speaker 3: To be on tour my lifetime. 00:55:37 Speaker 4: Where did nigga go? 00:55:39 Speaker 1: You know, Eminem's like eminem moved like the president, like nigga, eminem wan tacos. 00:55:43 Speaker 2: That shit going to ten different niggas, Eminem wan tacos. And then one time you was there. He was there when he laid that nigga moved like the president. 00:55:51 Speaker 3: You was there when he laid all the shady records, was eighty seconds away from the time. 00:55:55 Speaker 1: Yeah, you gotta understand my experiences. That's why people like, Yo, why do you talk about these niggas because this ship for me? Fuck money, Fuck Jerry fuck them. Experience is being in a studio with Doctor Dre for the first time, being in the studio with Eminem for the first time, niggas signing the deal, fifty on the phone. That's when Christal was popping ristablish popping million dollars. I'm like, shait something, Eminem. 00:56:22 Speaker 2: Shit is crazy, Eminem, and then niggas. 00:56:25 Speaker 1: We just had a lot of hate because why m was white, so motherfuckers was hating on him like this was Mike motherfucker winning. 00:56:31 Speaker 2: He had balls. See Eminem got. 00:56:32 Speaker 3: My feet Like at the time, I ain't even here that hate though, Like it was so it was so much motion. 00:56:38 Speaker 2: It was it was hate coming from certain areas. 00:56:40 Speaker 3: But you think about social media wasn't around like that either, So I felt like he was just having that. 00:56:46 Speaker 1: I never thought fifty would say, Yo somen with Eminem and Doctor Dre bro best thing ever, best time of my life. I'm talking about being on buildings eating lunch with Jimmy, I being to being in the studio Hennessy Matt Bud with doctor I'm like it's n w A. I'm like, oh, she's con Doctor Dre like niggas and he's playing in the club he's playing p I M P. Youre going to fucking Eminem studios, Separate studios because Eminem sometimes he'll be in his own zone, like he being his ship. We in another shit and he'd be like, Yo, top fifty, somebody interclm in sometimes come here or go over there, you know what I mean. He'll be in his own zone. Eminem type of nigga twenty instruments. He's a professionist to the key. People don't understand. They just think rapping. He's a producer too, right. Niggas said, these are the steps from Poltageist and Mini men. I'm like you, those are the steps and poltargeyst and some shit like how you know what movie the sounds and the steps is. 00:57:43 Speaker 2: It gets deepen in when you get a studio with them. Niggas, they like mad scientists. It ain't no yo put the beat on. 00:57:50 Speaker 1: Nah, it's mad thought going into the shit like every album is like a movie. That's what Dre and m may get rich. Start trying a super fucking class. See, I don't know why t J self itself. You're an idiot, you know, I don't know. I don't know you too but you're an idiot. DJ Selff don't know what we're gonna get him on show, said two two things? 00:58:17 Speaker 2: What two things? Self said. 00:58:22 Speaker 1: Ice CB was better than the Os Never is he bugging? I told you he's from that's a different Then he said, look, then he said ice Cube was better than Biggie. He's from New York and Brooklyn. 00:58:39 Speaker 3: So I'm tripping, like, well, Biggie's Biggie's the greatest rapper of all time rapper. I'm not saying rap artists. To me, Tupac the best rap artist, but Biggie is the greatest rapper. You gotta think most of Biggie's ellis bars. He was saying words that didn't exist, like but it's just flying over your head because it's Chris must missed us. Chris must not a word frown. I'm at the opera. Franklin's on top of the what his opera, but he just he's taking shit. He's so surgical with his ship. He's just getting big, just getting in his voice like instrument. BIG's the best ever bro. 00:59:12 Speaker 2: Big set a couple of poles, lines and niggas. 00:59:14 Speaker 1: Yeah yeah, yeah. 00:59:16 Speaker 2: Try to use that against him, just for that. 00:59:20 Speaker 1: But what I'm saying is when you when you here today's agenda, got the suitcase up in the central go to room one twelve. That is one of the hip hop sang best stories ever told with Nigga. 00:59:31 Speaker 3: Gotta understand even in that story, he went into giving you character development like a novel. Wood on Arizona, wrong from Tucson, and he pushed the black Yukon and he had he done, told you he from Arizona. He pushed the black u go on. He played his slow grooves, he caught a body throat, then he got back with the toast beat. It took at the child beat it now you feel the undefeated. He means it nothing to lose, tattooed around his gun wound, everything to gain embedded in his brain. And me, I feel the same for this paper of dying, even if, especially if my daughter crying. I know the sign you can't physically rap better than Big in life is that he is the bar and there's no bar over it. 01:00:14 Speaker 1: To me, you remember when he had that freestyle. Remember when he had the freestyle and the beach was changing. I can't find it nowhere, but that's one of you know what I'm talking about when he just when he talking about him in the hospital, I think he had won of snoops beach on you. 01:00:28 Speaker 5: I know he's talking about man the West Coast, So come on, brod on the West Coast. 01:00:34 Speaker 2: Come on bro. 01:00:35 Speaker 1: That's when going to Hot ninety seven was like going to Hot ninety seven. That's like when May said bounce tou la blowing red pla like them them. 01:00:44 Speaker 3: They gonna lie. Mace was dumb nice. 01:00:45 Speaker 4: Time was very. 01:00:47 Speaker 3: Slept on Mace. 01:00:50 Speaker 2: He come on, niggas know what Mace do. Mace. 01:00:53 Speaker 3: Mace was dumb nice. 01:00:55 Speaker 2: That was my favorite freestyle. Stu La La. That was I think it was a Hot seven classic moments, nigga. 01:01:03 Speaker 4: That's a fact. 01:01:04 Speaker 2: That's what every rapper wanted to do. 01:01:05 Speaker 1: Like for me, that was like going to flex, because how you feel when you get your first time up to flex and shit like that. 01:01:13 Speaker 3: Like that was now I was. I was like, I went to flex the first time. That's when I learned about you know, how they could, uh how they call it freeze the shooter like in a basketball game, like if you got two five shots and they'll call the time out during the same one. So I got up there and I sat in the lobby for like five hours. It's when I really kicked it with Crack and was able to talk with Cracking. He's telling me mad stories. Listen, I stopped I started forgetting about the ship him out to rap like you know, I stopped focusing because I'm like, man, this hip hop history right here. Then I walked to the door. I see Corey Guns in there, just black and going crazy. And now I'm like, I've been drinking motherfucking Duce Savor four hours and a lot. So now I get in there. You know, Flex ain't too like personable sometime when you talk to him and ship like, he's cool, but he's like, you know a little to prove yourself. Yeah, you got to prove yourself. So now I'm like, damn, I'm trying to remember what the fun. That was one of the harder joints to get through, but you know, I caught it and that ship they're real good for me. So but yeah, I like that ship, though I missed the adrenaline and rap like where it's like, yo, go and prove your fucking nice on the spot, you know what I mean. I cut that recently with like the cons and not ship only because it's a live stream like that ship live in front of the world. If you stumble, it's not no do over, No, this is right here and they're looking at. 01:02:32 Speaker 2: You like Flex was live. Flex was live, but we think about that. 01:02:37 Speaker 4: You had to show him prove right there on the spot. No editing, none of that. 01:02:43 Speaker 2: Listen my funk free styff. You don't know about it. Check that. 01:02:47 Speaker 3: We gotta pull that up, you know, but that was the man that. 01:02:54 Speaker 2: One right there. 01:02:55 Speaker 1: Even Flex knew what time it was, like I don't know, like I know now they got on the radar, but it seems like on the radars more laid back and people are playing like that, like frush. 01:03:04 Speaker 3: Shake the steaks is high. 01:03:05 Speaker 2: Flex, I know, it's like Flex, I don't know. 01:03:08 Speaker 1: You know, it's like the night before Nigga, you gotta do Flex Nigga. Nigga was thinking about all his balls, like yeah, you gotta lock in. 01:03:16 Speaker 2: I'm do Yeah, I'm up there with Banks fifty. The niggas got balls. 01:03:20 Speaker 3: But that's that's missing from the game. 01:03:22 Speaker 2: Now I got it ready, Like that ship is a different kind of adrenaline rush for me. That's how you don't know if on the radar. 01:03:29 Speaker 1: They feel like same adrenaline rush because it's like niggas is like singing. Some niggas are just chilling and some niggas ain't saying ship on it just up. 01:03:37 Speaker 3: Yeah, I said, it's a dif adrenaline rust. I know exactly what you know what I mean that energy, that adrenaline rush A should come with like cosmic cav l A League or all of those. That's what I wanted to do. When I first got in this ship, I was like, Yo, let me check all the bases so just in case anybody got me fucked up. Let me go to Sway multiple times. Let me go to fleg Sway too. 01:04:01 Speaker 4: If you if you. 01:04:04 Speaker 3: Sweat, I ain't gonna lie. Sway as one of the realist people ever. We all we came in there and we was double booked with the Jonas Brothers. Was booked for Jonas Brothers. Right, they're the biggest group in the world. They and then they got the entourage, like forty person entourage. They doing some ship with like GQ or some ship and and Sway was like, Yo, I'm about to walk to the bathroom, Yo, don't move. We in the hallway waiting to get into the room. He's like, yo, don't move. Don't let none of them move y'all from this spot. So as soon as Sway spin off, some people from Jonas Brothers, record label or whatever, they're like, can y'all watch out because Vogue is about to come through here and do them. So I don't want to cause no problem in the building. We walked back and ship Sway came back. He saw us, he said, y'all moved. We're like, yeah, well, you know the people, yo, He's spased on all of them, bro, He spased on all of them. He said, YO, don't ever ever ever treat one of your guests more special than my guests in life. Matter of fact, you don't even be in this building like your swayed black on him. And then we just did an interview and he was like, see the Jonas Brothers watched this, saluted the Jonas Brothers. He was like, see they love me. All these people around these people, there's nobody, bro, don't never disrespect hip hop. Swayed blitzed on the whole Sway just Sway blitzed on the Jonas Brothers staff, faculty, and record label as a motherfucking crew sway blitzed on it. 01:05:28 Speaker 2: You know he don't play. 01:05:33 Speaker 5: Actually let me, but I ain't gonna let me host his show. A couple of times when he don't be there, he let me host his show for look the. 01:05:40 Speaker 1: Thing, man, This is the thing I was gonna say about Hogh ninety seven because like you had jay Z free style on there, oh Nahs, Biggie like Mace, like everybody freestyle on there. So flex was like, I remember we went up there something that should just be a whole I know what you're saying. All them ships comes with Kevin all that dropping niggas from love like he said, it's love. 01:06:09 Speaker 3: It ain't no y'all get hardh criticism in New York, like New York, New York place, like if you your block is going to be outside the next day like trash crash man. 01:06:20 Speaker 4: You know what I mean? 01:06:21 Speaker 1: Remember because because people you know, they're New York, New York been super grimmy for a long time, like come on Shot nine seven, that ship from Hot nine seven and Shot nine. 01:06:30 Speaker 2: Seven man shot mm hmm. He was always wrong team bumping to each other back then shootout. 01:06:40 Speaker 3: That's crazy for me now thinking about how like Manhattan is now. 01:06:43 Speaker 2: And Ship Niggas, it's a lot of cameras now. 01:06:47 Speaker 3: After nine eleven and all that, it's a lot of cameras. 01:06:52 Speaker 2: Numerous shootouts in front of how they moved the building. 01:06:55 Speaker 1: But to be at nine seven, like Summer Gym and all that, even Summer Man like that ship, it's still what it is. 01:07:04 Speaker 2: I love what they're doing. But like I came up to me, I came up in the hip hop game and nostalgic times. That's how I feel was stylish, you know what I mean? 01:07:15 Speaker 1: Like Fifth had high to rob like like it was just a whole bunch of ship nostalgic times. Going into the nineties to the early two thousands, that ship was nostalgic. 01:07:24 Speaker 2: You had big pun like remember when Big Punk this. 01:07:27 Speaker 1: Fifty, That ship was fire like, like damn a big punk this you from shit crazy. 01:07:34 Speaker 2: Jane. This ship Niggas was just hype because me Niggas was something work. So they work. We're like, damn this ship fight work. It's Fifth for marketing genius. Yeah, no, it's letting you know what I mean. 01:07:47 Speaker 3: I'm just gonna start with every ship was Liker. Ship was going crazy on them DVDs that was the first ship, right it ain't still yeah talking crazy wash with him in France that you heard me your Yeah, I'm a friend. 01:08:01 Speaker 5: He was talking about like I need to make this, I need I need this video, man, shut out the first DVD ever was crazy back then. Man, I ain't gonna lie. 01:08:10 Speaker 2: Listen Brooklyn, Chris, Chris Lighty. You gotta understand that's about Brooklyn niggas. 01:08:16 Speaker 1: Brooklyn niggas gonna make a way Chris Lighty from Brooklyn, noll. 01:08:21 Speaker 2: I think the Bronx just from the Bronx b X. 01:08:24 Speaker 1: What I'm saying is like murder murders a nigga, Like I couldn't believe that he was managed by Chris Lighty, rest in peace, Like I don't know how he made that move happen because Chris Lighty. 01:08:33 Speaker 2: Had you know, he had fucking Diddy. Yeah he's hot. Yeah, murder Murder Street Niggas. 01:08:40 Speaker 1: Fifty But like me, we was there because the fifth you Connor was there like like making moves. 01:08:46 Speaker 5: How you know it's crazy because shut out the Mike Lighty, his brother Mike like that actually shut out the cut mans to see to rest in peace master, see you no yo, man mister to see you alive. 01:09:05 Speaker 4: I keep here. 01:09:06 Speaker 2: So he was. 01:09:07 Speaker 4: He was cool with Mike Lighty at the time. 01:09:09 Speaker 2: You didn't say cut master see. 01:09:11 Speaker 4: I said cut Master see and you said no. 01:09:14 Speaker 1: But mister mister But I think mister C mister but I think mister C was called cut master see too. 01:09:21 Speaker 4: But I don't think miss never called cut master. 01:09:24 Speaker 2: I think the big Daddy came. 01:09:25 Speaker 4: We have to look look, have to look at you. 01:09:27 Speaker 2: I know my hip hop. I don't know how far you go back. You call the young the eighties, I don't know. 01:09:32 Speaker 3: I know mister C though. 01:09:35 Speaker 2: Cut master the Queen. 01:09:37 Speaker 5: But cut Master Sea used to be working with Mike Lighty and that was Chris Lighty's younger brother, and he used to be always filling my music. So one time he worked at Ballator. So he just had me up at Ballater and I'm just up in there. This is a little while after the office that got shut up vallet of the office that. 01:09:55 Speaker 4: Got shut up here. 01:09:56 Speaker 5: So I'm just walking round in there, and I got my hammer, my gun, and I'm just walking around to everybody's office. I'm popping my head and everybody office in there. Combs up there with Chris Lightdy and I got my music comes up in there, pop my head. 01:10:06 Speaker 4: What you do? What you do? What you do? And you think I'm playing Chris Lighty, God blessed. He just and he's standing up in his office. 01:10:13 Speaker 5: He's just standing up in the hallway and he watching me pop in and out of everybody office. 01:10:17 Speaker 4: Right. So when I get the almost by where he was, he was like, yo, man, who you? Oh yeah, my name is Murdy Man. Who you? He said, I'm Chris Lighty Man, this is my office. Man, What are you doing? 01:10:30 Speaker 5: I saw I got some music man, you know, and I'm just trying to get my money to up. I'm sitting here with Mike Lightdy man. I trust I got that sick Chris. You know what I'm saying, Like, oh you Chris Lighty or I got that sick Chris. 01:10:41 Speaker 4: You hear me? 01:10:41 Speaker 5: Yo, I'm just letting everybody here know I'm that nigga man worried. I know your office got shut up and all that shit. Yo, I'm a shooter too, you know what I'm saying. I sold him my gun. I'm like, Yo, I'm like, you know, I'm official Chris World worried up. He was like I'm gonna tell you you got the music. He said, yeah, look the way you talking. He said, let me tell you something right now, man, I'm gonna listen to your CD mm hmm. If I give you a call tomorrow, that means I like your music. If I don't, I don't want to see you at my office no more. I was like, I said, well, you're gonna call me, nigga. You know what I'm saying. The music get real talk. He called the next day, and then from there I was just I was violated, And that's how I got the Mike. 01:11:20 Speaker 2: Like they have the Dream Team, you had Chris Lighty, af Mike Lady, you had. 01:11:26 Speaker 3: Ho ted you up fast. 01:11:30 Speaker 4: You know what it was, Chris. 01:11:31 Speaker 5: But with Chris Lighty, it was so easy to the labels and get the meetings. And I already had like a street buzz at this time. So with Chris Lighty it was just easy. It was it was easy to set up the meetings. And we're going to see epic this day. We're going to see this one. We're going to see this one. The crazy thing about it is, at the time, I think Sylvia wrong was pop. I forgot who she was with but she offered us the most money at the time, but we just wanted so many options that we wound up doing the deal with jay Z. 01:11:58 Speaker 4: With Chris Lighty, but yeah, he just made it easier. But Chris Lighty everything was easier. 01:12:02 Speaker 1: And then you gotta think when you look at Violator, right, you got the dream team. You got Chris Lighty, Mike Lighty, you got claud Dean, you got Mona Scott that started loving hip hop. 01:12:16 Speaker 2: You got James Cruise, and. 01:12:20 Speaker 5: Then you had a relationship with Leo Cohen too, Like it was like Leo Cohen was like his his plug to him and Leo. 01:12:25 Speaker 2: James Crue look and James Cruise and me and DC's wife. She was the Yean dy Yandy was there, had the crazy roster. I forgot what's the short black dude, my man bugger ry man. I don't want to my man. He was there. They just had a dream team over there. So they had over there. 01:12:44 Speaker 1: They had Kate Slady, they had fifty, they had Diddy like they was like three hundred before three hundred, you know what I'm saying. 01:12:51 Speaker 2: Rest of the Peace. 01:12:52 Speaker 1: Chris Lighty and then Mike Lightdy was on the road with us, like that ship was dope going over there. They had freeway and all them signed to them. 01:12:59 Speaker 2: Yeah, yo, he had Yo, he had everybody, remember. 01:13:06 Speaker 4: Busting everybody. 01:13:07 Speaker 2: Everybody shipped over there. So it used to be crazy just going to the office. 01:13:12 Speaker 3: Y'all used to like in them days. I still well, I'll still go with the outfit two three days, especially if finding getting my burn out of it. But was y'all able to y'all didn't have to change up clothes as much back in the day because it wasn't. 01:13:25 Speaker 4: A picture every day that social media nowadays. 01:13:29 Speaker 3: Now, if you had a good day outside, your ship is finished after that. I was wondering about that, Like if y'all could save on clothes back in the day a little bit, Like you get the same throwback Jersey go off at three four five shows, you. 01:13:43 Speaker 5: Can remix a little bit more back in the days. Now the days everything on social media like Nigga win that shit again. 01:13:48 Speaker 3: That's like you get a Louis Jackie. You wear one show, you can't pop out the next. 01:13:53 Speaker 4: One, like can't afford another one or he can't do this. It is liked on that microscope man. 01:14:00 Speaker 2: Chrome hawks and wear the ships for two weeks. 01:14:02 Speaker 3: No, I'll do that though. Listen to Chrome ten bands, I'm wearing them for ten years. For two weeks, Bro ten bands for the Chrome, I'm wearing them for ten years. 01:14:12 Speaker 5: Hello. 01:14:13 Speaker 1: Ship clothes is crazy because you'll read you'll meet your real rich friends and they got sketches in the Apple watch on. 01:14:19 Speaker 2: Let's be serious, man, you got a million dollar kitchen. I met people in there. 01:14:23 Speaker 3: But sometimes I'll be seeing that ship online and people be like, yo, real rich people dressed like this, that and the third, and I'll be like, yeah, but real rich people don't got no sauce neither. 01:14:32 Speaker 1: So we met too, And that nigga had an Apple Watch on. That man has Astro Astro rockets, rockets, the Astros nine hundred restaurants. 01:14:42 Speaker 2: That man had an Apple Watch on in a suit. 01:14:45 Speaker 3: He got a suit though. 01:14:47 Speaker 2: That's cool, But you got sketches. 01:14:50 Speaker 3: Oh yeah, sketches with a suit. 01:14:51 Speaker 2: You got the hookah sneakers going, I know, you really go to the hand. 01:14:56 Speaker 1: This motherfucker got the hookah sneakers. People just don't care about material things. So hanging in the suburbs you be looking. 01:15:04 Speaker 3: At they care about houses and all that. 01:15:06 Speaker 4: Oh yeah, like that. 01:15:11 Speaker 1: You know they have house money, that's a kitchen or motherfucker say, I'm doing my backyard, al must spend. 01:15:16 Speaker 2: Three hundred four hundred Like they don't. 01:15:18 Speaker 1: Really, They'll have, you know, nice suits and ship, but nigga would have the hookah sneakers on with the Apple Watch. 01:15:25 Speaker 3: Yeah that's a fact, aps and the Cuban links and they ain't doing. 01:15:29 Speaker 4: No. 01:15:30 Speaker 2: Watch is good investment. Watches to me chame good investment. 01:15:34 Speaker 3: But investment right now a good investment if you're rapping. 01:15:39 Speaker 1: This is how Look I'm gonna tell you why, but this is what. But this is for me, This is why I say for me, it's back and forth chain a good investment. Sometimes Watch I think a little better because like when you really buy jewelry, think about it's an investment that niggas want to kill you for. 01:15:55 Speaker 3: Yeah, but if you are rapping, sometimes that ship that should get you a lot of business as a rapper. Like you walk into a spot and you got that ship on your neck. Sometimes people a media. 01:16:05 Speaker 2: Airport murder especially, No, I don't know. 01:16:10 Speaker 1: For me, I don't know. 01:16:11 Speaker 2: I love I love Drewry. 01:16:13 Speaker 4: I know what you mean. 01:16:13 Speaker 2: It's investments, But I don't know. I'm more of like I like the watches now, like I think. 01:16:18 Speaker 3: To watch you on your grown businessman ship, I. 01:16:21 Speaker 2: Watch the watch doesn't lose any value though. 01:16:23 Speaker 3: Yeah, but what I'm saying is I could get a chain that might lose fifty thousand. Let's say I get a change for one hundred thousand and lose fifty thousand in value, but then I have made connections that earned me five hundred thousand. So she really made me stand out. Now I'm talking to these people who's just fascinated. 01:16:39 Speaker 4: Oh you're a rapper. 01:16:40 Speaker 3: Oh for real, man, I fuck around, bust down to deal with them later for whatever it be. So I didn't specifically get the you know, the my chain there and the center whatever amount of money that the watch might have, but I was compensated for my ship. What I'm saying, I do believe for rappers, we still fifty shit. 01:17:00 Speaker 2: We had Eminem doctor Drake, so like my face was the. 01:17:03 Speaker 3: Jew yeah face God, but that's the same, no, you know how it is like we we came up kind of. I told my man, like one of the best hits about being a rapper too, and I ain't have like the you around the Juggernauts. You know what I'm saying, But it's like one of the one of the best experiences about being the rabbers getting free shit. Bro, I love free shit. I love free fool I don't give a fuck. I like when I go to a restaurant they like, don't worry about it. Even if this ship was seventeen dollars to me, I'd be boosting my ship like I like. I like free clothes, like free food. I like getting in the club, free, like everything. 01:17:37 Speaker 1: Free twenty two to everything in life, ladies and gentlemen, because you like that. I love free ship. We get cut the line, Mona, Lisa. But when the niggas trying to talk to you while you're taking the piss in the bathroom of the airport, that shit is ridiculous to catch two now, I'm just saying it. 01:17:54 Speaker 3: But you gotta be in them. You gotta go to the you into all them sits with the guest lounges, and you could just go to the. 01:18:02 Speaker 2: We always first class. We might walk to the gate. We not. We don't get bougie all the time. 01:18:07 Speaker 3: Like you know, I see, I'll be taking you. I'll be taking you as boogie. Now, yeah, I'll be taking you. It's like when I think you gay, like you see he like, now fuck the jewelry of No. 01:18:16 Speaker 2: People take that as me being like bougie. 01:18:19 Speaker 4: It's not. 01:18:19 Speaker 1: It's just what I'm saying is to me, the best experiences is flying the world like he is in guess me out of four Seasons. 01:18:26 Speaker 2: It was just built for the Olympics. She was experienced a vibe. 01:18:30 Speaker 1: We got my man, he called them Morocci mafia. You had the good budd so the food was hitting. They have smoked duck for breakfast there Paris, look, Paris looks. 01:18:41 Speaker 5: Look. 01:18:41 Speaker 1: I'm gonna tell you I don't want fling. I'll tell you all the time, Murder, what I tell you, I don't want. 01:18:46 Speaker 2: To feel like. 01:18:48 Speaker 3: Yo, how many like smoked duck they got you unanimous with that on it and how many times like that's just like a repeat man like McDonald's. 01:18:56 Speaker 2: Now, it's just no, it's not that he murder was in Morocco. 01:19:01 Speaker 3: He's a one persons for smoking. Me and. 01:19:06 Speaker 2: Me, me and Murder was. 01:19:07 Speaker 1: We was at the four Seasons, brand new ship Morocco. His man's from the but they had that ship for breakfast. I'm like, that's where the smoke duck shit come from. But what I'm saying is like see fifty eminem thing. They can't really go outside. 01:19:21 Speaker 2: They gonna get they can't do nothing. 01:19:26 Speaker 1: I like my fame because we get to go out, go see the Mona Lisa. Yeah, Yo, Murder, We're gonna get a. 01:19:31 Speaker 2: Couple of those. 01:19:32 Speaker 4: We good. 01:19:34 Speaker 2: Smoking. You know you know what I mean. 01:19:37 Speaker 1: I'm good with my fame because I want to steal. I don't want to be in the hotel all day. You gonna want to go to the Louis Store shopping. You gonna want to hear go to go see the Mona Lisa. Security New Niggas. One time we went in the hotel. We was in Norway, as someone motherfucker came playing Rod Diggs and uncle Murder. I couldn't believe it. Nigga said, where was we at Belgium? Dear Nigga came through white boy Rod Diggs Murder. I'm like, you know that that's me and Roight Diggs just us coming outside to hear the joint on the humble. You be touching the fis niggas love us overseas, Yo. 01:20:13 Speaker 2: That's the best. 01:20:14 Speaker 3: That's the best blessing in this raph like traveling like. 01:20:19 Speaker 4: The world. 01:20:19 Speaker 1: They that shit be different and they and it'd be Look, it'd be a nigga that like what I like about overseass They don't let hip hop die like America, Yo, were. 01:20:28 Speaker 4: Done with you. 01:20:30 Speaker 1: When you go out there, you catch it's still you catch jay rue of damage. You you'll catch new addition, you'll catch fucking k resch one niggas. 01:20:37 Speaker 2: Oh we know that. 01:20:39 Speaker 1: Like, they don't let hip hop die like they don't give a eighties nineties they so it would be different out there, like motherfuckers. 01:20:46 Speaker 2: The niggas that got five on it, them niggas get prayed. I got five on it. 01:20:52 Speaker 3: That's my dogs, five on it. Them niggas tall forever forever. 01:20:58 Speaker 1: That's a big week ship different them niggas being the Swiss Alps doing shows and all that, Like I got five on it. That shit is still getting show money. Facts niggas will shit on them and be like, YO, don't know what that is in America. Let them niggas go to Germany and all that shit feeling niggas be trying getting it back. That's what I like about overseas and being out there because they love hip hop and j rud to damage your nigga. Youn't want up back? What remember that shit? Niggas be we're running into them niggas. Hey ar res one, you're running into them niggas. 01:21:32 Speaker 4: That's crazy. 01:21:33 Speaker 3: That's let them because it's. 01:21:35 Speaker 2: Not mic awave music. See, that's the whole thing. 01:21:39 Speaker 1: It's twenty years later, fifty still doing shows, twenty twenty three live Nation hundred and three shows. 01:21:46 Speaker 4: Should I got rich off? Get Richard trying? Twenty years later? 01:21:49 Speaker 2: Niggas be like, where's his money now? Niggas be like, niggas be like, where's his music now? His music now? 01:21:54 Speaker 1: Nigga just did a one hundred you know a live Nation paid him. There's only a handful of niggas that can do a lot of Nation tour. It's not you know what I'm saying, it's a handful of niggas. Niggas ain't getting that kind of bag like that, bro, not even me. I ain't getting that bag at Nation. That ship is a handful of people. Cardi b right now, Nation. 01:22:13 Speaker 4: Cardi Beat Tour on fire Shut after Cardi Beat. 01:22:17 Speaker 2: Try to get to that level to get a lot of nation tour. It's not just an easy thing. Love nation. 01:22:23 Speaker 3: Even getting known overseas, you'd be surprised who who they know and don't know when you get to like Colombian uh dr and ship like that because a lot of people a lot, there's a lot of rappers. I'll be like so and so They'll be like no no Snoop Dogg. Yeah Snoop. 01:22:40 Speaker 1: They gonna know m ANDELM and M. 01:22:46 Speaker 2: That's what I'll be trying that Eminem. 01:22:49 Speaker 3: Shit went so far from me that I'll be in a random place like that and a waiter or something like Eminem like you know what I mean. 01:23:00 Speaker 2: Yeah, Yeah, that's the ship. 01:23:03 Speaker 1: That's that's That's what bucked my head out is just to come home out of jail and feel blessed. Man lifting battery, Paul, come out of my building. See statue of liberty. We come from nothing, nigga. So for me, I always was humble. And then nigga, picture you being in the party with Jim Carrey. Nigga, this nigga, you know, this nigga from the movies, and ship he dancing behind you, you laughing. Wesley Snipes the Kardashians like I done met everybody. Yeah, except for Michael Jackson, who kids shout to who met and Tony Brother met Michael Jackson. Michael, I never met Michael Johns Man. I never met Mandela. I know fifty and I met Mandela. Too many niggas were fitted going to Mandela crib, you know, violators, like too many niggas snouts Mandela. When I got to go to selling all that niggas everybody was feeding. That was a man niggas hype word fifty in them got a chance to meet him, but I didn't get a chance. 01:24:00 Speaker 2: It was like now, too many niggas, But. 01:24:02 Speaker 4: You got to go to a sale, so that was cool. 01:24:03 Speaker 2: You got your sell and all that. 01:24:05 Speaker 1: See, those experiences you can never take from me. I lived three lifetimes already. Now you well live three lives already. 01:24:11 Speaker 4: Bro. 01:24:11 Speaker 3: That's how I feel like the raps it is too because when my shits started even kicking off in like twenty twenty one. From twenty twenty one to twenty twenty five, I feel like each year was like seven years, like dog years kind of like but in a good way, you know what I mean, Like because I'm I can't it gets to the point you can't remember what you did like five days ago. I'll be telling bro, I'll be like, anything after seventy two hours, I don't remember that shit, because this should be a blur sometimes, you know how it'd be like moving and groover, Yeah, moving and groove and you can't even remember shit. But then at the end of that three sixty five I'd be having to go through my camera role and. 01:24:43 Speaker 2: I'd be like, damn, I did wow shit. 01:24:46 Speaker 3: Like and That've been for like three four five years. It's been the best years of my life ever. 01:24:51 Speaker 4: Like real shit, oh god, real shit. 01:24:53 Speaker 2: Bless you, and I reached the level that I want to. 01:24:56 Speaker 3: But I'm I'm happy, Like, yeah, guys, we. 01:25:04 Speaker 1: Definitely want to hear this albl project. Hopefully you get a Leaf war versus out. 01:25:08 Speaker 2: He comes home. Listen, I believe lot y'all three, y'all three on the project man. 01:25:14 Speaker 3: That like, I believe so much, and I'm stamping like Leaf Warard is the best lyricists in America under thirty years old by far, and I pull whatever on I support, I pull whatever on anybody under thirty. He will smoke your fucking boots and he really don't try. He just go to the studio, drop ship casual and it goes because it's that pure. 01:25:38 Speaker 4: If you don't know about leaf Ward tuning in to my boy leave, he's gonna be home. 01:25:43 Speaker 2: So put me on the leaf Ward. He put me on the albl before he came home. 01:25:48 Speaker 3: But that's I ain't gonna lie. That's fire that y'all like tapped in with music. A lot of like a lot of the older generations, sometimes they tap out of music. I never wanted to do that because they say, after thirty is the scientific study that ninety percent of people stopped listening to music and just go with what they know. I'm telling you that's because y'all. You know what I mean, y'all really into the music. A lot of people would just say, all these thirty years, I'm gonna just go with whatever songs I acquired over now, and they kind of block off new music. But there's still people out there rapping their ass off to this day making amazing music. 01:26:21 Speaker 4: On your ship. 01:26:21 Speaker 5: That's why, Yeah, I know who's talking that ship out. I said, I know who's talking that ship. 01:26:30 Speaker 3: Breakless. 01:26:31 Speaker 1: We do some things when we say who are artist of the week. Is my artist of the week, New York City. I gotta give it up to Cardi B because she's on tour loud nature. Who's your artist of the week. 01:26:45 Speaker 3: My artist of the week. Besides if what I mean, like, what's the category? 01:26:51 Speaker 4: What just riding around bumping? If you ain't listening to your own ship right there? 01:26:57 Speaker 2: Who you funk with right now? 01:26:58 Speaker 3: I ain't gonna lie. I was just in the tour tape, No tour he's from Philly. 01:27:04 Speaker 2: T o U are e you put me on? 01:27:06 Speaker 3: Yeah? 01:27:06 Speaker 4: I never heard it. 01:27:07 Speaker 3: He talks crazy. He started as ship. He said, dudes, want to know why everybody can't go same reason. It's two seats in a lambo. That was his first two bars. I said, all right, yeah, I mean, let me tap him with that. 01:27:18 Speaker 2: So tour. 01:27:19 Speaker 3: He from Philly, the best, the best rappers, pound for pound. I feel like, come out of Philly like as a whole. Like New York might got ten of the greatest, amazing people, but Philly got two hundred super amazing, solid rappers. 01:27:33 Speaker 4: But yeah, in Philly. 01:27:37 Speaker 3: Little Bucks another one I've been listening to. And then I listened to No Cap all day. That's somebody No Captain Rolo Rodriguez I would really tell East Coast people to to bend your mind to go listen to that ship because they got a lot of double triple entendres. They just harmonizing it. So it might throw you off. The auto tune might throw you for the East Coast, but when you listen to it, you're gonna be saying, hold on. He just said that, like and the incredible artist. So my artist of the week, I'm gonna say yeah, I'll say no, cap. 01:28:07 Speaker 2: You said a couple of people. 01:28:08 Speaker 3: I said, for right, Yeah, I'm thinking of who I was listening. 01:28:13 Speaker 5: That's that's that's what you thought to the week minds. Right now, I'm not gonna even hold you. 01:28:17 Speaker 4: Just pool sisty, shasty. 01:28:19 Speaker 3: Poo sisty mar. 01:28:21 Speaker 4: You switched it up that he switched. 01:28:24 Speaker 2: I'm not gonna die. 01:28:25 Speaker 3: I'm pre boo sisty, free. 01:28:27 Speaker 5: Pool sisty, I'm free poise I got the first I gonna hold you. I've been working after I got a gym in my house. I've just been working out the pool sisey, lady man, I'm not gonna hold it. 01:28:38 Speaker 4: Free fdo free pool sisty fd. 01:28:42 Speaker 3: O baby on my on my LBR tape. I gotta We just recorded like two nights ago to night that should happened. I said something something my young and wave the thirty uh free pool shisty these record labels thirty you know, I mean I got where nobody? 01:28:58 Speaker 4: Yeah, first. 01:29:03 Speaker 2: Firch live. 01:29:04 Speaker 4: I remember that. I remember that. 01:29:06 Speaker 3: I remember that. It's just to show love to the artists in live time. That's what it is. Capitalizes is how my mom. 01:29:14 Speaker 4: That's right, that's right. 01:29:16 Speaker 5: But you already know we have my boy in the building, new project out now bos. 01:29:23 Speaker 2: The fives. 01:29:24 Speaker 3: Yes, sir, good luck surviving the off season football fans. 01:29:34 Speaker 2: At first, that was afraid. I was petrified footballs over. It's like a part of me just died inside two. 01:29:42 Speaker 5: Hundreds bowls back. 01:29:44 Speaker 2: But tonight I won't just cry because I've got a ways to play, and that's the placement, hard rock bed. We survived by them. 01:29:53 Speaker 5: I'll try before that must be twenty one plus and physically, President Florida, the wage your terms of conditional clock. 01:29:57 Speaker 3: If you were someone you know as a family problem, please call one eight three three playwise

The Real Report - Millyz on Jadakiss co-sign, Eminem inspiration, & almost being ABDUCTED in Haiti for $6,000

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