Under the CineMat Ep. 66: River of Darkness Part 2

<v Speaker 1>He's a lapsed fan wrestling podcast and roll the projector
<v Speaker 1>three two one play it's dark river north Shore I'm
<v Speaker 1>seeing there?
<v Speaker 2>Yeah right, not the north shore?
<v Speaker 1>Though? Yeah, where's a kowloon? I know? Seriously, Oh my
<v Speaker 1>exterior day snow. It's broke to me. I was today?
<v Speaker 1>Does that see college today? In her monologue, I mean
<v Speaker 1>so is the director that still apparently though I didn't
<v Speaker 1>kill my friends diversity family directly sponsor. But what's a
<v Speaker 1>Chaka Khan? Here? No rocke con it's a play on
<v Speaker 1>Chaka Khan.
<v Speaker 3>Young people don't understand mortality.
<v Speaker 2>Young people don't understand mortality.
<v Speaker 1>Is that right? Oh?
<v Speaker 2>Foreboding art cinema?
<v Speaker 1>She said, The fact is we all have one foot
<v Speaker 1>in the grave. And now she's rolling a fat blunt.
<v Speaker 1>I wonder Kevin took this role? Hey, what do you?
<v Speaker 2>What are you rolling there?
<v Speaker 1>Honey?
<v Speaker 2>What if I take a take a puff of that?
<v Speaker 1>Brother?
<v Speaker 2>Brother?
<v Speaker 1>What? Who's rolling?
<v Speaker 4>Who?
<v Speaker 3>Dude?
<v Speaker 1>She's just a workaday waitress. That's different girl. Actually did
<v Speaker 1>she say, doc, I have to go smoke? I do
<v Speaker 1>be at the dock cad bro Oh my god? Stand
<v Speaker 1>Oh that's a Philly accent. More night.
<v Speaker 2>It came from Philly, from Pittsburgh, the whole fucking thing.
<v Speaker 1>Absolutely. Look at what a beautiful shot this is. You know,
<v Speaker 1>smoke Rising looks like film. It kind of looks like
<v Speaker 1>a porn like it does. It has a very like
<v Speaker 1>weird right, it's hyper real. Look to it right, because
<v Speaker 1>it's it's like it's it's hyper real, which makes it
<v Speaker 1>look hyper fake. Right. You know, I don't. I can't
<v Speaker 1>get involved in a story like this. You know.
<v Speaker 2>It's like it's like the sixty the sixty uh fps
<v Speaker 2>frames per second TVs ship. I can't stand it.
<v Speaker 1>She's walking on a dock by herself. Looks like a
<v Speaker 1>lot of people are smoking doobies already. Sorry, oh we
<v Speaker 1>were rolling keV. Now, if you know a rule, if
<v Speaker 1>you know the rules of horror films, if you do drugs,
<v Speaker 1>what happens. It's slaughtered. She's about to light up a
<v Speaker 1>night stick sized Marley spliff.
<v Speaker 2>And you'll notice this too. This happens in so many
<v Speaker 2>movies of this caliber, where there's always a moonlight.
<v Speaker 1>Back light, yes, and then right in front of her
<v Speaker 1>is some of that's really bad. Lefts her off the
<v Speaker 1>ground with a knife in her stomach. Blood comes out
<v Speaker 1>of her mouth. He's filleying her.
<v Speaker 2>Or or is he fucking her? She sounds like having
<v Speaker 2>a good time.
<v Speaker 1>Down she goes, Oh god, oh nasty coughed up a huge,
<v Speaker 1>huge volcano of blood. Oh we have our our murderer. Now.
<v Speaker 2>It's like, I mean, I guess I should ask myself,
<v Speaker 2>you know, how's my fucking film career doing. But at
<v Speaker 2>the same time, I sit here, I'm like, how you
<v Speaker 2>make a movie like this? It looks it's so and
<v Speaker 2>I'm asking for a reference from or some help from
<v Speaker 2>from the cinemat solar system, Like there's no way. He
<v Speaker 2>looks at this movie and says, this looks like a
<v Speaker 2>fucking motion picture psycho sid Vicious and.
<v Speaker 1>Don't know how to do it any differently.
<v Speaker 2>I mean, I guess it just it looks so cheesy.
<v Speaker 2>I mean he's talking about not making a movie cheesy.
<v Speaker 2>You know, he's talking about the Hulk Cogan movies being cheesy.
<v Speaker 2>This is fucking cheesy.
<v Speaker 1>Yeah, it's a like a sixties BBC film, right Bryan Coler,
<v Speaker 1>executive producer, his brother Brian twin brothers. I guess written
<v Speaker 1>and directed by Bruce Kohler. Right location for free because
<v Speaker 1>I know people in the Pittsburgh Great Stereo day. It's
<v Speaker 1>like a fucking after. It looks like a like a
<v Speaker 1>video you'd watch in class to learn about the perils
<v Speaker 1>of swimming without a life fest. Look at him, look
<v Speaker 1>at him? Look at him? How you doing, guys? How
<v Speaker 1>you doing guys?
<v Speaker 2>You're right? Do you guys have a coffee?
<v Speaker 1>This was like Gaunt Angle where he had like extra
<v Speaker 1>thin face. Oh, it's so weird. It's like Hogan in
<v Speaker 1>w c W. So he's an Emmy and this is
<v Speaker 1>medicalf's shiff. Oh the sheriff and he's wearing Danny's a
<v Speaker 1>campus sheriff out of it. Then, oh my god, where
<v Speaker 1>you were at the Chicago Uh look at he did
<v Speaker 1>to this body.
<v Speaker 2>I guess.
<v Speaker 1>Who would do something like this? Uh said, do something
<v Speaker 1>like this? Ale night she went Tony romo over here.
<v Speaker 1>Totally is that's totally fucking true, angled with a dramatic pause.
<v Speaker 1>Fisherman looking at the telepropter.
<v Speaker 2>Most likely I know, right.
<v Speaker 4>Well, we should go back and check the database of
<v Speaker 4>the surrounding counties that.
<v Speaker 1>We should check check databases.
<v Speaker 2>That's that's that's that's real language there.
<v Speaker 1>It's always database and hey, uh you know, Charlie, let's
<v Speaker 1>go check an the other databases you know around the uh,
<v Speaker 1>the other the surrounding counties, you know, so that can
<v Speaker 1>offer us for the see you can tell us who
<v Speaker 1>muted this girl. Stop with this diner first, though, h
<v Speaker 1>gotta gotta get breakfast first, Gota get breakfast, get breakfast.
<v Speaker 1>So bad it looks so bad. There he is Glaciers,
<v Speaker 1>the waiter, Glacier waiting on a table shooting the ship.
<v Speaker 2>How let me I mean, you know anybody again? Does
<v Speaker 2>sheriffs generally wear jeans when they're on the job.
<v Speaker 1>I guess it depends how rual the county is. Sherifs
<v Speaker 1>to patments, right, curs looking for a cup of coffee,
<v Speaker 1>but he's being ignored by Ray Lloyd aka Glacier. This
<v Speaker 1>is also when you had that weird hair too, I know. Yeah,
<v Speaker 1>he like grew his hair back a little bit and
<v Speaker 1>he looked like I remember the first time I realized
<v Speaker 1>that this happened. I saw I saw his action figure
<v Speaker 1>and I was like, who is this guy? Right? How
<v Speaker 1>does have hair?
<v Speaker 2>What that's Kurt angle?
<v Speaker 1>Oh my god? Oh someone broke in and won't leave
<v Speaker 1>a house? Hm hmm. Right from the headlines much. He's
<v Speaker 1>even slowing his words in this movie.
<v Speaker 2>Yeah, he's a mess. He's an absolute mess. I mean,
<v Speaker 2>keep in mind they were filming this right after he
<v Speaker 2>was just the charges were dismissed right after.
<v Speaker 4>That.
<v Speaker 1>Uh, great line, Ray, great stuff.
<v Speaker 2>It's a fucking little it's like his little uh you know,
<v Speaker 2>you'll see as it progresses. This is not really saying much,
<v Speaker 2>but his his little groupies there. It's it's kind of
<v Speaker 2>like Sean penn In uh In in Mystic uh Mystic River. Yeah,
<v Speaker 2>you know, it's like him. He's got his little groupies.
<v Speaker 1>Disgusting meeting with the father.
<v Speaker 5>Well, you could say that we do.
<v Speaker 2>You could say that.
<v Speaker 1>I mean, all Irish priest here in the Greater Pittsburgh
<v Speaker 1>area sucks. This is this is one of those local
<v Speaker 1>local talent man. Okay, so inside praying is this like
<v Speaker 1>I have? This feels such like an Emerson film? It does.
<v Speaker 1>It really does feel like a student film. You know,
<v Speaker 1>is it the frames per second or something just doesn't
<v Speaker 1>look like a film about it.
<v Speaker 2>I mean, it's shot on video. Number one, it's shot
<v Speaker 2>on video, but it's not you know, I don't know
<v Speaker 2>what they were doing in twenty eleven and two thousand
<v Speaker 2>and nine. But there are movies shot on video that
<v Speaker 2>looked way better than this.
<v Speaker 1>Right, Court's trying to get the tention of this woman
<v Speaker 1>who's praying in the church in all black.
<v Speaker 2>I mean I get the vibe that maybe he used
<v Speaker 2>his like whatever equipment he could get from the local
<v Speaker 2>TV station where he used to work.
<v Speaker 1>Yeah, that sounds right, you know. I mean it looks
<v Speaker 1>like something that would be on PBS. That's the look
<v Speaker 1>of it is. Yeah, that's it. You got it coming back.
<v Speaker 2>And it's like they added a filter to make it
<v Speaker 2>not move as smoothly as like TV stuff.
<v Speaker 1>It's just it's like masterpiece theater, right, right, I mean
<v Speaker 1>they add like a film filter. Come on, you could
<v Speaker 1>take her still praying. She snatched Kirk by the wrist
<v Speaker 1>as he checks on her, And you know that's not
<v Speaker 1>what you do. You know, you gotta be careful doing
<v Speaker 1>that to someone like Kurt Angle. Yeah, wrist controls and
<v Speaker 1>something he takes lightly exactly. It's like it's like Kirk
<v Speaker 1>can't even get into his own house here or the
<v Speaker 1>house of God even, right, is what I mean? She
<v Speaker 1>intimidates Kurt snatches him by the wrist, and continues to
<v Speaker 1>pray that point. I guess you just leave her in
<v Speaker 1>there sheriff depotment, the the d u I patrol. Hah, yeah,
<v Speaker 1>yeah yeah. Kurt sitting at his desk, it's got.
<v Speaker 2>Even think of the coffees fake.
<v Speaker 1>Some guy named Sam garv Oh Victorian Romo is looking
<v Speaker 1>at the databasis.
<v Speaker 2>What is that computer? Is that the thing is assive?
<v Speaker 1>You got phone? Look that phone in two thousand whatever,
<v Speaker 1>two thousand and nine, that phone? Are you kidding me?
<v Speaker 2>But it's so pensive.
<v Speaker 1>Kurt's thinking about what he's hearing. I mean, this guy's
<v Speaker 1>reading off his atrocities.
<v Speaker 2>He's reading off probably the teleprompter on the computer.
<v Speaker 1>Right Williams murder to stay, forensics.
<v Speaker 2>Off, come up, maybe state friends off coming with something?
<v Speaker 1>You talk like that?
<v Speaker 5>Amy Williams was noodled.
<v Speaker 1>What does noodle mean? That's a Curtiste Cajun practice, last LaRue.
<v Speaker 2>Rageing Cajun class the champions.
<v Speaker 5>Insides out from her mouth.
<v Speaker 1>And okay, well someone's insides out from the mouth and
<v Speaker 1>abdomen at the same time. Noodling, Ye, curd angle thinking
<v Speaker 1>fought and who who in the community could be capable
<v Speaker 1>of that? Back at exterior doc night. I'll say a
<v Speaker 1>faults right exactly, King King King King boom king king
<v Speaker 1>King King King. A man is screwing something needless to say, Mmmm,
<v Speaker 1>like what's the rope for Titan? Is a frogs ass borns?
<v Speaker 2>You know, like it's weird. There's the shots, the composition,
<v Speaker 2>it's not all bad. The light piss poor.
<v Speaker 1>They got the right idea, like they have the wrong
<v Speaker 1>stock here, right, It's like they they just don't have
<v Speaker 1>There's just something missing from it. So trust something just
<v Speaker 1>off putting, something that's like I can't process this as a.
<v Speaker 2>Movie as opposed to like a it's like a community
<v Speaker 2>theater movie.
<v Speaker 1>Yeah, very much.
<v Speaker 5>What it is?
<v Speaker 1>There's the bear your fucking asshole and tell me to
<v Speaker 1>funk around. I gave me to drink beer and funk around.
<v Speaker 1>That done, God damn it. Robs out of this guy
<v Speaker 1>does to say God damn it over and over again.
<v Speaker 1>Its late at night.
<v Speaker 2>Why do you have your shirt tucked in? Bro untuck?
<v Speaker 2>You're in the fucking Also, why do you get it
<v Speaker 2>if you're doing this kind of mechanical work, why are
<v Speaker 2>you wearing a button down shirt? It's buttoned all the
<v Speaker 2>way at the very top button with no tie. And
<v Speaker 2>this is the is the biggest psycho in the movie.
<v Speaker 1>This guy. Well, I hear chains and eight ball, it's
<v Speaker 1>gonna say say nothing of skull and eight ball and
<v Speaker 1>crush then around. Here's noise out in the docks.
<v Speaker 2>This is what people do. By the way, you've got
<v Speaker 2>Brett hard hands. Look at that.
<v Speaker 1>Oh yeah, thumbs into the pocket.
<v Speaker 2>Boat repairs. You're that awful sign that messed up this
<v Speaker 2>his boat repairs. That sign these repairs. I'll say, no,
<v Speaker 2>you're flies. God, it's a weird sky I've ever seen
<v Speaker 2>in my life. Oh oh, and the big hand grabs
<v Speaker 2>him in avon eric claw, oh wow, and lifts him
<v Speaker 2>up off his feet. It's a certain device. But when
<v Speaker 2>I was drunk in the flannel is doing absolutely nothing
<v Speaker 2>about it.
<v Speaker 1>What the fuck is he doing?
<v Speaker 2>It looks like bow Bridges Bob Bob.
<v Speaker 1>Might be something wrong. But he's been gone for an hour.
<v Speaker 1>There'll be something wrong with him. I'll say, I think
<v Speaker 1>this is he's related to Jeff Town. Yeah, I didn't
<v Speaker 1>take a pace. Come on, let's go. Yeah. Yeah, there's
<v Speaker 1>still an hour and twenty four minutes to go. Ce Oh,
<v Speaker 1>there is not Yeah, there is.
<v Speaker 2>Oh no, sorry, there's an hour and the whole thing
<v Speaker 2>is hour in twenty four. There's an hour and ten
<v Speaker 2>to go.
<v Speaker 1>And he finally gets up. The have to go look
<v Speaker 1>for him.
<v Speaker 2>I know, right, go look for your friend. He's your
<v Speaker 2>friend pal, like this, like this, like again, all the this,
<v Speaker 2>this weird this moon lighting. The moon comes from everywhere,
<v Speaker 2>right in these types of movies, you know, the moon
<v Speaker 2>doesn't have one place. Also, the moon always comes from
<v Speaker 2>the side.
<v Speaker 1>Yeah, it eliminates everything. It never comes from above. It's
<v Speaker 1>a good point. Verging from the shadows is Oh, it's
<v Speaker 1>this guy again. Oh there's his buddy's dead, racked up
<v Speaker 1>like the other victim. Yes, could be in Gloucester Tom's
<v Speaker 1>dead buddy bomb. Turn around. There you go right through
<v Speaker 1>his eye, big old spike and then it gets nailed.
<v Speaker 2>Oh got a fucking harpoon through his chest. Jesus, it's pulsating.
<v Speaker 2>You see that, the eye is pulsating. It's gross.
<v Speaker 1>They're just killing motherfuckers. Man the river of darkness, I'll say,
<v Speaker 1>nice house. There were Goldie Han lives in fucking overboard himself.
<v Speaker 2>Is what is this desk in the middle of this
<v Speaker 2>room with a fucking fucking uh uh woodstove over here
<v Speaker 2>in books and a and a globe under the window?
<v Speaker 1>Who designed this set?
<v Speaker 2>You got?
<v Speaker 1>Moving to Emily Dickinson's house. I mean, is he gonna
<v Speaker 1>fucking you know right, catcher in the rye? Now catch
<v Speaker 1>his catch cannon the rye in the rye? All right?
<v Speaker 1>I mean, what the fuck like? It's looking like guns
<v Speaker 1>in the he just leaves guns? Is so bad? He
<v Speaker 1>really is?
<v Speaker 2>Again, you know what I I I sit here and
<v Speaker 2>wonder why they don't let wrestlers just improv. That's what
<v Speaker 2>I'm good at, you know, let guys just fucking talk.
<v Speaker 1>Like a search for Tomorrow figured that out? Yes, I
<v Speaker 1>don't know.
<v Speaker 2>I mean as bad as that was, that that's the
<v Speaker 2>most authentic that you really see these guys, right, I.
<v Speaker 1>Can't stand that. I can't handle that anymore. Like the Hicks.
<v Speaker 1>Hicks is what he carves into his victims. Hi X.
<v Speaker 2>If you look closely, you can see his fucking closed
<v Speaker 2>eyes shuddering something.
<v Speaker 1>That it's uncomfortable. Although you can see that they're standing
<v Speaker 1>on something. Oh, I see you right, look at it.
<v Speaker 1>Look see like his knees are bent there, tom Sometimes
<v Speaker 1>his kirt is gonna look off at the distance. He's
<v Speaker 1>so high, brag. Look at his fucking face. He's like
<v Speaker 1>like tripping right now.
<v Speaker 3>I don't know where I am right now.
<v Speaker 1>He thinks that thing right there is like a three
<v Speaker 1>hundred foot high frog. Mister frog, mister frog, come home,
<v Speaker 1>mister frog. That's correct. Kurt. By the way, I've got
<v Speaker 1>my uh my, my pumpkin spice latte candle, going nice,
<v Speaker 1>oh man, that the time is now, time is now.
<v Speaker 1>The air is slowly but surely getting crisp. Would you
<v Speaker 1>watch this exchange if we're still breathing, it's what you
<v Speaker 1>do come down to see if we're just still breathing,
<v Speaker 1>Just watch watch the dramatic pauses. Miss those boys. Would
<v Speaker 1>you find out sheriff? Right now? Dialogue is so fucking
<v Speaker 1>heavy handed. So what can you tell me about the
<v Speaker 1>word Kurt, saying he doesn't have too many clues right now,
<v Speaker 1>wants to know what the word hicks means. He's down
<v Speaker 1>by the docks asking about it. The long pause.
<v Speaker 2>What you talk about sheriff girl.
<v Speaker 1>And two good old boys and the word hicks appears,
<v Speaker 1>showing them crime scene photos of how the word hicks
<v Speaker 1>appears on victims.
<v Speaker 2>In twenty in two thousand and nine, are we still
<v Speaker 2>doing neither of hard copy photos?
<v Speaker 1>Apparently? Do we have iPhones? Then we did two thousand
<v Speaker 1>and seven, right, so why aren't we showing pictures on
<v Speaker 1>our fucking phones? That word Hicks's familiar. Yeah, that word
<v Speaker 1>hicks sound familiar. It's like Joe actually in fucking JFK here. Yeah,
<v Speaker 1>it happened a long time ago.
<v Speaker 2>Miss Yah.
<v Speaker 1>You're right, Miss g I remember correctly.
<v Speaker 2>Now, I remember correctly that, Miss Garrison.
<v Speaker 1>Yes, I'm sorry. I'd like to stand shoot the ship.
<v Speaker 5>I don't mean to be rude.
<v Speaker 1>You got to get this boat up running like you? Also?
<v Speaker 1>Do you notice his hat has no brim to it.
<v Speaker 1>What the fuck?
<v Speaker 2>He's wearing it backwards?
<v Speaker 1>But there's no travesty on his head? Seriously? Is what
<v Speaker 1>is wrong? Pittsburgh, Pa? Shittsburg Pa? More like it? This
<v Speaker 1>guys thinks these guys can tell them what hicks means,
<v Speaker 1>and they're holding back on them, right because ironically they
<v Speaker 1>are hicks. We don't know much. Yeah, you know we
<v Speaker 1>know that we got that one pal. I mean then, yeah,
<v Speaker 1>remember what I had for lunch kids back then? What's
<v Speaker 1>he talking about? Kind of stop Kurt from walking away
<v Speaker 1>to tell him more of nothing potentially. Yeah, slow, he's driving.
<v Speaker 1>Nobody drives like that. It's almost like he just had
<v Speaker 1>his license taken away. No, in fact, he didn't correct
<v Speaker 1>the record on that. It's true. It's true. There he
<v Speaker 1>is walking that bridgegan throwing food down the bridge. Fish.
<v Speaker 1>There's a lot of good idea here. Not in Jesus Christ.
<v Speaker 1>That's horrifying. Fish is going after the food.
<v Speaker 2>Yeah, it is horrifying.
<v Speaker 1>That's right. Kurt is definitely wearing a doctor Bass pro
<v Speaker 1>shops outfit. Yes, it depends. Just say it's a little bad,
<v Speaker 1>Just say Chief Brunch walk up. Oh it's Fritz, he's
<v Speaker 1>got the bait shop. Yeah, this would have been Fritz
<v Speaker 1>if he took a different turn. It's always a wise
<v Speaker 1>old man in sounds like this like this, seen it
<v Speaker 1>all back in fifty two. We had an alien come here.
<v Speaker 1>I won't believed me, and then I drank Aaron Lee.
<v Speaker 1>He's got booze by on the counter. Right, that Kerr
<v Speaker 1>turns it down?
<v Speaker 2>Bullshit?
<v Speaker 1>Okay, right, come on, man and he perk thirties. Can
<v Speaker 1>you tell me about the words well, can you tell
<v Speaker 1>me about the word hicks? Jas vince that too. Yeah,
<v Speaker 1>religious man, that's the best action. This guy's the best
<v Speaker 1>action of the whole fucking movie. Yeah, for sure.
<v Speaker 2>This guy's good.
<v Speaker 1>I like him. Let me put it this way. You
<v Speaker 1>believe in heaven, You believe in heaven, you believe in hell.
<v Speaker 1>Don't really gave you that much thought? Such a bad actor,
<v Speaker 1>he really is.
<v Speaker 2>Okay, what do you want to ask me?
<v Speaker 1>Well, the word hits produces the crime scene photos. Again,
<v Speaker 1>the word Hicks was written in one crime scene like
<v Speaker 1>you can't, you can't make nothing, he says, sounds credible
<v Speaker 1>coming out of curling. It doesn't. It doesn't. He sounds
<v Speaker 1>so stilted and like sounds like he's acting Hacks. Right,
<v Speaker 1>I guess he's still around.
<v Speaker 2>He isn't much welcome than these This guy is good. Actually,
<v Speaker 2>this guy is. What's he doing in this ship?
<v Speaker 1>Right? Be? It's a reference to a guy named Harvey
<v Speaker 1>Hicks who wasn't welcoming these parts anymore.
<v Speaker 2>This guy probably does like you. You're in a repertory
<v Speaker 2>group and fucking Pittsburgh. Who ran them off? I ran
<v Speaker 2>them off?
<v Speaker 1>Who ran them off? Harvey Harvey Hicks. That's all I'm
<v Speaker 1>going to say about that. Everybody's so damn Yeah, huh.
<v Speaker 1>I've always been one to let sleeping dogs lie. That's
<v Speaker 1>another thing. You're always wanting to let's sleeping dogs lie.
<v Speaker 1>In a horror movie. No one wants to tell Kurt
<v Speaker 1>what Hicks is about.
<v Speaker 2>Yeah, it's a scary thing. Brings back the past, they
<v Speaker 2>say in Minority Report. Becaf when you.
<v Speaker 1>Dig up the past, all you get is dirty, it
<v Speaker 1>says Terry, says Tim Blake Nelson and Minority Report.
<v Speaker 2>I don't think Minority Report coming sooner to the cinema.
<v Speaker 2>That'd be a fun one.
<v Speaker 1>I wouldn't think so. Yeah.
<v Speaker 2>I feel like I feel like we've seen we've seen
<v Speaker 2>pretty much all of our Spielberg days.
<v Speaker 1>Right, Oh, I want to drink some more. It was
<v Speaker 1>the most prominent wrestler role in a Spielberg movie, would
<v Speaker 1>you say, shit?
<v Speaker 2>I mean probably probably Pat Roach. Honestly, I can't think
<v Speaker 2>of anybody else. I don't know if there I really
<v Speaker 2>don't know if let me take a look at my
<v Speaker 2>list quickly because I'm curious. I don't think there are
<v Speaker 2>many Spielberg movies any more on there.
<v Speaker 1>And I just remember of the ones we've done to date.
<v Speaker 2>Oh well, we've only done with Indiana Jones movies of
<v Speaker 2>Spielberg and and that would be pat roach for sure.
<v Speaker 1>Yeah. I don't think there are any others on here
<v Speaker 1>at the time. So they've rolled up on some abandoned
<v Speaker 1>house in the middle of nowhere. Kurt's knocking on the door,
<v Speaker 1>shutters are hanging off. It's so many good movies to come.
<v Speaker 5>There's a light on in there. I think they're just
<v Speaker 5>not answering.
<v Speaker 1>Mm hmm that they don't. Oh, oh, it's big Josh. No,
<v Speaker 1>we're looking for Harvey Hicks.
<v Speaker 5>Harvey Hicks, never heard of him.
<v Speaker 1>Look at there, looking for Harvey Hicks, and this guy
<v Speaker 1>pointing a shotgun at him has never heard of him.
<v Speaker 1>I think that is this place the zombie right, Yeah,
<v Speaker 1>it looks like the guy from The Clippy you show you.
<v Speaker 2>He looks like God.
<v Speaker 1>It doesn't look to me now, you don't think so? No,
<v Speaker 1>a few questions.
<v Speaker 5>Not this place.
<v Speaker 1>Down the road have college's office. We're a little worried
<v Speaker 1>about his safety.
<v Speaker 2>Yeah, yeah, right, fucker.
<v Speaker 5>You guys can find your own way out.
<v Speaker 1>That's it again, own way out. Philadelphia accents are so
<v Speaker 1>weird to me. The trickiest ones to pin down. The
<v Speaker 1>Pennsylvania ones are so yeah, they are hard. They're very
<v Speaker 1>hard to pin down because they're not they're very It's
<v Speaker 1>it's odd. They're obvious and they're subtle at the same time. Right,
<v Speaker 1>it's very easy to slip into just doing like a
<v Speaker 1>generic Southern or even right like you know, Midwestern accent
<v Speaker 1>or even Baltimore. Baltimore is kind of like that, similarities
<v Speaker 1>to it. Oh yeah, great, Turtles the fuck so bad.
<v Speaker 1>He sucks at acting. Well, I look at him and
<v Speaker 1>I'm just like, this is so you can't even drink
<v Speaker 1>a cup of coffee with that, you can't even eat soup.
<v Speaker 1>Making it look so is just sits across the boot
<v Speaker 1>from Kirk. These two have heat, so.
<v Speaker 5>Well, well, what have you learned about Williams and the
<v Speaker 5>Power Boys getting any closer to no one who's committing.
<v Speaker 1>These murders, getting any closer to know who's committing Of
<v Speaker 1>course ray Lloyd coming with like the ball busting questions.
<v Speaker 1>All right, so much tension because I want the sheriff
<v Speaker 1>election backstory, backstory, he beat ray Lloyd in the sheriff selection.
<v Speaker 1>That's why they've got heat.
<v Speaker 5>You know, no one from around his tall people like this.
<v Speaker 1>I've seen a lot of you wouldn't believe such, ship
<v Speaker 1>said ship, Well, our Olympic hero did what we need
<v Speaker 1>to do? Ray Lloyd's got a plan, Yeah, the sheriff,
<v Speaker 1>I'm the sheriff. What we need to do is and Kirk,
<v Speaker 1>what's his we ship? Yeah, but what we need to.
<v Speaker 2>Do is he Sometimes he sounds like Bill O'Connell. Sometimes
<v Speaker 2>I do too, like this is like this is the
<v Speaker 2>way Bill would would deliver lines, and ship, I saw
<v Speaker 2>a bunch of you know, back in the day when
<v Speaker 2>Hill in l a a mutual friend, had a lot
<v Speaker 2>of movies that starred Bill, and he sounds like he
<v Speaker 2>performed like Kurt Angle, Like that's how he delivers lines,
<v Speaker 2>like just so you know, he tries so hard but
<v Speaker 2>he comes across so fucking phony.
<v Speaker 1>And now look at him. That says it a face
<v Speaker 1>on this. You know, these they got big imaginations.
<v Speaker 2>He's so bad and he looks like he always looks
<v Speaker 2>so fucking tired. Yep, these cuts are so awkward. What
<v Speaker 2>a weird What a weird exchange that was?
<v Speaker 1>I know the night the day rather Kerne Angle came
<v Speaker 1>face to face with Glacier. He's so ugly too, his glacier.
<v Speaker 1>He's such an ugly guy. The fuck back on the
<v Speaker 1>fucking are you afraid of the dark set? The hunter gatherer?
<v Speaker 1>You are, you little fucker. How about I give you
<v Speaker 1>a blow job right now.
<v Speaker 2>I'll let you cover my mouth.
<v Speaker 1>My god, so excited about this big catch. They got
<v Speaker 1>huge fish on the boat. I mean, what are these
<v Speaker 1>people fishing at like midnight?
<v Speaker 2>Here?
<v Speaker 1>Why is everybody doing stuff this late at night?
<v Speaker 2>Yeah, there's the chains again. We have a nose and
<v Speaker 2>ears on this guy.
<v Speaker 1>Holy shit, is the caricature waiting to happen?
<v Speaker 2>He really is. I mean, he is a Norman Rockwell
<v Speaker 2>painting cutting fish. I want to use the real fish
<v Speaker 2>when we get the smell out there of fish. You
<v Speaker 2>know that's the kind of thing else. No, I don't, Yeah,
<v Speaker 2>you know I wouldn't. I'd be home by now.
<v Speaker 1>Yeah. Something was really bothering and distracting mister two am
<v Speaker 1>fisherman fucking walking like a penguin here? What's out there
<v Speaker 1>on the fog for this question? Because it's smelling.
<v Speaker 2>Oh oh, and that's their big reveal, by the way,
<v Speaker 2>said said, oh.
<v Speaker 1>Night acts to the back, it said, with the reach
<v Speaker 1>and the yank of the chain and that puts another
<v Speaker 1>hook through this portiun of a bitch when clicking match.
<v Speaker 1>My god, they look like w W Tag Team and
<v Speaker 1>it looks like a vignette they do to introduce new
<v Speaker 1>talent Jim Hurd. They're all taking turns, hacking away with
<v Speaker 1>axes at this poor schmumt uh Nash with the eyes
<v Speaker 1>some contacts in them.
<v Speaker 2>Now, let's get that cutaway of the dropping of the ice,
<v Speaker 2>and they are contacts in and then you can fucking
<v Speaker 2>Nash acting right.
<v Speaker 1>They covered his go tee too with all black.
<v Speaker 2>And that's it, by the way. That's that's the that's
<v Speaker 2>the thing he's complaining about. You know, we fucking you
<v Speaker 2>know just walked up to come out of the wall. Oh,
<v Speaker 2>I see come out right now. You're clearly supernatural characters.
<v Speaker 1>But you also don't even come out of the water
<v Speaker 1>like you don't see that. She runs into the diner
<v Speaker 1>and asks for Clark's help. Lark being glacier by.
<v Speaker 2>The way, Yes, god, he fucking kneels down like a
<v Speaker 2>fucking idiot.
<v Speaker 1>I can't do it. They right, he can't do anything.
<v Speaker 1>He can't He's so stupid. You sure you saw this
<v Speaker 1>Glacier taking in the details and their eyes. Everyone does
<v Speaker 1>a real looker here in your po dunk, sure you have.
<v Speaker 1>You should have been drinking right right. Thinks she's k
<v Speaker 1>faving him. Well you would know, correct, she's saying these
<v Speaker 1>you know, National sid have risen from the dead.
<v Speaker 6>Organize dishonest to you.
<v Speaker 1>I guess that is one way of putting it in
<v Speaker 1>his face. We make movies really good one especially for
<v Speaker 1>u TC. Yeah, back to looking like a porn again.
<v Speaker 1>So is isn't it Helmsley? Yeah, there's no way this
<v Speaker 1>guy doesn't pull over and get a three way start.
<v Speaker 2>I mean, seriously, dude, stop the car now and and
<v Speaker 2>and banging the two blondes that are sitting next to you.
<v Speaker 2>We me tell you there's nothing platonic going on in
<v Speaker 2>that fucking.
<v Speaker 1>Car from his Kurt on the case.
<v Speaker 2>Even keep his pants right. God, he's such a disaster.
<v Speaker 1>There's no charisma on the big sway.
<v Speaker 2>Uh huh, Like what fucking sheriffs those kinds of shoes,
<v Speaker 2>you know.
<v Speaker 1>A new age sheriff. I guess the cemetery they already
<v Speaker 1>buried him. It didn't happen last night, right. I know
<v Speaker 1>you're going through a very tough time happened. I need
<v Speaker 1>to find out what happened.
<v Speaker 4>I'm trying so hard to get that horrific scene out
<v Speaker 4>of my mind.
<v Speaker 1>Yeah, you know what, a lot of us watching this movie,
<v Speaker 1>you're trying to get that horrific scene out of our
<v Speaker 1>mind too. I agree with that, not just one though.
<v Speaker 1>There are quite a few scenes burying your second husband,
<v Speaker 1>what happened to the first? Why do we need that information?
<v Speaker 4>Like?
<v Speaker 2>Why does it need to be her second husband? What
<v Speaker 2>does that fucking do for the story?
<v Speaker 1>It adds three dimensions to the character.
<v Speaker 2>Doesn't quite a bit.
<v Speaker 1>Mean? While at a gas station in nineteen fifty two,
<v Speaker 1>truck sooks I kind of gas station that h Fritz
<v Speaker 1>pulled over and during his honeymoon to look at the
<v Speaker 1>Dallas Morning News to see that he had been cut
<v Speaker 1>from his scholarship at Baylor for getting married.
<v Speaker 5>We're looking for the river.
<v Speaker 1>It's gonna be porn. This is totally like we're paranormal researchers.
<v Speaker 1>Paranormal researchers.
<v Speaker 2>I'm autumn bottom boutumn, Like, haven't you read the paper?
<v Speaker 1>Well, suck your deck totally, haven't you read the paper?
<v Speaker 1>It's kind of all over the news and I'm like to,
<v Speaker 1>you know, come all over me. We're unting ghosts, not fish.
<v Speaker 2>You'll be swimming with fish.
<v Speaker 1>Ooh, swimming so bad. This sucks so much. It's so bad,
<v Speaker 1>like like like you're editing this movie and this is
<v Speaker 1>the best you can do, right, Like you watch this
<v Speaker 1>and you're like, yeah, you know what, I'm okay with this.
<v Speaker 1>This is how it's gonna go.
<v Speaker 2>I just don't.
<v Speaker 1>I don't fathom that. I I mean, I mean, what
<v Speaker 1>do I know?
<v Speaker 2>Again?
<v Speaker 1>You know what do I know? But I I I
<v Speaker 1>have higher expectations for myself in ship like this, and
<v Speaker 1>I you know, you can certainly tell me I'm wrong,
<v Speaker 1>but I think I've got a decent ability to to
<v Speaker 1>to cut something together that looks better than this. Do
<v Speaker 1>you think he had, they had the stuff to work with.
<v Speaker 1>I just couldn't go ill.
<v Speaker 2>I mean, I know you're gonna you get your you know,
<v Speaker 2>I know that. I know your guys are looking for
<v Speaker 2>a payday, but I can't imagine the budget is crazy.
<v Speaker 5>Shit.
<v Speaker 1>You just walking into the old man's store, Kurt Angle,
<v Speaker 1>that's it snuck up on him, scared the ship out
<v Speaker 1>of him. Brother, Those rolled golds in the background there.
<v Speaker 2>Like, imagine, imagine kurd Angle, Kurt Angle and Glacier salary
<v Speaker 2>are probably among the highest. I can't imagine. Nash and
<v Speaker 2>sids are too crazy. But like, I don't know from
<v Speaker 2>what this guy, you know, all of his fucking connections,
<v Speaker 2>he apparently has the equipment to use shiit. But again,
<v Speaker 2>I feel like you know when you're when you spread
<v Speaker 2>yourself too thin, When you can do when you can
<v Speaker 2>do the jobs of twenty people with two or three,
<v Speaker 2>it means you're not really focused on on on the
<v Speaker 2>things you should be focusing on the.
<v Speaker 1>Most absolutely, you know, another old man is regaling kard
<v Speaker 1>Angle with stories about how Henry Hicks killed motherfuckers. App
<v Speaker 1>to get the real story out of the sky, you
<v Speaker 1>gotta sneak up on him and make him afraid you're
<v Speaker 1>gonna fucking kill him.
<v Speaker 2>You gotta give him. You know, he's gotta be one
<v Speaker 2>step close to a heart attack. Riff raff.
<v Speaker 1>That's always cracks me up. Places like this, like a
<v Speaker 1>bait shop or a place that serves a purpose other
<v Speaker 1>than to be a common vittler is selling like chips,
<v Speaker 1>Like who buys a back of chips at a bait
<v Speaker 1>shop and just can imagine him like scanning that in, like,
<v Speaker 1>you're really gonna buy this from here? Right now? Do
<v Speaker 1>you know how all these fucking chips right right? Even
<v Speaker 1>if they're not like, why do you buy chips from me? Right? Well?
<v Speaker 1>I don't even know why I stalk these things.
<v Speaker 2>I mean I don't doesn't I just stock them because
<v Speaker 2>I'm usually get hungry, but I'm working right right.
<v Speaker 1>But you're gonna pay you actually want to buy something?
<v Speaker 1>If you're gonna pay for them, I guess it. I
<v Speaker 1>guess you can. I'll tell you what I will. I
<v Speaker 1>will sell these. One thing cost me two dollars to buy.
<v Speaker 1>You get it for ten dollars, he said. Andicaps hot
<v Speaker 1>fries mean that much to you. I mean, last time
<v Speaker 1>I had those, that just came out my ass, bleeding right.
<v Speaker 1>Small town Justice, small town justice, Justice Hell said Justice. Yeah.
<v Speaker 2>Thought I like him. Actually, I gotta say maybe too.
<v Speaker 2>I mean, I'm sure it's probably also due to the
<v Speaker 2>fact that it's the best that we can get at
<v Speaker 2>this point. But I think he's pretty good. He's he's invested,
<v Speaker 2>like he's he's got something behind the eyes spirit, he
<v Speaker 2>did his homework. I think he might have actually analyzed
<v Speaker 2>his scenes, right. I think he might have broken it
<v Speaker 2>down and figured out uh a a a an objective
<v Speaker 2>for each line that he that he had, and went
<v Speaker 2>down and actually broke down the lines into their own
<v Speaker 2>individual arcs. I get the idea that he did his homework.
<v Speaker 2>Old man was fucking old Man Marley here.
<v Speaker 1>That matters. I know that's true. Church music plays.
<v Speaker 2>We need more Roberts blossom under the cinema.
<v Speaker 1>He is, he looks like him. This woman is.
<v Speaker 2>She has yet to leave the church, so it really
<v Speaker 2>is RockA con right still at the fucking church.
<v Speaker 1>The fuck cart approaches again, try again to get this
<v Speaker 1>woman to stop squatting here. He hasn't had much luck
<v Speaker 1>with that category. You know why she's praying. This is
<v Speaker 1>why my husband is fat. Oh my god. He's a
<v Speaker 1>lapsed fan wrestling podcast with Jack and Carnasio and Jpi Sooro.
<v Speaker 1>He's a lapsed fan wrestling podcast.
<v Speaker 4>I need to know who's responsible for who's responsible?
<v Speaker 2>I'm responsible, you're responsible, right, So.
<v Speaker 1>This woman is praying the church and knew this was coming.
<v Speaker 1>She foretold these her a fing acts. Now, Kirk need
<v Speaker 1>to help to identify the purp. I knew what was
<v Speaker 1>gonna happen, you say, identified the purp or the perp,
<v Speaker 1>Kurt or the Kurt. Identify the perv. It'll be a
<v Speaker 1>little harder. Mary, Mary, That's what he's saying. What do
<v Speaker 1>you want? You want the moon? You want the moon?
<v Speaker 1>Ry go up and last of it for you? Oh,
<v Speaker 1>last pull it down for you, completely ruin the tides. Yeah,
<v Speaker 1>you have no thought about that, you know, but astronomical
<v Speaker 1>high tides. You know.
<v Speaker 2>It's like what are you doing to gravity and everything? Like?
<v Speaker 1>What's wrong with you? Uh? Do you.
<v Speaker 2>Like that old radio? Like that fuck works?
<v Speaker 1>Oh? Jumping in that bed looks like there might be
<v Speaker 1>some some sex going on here. Oh, this is the
<v Speaker 1>guy from Night a Living Dead, tossing and turning brother.
<v Speaker 2>Brother, dude, don't want me up, brother, No dude.
<v Speaker 1>No duns sat up like dude, brother. The fuck's going on? Dude?
<v Speaker 1>His slippers on?
<v Speaker 2>Never understood that?
<v Speaker 1>Do you like? Do you do you put slippers on
<v Speaker 1>when you wake up?
<v Speaker 2>You're like, can younot? Can you walk down the stairs
<v Speaker 2>out have slippers on?
<v Speaker 1>I certainly can? I try. I usually do that when
<v Speaker 1>it's you know, dead of one. Yeah, this sky in
<v Speaker 1>fairness doesn't know if he's walking down to fight for
<v Speaker 1>his life, or if he's just walking down a check
<v Speaker 1>on a window that was left open. I want to
<v Speaker 1>have a little foot cover when you walking into a
<v Speaker 1>situation like that. I also don't think he knows the
<v Speaker 1>ass from a hole in the ground but right, which
<v Speaker 1>is funny because he's in a hole in the ground
<v Speaker 1>in the form of his basement. Right. It is very true,
<v Speaker 1>and ironically he thinks he's in his ass right. Excellent point.
<v Speaker 2>Like where's the blue light? Where's this blue light coming from?
<v Speaker 1>It's like an undertaker entrance.
<v Speaker 2>I you know, I don't.
<v Speaker 1>I know.
<v Speaker 2>Sometimes if you've got a better cinematographer, it works, but
<v Speaker 2>I do not understand. Like where the light is coming
<v Speaker 2>from makes no fucking sense.
<v Speaker 1>And he sees said that black nakeup on his face.
<v Speaker 1>I kill you, I kill you, I kill you stuck
<v Speaker 1>on knife. Right, This is very almighty thorn that they
<v Speaker 1>they don't show the the actual source of the wound.
<v Speaker 1>They just show the face reacting to be fucking fid
<v Speaker 1>What an idiot? Ah? Oh he sucks, Oh my god,
<v Speaker 1>what the fuck was that? He just is this babe, Ruth?
<v Speaker 1>I told you to call him Ruth. I was about
<v Speaker 1>to get hacked to death by Dog the bounty hunter
<v Speaker 1>and Kevin Nash. Oh, it's all a dream, dude. Oh
<v Speaker 1>it's like, Oh my god, my chest is like Chris
<v Speaker 1>Jericho's right now. Totally feels like it. The fuck.
<v Speaker 2>When he turned after he when he was walking backwards
<v Speaker 2>from getting stabbed by sid and then he just turned
<v Speaker 2>as a fucking uh left face. I was dying.
<v Speaker 1>That's hilarious. Yeah, I mean, what the when? Why?
<v Speaker 2>Bruce Kohler, I can't why, dude, why?
<v Speaker 1>I had the same question on that side.
<v Speaker 2>And speaking of why, what are they doing? Why are
<v Speaker 2>they on this boat in the dead of night?
<v Speaker 1>The porn star and the guy the porn stars and
<v Speaker 1>the guy I should say, got some kind of like
<v Speaker 1>supernatural extraterrestrial whatever it is detector going off? You know
<v Speaker 1>what exactly? There's the chains again, telling me a lot
<v Speaker 1>on the river.
<v Speaker 2>Oh my god, what we had? Oh my god, let
<v Speaker 2>me suck your cock. I can't believe it. Yes, I
<v Speaker 2>don't know about something really big got your cock.
<v Speaker 1>Right to that A meter is going crazy. There's definitely
<v Speaker 1>some paranormal activity. That's the word I was looking for.
<v Speaker 2>A paranormal fucking identifier thing like a fucking p K
<v Speaker 2>meter from Ghostbusters. Right, I'm feeling, well maybe, God, it'd
<v Speaker 2>be so much, it'd be so much better if it
<v Speaker 2>was a porn.
<v Speaker 1>Ship. So a hand just emerged from the from the
<v Speaker 1>drink and yanked Mackenzie into the the bottomless it's black surf.
<v Speaker 3>It's over, Jenny, it's.
<v Speaker 1>Over Ken's he no, now she's so much she's getting
<v Speaker 1>fucked too, Yeah, for sure, No, no, no, oh my god,
<v Speaker 1>So those hands just snatched the utder she was using
<v Speaker 1>or not the utter utter Kenzie's gone more fish yeahs
<v Speaker 1>at the end, does not leave this fucking place. No,
<v Speaker 1>I'm sure. Had nothing but kind words to say aboutkern Angle.
<v Speaker 1>Oh he's a great guy, great to work with, really
<v Speaker 1>wanted to learn the craft. I really appreciate the hard
<v Speaker 1>work you put in there. You know, he's got a
<v Speaker 1>lot of tough scenes. Definitely, he'd sit with me for
<v Speaker 1>a long time at lunch, you know, asking how he
<v Speaker 1>could get better. Just you know, he was always what
<v Speaker 1>I really appreciated about it. He's always willing to learn,
<v Speaker 1>always took direction really well, okay, buddy, human or spirit.
<v Speaker 2>And then the next day I said it home with
<v Speaker 2>my pants off, wondering what I was doing, and I said,
<v Speaker 2>you know what, it's time to spread peanut butter on
<v Speaker 2>my pubic.
<v Speaker 1>It's talking about good and bad people. If they are
<v Speaker 1>good and bad people, there must be good and bad spirits, right, Kirk?
<v Speaker 2>And who is this woman?
<v Speaker 1>Now? Who's peeling? This woman fell out of the sky.
<v Speaker 1>She's going out for nightcrawlers. That means, I mean usually
<v Speaker 1>that means perverts. I think then, and what is she
<v Speaker 1>She's peeling sweet potatoes. He's got a ton of corn.
<v Speaker 1>And this again looks like the dead of night. And
<v Speaker 1>she's letting her daughter go out looking for night crawlers.
<v Speaker 1>She's preparing dinner at like ten thirty at right exactly. Boom,
<v Speaker 1>boom boom. This is the porn scene. I can't relate
<v Speaker 1>to these interiors at all. This I don't know, like
<v Speaker 1>where this is supposed to be places that look like this?
<v Speaker 1>How many more people? What is that hat? What has
<v Speaker 1>he got his hat? He's got a fucking badge, an
<v Speaker 1>id badge for a workplace, attached to his baseball cat.
<v Speaker 1>So we're on the bar now, guys talk about how
<v Speaker 1>this town's going a shit, et cetera. They find this
<v Speaker 1>bar keep in like nineteen eighty two, A w A Jacob,
<v Speaker 1>This looks like it was the bar in the Yeah,
<v Speaker 1>the rest wrestler.
<v Speaker 2>I wondered if one of these guys was uh if
<v Speaker 2>Kurtingle's brother made it into the movie, but I don't know.
<v Speaker 1>I don't know. I feel like I would have recognized him,
<v Speaker 1>but I'm not positive. I one Eric, the one who
<v Speaker 1>did tie look like a fucking over Yeah, like he'd
<v Speaker 1>been through some ship. On the Andy doc on his brother,
<v Speaker 1>I'll tell you that he stood out as someone who's
<v Speaker 1>been up against it and forced to play pretend to
<v Speaker 1>save his own ass. The other brother he has was
<v Speaker 1>totally down to earth. Noah doesn't believe in God. How
<v Speaker 1>are you going to fight these demons from hell when
<v Speaker 1>you don't have God on your side? Is the talk?
<v Speaker 1>It's the talk around the bars, you know. And the sheriff,
<v Speaker 1>he is an elected position. He needs to worry about
<v Speaker 1>how he's perceived in the community. And he could do
<v Speaker 1>a tearful interview with the local news station. It's going
<v Speaker 1>to take a little time to build our brand. Right.
<v Speaker 1>She is still at the church. She has not left.
<v Speaker 1>She continues to pray and hold vigil. You know, of God,
<v Speaker 1>killing for the benefit of society is not necessarily wrong
<v Speaker 1>in the eyes of God. Okay, we will kill you
<v Speaker 1>without a trial. Ah, it's a good one. Harvey Hicks.
<v Speaker 1>Do you ever wonder how convenient the timing on it was?
<v Speaker 2>You look at this movie right here, and you're looking
<v Speaker 2>at you know what, This is a commentary on our
<v Speaker 2>society right now. Harvey Hicks needs to be sacrificed.
<v Speaker 1>I saw a movie with Harvey Hicks.
<v Speaker 2>Hey, you know what? You ever met Harvey Hicks?
<v Speaker 1>Nope, you can't say I had to. Jess, do you.
<v Speaker 2>Ever let your daughter go out in the middle of
<v Speaker 2>the woods to look for worms in the middle.
<v Speaker 1>Of the night? Help?
<v Speaker 2>Would you let your daughter do this?
<v Speaker 1>And her she's just walking into sure obliteration? Yeah, she's
<v Speaker 1>out there looking for Bryan Clark's Oh that was that? Now? Sorry?
<v Speaker 1>That was night stalker?
<v Speaker 2>What is wrong with you?
<v Speaker 1>Girl? There's the acts? Larry Hennick, what's that? What are
<v Speaker 1>you doing? Who are you? You're really going to hack
<v Speaker 1>this girl to death? Come on, now, we're reading a magazine,
<v Speaker 1>not looking at the databases. It's jerking off, clearly, fucking
<v Speaker 1>J C.
<v Speaker 4>Penny catalog at the bras Caleb. Yeah, yeah, Sally, what's
<v Speaker 4>going on?
<v Speaker 1>She sounds a little worried there, buddy, Uh, how can
<v Speaker 1>I help you? All right? What's going on? Even fucking
<v Speaker 1>hyperventilating on the phone? How can I help you? Come over?
<v Speaker 1>It starts hitting on it for old times sake? You
<v Speaker 1>know about hey, you about one for the road. I'm
<v Speaker 1>talking about your problem? What the fuck?
<v Speaker 4>Yes?
<v Speaker 1>Oh, wouldould buy herself? Has anything to come lodged in
<v Speaker 1>her throat? Yes? Even though he knows his daughter's got slaughtered.
<v Speaker 1>Has she been involved in a household accident? This guy's
<v Speaker 1>a straight up bitch. He looks like a psycho too.
<v Speaker 1>Imagine you're the sheriff's apartment. A woman calls you in
<v Speaker 1>a panic. Her daughter's missing. You're you're pretty sure that
<v Speaker 1>she could murdered. Just hang the phone up on the mom.
<v Speaker 2>Why, here's your jaws moment?
<v Speaker 1>Here right carefully, she's so good at fighting drops down?
<v Speaker 1>What a moron?
<v Speaker 2>Angle doesn't even fucking flint. She's like, get her away
<v Speaker 2>from me.
<v Speaker 1>Everyone in this movie sucks. I don't want to step
<v Speaker 1>on your toes.
<v Speaker 2>On your toes, but maybe fuck you.
<v Speaker 1>They don't think the sheriff would handle it.
<v Speaker 2>Glaciers there, of course he is.
<v Speaker 1>He's campaigning.
<v Speaker 5>Are you going to realize what's really going on here?
<v Speaker 1>It's really going on here, right, Lloyd? Look?
<v Speaker 2>What the fuck is a pause going on? Apparently?
<v Speaker 1>Hands because some ghost stories old times talking about stay
<v Speaker 1>out of it. I'm warning stay out of it, morning,
<v Speaker 1>you stay out of it, Kurt says to Glacier. Glacier,
<v Speaker 1>I never thought i'd say, I know this is It's like, uh,
<v Speaker 1>it's like Batman and fucking iron Man meeting. Eagle has landed,
<v Speaker 1>Kicker killed.
<v Speaker 2>I'm not letting this ship go on any longer.
<v Speaker 1>Mister angle sheriff. Agle has competition.
<v Speaker 2>Oh god, that's probably his real truck, I would think.
<v Speaker 2>So there's still stuck on the river.
<v Speaker 1>Oh the porn star. I haven't had sex yet, come on,
<v Speaker 1>pulling the cord in the engine trying to get it
<v Speaker 1>in the.
<v Speaker 2>Oh, I lost my glasses literally, right?
<v Speaker 1>What are we doing here? What are we doing here? Them?
<v Speaker 5>You have no interest in paranormal activity?
<v Speaker 1>Why this town?
<v Speaker 5>I don't know.
<v Speaker 1>She can't answer why we're there. She saw it on
<v Speaker 1>the paper and she thought it'd be fun. And now
<v Speaker 1>your friend's dead. Do you think we could be headed
<v Speaker 1>toward a waterfall? The question is that?
<v Speaker 2>What is damn?
<v Speaker 1>She suddenly just said do you think we could be
<v Speaker 1>headed towards a waterfall? And he says no, it'd be
<v Speaker 1>a damn It'd be a damn buck goddamn shame is
<v Speaker 1>what it would be. This movie is a goddamn shame.
<v Speaker 1>I was trying to hold it together, but she's not
<v Speaker 1>doing a great job. She's having a meltdown. She's awful.
<v Speaker 2>River of darkness. Do you feel about it?
<v Speaker 1>I I I'm at a loss. It doesn't get better.
<v Speaker 2>It does not. Hey, you know what, It gets worse
<v Speaker 2>before it gets better, that's for sure.
<v Speaker 1>Absolutely. Oh now back to the dead guy. What an
<v Speaker 1>actor this guy is. Let's fucking light up the oscar
<v Speaker 1>right now. He's awful.
<v Speaker 2>He's legendary.
<v Speaker 1>That's the problem, that's right, he is. Fuck that legend.
<v Speaker 1>Fucking legend. How about it? How about it?
<v Speaker 2>Feel it? You need it, you get it? You understand,
<v Speaker 2>didn't didn't.
<v Speaker 1>Right dum? Then he's back walking around his basement hoping
<v Speaker 1>to not get stabbed.
<v Speaker 2>Oh my god, is.
<v Speaker 1>He finally getting what he's looking for here?
<v Speaker 2>How many even he knows what he's looking for.
<v Speaker 1>Saw a shadow and effigy move outside his from there.
<v Speaker 1>What's going on outside? That's what I'm trying to figure
<v Speaker 1>out here. Yeah, let's step outside. Always got a gun,
<v Speaker 1>Got a fucking rifle, all right, or shotgun or something?
<v Speaker 1>He is armed. Barrel took up a long enough time
<v Speaker 1>to figure out he should probably be packing in this circumstance.
<v Speaker 1>Uh oh, got a burlap sack, sack wrapped over his head.
<v Speaker 1>Tan Tan got away to the Mexico. Yeah, you got
<v Speaker 1>that twanging guitar.
<v Speaker 5>Do it again.
<v Speaker 1>I love playing it on the beat.
<v Speaker 2>You like a red out.
<v Speaker 1>Talking ship, playing cards in the gas station.
<v Speaker 2>I love you, I love your mama. Just reaching that
<v Speaker 2>cash box because I got myself a full boat.
<v Speaker 1>Boat Jackson, read them and week.
<v Speaker 2>This guy's awesome.
<v Speaker 1>One jack off, one jack off, get it, get it.
<v Speaker 5>Like you got's out there, No good, Clark Higgins.
<v Speaker 1>I'm gonna take the glacier the gas right, you can
<v Speaker 1>get that done right. I'm Glacier. You can do what
<v Speaker 1>I gotta do. I'm doing what I have to do.
<v Speaker 1>You do what you gotta do. I'm Glacier, Glacier giving
<v Speaker 1>orders and a single soul listening to him. Let's say
<v Speaker 1>it takes me out of the movie.
<v Speaker 2>Yeah, yeah, for sure.
<v Speaker 5>By time you do something around here, Russell, what do
<v Speaker 5>you guys to hunt?
<v Speaker 1>Hunting bitches? Don't about the hell you're hunting this time
<v Speaker 1>of night, squirrels.
<v Speaker 2>Get me a six pack as well, right, get a home.
<v Speaker 1>It is he pissing what.
<v Speaker 2>He sees.
<v Speaker 1>He sees a body in the back, and he does nothing.
<v Speaker 1>Mm hm, you're right, ray Lloyd, circling this recumference of his.
<v Speaker 5>That's not a big sack.
<v Speaker 2>That's an awful back. Let me handle this, Phil, Let
<v Speaker 2>me handle this all right. I got this. You get
<v Speaker 2>back inside and be a bitch.
<v Speaker 1>All right there? It is good job he's doing gassing up?
<v Speaker 1>What Oh? He's filling a gas canister in the back
<v Speaker 1>of his truck, is ray Lloyd.
<v Speaker 2>Let's go. I need beer. I can't do without beer.
<v Speaker 2>Don't make me do without bear. I need bear.
<v Speaker 1>Are you supposed to not supposed to show real license
<v Speaker 1>plates in a movie unless they bought it for the movie. Oh,
<v Speaker 1>I see, Phil, Things going on there.
<v Speaker 5>I don't know, but I've been here long enough to
<v Speaker 5>know them boys. Squirrel hunting my hands.
<v Speaker 1>Yeah, that's a gas station though. They're up to no good.
<v Speaker 1>And look at the phones. Man going on supposed to
<v Speaker 1>be a period piece?
<v Speaker 2>Really, I don't know.
<v Speaker 1>And hang up on him too, Tony, Hm, the fuck's
<v Speaker 1>going on?
<v Speaker 5>Yeah?
<v Speaker 1>This is Phil, Phil at the filler up, Phil down
<v Speaker 1>at the filler up? Okay? Or perversions and that no
<v Speaker 1>good son of a bitch.
<v Speaker 5>Russell Reeds.
<v Speaker 1>Telling the sheriff's deputy hear that they just bought some
<v Speaker 1>boat field headed towards the river.
<v Speaker 5>I know there's nothing strange about that. What was strength?
<v Speaker 2>But they're fuckers there, assholes?
<v Speaker 1>What do you mean they have tied up in the
<v Speaker 1>back of the truck the truck he thinks a human
<v Speaker 1>body was back there. Fucker.
<v Speaker 5>Squirrel hunting at night?
<v Speaker 1>Yeah, no one does that. One squirrel hunts in the
<v Speaker 1>first place.
<v Speaker 2>That's right, No one hunts squirrel.
<v Speaker 5>Human foot. They got real quiet when I asked about
<v Speaker 5>that set. We appreciate the phone call.
<v Speaker 2>You hang tight, You hang tight, pal moving, I'm gonna
<v Speaker 2>put this up, put this rifle in my mouth.
<v Speaker 1>This guy is not an aggressive cop. I'll just be
<v Speaker 1>I'll just put it that way. This is well Kentucky.
<v Speaker 5>He said that Clark Higgins and Russell Reeves loaded up
<v Speaker 5>a whole bunch of boat fuel and headed down.
<v Speaker 1>To the river.
<v Speaker 5>Thought that he saw a body tied up in the back.
<v Speaker 2>So this guy basically filmed all of his scenes in
<v Speaker 2>one day because he's just sitting on his ass at
<v Speaker 2>the fucking.
<v Speaker 5>River.
<v Speaker 1>Kurt being made aware of the nine one one call
<v Speaker 1>from someone strength it out on the river, Like, what
<v Speaker 1>the fuck is going on? Kurt has utterly failed to
<v Speaker 1>invest me in his character in any way, shape or form.
<v Speaker 2>Yet he's invested thirty percent of the of the of
<v Speaker 2>the company who made right.
<v Speaker 1>I point that out because that's supposed to be the
<v Speaker 1>driving force of the film and it's failing on that front.
<v Speaker 1>Kurt is, where the hell have you been?
<v Speaker 5>Take kicks down in the river.
<v Speaker 1>I'll work on the boat.
<v Speaker 2>You got it is in the boat by the river.
<v Speaker 2>Maybe not God? What God look at look at him
<v Speaker 2>in his fucking his pear shaped body, had him in
<v Speaker 2>the back of the truck.
<v Speaker 1>You're shitting me, Glacier saying he has Harvey Hicks in
<v Speaker 1>the back of the truck.
<v Speaker 5>They were chasing this more trying to steal a boat.
<v Speaker 5>Are you really doing this damn straight.
<v Speaker 1>We are damn straight.
<v Speaker 3>We are.
<v Speaker 1>All right.
<v Speaker 5>Put down that damn beer.
<v Speaker 2>These guys are fucking martial artist.
<v Speaker 1>Get ready to go? Where where are they getting ready
<v Speaker 1>to go to? Homes? Tie him up, Jacob boys, and
<v Speaker 1>go to the bathroom. You're really gonna just leave him
<v Speaker 1>out there?
<v Speaker 5>Damn straight. Finally we can put an end to all
<v Speaker 5>this terror.
<v Speaker 1>Shut the fuck up and all this terror. There's a
<v Speaker 1>war on terror. We'll see. I'm still sitting here.
<v Speaker 2>I mean, Glacier's got a juicy part here.
<v Speaker 1>Oh yeah, he guess more screen time than Kernengle. I
<v Speaker 1>feel like, I know, at least equal more than Kevin
<v Speaker 1>Nash and sid for sure. Look at this, Jesus Christ,
<v Speaker 1>what a joke rolling out.
<v Speaker 2>Ozark. That's a different show.
<v Speaker 1>Apparently the name of this boat as well. What the
<v Speaker 1>fucking what is he doing? What are you doing at night?
<v Speaker 2>Doing this? Like nobody has any business doing the ship
<v Speaker 2>they're doing at night in this movie.
<v Speaker 1>Give me for forgetting, But has there been a single
<v Speaker 1>scene in this film in the daytime? There have been
<v Speaker 1>a few, like most of the most of the the
<v Speaker 1>bait shop, the bait and tackle shop.
<v Speaker 3>But like.
<v Speaker 1>Every time somebody gets murdered in this movie.
<v Speaker 2>It's they're always doing a weird thing in the middle
<v Speaker 2>of the night.
<v Speaker 1>But it's in the wheelhouse. Kurt hands this boatman big
<v Speaker 1>old rifle, andsys put this in the wheelhouse. Yes, Kurt
<v Speaker 1>Angle is effectively commandeering this guy's boat, forcing him to
<v Speaker 1>drive it wherever. He says. I'm standing there his fucking
<v Speaker 1>legs wide open like that just looks so stupid. You know,
<v Speaker 1>it appears some of the townspeople are taking matters into
<v Speaker 1>their own hands. Does appear that way, Kurt, He's really
<v Speaker 1>worried about members of the community taking the lawn to
<v Speaker 1>their own hands. That's his job, But he's a shitty
<v Speaker 1>sheriff can do ship sheriff's worst nightmares presiding over vigilante justice.
<v Speaker 1>Police are the only ones that are supposed to have
<v Speaker 1>a monopoly and violence, commit violence about going away for
<v Speaker 1>a long time.
<v Speaker 5>Shoot me.
<v Speaker 1>So much banter.
<v Speaker 2>It just doesn't stop trying to create characters, you know
<v Speaker 2>that they could kind of people could relate to. You know,
<v Speaker 2>they're just talk about real things to talk about, you know,
<v Speaker 2>what's going on their lives and what's and all these
<v Speaker 2>different things.
<v Speaker 1>I just I just wanted to create.
<v Speaker 6>You know, I wanted to create a a horror movie
<v Speaker 6>that had had some soul to it, you know, and
<v Speaker 6>so I thought that it would really, it would really
<v Speaker 6>benefit from mac from a performer like Kurt Angle, who's
<v Speaker 6>just got a a physical presence that is unlike anything
<v Speaker 6>I've ever seen before.
<v Speaker 5>Down there to the left.
<v Speaker 1>Find a little bit on the boat here something I
<v Speaker 1>can't make it up.
<v Speaker 5>I see it, I see it.
<v Speaker 1>Angle seems to have a little easier time acting when
<v Speaker 1>he's in tight confines like that for one other character
<v Speaker 1>to work off of. What did they find?
<v Speaker 2>It's the paranormal researchers, But what did.
<v Speaker 1>The Okay, so the paranormal researcher, this boat, it's new
<v Speaker 1>lease on life. There it is.
<v Speaker 5>And get warm.
<v Speaker 1>Okay, Kurt, thanks you come up here and get warm.
<v Speaker 1>I've got I've got a bed with a with a
<v Speaker 1>with some nice candles and some music playing. That seems
<v Speaker 1>they're going to come on board, whether you invite them
<v Speaker 1>or not.
<v Speaker 2>That seems to be the way of Kurt life.
<v Speaker 1>God, these glasses, you know, if.
<v Speaker 2>Alive, why don't you swim for fus sake?
<v Speaker 1>Ohash Nash rises from behind and kills the boyfriend with
<v Speaker 1>an axe to the top of the head. There's the
<v Speaker 1>eyes of the big sexy that's right.
<v Speaker 2>With the big sexy eyes, those big daddy cool eyes.
<v Speaker 1>Oh, bullet to the chest of Kevin Nash. But who
<v Speaker 1>fired the gun? Kurd?
<v Speaker 2>Angle shoot, I'm already dead.
<v Speaker 1>Okay, comes Kurt, loading and firing. No Nash snatch his gun,
<v Speaker 1>pulls him down off the steps. Double goozle, Double goozle.
<v Speaker 1>It's got Angle pinned up against the wall by his throat.
<v Speaker 1>It's a jackknife right to the shoulder and Ash. This
<v Speaker 1>might be the only time Kevin Nash and Kurd Ankle
<v Speaker 1>worked each other in two thousand and nine. It must
<v Speaker 1>have had at least one match. I just don't remember it.
<v Speaker 1>We're in the main event Mafia together, so they weren't opponents.
<v Speaker 2>Hair is so awful.
<v Speaker 1>Ash oh a NEOs appears out of nowhere and hooks
<v Speaker 1>Nash's throat. A fuck.
<v Speaker 2>Yes, think about it.
<v Speaker 1>Angle loaded rifle turned to shoot Nash, and Nash was
<v Speaker 1>disappeared from the Noos cinema. It's more than cinema, my friend, cinema.
<v Speaker 1>Make that cap of Gall sandwich comical? What is comic gall? Anyway? Carnival.
<v Speaker 1>I know what that is, a carnival sandwich. It's the
<v Speaker 1>way back at the gobby, Gobby go. It looks like
<v Speaker 1>it looks like.
<v Speaker 2>It looks like what Carter's.
<v Speaker 1>Boat back in the captain's chambers or whatever, watching the
<v Speaker 1>boat navigate his kurd angle the lights.
<v Speaker 2>Like where is this light coming from? That is that
<v Speaker 2>is hitting their face?
<v Speaker 1>This looks like moon reflecting off the water. It's it's
<v Speaker 1>it's like we're reflecting off a building and going directly
<v Speaker 1>into their eyes. Right, yeah, I guess.
<v Speaker 5>Lock the doors.
<v Speaker 1>And pressing upon them. The importance of locking the doors
<v Speaker 1>because like, you don't see that light here now, oh
<v Speaker 1>you don't. Actually you don't see that blue light that's
<v Speaker 1>coming in right, That coming only exists when they're in
<v Speaker 1>shooting inside the cabin. Uh oh.
<v Speaker 2>Clark, Look, look, I got some dialogue I want to
<v Speaker 2>share with you here.
<v Speaker 1>Yeah, right lines, keep an eye for one of those
<v Speaker 1>old power lines. So ray Lloyd's vigil ante going into
<v Speaker 1>business with this guy who's concerned about the community on
<v Speaker 1>his boat, and they're out there trying to I don't know,
<v Speaker 1>they're going to kill. Seem like a couple of like
<v Speaker 1>conspiracy theories guys go into like a comet ping pong
<v Speaker 1>or something. Yeah, I get a hole in the hole.
<v Speaker 1>Thing just happened to the boat. Just calm down, stop
<v Speaker 1>being a bit urgent. Column is Ray Lloyd? I mean,
<v Speaker 1>where the fuck did I'm curious how much that guy
<v Speaker 1>made or this here? How much did they make on
<v Speaker 1>this movie? I couldn't possibly be worth their time five
<v Speaker 1>hundred bucks.
<v Speaker 2>In a movie.
<v Speaker 1>Yeah, the wrestling payoffs.
<v Speaker 5>Here's what we're gonna do. We're gonna give those Jacob
<v Speaker 5>boys exactly what they want.
<v Speaker 4>Now.
<v Speaker 1>The game plan is Glacier the Jacob Boys exactly what
<v Speaker 1>they want. Clark, What the hell are you doing, Clark?
<v Speaker 5>Sheriff Logan, what are you doing out this?
<v Speaker 4>Like?
<v Speaker 1>I got a call about a kidnapper? Was Kurt bearing
<v Speaker 1>a gun saying you've got to call about a kidnapper?
<v Speaker 5>I'm doing your job.
<v Speaker 1>Oh, I'm doing your job, sheriff says Glacier. Wow, thank Lazier.
<v Speaker 1>Doing the job to curt Angle sounds right to me.
<v Speaker 1>So it was let your town die? Is that a
<v Speaker 1>federal offense? Letting your town die? No? Is it murder?
<v Speaker 1>I mean euthanasia.
<v Speaker 5>You're just a little too late.
<v Speaker 2>Come kidnapping the federal offense.
<v Speaker 1>This town's already. But I don't know if if a
<v Speaker 1>sheriff not doing his job as a federal offense, I
<v Speaker 1>don't think quite. I mean, I don't think it's good,
<v Speaker 1>but I don't think you know, sheriff will be charged? Right?
<v Speaker 1>Uh oh.
<v Speaker 2>Oh, for a moment I thought I forgot his line.
<v Speaker 1>I know you started suddenly looked up mid mid sentence,
<v Speaker 1>looking a distant fog which they can somehow see from
<v Speaker 1>the boat on land across the river. I guess all
<v Speaker 1>the axe wielding Kevin Ash said, vicious and the other guy.
<v Speaker 1>Who's the other guy again?
<v Speaker 2>He was the mothman, and the mothman prophecies build something
<v Speaker 2>or other?
<v Speaker 1>A nice two shot, Nash and said, morons. I think
<v Speaker 1>you've got your under the cinemat freeze frame, right, yeah, right,
<v Speaker 1>you've been living on bad time. Fucker a Candy ray Lloyd,
<v Speaker 1>and they just let him go. They're going to sacrifice.
<v Speaker 1>They love hovering on those yellowed eyes and really sick
<v Speaker 1>as if that makeup job is good. So they just
<v Speaker 1>sent a boat towards these monsters who were ankle deep
<v Speaker 1>in the water. Oh, this is the guy that's kept going,
<v Speaker 1>Babe Ruth of the business. Whoa he get shot though? Yeah?
<v Speaker 1>Who had a gun? Now? The basement dweller guy has
<v Speaker 1>been hacked to death by the heels angel Is like,
<v Speaker 1>I think he sees like a two headed dragon. I
<v Speaker 1>think he sees oz.
<v Speaker 2>I think he does too. Well, he does, actually, because
<v Speaker 2>Kevin Nash is right over there.
<v Speaker 1>Exactly right. Oh whoa, who's that? Oh? As you shot
<v Speaker 1>the bullet? Uh? Why paranormal girl? Yeah? Why does she
<v Speaker 1>have a moment here? I just totally forgot about her character.
<v Speaker 1>She just said it was her grandfather that she just
<v Speaker 1>watched get hacked to death by those guys. Okay, well
<v Speaker 1>they took a while to let us in on that story.
<v Speaker 1>What the fuck is going on? How do those characters
<v Speaker 1>have any cross pollination at all? He best, we're back
<v Speaker 1>at the beginning. Oh, this is where she's standing outside
<v Speaker 1>in the snow and as a student poems or whatever
<v Speaker 1>she's doing. Revenge has an unwavering grip in the soul.
<v Speaker 1>She has an unwavering grip on the soul.
<v Speaker 3>Right, the Jacob's brothers took vengeance on their killers.
<v Speaker 1>Jacobs brothers took vengeance on their killers. They took vengeance
<v Speaker 1>on the descendants of their killers, vengeance and the descendants
<v Speaker 1>as well, just like the fuck as for me? As
<v Speaker 1>for me, the sheriff said that I would be in
<v Speaker 1>jail if my act hadn't been a mercy killing. In jail.
<v Speaker 1>That was a mercy killing. So she's not in jail.
<v Speaker 1>She killing my ass. What who raped his mother? Kevin Nash? No,
<v Speaker 1>the grandfather. Oh, that's right, he took the bullet. That's
<v Speaker 1>a bullet. The fuck. That's the twist. That's the twist.
<v Speaker 1>They go black. The screen goes black after she says that,
<v Speaker 1>what the fuck? So this guy, the guy from that
<v Speaker 1>a living dead? Yes? Oh, by the way, the credits
<v Speaker 1>are scrolling in the wrong direction. Keep with the theme here,
<v Speaker 1>seven or whatever? Seven does this too? But yes, seven,
<v Speaker 1>because seven is a good movie. Sheriff Will Logan is
<v Speaker 1>kurd Angle, Jaden Jacobs is Kevin Nash Jonah Jacobs. But
<v Speaker 1>Psycho said vicious and.
<v Speaker 2>Then Clark Higgins ray lord, Now, let's just get for
<v Speaker 2>a moment.
<v Speaker 1>I can't believe. I just can't process it. I told you,
<v Speaker 1>it comes completely out of nowhere, makes more no sense. This,
<v Speaker 1>this girl is woman whose story is I mean, has
<v Speaker 1>not been exposed as having any kind of connection with
<v Speaker 1>these people. Suddenly reveals that the babe Ruth Zombie is
<v Speaker 1>her grandfather, and her grandfather raped her mom. What the fuck?
<v Speaker 1>So he's a bad guy all this time? This innocent guy, right,
<v Speaker 1>we felt badly about getting fucking toward, you know, haunted
<v Speaker 1>in his own home and then just brutally murdered, and
<v Speaker 1>she's a side. What the so, like, what the fuck
<v Speaker 1>do the fucking zombies have to do with such a
<v Speaker 1>I got a lot of questions, boss, I mean, we
<v Speaker 1>should uh, maybe we should have a followup. We should
<v Speaker 1>get Bruce Kohler on the on the show. Oh, I'm
<v Speaker 1>sure he's dying to come on, especially after this episode.
<v Speaker 2>Jesus Christ. Well, hey, scary movie season, we're still at
<v Speaker 2>the early stages.
<v Speaker 1>That's right.
<v Speaker 2>We got more to come. Lots of exciting stuff. And
<v Speaker 2>you mentioned boxing earlier in the show, and boxing will
<v Speaker 2>play into our next movie.
<v Speaker 1>But we'll talk about that at a later date. Until then,
<v Speaker 1>See It the Movies.
<v Speaker 3>Is a production of the lap Entertainment Group. Its content
<v Speaker 3>is intended for Brevan Hughes only.
<v Speaker 1>Maybe to stay forensics office. We'll come up with something.
<v Speaker 5>We want.
<v Speaker 2>Books